a picture is worth a thousand words essay

Is a Picture Worth a Thousand Words?

A picture can be worth a thousand words or even more but, as I will argue, that depends on who looks at it, why they look at it, and in what circumstances. In other words, a picture’s meaning is relative to the viewer, and changes as the viewer changes.

Once upon a time pictures had a significance greater than themselves but that was when only the most skilled artists working in a difficult medium were able to produce them. Now pictures are everywhere we look and their significance has diminished as a result.

We take them for granted, we no longer study them but give them a quick, practiced glance and move on to the next picture. Some pictures will hold our attention for a little longer because the subject is unusual or amusing but mostly we see pictures as we see cars, people, traffic lights, and buildings. They’re part of our environment and hardly register in our consciousness. In the public sphere, then, pictures are mostly background colors consisting of advertisements, posters and billboards. These pictures are not meant to do more than direct our attention to the brand name.

In some countries, public pictures include portraits of dictators that are designed to unify people or make them accept the dictator as their rightful leader or make them more obedient to the leader. Propaganda posters may also brighten those streets, along with social realist depictions of model citizens. Such pictures are easily recognized as having a message and are thus negated, canceled out by people who have been bombarded with too many pictures like them.

Private pictures, such as a drawing made by a child or photos of our loved ones fascinate us because they bring back memories or mark an occasion or may even fill us with the love and tenderness we feel for those persons. However, that is a highly subjective response, one that certainly does not hold true everywhere and at all times. In these pictures, only the subject speaks to us, and if we know the subject well, if we are emotionally involved with him or her, then that is what we think about or why we feel the way we do. In those pictures, it is the subject that communicates, not the picture itself.

We go to a museum to look at paintings but there it is the making of the picture that most interests the viewer. A painter does not just point and click. He or she must first learn the techniques required to paint a picture, and after that must make a thousand different decisions about the picture to be painted. The pose, the angle from which the subject is viewed, the lighting, the composition, and much more are worked out in quick sketches.

The end product is a human artifact, something created mostly by the artist’s hands with a little help from the industry. We look at the picture but also at the other aspects of the work. Students spend years copying masterpieces in order to learn the techniques employed by these artists, and as part of their studies, they interpret the paintings in the context of the artist’s time and his other works until by the end the picture speaks volumes to them. For most viewers, however, the experience of looking at Rembrandt or Vermeer is one of wonder; but are they more interested in the image or the draftsmanship?

Where photos and paintings are equal, however, is that the more the viewer brings to them, the more they will get out of them. That is not just true of pictures but also of visiting the places we have only seen in pictures. Perhaps so many tourists take pictures of the places they visit to look at them later when they are back in the comfort and safety of their own homes.

There, relaxed and with far more knowledge of those places, they can look at the pictures and get a new story from them made up equally of the subject and their experience of it; or to put it another way, they can see how their travels have changed them by looking at the pictures, and what the picture tells them will reflect those changes.

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'A Picture Is Worth a Thousand Words': Definition, Meaning, Examples

a picture is worth a thousand words essay

Have you ever tried to explain something to someone, and they just weren't getting it? Then the idiom 'A picture is worth a thousand words' might come in handy! In this article, you'll learn what it means, its origins, and how to use it.

The short version is:

'A picture is worth a thousand words' is a way of saying that showing someone a picture can be a more effective way of explaining something than using words.

What Does 'A Picture Is Worth a Thousand Words' Mean?

Many people are visual learners, but even those who aren't can benefit from an illustrated version of a complex idea. Take, for example, instruction manuals; they usually come with a picture or diagram or some sort of visual support to help you figure out how to use or build the item.

That's the idea that the idiom 'A picture is worth a thousand words' conveys. It means you can tell an entire story with just one picture and impart a concept or idea much more effectively.

The dictionary defines it as follows:

used to say that it is often easier to show something in a picture than to describe it with words

Imagine, for instance, that you were putting together a presentation for your team about the organization's progress over the last quarter.

Your colleague might say to you:

You should add in some graphs and charts. A picture is worth a thousand words.

Some variants of the expression include:

A picture is worth ten thousand words.
One picture is worth ten thousand words.
One picture is worth a thousand words.

Where Does 'A Picture Is Worth a Thousand Words' Come From?

This expression has been around for a long time and is used in many countries worldwide. But where does it originate from? Here's what we know.

An Advertising Tool

The idiom in this specific form is attributed to Arthur Brisbane during a Syracuse Advertising Men's Club banquet in 1911. Rumor has it they got together to discuss the best marketing techniques, and Brisbane is known to have said:

Use a picture. It's worth a thousand words.

The event and this quote were documented in the Post-Standard newspaper and advertising trade journal Printers' Ink.

Later, Fred R. Barnard used the phrase ' One picture is worth ten thousand words. ' in a Printers' Ink 1921 issue to promote the use of pictures on advertisements on streetcars (old school trams).

A Chinese Proverb

It was commonly believed for some time (and probably still is by some now) that this idiom is actually a Chinese proverb and was attributed to the famous philosopher Confucius. But there's actually a straightforward explanation.

Remember Barnard, the guy who promoted the use of pictures in ads on streetcars? Yeah, that guy. He also put out another ad in the Printer's Ink six years later, where he wrote 'One Picture Worth Ten Thousand Words' and labeled it a Chinese proverb.

It was later revealed that he lied about this so that people would take it seriously. So it's confirmed this is definitely not a Chinese proverb.

Earlier Variants

While this specific adaptation of the phrase was popularized in modern times, other versions meaning the same thing were used long before that. It's such a popular message that there are too many to list here, but I'll show you some poignant examples.

As far back as the 15th or 16th century, Leonardo also expressed this idea in one of his notebooks—possibly in his "Codex Atlanticus," a collection of his writings and drawings. The specific date of when he wrote this quote may not be available, as his notebooks were filled with various ideas, sketches, and observations over a long period. However, Leonardo da Vinci lived from 1452 to 1519, and his notebooks contain writings from throughout his life. He said something along the lines of:

A poet would be overcome by sleep and hunger before being able to describe with words what a painter is able to depict in an instant."

In 1861, Russian writer Ivan Turgenev wrote:

The drawing shows me at one glance what might be spread over ten pages in a book.

At one point, even Napoleon Bonaparte had a go at it and said (translated from French):

A good sketch is better than a long speech.

In Ivan S. Turgenev's 1862 novel Fathers and Sons, one of his characters says:

Examples in Sentences

Now we've covered the meaning and origin of the phrase, let's check out some examples where this idiom is used in sentences :

While on vacation , we saw such amazing sunsets; it really made me realize that a picture is worth a thousand words. The documentary used striking images of the wildlife to convey its message, proving that a picture is worth a thousand words. You use a lot of smart words but a picture is worth a thousand words. Her facial expression, captured in that photograph, told a story that words could never fully convey—a true example of how a picture is worth a thousand words. The artist's painting of a field of flowers was so evocative that it demonstrated the age-old adage that a picture is worth a thousand words. Instead of describing the scene in detail, I showed them the picture, as I knew a picture is worth a thousand words. You can tell many tales with words but a picture is worth a thousand words. The infographic in the presentation summarized the data beautifully, proving that sometimes a picture is worth a thousand words. The marketing team decided to proceed with using a captivating image in their ad campaign, knowing that a picture is worth a thousand words in grabbing people's attention. As a travel blogger, she always relied on stunning photos to illustrate her adventures, believing that a picture is worth a thousand words.

Other Ways to Say 'A Picture Is Worth a Thousand Words'

There are other ways to express the fact that a picture explains something better than words.

Here are some of them :

A picture paints a thousand words.
Every picture tells a story.
It's better to see something once than to hear about it a thousand times.
Seeing once is better than hearing twice.
Show, don't tell.

Concluding Thoughts

That concludes this article about this famous saying. To summarize, to say that a picture is worth a thousand words is to say that a picture is often a more effective way of conveying a message than using words.

Are you ready to learn more English phrases and expand your vocabulary? Check out our idioms blog for idioms, expressions, sayings, and more!

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A Picture is Worth a Thousand Words - Meaning, Origin and Usage

Are you looking for a way to tell someone to send you a picture of what they are trying to explain? You could always use the phrase, " a picture is worth a thousand words ." This post unpacks the meaning and origin of this saying.

" A picture is worth a thousand words " means that images tell a better story than words. By using images, you can convey your message in a visual representation that impacts others.

Example Usage

"Sandra spent an hour telling me about her vacation. I didn't realize how beautiful the place was until I saw her pictures. It's true what they say; a picture is worth a thousand words."

" A picture is worth a thousand words , and that picture has nothing good to say for itself."

"Don't you know that a picture is worth a thousand words ? There's no way you can deny involvement after they caught you on camera like that."

The origin of the proverbial saying " a picture is worth a thousand words " comes from a reinterpretation of previous expressions in the early 1800s. The Works of Mr. James Thomson, published in 1802 has the earliest rendition of the phrase as the following.

" One timely deed is worth ten thousand words "

The phrase also appears in the play, " The Trust: A Comedy, in Five Acts," published in 1808, where it reads.

" That tear, good girl, is worth ten thousand words ."

The American Journal of Education also published an earlier rendition of the saying in 1858.

" One fact well understood by observation and well-guided development is worth a thousand times more than a thousand words ."

However, the saying gained prominence in its modern form in America in the early 20th century.

Frederick R. Barnard published a column titled "One look is worth a thousand words" in the industry magazine " Printer's Ink " in December 1921. Barnard claims the saying has Japanese origins, and Printers ink would later publish the phrase as the following.

" Chinese proverb. One picture is worth ten thousand words ."

Phrases Similar to A Picture is Worth a Thousand Words

Stop talking and send me a picture.
Pics, or it didn't happen.

Phrases Opposite to A Picture is Worth a Thousand Words

Words mean nothing.
Images are easy to falsify.

What is the Correct Saying?

A picture is worth a thousand words.
A picture says a thousand words.

Ways People May Say It Incorrectly

The phrase " a picture is worth a thousand words " doesn't mean that a picture contains a thousand words of information. It means that images are more valuable than words when explaining concepts of events. So, you wouldn't use the phrase when you're referring to the video or other media formats, only images.

Acceptable Ways to Phrase It

You can use " a picture is worth a thousand words " in several social and professional situations. For instance, you could request someone to send you a picture of an item you're thinking about buying. You can also use the phrase to tell someone that a lot is going on in a specific image.

The phrase suits social and professional use. You could use it at work when you're telling a supplier to stop talking about a product and send you a picture so you can get a visual image. You could use it at home to tell someone to send you a picture of their vacation so you can get an idea of their trip.

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Expansion of an Idea – “A Picture is Worth a Thousand Words” for Students / Teachers / Parents

Explore the famous saying “A Picture is Worth a Thousand Words”. We believe that this phrase highlights the power of visual communication and the impact it can have on conveying complex ideas. Through our insightful articles, we provide a deeper understanding of the idiom and offer practical tips on how to enhance writing skills. Join us on this journey to become better communicators and harness the power of imagery.

A Picture is Worth a Thousand Words

The proverb “a picture is worth a thousand words” is a well-known saying that suggests that a single image can convey more information or meaning than a lengthy description or explanation. This proverb highlights the power of visual communication and the impact that an image can have on a viewer.

The expansion of this proverb could be that “a single image can convey a complex idea or emotion more effectively than a thousand words.” This proverb is applicable to various situations where words may fail to capture the full essence of a concept or emotion.

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What Does a Picture Is Worth a Thousand Words Mean?

Ever tried to describe a place you visited to someone, and gone on and on about how wonderful it was, only to end up saying something to the effect of, “I guess you’d have to see it to believe it”? It makes sense. After all, “a picture is worth a thousand words,” as they say. Let’s explore the meaning and history of this popular idiomatic and proverbial expression.

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As illustrated above, this phrase is used to express that it can be easier to show something in a picture than to describe it by speaking words or using the written word. More specifically, it’s saying that often one single picture can more effectively convey something, or can depict something more vividly and clearly, than a lot of words—and can certainly do so faster. That’s why you may also hear or see the phrase as one picture is worth a thousand words . (It is also often written with a conjunction as a picture’s worth a thousand words .)

For example, it’s often easier to understand how to put a piece of furniture together by looking at pictures or illustrations, or even watching a video, of the necessary steps than it is to read paragraphs of instructions in a manual. Likewise, it’s typically much simpler and quicker to figure out how to get from point A to point B by looking at a map than it is listening to someone tell you or reading about all the turns to make and landmarks to be on the lookout for on your drive.

The History of the Expression

Ironically, it’s going to take quite a few words to explain the etymology of the common phrase. As is often the case with both idioms and proverbs in general, the exact origin of this expression isn’t known.

Similar expressions have been in use since at least the 1700s. In particular, it appears phrases using is worth a thousand words or is worth ten thousand words were common in the 18th and 19th century. For example, the similar phrase one timely deed is worth ten thousand words appeared in The Works of Mr. James Thomson , which is thought to have been originally published some time in the 1760s. (The playwright Henrick Ibsen is credited as saying something very similar in the late 19th century: “A thousand words leave not the same deep impression as does a single deed.”) Other phrases that can be traced to the 1800s convey that a tear is worth ten thousand words and that a well-understood fact is worth more than a thousand words. The specific idea that a picture is worth a thousand, or ten thousand, words is thought by some researchers to have first appeared in print in 1862, in the novel Fathers and Sons by Ivan Turgenev. A character in the book says: “The drawing shows me at one glance what might be spread over ten pages in a book.” However, there’s evidence that others expressed this earlier, and even much earlier. Napoleon Bonaparte said, “A good sketch is better than a long speech,” while Leonardo da Vinci wrote that a poet would be “overcome by sleep and hunger before [being able to] describe with words what a painter is able to [depict] in an instant.”

Fast forward to the early 20th century, to 1911 exactly, when the Syracuse Advertising Men’s Club held a journalism banquet. In an article in the Syracuse, New York, newspaper The Post-Standard about the event, the journalist quotes a speaker, Tess Flanders, as saying, “Use a picture. It’s worth a thousand words.” Others credit the quote to that event but to newspaper editor Arthur Brisbane. Whoever said it, their words were clearly very similar to the expression we know and use today, although not exactly the same. Shortly after, in 1913, an advertisement for the Piqua Auto Supply House of Piqua, Ohio, used the phrase one look is worth a thousand words .

It’s possible that the exact expression a picture is worth a thousand words first appeared in print in 1918: A newspaper advertisement for the San Antonio Light said:

“One of the Nation’s Greatest Editors Says:

One Picture is Worth a Thousand Words The San Antonio Light’s Pictorial Magazine of the War Exemplifies the truth of the above statement—judging from the warm reception it has received at the hands of the Sunday Light readers.”

Still, credit for modern use of the phrase is usually given to Frederick R. Barnard (or Fred R. Barnard), who wrote the phrase in the advertising trade journal Printers’ Ink (sometimes incorrectly written as Printer’s Ink ) to promote the use of images in advertisements on the sides of streetcars. In one ad, Barnard called the phrase a Chinese proverb (he later wrote that it was said by a Japanese philosopher), though he didn’t have proof of such an origin. Because of this, sometimes the expression is incorrectly attributed to Confucius. In the same publication, around the same time period, the phrase one look is worth a thousand words can be found.

What Are Idioms and Proverbs?

A picture is worth a thousand words is considered both an idiom and a proverb. An idiom is an expression with an intended meaning that typically can’t fully be understood just by looking at the individual words that comprise it. Idioms have figurative rather than literal meanings. Even if you’ve never heard the term idiom , you have most likely heard many idiomatic expressions. Here are just a few of the most common idioms used today:

You’re in hot water. His boss gave him the ax. It’s time to face the music. You’ve hit the nail on the head. If you took the first example literally, you’d think it was describing a person standing in a bathtub full of hot water, perhaps. But the expression is actually used to describe a person who’s in trouble. Likewise, rather than literally being handed a tool for chopping wood, if you get the ax from your boss, it means you’re getting fired. It’s time to face the music means that it’s time to come to terms with the consequences of your actions. And when someone has hit the nail on the head, they’ve gotten an answer exactly right or done something exactly as it should have been done. Although you might be able to understand the expression a picture is worth a thousand words just by looking at the words that comprise it, if you were to take it purely literally, you’d understand it to mean that a picture is worth or is the same as/equivalent to exactly one thousand words. Of course, now you know that like other idioms, the phrase is used more figuratively, to convey the notion that an image can often more effectively and more succinctly say something than lots of words can (with lots not being defined as a specific number). Proverbs are short, common phrases or sayings that impart advice or share a universal truth. Interestingly, some people debate the truth of the above statement, with many arguing that the use of both images and words is the best way to get something across. Proverbs are also called adages, aphorisms, and maxims . Here are some additional examples of well-known proverbs: Absence makes the heart grow fonder. Blood is thicker than water . A picture is worth a thousand words. Beauty is in the eye of the beholder . Discover many more idioms and proverbs here . <H2>Summary<H2> The idiomatic and proverbial expression a picture is worth a thousand words is used to convey that a picture, or image, or graphic illustration may better convey or describe something than many written or spoken words—that it may be easier, and much faster, to just show someone something than to tell them about it. Although its exact origins are unknown, the phrase and the idea it conveys have been around, and remained popular, for quite some time.

Maggie Cramer

For the past 15 years, I've dedicated my career to words and language, as a writer, editor, and communications specialist and as a language arts educator. I'm excited to explore all things English with you and The Word Counter!

I currently reside in Asheville, North Carolina. I have a Bachelor of Fine Arts (BFA) in Writing, Literature, and Publishing from Emerson College and a Master of Education (MEd) in Secondary English Education from the University of Florida.

You can find me on LinkedIn , or access my online portfolio here !

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Napoleon Bonaparte: 'A picture is worth a thousand words.'

A picture is worth a thousand words.

"A picture is worth a thousand words." This famous quote by Napoleon Bonaparte encapsulates the idea that visual imagery has the power to convey a profound message or story more effectively than a mere description could ever achieve. It speaks to the inherent ability of images to evoke emotions, provoke thought, and inspire imagination. In a straightforward manner, this quote highlights the importance of visual communication and its impact on human understanding.When we encounter a picture, we are instantly drawn into a realm of visual storytelling. Our minds engage with the image, deciphering its composition, colors, and details to form our own narrative. This process of visual interpretation taps into our subconscious, where emotions and associations reside, enabling a deeper connection with the subject matter presented in the picture.The human brain possesses a remarkable ability to process visual information effortlessly. Research suggests that the brain can interpret and comprehend images 60,000 times faster than words. This astounding capability allows visual communication to transcend language barriers, making it a universal language that can be understood by individuals from diverse cultural and linguistic backgrounds.Pictures have been used throughout history to preserve memories, document events, and convey messages across generations. Consider the iconic "Tank Man" photograph from the Tiananmen Square protests in 1989. This single image captured the bravery and resilience of an individual standing against a line of tanks, encapsulating a powerful message of resistance and defiance against oppression. The impact of this photograph is immeasurable, as it has become an enduring symbol of courage and the human quest for freedom.However, while the quote by Napoleon emphasizes the tremendous value of visual representation, it is interesting to explore the philosophical concept of the limitations of pictures. Despite their ability to convey powerful emotions, pictures often fall short in providing a comprehensive understanding of complex ideas or abstract concepts. They offer a snapshot of a moment frozen in time, unable to capture the multidimensionality and nuances that words can express.For instance, imagine trying to convey the intricacies of love, with all its joys and pains, solely through a picture. The richness of human emotions and the complexity of relationships require a more expansive medium for expression. Words have the unique power to delve into the depths of human experiences, unveil the subtleties of our emotions, and articulate the abstract in ways that visuals alone cannot.In essence, while there is undeniable truth in Napoleon's quote, it is important to recognize that the value of a picture extends beyond the surface level. Pictures possess the ability to spark curiosity, ignite imagination, and invoke emotions, but they should not be seen as a substitute for the richness and depth of language. Instead, they should be considered complementary tools in our quest for understanding and expressing the complexities of the human experience.In conclusion, Napoleon Bonaparte's quote "A picture is worth a thousand words" encapsulates the significance of visual imagery as a powerful means of communication. Pictures have the ability to convey messages, evoke emotions, and spark our imagination in ways that words alone often cannot. However, it is crucial to acknowledge that the limitations of pictures lie in their inability to fully capture the entirety of human experiences and complex ideas. For this reason, words remain an essential complement to visual communication, allowing us to explore the depths and intricacies of our world. Together, these mediums form a dynamic duo, enabling us to connect, learn, and express ourselves in a multifaceted manner.

Maureen O'Hara: 'The Queen Mary was the most civilized and luxurious way one could travel to America in the late 1930s.'

Conrad hall: 'there is a kind of beauty in imperfection.'.

A Picture Is Worth a Thousand Words Essay Example

The saying “A picture speaks a thousand words” is very true. Being able to look at a picture and breaking it down to see what it is saying is not something everyone can do, and this course made me realize that and taught me how to do that. It is exciting to write this paper because I will be able to utilize the different strategies all together for this image that I will be discussing about in this paper.

The content of an image is one of the important factors we must keep in mind. For example, take a second and observe this picture. What do you see when you look at this picture? What comes to your mind? When I look at this image the first two things that come to my mind are how the picture shows different aspects of life and it symbolizes the trials and tribulations one must go through in life. All trees begin life in the same way, however as they grow older, they weather nature’s forces and develop in their own unique and beautiful ways. Another way the image represent life is by the idea of re-birth, positive energy, new beginnings, and individuality. As all the tree stands tall and powerful all throughout the world, trees are a global emblem of strength and growth. They ground and stabilize themselves by spreading their roots deep into the soil.

Trees can withstand even the most severe storms, which is why they are such a powerful symbol of strength. When tree begins as a small, delicate seedling and grows into a massive, powerful tree over time. The tree grows upwards and outwards, symbolizing how a person develops strength and expands their knowledge and experiences throughout the course of their life but the roots play a part in that because if the roots are bad it causes to add obstacles in one’s life. Individuality comes from the fact that every tree is different, with branches emerging at different spots and in different directions. It represents a person's personal development into a unique human being because of many events shaping who they are. As branches break off, new one’s sprout, and the weather takes its toll, trees develop more distinct characteristics, but the tree stays strong and durable throughout. This shows how people develop and grow throughout their life from different experiences and lessons they have learned while growing.

The appearance of the image is another thing that plays an important role while looking at a image. The roots embedded in the ground show stability because the roots hold the tree together as one. Also, the colors in the image say a lot as well. The colors are bright along with the liveliness and fullness of the tree. As you can see there is only one tree in the image which makes this stand out even more because it represents strength as well. A tree can symbolize many things nut when it is put into the image it the meaning can than vary based on the different characteristics in the image.

Moreover, lets discuss the use in the picture. Use basically is the relevance is of things that you mention in terms of the various uses of the image. For example, in this image the image created makes me think about life and how we all build our own foundation from the time we are born till the end. This image also shows how the result all depends on the decisions we have made. For instance, the tree is so green and looks so alive because the roots are good. Now if the roots were not good the tree would look dead.

The context of an image is also important because aside from interpreting the deeper meaning of what this picture means to me, the colors of the picture and the background makes me feel stronger about how I feel about the picture. For example, the picture looks alive its

colorful and bright. That makes me look at the picture more in a positive perspective. It shows the good of inside and outside. This relates to the example I said earlier about “The tree is so green and looks so alive because the roots are good. Now if the roots were not good the tree would look dead”.

Trees have a relaxing presence as they stand tall and still while their leaves flutter in the breeze and most importantly, they give us oxygen! Before moving on lets, talk about how this image has its own connection to everything. The tree connects to everything in the universe. It symbolizes togetherness and serves as a reminder that you are never alone or isolated, but rather that you are connected to the world. The roots of the tree dig deep and spread into the earth, thereby accepting food from Earth, and its branches reach up into the sky, accepting energy from the sun and moon. Just like some one trying to accomplish their goals towards success in what they want to go. The tree also connects to the natural recourses we get from them it is a home to animals, birds etc.

Overall, with keeping content, appearance, use and context in mind and observing a picture really does change the way you interpret the image itself. This course made me realize that just how you need background knowledge for other things the same goes for images, drawings, paintings. We are surrounded by pictures all the time. Whether it is a picture of a childhood memory, or a picture of an animal, or object. Every image has its own story and meaning and to help determine that you need to know what is content, appearance, use and context. These four things will help you break down a picture and you will find a deeper meaning about the image or even see all the different ways that one picture can connect.

Lastly, I would like to talk about personal connection I made to the image. The very first time I saw the image it reminded me of the tree in my backyard. I only have one big tree in my backyard and its right in the middle. I never liked the tree there because when I was younger, I wanted a big swimming pool in my backyard, but the tree was in the way, but we never got rid of the tree. Even though, I did not like the tree at first later I started it to love it because my dad built me and my siblings a huge swing that we would always go on. I would always go to that swing if I needed to go away for a bit to think or if I were sad. Till this day I go there. It is still my safe place, and it also reminds of my great childhood memories as well.

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The meaning and origin of the expression: A picture is worth a thousand words

A picture is worth a thousand words

American origin

What's the meaning of the phrase 'A picture is worth a thousand words'?

A picture tells a story just as well as, if not better than, a lot of written words.

What's the origin of the phrase 'A picture is worth a thousand words'?

Printer's Ink printed another form of the phrase in March 1927, this time suggesting a Chinese origin:

"Chinese proverb. One picture is worth ten thousand words."

The arbitrary escalation from 'one thousand' to 'ten thousand' and the switching from Japan to China as the source leads us to smell a rat with this derivation. In fact, Barnard didn't introduce the phrase - his only contribution was the incorrect suggestion that the country of origin was Japan or China. This has led to another popular belief about the phrase, that is, that it was coined by Confucius. It might fit the Chinese-sounding 'Confucius he say' style, but the Chinese derivation was pure invention.

Many things had been thought to be 'worth ten thousand words' well before pictures got in on the act; for example:

"One timely deed is worth ten thousand words" - The Works of Mr. James Thomson , 1802. "That tear, good girl, is worth, ten thousand words" - The Trust: A Comedy, in Five Acts , 1808. "One fact well understood by observation, and well guided development, is worth a thousand times more than a thousand words" - The American Journal of Education , 1858.

The idea that a picture can convey what might take many words to express was voiced by a character in Ivan S. Turgenev's novel Fathers and Sons, 1862:

"The drawing shows me at one glance what might be spread over ten pages in a book."

Neither of the above led directly to 'a picture is worth a thousand words'. Who it was that married 'worth ten thousand words' with 'picture' isn't known, but we do know that the phrase is American in origin. It began to be used quite frequently in the US press from around the 1920s onward. The earliest example I can find is from the text of an instructional talk given by the newspaper editor Arthur Brisbane to the Syracuse Advertising Men's Club , in March 1911:

"Use a picture. It's worth a thousand words."

This little essay clocks in at 471 words. Perhaps I should have drawn half a picture instead?

ESL Writing Activity – A Picture Is Worth a Thousand Words

Teaching Writing
January 14, 2021

The old expression, “a picture is worth a thousand words,” can be turned into a challenging ESL writing activity.

It may be accomplished in one session or as an assignment followed by a presentation in another class as an extension.

And it works best with middle school, high school, university, and adult ESL learners from between A2–C2 on the CEFR scale.

Read on to see what you need to know about incorporating this ESL writing activity into your classes.

Break your class into teams. If you can mix levels and cultures in your groupings, even better.
For homogenous classes, the photos you select should have some cultural significance. If a mixed-culture class, try settling on images that aren’t overtly offensive and relate to everyone.
You can use the same picture for everyone or a different picture for each group. The following are only examples of images you can use:

Again, these are only ideas, but be sure you have categories for your photos (e.g. historical images, technology, sci-fi, fantasy, business, finances, family, nature, social issues, etc.). It would be difficult to use each of these categories in one class.

Using one genre at a time offers a focus on writing. It also reinforces common vocabulary and at times, common grammatical structure. Members will understand that their text must relate to one category or subject and gain focus.

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A Thousand Words

The thousand words in the title isn’t a target word count. Class members can only do what they’re capable of doing. On the other hand, learners are challenged to think of what to say about the picture with as many words as they can effectively and efficiently utilize within the allotted time or writing parameters.

And the best part is they’re not working on it alone. The following ideas will help you settle on an approach for your activity.

They can create a story.

Using a picture as the backdrop, teams can write intriguing stories that captivate the readers. This approach facilitates longer texts and more detail.

They can create an advertisement.

Challenge learners to examine the picture for something that might be advertised. Then they write an advertisement. This method would require less words but more creativity.

They can make a humorous narrative.

Select a humorous image or images. Then students take the idea and develop a humorous short story. This helps them master the language by bending it to create the humor.

They can turn it into a news report.

If the image lends itself to a type of news category, learners can be tasked to write a three-minute news report on it. Going this route would require more formal language.

The possibilities are various for a creative ESL teacher. And, as team members work together, they can help each other overcome weaker areas through others with stronger skills. Care should be taken not to allow one member of the group to dominate the writing, however. That would defeat the purpose of what we’re doing here.

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After constructing the text, students submit it to you to check for errors. The reason it needs to be checked first is because you don’t want class members to speak or hear inaccurate grammar.

As teachers, we want to work toward positive reinforcement of the language structure. Another, more personal reason, is that you don’t want whoever is presenting to feel embarrassed by potentially poor grammar.

Once you’ve provided feedback, and the team edits the text, it’s time to present. You can display the image on a projector or use something as simple as a printout. One member of the class can read their text while the class listens.

As the teacher, you can take note of pronunciation issues. Another idea is to have each member of the team read a paragraph or section. This involves everyone in the group from start to finish.

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Competitive Twists

If your class is so inclined, you can turn “A Pic/1,000 Words” into a competition using the following ideas.

1. Word Count

Determine the winners based on a simple word count. It’s a little weak, but it works for a one-class/hour activity. Of course, you’ll want to create criteria for the word count such as not allowing a certain number of repeated words.

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2. Descriptors

Another angle is counting the accurate descriptors. The team with the widest range of description wins. For this, you might have descriptors for each picture already listed privately and use them as a checklist for each team’s work.

3. Grammatical Accuracy

Another variation is judging the grammatical accuracy. A checklist would be good to keep it fair. For example, you could construct a checklist with various grammar issues and tick each box when you come across one. The team with the least number of errors wins.

4. Put Them All Together

If you want something for advanced or even university classes, you can put all the afore-mentioned criteria together into a checklist.

Then, look for accurate word choices, cohesiveness, and overall impact of the narrative.

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If this is something you want to keep within a timeframe, you can set a time limit. For example, if you want to limit it to one class period, give 20 minutes to write.

For an assignment, you can give 24 hours. This is more challenging while limiting the time needed to complete the activity.

Language Goals

Of course, as ESL teachers, we do not just have arbitrary activities to keep people occupied in class. There should be purpose and goals to what we do in class.

That said, A Picture Is Worth 1,000 Words, targets the following primary and secondary ESL areas:

1. Writing Skills (Primary)

The target for this activity is to develop creative writing skills.

Writing skills involve accurate use of lexis and structure combined with the ability to tie it all together into a cohesive message.

As ESL learners work through their text together, they can each contribute something.

2. Speaking Skills (Secondary)

By asking each team to present their text orally, they’re challenged to produce the language clearly. They’ll develop reading fluency and more accurate pronunciation with the help of teacher feedback.

Final Thoughts

If you’ve been looking for something to liven up your writing lessons or your ESL classes in general, A Picture Is Worth a Thousand Words, can do the trick.

Furthermore, each team has the chance to use their imagination to write the text that matches the image and the assigned genre.

Finally, you can provide fun or interesting images that stimulate thinking and produce writing aimed at English language development.

And that’s our goal as ESL teachers.

Give it a try and let us know how it went.

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1 thought on “ESL Writing Activity – A Picture Is Worth a Thousand Words”

Dear sir/ma’am. Thank you for the interesting idea that I could definitely use for higher grade elementary and junior high students. I have a lesson I use with my students where they retell the turtle and the rabbit fable. But I have them retell it in a crazy way. I put them into groups over three lessons. The first lesson is going over vocabulary like linking words and descriptive adjectives. I tell the story with some comprehension questions. The second lesson, they are put into groups and given time to write their stories. I would give feedback with error corrections. The third lesson, they rewrite their stories nice and neat and draw and color some pictures and put it all together on poster board and we would hang em up outside the class on the walls for everyone to see. It’s a great lesson, only downside is it takes too much time. Thanks again, Daniel Jones

Essay On A Picture Is Worth A Thousand Words {Step by Step Guide}

Hello Friend, In this post “ Essay On A Picture Is Worth A Thousand Words “, we will read about A Picture Is Worth A Thousand Words as an Essay in Details with example. So…

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This term was popularized in the 1920s by FredR. Barnard , who is often credited with the origin of the proverb. He used the phrase a picture is worth a thousand words to discuss the use of drawn and photographic images to illustrate advertising.

A Picture Is Worth A Thousand Words means A single picture can express something more clearly or vividly than a large number of words can.

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Picture of my country

A Picture Is Worth A Thousand Words

9th annual high school & college essay contest, deadline for entries is february 29, 2024.

A Picture Is Worth a Thousand Words is a writing competition at the Albany Museum of Art for college and high school students interested in inspiring museum goers by writing an essay that is connected with a work of art. The top three essayists in each division win a cash award.

Students: Read the rules below and submit your essay HERE .

Dates, Guidelines, FAQs & Winners

The submission period for essays opens Feb 1, 2024.
The submission period for essays closes at midnight, Feb 29, 2024.
Winners will be announced at an awards reception at 6 pm on March 7 at the AMA.
Essays should be mailed in Word format HERE .

Who can compete?

There are two divisions: college and high school.

College Division: Any student who attends a college or university.

High School Division: Any student who attends a public, private, or home school.

NOTE: Students who are dually enrolled in high school and college classes compete in the college division.

Use of AI is not permitted

By submitting an entry to the contest, the student affirms that artificial intelligence was not used in creating the essay. Use of AI disqualifies a writer from the contest.

Winners of the 2021 essay contest are shown with museum officials

How do I enter the competition?

Visit the Albany Museum of Art and choose a work of art from the A Picture is Worth a Thousand Words art object list. The work of art written about must be from this list to ensure that the artwork is on view at the AMA for the entire competition.

The six designated art objects will be labeled in the galleries during the month of February.

NOTE: Electronic images of the selected works will not be provided. The participating student must visit the AMA to see the designated art objects.

What are the prizes?

Cash awards are given for the top three essays in each of the college and high school divisions.

The winning essays will be published on albanymuseum.com.

How will the essays be judged?

Each essay will be assigned a number ID and all identifying information in regard to who submitted the essay will be removed before the essays are submitted to a panel of judges. The judges—one panel for high school submissions and a second for college essays—will read and rank the essays.

When will the winners be announced?

High school and college winners will be announced at an awards ceremony on March 7, 2024, at the AMA. In addition, the top essayists in each division will be invited to read their respective essays at the event.

Writing Tips

Give your chosen work a close look: What story lies behind the image? What feelings does the piece awaken in you? What do you see that no one may have seen before? Let the art speak to you and then let your ideas flow onto the page! Please remember to revise and edit your essay before submitting it, and be absolutely sure that your submission is no longer than 1000 words.

Need more info?

Through your writing, A Picture is Worth a Thousand Words will create new ways of seeing and reading the Albany Museum of Art’s collection. We are looking forward to your art-inspired words! For more information, email HERE .

2021 high school essay winners stand with museum officials

Essay: The New Idea of India

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From the middle of April until early June, staggered over the course of several weeks, the world’s biggest election will take place. More than 960 million Indians—out of a population of 1.4 billion—are eligible to vote in parliamentary elections that polls strongly suggest will return Prime Minister Narendra Modi and his Bharatiya Janata Party (BJP) to power for a third consecutive term.

Modi is probably the world’s most popular leader. According to a recent Morning Consult poll , 78 percent of Indians approve of his leadership. (The next three highest-ranked leaders, from Mexico, Argentina, and Switzerland, generate approval ratings of 63, 62, and 56 percent, respectively.) It is not hard to see why Modi is admired. He is a charismatic leader, a masterful orator in Hindi, and widely perceived as hard-working and committed to the country’s success. He is regarded as unlikely to turn to nepotism or corruption, often attributed to the fact that he is a 73-year-old man without a partner or children. Modi has few genuine competitors. His power within his party is absolute, and his opponents are fractured, weak, and dynastic—a quality usually equated with graft. Whether it is through maximizing his opportunity to host the G-20 or through his high-profile visits abroad, Modi has expanded India’s presence on the world stage and, with it, his own popularity. New Delhi is also becoming more assertive in its foreign policy, prioritizing self-interest over ideology and morality—another choice that is not without considerable domestic appeal.

Modi’s success can confuse his detractors. After all, he has increasingly authoritarian tendencies: Modi only rarely attends press conferences, has stopped sitting down for interviews with the few remaining journalists who would ask him difficult questions, and has largely sidestepped parliamentary debate. He has centralized power and built a cult of personality while weakening India’s system of federalism. Under his leadership, the country’s Hindu majority has become dominant. This salience of one religion can have ugly impacts, harming minority groups and calling into question the country’s commitment to secularism. Key pillars of democracy, such as a free press and an independent judiciary, have been eroded.

Yet Modi wins—democratically. The political scientist Sunil Khilnani argued in his 1997 book, The Idea of India , that it was democracy, rather than culture or religion, that shaped what was then a 50-year-old country. The primary embodiment of this idea, according to Khilnani, was India’s first prime minister, the anglicized, University of Cambridge-educated Jawaharlal Nehru, who went by the nickname “Joe” into his 20s. Nehru believed in a vision of a liberal, secular country that would serve as a contrast to Pakistan, which was formed explicitly as a Muslim homeland. Modi is, in many ways, Nehru’s opposite. Born into a lower-caste, lower-middle-class family, the current prime minister’s formative education came from years of traveling around the country as a Hindu community organizer, sleeping in ordinary people’s homes and building an understanding of their collective frustrations and aspirations. Modi’s idea of India, while premised on electoral democracy and welfarism, is substantially different from Nehru’s. It centers culture and religion in the state’s affairs; it defines nationhood through Hinduism; and it believes a powerful chief executive is preferable to a liberal one, even if that means the curtailment of individual rights and civil liberties. This alternative vision—a form of illiberal democracy—is an increasingly winning proposition for Modi and his BJP.

Hindus represent 80 percent of India’s population. The BJP courts this mega-majority by making them feel proud of their religion and culture. Sometimes, it aids this project by stirring up resentment of the country’s 200 million Muslims, who form 14 percent of the population. The BJP also attempts to further a version of history that interprets Hindus as victimized by successive hordes of invaders. Hindus hardly comprise a monolith, divided as they are by caste and language, but the BJP requires only half their support to win national elections. In 2014, it secured 31 percent of the national vote to gain a majority of seats in Parliament—the first time in three decades a single party had done so. It did even better in 2019, with 37 percent of the vote.

An illiberal, Hindi-dominated, and Hindu-first nation is emerging, and it is challenging—even eclipsing—other ideas of India, including Jawaharlal Nehru’s.

At least some part of the BJP’s success can be attributed to Modi’s name recognition and tireless performances on the campaign trail. But focusing too much on one man can be a distraction from understanding India’s trajectory. Even though Modi has acquired a greater concentration of power than any Indian leader in a generation, his core religious agenda has long been telegraphed by his party, as well as by its ideological parent, the Rashtriya Swayamsevak Sangh (RSS), a Hindu social society and paramilitary group that counts more than 5 million members. While Modi has been the primary face of the BJP since 2014, the party itself has existed in its current form since 1980. (The RSS, to which Modi traces his true ideological roots, is even older. It will mark its 100th anniversary next year.) The BJP’s vision—its idea of India—is hardly new or hidden. It is clearly described in its election manifestos and, combined with Modi’s salesmanship, is increasingly successful at the ballot box.

Put another way, while India’s current political moment has much to do with supply—in the form of a once-in-a-generation leader and few convincing alternatives—it may also have something to do with shifting demand. The success of the BJP’s political project reveals a clearer picture of what India is becoming. Nearly half the country’s population is under the age of 25. Many of these young Indians are looking to assert a new cultural and social vision of nationhood. An illiberal, Hindi-dominated, and Hindu-first nation is emerging, and it is challenging—even eclipsing—other ideas of India, including Nehru’s. This has profound impacts for both domestic and foreign policy. The sooner India’s would-be partners and rivals realize this, the better they will be able to manage New Delhi’s growing global clout. “The Nehruvian idea of India is dead,” said Vinay Sitapati, the author of India Before Modi . “Something is definitely lost. But the question is whether that idea was alien to India in the first place.”

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Indians bristle at reports of how their country has fallen in recent years on key markers of the health of its civil society. It is nonetheless worth contending with those assessments. According to Reporters Without Borders, India ranked 161st out of 180 countries for press freedom in 2023, down from 80th out of 139 countries in 2002. Freedom House, which measures democracy around the world, marked India as only “partly free” in its 2024 report, with Indian-administered Kashmir receiving a “not free” designation. Only a handful of countries and territories, such as Russia and Hong Kong, experienced a greater decline in freedom over the last decade than India. The World Economic Forum’s 2023 Global Gender Gap Index ranks India 127th out of 146 countries. The World Justice Project ranks India 79th out of 142 countries for adherence to the rule of law, down from 59th in 2015. As one legal scholar wrote in Scroll.in , the judiciary has “placed its enormous arsenal at the government’s disposal in pursuit of its radical majoritarian agenda.” Consider, as well, access to the web: India has administered more internet shutdowns than any country in the last decade, even more than Iran and Myanmar.

The social indicator that worries observers of India the most is religious freedom. Troubles between Hindus and Muslims are not new. But in its decade in power, Modi’s BJP has been remarkably successful in furthering its Hindu-first agenda through legislation. It has done so by revoking the semi-autonomous status of majority-Muslim Kashmir in 2019 and later that year—an election year—passing an immigration law that fast-tracked citizenship for non-Muslims from three neighboring countries, each of which has a large Muslim majority. (The law, which makes it more difficult for Indian Muslims to prove their citizenship, was implemented in March. The timing of this announcement seemed to highlight its electoral benefits.)

Perhaps more damaging than these legislative maneuvers has been the Modi administration’s silence, and often its dog whistles of encouragement, amid an increasingly menacing climate for Indian Muslims. While Nehru’s emphasis on secularism once imposed implicit rules in the public sphere, Hindus can now question Muslims’ loyalty to India with relative impunity. Hindu supremacy has become the norm; critics are branded “anti-national.” This dominance culminated on Jan. 22, when Modi consecrated a giant temple to the Hindu god Ram in the northern Indian city of Ayodhya. The temple, which cost $250 million to build, was constructed on the site of a mosque that was demolished by a Hindu mob in 1992. When that happened three decades ago, top BJP leaders recoiled from the violence they had unleashed. Today, that embarrassment has morphed into an expression of national pride. “It is the beginning of a new era,” said Modi, adorned in a Hindu priest’s garb at the temple’s opening, in front of an audience of top Bollywood stars and the country’s business elite.

“The BJP’s dominance is primarily demand-driven,” Sitapati said. “Progressives are in denial about this.”

Modi’s vision of what it means to be Indian is at least partly borne out in public opinion. When the Pew Research Center conducted a major survey of religion in India between late 2019 and early 2020, it found that 64 percent of Hindus believed being Hindu was very important to being “truly Indian,” while 59 percent said speaking Hindi was similarly foundational in defining Indianness; 84 percent considered religion to be “very important” in their lives; and 59 percent prayed daily. “The BJP’s dominance is primarily demand-driven,” said Sitapati, who also teaches law and politics at Shiv Nadar University Chennai. “Progressives are in denial about this.”

Sitapati has critics on the left who claim his scholarship underplays the militant roots of the BJP and RSS, helping to rehabilitate their image. But on the question of demand and supply: The BJP’s dominance is limited to the country’s north, where most people speak Hindi. In the wealthier south, where tech firms are flourishing, literacy rates are higher, and most people speak languages such as Tamil, Telugu, and Malayalam, the BJP is decidedly less popular. Southern leaders harbor a growing resentment that their taxes are subsidizing the Hindi Belt in the north. This geographic cleavage could come to a head in 2026, when a national process of redistricting is expected to take place. Opposition leaders fear the BJP could redraw parliamentary constituencies to its advantage. If the BJP succeeds, it could continue winning at the polls long beyond Modi’s time.

Despite all this, Sitapati contends that the country remains democratic: “Political participation is higher than ever. Elections are free and fair. The BJP regularly loses state elections. If your definition of democracy is focused on the sanctity of elections and the substance of policies, then democracy is thriving.” In Indian society, he said, culture is not centered on liberalism and individual rights; Modi’s rise must be viewed within that context.

Liberal Indians who might disagree are vanishing from the public eye. One clear exception is the Booker Prize-winning novelist Arundhati Roy. Speaking in Lausanne, Switzerland, last September, she described an India descending into fascism . The ruling BJP’s “message of Hindu supremacism has relentlessly been disseminated to a population of 1.4 billion people,” Roy said. “Consequently, elections are a season of murder, lynching, and dog-whistling. … It is no longer just our leaders we must fear but a whole section of the population.”

Is the mobilization of more than a billion Hindus a form of tyranny of the majority? Not quite, says Pratap Bhanu Mehta, an Indian political scientist who teaches at Princeton University. “Hindu nationalists will say that theirs is a classic nation-building project,” he said, underscoring how independent India is still a young country. Populism, too, is an unsatisfying term for describing Modi’s politics. Even though he plays up his modest background, he is hardly anti-elitist and in fact frequently courts top Indian and global business leaders to invest in the country. Sometimes, they directly finance Modi’s success: A 2017 provision for electoral bonds brought in more than $600 million in anonymous donations to the BJP. The Supreme Court scrapped the scheme in March, calling it “unconstitutional,” but the ruling is likely too late to have prevented the influence of big donors in this year’s election.

Mukul Kesavan, a historian based in New Delhi, argues that it would be more accurate to describe the BJP’s agenda as majoritarianism. “Majoritarianism just needs a minority to mobilize against—a hatred of the internal other,” he said. “India is at the vanguard of this. There is no one else doing what we are doing. I am continually astonished that the West doesn’t see this.”

What the West also doesn’t always see is that Modi is substantially different from strongmen such as Donald Trump in the United States. While Trump propagated an ideology that eclipsed that of the Republican Party, Modi is fulfilling the RSS’s century-old movement to equate Indianness more closely with Hinduism. Surveys and elections both reveal this movement’s time has come.

“People aren’t blinkered. They’re willing to accept trade-offs,” said Mehta, explaining how growing numbers of Indians have accepted the BJP’s premise of a Hindu state, even if there are elements of that project that make them uncomfortable. “They don’t think the majoritarian agenda presents a deal-breaker.” For now, at least. A key question is what happens when majoritarianism provokes something that challenges public acceptance of this trade-off. The greatest risk here lies in a potential surge of communal violence, the likes of which have pockmarked Indian history. In 2002, for example, 58 Hindu pilgrims were killed in Godhra, in the western state of Gujarat, after a train that was returning from Ayodhya caught fire. Modi, then chief minister of Gujarat, declared the incident an act of terrorism. After rumors circulated that Muslims were responsible for the fire, a mob embarked on three days of violence in the state, killing more than a thousand people. An overwhelming majority of the dead were Muslim. Modi has never been convicted of any involvement, but the tragedy has followed him in ways both damaging and to his advantage. Liberal Indians were horrified that he didn’t do more to stop the violence, but the message for a substantial number of Hindus was that he would stop at nothing to protect them.

Twenty-two years later, Modi is a mainstream leader catering to a national constituency that is much more diverse than that of Gujarat. While the riots once loomed large in his biography, Indians now see them as just one part of a complicated career in the public eye. What is unknown is how they might react to another mass outbreak of communal violence and whether civil society retains the muscle to rein in the worst excesses of its people. Optimists will point out that India has been through tough moments and emerged stronger. When Prime Minister Indira Gandhi declared a state of emergency in 1975, giving her the license to rule by decree, voters kicked her out of power the first chance they got. Modi, however, has a stronger grip on the country—and he continues to expand his powers while winning at the ballot box.

Prime Minister Narendra Modi greets a crowd in Varanasi, India, on March 4, 2022. Ritesh Shukla/Getty Images

Just as citizens can’t subsist purely on the ideals of secularism and liberalism, it’s the same with nationalism and majoritarianism. In the end, the state must deliver. Here, Modi’s record is mixed. “Modi sees Japan as a model—modern in an industrial sense without being Western in a cultural sense,” Sitapati said. “He has delivered on an ideological project that is Hindu revivalism mixed with industrialization.”

India is undertaking a vast national project of state-building under Modi. Since 2014, spending on transport has more than tripled as a share of GDP. India is currently building more than 6,000 miles of highways a year and has doubled the length of its rural road network since 2014. In 2022, capitalizing on a red-hot aviation market, New Delhi privatized its creaky national carrier, Air India. India has twice as many airports today than it did a decade ago, with domestic passengers more than doubling in quantity to top 200 million. Its middle classes are spending more money: Average monthly per capita consumption expenditure in urban areas rose by 146 percent in the last decade. Meanwhile, India is whittling down its infamous bureaucratic hurdles to become an easier place for industry. According to the World Bank’s annual Doing Business report, India rose from a rank of 134th in 2014 to 63rd in 2020. Investors seem bullish. The country’s main stock index, the BSE Sensex, has increased in value by 250 percent in the last decade.

Strongmen are usually more popular among men than women. It is a strange paradox, then, that the BJP won a record number of votes by women in the 2019 national election and is projected to do so again in 2024, as voter participation , and voting by women, continues to climb. Modi has targeted female voters through the canny deployment of services that make domestic life easier. Rural access to piped water, for example, has climbed to more than 75 percent from just 16.8 percent in 2019. Modi declared India free of open defecation in 2019 after a campaign to build more than 110 million toilets. And according to the International Energy Agency, 45 percent of India’s electricity transmission lines have been installed in the last decade.

The most transformative force in the country is the ongoing proliferation of the internet, as I wrote in my 2018 book, India Connected . Just as the invention of the car more than a century ago shaped modern America, with the corresponding building out of the interstate system and suburbia, cheap smartphones have enabled Indians to partake in a burgeoning digital ecosystem. Though it didn’t have much to do with the smartphone and internet boom, the government has capitalized on it. India’s Unified Payments Interface, a government-run instant payment system, now accounts for three-fourths of all non-cash retail transactions in the country. With the help of digital banking and a new national biometric identification system, New Delhi has been able to sidestep corruption by directly transferring subsidies to citizens, saving billions of dollars in wastage.

Modi is projecting an image of a more powerful, muscular, prideful nation—and Indians are in thrall to the self-portrait.

The private sector has been a willing participant in India’s new digital and physical economy. But it has also been strangely leery of investing more, as two leading economists describe in this issue (Page 42). Businesses remain concerned that Modi has a cabal of preferred partners in his plans for industrialization—for example, he is seen as too cozy with the country’s two richest men, Mukesh Ambani and Gautam Adani, both of whom hail from his native state of Gujarat. Fears abound that New Delhi’s history of retroactive taxation and protectionism could blow up the best laid corporate plans.

Because he has corralled great power, when Modi missteps, the consequences tend to be enormous. In 2016, he suddenly announced a process of demonetization, recalling high-value notes of currency as legal tender. While the move attempted to reduce corruption by outing people with large amounts of untaxed income, it was in fact a stunt that reduced India’s growth by nearly 2 percentage points. Similarly, panicked by the onset of COVID-19 in 2020, Modi announced a sudden national lockdown, leading to millions of migrant workers racing home—and likely spreading the virus. A year later, New Delhi largely stood by when the delta variant of COVID-19 surged through the country, killing untold thousands of Indians. No amount of nationalism or pride could cover up for the fact that, on that occasion, the state had let its people down.

Now, with a population hungry for good news, India is looking to take advantage of the best foreign-policy deals. There are plenty to be struck in a shifting global order. The United States’ power is in relative decline, China’s has risen, and a range of so-called middle powers are looking to benchmark their status. Modi is projecting an image of a more powerful, muscular, prideful nation—and Indians are in thrall to the self-portrait.

Modi is seen through a video camera as he speaks at the final session of the G-20 summit in New Delhi on Sept. 10, 2023. Dan Kitwood/Getty Images

One window into India’s newfound status on the world stage came last September, after Canadian Prime Minister Justin Trudeau made the stunning announcement that Ottawa was investigating “credible allegations” that Indian government agents had orchestrated the murder of a Sikh community leader in British Columbia. New Delhi flatly denied his accusations, calling them “absurd.” The person who was killed, Hardeep Singh Nijjar, had sought to establish a nation called Khalistan, carved out of territory in his native Punjab, a state in northwestern India. In 2020, New Delhi declared Nijjar a terrorist.

A Canadian leader publicly accusing India of a murder on Canadian soil could have been a major embarrassment for Modi. Instead, the incident galvanized his supporters. The national mood seemed to agree with the government line that New Delhi didn’t do it but with an important subtext: If it did, it did the right thing.

“It’s this idea that ‘We have arrived. Now we can talk on equal terms to the white man,’” Sitapati said. It’s not just revisionism to examine how colonial powers masterminded the plunder of India’s land and resources; even the word “loot” is stolen from Hindi, as the writer and parliamentarian Shashi Tharoor has pointed out. The BJP’s project of nation-building attempts to reinstill a sense of self-pride, often by painting Hindus as the victims of centuries of wrongs but who have now awoken to claim their true status. This is why the Jan. 22 opening of the Ram temple took on epic significance, reviving among Hindus a sense that they were rightfully claiming the primacy they once enjoyed.

The flashier the stage, the better. For much of 2023, India flaunted its hosting of the G-20, a rotating presidency that most other countries see as perfunctory. For Modi, it became a marketing machine, with giant billboards advertising New Delhi’s pride in playing host (always alongside a portrait of the prime minister). When the summit began in September, TV channels dutifully carried key parts live, showing Modi welcoming a series of top world leaders.

Weeks earlier, Indians united around another celebratory moment. The country landed two robots on the moon, making it only the fourth country to do so and the first to reach the moon’s southern polar region. As TV channels ran a live broadcast of the landing, Modi beamed into mission control at the key moment of touchdown, his face on a split screen with the landing. The self-promotion can seem garish, but it feeds into a sense of collective accomplishment and national identity.

Also popular is New Delhi’s stance on Moscow, thumbing its nose at Western countries seeking to sanction Russia after its invasion of Ukraine. While Russia exported less than 1 percent of its crude to India before 2022, it now sends more than half of its supplies there. China and India are together purchasing 80 percent of Russia’s seaborne oil exports—and they do so at below-market rates because of a price cap imposed by the West. There is little consideration for morality, in part because Indians, like many in the global south, now widely perceive the West as applying double standards to world affairs. As a result, there’s no moral benchmark. For India, an advantageous oil deal is just that: good economics and smart politics. (India and Russia also share a historic friendship, which both sides are keen to continue.)

New Delhi’s growing foreign-policy assertiveness stems from a knowledge that it is increasingly needed by other countries. Allies seem aware of this new dynamic. For the United States, even if India doesn’t come to its aid in a potential tussle with China in the Taiwan Strait, merely preventing New Delhi from growing closer to Beijing represents a geopolitical win that papers over other disagreements. For other countries, access to India’s growing market is paramount. Despite the BJP’s hostility to Muslims, Modi receives a red-carpet welcome when he visits countries in the Persian Gulf.

India’s embrace of its strategic interests—and its confidence in articulating that choice—is of a piece with broader changes in how the country views itself. Modi and his BJP have succeeded in furthering an idea of India that makes a virtue of sacrificing Western liberalism for a homegrown sense of self-interest. By appealing to young people’s economic aspirations and their desire for identity in an increasingly interconnected world, the BJP has found room to advance a religious and cultural agenda that would have been unimaginable a generation ago. This vision cannot be purely top-down; the will of a nation evolves over time. In the future, there will likely be further contests among other ideas of India. But if Modi’s BJP continues to win at the ballot box, history may show that the country’s liberal experiment wasn’t just interrupted—it may have been an aberration.

Ravi Agrawal is the editor in chief of Foreign Policy . Twitter: @RaviReports

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A picture worth a thousand words essay sample
⇉A Picture Is Worth a Thousand Words Essay Example
Essay On A Picture Is Worth A Thousand Words {Step by Step Guide} » ️
Albert Einstein Quote: “One picture is worth a thousand words.” (12
A picture is worth a thousand words
“a Picture Is Worth a Thousand Words” Essay Example

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'A Picture Is Worth a Thousand Words': Definition, Meaning, Examples
Take, for example, instruction manuals; they usually come with a picture or diagram or some sort of visual support to help you figure out how to use or build the item. That's the idea that the idiom 'A picture is worth a thousand words' conveys. It means you can tell an entire story with just one picture and impart a concept or idea much more ...
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9/11: A Picture Is Worth A Thousand Words. minutes after the pentagon attack a catastrophe turn for the worst was made in New York when one of the towers collapsed in a cloud of dust. 30 minutes later another tower collapsed in a mountain of smoke. 3000 people where killed during these attacks out of these causalities firefighters and medical ...
Expansion of an Idea
The proverb "a picture is worth a thousand words" is a well-known saying that suggests that a single image can convey more information or meaning than a lengthy description or explanation. This proverb highlights the power of visual communication and the impact that an image can have on a viewer. The expansion of this proverb could be that ...
A picture is worth a thousand words
The phrase a picture is worth a thousand words means a picture may convey an idea more quickly and effectively than the written word. Writers of texts that describe concepts involving imagery or abstract thoughts need many words to get their points across. A photograph, artwork, drawing or graphics can often demonstrate an idea with one look ...
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Barnard claimed the phrase's source to be oriental by adding "so said a famous Japanese philosopher, and he was right". Printer's Ink printed another form of the phrase in March 1927, this time suggesting a Chinese origin: "Chinese proverb. One picture is worth ten thousand words." The arbitrary escalation from 'one thousand' to 'ten thousand ...
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The New Idea of India: Why Narendra Modi Is the Front-Runner in the
From the middle of April until early June, staggered over the course of several weeks, the world's biggest election will take place. More than 960 million Indians—out of a population of 1.4 ...