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1000-Word Philosophy: An Introductory Anthology

Philosophy, One Thousand Words at a Time

How to Write a Philosophical Essay

Authors: The Editors of 1000-Word Philosophy [1] Category: Student Resources Word Count: 998

If you want to convince someone of a philosophical thesis, such as that God exists , that abortion is morally acceptable , or that we have free will , you can write a philosophy essay. [2]

Philosophy essays are different from essays in many other fields, but with planning and practice, anyone can write a good one. This essay provides some basic instructions. [3]

1. Planning

Typically, your purpose in writing an essay will be to argue for a certain thesis, i.e., to support a conclusion about a philosophical claim, argument, or theory. [4] You may also be asked to carefully explain someone else’s essay or argument. [5]

To begin, select a topic. Most instructors will be happy to discuss your topic with you before you start writing. Sometimes instructors give specific prompts with topics to choose from.

It’s generally best to select a topic that you’re interested in; you’ll put more energy into writing it. Your topic will determine what kind of research or preparation you need to do before writing, although in undergraduate philosophy courses, you usually don’t need to do outside research. [6]

Essays that defend or attack entire theories tend to be longer, and are more difficult to write convincingly, than essays that defend or attack particular arguments or objections: narrower is usually better than broader.

After selecting a topic, complete these steps:

• Ensure that you understand the relevant issues and arguments. Usually, it’s enough to carefully read and take notes on the assigned readings on your essay’s topic.
• Choose an initial thesis. Generally, you should choose a thesis that’s interesting, but not extremely controversial. [7] You don’t have to choose a thesis that you agree with, but it can help. (As you plan and write, you may decide to revise your thesis. This may require revising the rest of your essay, but sometimes that’s necessary, if you realize you want to defend a different thesis than the one you initially chose.)
• Ensure that your thesis is a philosophical thesis. Natural-scientific or social-scientific claims, such as that global warming is occurring or that people like to hang out with their friends , are not philosophical theses. [8] Philosophical theses are typically defended using careful reasoning, and not primarily by citing scientific observations.

Instructors will usually not ask you to come up with some argument that no philosopher has discovered before. But if your essay ignores what the assigned readings say, that suggests that you haven’t learned from those readings.

2. Structure

Develop an outline, rather than immediately launching into writing the whole essay; this helps with organizing the sections of your essay.

Your structure will probably look something like the following, but follow your assignment’s directions carefully. [9]

2.1. Introduction and Thesis

Write a short introductory paragraph that includes your thesis statement (e.g., “I will argue that eating meat is morally wrong”). The thesis statement is not a preview nor a plan; it’s not “I will consider whether eating meat is morally wrong.”

If your thesis statement is difficult to condense into one sentence, then it’s likely that you’re trying to argue for more than one thesis. [10]

2.2. Arguments

Include at least one paragraph that presents and explains an argument. It should be totally clear what reasons or evidence you’re offering to support your thesis.

In most essays for philosophy courses, you only need one central argument for your thesis. It’s better to present one argument and defend it well than present many arguments in superficial and incomplete ways.

2.3. Objection

Unless the essay must be extremely short, raise an objection to your argument. [11] Be clear exactly which part of the other argument (a premise, or the form) is being questioned or denied and why. [12]

It’s usually best to choose either one of the most common or one of the best objections. Imagine what a smart person who disagreed with you would say in response to your arguments, and respond to them.

Offer your own reply to any objections you considered. If you don’t have a convincing reply to the objection, you might want to go back and change your thesis to something more defensible.

2.5. Additional Objections and Replies

If you have space, you might consider and respond to the second-best or second-most-common objection to your argument, and so on.

2.6. Conclusion

To conclude, offer a paragraph summarizing what you did. Don’t include any new or controversial claims here, and don’t claim that you did more than you actually accomplished. There should be no surprises at the end of a philosophy essay.

Make your writing extremely clear and straightforward. Use simple sentences and don’t worry if they seem boring: this improves readability. [13] Every sentence should contribute in an obvious way towards supporting your thesis. If a claim might be confusing, state it in more than one way and then choose the best version.

To check for readability, you might read the essay aloud to an audience. Don’t try to make your writing entertaining: in philosophy, clear arguments are fun in themselves.

Concerning objections, treat those who disagree with you charitably. Make it seem as if you think they’re smart, careful, and nice, which is why you are responding to them.

Your readers, if they’re typical philosophers, will be looking for any possible way to object to what you say. Try to make your arguments “airtight.”

4. Citations

If your instructor tells you to use a certain citation style, use it. No citation style is universally accepted in philosophy. [14]

You usually don’t need to directly quote anyone. [15] You can paraphrase other authors; where you do, cite them.

Don’t plagiarize . [16] Most institutions impose severe penalties for academic dishonesty.

5. Conclusion

A well-written philosophy essay can help people gain a new perspective on some important issue; it might even change their minds. [17] And engaging in the process of writing a philosophical essay is one of the best ways to develop, understand, test, and sometimes change, your own philosophical views. They are well worth the time and effort.

[1] Primary author: Thomas Metcalf. Contributing authors: Chelsea Haramia, Dan Lowe, Nathan Nobis, Kristin Seemuth Whaley.

[2] You can also do some kind of oral presentation, either “live” in person or recorded on video. An effective presentation, however, requires the type of planning and preparation that’s needed to develop an effective philosophy paper: indeed, you may have to first write a paper and then use it as something like a script for your presentation. Some parts of the paper, e.g., section headings, statements of arguments, key quotes, and so on, you may want to use as visual aids in your presentation to help your audience better follow along and understand.

[3] Many of these recommendations are, however, based on the material in Horban (1993), Huemer (n.d.), Pryor (n.d.), and Rippon (2008). There is very little published research to cite about the claims in this essay, because these claims are typically justified by instructors’ experience, not, say, controlled experiments on different approaches to teaching philosophical writing. Therefore, the guidance offered here has been vetted by many professional philosophers with a collective hundreds of hours of undergraduate teaching experience and further collective hundreds of hours of taking philosophy courses. The editors of 1000-Word Philosophy also collectively have thousands of hours of experience in writing philosophy essays.

[4] For more about the areas of philosophy, see What is Philosophy? by Thomas Metcalf.

[5] For an explanation of what is meant by an “argument” in philosophy, see Arguments: Why Do You Believe What You Believe? by Thomas Metcalf.

[6] Outside research is sometimes discouraged, and even prohibited, for philosophy papers in introductory courses because a common goal of a philosophy paper is not to report on a number of views on a philosophical issue—so philosophy papers usually are not “research reports”—but to rather engage a specific argument or claim or theory, in a more narrow and focused way, and show that you understand the issue and have engaged in critically. If a paper engages in too much reporting of outside research, that can get in the way of this critical evaluation task.

[7] There are two reasons to avoid extremely controversial theses. First, such theses are usually more difficult to defend adequately. Second, you might offend your instructor, who might (fairly or not) give you a worse grade. So, for example, you might argue that abortion is usually permissible, or usually wrong, but you probably shouldn’t argue that anyone who has ever said the word ‘abortion’ should be tortured to death, and you probably shouldn’t argue that anyone who’s ever pregnant should immediately be forced to abort the pregnancy, because both of these claims are extremely implausible and so it’s very unlikely that good arguments could be developed for them. But theses that are controversial without being implausible can be interesting for both you and the instructor, depending on how you develop and defend your argument or arguments for that thesis.

[8] Whether a thesis is philosophical mostly depends on whether it is a lot like theses that have been defended in important works of philosophy. That means it would be a thesis about metaphysics, epistemology, value theory, logic, history of philosophy, or something therein. For more information, see Philosophy and Its Contrast with Science and What is Philosophy? both by Thomas Metcalf.

[9] Also, read the grading rubric, if it’s available. If your course uses an online learning environment, such as Canvas, Moodle, or Schoology, then the rubric will often be visible as attached to the assignment itself. The rubric is a breakdown of the different requirements of the essay and how each is weighted and evaluated by the instructor. So, for example, if some requirement has a relatively high weight, you should put more effort into doing a good job. Similarly, some requirement might explicitly mention some step for the assignment that you need to complete in order to get full credit.

[10] In some academic fields, a “thesis” or “thesis statement” is considered both your conclusion and a statement of the basic support you will give for that conclusion. In philosophy, your thesis is usually just that conclusion: e..g, “Eating meat is wrong,” “God exists,” “Nobody has free will,” and so on: the support given for that conclusion is the support for your thesis.

[11] To be especially clear, this should be an objection to the argument given for your thesis or conclusion, not an objection to your thesis or conclusion itself. This is because you don’t want to give an argument and then have an objection that does not engage that argument, but instead engages something else, since that won’t help your reader or audience better understand and evaluate that argument.

[12] For more information about premises, forms, and objections, see Arguments: Why do You Believe What You Believe? by Thomas Metcalf.

[13] For a philosophical argument in favor of clear philosophical writing, and guidance on producing such writing, see Fischer and Nobis (2019).

[14] The most common styles in philosophy are APA (Purdue Online Writing Lab, n.d.a) and Chicago (Purdue Online Writing Lab, n.d.b.).

[15] You might choose to directly quote someone when it’s very important that the reader know that the quoted author actually said what you claim they said. For example, if you’re discussing some author who made some startling claim, you can directly quote them to show that they really said that. You might also directly quote someone when they presented some information or argument in a very concise, well-stated way, such that paraphrasing it would take up more space than simply quoting them would.

[16] Plagiarism, in general, occurs when someone submits written or spoken work that is largely copied, in style, substance, or both, from some other author’s work, and does not attribute it to that author. However, your institution or instructor may define “plagiarism” somewhat differently, so you should check with their definitions. When in doubt, check with your instructor first.

[17] These are instructions for relatively short, introductory-level philosophy essays. For more guidance, there are many useful philosophy-writing guides online to consult, e.g.: Horban (1993); Huemer (n.d.); Pryor (n.d.); Rippon (2008); Weinberg (2019).

Fischer, Bob and Nobis, Nathan. (2019, June 4). Why writing better will make you a better person. The Chronicle of Higher Education . 

Horban, Peter. (1993). Writing a philosophy paper. Simon Fraser University Department of Philosophy . 

Huemer, Michael. (N.d.). A guide to writing. Owl232.net .

Pryor, Jim. (N.d.). Guidelines on writing a philosophy paper. Jimpryor.net .

Purdue Online Writing Lab. (N.d.a.). General format. Purdue Online Writing Lab . 

Purdue Online Writing Lab. (N.d.b.). General format. Purdue Online Writing Lab .

Rippon, Simon. (2008). A brief guide to writing the philosophy paper. Harvard College Writing Center .

Weinberg, Justin. (2019, January 15). How to write a philosophy paper: Online guides. Daily Nous .

Related Essays

Arguments: Why do You Believe What You Believe? by Thomas Metcalf

Philosophy and its Contrast with Science by Thomas Metcalf

What is Philosophy? By Thomas Metcalf

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How to Write a Philosophy Essay: Ultimate Guide

What Is a Philosophy Essay: Definition

Philosophical writing isn't your typical assignment. Its aim isn't to provide an overview of professional philosophers' works and say whether you agree with them.

Philosophy demands becoming a philosopher for the time of writing, thinking analytically and critically of ideas, pondering the Big Questions, and asking 'Why?'. That's why it requires time and energy, as well as a lot of thinking on your part.

But what is philosophy essay, exactly? If you're tasked with writing one, you'll have to select a thesis in the philosophical domain and argue for or against it. Then, you can support your thesis with other professional philosophers' works. But it has to contain your own philosophical contribution, too. (This is only one definition of philosophy essay, of course.)

What's a Good Philosophy Paper Outline?

Before you start writing your first line, you should make a philosophy essay outline. Think of it as a plan for your philosophy paper that briefly describes each paragraph's point.

As for how to write a philosophy essay outline, here are a few tips for you:

• Start with your thesis. What will you be arguing for or against?
• Read what philosophical theory has to say and note sources for your possible arguments and counterarguments.
• Decide on the definitions of core concepts to include precise philosophical meanings in your essay.
• After careful and extended reflection, organize your ideas following the structure below.

How To Structure a Philosophy Paper?

Like any other essay, a philosophy paper consists of an introduction, a main body, and a conclusion. Sticking to this traditional philosophy essay structure will help you avoid unnecessary stress.

Here's your mini-guide on how to structure a philosophy essay:

• Introduction - Clarify the question you will be answering in your philosophy paper. State your thesis – i.e., the answer you'll be arguing for. Explain general philosophical terms if needed.
• Main body - Start with providing arguments for your stance and refute all the objections for each of them. Then, describe other possible answers and their reasoning – and counter the main arguments in their support.
• Conclusion - Sum up all possible answers to the questions and reiterate why yours is the most viable one.

What's an Appropriate Philosophy Essay Length?

In our experience, 2,000 to 2,500 words are enough to cover the topic in-depth without compromising the quality of the writing.

However, see whether you have an assigned word limit before getting started. If it's shorter or longer than we recommend, stick to that word limit in writing your essay on philosophy.

What Format Should You Use for a Philosophy Paper?

As a philosophy and psychology essay writing service , we can attest that most students use the APA guidelines as their philosophy essay format. However, your school has the final say in what format you should stick to.

Sometimes, you can be asked to use a different college philosophy essay format, like MLA or Chicago. But if you're the one to choose the guidelines and don't know which one would be a good philosophy argumentative essay format, let's break down the most popular ones.

APA, MLA, and Chicago share some characteristics:

• Font: Time New Roman, 12 pt
• Line spacing: double
• Margins: 1" (left and right)
• Page number: in the header

But here's how they differ:

• A title page required
• Sources list: 'References' page
• No title page required
• Sources list: 'Works cited' page
• Sources list: 'Bibliography' page
• Footnotes and endnotes are required for citations

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Guideline on How to Write a Philosophy Essay

If you still don't feel that confident about writing a philosophy paper, don't worry. Philosophical questions, by definition, have more than one interpretation. That's what makes them so challenging to write about.

To help you out in your philosophical writing journey, we've prepared this list of seven tips on how to write a philosophy essay.

• Read Your Sources Thoughtfully

Whether your recommended reading includes Dante's Divine Comedy or Jean-Paul Sartre's Existentialism Is a Humanism , approach your sources with curiosity and analytical thinking. Don't just mindlessly consume those texts. Instead, keep asking yourself questions while you're reading them, such as:

• What concepts and questions does the author address?
• What's the meaning behind key ideas and metaphors in the text?
• What does the author use as a convincing argument?
• Are there any strange or obscure distinctions?

As for which sources you should turn to, that all depends on your central question; philosophy topics for essay are diverse and sometimes opposed. So, you'll have to do your fair share of research.

• Brainstorm & Organize Your Ideas

As you're reading those texts, jot down what comes to your mind. It can be a great quote you've stumbled upon, an idea for an argument, or your thoughtful, critical responses to certain opinions.

Then, sort through and organize all of those notes into an outline for your essay in philosophy. Make sure that it holds up in terms of logic. And ensure that your arguments and counterarguments are compelling, sensible, and convincing!

Now, you might be wondering how to write a philosophy essay introduction. Don't worry: there's an explanation right below!

• Craft Your Introductory Paragraph

Think of your introduction as a road map preparing your reader for the journey your essay will take them on. This road map will describe the key 'stops' in your essay on philosophy: your topic, stance, and how you will argue for it – and refute other stances.

Don't hesitate to write it out as a step-by-step guide in the first or third person. For example: 'First, I will examine... Then, I will dispute... Finally, I will present….'

Need an example of an excellent introduction for a philosophy paper? You’ll be thrilled to know that we have one of our philosophy essay examples below!

• Present Your Key Arguments & Reflections

Philosophy papers require a fair share of expository writing. This is where you demonstrate your understanding of the topic. So, make your exposition extensive and in-depth, and don't omit anything crucial.

As for the rest of the main body, we've covered how to structure a philosophy essay above. In short, you'll need to present supporting arguments, anticipate objections, and address them.

Use your own words when writing a philosophy paper; avoid pretentious or verbose language. Yes, some technical philosophical terms may be necessary. But the point of a philosophical paper is to present your stance – and develop your own philosophy – on the topic.

• Don't Shy Away from Critical Ideas

Whenever you examine a philosophical theory or text, treat it with a fair share of criticism. This is what it means in practice – and how to structure a philosophy essay around your critical ideas:

• Pinpoint what the theory's or idea's strengths are and every valid argument in its support;
• See the scope of its application – perhaps, there are exceptions you can use as counterarguments;
• Research someone else's criticism of the theory or idea. Develop your own criticism, as well;
• Check if the philosopher already addressed those criticisms.
• Ponder Possible Answers to Philosophical Questions

Writing an essay in philosophy is, in fact, easier for some students as the topic can always have multiple answers, and you can choose any of them. However, this can represent an even tougher challenge for other students. After all, you must consider those possible answers and address them in the paper.

How do you pinpoint those possible answers? Some of them can come to your mind when you brainstorm, especially if you'll be writing about one of the Big Questions. Others will reveal themselves when you start reading other philosophers' works.

Remember to have arguments for and against each possible answer and address objections.

• Write a Powerful Conclusion

The conclusion is where you sum up your paper in just one paragraph. Reiterate your thesis and what arguments support it. But in philosophical writing, you can rarely have a clear, undebatable answer by the end of the paper. So, it's fine if your conclusion doesn't have a definitive verdict.

Here are a few tips on how to write a conclusion in a philosophy essay:

• Don't introduce new arguments or evidence in conclusion – they belong in the main body;
• Avoid overestimating or embellishing the level or value of your work;
• Best conclusions are obvious and logical for those reading the paper – i.e.; a conclusion shouldn't be surprising at all;
• Stay away from poorly explained claims in conclusion.

Philosophical Essay Example

Sometimes, it's better to see how it's done once than to read a thousand guides. We know that like no one else, so we have prepared this short philosophy essay example to show you what excellent philosophy papers look like:

Like this example? Wondering how to get a custom essay as great as it is? You're in luck: you can buy online essay at EssayPro without breaking the bank! Keep in mind: this example is only a fraction of what our writers are capable of!

30 Philosophy Paper Topic Ideas

Philosophical writing concerns questions that don't have clear-cut yes or no answers. So, coming up with philosophy essay topics yourself can be tough.

Fret not: we've put together this list of 30 topics for philosophy papers on ethics and leadership for you. Feel free to use them as-is or tweak them!

15 Ethics Philosophy Essay Topics

Ethics deals with the question of right and wrong. So, if you're looking for philosophy essay topic ideas, ethics concerns some of the most interesting – and most mind-boggling – questions about human behavior.

Here are 15 compelling philosophy essay topics ethics has to offer you:

• Is starting a war always morally wrong?
• Would it be right to legalize euthanasia?
• What is more important: the right to privacy or national security?
• Is justice always fair?
• Should nuclear weapons be banned?
• Should teenagers be allowed to get plastic surgery?
• Can cheating be justifiable?
• Can AI algorithms behave ethically?
• Should you abide by an unfair law?
• Should voting become mandatory?
• When can the right to freedom of speech be limited?
• Is it the consumers' responsibility to fight climate by changing their buying decisions?
• Is getting an abortion immoral?
• Should we give animals their own rights?
• Would human gene editing be immoral?

15 Leadership Philosophy Essay Topics

You're lucky if you're tasked with writing a leadership philosophy essay! We've compiled this list of 15 fresh, unconventional topics for you:

• Is formal leadership necessary for ensuring the team's productivity?
• Can authoritative leadership be ethical?
• How do informal leaders take on this role?
• Should there be affirmative action for formal leadership roles?
• Is it possible to measure leadership?
• What's the most important trait of a leader?
• Is leadership an innate talent or an acquired skill?
• Should leadership mean holding power over others?
• Can a team function without a leader?
• Should you follow a leader no matter what?
• Is leader succession necessary? Why?
• Are leadership and power the same?
• Can we consider influencers contemporary leaders?
• Why do people follow leaders?
• What leadership style is the most ethical one?

7 Helpful Tips on Crafting a Philosophical Essay

Still, feeling stuck writing a philosophical essay? Here are seven more tips on crafting a good philosophy paper that can help you get unstuck:

• Write the way you would talk about the subject. This will help you avoid overly convoluted, poor writing by using more straightforward prose with familiar words.
• Don't focus on having a definitive answer by the end of your philosophical essay if your conclusion states that the question should be clarified further or that there are multiple answers.
• You don't have to answer every question you raise in the paper. Even professional philosophers sometimes don't have all the answers.
• Get straight to the point at the start of your paper. No need to warm up the reader – and inflate your word count.
• Avoid using quotes. Instead, explain the author's point in your own words. But if you feel it's better to use a direct quote, explicitly state how it ties to your argument after it.
• Write in the first person unless your assignment requires you to use the third person.
• Start working on your philosophical essay well in advance. However much time you think you'll need, double it!

7 Common Mistakes to Avoid in Philosophy Writing

Sometimes, knowing what you shouldn't do in a philosophical essay is also helpful. Here are seven common mistakes that often bring down students' grades – but are easily avoidable:

• Appealing to authority – in philosophy, strive to develop your own stance instead;
• Using convoluted sentences to appear more intelligent – instead, use simpler ways to deliver the same meaning;
• Including interesting or important material without tying it to your point – every piece of evidence and every idea should explicitly support your arguments or counterarguments;
• Inflating your word count without delivering value – in the writing process, it's crucial to 'kill your darlings';
• Making poorly explained claims – explicitly present reasons for or against every claim you include;
• Leaving core concepts undefined – explain what you mean by the words like 'free will' or 'existentialism' in the introduction;
• Worrying about being wrong – no one can be proven wrong in philosophy!

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Philosophy essay writing guide

Introduction.

This guide is intended to give new students of philosophy some preliminary advice about writing philosophy essays at university. For many of you, writing a philosophy essay will be something of a new experience, and no doubt many of you will be a little unsure of what to expect, or of what is expected of you. Most of you will have written essays in school for English, History, etc. A philosophy essay is something a little different again. However, it is not an unfathomable, mysterious affair, nor one where anything goes.

Just what a philosophy essay is will depend a lot, as you'd expect, on just what philosophy is. Defining philosophy is always a more or less controversial business, but one way to think of what is done in university philosophy departments is to think of the difference between having a philosophy and doing philosophy. Virtually everyone "has a philosophy" in the sense that we have many basic beliefs about the world and ourselves and use certain key concepts to articulate those beliefs. Many of us initially come to thus "have a philosophy" (or elements of several philosophies) often only unconsciously, or by following "what's obvious" or "what everybody knows", or by adopting a view because it sounds exciting or is intellectually fashionable.

"Doing philosophy", on the other hand, is a self-conscious unearthing and rigorous examination of these basic beliefs and key concepts. In doing so, we try to clarify the meanings of those beliefs and concepts and to evaluate critically their rational grounds or justification. Thus, rather than having their heads in the clouds, philosophers are really more under the surface of our thinking, examining the structures that support - or fail to support - those who trust that they have their feet on the ground. Such examination may even help to develop new and firmer ground.

Doing philosophy, then, begins with asking questions about the fundamental ideas and concepts that inform our ways of looking at the world and ourselves, and proceeds by developing responses to those questions which seek to gain insight into those ideas and concepts - and part of that development consists in asking further questions, giving further responses, and so on. Human beings across the world have been engaged in this sort of dialogue of question and response for many centuries - even millennia - and a number of great traditions of reflection and inquiry have evolved that have fundamentally influenced the development of religion, art, science and politics in many cultures. The influence of philosophical thinking on Western civilization, in particular, can be traced back more than 2,500 years to the Ancient Greeks.

In philosophy, a good essay is one that, among other things, displays a good sense of this dialectic of question and response by asking insightful, probing questions, and providing reasoned, well-argued responses. This means that you should not rest content with merely an unintegrated collection of assertions, but should instead work at establishing logical relations between your thoughts. You are assessed not on the basis of what you believe, but on how well you argue for the position you adopt in your essay, and on how interesting and insightful your discussion of the issues is. That is to say, you are assessed on how well you do philosophy, not on what philosophy you end up having. Nonetheless, you ought to make sure that your essay's discussion is relevant to the topic. (See Section 5.2 below on relevance.)

It is hoped that you enjoy the activity of essay writing. If you have chosen to study Arts, it is likely that you will have a particular interest in - even a passion for - ideas and the variety of forms and genres in which ideas are expressed and explored. The argumentative or discursive formal academic essay is one such form, and one which can be a pleasure to read and to write. Thus, the assessment that is set in philosophy courses is primarily an invitation to you to pursue what is already (or, hopefully, soon to be) your own interest in writing to explore ideas. However, your immediate goal in writing an academic philosophy essay ought not to be to write a personal testament, confession or polemic. Rather, you should primarily aim at articulating, clearly and relatively dispassionately, your philosophical thinking on the topic at hand. Nevertheless, the kind and degree of personal development one can gain from taking up the challenge to think and to write carefully, clearly and thoroughly is certainly something to be greatly valued.

This guide is intended to help you get started in the business of writing philosophy essays. As you practise your philosophical writing skills, you will develop your own technique, and learn what is appropriate in each particular case. So you may well come to "work around" many of these guidelines. Nonetheless, it is important that you pass through that which you seek to pass beyond.* In addition to your own writing, your reading of other philosophers will help you to develop your sense of what constitutes good philosophical writing. As you read, note the various styles and techniques that philosophical authors employ in their treatment of philosophical issues. Practice and studying good examples, then, are the most valuable ways to develop your essay writing skills.

This guide is, moreover, only one of many publications that introduce philosophy students to essay writing. Some others you may like to consult include:

• A. P. Martinich, Philosophical Writing, 2nd ed. (Oxford: Blackwell, 1997)
• J. Feinberg and R. Shafer-Landau, Doing Philosophy: A Guide to the Writing of Philosophy Papers, 2nd ed. (Belmont, Calif.: Wadsworth, 2001)
• Z. Seech, Writing Philosophy Papers, 4th ed. (Belmont, Calif.: Wadsworth, 2003)
• R. Solomon, "Writing Philosophy", Appendix to his The Big Questions: A Short Introduction to Philosophy, 6th ed. (Belmont, Calif.: Wadsworth, 2001)
• S. Gorovitz et al., Philosophical Analysis: An Introduction to its Language and Techniques, 3rd ed. (New York: Random House, 1979)

Also, the websites of many philosophy departments in universities around Australia and the world contain downloadable essay writing guides or links to them.

*This phrase is adapted from Jacques Bouveresse, "Why I am so very unFrench", in Alan Montefiore, ed., Philosophy in France Today (Cambridge: Cambridge University Press, 1983), p. 12.

What do I do in a Philosophy essay?

Philosophy essay topics are not designed to provide an intellectual obstacle course that trips you up so as to delight a malicious marker. They are designed to invite you to "grapple with" with some particular philosophical problem or issue. That is to say, they are designed to offer you an opportunity to demonstrate your understanding of a particular philosophical problem or issue, and to exhibit your own philosophical skills of analysis, argumentation, etc. These twin goals are usually best achieved by ensuring that your essay performs two basic functions (your understanding and your skills apply to both):

an exposition of the problem or issue in question (often as it is posed in some particular text); and a critical discussion of the problem or text

These two functions can, but need not always, correspond to physically or structurally distinct sections of your essay. See Section 5.1.

The expository ("setting forth") aspect of your essay is where you should make clear what the issue is and why it is an issue. Where you are dealing with an issue as it is presented in some particular text, your aim should be to make clear what it is that the author in question meant in their text, what they see as the issue and why they see it as an issue. This does not involve merely quoting or paraphrasing a text. Of course, occasional quotation and paraphrase may be appropriate - sometimes necessary - but these ought not to constitute the sole or major content of your exposition. Where you do quote or paraphrase, make sure you attribute your sources in footnotes or endnotes. (See Section 7.)

Exposition is, then, primarily a matter of developing in your own words what you think the issue is or what you think the text means. In all expository work you should always try to give a fair and accurate account of a text or problem, even when the exposition becomes more interpretive rather than simply descriptive. You ought to be patient and sympathetic in your exposition, even if you intend later to criticise heavily the philosopher in question. Indeed, the better the exposition in this regard, usually the more effective the critique.

An important part of exposition is your analysis of the text or issue. Here you should try to "break down" the text, issue or problem into its constitutive elements by distinguishing its different parts. (E.g. "There are two basic kinds of freedom in question when we speak of freedom of the will. First, … . Second, …", or "There are three elements in Plato's conception of the soul, namely... He establishes these three elements by means of the following two arguments... ") This also involves showing the relationships between those elements, relationships which make them "parts of the whole".

As well as laying out these elements within a text or issue, you can also (when appropriate or relevant) show how a text or issue "connects up with" other texts, issues, or philosophical and/or historical developments, which can help to shed further light on the matter by giving it a broader context. (eg "Freedom of the will is importantly connected to the justification of punishment", or "Plato's tripartite theory of the soul bears interesting resemblances to Freud's analysis of the psyche", or "Kant's transcendental idealism can be seen as reconciling the preceding rationalist and empiricist accounts of knowledge".)

An exposition of a text need not always simply follow the author's own view of what it means. You should, of course, demonstrate that you understand how the author themself understands their work, but an exposition can sometimes go beyond this, giving another reading of the text. (eg "Heidegger might deny it, but his Being and Time can be read as developing a pragmatist account of human understanding.") A given text or issue may well be susceptible to a number of plausible or reasonable interpretations. An exposition should aim to be sensitive to such variety. When appropriate, you should defend your interpretations against rivals and objections. Your interpretation ought, though, to be aimed at elucidating the meaning or meanings of the text or issue and not serve merely as a "coat-hanger" for presenting your own favoured views on the matter in question, which should be left to your ...

Critical discussion

This is where your thought gets more of the centre stage. Here you should attempt to develop a response to the issues which your exposition has made clear, and/or, in the case of a discussion of some particular text, attempt to give a critical appraisal of the author's treatment of the issue. In developing a response to a philosophical problem, argumentation is, again, of central importance. Avoid making unsupported assertions; back up your claims with reasons, and connect up your ideas so that they progress logically toward your conclusions. Consider some of the various objections to and questions about your views that others might or have put forward, and try to respond to them in defence of your own line of thinking. Your goal here should be to discuss what you have expounded so as to come to some conclusion or judgement about it. ("Critical" is derived from the Ancient Greek for "to decide, to judge".) Critical discussion is thus not necessarily "destructive" or "negative"; it can be quite constructive and positive.

In the case of a critical appraisal of a particular author's text, you can negatively criticise the author's arguments by pointing out questionable assumptions, invalid reasoning, etc. If, on the other hand, you think that the text is good, then your critical discussion can be positive. This can be done by revealing its "hidden virtues" (that is, by showing that there is more to the author's arguments and views than what lies on the surface) and/or by defending an author against possible and/or actual criticisms. (eg "Norman Malcolm argues that Descartes is mistaken in assuming that dreams and waking episodes have the same content.* However, Malcolm fails to appreciate the subtlety of Descartes' argument in the First Meditation, which allows Descartes to claim . . .") Just to expound an author's arguments and then say "I disagree" or "That seems right" is not really enough - you need to "have something to say" about it. Of course, by all means go on, after finding fault with some philosopher, to answer in your own way the questions tackled or raised by the author. (eg "Simone de Beauvoir's analysis of women's oppression in The Second Sex suffers from serious weaknesses, as I have shown in Section 2 above. A better way to approach the issue, I shall now argue, is to . . .".)

Where you are not primarily concerned with evaluating or responding to a particular text, your critical discussion can be more focused on your own constructive response to the issue. (eg "Having used Dworkin's account to clarify the meanings of the concepts of 'the sanctity of life' and 'voluntariness', I shall now argue that voluntary euthanasia is morally permissible because its voluntariness respects what is of value in the notion of the sanctity of life" - where you now leave Dworkin behind as a source and move on to give your own account.)

* See Norman Malcolm, "Dreaming and Skepticism", in Willis Doney, ed., Descartes: A Collection of Critical Essays (London: Macmillan, 1967), p. 56.

Guide to researching and writing Philosophy essays

5th edition by Steven Tudor , for the Philosophy program, University of Melbourne, 2003.

This fifth edition of How to Write a Philosophy Essay: A Guide for Students (previous editions titled A Guide to Researching and Writing Philosophy Essays ) was prepared in consultation with members of the Philosophy program, the University of Melbourne. For advice and assistance on this and earlier editions, thanks are due to Graham Priest, Barry Taylor, Christopher Cordner, Doug Adeney, Josie Winther, Linda Burns, Marion Tapper, Kimon Lycos, Brendan Long, Jeremy Moss, Tony Coady, Will Barrett, Brian Scarlett, and Megan Laverty. Some use was also made of materials prepared by the Philosophy Departments of La Trobe University, the University of Queensland, and The Australian National University.

Disclaimer: University, Faculty and program rules

Please note: this booklet does not provide authoritative statements of the official policies or rules of the University of Melbourne, the Faculty of Arts, or the Philosophy program with regard to student essays and examinations or any other matters. Students should, therefore, not rely on this booklet for such information, for which they should consult the various appropriate notice boards, handbooks, websites, and/or members of staff.

Essay topics

What do philosophy essay topics look like? There are, very roughly, two basic kinds of philosophy essay topics: "text-focused" topics and "problem-focused" topics. Text-focused topics ask you to consider some particular philosopher's writing on some issue. (eg "Discuss critically David Hume's account of causation in Part III of Book I of his A Treatise of Human Nature " or "Was Wittgenstein right to say that 'the meaning of a word is its use in the language', in his Philosophical Investigations, Sec. 43?"). Problem-focused topics are more directly about a particular philosophical problem or issue, without reference to any particular philosopher's text. (eg "Is voluntary euthanasia morally permissible?" or "What is scientific method?")

There is another sort of topic, one which presents a statement and asks you to discuss it, where that statement is a "made up" or, at least, unattributed quote. (eg. "'Without belief in God, people cannot be moral'. Discuss.") I shall regard these as variations of the problem-focused type of topic. Where you are asked to discuss some such statement "with reference to" some specified text or philosopher, then that topic becomes more text-focused. (eg "'Without belief in God, people cannot be moral'. Discuss with reference to J.L. Mackie's Ethics: Inventing Right and Wrong. ") Occasionally, a topic presents an unattributed statement, but the statement is, in fact, a quote from a particular philosopher you've been studying, or, at least, a good paraphrase of their thinking. (An example of the latter: "'All the ideas in our minds originate from either sense perception or our reflection upon sensory information.' Discuss.", in a course devoted to John Locke, whose views are summed up in the quoted statement, though those words are not actually his.) Should you take such topics as problem- or text-focused? Rather unhelpfully, I'll say only that it depends on the case. You might ask your lecturer or tutor about it. Whichever way you do take it, be clear in your essay which way you are taking it.

The difference between text-focused and problem-focused essay topics is, however, not very radical. This is because, on the one hand, any particular philosopher's text is about some philosophical problem or question, while, on the other hand, most philosophical problems (certainly virtually all those you will be given as essay topics at university) will have been written about by previous philosophers.

The basic way to approach text-focused topics, then, is to treat the nominated text as an attempt by one philosopher to deal with a particular philosophical problem or issue. The essay topic will, generally speaking, be inviting you to do philosophy with that philosopher, to engage with them in thinking about the issue, whether that engagement proves to be as an ally or an adversary. The chosen text will usually be one which has been (or deserves to be) influential or significant in the history of philosophy, but the task is not to pay homage to past masters. But, even if homage is your thing, the best way to do that here is to engage with the master philosophically.

With regard to problem-focused topics, you will often find your exploration of the problem aided by taking some text or texts which have dealt with it as reference points or prompts. This is not always strictly necessary, but many of you starting out in philosophy will find it helpful to do so - it can help you give focus to your response to the question. (Thus, you might, in an essay on the topic "Is voluntary euthanasia morally permissible?" take it upon yourself to use, for example, Ronald Dworkin's Life's Dominion and Peter Singer's Practical Ethics as reference points. Or, in an essay on the topic "What is scientific method?", you might set up your answer via a comparison of the two different accounts in Karl Popper's The Logic of Scientific Discovery and Paul Feyerabend's Against Method.*) How will you know which texts to adopt as reference points or prompts, if none is mentioned in the essay topic itself? One way is to consider what texts have already been mentioned with regard to the topic in your course reading guide and in lectures and tutorials. Another way is to do some of your own research. On this see Section 4 below.

* In this guide, in giving examples of how to go about answering an essay question, I am not necessarily giving any concrete or reliable advice for any particular topic. The examples are primarily to do with the form or style or strategy you might find helpful.

Researching your essay

To do research for your philosophy essay you need to do only two things: read and think. Actually, for problem-focused essays, thinking is the only truly necessary bit, but it's highly likely that you will find your thinking much assisted if you do some reading as well. Philosophical research at university is a little different to research in most other disciplines (especially the natural sciences), in that it is not really about "collecting data" to support or refute explanatory theories. Rather, the thinking that's involved in philosophical research (as part of one's preparation for philosophical writing) is more a matter of reflecting critically upon the problems in front of one. Researching the writings of other philosophers should, therefore, be primarily directed towards helping you with that reflection rather than aiming at gathering together and reporting on "the relevant findings" on a particular topic. In many other disciplines, a "literature review" is an important research skill, and sometimes philosophy academics do such reviews - but it is rare that philosophy students are asked to do one.

What, then, to read? It should be clear from your lectures and tutorials what some starting points for your reading might be. (All courses provide reading guides; many also have booklets of reading material.) Your tutor and lecturer are also available for consultation on what readings you might begin with for any particular topic in that subject. Independent research can also uncover useful sources, and evidence of this in your essay can be a pleasing sign of intellectual independence. Make sure, though, that what you come up with is relevant to the topic. (See Section 5.2 below on relevance.) Whichever way you proceed, your reading should be purposive and selective.

In the case of essay questions that refer to a particular text, you should familiarise yourself thoroughly with this text. Usually, such a text will be a primary text, i.e. one in which a philosopher writes directly about a philosophical issue. Texts on or about a primary text are called secondary texts. (Many philosophical works will combine these two tasks, and discuss other philosophical texts while also dealing directly with a philosophical issue.) Some secondary texts can be helpful to students. However, don't think you will only ever understand a primary text if you have a nice friendly secondary text to take you by the hand through the primary text. More often than not, you need to have a good grasp of the primary text in order to make sense of the secondary text.

How much to read? The amount of reading you do should be that which maximises the quality of your thinking - that is, you should not swamp yourself with vast slabs of text that you can't digest, but nor should you starve your mind of ideas to chew over. There is, of course, no simple rule for determining this optimal amount. Be wary, though, of falling into the vice of looking for excuses not to read some philosopher or text, as in "Oh, that's boring old religious stuff" or "She's one of those obscure literary feminist types", or "In X Department they laugh at you if you mention those authors in tutes". If someone wants a reason not to think, they'll soon come up with one.

Philosophical writings

Most philosophical writings come in either of two forms: books or articles. Articles appear either in books that are edited anthologies or in academic journals, such as Philosophical Quarterly or Australasian Journal of Philosophy. Some academic journals are also on the internet. Most articles in the journals are written by professional philosophers for professional philosophers; similarly with many books. But by no means let this put you off. Everyone begins philosophy at the deep end - it's really the only kind there is!

There are, however, many books written for student audiences. Some of these are general introductions to philosophy as a whole; others are introductions to particular areas or issues (eg biomedical ethics or philosophy of science). Among the general introductions are various philosophical dictionaries, encyclopedias and "companions". These reference works collect short articles on a wide range of topics and can be very useful starting points for newcomers to a topic. Among the most useful of the general reference works are:

• Edward Craig, ed., The Routledge Encyclopedia of Philosophy (10 vols.) (London: Routledge, 1998)
• Paul Edwards, ed., The Encyclopedia of Philosophy (8 vols.) (New York: Macmillan, 1967)
• Robert Audi, ed., The Cambridge Dictionary of Philosophy, 2nd ed. (Cambridge: Cambridge University Press, 1999)
• Ted Honderich, ed., The Oxford Companion to Philosophy (Oxford: Oxford University Press, 1995)
• Simon Blackburn, The Oxford Dictionary of Philosophy (Oxford: Oxford University Press, 1996)
• Thomas Mautner, ed., The Penguin Dictionary of Philosophy (London: Penguin, 1998)
• J.O. Urmson and Jonathan Ree, eds., The Concise Encyclopedia of Western Philosophy and Philosophers (London: Routledge, 1993)
• Edward N. Zalta, ed., The Stanford Encyclopedia of Philosophy (an internet-based reference work: plato.stanford.edu/ )

Note taking

Note taking, like your reading, should not be random, but ought to be guided by the topic in question and by your particular lines of response to the issues involved. Note taking for philosophy is very much an individual art, which you develop as you progress. By and large it is not of much use to copy out reams of text as part of your researches. Nor is it generally helpful to read a great number of pages without making any note of what they contain for future reference. But between these two extremes it is up to you to find the mean that best helps you in getting your thoughts together.

Libraries and electronic resources

The University's Baillieu Library (including the Institute of Education Resource Centre), which is open to all members of the University, contains more than 2,500 years' worth of philosophical writings. The best way to become acquainted with them is by using them, including using the catalogues (including the Baillieu's on-line catalogues and subject resources web-pages), following up a work's references (and references in the references), intelligent browsing of the shelves, etc.

In the main Baillieu Library, the philosophical books are located (mostly) between 100–199 in the Dewey decimal system, and philosophical journals are located in the basement. The Reference section on the ground floor also has some relevant works. The Education Resource Centre also has a good philosophy collection.

In addition to hard-copy philosophical writings, there is also a variety of electronic resources in philosophy, mostly internet-based. The Stanford Encyclopedia of Philosophy was already mentioned above. Links to other useful internet sites (such as the Australasian Association of Philosophy website) can be found through the Baillieu Library's web-page and the Philosophy Department's web-page.

A strong word of warning, however, for the would-be philosophical web-surfer: because anyone can put material on a website, all kinds of stuff, of varying levels of quality, is out there - and new-comers to philosophy are usually not well placed to sort their way through it. Unless you have a very good understanding of what you're looking for - and what you're not looking for - most of you will be much better off simply carefully reading and thinking about a central text for your course, eg Descartes' First Meditation, rather than wandering about the internet clicking on all the hits for "Descartes". Exercise your mind, not your index finger.

Writing your essay

Planning and structuring your essay.

It is very important that you plan your essay, so that you have an idea of what you are going to write before you start to write it. Of course, you will most likely alter things in later drafts, but you should still start off by having a plan. Planning your essay includes laying out a structure. It is very important that your essay has a clearly discernible structure, ie that it is composed of parts and that these parts are logically connected. This helps both you and your reader to be clear about how your discussion develops, stage by stage, as you work through the issues at hand.

Poor essay structure is one of the most common weaknesses in student philosophy essays. Taking the time to work on the structure of your essay is time well spent, especially since skill in structuring your thoughts for presentation to others should be among the more enduring things you learn at university. A common trap that students fall into is to start their essay by writing the first sentence, then writing another one that seems to follow that one, then another one that sort of fits after that one, then another that might or might not have some connection with the previous one, and so on until the requisite 1,500 words are used up. The result is usually a weak, rambling essay.

There are, of course, no hard and fast rules about how to structure a philosophy essay. Again, it is a skill you develop through practice, and much will depend on the particular topic at hand. Nonetheless, it might be helpful to begin by developing an essay structure around the basic distinction between your exposition and your critical discussion (as discussed above). In this it will be important that you make clear who is putting forward which point, that is, make it clear whether you are presenting your own thoughts or are expounding someone else's. (Again, confusion in this regard is a common problem in student essays.) It can often help your structuring if you provide headings for different sections (possibly numbered or lettered). Again, this helps both your reader to follow your discussion and you to develop your thoughts. At each stage, show clearly the logical relations between and the reasons for your points, so that your reader can see clearly why you say what you say and can see clearly the development in your discussion.

Another key to structuring your essay can be found in the old adage "Tell 'em what you're gonna tell 'em. Tell 'em. Then tell 'em what you've told 'em", which provides you with a ready-made structure: Introduction, Main Body, and Conclusion.

In your Introduction, first introduce the issues the essay is concerned with. In doing so, try to state briefly just what the problem is and (if there is space) why it is a problem. This also applies, of course, to issues covered in text-focused essay topics. Next, tell the reader what it is that you are going to do about those problems in the Main Body. This is usually done by giving a brief sketch or overview of the main points you will present, a "pre-capitulation", so to speak, of your essay's structure. This is one way of showing your reader that you have a grasp (indeed, it helps you get a grasp) of your essay as a structured and integrated whole, and gives them some idea of what to expect by giving them an idea of how you have decided to answer the question. Of course, for reasons of space, your Introduction might not be very long, but something along these lines is likely to be useful.

In your Main Body, do what you've said you'll do. Here is where you should present your exposition(s) and your critical discussion(s). Thus, it is here that the main philosophical substance of your essay is to be found. Of course, what that substance is and how you will present it will depend on the particular topic before you. But, whatever the topic, make clear at each stage just what it is you are doing. You can be quite explicit about this. (eg "I shall now present Descartes' ontological argument for the existence of God, as it is presented in his Fifth Meditation. There will be three stages to this presentation.") Don't think that such explicitness must be a sign of an unsophisticated thinker.

A distinct Conclusion is perhaps not always necessary, if your Main Body has clearly "played out" your argument. So you don't always have to present a grand summation or definitive judgement at the end. Still, often for your own sake, try to state to yourself what it is your essay has achieved and see if it would be appropriate to say so explicitly. Don't feel that you must come up with earth-shattering conclusions. Of course, utter banality or triviality are not good goals, either. Also, your essay doesn't always have to conclude with a "solution" to a problem. Sometimes, simply clarifying an issue or problem is a worthy achievement and can merit first-class honours. A good conclusion to a philosophy essay, then, will usually combine a realistic assessment of the ambit and cogency of its claims with a plausible proposal that those claims have some philosophical substance.

What you write in your essay should always be relevant to the question posed. This is another common problem in student essays, so continually ask yourself "Am I addressing the question here?" First-class answers to a question can vary greatly, but you must make sure that your essay responds to the question asked, even if you go on to argue that the question as posed is itself problematic. (eg "To ask ‘What is scientific method?' presupposes that science follows one basic method. However, I shall argue that there are, in fact, several different scientific methods and that these are neither unified nor consistent.") Be wary, however, of twisting a topic too far out of shape in order to fit your favoured theme. (You would be ill-advised, for example, to proceed thus: "What is scientific method? This is a question asked by many great minds. But what is a mind? In this essay, I shall discuss the views of Thomas Aquinas on the nature of mind.")

This requirement of relevance is not intended as an authoritarian constraint on your intellectual freedom. It is part of the skill of paying sustained and focused attention to something put before you - which is one of the most important skills you can develop at university. If you do have other philosophical interests that you want to pursue (such as Aquinas on mind), then please do pursue them, in addition to writing your essay on the set topic. At no stage does the requirement of relevance prevent you from pursuing your other interests.

Citing Philosophical "Authorities"

There might be occasions when you want to quote other philosophers and writers apart from when you are quoting them because they are the subject of your essay. There are two basic reasons why you might want to do this. First, you might quote someone because their words constitute a good or exemplary expression or articulation of an idea you are dealing with, whether as its proponent, critic, or simply its chronicler. (eg "As Nietzsche succinctly put the point, 'There are no moral phenomena at all, only a moral interpretation of phenomena'.*") You may or may not want to endorse the idea whose good expression you have quoted, but simply want to use the philosopher as a spokesperson for or example of that view. But be clear about what you think the quote means and be careful about what you are doing with the quote. It won't do all the work for you.

The second reason you might want to quote a philosopher is because you think their words constitute an "authoritative statement" of a view. Here you want to use the fact that, eg Bertrand Russell maintained that there are two kinds of knowledge of things (namely, knowledge by acquaintance and knowledge by description) in support of your claim that there are two such kinds of knowledge of things. However, be very careful in doing this, for the nature of philosophical authority is not so simple here. That is to say, what really matters is not that Bertrand Russell the man held that view; what matters are his reasons for holding that view. So, when quoting philosophers for this second reason, be careful that you appreciate in what exactly the authority lies - which means that you should show that you appreciate why Russell maintained that thesis. Of course, you can't provide long arguments for every claim you make or want to make use of; every essay will have its enabling but unargued assumptions. But at least be clear about these. (eg "For the purposes of this essay, I shall adopt Russell's thesis* that ...").

* Friedrich Nietzsche, Beyond Good and Evil, trans. R.J. Hollingdale (Harmondsworth: Penguin, 1973 [first German ed.1886]), Sec. 108.

* See Bertrand Russell, The Problems of Philosophy (Oxford: Oxford University Press, 1967 [first pub. 1912]), Ch. 5.

Philosophy is by its nature a relatively abstract and generalising business. (Note that abstractness and generality are not the same thing. Nor do vagueness and obscurity automatically attend them.) Sometimes a longish series of general ideas and abstract reasonings can become difficult for the reader (and often the writer) to follow. It can often help, therefore, to use some concrete or specific examples in your discussion. (Note that there can be different levels of concreteness and specificity in examples.)

Examples can be taken from history, current events, literature, and so on, or can be entirely your own invention. Exactly what examples you employ and just how and why you use them will, of course, depend on the case. Some uses might be: illustration of a position, problem or idea to help make it clearer; evidence for, perhaps even proof of, a proposition; a counter-example; a case-study to be returned to at various points during the essay; or a problem for a theory or viewpoint to be applied to. Again, be clear about what the example is and how and why you use it. Be careful not to get distracted by, or bogged down in, your examples. Brevity is usually best.

English expression

There's another old saying: "If you can't say what you mean, then you can't mean what you say" - and this very much applies to philosophical writing. Thus, in writing philosophically, you must write clearly and precisely. This means that good philosophical writing requires a good grasp of the language in which it is written, including its grammar and vocabulary. (See Section 9.3 for advice for people from non-English speaking backgrounds.) A high standard of writing skills is to be expected of Arts graduates. Indeed, this sort of skill will last longer than your memory of, for example, the three parts of the Platonic soul (though it is also hoped that some of the content of what you study will also stick). So use your time at university (in all your subjects) to develop these skills further.

Having a mastery of a good range of terms, being sensitive to the subtleties of their meaning, and being able to construct grammatically correct and properly punctuated sentences are essential to the clear articulation and development of your thoughts. Think of grammar, not as some old-fashioned set of rules of linguistic etiquette, but rather as the "internal logic" of a sentence, that is, as the relationships between the words within a sentence which enable them to combine to make sense.

Virtually all sentences in philosophical writing are declarative (ie. make statements), as opposed to interrogative, imperative or exclamatory types of sentences. There is some place, though, for interrogative sentences, ie. questions. (Note that, in contrast, this guide, which is not in the essay genre, contains many imperative sentences, ie. commands.) As you craft each (declarative) sentence in your essay, remember the basics of sentence construction. Make clear what the sentence is about (its subject) and what you are saying about it (the predicate). Make clear what the principal verb is in the predicate, since it is what usually does the main work in saying something about the subject. Where a sentence consists of more than one clause (as many do in philosophical writing), make clear what work each clause is doing. Attend closely, then, to each and every sentence you write so that its sense is clear and is the sense you intend it to have. Think carefully about what it is you want each particular sentence to do (in relation to both those sentences immediately surrounding it and the essay as a whole) and structure your sentence so that it does what you want it to do. To help you with your own sentence construction skills, when reading others' philosophical works (or indeed any writing) attend closely to the construction of each sentence so as to be alive to all the subtleties of the text.

Good punctuation is an essential part of sentence construction. Its role is to help to display the grammar of a sentence so that its meaning is clear. As an example of how punctuation can fundamentally change the grammar and, hence, meaning of a sentence, compare (i) "Philosophers, who argue for the identity of mind and brain, often fail to appreciate the radical consequences of that thesis." and (ii) "Philosophers who argue for the identity of mind and brain often fail to appreciate the radical consequences of that thesis." In the first sentence it is asserted (falsely, as it happens) that all philosophers argue for the identity of mind and brain; in the second, only some philosophers are said to argue for the identity of mind and brain. Only the punctuation differs in the two strings of identical words, and yet the meanings of the sentences are very different. Confusions over this sort of thing are common weaknesses in student essays, and leave readers asking themselves "What exactly is this student trying to say?"

It will be assumed that you can spell - which is not a matter of pressing the "spell-check" key on a word-processor. A good dictionary and a good thesaurus should always be within reach as you write your essay.

Also, try to shorten and simplify sentences where you can do so without sacrificing the subtlety and inherent complexity of the discussion. Where a sentence is becoming too long or complex, it is likely that too many ideas are being bundled up together too closely. Stop and separate your ideas out. If an idea is a good or important one, it will usually deserve its own sentence.

Your "intra-sentential logic" should work very closely with the "inter-sentential logic" of your essay, ie. with the logical relations between your sentences. (This "inter-sentential logic" is what "logic" is usually taken to refer to.) For example, to enable sentences P and Q to work together to yield sentence R as a conclusion, you need to make clear that there are elements within P and Q which connect up to yield R. Consider the following example: "Infanticide is the intentional killing of a human being. However, murder is regarded by all cultures as morally abhorrent. Therefore, people who commit infanticide should be punished." This doesn't work as an argument, because the writer has not constructed sentences which provide the connecting concepts in the various subjects and predicates, even though each sentence is grammatically correct (and possibly even true).

If you are concerned to write not only clearly and precisely, but also with some degree of grace and style (and I hope you are), it's still best to get the clarity and precision right first, in a plain, straightforward way, and then to polish things up afterwards to get the style and grace you want. But don't sacrifice clarity and precision for the sake of style and grace - be prepared to sacrifice that beautiful turn of phrase if its presence is going to send your discussion down an awkward path of reasoning. Aim to hit the nail on the head rather than make a loud bang. What you are likely to find, however, is that a philosophy essay which really is clear and precise will have a large measure of grace and style in its very clarity and precision.

Remember that obscurity is not a sign of profundity. (Some profound thought may well be difficult to follow, but that doesn't mean that one can achieve profundity merely through producing obscure, difficult-to-read writing.) Your marker is interested in what's actually in your essay, not what's possibly inside your head (or indeed what's possibly in some book you happen to have referred to in your essay). So avoid hinting at or alluding suggestively to ideas, especially where they are meant to do some important work in your essay. Instead, lay them out explicitly and directly. Of course, you won't have space to spell out every single idea, so work out which ideas do the most important work and make sure that you at least get those ideas clearly articulated. In expounding a text or problem that ultimately just is vague, muddled, or obscure, try to convey such vagueness, muddle or obscurity clearly, rather than simply reproducing it in your own writing. That is, be clear that and how a text or problem has such features, and then perhaps do your best to make matters clearer.

Despite these stern pronouncements, don't be afraid of sometimes saying things which happen to sound a little odd, if you have tried various formulations and think you have now expressed your ideas just as they should be expressed. Philosophy is often an exploratory business, and new ways of seeing and saying things can sometimes be a part of that exploration.

The need for clarity and precision in philosophical writing sometimes means that you need to stipulate your own meaning for a term. When you want to use a particular word in a particular way for the purposes of your essay - as a "technical term" - be clear about it. (eg "In this essay, I shall intend ‘egoism' to mean ...") Also, be consistent in your technical meanings, or else note when you are not. Be wary, though, of inventing too many neologisms or being too idiosyncratic in your stipulations.

With regard to what "authorial pronoun" to adopt in a philosophy essay, it's standard to write plainly in the first person singular ("I", "me", "my", etc.) rather than use the royal "we" (as in "we shall argue that ..."), or the convoluted quasi-legal indirect form ("It is submitted that ..."), or the scientific objectivity of a physics experimental report. Nonetheless, stick closer to "I argue", "I suggest", "my definition", etc., than to "I wish", "I hate", "my feeling", etc. A philosophy essay is still something more intellectual and formal than a personal reminiscence, polemic, or proclamation. In terms of audience, it's probably best to think of your reader as someone who is intelligent, open to discussion and knows a little about the topic you're writing on, but perhaps is not quite clear or decided about the issues, or needs convincing of the view you want to put forward, or is curious about what you think about the issues.

Try also to use non-discriminatory language, ie. language which does not express or imply inequality of worth between people on the basis of sex, gender, race, ethnicity, sexuality, and so on. As you write, you will be considering carefully your choice of words to express your thoughts. You will almost always find that it is possible to avoid discriminatory language by rephrasing your sentences.

Other things to avoid:

• waffle and padding
• vagueness and ambiguity
• abbreviations (this guide I'm writing isn't an eg. of what's req'd. in a phil. essay)
• colloquialisms (which can really get up your reader's nose)
• writing whose syntax merely reflects the patterns of informal speech
• unnecessary abstractness or indirectness
• unexplained jargon
• flattery and invective
• overly-rhetorical questions (do you really need me to tell you what they are?) and other flourishes

There are many guides to good writing available. Anyone who writes (whether in the humanities or the sciences, whether beginners or experienced professionals) will do well to have some on hand. Most good bookshops and libraries will have some. Among the most consulted works are (check for the latest editions):

• J. M. Williams and G. C. Colomb, Style: Toward Clarity and Grace (Chicago: University of Chicago Press, 1995)
• W. Strunk and E. B. White, The Elements of Style, 4th ed. (New York: Longman, 2000)
• E. Gowers, The Complete Plain Words, 3rd ed. (Harmondsworth: Penguin, 1987)
• R. W. Burchfield, ed., The New Fowler's Modern English Usage (Oxford: Oxford University Press, 1996)
• Pam Peters, The Cambridge Australian English Style Guide (Melbourne: Cambridge University Press, 1995)
• Australian Government Publishing Service, Style Manual for Authors, Editors and Printers, 5th ed. (Canberra: AGPS, 1995)

Vocabulary of logical argument

Closely related to the above points about English expression is the importance of having a good grasp of what can rather generally be called "the vocabulary of logical argument". These sorts of terms are crucial in articulating clearly and cogently a logical line of argument. Such argumentation will, of course, be of central importance in whatever discipline you are studying, indeed in any sphere of life that requires effective thinking and communication. I have in mind terms such as these (grouped a little loosely):

all, any, every, most, some, none, a, an, the that, this, it, he, she, they if . . . , then. . . ; if and only if . . . , then . . . ; unless either . . . or . . .; neither . . . nor . . . not, is, are therefore, thus, hence, so, because, since, follows, entails, implies, infer, consequence, conditional upon moreover, furthermore which, that, whose and, but, however, despite, notwithstanding, nevertheless, even, though, still possibly, necessarily, can, must, may, might, ought, should true, false, probable, certain sound, unsound, valid, invalid, fallacious, supported, proved, contradicted, rebutted, refuted, negated logical, illogical, reasonable, unreasonable, rational, irrational assumption, premise, belief, claim, proposition argument, reason, reasoning, evidence, proof

Most of these are quite simple terms, but they are crucial in argumentative or discursive writing of all kinds. (Many are themselves the subject of study in logic, a branch of philosophy). The sloppy use of these sorts of terms is another common weakness in students' philosophy essays. Pay close and careful attention to how you employ them. Moreover, pay close and careful attention to how the authors you read use them. For further discussion of some of these terms and others, see:

• Basic Philosophical Vocabulary, prepared by the staff of the Philosophy Department and available from the programs Office
• Wesley C. Salmon, Logic, 2nd ed. (Englewood Cliffs, NJ: Prentice Hall, 1973)
• Antony Flew, Thinking About Thinking (London: Fontana, 1985)
• Graham Priest, Logic: A Very Short Introduction (Oxford: Oxford University Press, 2000)
• Joel Rudinow and Vincent E. Barry, Invitation to Critical Thinking, 4th ed. (Fort Worth, Texas: Harcourt Brace, 1999)

Revising your essay

It is virtually essential that you write a first draft of your essay and then work on that draft to work towards your finished essay. Indeed, several drafts may well be necessary in order to produce your best possible work. It is a rare philosopher indeed who can get things perfectly right on the first attempt, so be prepared to revise and re-develop what you write. Don't be too precious about what you have written, if it appears that it should be sacrificed in the revision process. There is usually a very marked difference between essays which are basically first draft rush-jobs done the night before they are due and those which have been revised and polished. Give yourself time to revise by starting writing early on. For most philosophy students, the greater part of the work in essay writing is in the writing, not in the preliminary researches and planning stages. So be wary of thinking "I've done all the research. I only need to write up my notes, which I can do the night before the essay's due". This is likely to lead to a weak, perhaps non-existent, essay (and very likely a sleepless night).

Stick to the word limit given for your essay. Why are word limits imposed? First, to give the markers a fair basis for comparing student essays. Second, to give you the opportunity to practise the discipline of working creatively under constraints. Skill in this discipline will stand you in very good stead in any sphere where circumstances impose limitations. Again, word limits are not constraints on your intellectual freedom. Outside your essay you are free to write without limit. But even there you'll probably find that your creativity is improved by working under a self-imposed discipline.

As a general rule, most student essays that fall well short of the word limit are weak or lazy attempts at the task, and most essays that go well over the limit are not much stronger or the result of much harder work - the extra length is often due to unstructured waffle or padding which the writer hasn't thought enough about so as to edit judiciously. If you structure your essay clearly, you'll find it easier to revise and edit, whether in order to contract or expand it. ("Hmm, let's see: section 2 is much longer than section 4, but is not as important, so I'll cut it down. And I should expand section 3, because that's a crucial step. And I can shift that third paragraph in the Introduction to the Conclusion.")

Plagiarism and originality

Plagiarism is essentially a form of academic dishonesty or cheating. At university level, such dishonesty is not tolerated and is dealt with severely, usually by awarding zero marks for a plagiarised essay or, in some cases, dismissing a student from the university.

When you submit your essay, you are implicitly stating that the essay is your own original and independent work, that you have not submitted the same work for assessment in another subject, and that where you have made use of other people's work, this is properly acknowledged. If you know that this is not in fact the case, you are being dishonest. (In a number of university departments, students are in fact required to sign declarations of academic honesty.)

Plagiarism is the knowing but unacknowledged use of work by someone else (including work by another student, and indeed oneself - see below) and which is being presented as one's own work. It can take a number of forms, including:

• copying : exactly reproducing another's words
• paraphrasing : expressing the meaning of another's words in different words
• summarising : reproducing the main points of another's argument
• cobbling : copying, paraphrasing or summarising the work of a number of different people and piecing them together to produce one body of text
• submitting one's own work when it has already been submitted for assessment in another subject
• collusion : presenting an essay as your own independent work when in fact it has been produced, in whole or part, in collusion with one or more other people

None of the practices of copying, paraphrasing, summarizing or cobbling is wrong in itself, but when one or more is done without proper acknowledgment it constitutes plagiarism. Therefore, all sources must be adequately and accurately acknowledged in footnotes or endnotes. (See Section 7.) Plagiarism from the internet in particular can be a temptation for a certain kind of student. However, be warned: there is a number of very good internet and software tools for identifying plagiarism.

With regard to collusion, it's undoubtedly often very helpful to discuss one's work with others, be it other students, family members, friends or teachers. Indeed, philosophy thrives on dialogue. However, don't kid yourself that you would simply be extending that process if you were to ask your interlocutor to join with you in the writing of your essay, whether by asking them to tell you what you should write or to write down some of their thoughts for you to reproduce in your essay. At the end of the day, you must be the one to decide what goes into your essay.

Originality

Students sometimes worry about whether they will be able to develop "original ideas", especially in light of the fact that nearly every philosophical idea one comes up with seems to have been thought of before by someone else. There is no denying that truly original work in philosophy is well rewarded, but your first aim should be to develop ideas that you think are good and not merely different. If, after arguing for what you believe is right, and arguing in way that you think is good, you then discover that someone else has had the same idea, don't throw your work away - you should feel vindicated to some extent that your thinking has been congruent with that of another (possibly great) philosopher. (If you have not yet handed your essay in when you make this discovery, make an appropriately placed note to that effect.) Don't be fooled, however, into thinking that plagiarism can be easily passed off as congruent thinking. Of course, if that other philosopher's ideas have helped you to develop your ideas, then this is not a matter of congruent ideas but rather of derivative ideas, and this must be adequately acknowledged. If, after developing your ideas, you discover that they are original, then that is an added bonus. But remember that it is more important to be a good philosopher than an original one.

Quotations, footnotes, endnotes and bibliography

Quotations in your essay should be kept to a minimum. The markers know the central texts pretty well already and so don't need to have pages thereof repeated in front of them. Of course, some quotation will usually be important and useful - sometimes essential - in both exposition and critical discussion.

When you quote the words of someone else directly, you must make the quotation clearly distinct from your own text, using quotation marks . (eg "Descartes said that 'it is prudent never to trust completely those who have deceived us even once.'* He makes this claim …" - where the words quoted from Descartes are in 'single quotation marks'. Note that it is relatively arbitrary whether one uses 'single' or "double" quotation marks for "first order" quotations, but whichever style you adopt, use it consistently in the one essay.) Alternatively, where the quoted passage is greater than three lines, put the quoted words in a separate indented paragraph , so that your essay would look like this:

In his First Meditation , Descartes argues as follows:

Whatever I have up till now accepted as most true I have acquired either from the senses or through the senses. But from time to time I have found that the senses deceive, and it is prudent never to trust completely those who have deceived us even once.* In this essay I shall argue that prudence does not in fact require us to distrust our senses and that Descartes's sceptical method is therefore seriously flawed.

In both cases, the quotations must be given proper referencingin a footnote or endnote.

When you are not quoting another person directly, but are still making use of their work - as in indirect quotations (eg "Descartes says that it is wise not to trust something that has deceived us before"*), paraphrases, summaries, and cobblings - you must still acknowledge your debts, using footnotes or endnotes.

* Rene Descartes, Meditations on First Philosophy , trans. John Cottingham (Cambridge: Cambridge University Press, 1986 [first French ed., 1641]), p. 12.

Footnotes and endnotes

Footnotes appear at the foot of the same page on which the cited material appears, clearly separated from the main body of the text, each one clearly numbered. Endnotes appear at the end of the essay, again clearly separated from the main body of text, numbered and headed "Endnotes" or "Notes". Either method is acceptable, but you should choose one and stick with it throughout the one essay.

Below are some examples of how to put the relevant referencing information in footnotes and endnotes. This is not intended as an exercise in pedantry, but as a guide to how to provide the information needed for adequate referencing. The reason we provide this information is to enable our readers to find the sources we use in order to verify them and to allow them to pursue the material further if it interests them. In your own researches you will come to value good referencing in the texts you read as a helpful source of further references on a topic. Again, it is this sort of research skill that an Arts graduate will be expected to have mastered.

There are various conventions for writing up footnotes and endnotes. The Philosophy Department does not require that any particular convention be followed, only that you be consistent in your use of the convention that you do choose. For other conventions see the style guides mentioned above, or simply go to some texts published by reputable publishers and see what formats they employ.

Imagine, then, that the following are endnotes at the end of your essay. I will explain them below.

• James Rachels, The Elements of Moral Philosophy , 2nd ed. (New York: McGraw-Hill, 1993), p. 25.
• Philippa Foot, "Moral Relativism", in Michael Krausz and Jack W. Meiland, eds., Relativism: Cognitive and Moral (Notre Dame, Indiana: University of Notre Dame Press, 1982), p. 155.
• Ibid., p. 160.
• Immanuel Kant, Groundwork of the Metaphysic of Morals, trans. H. J. Paton (New York: Harper and Row, 1964 [first German ed., 1785]), p. 63.
• Thomas Hobbes, Leviathan, (London: Dent, 1973 [first pub. 1651]),p. 65.
• Rachels, The Elements, p. 51.
• Peter Winch, "The Universalizability of Moral Judgements", The Monist 49 (1965), p. 212.
• Antony Duff, "Legal Punishment", The Stanford Encyclopedia of Philosophy (Spring 2001 Edition), Edward N. Zalta (ed.), plato.stanford.edu/archives/spr2001/entries/legal-punishment/ at 15 June 2003, sec. 6.

Notes explained

• This is your first reference to a book called The Elements of Moral Philosophy. The title is given in full and in italics. If you are unable to use italics, then you should underline the title. The book's author is James Rachels. It's the 2nd edition of that book, which was published in New York, by the publishers McGraw-Hill, in 1993. The page you have referred to in your main text is page 25
• This is your first reference to Philippa Foot's article, "Moral Relativism", the title of which is put in "quotation marks". This article appeared in a book (title in italics) which is an anthology of different articles, and which was edited by Krausz and Meiland (names in full). The rest is in the same style as note (1)
• "Ibid." is short for "ibidem", which means "in the same place" in Latin. Use it on its own when you want to refer to exactly the same work and page number as in the immediately preceding note. So here the reference is again to Foot's article at page 155
• Ditto, except this time you refer to a different page in Foot's article, namely page 160
• This is reference to a book by Kant. Same book details as per note (1), except that, because this is a translation, you include the translator's name, and the date of the first edition in the original language
• This is a book reference again, so it's the same as note (1), except that, because it's an old book, you include the date of the original edition. (How old does a book have to be before it merits this treatment? There is no settled view. Note, though, that this convention is not usually followed for ancient authors)
• Here you are referring to Rachels' book again, but, because you are not in the very next note after a reference to it, you can't use "ibid.". Simply give the author's surname and a short title of the book, plus page reference. There is also a common alternative to this, whereby you give the surname, and write "op. cit." (which is short for "opere citato", which is Latin for "in the work already cited") and page reference (eg "Rachels, op. cit., p. 51.") Your reader then has to scan back over the notes to see what that "op." was exactly. The first option (author plus short title) is usually easier on the reader
• This is a reference to an article by Peter Winch in a journal called The Monist. The article's title is in "quotes", the journal title is in italics. The volume of the journal is 49, the year of publication is 1965, the page referred to is p. 212
• This is a reference to an article in the internet-based Stanford Encyclopedia of Philosophy. The article is titled "Legal Punishment" and was written by Antony Duff. The Encyclopedia was edited by Edward N. Zalta. Note that I have basically followed the mode of citation that the Encyclopedia itself recommends. (This is one sign of the site being a reputable one. Where a site makes such a recommendation, it's best to follow it.) I have, however, also added the date on which the article was retrieved from the site, and put the author's given name first, to be consistent with the other footnotes. I have also added the reference to section 6, in an effort to be more precise as to where in the article the material I used came from. Since web pages aren't numbered in the manner of hard copy works, it will help if you are able to refer to some other feature, such as paragraphs or sections, so as to pin-point your reference. In the absence of a site recommending a mode of citation to its own material, the basic information needed for adequate citation of internet-based material is (where identifiable) the author, the document title, the year the document was created, the website name, the uniform resource locator (URL) in <arrow-brackets>, date of retrieval, and a pin-point reference*

* I am here following the mode of citation of internet materials recommended in Melbourne University Law Review Association Inc, Australian Guide to Legal Citation , 2nd ed. (Melbourne: Melbourne University Law Review Association Inc, 2002), pp. 70-73. I have, though, added the desirability of a pin-point reference.

Bibliography

At the end of your essay (after your endnotes, if used) you should list in a bibliography all of the works referred to in your notes, as well as any other works you consulted in researching and writing your essay. The list should be in alphabetical order, going by authors' surnames. The format should be the same as for your notes, except that you drop the page references and should put surnames first. So the bibliography of our mock-essay above would look like this:

• Duff, Antony, "Legal Punishment", The Stanford Encyclopedia of Philosophy (Spring 2001 Edition), Edward N. Zalta (ed.), plato.stanford.edu/archives/spr2001/entries/legal-punishment/ at 15 June 2003
• Foot, Philippa, "Moral Relativism", in Michael Krausz and Jack Meiland, eds., Relativism: Cognitive and Moral (Notre Dame, Indiana: University of Notre Dame Press, 1982)
• Hobbes, Thomas, Leviathan (London: Dent, 1973 [first pub.1651])
• Kant, Immanuel, Groundwork of the Metaphysic of Morals , trans. H.J. Paton (New York: Harper and Row, 1964 [first German ed. 1785])
• Rachels, James, The Elements of Moral Philosophy , 2nd ed., (New York: McGraw-Hill, 1993)
• Winch, Peter, "The Universalizability of Moral Judgements", The Monist 49 (1965)

Presentation of essays and seeking advice

Generally, you should present an essay that is legible (hand-writing is OK, but typed or word-processed essays are preferable), in English, on one side of pieces of paper that are somewhere in the vicinity of A4 size and are fixed together . You should attach a completed Cover Sheet provided by the Philosophy program. Plastic document covers, spiral binding and other forms of presentational paraphernalia are not necessary (nor are they usually even desirable, as they mostly just get in the marker's way).

Late essays

Late essays are penalised . (For details of penalties consult the Philosophy program's notice board.)

Essays not handed in

Essays not handed in at all get zero marks. An essay that is handed in but gets a mark below 50 (and so is technically a "failed" essay) still gets some marks. (At least, it will so long as it's not so extremely late that the deducted marks wipe out all the marks it would have received if handed in on time.) All marks received for your essay (whether pass or fail) go toward your final score in the subject. Therefore, even if you think your essay is bound to fail (but please let your marker be the judge of that), or the due date has already passed, or both, it is still in your interests to hand your essay in .

Tutors and lecturers

Philosophy staff are not there just to be listened to by you; they are also there to listen to you. So don't hesitate to contact your tutor or lecturer to discuss questions or problems you have concerning your work.

If you have a legitimate excuse, you may be granted an extension on the due date for your essay by the lecturer in charge. Similarly, special consideration may also be granted when illness or other circumstances adversely affect your work. Applications for special consideration are made online via the Special Consideration web page.

Student counselling

Some personal or non-philosophical academic difficulties you might have you might want to discuss with someone other than your tutor or lecturer. Student Counselling and Psychological Services are there for you to discuss all sorts of problems you might encounter. Please consult your student diary for details on the counselling service.

English language assistance

As noted above, good philosophical writing requires a good grasp of the language in which it is written. If you are from a non-English speaking background and are having difficulties with your English expression in an academic context, you might like to make use of the services provided by Student Services Academic Skills . Many native English speakers, too, can benefit from short "refresher" courses and workshops run by the Centre. Please consult your student diary for details about this service.

A bit on Philosophy exams

Essays of the sort discussed so far in this guide are not the only form of assessment in the Philosophy program - examinations are also set. What is to be said about them?

First, not much that is different from what's been said above about philosophy essays. This is because what you write in a philosophy exam is none other than a philosophy essay . Have a look at past philosophy exam papers, in the Gibson and Baillieu libraries, to get a feel for them. The only basic difference between essays and exams is the matter of what constraints you're working under. Essays have word limits; exams have time limits . Again, stick to them. (Actually, you'll be made to stick to them by the exam invigilators.)

It's best, then, to think about how long to spend writing on an exam essay topic, rather than about how many words to write on it. Simple arithmetic will tell you how much time to spend on each exam question. (eg if you have a 2-hour exam and have to answer 3 questions, each worth one-third of the exam mark, then spend 40 minutes on each question.) Avoid the trap of "borrowing time" from a later question in order to perfect your answer to an earlier question, and then working faster on the later questions to catch up on lost time - this is likely to get you in a tangle. There are no word limits in philosophy exam essays, but don't think that the more you scrawl across the page, the more marks you'll get. Nonetheless, use the time you've got so as to maximise your display of your philosophical understanding and skills in answering the question.

Planning and structuring remain very important in exam essays. With regard to the niceties of footnotes, endnotes and bibliographies, etc., these are not necessary, so don't waste time on these. However, if you quote or refer to a specific passage from a text, do indicate clearly that it is a quotation or reference. (The principle of being clear as to who is saying what remains central.) If you have the reference handy, just put it briefly in the text of your exam essay. (eg "As Descartes says in Meditation I (p. 12), . . ." or "'[I]t is prudent never to trust completely those who have deceived us even once' (Descartes, Meditation I, p. 12)".) Generally speaking, you will show your familiarity with any relevant texts by how you handle them in your discussion. This is also true for your non-exam essays.

Your preparation for the exam should have been done well before entering the exam hall. Note that various subjects have restrictions on what texts and other items can be brought into the exam hall. (Consult the Philosophy program's notice board for details.) Many subjects will have "closed book" exams. Even if an exam is "open book", if you are properly prepared, you should not need to spend much time at all consulting texts or notes during the exam itself.

You won't have time for redrafting and revising your exam essay (which makes planning and structuring your answers before you start writing all the more important). If you do want to delete something, just cross it out clearly. Don't waste time with liquid paper or erasers. Write legibly . Don't wr. "point form" sav. time. Diff. kn. mean. use incomp. sent.

Finally, read the instructions at the beginning of the exam paper. They are important. (eg it's not a good strategy to answer two questions from Part A, when the Instructions tell you to answer two questions, one from Part A and one from Part B.) Note the (somewhat quaint) University practice of starting Reading Time some time before the stated time for the exam. Philosophy exams usually have 15 minutes of reading time. (Check for each of your exams.) So, if your exam timetable says the exam is at 2.15 pm, with reading time of 15 minutes, then the reading time starts at 2.00 pm and the writing time starts at 2.15pm - so get to the exam hall well before 2.00 pm. Reading time is very important. Use it to decide which questions you'll answer and to start planning your answers.

Checklist of questions

• Do I understand the essay question ? Do I know when the essay is due ?
• Do I know which texts to consult? Do I know where to find them?
• Have I made useful notes from my reading of the relevant texts?
• Have I made a plan of how I'll approach the question in my essay?
• Have I given myself enough time to draft and redraft my essay?
• Have I written a clearly structured essay? Is it clear what each stageis doing? Do I do what I say I'll do in my Introduction?
• Have I clearly distinguished exposition and critical discussion ? Have I given a fair and accurate account of the author(s) in question?
• Is my response to the topic relevant ? Do I answer the question? Have I kept my essay within the general bounds of the topic?
• Have I displayed a good grasp of the vocabulary of logical argument ? Are my arguments logically valid and sound? Are my claims supported by reasons ? Am I consistent within my essay?
• Is my English expression clear and precise ? Are my grammar, punctuation and spelling correct? Have I said what I meant to say? Is my writing legible?
• Have I fully acknowledged all my sources in footnotes or endnotes? Are my quotations accurate? Have I included a bibliography ?
• Do I need to revise any part of my essay again?
• Have I made a copy or photocopy of my essay for myself?
• Have I kept the receipt for my handed-in essay?

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1.7: Creating a Philosophical Outline

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6 Creating a Philosophical Outline 12

Choosing a topic and figuring out the basics

When choosing your topic for a philosophical essay, make sure you choose a topic that requires you to take a position that requires significant defense. The basic things that you need to do for a complete outline is: pick your topic, describe it, pick your side, explain your side, defend it, and state and respond to an objection for your argument (such as, “Someone might disagree with me because I’m not a nuclear scientist, but they’re wrong because…”). For example, you cannot choose to argue that Double Stuf Oreos are better than regular Oreos because everyone would agree with that. You can, however, argue for one side in classic debates such as abortion, free will, or that the Dodgers are better than the Lakers.

You need to be sure to recognize the important philosophical aspects in your topic, break down the issues, and discuss them. You should first identify the important aspects of your issue – doing so will help you organize your thoughts and make your arguments. When you proofread your assignment (and you should do this) you should always think that the person grading it will be constantly asking “Why?” and you should be sure you have answers to these “Why?” questions. If you need more help, read your outline or essay aloud to a friend (seriously, despite how bad of an idea this sounds) – you’ll get some good feedback and notice problems for yourself.

Make sure you CONNECT all of your ideas to each other and always be sure that everything you say leads back to your thesis. If something you are saying doesn’t help you make your case, then you should probably leave it out.

One aspect of making a good argument is anticipating a strong objection to what you are saying and addressing it. Consider what an opponent to your view might say, make it as strong as you can, and then respond to it. You don’t have to completely destroy the argument, but you need to make a convincing case that your answer is better than your opponent’s answer. (TIP: If you don’t know where to begin, you can structure your essay by presenting the counterargument and using that to set up your own arguments, like “Some people say the death penalty is wrong because killing is always wrong. However, this is not a good argument and killing, especially in capital punishment, is permissible because…”)

While you will always be stating your opinions, you must be sure to back them up with arguments. An argument is NOT simply stating something – you must say WHY it supports what you say it does. It’s not about whether you are right or wrong, but whether your position is more justified than the others.

Outlines can take many forms, and I prefer to keep it simple. As long as the following get you’re your outline, you’ll have the skeleton of a properly structured essay:

1) Briefly describe what you the topic you would like to write about.

2) Write your thesis statement.

3) Write a one paragraph introduction to your paper that (a) clearly states your thesis, (b) briefly states all of your reasons in support of your argument (as you will elaborate on in part 4), and (c) briefly states why someone who disagrees with you is wrong.

4) Write at least 3 reasons to support your thesis with at least 2 pieces of evidence or arguments that support each of your reasons.

5) State in ONE sentence what you think the strongest objection is to your thesis and then state in ONE sentence why you think the objection is wrong.

6) List at least 2 sources you will use to help make your argument – only ONE of them may be a dictionary or Wikipedia.

7) Write a one paragraph conclusion that brings your thesis and all of your points together.

Example of a thesis statement: “I agree with Socrates that Philosophers should rule us.” If you want to add more, then put your strongest and most important reason into it as well, such as by saying, “I agree with Socrates that Philosophers should rule us because they are so amazingly brilliant and kind.” These would be reasonable thesis statements in response to a question like, “Do you agree with Socrates that Philosophers should be rulers? Why or why not?” THEN you would go on to elaborate in good detail giving good reasons supporting your thesis statement.

See below for an example of how to do this.

Name: Noah Levin

1. Topic: There is a lot of disagreement over the effectiveness of online classes, especially in comparison to in-person classes. I would like to argue that they can be just as effective if they are run properly.

2. Thesis: Online courses can be just as effective as in-person courses when designed and taught properly.

3. Introduction:

A lot of people believe that online courses can never be as effective as in-person courses, but I disagree. I maintain that online courses can be just as effective as in-person courses when designed and taught properly. I believe this because all of the elements that are present in an in-person class can be maintained, and sometimes even enhanced, when done online. Many people have the misconception that discussion and interaction cannot take place in an online course, but with the proper use of things like discussion boards, blogs, wikis, and chat rooms, discussion and interaction can still take place effectively. In fact, because students have more time and are not “put on the spot” in online forums, discussing online can be more fruitful than it is in person. Additionally, with the plethora of media devices available to use, such as live webcasting and videos (both pre-recorded, like YouTube, and created by the instructor), there can be no loss in the effectiveness of instructional delivery, despite the fact that traditional lectures might not be present. Student engagement can also be had through the use of interactive media, like games and activities, which would be analogous to what could be done in an in-person class. When all is said and done, if an online course is run properly, it can be just as effective as an in-person class.

4. Reasons:

Reason 1: Discussions and interactions between students can take place online

Supporting evidence/argument #1: Discussion boards, etc., are good tools for discussing

Supporting evidence/argument #2: Students can think more about what they want to say before posting

Reason 2: Instructional delivery is not hindered from going online

Supporting evidence/argument #1: All of the materials that a student would use in a class, like textbooks, can still be used online

Supporting evidence/argument #2: Instructors can, at the very least, post videos of their own lectures online, which would make them no worse than in-person classes

Reason 3: Online games and activities can be useful in engaging students

Supporting evidence/argument #1: Playing a game online can help get students engaged and applying learning points

Supporting evidence/argument #2: For philosophy, there are a lot of interactive activities that have students directly apply critical thinking concepts, perhaps even better than could be done in an in-person class

5. Objection and response

Objection: Online classes cannot work as well because students don’t get the personal interaction with an instructor as they do in in-person classes.

Response: Instructors can interact with students plenty with online courses through chat rooms, video chats, discussion boards, emails, and phone calls.

6. Sources:

7. Conclusion:

Although in-person courses have their perks and conform more with traditional educational methods, online courses can be just as effective when designed and taught properly. A properly designed online course will make use of available technologies and media to help engage students in creative and inspiring ways. They will also include plenty of discussions and interactions using web-based boards and blogs. The important thing to note, as numerous studies have illustrated (see the studies by Ithaka, 2012, and the US DOE, 2010), is that student learning is not hindered in online courses as compared to in-person courses. But this is not to say that any online course will be good – they need to be designed and taught properly so that the important educational elements that are present in traditional in-person classes are not lost and ideally end up enhanced. Also, who doesn’t want to be able to attend class in their underwear at 3am?

Below is a blank template for you to use.

1. Topic: Summarize your topic here.

2. Thesis: Write your thesis clearly and simply here.

Write a one paragraph introduction that summarizes all of your points and reasons and DEFINITELY contains your thesis.

Reason 1: Write one of the main reasons you will use to support your thesis

Supporting evidence/argument #1: Write one thing to make me accept your reason (some sort of argument, evidence, statistic, etc.)

Supporting evidence/argument #2: Write another thing to make me accept your reason

Reason 2: Same as above

Supporting evidence/argument #1:

Supporting evidence/argument #2:

Reason 3: And same as above again

Objection: Write the strongest objection to your argument here.

Response: Write how you would respond to the objection.

Source #1: ONLY ONE may be a dictionary or Wikipedia

Write a one paragraph conclusion that contains a brief summary of your reasons and drives your point home.

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1.1 What Is Philosophy?

Learning objectives.

By the end of this section, you will be able to:

• Identify sages (early philosophers) across historical traditions.
• Explain the connection between ancient philosophy and the origin of the sciences.
• Describe philosophy as a discipline that makes coherent sense of a whole.
• Summarize the broad and diverse origins of philosophy.

It is difficult to define philosophy. In fact, to do so is itself a philosophical activity, since philosophers are attempting to gain the broadest and most fundamental conception of the world as it exists. The world includes nature, consciousness, morality, beauty, and social organizations. So the content available for philosophy is both broad and deep. Because of its very nature, philosophy considers a range of subjects, and philosophers cannot automatically rule anything out. Whereas other disciplines allow for basic assumptions, philosophers cannot be bound by such assumptions. This open-endedness makes philosophy a somewhat awkward and confusing subject for students. There are no easy answers to the questions of what philosophy studies or how one does philosophy. Nevertheless, in this chapter, we can make some progress on these questions by (1) looking at past examples of philosophers, (2) considering one compelling definition of philosophy, and (3) looking at the way academic philosophers today actually practice philosophy.

Historical Origins of Philosophy

One way to begin to understand philosophy is to look at its history. The historical origins of philosophical thinking and exploration vary around the globe. The word philosophy derives from ancient Greek, in which the philosopher is a lover or pursuer ( philia ) of wisdom ( sophia ). But the earliest Greek philosophers were not known as philosophers; they were simply known as sages . The sage tradition provides an early glimpse of philosophical thought in action. Sages are sometimes associated with mathematical and scientific discoveries and at other times with their political impact. What unites these figures is that they demonstrate a willingness to be skeptical of traditions, a curiosity about the natural world and our place in it, and a commitment to applying reason to understand nature, human nature, and society better. The overview of the sage tradition that follows will give you a taste of philosophy’s broad ambitions as well as its focus on complex relations between different areas of human knowledge. There are some examples of women who made contributions to philosophy and the sage tradition in Greece, India, and China, but these were patriarchal societies that did not provide many opportunities for women to participate in philosophical and political discussions.

The Sages of India, China, Africa, and Greece

In classical Indian philosophy and religion, sages play a central role in both religious mythology and in the practice of passing down teaching and instruction through generations. The Seven Sages, or Saptarishi (seven rishis in the Sanskrit language), play an important role in sanatana dharma , the eternal duties that have come to be identified with Hinduism but that predate the establishment of the religion. The Seven Sages are partially considered wise men and are said to be the authors of the ancient Indian texts known as the Vedas . But they are partly mythic figures as well, who are said to have descended from the gods and whose reincarnation marks the passing of each age of Manu (age of man or epoch of humanity). The rishis tended to live monastic lives, and together they are thought of as the spiritual and practical forerunners of Indian gurus or teachers, even up to today. They derive their wisdom, in part, from spiritual forces, but also from tapas , or the meditative, ascetic, and spiritual practices they perform to gain control over their bodies and minds. The stories of the rishis are part of the teachings that constitute spiritual and philosophical practice in contemporary Hinduism.

Figure 1.2 depicts a scene from the Matsya Purana, where Manu, the first man whose succession marks the prehistorical ages of Earth, sits with the Seven Sages in a boat to protect them from a mythic flood that is said to have submerged the world. The king of serpents guides the boat, which is said to have also contained seeds, plants, and animals saved by Manu from the flood.

Despite the fact that classical Indian culture is patriarchal, women figures play an important role in the earliest writings of the Vedic tradition (the classical Indian religious and philosophical tradition). These women figures are partly connected to the Indian conception of the fundamental forces of nature—energy, ability, strength, effort, and power—as feminine. This aspect of God was thought to be present at the creation of the world. The Rig Veda, the oldest Vedic writings, contains hymns that tell the story of Ghosha, a daughter of Rishi Kakshivan, who had a debilitating skin condition (probably leprosy) but devoted herself to spiritual practices to learn how to heal herself and eventually marry. Another woman, Maitreyi, is said to have married the Rishi Yajnavalkya (himself a god who was cast into mortality by a rival) for the purpose of continuing her spiritual training. She was a devoted ascetic and is said to have composed 10 of the hymns in the Rig Veda. Additionally, there is a famous dialogue between Maitreyi and Yajnavalkya in the Upanishads (another early, foundational collection of texts in the Vedic tradition) about attachment to material possessions, which cannot give a person happiness, and the achievement of ultimate bliss through knowledge of the Absolute (God).

Another woman sage named Gargi also participates in a celebrated dialogue with Yajnavalkya on natural philosophy and the fundamental elements and forces of the universe. Gargi is characterized as one of the most knowledgeable sages on the topic, though she ultimately concedes that Yajnavalkya has greater knowledge. In these brief episodes, these ancient Indian texts record instances of key women who attained a level of enlightenment and learning similar to their male counterparts. Unfortunately, this early equality between the sexes did not last. Over time Indian culture became more patriarchal, confining women to a dependent and subservient role. Perhaps the most dramatic and cruel example of the effects of Indian patriarchy was the ritual practice of sati , in which a widow would sometimes immolate herself, partly in recognition of the “fact” that following the death of her husband, her current life on Earth served no further purpose (Rout 2016). Neither a widow’s in-laws nor society recognized her value.

In similar fashion to the Indian tradition, the sage ( sheng ) tradition is important for Chinese philosophy . Confucius , one of the greatest Chinese writers, often refers to ancient sages, emphasizing their importance for their discovery of technical skills essential to human civilization, for their role as rulers and wise leaders, and for their wisdom. This emphasis is in alignment with the Confucian appeal to a well-ordered state under the guidance of a “ philosopher-king .” This point of view can be seen in early sage figures identified by one of the greatest classical authors in the Chinese tradition, as the “Nest Builder” and “Fire Maker” or, in another case, the “Flood Controller.” These names identify wise individuals with early technological discoveries. The Book of Changes , a classical Chinese text, identifies the Five (mythic) Emperors as sages, including Yao and Shun, who are said to have built canoes and oars, attached carts to oxen, built double gates for defense, and fashioned bows and arrows (Cheng 1983). Emperor Shun is also said to have ruled during the time of a great flood, when all of China was submerged. Yü is credited with having saved civilization by building canals and dams.

These figures are praised not only for their political wisdom and long rule, but also for their filial piety and devotion to work. For instance, Mencius, a Confucian philosopher, relates a story of Shun’s care for his blind father and wicked stepmother, while Yü is praised for his selfless devotion to work. In these ways, the Chinese philosophical traditions, such as Confucianism and Mohism, associate key values of their philosophical enterprises with the great sages of their history. Whether the sages were, in fact, actual people or, as many scholars have concluded, mythical forebearers, they possessed the essential human virtue of listening and responding to divine voices. This attribute can be inferred from the Chinese script for sheng , which bears the symbol of an ear as a prominent feature. So the sage is one who listens to insight from the heavens and then is capable of sharing that wisdom or acting upon it to the benefit of his society (Cheng 1983). This idea is similar to one found in the Indian tradition, where the most important texts, the Vedas, are known as shruti , or works that were heard through divine revelation and only later written down.

Although Confucianism is a venerable world philosophy, it is also highly patriarchal and resulted in the widespread subordination of women. The position of women in China began to change only after the Communist Revolution (1945–1952). While some accounts of Confucianism characterize men and women as emblematic of two opposing forces in the natural world, the Yin and Yang, this view of the sexes developed over time and was not consistently applied. Chinese women did see a measure of independence and freedom with the influence of Buddhism and Daoism, each of which had a more liberal view of the role of women (Adler 2006).

A detailed and important study of the sage tradition in Africa is provided by Henry Odera Oruka (1990), who makes the case that prominent folk sages in African tribal history developed complex philosophical ideas. Oruka interviewed tribal Africans identified by their communities as sages, and he recorded their sayings and ideas, confining himself to those sayings that demonstrated “a rational method of inquiry into the real nature of things” (Oruka 1990, 150). He recognized a tension in what made these sages philosophically interesting: they articulated the received wisdom of their tradition and culture while at the same time maintaining a critical distance from that culture, seeking a rational justification for the beliefs held by the culture.

Connections

The chapter on the early history of philosophy covers this topic in greater detail.

Among the ancient Greeks, it is common to identify seven sages. The best-known account is provided by Diogenes Laërtius, whose text Lives and Opinions of Eminent Philosophers is a canonical resource on early Greek philosophy. The first and most important sage is Thales of Miletus . Thales traveled to Egypt to study with the Egyptian priests, where he became one of the first Greeks to learn astronomy. He is known for bringing back to Greece knowledge of the calendar, dividing the year into 365 days, tracking the progress of the sun from solstice to solstice, and—somewhat dramatically—predicting a solar eclipse in 585 BCE. The eclipse occurred on the day of a battle between the Medes and Lydians. It is possible that Thales used knowledge of Babylonian astronomical records to guess the year and location of the eclipse. This mathematical and astronomical feat is one of Thales’s several claims to sagacity. In addition, he is said to have calculated the height of the pyramids using the basic geometry of similar triangles and measuring shadows at a certain time of day. He is also reported to have predicted a particularly good year for olives: he bought up all the olive presses and then made a fortune selling those presses to farmers wanting to turn their olives into oil. Together, these scientific and technical achievements suggest that at least part of Thales’s wisdom can be attributed to a very practical, scientific, and mathematical knowledge of the natural world. If that were all Thales was known for, he might be called the first scientist or engineer. But he also made more basic claims about the nature and composition of the universe; for instance, he claimed that all matter was fundamentally made of up water. He also argued that everything that moved on its own possessed a soul and that the soul itself was immortal. These claims demonstrate a concern about the fundamental nature of reality.

Another of the seven sages was Solon , a famed political leader. He introduced the “Law of Release” to Athens, which cancelled all personal debts and freed indentured servants, or “debt-slaves” who had been consigned to service based on a personal debt they were unable to repay. In addition, he established a constitutional government in Athens with a representative body, a procedure for taxation, and a series of economic reforms. He was widely admired as a political leader but voluntarily stepped down so that he would not become a tyrant. He was finally forced to flee Athens when he was unable to persuade the members of the Assembly (the ruling body) to resist the rising tyranny of one of his relatives, Pisistratus. When he arrived in exile, he was reportedly asked whom he considered to be happy, to which he replied, “One ought to count no man happy until he is dead.” Aristotle interpreted this statement to mean that happiness was not a momentary experience, but a quality reflective of someone’s entire life.

Beginnings of Natural Philosophy

The sage tradition is a largely prehistoric tradition that provides a narrative about how intellect, wisdom, piety, and virtue led to the innovations central to flourishing of ancient civilizations. Particularly in Greece, the sage tradition blends into a period of natural philosophy, where ancient scientists or philosophers try to explain nature using rational methods. Several of the early Greek schools of philosophy were centered on their respective views of nature. Followers of Thales, known as the Milesians , were particularly interested in the underlying causes of natural change. Why does water turn to ice? What happens when winter passes into spring? Why does it seem like the stars and planets orbit Earth in predictable patterns? From Aristotle we know that Thales thought there was a difference between material elements that participate in change and elements that contain their own source of motion. This early use of the term element did not have the same meaning as the scientific meaning of the word today in a field like chemistry. But Thales thought material elements bear some fundamental connection to water in that they have the capacity to move and alter their state. By contrast, other elements had their own internal source of motion, of which he cites the magnet and amber (which exhibits forces of static electricity when rubbed against other materials). He said that these elements have “soul.” This notion of soul, as a principle of internal motion, was influential across ancient and medieval natural philosophy. In fact, the English language words animal and animation are derived from the Latin word for soul ( anima ).

Similarly, early thinkers like Xenophanes began to formulate explanations for natural phenomena. For instance, he explained rainbows, the sun, the moon, and St. Elmo’s fire (luminous, electrical discharges) as apparitions of the clouds. This form of explanation, describing some apparent phenomenon as the result of an underlying mechanism, is paradigmatic of scientific explanation even today. Parmenides, the founder of the Eleatic school of philosophy, used logic to conclude that whatever fundamentally exists must be unchanging because if it ever did change, then at least some aspect of it would cease to exist. But that would imply that what exists could not exist—which seems to defy logic. Parmenides is not saying that there is no change, but that the changes we observe are a kind of illusion. Indeed, this point of view was highly influential, not only for Plato and Aristotle, but also for the early atomists, like Democritus , who held that all perceived qualities are merely human conventions. Underlying all these appearances, Democritus reasoned, are only atomic, unchanging bits of matter flowing through a void. While this ancient Greek view of atoms is quite different from the modern model of atoms, the very idea that every observable phenomenon has a basis in underlying pieces of matter in various configurations clearly connects modern science to the earliest Greek philosophers.

Along these lines, the Pythagoreans provide a very interesting example of a community of philosophers engaged in understanding the natural world and how best to live in it. You may be familiar with Pythagoras from his Pythagorean theorem, a key principle in geometry establishing a relationship between the sides of a right-angled triangle. Specifically, the square formed by the hypotenuse (the side opposite the right angle) is equal to the sum of the two squares formed by the remaining two sides. In the figure below, the area of the square formed by c is equal to the sum of the areas of the squares formed by a and b. The figure represents how Pythagoras would have conceptualized the theorem.

The Pythagoreans were excellent mathematicians, but they were more interested in how mathematics explained the natural world. In particular, Pythagoras recognized relationships between line segments and shapes, such as the Pythagorean theorem describes, but also between numbers and sounds, by virtue of harmonics and the intervals between notes. Similar regularities can be found in astronomy. As a result, Pythagoras reasoned that all of nature is generated according to mathematical regularities. This view led the Pythagoreans to believe that there was a unified, rational structure to the universe, that the planets and stars exhibit harmonic properties and may even produce music, that musical tones and harmonies could have healing powers, that the soul is immortal and continuously reincarnated, and that animals possess souls that ought to be respected and valued. As a result, the Pythagorean community was defined by serious scholarship as well as strict rules about diet, clothing, and behavior.

Additionally, in the early Pythagorean communities, it was possible for women to participate and contribute to philosophical thought and discovery. Pythagoras himself was said to have been inspired to study philosophy by the Delphic priestess Themistoclea. His wife Theano is credited with contributing to important discoveries in the realms of numbers and optics. She is said to have written a treatise, On Piety , which further applies Pythagorean philosophy to various aspects of practical life (Waithe 1987). Myia, the daughter of this illustrious couple, was also an active and productive part of the community. At least one of her letters has survived in which she discusses the application of Pythagorean philosophy to motherhood. The Pythagorean school is an example of how early philosophical and scientific thinking combines with religious, cultural, and ethical beliefs and practices to embrace many different aspects of life.

How It All Hangs Together

Closer to the present day, in 1962, Wilfrid Sellars , a highly influential 20th-century American philosopher, wrote a chapter called “Philosophy and the Scientific Image of Man” in Frontiers of Science and Philosophy . He opens the essay with a dramatic and concise description of philosophy: “The aim of philosophy, abstractly formulated, is to understand how things in the broadest possible sense of the term hang together in the broadest possible sense of the term.” If we spend some time trying to understand what Sellars means by this definition, we will be in a better position to understand the academic discipline of philosophy. First, Sellars emphasizes that philosophy’s goal is to understand a very wide range of topics—in fact, the widest possible range. That is to say, philosophers are committed to understanding everything insofar as it can be understood. This is important because it means that, on principle, philosophers cannot rule out any topic of study. However, for a philosopher not every topic of study deserves equal attention. Some things, like conspiracy theories or paranoid delusions, are not worth studying because they are not real. It may be worth understanding why some people are prone to paranoid delusions or conspiratorial thinking, but the content of these ideas is not worth investigating. Other things may be factually true, such as the daily change in number of the grains of sand on a particular stretch of beach, but they are not worth studying because knowing that information will not teach us about how things hang together. So a philosopher chooses to study things that are informative and interesting—things that provide a better understanding of the world and our place in it.

To make judgments about which areas are interesting or worthy of study, philosophers need to cultivate a special skill. Sellars describes this philosophical skill as a kind of know-how (a practical, engaged type of knowledge, similar to riding a bike or learning to swim). Philosophical know-how, Sellars says, has to do with knowing your way around the world of concepts and being able to understand and think about how concepts connect, link up, support, and rely upon one another—in short, how things hang together. Knowing one’s way around the world of concepts also involves knowing where to look to find interesting discoveries and which places to avoid, much like a good fisherman knows where to cast his line. Sellars acknowledges that other academics and scientists know their way around the concepts in their field of study much like philosophers do. The difference is that these other inquirers confine themselves to a specific field of study or a particular subject matter, while philosophers want to understand the whole. Sellars thinks that this philosophical skill is most clearly demonstrated when we try to understand the connection between the natural world as we experience it directly (the “manifest image”) and the natural world as science explains it (the “scientific image”). He suggests that we gain an understanding of the nature of philosophy by trying to reconcile these two pictures of the world that most people understand independently.

Read Like a Philosopher

“philosophy and the scientific image of man”.

This essay, “ Philosophy and the Scientific Image of Man ” by Wilfrid Sellars, has been republished several times and can be found online. Read through the essay with particular focus on the first section. Consider the following study questions:

• What is the difference between knowing how and knowing that? Are these concepts always distinct? What does it mean for philosophical knowledge to be a kind of know-how?
• What do you think Sellars means when he says that philosophers “have turned other special subject-matters to non-philosophers over the past 2500 years”?
• Sellars describes philosophy as “bringing a picture into focus,” but he is also careful to recognize challenges with this metaphor as it relates to the body of human knowledge. What are those challenges? Why is it difficult to imagine all of human knowledge as a picture or image?
• What is the scientific image of man in the world? What is the manifest image of man in the world? How are they different? And why are these two images the primary images that need to be brought into focus so that philosophy may have an eye on the whole?

Unlike other subjects that have clearly defined subject matter boundaries and relatively clear methods of exploration and analysis, philosophy intentionally lacks clear boundaries or methods. For instance, your biology textbook will tell you that biology is the “science of life.” The boundaries of biology are fairly clear: it is an experimental science that studies living things and the associated material necessary for life. Similarly, biology has relatively well-defined methods. Biologists, like other experimental scientists, broadly follow something called the “scientific method.” This is a bit of a misnomer, unfortunately, because there is no single method that all the experimental sciences follow. Nevertheless, biologists have a range of methods and practices, including observation, experimentation, and theory comparison and analysis, that are fairly well established and well known among practitioners. Philosophy doesn’t have such easy prescriptions—and for good reason. Philosophers are interested in gaining the broadest possible understanding of things, whether that be nature, what is possible, morals, aesthetics, political organizations, or any other field or concept.

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Writing Philosophy Essays

Want to learn how to write a Philosophy paper? 

The resources here will help you:

• Jessica Wilson’s Guidelines on Writing a Philosophy Paper (PDF)
• Jim Pryor’s Guidelines on Writing a Philosophy Paper
• Paul Raymont’s ‘ Tips for writing an argumentative philosophy paper (PDF)

(taken from http://philosophy.utoronto.ca/utsc/undergraduate-at-utsc/utsc-philosophy-resources/ )

23 Best Philosophy YouTube Channels of 2022 (Ranked by Popularity)

We researched the best YouTube channels on the topic of philosophy and organized this list based on the number of subscribers.

1. The School of Life

We’re here to help you learn, heal and grow. We are a passionate group of people on a mission to bring about healing, growth, calm and self-understanding.

Subscribers: 8,050,000

Views: 787,981,063

Joined: May 19, 2010

2. Jordan B Peterson

Jordan B. Peterson is a Canadian professor of psychology, clinical psychologist, YouTube personality, best-selling author and host of the #1 Education Podcast, “The Jordan B. Peterson Podcast”. Watch the entirety of Dr. Peterson’s catalog on DailyWire+: https://utm.io/ueJdK

Subscribers: 5,820,000

Views: 463,639,879

Joined: Mar 30, 2013

3. Philosophy Tube

I’m giving away a philosophy degree for free! Subscribe to learn and boost your brain power!

Subscribers: 1,220,000

Views: 83,947,228

Joined: 41425

4. PhilosophyInsights

PhilosophyInsights. This channel aims at making political content easily accessible. By skimming through hours of content for every video, I provide the best selection in order to add educational value. The focus is on central ideas of classical liberalism, conservatism and libertarianism and criticism of overreaching feminism, social justice, post-modernism, socialism and Marxism.

Subscribers: 339,000

Views: 53,543,439

Joined: Apr 16, 2017

5. Wireless Philosophy

Learn about Philosophy with professors from Yale, Stanford, Oxford, MIT, and more! 130+ animated videos. An official Khan Academy Partner.

Subscribers: 323,000

Views: 23,243,045

Joined: Apr 16, 2013

6. Chomsky’s Philosophy

A collection of Noam Chomsky’s ideas and analyses.

Subscribers: 302,000

Views: 39,636,086

Joined: Sep 26, 2014

7. InspiringPhilosophy

My name is Michael Jones. I plan on creating a new video every month dealing with philosophical and apologetic questions. If you have any questions don’t hesitate to message me.

Subscribers: 264,000

Views: 35,471,416

Joined: Dec 9, 2011

8. Gregory B. Sadler

I bring philosophy into practice, making complex classic philosophical ideas accessible for a wide audience of professionals, students, and life-long learners. After a decade in traditional academic positions, I started my own business and began doing philosophical work in more practical contexts.

Subscribers: 128,000

Views: 12,397,966

Joined: Oct 6, 2010

9. Carneades.org

ΕΝ ΟΙΔΑ ΟΤΙ ΟΥΔΕΝ ΟΙΔΑ” “All I know is that I know nothing” In the modern world we are assailed each and every day by opinions disguised as fact. The talking heads from the realms of religion, science, politics, and the media all claim to possess knowledge.

Subscribers: 127,000

Views: 13,562,453

Joined: Jul 26, 2013

10. Philosophy Vibe

A channel dedicated to those on their fascinating journey through the complex world of Philosophy. This channel will ponder some of the most fundamental arguments, inspiring theories and influential philosophers; all explained through animated debates.

Subscribers: 58,200

Views: 4,268,273

Joined: Feb 18, 2014

11. teachphilosophy

Hello, my name is Paul and I am a philosophy professor in Texas.The purpose of this channel is to explore, teach, and apply philosophy (e.g. logic, ethics, wisdom, metaphysics, and epistemology).

Subscribers: 32,900

Views: 3,006,466

Joined: Oct 9, 2011

12. The Philosophical Research Society

Since 1934 the mission of the Philosophical Research Society has been to facilitate seekers’ exploration, discovery, application, cultivation, and rediscovery of wisdom in their personal, professional, and intellectual lives. Put simply, we offer practical and profound wisdom for the twenty-first century.

Subscribers: 31,200

Views: 1,380,676

Joined: Aug 7, 2010

I upload videos on philosophy.

Subscribers: 28,400

Views: 2,379,555

Joined: Jan 19, 2013

14. Political Philosophy: Dr Laurie Johnson

This is a channel produced by Prof. of Political Philosophy Laurie M. Johnson for The Maurin Academy. It is devoted to the political thought in the spirit of sharing, not perfection.

Subscribers: 19,300

Views: 1,235,812

Joined: Oct 2, 2015

15. 60 Second Philosophy

Learn. Grow. Together. 60 Second Philosophy is a series of short, interrelated videos designed to teach you big ideas in a small amount of time! We watch year after year of college students go through introduction to philosophy courses and come out confused and disenchanted.

Subscribers: 18,200

Views: 1,839,341

Joined: Nov 21, 2014

16. RoyIntPhilosophy

Dedicated to the advancement of philosophy in all its forms. Here you will find our series of philosophy lectures, events and debates, including the Royal Institute of Philosophy’s Annual Lecture, presented by a philosopher of international standing.

Subscribers: 15,900

Views: 874,750

Joined: Oct 14, 2013

17. The Drunken Stulosopher

Not a “real” philosopher, but a stulosopher. You’ll find that all of my opinions are stupid, moronic, and poorly argued. Unless you agree with me. In which case, I’m a genius.

Subscribers: 7,120

Views: 184,372

Joined: Mar 4, 2014

18. Philosophy Talk

Sundays 11 am on KALW 91.7 FM, and streaming live at www.kalw.org/listen-live. Outside the SF Bay Area: www.philosophytalk.org/stations. Find us on Twitter under: Philosophy_Talk

Subscribers: 6,430

Views: 651,343

Joined: Dec 20, 2010

19. Philosophy and Ethics

This channel was originally set up to enable my students to hear information related to our A level Philosophy and Ethics course. They would watch the videos prior to the lessons in order to prepare for the development and discussion within the lesson.

Subscribers: 5,940

Views: 772,424

Joined: Sep 9, 2014

20. School of Philosophy and Economic Science

Founded in 1937, the School of Philosophy and Economic Science is a community of like-minded people from all walks of life, sharing a desire for truth and economic justice. Reflecting our belief in the universality of humankind, we draw inspiration from Advaita Vedanta and other universal philosophical teachings.

Subscribers: 5,540

Views: 140,787

Joined: Feb 2, 2012

21. Friction

Interviewing leading thinkers in philosophy.

Subscribers: 2,260

Views: 137,637

Joined: Mar 10, 2021

22. Center for Philosophy of Science

Center for Philosophy of Science

Subscribers: 1,740

Views: 71,148

Joined: Sep 8, 2016

23. The Danish Philosopher

I´m Kasper Renee Johansen and I’m your very own personal YouTube philosopher. Trying to explain and convey philosophy in new and exiting ways.

Subscribers: 1,350

Views: 155,618

Joined: Apr 9, 2007

We are continuously updating this list to make it more helpful. If you have a suggestion for a YouTube channel that would improve this list, please leave a comment or contact us.

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Favoree's guide to YouTube

13 Best Video Essay YouTubers in 2024 According to Viewers

Tamara Indriana

First of all, what even is a video essay ?

The line between video essays and documentaries is often muddy. While both video essays and documentaries use audiovisual elements to convey ideas and narratives, they differ in their focus, narrative structure, visual style, and intended audience.

Video essays offer critical analysis and interpretation of visual media, while documentaries provide factual information on real-life events and experiences. One key tip to distinguish between the two is that documentaries focus on getting answers from primary sources , like conducting interviews.

Video essays have gained popularity in recent years, particularly on YouTube. The accessibility of digital editing tools and visual media makes it easier than ever for aspiring filmmakers, critics, and scholars to produce and share their own video essays with the world.

In this article, we have compiled a list of the best video essayists on YouTube. Join us as we unravel the intricacies of these digital storytellers who put their viewers on the edge of their seats.

If video essays are not your cup of tea and you’re looking for something more educational, check out our article on the best documentary YouTube channels .

13 Top Video Essay YouTube Channels in 2024

This list is compiled from the opinions of  Favoree  and  Reddit  users.

In no particular order:

1.  EmpLemon  – 1.2M Subscribers

Emplemon blends elements of documentary-style storytelling with humor and cultural critique. Through his videos, Emplemon tells stories about internet culture, dissecting its quirks with razor-sharp wit and insight.

His contents elicit a rollercoaster of emotions, from laughter at absurd internet phenomena to contemplation of the impact of online communities on society.

2.  ContraPoints  – 1.8M Subscribers

Natalie Wynn, better known as Contrapoints, makes incisive video essays about social topics. Initially gaining fame for providing leftist rebuttals to right-wing content, Wynn’s dark humor and elaborate productions captivate audiences.

While her style has evolved to include more intimate settings, Wynn’s content remains intellectually stimulating, featuring detailed philosophical discussions presented in a visually stunning manner.

Natalie is not only an icon for her video essays, she’s also one of the most influential Trans creators on YouTube .

3.  ColdFusion  – 4.7M Subscribers

ColdFusion is a prominent YouTube channel making high-quality videos on corporations and their scandals. The channel’s soothing narration style contributes to a relaxing viewing experience.

With professional editing and a focus on interesting subject matter, ColdFusion delivers compelling insights into the latest trends and developments shaping the world of business and technology.

Check out our article on the best economics YouTube channel if you’re interested in improving your financial knowledge!

4.  Wendigoon  – 3.4M Subscribers

Wendigoon’s exploration of horror and supernatural phenomena certainly gives viewers goosebumps. With a focus on topics like urban legends , paranormal encounters, and mysterious occurrences, Wendigoon delivers chilling narratives that leave viewers intrigued and unsettled.

The channel’s immersive storytelling and atmospheric visuals evoke a sense of unease, drawing audiences into the eerie world of the unknown. Wendigoon’s expertly crafted videos combine suspenseful narration with haunting imagery, creating an unforgettable viewing experience.

Can’t get enough of chilling true crime stories? Our article on the best true crime YouTube channels will help you find more creators to watch.

5.  hbomberguy  – 1.6M Subscribers

Hbomberguy is a highly respected YouTuber famous for his well-researched video essays. With a focus on various topics ranging from video games to social critiques of modernity, Hbomberguy delivers arguments backed by cited facts. His recent video that exposed Internet Historian has gotten the most attention and discourse.

Despite a sporadic upload schedule, his content is eagerly anticipated, offering deep dives into internet culture and thought-provoking analyses.

6.  Kurzgesagt – In a Nutshell  – 21.8M Subscribers

Kurzgesagt is incredible at explaining complex scientific concepts and philosophical ideas in a simple way. Through stunning art and animation, Kurzgesagt brings these topics to life.

Covering a wide range of subjects from space exploration to biology, the channel’s videos are both educational and visually captivating, leaving viewers feeling inspired and enlightened. Kurzgesagt offers an immersive journey into the wonders of the universe, sparking curiosity and wonder in audiences worldwide.

7.  Fredrik Knudsen  – 1.2M Subscribers

A cult favorite, Fredrik Knudsen’s acclaimed series “Down the Rabbit Hole” investigates obscure corners of the internet and perplexing aspects of history.

Known for his unbiased and objective approach, Knudsen presents his subjects in a neutral manner, allowing facts to speak for themselves. His thought-provoking content offers insights into the complexities of human experiences and internet phenomena.

8.  blameitonjorge  – 1.7M Subscribers

Blameitonjorge is beloved for his videos centered around lost media, creepy events, and obscure topics. With a soothing and friendly voice, Jorge’s narration style is modest, respectful, and intelligently humorous, offering a refreshing contrast to typical list-making channels.

His videos cover a diverse range of subjects, including UFO sightings, nostalgia, horror movies, true crime, and Mexican urban legends, all presented with meticulous research and informative editing. Blameitonjorge’s efforts to uncover unanswered mysteries and controversies breathe new life into forgotten topics.

9.  Solar Sands  – 1.3M Subscribers

Solar Sands, an American YouTuber, specializes in video essays analyzing and reviewing art, culture, and archaeology. His long form contents concentrate on retrospectives on various aspects of artistic quality, including the history of low-resolution paintings in Minecraft and analyses of artists like Trevor Henderson .

Solar Sands’ content offers unusual insights into the world of art and culture, appealing to viewers interested in thought-provoking discussions and analyses.

10.  Philosophy Tube  – 1.5M Subscribers

Abigail Thorn, AKA Philosophy Tube, is a British YouTuber exploring philosophy, politics, and personal identity through theatrical presentations and insightful discussions. Abigail’s well-researched content creates a deeper understanding of complex topics and provides support for those grappling with personal identity.

Her inclusive and authentic approach transforms philosophical concepts into accessible narratives, while her openness about her transgender journey inspires self-acceptance in viewers. With a blend of academic rigor and theatrical flair, Philosophy Tube continues to educate and entertain her audiences.

Want a deeper understanding of philosophy without breaking the bank? Check out the best philosophy YouTube channels to learn more!

11. Super Eyepatch Wolf – 1.7M Subscribers

John Walsh, also known as Super Eyepatch Wolf , is an Irish YouTuber renowned for his analytical-style videos primarily focused on anime, with occasional forays into manga and video games.

Unlike many other anime YouTubers, his presentation style stands out for its calm and passionate delivery. His content resonates with audiences seeking thoughtful analysis and insightful commentary.

12. Folding Ideas – 920K Subscribers

Dan Olson or Folding Ideas is a YouTube channel offering long-form video essays on internet culture. From NFTs to nuggets, he makes any topic interesting and will leave you looking for more.

While the writing can occasionally seem overly clever, Dan Olson’s thoroughly researched insights provide valuable perspectives into tech grifts and other media. Despite only uploading every few months, the channel’s in-depth and insightful content is highly appreciated by viewers.

13. Jacob Geller – 1.2M Subscribers

Jacob Geller offers thought-provoking video essays that seamlessly blend topics such as video games, history, politics, and more. With a dark yet empathetic tone, Geller digs deep into philosophical, ethical, metaphysical, and psychological themes, using gaming as a springboard for discussions.

Whether discussing a specific video game mod or architectural design, Jacob’s talent shines through in his insightful videos, offering a deep exploration of video games with surprising depth.

Why are video essays important?

Video essays are important as they provide a platform for creators to offer nuanced interpretations and critical perspectives on various subjects. They serve as engaging educational tools, stimulating discussions and deepening understanding of visual media and cultural phenomena.

What are the benefits of video essays?

Video essays offer benefits such as fostering critical thinking, providing accessible and entertaining educational content, and offering a fresh approach to the analysis and exploration of visual media.

What’s the difference between a video essay and a documentary?

The difference lies in their focus, narrative structure, visual style, and intended audience. While video essays offer critical analysis and interpretation of visual media, documentaries provide factual information on real-life events and experiences, often by obtaining answers from primary sources through interviews.

Is video essay a genre?

Video essay is not a genre in the traditional sense. Rather, it is a format or style of content creation that can encompass a wide range of subjects and approaches, from film analysis to cultural critique.

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We’ll share a list of verified email contacts from active and relevant channels. More info here .

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Think Essay Prize

The Royal Institute of Philosophy is pleased to announce the inaugural essay competition for Think .

The winner will be published in an issue of Think , the shortlisted candidates will win a year’s free subscription to  Think , and other prizes will be awarded to all those who make the longlist.

About the prize 

We look forward to receiving your essay submission and hope you are enjoying the programmes and activities that the Royal Institute of Philosophy delivers.

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Guest Essay

Larry David, Philosopher King

By Mark Ralkowski

Dr. Ralkowski is a professor of philosophy and honors at the George Washington University.

“Curb Your Enthusiasm,” the HBO comedy series created by and starring Larry David, debuted way back in 1999 and comedy, television and the world have all changed significantly since. Yet somehow “Curb,” which comes to an end tonight after 12 seasons, remains as relevant as ever. How can that be?

I’d propose that one reason is because Larry David stands as an underappreciated philosopher of our everyday lives. He has taught us important truths about both how we live our lives and how we should live our lives. Most important, he’s been our foremost critic of the social rules that govern the way we interact, offering an enticing vision of social freedom that we’d be foolish to ignore.

“Curb” is full of observations about societal strictures that might otherwise go unspoken. Rules such as: You tiptoe at night; you always accept your friend’s invitation to tour her new house; you never steal from roadside memorials or caskets; you don’t go over your caviar allotment at a dinner party; you ask to split the check when you eat out with friends.

Mr. David, in the guise of his semi-fictional alter ego, has introduced us to countless examples of what I like to call the “unknown knowns” — these rules and rituals that we understand and abide by without quite knowing how we learned them. For example, most of us have been victims of what he calls “the chat and cut,” a ploy that some people use to cut in line when they don’t want to wait. But it wasn’t until Mr. David pointed this act out and named it that we thought about it explicitly. Now that it has been named, it’s a lot easier to spot in our own lives.

One simple way of considering the character of Larry is as a vessel of our wish fulfillment. As Cheryl Hines, David’s co-star, has said , “I think we all live vicariously through Larry,” because “if somebody asks you to dinner, you’d like to just say, ‘No, I don’t really like you that much.’ But people don’t in real life, you know? Larry does.” Sigmund Freud argued in his 1905 book “Jokes and Their Relation to the Unconscious” that laughter gives us a sense of relief because it releases the energy we normally spend on repressing our drives. Freud would say that when Larry acts out on “Curb,” we laugh because Larry lets us indirectly satisfy repressed desires to do the same.

But there’s much more that we can learn and benefit from in Mr. David’s approach to the world. One lesson he teaches us is that we all have a lot of special social knowledge that we’ve never thought about before. In “Being and Time,” the German philosopher Martin Heidegger called this knowledge part of our preconceptual “understanding of Being.” Larry describes it as our “unwritten rules,” such as: Everyone knows that you should never blow your nose in a cloth napkin at a restaurant. As Larry’s frequent collaborator Jerry Seinfeld put it in an episode of “Curb”: “It’s just not done in polite society. It’s not done in impolite society. Even the impolite don’t do it.”

As the contemporary American philosopher John Searle wrote in “Making the Social World,” these “background practices” are crucial to the construction of our social reality. “Our whole mode of sensibility is shaped by forces and influences that are, for the most part, invisible to us — what it is to be male, what it is to be female, what is involved in being a citizen, what is involved in being a professor,” Searle wrote.

This understanding is acquired without thinking and it then determines our thinking. A great example of this is our “knowledge” of the appropriate distance to stand from a conversational partner. That distance varies according to the purpose of the conversation, its context and the identities of the people who are talking. This is not knowledge that we acquire from books or from a teacher in a classroom. We are socialized into it simply by living our lives.

What makes Mr. David’s comedic vision in “Curb” so special is that, in addition to teaching us so many of these unwritten rules, it shows us that we are free to reimagine our ways of living. There is no fundamental necessity to these practices; they are arbitrary and open to revision. In fact, if we look closely at these “unwritten rules,” as the contemporary American philosopher Noël Carroll has argued, what we find is that they don’t have any basis other than our emotional attachments to them. They may feel authoritative. We certainly let them control our behavior. But there is no necessity here, as the character of Larry constantly points out.

The British anthropologist Mary Douglas has called these kinds of jokes — in which communal norms are tested and questioned — “anti-rites,” because they show us the contingency of our social expectations. “A joke is a play upon form,” Ms. Douglas wrote, “that affords an opportunity for realizing that an accepted pattern has no necessity.” The English philosopher Simon Critchley, in the 2002 book “On Humour,” built on Ms. Douglas’s theory by suggesting that jokes do two related things. First, they return us to “the background meanings implicit in a culture.” Second, they “indicate how those practices might be transformed or perfected, how things might be otherwise.”

During the long run of “Curb,” Mr. David has consistently shown us how things might be otherwise. It’s been very funny but also revelatory. He has awakened us to the background practices in our culture, and revealed to us that they have no necessity, which offers us a kind of freedom we may not have recognized.

This is not trivial entertainment. As Friedrich Nietzsche might have said, Mr. David has gone to battle with the “spirit of gravity” in our time; the world of morals, religions and tragedy. In doing so, he has offered up an alternative vision of life, one of lightness and joyful wisdom.

Mark Ralkowski is a professor of philosophy and honors at the George Washington University.

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The best video essays of 2023

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Share All sharing options for: The best video essays of 2023

Looking at the year’s notable video essays, many grapple with issues at the heart of contemporary media itself. There are dissections of video-playing tools, exposés of how corporations restrict access, contrasts between tropes and reality, and thorough investigations of trends in plagiarism and/or fabrication. As the essay landscape refines, it seems to peer inward as much as out.

On the making of this list: I’ve been trying to stay up to date on video essays for a while, and have been contributing to lists and/or voting in polls about the best videos made each year since 2018. Over this time, doing these kinds of roundups has gotten exponentially more difficult. As YouTube has grown to become a mega-business hosting powerful creators (part of the general trend of social media video sites becoming the new primary forum for cultural influence), I’ve seen essayists I once thought of as niche accrue follower counts in the millions. It’s been surreal. For this year’s list, I tried to shake things up by keeping the essayists who have appeared in previous editions to a minimum, along with the usual considerations about incorporating a diversity of creator backgrounds and video style. Once again, the videos are presented simply in order of publishing date.

[Also, I’m going to preface this with a mega mea culpa: It was absolute malpractice of me to not include Platformer Toolkit by Game Maker’s Toolkit in the best video essays of 2022 list . I don’t have a good excuse, either; I just straight up missed the essay at the time it came out, and then overlooked it during my catch-up phase at the end of the year. But an essay about game design that instructs you on its ideas by letting you actively engage with them through interactivity feels like a breakthrough in the form.]

Practices of Viewing by Johannes Binotto

Johannes Binotto is a Swiss researcher and lecturer who has been adding to his “Practices of Viewing” series for several years now, and every installment preceding 2023’s videos, “Ending” and “Description,” is well worth checking out. With each essay, Binotto examines a specific element of the media viewing interface, and how they affect an audience’s engagement with it. Some subjects, like fast-forwarding, pausing, or muting, may seem like obvious touchstones, while others, like sleep, are more out-there approaches to the conversation.

A History of the World According to Getty Images by Richard Misek

This technically debuted last year, making the rounds at film festivals, but it was made available online this past spring, so I’m including it here. A History of the World According to Getty Images is a great example of a work embedding its own ethos into its construction. Misek, another academic, is scrutinizing how for-profit companies (specifically Getty Images) mediate information that’s supposed to be available for all. In practice, a great deal of visual material that’s technically in the public domain can only be accessed in decent quality by paying an archive like Getty. Misek circumvents this by paying the fee to use select footage in this essay and then making this essay itself available for anyone to cite and clip from, putting that footage out into the world for real.

The Faces of Black Conservatism by F.D Signifier

I feel that video essays that consist mainly of the creator talking directly into a camera stretch the definition of the term – to me, the best cinematic and argumentative potential of the form lies in the power of editing. F.D Signifier’s contrast between fictional depictions of Black conservatives and the reality of how they appear across media exemplifies is what sets him apart in this genre: not just the depth of his thought (though it is considerable), but also the playful ways in which he presents the objects of his discussion. The running gag here in which he films himself holding hairstyling tools over the heads of various people on his screen had me laughing harder with each appearance.

Games That Don’t Fake the Space by Jacob Geller/Why We Can’t Stop Mapping Elden Ring by Ren or Raven

I don’t actually think this is the best essay Jacob Geller released this year (that would be either “Games that Aren’t Games” or “How Can We Bear to Throw Anything Away?” ), but it pairs so incredibly well with Renata Price’s essay (an impressive video debut building on her experience as a games critic) that it felt more appropriate to present them as a double feature. Both videos are sharp examinations of the ways that video games conjure physical space. Geller illuminates the shortcuts and tricks games often employ through examples of ones that, as the title suggests, don’t use such devices, while Price analyzes the impulses beneath what one could call the “cartographic instinct” in open-world games.

Why Do Brands Keep Doing These Crazy Influencer Trips?? by Mina Le

It’s been encouraging in recent years to see Le grow more confident in her mixing of media in her videos on fashion and film/television. You might remember the controversy around Shein granting influencers a limited hangout in a clothing factory this past summer. Le contextualizes this story by delving into the wider, supremely odd world of sponsored tours. If you watch this on your phone, the transitions between Le speaking to the camera and the clips of TikToks and other videos and photos flow together in a manner not unlike how one would scroll a social media feed, creating queasy resonance between message and medium.

Feeling Cynical About Barbie by Broey Deschanel / The Plastic Feminism of Barbie by Verilybitchie

I present these two videos not as a contrarian attack on Barbie (a film I enjoyed), but to highlight the important role of considered critical voices that dissent against prevailing opinions. Both Maia Wyman and Verity Ritchie unpack the issues with a heavily corporate product attempting to capitalize on feminist sentiment. Ritchie emphasizes the history of Barbie the brand and how the movie fits into it, while Wyman reads more into the specifics of the film’s plot. Together these videos do a good job of elaborating on legendary critic Amy Taubin’s Barbie reaction : “It’s about a fucking doll !’”

TikTok Gave Me Autism: The Politics of Self Diagnosis by Alexander Avila

There’s a lot of social media discourse over who can and can’t — and should or shouldn’t — claim the label of “autistic.” As someone who’s struggled with both the logistics and appropriateness of sussing out whether I’m on the spectrum, this video hit me hard. There are parts that feel like they veer so far into philosophical query that they threaten to obfuscate rather than elucidate the subject, but the essay as a whole is undeniably compelling. Avila’s own confessed stake in the question of self-diagnosis is itself affecting. This is the most searingly personal video on this list, uniting self-inquiry with rigorous research.

Chaste/Unchaste by Maryam Tafakory

This years shortest entry is a deceptively simple interrogation of the concept of “chastity” as defined by Iranian censorship standards. Takafory is a veteran of the academic essay scene, and I’m delighted by the opportunity to present her work to a wider audience. The video’s text is minimal, and its visuals are simply a montage of clips from Iranian films, but the implicit question of propriety grips the viewer with each cut.

Journey to Epcot Center: A Symphonic History by Defunctland

This is the most boundary-pushing essay on this year’s list. Completely lacking commentary, it instead emphasizes visuals and reenactment in telling the story of how Disney’s Epcot park went from concept to realization over the decades. Kevin Perjurer also provides a detailed set of notes that are meant to be read along with watching the video, further demanding one’s full attention. This is a direct acknowledgement of how we use the internet, the windowed experience of browsing and watching videos. I don’t think everything works; many of the reenactments, while impressively professional, feel somewhat redundant. But I’d prefer a creator take big swings that result in a few flaws rather than play it safe, and I hope both Perjurer and others continue in such an experimental vein.

Plagiarism and You(Tube) by Hbomberguy

Harry Brewis is popular enough that he doesn’t need any boost, but even in the very brief period since this video’s release as of the time of writing, Plagiarism and You(Tube) has made seismic impact on the YouTuber scene . Does it need to be almost four hours long? Maybe not. Yet the sheer volume of evidence it pulls together to support various accusations of plagiarism does seem vital. The main focus of the piece, James Somerton, went into lockdown over the fairly comprehensive evidence presented against him (and has since attempted to apologize ). I’m seeing conversations flourish around the endemic problem of plagiarism on the internet and what is to be done about it, and a surge of creators recognizing and calling out others who have taken their work without credit. There’s a deeper issue at play here, which is that the growth of YouTube entertainment has come with a truly daunting mountain of crap content that nonetheless attracts views (and thus dollars).

On the subject of low quality standards on YouTube, beyond plagiarism, Todd in the Shadows’ recent exhaustive effort to fact-check various false claims Somerton has made in his work is a useful supplement to this video.

Polygon’s Best of the Year 2023

• The 50 best video games of 2023
• The 50 best movies of 2023
• The 50 best TV shows of 2023
• The best sci-fi and fantasy books of 2023
• The best anime of 2023
• The best tabletop RPGs we played in 2023
• The best board games we played in 2023
• The best Blu-rays and 4K UHD releases of 2023
• The best new tabletop RPG books of 2023
• The best video game books of 2023
• The best comics of 2023
• What the Polygon staff bought and loved in 2023
• The best documentaries of 2023
• 10 great indie games you might have missed in 2023
• The 10 best action scenes of 2023
• The best TV episodes of 2023
• The 5 best concert movies of 2023
• Best horror movies of 2023, ranked by scariness
• The 10 best Netflix originals of 2023

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