college essay write a story

Ultimate Guide to Writing Your College Essay

Tips for writing an effective college essay.

College admissions essays are an important part of your college application and gives you the chance to show colleges and universities your character and experiences. This guide will give you tips to write an effective college essay.

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Writing a strong college admissions essay

Learn about the elements of a solid admissions essay.

Avoiding common admissions essay mistakes

Learn some of the most common mistakes made on college essays

Brainstorming tips for your college essay

Stuck on what to write your college essay about? Here are some exercises to help you get started.

How formal should the tone of your college essay be?

Learn how formal your college essay should be and get tips on how to bring out your natural voice.

Taking your college essay to the next level

Hear an admissions expert discuss the appropriate level of depth necessary in your college essay.

Student Stories

Student Story: Admissions essay about a formative experience

Get the perspective of a current college student on how he approached the admissions essay.

Student Story: Admissions essay about personal identity

Get the perspective of a current college student on how she approached the admissions essay.

Student Story: Admissions essay about community impact

Student story: admissions essay about a past mistake, how to write a college application essay, tips for writing an effective application essay, sample college essay 1 with feedback, sample college essay 2 with feedback.

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How to write a narrative essay [Updated 2023]

A narrative essay is an opportunity to flex your creative muscles and craft a compelling story. In this blog post, we define what a narrative essay is and provide strategies and examples for writing one.

What is a narrative essay?

Similarly to a descriptive essay or a reflective essay, a narrative essay asks you to tell a story, rather than make an argument and present evidence. Most narrative essays describe a real, personal experience from your own life (for example, the story of your first big success).

Alternately, your narrative essay might focus on an imagined experience (for example, how your life would be if you had been born into different circumstances). While you don’t need to present a thesis statement or scholarly evidence, a narrative essay still needs to be well-structured and clearly organized so that the reader can follow your story.

When you might be asked to write a narrative essay

Although less popular than argumentative essays or expository essays, narrative essays are relatively common in high school and college writing classes.

The same techniques that you would use to write a college essay as part of a college or scholarship application are applicable to narrative essays, as well. In fact, the Common App that many students use to apply to multiple colleges asks you to submit a narrative essay.

How to choose a topic for a narrative essay

When you are asked to write a narrative essay, a topic may be assigned to you or you may be able to choose your own. With an assigned topic, the prompt will likely fall into one of two categories: specific or open-ended.

Examples of specific prompts:

• Write about the last vacation you took.
• Write about your final year of middle school.

Examples of open-ended prompts:

• Write about a time when you felt all hope was lost.
• Write about a brief, seemingly insignificant event that ended up having a big impact on your life.

A narrative essay tells a story and all good stories are centered on a conflict of some sort. Experiences with unexpected obstacles, twists, or turns make for much more compelling essays and reveal more about your character and views on life.

If you’re writing a narrative essay as part of an admissions application, remember that the people reviewing your essay will be looking at it to gain a sense of not just your writing ability, but who you are as a person.

In these cases, it’s wise to choose a topic and experience from your life that demonstrates the qualities that the prompt is looking for, such as resilience, perseverance, the ability to stay calm under pressure, etc.

It’s also important to remember that your choice of topic is just a starting point. Many students find that they arrive at new ideas and insights as they write their first draft, so the final form of your essay may have a different focus than the one you started with.

How to outline and format a narrative essay

Even though you’re not advancing an argument or proving a point of view, a narrative essay still needs to have a coherent structure. Your reader has to be able to follow you as you tell the story and to figure out the larger point that you’re making.

You’ll be evaluated on is your handling of the topic and how you structure your essay. Even though a narrative essay doesn’t use the same structure as other essay types, you should still sketch out a loose outline so you can tell your story in a clear and compelling way.

To outline a narrative essay, you’ll want to determine:

• how your story will start
• what points or specifics that you want to cover
• how your story will end
• what pace and tone you will use

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.” Also, most narrative essays will follow typical formatting guidelines, so you should choose a readable font like Times New Roman in size 11 or 12. Double-space your paragraphs and use 1” margins.

To get your creative wheels turning, consider how your story compares to archetypes and famous historical and literary figures both past and present. Weave these comparisons into your essay to improve the quality of your writing and connect your personal experience to a larger context.

How to write a narrative essay

Writing a narrative essay can sometimes be a challenge for students who typically write argumentative essays or research papers in a formal, objective style. To give you a better sense of how you can write a narrative essay, here is a short example of an essay in response to the prompt, “Write about an experience that challenged your view of yourself.”

Narrative essay example

Even as a child, I always had what people might call a reserved personality. It was sometimes framed as a positive (“Sarah is a good listener”) and at other times it was put in less-than-admiring terms (“Sarah is withdrawn and not very talkative”). It was the latter kind of comments that caused me to see my introverted nature as a drawback and as something I should work to eliminate. That is, until I joined my high school’s student council.

The first paragraph, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

The other four students making up the council were very outspoken and enthusiastic. I enjoyed being around them, and I often agreed with their ideas. However, when it came to overhauling our school’s recycling plan, we butted heads. When I spoke up and offered a different point of view, one of my fellow student council members launched into a speech, advocating for her point of view. As her voice filled the room, I couldn’t get a word in edgewise. I wondered if I should try to match her tone, volume, and assertiveness as a way to be heard. But I just couldn’t do it—it’s not my way, and it never has been. For a fleeting moment, I felt defeated. But then, something in me shifted.

In this paragraph, the writer goes into greater depth about how her existing thinking brought her to this point.

I reminded myself that my view was valid and deserved to be heard. So I waited. I let my fellow council member speak her piece and when she was finished, I deliberately waited a few moments before calmly stating my case. I chose my words well, and I spoke them succinctly. Just because I’m not a big talker doesn’t mean I’m not a big thinker. I thought of the quotation “still waters run deep” and I tried to embody that. The effect on the room was palpable. People listened. And I hadn’t had to shout my point to be heard.

This paragraph demonstrates the turn in the story, the moment when everything changed. The use of the quotation “still waters run deep” imbues the story with a dash of poetry and emotion.

We eventually reached a compromise on the matter and concluded the student council meeting. Our council supervisor came to me afterward and said: “You handled that so well, with such grace and poise. I was very impressed.” Her words in that moment changed me. I realized that a bombastic nature isn't necessarily a powerful one. There is power in quiet, too. This experience taught me to view my reserved personality not as a character flaw, but as a strength.

The final paragraph, or conclusion, closes with a statement about the significance of this event and how it ended up changing the writer in a meaningful way.

Narrative essay writing tips

1. pick a meaningful story that has a conflict and a clear “moral.”.

If you’re able to choose your own topic, pick a story that has meaning and that reveals how you became the person your are today. In other words, write a narrative with a clear “moral” that you can connect with your main points.

2. Use an outline to arrange the structure of your story and organize your main points.

Although a narrative essay is different from argumentative essays, it’s still beneficial to construct an outline so that your story is well-structured and organized. Note how you want to start and end your story, and what points you want to make to tie everything together.

3. Be clear, concise, concrete, and correct in your writing.

You should use descriptive writing in your narrative essay, but don’t overdo it. Use clear, concise, and correct language and grammar throughout. Additionally, make concrete points that reinforce the main idea of your narrative.

4. Ask a friend or family member to proofread your essay.

No matter what kind of writing you’re doing, you should always plan to proofread and revise. To ensure that your narrative essay is coherent and interesting, ask a friend or family member to read over your paper. This is especially important if your essay is responding to a prompt. It helps to have another person check to make sure that you’ve fully responded to the prompt or question.

Frequently Asked Questions about narrative essays

A narrative essay, like any essay, has three main parts: an introduction, a body and a conclusion. Structuring and outlining your essay before you start writing will help you write a clear story that your readers can follow.

The first paragraph of your essay, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.”

The 4 main types of essays are the argumentative essay, narrative essay, exploratory essay, and expository essay. You may be asked to write different types of essays at different points in your education.

Most narrative essays will be around five paragraphs, or more, depending on the topic and requirements. Make sure to check in with your instructor about the guidelines for your essay. If you’re writing a narrative essay for a college application, pay close attention to word or page count requirements.

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College Essays That Worked: See Examples

Experts say a good college essay features a student's voice and personality.

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Students should know themselves and write authoritatively so they can share a sense of their lives with admissions officers.

Many college applications require a personal essay, which can be daunting for students to write.

But a few simple tips, some introspection and insight into what admissions officers are looking for can help ease the pressure. U.S. News has compiled several college essay examples that helped students get into school. Shared by admissions staff or referenced from admissions websites, these essays stand out, they say, because the student voices shine, helping the school get to know the applicants.

"Students can get caught in the trap of overthinking it and write the essay that's going to impress the admissions committee," says Andrew Strickler, dean of admission and financial aid at Connecticut College . "The best essays, the ones that really pop, are the ones that come across as authentic and you really hear the student's voice."

The essay gives schools a feel for how a student writes, but it's the content of the essay that matters most, admissions professionals say. In other words, while it's important to showcase sound grammar and writing, it's even more important to showcase your character and personality.

"I care more about their stories than if it is a perfect five paragraph essay," David Graves, interim director of admissions at the University of Georgia , wrote in an email.

Many schools give students a wide range of topics to choose from, which experts say can be beneficial in helping students find their voice.

While you want your voice to be apparent, it's wise to be aware of your tone, says Allen Koh, CEO of Cardinal Education, an admissions consulting company that works with students to craft and revise their college essays. The goal of the essay is to make a strong case for why you’re different from all the other applicants, not necessarily why you’re better, he adds.

"You have to pass the genuine likability test. Sometimes kids are so busy trying to brag or tell their story that they’re forgetting they have to sound like a likable person. That’s a very simple test, but it’s really important."

Good essays tend to be "positively emotional," he says. It's best to avoid using sarcasm because it tends to fail on college essays.

Any humor used "really has to be a very positive, witty humor, not sarcastic," which he says can be hard to pick up on in an essay.

The Perils of Using AI for Essays

Choosing the right tone can be a challenge for many students, but admissions pros encourage them not to take shortcuts to completing their essay.

Though some college professors have embraced artificial intelligence tools like ChatGPT in their classrooms, Strickler says he's begun to stress in recent talks with high school audiences the importance of original work and avoiding the use of AI tools like ChatGPT to craft college essays. While it might produce a technically well-written essay and save time, your unique voice will be stripped away, and it may leave a bad impression on admissions offices as well as prevent them from truly getting to know you, he says.

Instead, Graves says, start early and take time to write it yourself, then "actually read it out loud to someone ... to listen to the rhythm and words as they are 'read.'"

Each spring on his admissions blog , Graves shares an enrolling student's essay and why it was strong. The essay excerpted below, shared with the permission of the University of Georgia, uses descriptive word choice and gives the admissions office deep insight into the student's life, their love for writing and their connection to their family, Graves says.

It was chosen as an example "to show our applicant pool how to express themselves through similes, sensory language (words that capture the senses of the reader), and emotion," Graves wrote on the blog.

Here's how the essay opened:

If you asked me what object I’d save in a burning fire, I’d save my notebook. My notebook isn’t just any notebook, it’s bubble gum pink with purple tie dye swirls, and has gold coil binding it together. But more importantly, it’s the key that unlocked my superpower, sending me soaring into the sky, flying high above any problems that could ever catch me. However, my notebook is simply the key. My real power rests in the depths of my mind, in my passion for writing. But to know how my powers came to be (not from a spider or a special rock), I must travel back to the first spark.

Four years ago, I wrote my first 6-word memoir in my eighth-grade rhetoric class. Inspired by my father’s recently diagnosed terminal illness, I wrote “Take his words, don’t take him”. It was as if all the energy of my powers surged into six meaningful words meant to honor the man that I would soon lose to a villain known as ALS. This was the first time I felt my writing. Three years ago, my dad’s disease severely progressed. The ALS seized his ability to speak and locked it in a tower with no key. The only way we could communicate was with an old spiral notebook. ...

The essay counted down each year ("three years ago," "two years ago," etc.) and concluded with this paragraph:

One month ago, I needed my powers more than ever before. I needed them to convey who I truly am for the chance at the future of my dreams as a writer. Except this time, I didn’t need the key because my powers grew into fruition. Instead, I opened my laptop only to type out one sentence… “If you asked me what object to save in a burning fire, I’d save my notebook.”

This style of storytelling, which shows not just the triumph at the end but also the conflict, struggle and evolution in between, makes for great essays, Koh says.

"The student also used an intriguing timeline (counting down years and month) to tell their story, and showed how she had grown," Graves says.

This next essay, by an anonymous writer and shared on Connecticut College 's admissions page , "manages to capture multiple aspects of the writer's personality, while not becoming overly cluttered or confusing," writes Susanna Matthews, associate director of admission at the school.

Every person who truly knows me believes that I was born in the wrong century. They call me "an old soul" because I'm a collector, attracted to books, antiques, vinyl records and anything from the 80's. But they also think I am unique in other ways. I believe it is because of the meaningful connections to my two languages and two cultures.

When we moved into our first American house, I was excited to decorate my new room. The first thing I knew I needed was a place to organize my most cherished possessions I have collected throughout my life. I searched and finally found a bookshelf with twenty-five thick sections that I could build and organize alphabetically ... Each shelf holds important objects from different parts of my life. ...

These books are a strong connection to my Brazilian heritage. They also remind me of the time when I was growing up in Brazil, as a member of a large Italian-Brazilian family.

The writer continues on, describing the types of books on each shelf, from Harry Potter to books used to learn English. They describe the bottom of the bookshelf housing some of their most prized possessions, like an old typewriter their grandfather gave them. They wonder about the words it has crafted and stories it has told.

As I grab my favorite Elvis vinyl to play, I can only wonder about the next chapter of my life. I look forward to adding new books, new friends, and a wide variety of experiences to my bookshelf.

"By placing one subject (the bookshelf) at the center of the piece, it lends some flexibility to layer in much more detail than if they had tried to discuss a few different interests in the essay," Matthews writes. "You learn a lot about the person, in a way that isn't in your face – a great thing when trying to write a personal essay."

Some colleges require a supplemental essay in addition to the personal statement. Typically, admissions pros note, these essays are shorter and focus on answering a specific question posed by the college.

The University of Chicago in Illinois allows students to submit essay prompts as inspiration for the admissions office and gives students some latitude in how they answer them. Essay prompts range from questions about the school itself to asking students to pick a question from a song title or lyric and give their best shot at answering it.

"We think of them as an opportunity for students to tell us about themselves, their tastes, and their ambitions," the school's admissions website reads. "They can be approached with utter seriousness, complete fancy, or something in between."

While the University of Chicago says there is no strict word limit on its supplemental essays, other schools prefer brevity. For example, Stanford University in California asks students to answer several short questions, with a 50-word limit, in addition to answering three essay questions in 100 to 250 words.

Georgia asks for a school-specific supplemental essay that's 200-300 words in addition to a 250- to 650-word personal essay.

"Sometimes a shorter essay response is not as polished an essay, but instead is a more casual, more relaxed essay," Graves says. "In addition, sometimes a student needs to get to the point or be concise, and this helps see if they can give us their story without overdoing it."

Other schools allow for a little more creativity in how the supplemental essay questions are answered. Babson College in Massachusetts, for example, gives students a 500-word limit to answer a prompt, or they can choose to submit a one-minute video about why they chose to apply to the school.

One student, Gabrielle Alias, chose to film a "day-in-the-life" video , which she narrated to answer the prompt, "Who Am I?"

"Visiting campus twice, I know I could see myself as one of the many interesting, innovative, and enticing students that come out of Babson," she says in the video. "But who am I you ask? I am a student. I am a reader. I am a researcher. I am a music lover. ... I am Gabrielle Alias and I am excited for who I will be as a graduate of Babson."

An essay by Babson student Bessie Shiroki, seen below, describes her experience in the school's admissions office and how she immediately felt comfortable.

I immediately smiled at the sight of my favorite board game. Babsonopoly. I love the combination of strategy and luck in this traditional family pastime. Seeing this on the wall in the admissions office gave me immediate comfort; I knew I was home.

Shiroki describes what she felt set Babson College apart from other schools, such as being surrounded by "sophisticated and mature individuals" and a tight-knit, entrepreneurial environment that would help her reach her career goals.

It is natural for me to be in a small class where more than one language is spoken. I am accustomed to discussions with diverse viewpoints, open minds, and where differences are seen as advantages. I embrace my cultural uniqueness, and I will add my voice to the community. I can’t imagine not continuing this in college.

She notes that as she toured the campus and saw students studying, she could see herself as one of them, feeding off of their studious and entrepreneurial energy. She mentions that Babson's Foundations of Management and Entrepreneurship class got her attention immediately and she saw it as a launch pad for a future that included running a business.

Babson recognizes the potential of their students, and FME is a great way for young entrepreneurs like me to find our place in the business world and learn from our mistakes. I am capable of this challenge and will conquer it with tenacity. I will bring my dedication, commitment, and innovative skills to Babson College.

Now it’s my turn to pass go and collect my Babson acceptance letter. I’ve found my next challenge.

Babson College offers several tips for what make good essays, including a strong "hook" to engage the reader from the start and a topic that allows you to share something that's not as obvious on your application.

When it comes to writing a college admissions essay – whether personal or supplemental – experts advise students to follow these rules:

• Find your voice.
• Write about a topic that matters to you.
• Share your personality.
• Express yourself.
• Proofread extensively.

With both traditional essays and supplemental essays, Koh says it's best to write long and work with someone you trust to edit it down. Teachers, friends and parents can all be helpful proofreaders, but experts note that the student voice should remain intact.

A good editor can help edit a long essay to keep the main message but with fewer words. “If I see 400 words, I know I’m a dozen drafts away from getting it to 650,” he says. “If I see 1200 words, we might just be one or two away. It’s at least going to be a shorter haul.”

Strickler encourages students not to stress too much over the essay or put unnecessary weight on it as part of their college application . While a strong essay helps, he says, it doesn't make or break an application.

"There's this sense that you write the most amazing essay and it gets you over the top because it opens the door to the pathway to the Magic Kingdom," he says. "But it's just one piece of a myriad of pieces that allow us to get to know a particular student and help us figure out if they're a good fit and how they're going to contribute to our community."

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Sat / act prep online guides and tips, 177 college essay examples for 11 schools + expert analysis.

College Admissions , College Essays

The personal statement might just be the hardest part of your college application. Mostly this is because it has the least guidance and is the most open-ended. One way to understand what colleges are looking for when they ask you to write an essay is to check out the essays of students who already got in—college essays that actually worked. After all, they must be among the most successful of this weird literary genre.

In this article, I'll go through general guidelines for what makes great college essays great. I've also compiled an enormous list of 100+ actual sample college essays from 11 different schools. Finally, I'll break down two of these published college essay examples and explain why and how they work. With links to 177 full essays and essay excerpts , this article is a great resource for learning how to craft your own personal college admissions essay!

What Excellent College Essays Have in Common

Even though in many ways these sample college essays are very different from one other, they do share some traits you should try to emulate as you write your own essay.

Visible Signs of Planning

Building out from a narrow, concrete focus. You'll see a similar structure in many of the essays. The author starts with a very detailed story of an event or description of a person or place. After this sense-heavy imagery, the essay expands out to make a broader point about the author, and connects this very memorable experience to the author's present situation, state of mind, newfound understanding, or maturity level.

Knowing how to tell a story. Some of the experiences in these essays are one-of-a-kind. But most deal with the stuff of everyday life. What sets them apart is the way the author approaches the topic: analyzing it for drama and humor, for its moving qualities, for what it says about the author's world, and for how it connects to the author's emotional life.

Stellar Execution

A killer first sentence. You've heard it before, and you'll hear it again: you have to suck the reader in, and the best place to do that is the first sentence. Great first sentences are punchy. They are like cliffhangers, setting up an exciting scene or an unusual situation with an unclear conclusion, in order to make the reader want to know more. Don't take my word for it—check out these 22 first sentences from Stanford applicants and tell me you don't want to read the rest of those essays to find out what happens!

A lively, individual voice. Writing is for readers. In this case, your reader is an admissions officer who has read thousands of essays before yours and will read thousands after. Your goal? Don't bore your reader. Use interesting descriptions, stay away from clichés, include your own offbeat observations—anything that makes this essay sounds like you and not like anyone else.

Technical correctness. No spelling mistakes, no grammar weirdness, no syntax issues, no punctuation snafus—each of these sample college essays has been formatted and proofread perfectly. If this kind of exactness is not your strong suit, you're in luck! All colleges advise applicants to have their essays looked over several times by parents, teachers, mentors, and anyone else who can spot a comma splice. Your essay must be your own work, but there is absolutely nothing wrong with getting help polishing it.

And if you need more guidance, connect with PrepScholar's expert admissions consultants . These expert writers know exactly what college admissions committees look for in an admissions essay and chan help you craft an essay that boosts your chances of getting into your dream school.

Check out PrepScholar's Essay Editing and Coaching progra m for more details!

Links to Full College Essay Examples

Some colleges publish a selection of their favorite accepted college essays that worked, and I've put together a selection of over 100 of these.

Common App Essay Samples

Please note that some of these college essay examples may be responding to prompts that are no longer in use. The current Common App prompts are as follows:

1. Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story. 2. The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience? 3. Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome? 4. Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you? 5. Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others. 6. Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

7. Share an essay on any topic of your choice. It can be one you've already written, one that responds to a different prompt, or one of your own design.

Now, let's get to the good stuff: the list of 177 college essay examples responding to current and past Common App essay prompts. 

Connecticut college.

• 12 Common Application essays from the classes of 2022-2025

Hamilton College

• 7 Common Application essays from the class of 2026
• 7 Common Application essays from the class of 2022
• 7 Common Application essays from the class of 2018
• 8 Common Application essays from the class of 2012
• 8 Common Application essays from the class of 2007

Johns Hopkins

These essays are answers to past prompts from either the Common Application or the Coalition Application (which Johns Hopkins used to accept).

• 1 Common Application or Coalition Application essay from the class of 2026
• 6 Common Application or Coalition Application essays from the class of 2025
• 6 Common Application or Universal Application essays from the class of 2024
• 6 Common Application or Universal Application essays from the class of 2023
• 7 Common Application of Universal Application essays from the class of 2022
• 5 Common Application or Universal Application essays from the class of 2021
• 7 Common Application or Universal Application essays from the class of 2020

Essay Examples Published by Other Websites

• 2 Common Application essays ( 1st essay , 2nd essay ) from applicants admitted to Columbia

Other Sample College Essays

Here is a collection of essays that are college-specific.

Babson College

• 4 essays (and 1 video response) on "Why Babson" from the class of 2020

Emory University

• 5 essay examples ( 1 , 2 , 3 , 4 , 5 ) from the class of 2020 along with analysis from Emory admissions staff on why the essays were exceptional
• 5 more recent essay examples ( 1 , 2 , 3 , 4 , 5 ) along with analysis from Emory admissions staff on what made these essays stand out

University of Georgia

• 1 “strong essay” sample from 2019
• 1 “strong essay” sample from 2018
• 10 Harvard essays from 2023
• 10 Harvard essays from 2022
• 10 Harvard essays from 2021
• 10 Harvard essays from 2020
• 10 Harvard essays from 2019
• 10 Harvard essays from 2018
• 6 essays from admitted MIT students

Smith College

• 6 "best gift" essays from the class of 2018

Books of College Essays

If you're looking for even more sample college essays, consider purchasing a college essay book. The best of these include dozens of essays that worked and feedback from real admissions officers.

College Essays That Made a Difference —This detailed guide from Princeton Review includes not only successful essays, but also interviews with admissions officers and full student profiles.

50 Successful Harvard Application Essays by the Staff of the Harvard Crimson—A must for anyone aspiring to Harvard .

50 Successful Ivy League Application Essays and 50 Successful Stanford Application Essays by Gen and Kelly Tanabe—For essays from other top schools, check out this venerated series, which is regularly updated with new essays.

Heavenly Essays by Janine W. Robinson—This collection from the popular blogger behind Essay Hell includes a wider range of schools, as well as helpful tips on honing your own essay.

Analyzing Great Common App Essays That Worked

I've picked two essays from the examples collected above to examine in more depth so that you can see exactly what makes a successful college essay work. Full credit for these essays goes to the original authors and the schools that published them.

Example 1: "Breaking Into Cars," by Stephen, Johns Hopkins Class of '19 (Common App Essay, 636 words long)

I had never broken into a car before.

We were in Laredo, having just finished our first day at a Habitat for Humanity work site. The Hotchkiss volunteers had already left, off to enjoy some Texas BBQ, leaving me behind with the college kids to clean up. Not until we were stranded did we realize we were locked out of the van.

Someone picked a coat hanger out of the dumpster, handed it to me, and took a few steps back.

"Can you do that thing with a coat hanger to unlock it?"

"Why me?" I thought.

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame. Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally. My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed. "The water's on fire! Clear a hole!" he shouted, tossing me in the lake without warning. While I'm still unconvinced about that particular lesson's practicality, my Dad's overarching message is unequivocally true: much of life is unexpected, and you have to deal with the twists and turns.

Living in my family, days rarely unfolded as planned. A bit overlooked, a little pushed around, I learned to roll with reality, negotiate a quick deal, and give the improbable a try. I don't sweat the small stuff, and I definitely don't expect perfect fairness. So what if our dining room table only has six chairs for seven people? Someone learns the importance of punctuality every night.

But more than punctuality and a special affinity for musical chairs, my family life has taught me to thrive in situations over which I have no power. Growing up, I never controlled my older siblings, but I learned how to thwart their attempts to control me. I forged alliances, and realigned them as necessary. Sometimes, I was the poor, defenseless little brother; sometimes I was the omniscient elder. Different things to different people, as the situation demanded. I learned to adapt.

Back then, these techniques were merely reactions undertaken to ensure my survival. But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The question caught me off guard, much like the question posed to me in Laredo. Then, I realized I knew the answer. I knew why the coat hanger had been handed to me.

Growing up as the middle child in my family, I was a vital participant in a thing I did not govern, in the company of people I did not choose. It's family. It's society. And often, it's chaos. You participate by letting go of the small stuff, not expecting order and perfection, and facing the unexpected with confidence, optimism, and preparedness. My family experience taught me to face a serendipitous world with confidence.

What Makes This Essay Tick?

It's very helpful to take writing apart in order to see just how it accomplishes its objectives. Stephen's essay is very effective. Let's find out why!

An Opening Line That Draws You In

In just eight words, we get: scene-setting (he is standing next to a car about to break in), the idea of crossing a boundary (he is maybe about to do an illegal thing for the first time), and a cliffhanger (we are thinking: is he going to get caught? Is he headed for a life of crime? Is he about to be scared straight?).

Great, Detailed Opening Story

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame.

It's the details that really make this small experience come alive. Notice how whenever he can, Stephen uses a more specific, descriptive word in place of a more generic one. The volunteers aren't going to get food or dinner; they're going for "Texas BBQ." The coat hanger comes from "a dumpster." Stephen doesn't just move the coat hanger—he "jiggles" it.

Details also help us visualize the emotions of the people in the scene. The person who hands Stephen the coat hanger isn't just uncomfortable or nervous; he "takes a few steps back"—a description of movement that conveys feelings. Finally, the detail of actual speech makes the scene pop. Instead of writing that the other guy asked him to unlock the van, Stephen has the guy actually say his own words in a way that sounds like a teenager talking.

Turning a Specific Incident Into a Deeper Insight

Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

Stephen makes the locked car experience a meaningful illustration of how he has learned to be resourceful and ready for anything, and he also makes this turn from the specific to the broad through an elegant play on the two meanings of the word "click."

Using Concrete Examples When Making Abstract Claims

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally.

"Unpredictability and chaos" are very abstract, not easily visualized concepts. They could also mean any number of things—violence, abandonment, poverty, mental instability. By instantly following up with highly finite and unambiguous illustrations like "family of seven" and "siblings arguing, the dog barking, the phone ringing," Stephen grounds the abstraction in something that is easy to picture: a large, noisy family.

Using Small Bits of Humor and Casual Word Choice

My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed.

Obviously, knowing how to clean burning oil is not high on the list of things every 9-year-old needs to know. To emphasize this, Stephen uses sarcasm by bringing up a situation that is clearly over-the-top: "in case my aircraft carrier should ever get torpedoed."

The humor also feels relaxed. Part of this is because he introduces it with the colloquial phrase "you know," so it sounds like he is talking to us in person. This approach also diffuses the potential discomfort of the reader with his father's strictness—since he is making jokes about it, clearly he is OK. Notice, though, that this doesn't occur very much in the essay. This helps keep the tone meaningful and serious rather than flippant.

An Ending That Stretches the Insight Into the Future

But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The ending of the essay reveals that Stephen's life has been one long preparation for the future. He has emerged from chaos and his dad's approach to parenting as a person who can thrive in a world that he can't control.

This connection of past experience to current maturity and self-knowledge is a key element in all successful personal essays. Colleges are very much looking for mature, self-aware applicants. These are the qualities of successful college students, who will be able to navigate the independence college classes require and the responsibility and quasi-adulthood of college life.

What Could This Essay Do Even Better?

Even the best essays aren't perfect, and even the world's greatest writers will tell you that writing is never "finished"—just "due." So what would we tweak in this essay if we could?

Replace some of the clichéd language. Stephen uses handy phrases like "twists and turns" and "don't sweat the small stuff" as a kind of shorthand for explaining his relationship to chaos and unpredictability. But using too many of these ready-made expressions runs the risk of clouding out your own voice and replacing it with something expected and boring.

Use another example from recent life. Stephen's first example (breaking into the van in Laredo) is a great illustration of being resourceful in an unexpected situation. But his essay also emphasizes that he "learned to adapt" by being "different things to different people." It would be great to see how this plays out outside his family, either in the situation in Laredo or another context.

Example 2: By Renner Kwittken, Tufts Class of '23 (Common App Essay, 645 words long)

My first dream job was to be a pickle truck driver. I saw it in my favorite book, Richard Scarry's "Cars and Trucks and Things That Go," and for some reason, I was absolutely obsessed with the idea of driving a giant pickle. Much to the discontent of my younger sister, I insisted that my parents read us that book as many nights as possible so we could find goldbug, a small little golden bug, on every page. I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Then I discovered a real goldbug: gold nanoparticles that can reprogram macrophages to assist in killing tumors, produce clear images of them without sacrificing the subject, and heat them to obliteration.

Suddenly the destination of my pickle was clear.

I quickly became enveloped by the world of nanomedicine; I scoured articles about liposomes, polymeric micelles, dendrimers, targeting ligands, and self-assembling nanoparticles, all conquering cancer in some exotic way. Completely absorbed, I set out to find a mentor to dive even deeper into these topics. After several rejections, I was immensely grateful to receive an invitation to work alongside Dr. Sangeeta Ray at Johns Hopkins.

In the lab, Dr. Ray encouraged a great amount of autonomy to design and implement my own procedures. I chose to attack a problem that affects the entire field of nanomedicine: nanoparticles consistently fail to translate from animal studies into clinical trials. Jumping off recent literature, I set out to see if a pre-dose of a common chemotherapeutic could enhance nanoparticle delivery in aggressive prostate cancer, creating three novel constructs based on three different linear polymers, each using fluorescent dye (although no gold, sorry goldbug!). Though using radioactive isotopes like Gallium and Yttrium would have been incredible, as a 17-year-old, I unfortunately wasn't allowed in the same room as these radioactive materials (even though I took a Geiger counter to a pair of shoes and found them to be slightly dangerous).

I hadn't expected my hypothesis to work, as the research project would have ideally been led across two full years. Yet while there are still many optimizations and revisions to be done, I was thrilled to find -- with completely new nanoparticles that may one day mean future trials will use particles with the initials "RK-1" -- thatcyclophosphamide did indeed increase nanoparticle delivery to the tumor in a statistically significant way.

A secondary, unexpected research project was living alone in Baltimore, a new city to me, surrounded by people much older than I. Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research. Whether in a presentation or in a casual conversation, making others interested in science is perhaps more exciting to me than the research itself. This solidified a new pursuit to angle my love for writing towards illuminating science in ways people can understand, adding value to a society that can certainly benefit from more scientific literacy.

It seems fitting that my goals are still transforming: in Scarry's book, there is not just one goldbug, there is one on every page. With each new experience, I'm learning that it isn't the goldbug itself, but rather the act of searching for the goldbugs that will encourage, shape, and refine my ever-evolving passions. Regardless of the goldbug I seek -- I know my pickle truck has just begun its journey.

Renner takes a somewhat different approach than Stephen, but their essay is just as detailed and engaging. Let's go through some of the strengths of this essay.

One Clear Governing Metaphor

This essay is ultimately about two things: Renner’s dreams and future career goals, and Renner’s philosophy on goal-setting and achieving one’s dreams.

But instead of listing off all the amazing things they’ve done to pursue their dream of working in nanomedicine, Renner tells a powerful, unique story instead. To set up the narrative, Renner opens the essay by connecting their experiences with goal-setting and dream-chasing all the way back to a memorable childhood experience:

This lighthearted–but relevant!--story about the moment when Renner first developed a passion for a specific career (“finding the goldbug”) provides an anchor point for the rest of the essay. As Renner pivots to describing their current dreams and goals–working in nanomedicine–the metaphor of “finding the goldbug” is reflected in Renner’s experiments, rejections, and new discoveries.

Though Renner tells multiple stories about their quest to “find the goldbug,” or, in other words, pursue their passion, each story is connected by a unifying theme; namely, that as we search and grow over time, our goals will transform…and that’s okay! By the end of the essay, Renner uses the metaphor of “finding the goldbug” to reiterate the relevance of the opening story:

While the earlier parts of the essay convey Renner’s core message by showing, the final, concluding paragraph sums up Renner’s insights by telling. By briefly and clearly stating the relevance of the goldbug metaphor to their own philosophy on goals and dreams, Renner demonstrates their creativity, insight, and eagerness to grow and evolve as the journey continues into college.

An Engaging, Individual Voice

This essay uses many techniques that make Renner sound genuine and make the reader feel like we already know them.

Technique #1: humor. Notice Renner's gentle and relaxed humor that lightly mocks their younger self's grand ambitions (this is different from the more sarcastic kind of humor used by Stephen in the first essay—you could never mistake one writer for the other).

My first dream job was to be a pickle truck driver.

I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Renner gives a great example of how to use humor to your advantage in college essays. You don’t want to come off as too self-deprecating or sarcastic, but telling a lightheartedly humorous story about your younger self that also showcases how you’ve grown and changed over time can set the right tone for your entire essay.

Technique #2: intentional, eye-catching structure. The second technique is the way Renner uses a unique structure to bolster the tone and themes of their essay . The structure of your essay can have a major impact on how your ideas come across…so it’s important to give it just as much thought as the content of your essay!

For instance, Renner does a great job of using one-line paragraphs to create dramatic emphasis and to make clear transitions from one phase of the story to the next:

Suddenly the destination of my pickle car was clear.

Not only does the one-liner above signal that Renner is moving into a new phase of the narrative (their nanoparticle research experiences), it also tells the reader that this is a big moment in Renner’s story. It’s clear that Renner made a major discovery that changed the course of their goal pursuit and dream-chasing. Through structure, Renner conveys excitement and entices the reader to keep pushing forward to the next part of the story.

Technique #3: playing with syntax. The third technique is to use sentences of varying length, syntax, and structure. Most of the essay's written in standard English and uses grammatically correct sentences. However, at key moments, Renner emphasizes that the reader needs to sit up and pay attention by switching to short, colloquial, differently punctuated, and sometimes fragmented sentences.

Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research.

In the examples above, Renner switches adeptly between long, flowing sentences and quippy, telegraphic ones. At the same time, Renner uses these different sentence lengths intentionally. As they describe their experiences in new places, they use longer sentences to immerse the reader in the sights, smells, and sounds of those experiences. And when it’s time to get a big, key idea across, Renner switches to a short, punchy sentence to stop the reader in their tracks.

The varying syntax and sentence lengths pull the reader into the narrative and set up crucial “aha” moments when it’s most important…which is a surefire way to make any college essay stand out.

Renner's essay is very strong, but there are still a few little things that could be improved.

Connecting the research experiences to the theme of “finding the goldbug.”  The essay begins and ends with Renner’s connection to the idea of “finding the goldbug.” And while this metaphor is deftly tied into the essay’s intro and conclusion, it isn’t entirely clear what Renner’s big findings were during the research experiences that are described in the middle of the essay. It would be great to add a sentence or two stating what Renner’s big takeaways (or “goldbugs”) were from these experiences, which add more cohesion to the essay as a whole.

Give more details about discovering the world of nanomedicine. It makes sense that Renner wants to get into the details of their big research experiences as quickly as possible. After all, these are the details that show Renner’s dedication to nanomedicine! But a smoother transition from the opening pickle car/goldbug story to Renner’s “real goldbug” of nanoparticles would help the reader understand why nanoparticles became Renner’s goldbug. Finding out why Renner is so motivated to study nanomedicine–and perhaps what put them on to this field of study–would help readers fully understand why Renner chose this path in the first place.

4 Essential Tips for Writing Your Own Essay

How can you use this discussion to better your own college essay? Here are some suggestions for ways to use this resource effectively.

#1: Get Help From the Experts

Getting your college applications together takes a lot of work and can be pretty intimidatin g. Essays are even more important than ever now that admissions processes are changing and schools are going test-optional and removing diversity standards thanks to new Supreme Court rulings .  If you want certified expert help that really makes a difference, get started with  PrepScholar’s Essay Editing and Coaching program. Our program can help you put together an incredible essay from idea to completion so that your application stands out from the crowd. We've helped students get into the best colleges in the United States, including Harvard, Stanford, and Yale.  If you're ready to take the next step and boost your odds of getting into your dream school, connect with our experts today .

#2: Read Other Essays to Get Ideas for Your Own

As you go through the essays we've compiled for you above, ask yourself the following questions:

• Can you explain to yourself (or someone else!) why the opening sentence works well?
• Look for the essay's detailed personal anecdote. What senses is the author describing? Can you easily picture the scene in your mind's eye?
• Find the place where this anecdote bridges into a larger insight about the author. How does the essay connect the two? How does the anecdote work as an example of the author's characteristic, trait, or skill?
• Check out the essay's tone. If it's funny, can you find the places where the humor comes from? If it's sad and moving, can you find the imagery and description of feelings that make you moved? If it's serious, can you see how word choice adds to this tone?

Make a note whenever you find an essay or part of an essay that you think was particularly well-written, and think about what you like about it . Is it funny? Does it help you really get to know the writer? Does it show what makes the writer unique? Once you have your list, keep it next to you while writing your essay to remind yourself to try and use those same techniques in your own essay.

#3: Find Your "A-Ha!" Moment

All of these essays rely on connecting with the reader through a heartfelt, highly descriptive scene from the author's life. It can either be very dramatic (did you survive a plane crash?) or it can be completely mundane (did you finally beat your dad at Scrabble?). Either way, it should be personal and revealing about you, your personality, and the way you are now that you are entering the adult world.

Check out essays by authors like John Jeremiah Sullivan , Leslie Jamison , Hanif Abdurraqib , and Esmé Weijun Wang to get more examples of how to craft a compelling personal narrative.

#4: Start Early, Revise Often

Let me level with you: the best writing isn't writing at all. It's rewriting. And in order to have time to rewrite, you have to start way before the application deadline. My advice is to write your first draft at least two months before your applications are due.

Let it sit for a few days untouched. Then come back to it with fresh eyes and think critically about what you've written. What's extra? What's missing? What is in the wrong place? What doesn't make sense? Don't be afraid to take it apart and rearrange sections. Do this several times over, and your essay will be much better for it!

For more editing tips, check out a style guide like Dreyer's English or Eats, Shoots & Leaves .

What's Next?

Still not sure which colleges you want to apply to? Our experts will show you how to make a college list that will help you choose a college that's right for you.

Interested in learning more about college essays? Check out our detailed breakdown of exactly how personal statements work in an application , some suggestions on what to avoid when writing your essay , and our guide to writing about your extracurricular activities .

Working on the rest of your application? Read what admissions officers wish applicants knew before applying .

The recommendations in this post are based solely on our knowledge and experience. If you purchase an item through one of our links PrepScholar may receive a commission.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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• How to Make Your College Essay Stand Out | Tips & Examples

How to Make Your College Essay Stand Out | Tips & Examples

Published on October 25, 2021 by Kirsten Courault . Revised on August 14, 2023.

While admissions officers are interested in hearing about your experiences , they’re also interested in how you present them. An exceptionally written essay will stand out from the crowd, meaning that admissions officers will spend more time reading it.

To write a standout essay, you can use literary devices to pull the reader in and catch their attention. Literary devices often complement each other and can be woven together to craft an original, vivid, and creative personal essay. However, don’t overdo it; focus on using just a few devices well, rather than trying to use as many as possible.

Table of contents

Essay structure devices, storytelling devices, imagery devices, tone devices, sentence-level devices, other interesting articles, frequently asked questions about college application essays.

You can frame your essay with symbolism or extended metaphors, which both work well in a montage or narrative essay structure .

Symbolism is the use of tangible objects to represent ideas. In your college essay, you can use one major symbol that represents your essay’s theme. Throughout your essay, you can also intentionally place related minor symbols to communicate ideas without explicitly stating them. The key is to use original, meaningful symbols that are not cliché.

For example, if your essay’s theme is “family,” your symbol could be a well-worn beloved Lord of the Rings Monopoly game set. Rather than directly saying, “The Lord of the Rings Monopoly game has brought my family happiness,” share stories with this game to demonstrate your family’s closeness, joy, and loyalty.

Supporting symbols:

• Story 1: Chipped and mismatching collectible Gandalf the Grey coffee mugs surround the Monopoly board during a lazy weekend
• Story 2: A folding card table supports our family’s mobile Monopoly game while the family plays at a campsite
• Story 3: An extended edition LOTR box set plays in the background during Thanksgiving feasts with extended family. We have a Monopoly competition after dinner.
• Story 4: Matching Frodo, Sam, Pippin, and Merry Halloween outfits are proudly worn by me and my family members. We always play a game of Monopoly the afternoon before going out together to our town’s annual Halloween carnival.

In the example below, a student depicts “The Monster,” an imaginary symbolic figure that represents the student’s jealousy.

Main idea: I have been on a quest to slay the Monster, the toxic envy that overtakes me when I compare myself to one of my friends.

Narrative: I remember first encountering the Monster in second grade when Laurel bobbed her hair. Everybody raved about how cute she looked. The Monster had plenty to say about how ugly, unpopular, and undesirable I was compared to Laurel. After that day, the Monster never seemed to leave my side.

Extended metaphor

A metaphor directly compares two unrelated objects, giving deeper meaning and multi-dimensional imagery. Since metaphors create a new reality between two objects, use them sparingly throughout your essay to avoid overwhelming the reader with too many comparisons.

You can also use an extended metaphor, which builds upon a simple metaphor throughout the essay with other literary devices and more in-depth descriptions.

To brainstorm your extended metaphor, you should first identify feelings or values associated with your story and then brainstorm images associated with these feelings.

Keep the following in mind when crafting your extended metaphor:

• Keep the comparison simple.
• Use a few other literary devices such as imagery or anecdotes to enrich your extended metaphor.
• Avoid making cliché comparisons.
• Don’t exaggerate or make an unrealistic comparison.

In the example below, a student uses the extended metaphor of a museum to explore the theme of identity. Each anecdote is framed as an “exhibit” that tells us something about her life.

• The Sight Exhibit: Flashback illustrating how racial discrimination led to my identity as a writer
• The Sound Exhibit: Snapshots of musical memories, identity as a musical theater lover
• The Smell Exhibit: Scents of my family’s Thanksgiving meal, identity as a daughter, granddaughter, and member of the Arimoto family
• The Touch Exhibit: Feel of warm water washing away academic and extracurricular worries while washing dishes, identity as a level-headed honors student
• The Taste Exhibit: Taste of salty sweat while bike training with a friend, identity as an athlete

In the next example, a student uses the river as an extended metaphor for his educational journey. The different parts of the river’s course represent different challenges he has overcome.

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Here are the most effective literary devices to enrich your storytelling in college essays.

Into the midst of things, in medias res

In medias res , Latin for “into the midst of things,” is a device that involves starting in the middle of the action. Then, important details are added to fill in the story. Similar to the beginning of an action or thriller movie, in medias res immediately drops the reader into a scene, allowing them to discern the story through sensory imagery.

Unlike a linear chronological narrative, flashbacks can be used to transport your reader from the present moment to a key past event to give a clearer understanding of your current personality, values, and goals.

Dialogue is a conversation between two or more people. Using dialogue in your essay can sometimes create suspense, transport readers into a scene, or highlight an important message. However, it should be used sparingly and strategically to avoid an anti-climatic or redundant moment.

Famous quotes should be avoided since they are overused, but using quotes from important people in your life can be original, personal, and powerful. But make sure the quote adds value to your essay.

You can use both figurative and literal imagery throughout your essay to paint a clearer, richer image in your reader’s mind.

Similes , like metaphors, compare two unrelated objects but use the words “as” or “like.”

In a metaphor, the two objects are considered the same, but in a simile, the word “like” or “as” creates some distance between the objects.

Five senses

Illustrate your five senses with descriptive language to help your readers quickly imagine your story in a vivid, visceral way. Sensory language also helps to convey your interest and knowledge of a topic.

Personification

Personification uses human characteristics and behaviors to describe inanimate objects, animals, or ideas. This can help show your emotional connection to something in an original and poetic way.

Here are a few tone devices to help improve your essay’s authenticity and voice .

Colloquialisms

While most slang is too informal for college essays, regional colloquialisms can sometimes improve your essay’s authenticity when used strategically, enhancing your ability to connect with admissions officers and adding a memorable element.

However, you should ensure that they don’t seem shoehorned in or otherwise affect the flow, clarity, or professionalism of your essay. If applying to schools outside your region of origin (or if you’re applying as an international student ), be sure the colloquialism is one that will be widely understood.

Hyperbole is dramatic exaggeration to express the intensity of your feelings about something. Use hyperbole sparingly to ensure the greatest impact and avoid sounding overly dramatic. Make sure to be original, avoiding overused comparisons.

Sentence-level devices are useful for dramatic effect or to highlight a point. But use them sparingly to avoid sounding robotic, redundant, or awkward.

To have the greatest impact, use these devices against the backdrop of varying sentence structures and at a critical or vulnerable moment in your essay, especially during reflection.

If you want to know more about academic writing , effective communication , or parts of speech , make sure to check out some of our other articles with explanations and examples.

Academic writing

• Writing process
• Transition words
• Passive voice
• Paraphrasing

 Communication

• How to end an email
• Ms, mrs, miss
• How to start an email
• I hope this email finds you well
• Hope you are doing well

 Parts of speech

• Personal pronouns
• Conjunctions

A standout college essay has several key ingredients:

• A unique, personally meaningful topic
• A memorable introduction with vivid imagery or an intriguing hook
• Specific stories and language that show instead of telling
• Vulnerability that’s authentic but not aimed at soliciting sympathy
• Clear writing in an appropriate style and tone
• A conclusion that offers deep insight or a creative ending

Your college essay accounts for about 25% of your application’s weight. It may be the deciding factor in whether you’re accepted, especially for competitive schools where most applicants have exceptional grades, test scores, and extracurricular track records.

Though admissions officers are interested in hearing your story, they’re also interested in how you tell it. An exceptionally written essay will differentiate you from other applicants, meaning that admissions officers will spend more time reading it.

You can use literary devices to catch your reader’s attention and enrich your storytelling; however, focus on using just a few devices well, rather than trying to use as many as possible.

You can use humor in a college essay , but carefully consider its purpose and use it wisely. An effective use of humor involves unexpected, keen observations of the everyday, or speaks to a deeper theme. Humor shouldn’t be the main focus of the essay, but rather a tool to improve your storytelling.

Get a second opinion from a teacher, counselor, or essay coach on whether your essay’s humor is appropriate.

Avoid swearing in a college essay , since admissions officers’ opinions of profanity will vary. In some cases, it might be okay to use a vulgar word, such as in dialogue or quotes that make an important point in your essay. However, it’s safest to try to make the same point without swearing.

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• The Perfect College Essay: Tell a Good Story

Mark Montgomery

• January 23, 2024

Write a perfect college essay

This month we are providing tips on how to write the perfect college essay .  We have already discussed how the main focus of your essay needs to be YOU and how you need to “go deep” with you essay by writing about something personal.  Now that you have considered what you want to say, you need to focus on how to say.  When it comes to questions about the structure of your personal statement, we always begin with this essential piece of advice:   Tell a Good Story.

Everyone likes a good story, including admissions officers.  Consider the beginning, middle, and end of that story.  Think about what you learned in your English classes about the construction of a good story—whether fiction or non-fiction.  Is there a conflict that needs to be resolved in the narrative?  What is the climax of the story?  How do you construct the arc of the story, from the initial build-up to the denouement?  You are telling your story, so make sure it has all the literary elements of a good one.

Consider your audience

College admissions officers are humans.  They want to be entertained.  Also they want to be moved.  They want to care about the person on the application.  They want to learn something new.  So make sure that you consider your audience as you write.

Paint a picture

Most people are visual learners.  They like to visualize what they are reading in their head.  As you create your story, try to paint a picture of what you are writing about.  If you are writing about an experience, think about the sights, sounds, smells and tastes (if appropriate) that occurred with that experience.  If you are writing about a person, try to identify a specific story associated with how they affected you.  What is a favorite memory with that person?

Giving an Example

Stories are great opportunity to support your ideas or provide an example of what you are writing about.  By telling a story, you are not just telling an admissions officer you are passionate about something, you are able to show them.

Keep it Focused

When deciding on a story for your admissions essay, you want to make sure you keep the essay focused.  You do not need to divulge details of the story that are not important to your topic.  Don’t try to take on too much.  Make sure your story is only heading in one direction.

Stories are also a great way to help you consider our first two tips in this series.  When completing your story, remember to bring the essay back to you, since you are the center of the essay.  Also remember that stories are often personal and when told in your voice, show a deeper side of how you are.  This may not only be the entertaining aspect of your essay, but it may also be how you show your soul. Now, take some time to think about your story.  If you get stuck, we will have some tips up next week to help get you moving again.

Do you need help writing a perfect college essay?

The expert college counselors at Great College Advice can help you brainstorm topics, develop a strong structure, hone your messaging, and edit your essay to perfection. If you’d like to work one-on-one with one of our team as you complete your Common App , give us a call or fill out the form on our website. We’d be happy to chat with you about the process. We’d love to help you write the essay that achieves your objectives. And just maybe you’ll have a good time pulling together your story in a way that will make the admissions officers rave.

Give us a call or fill our out contact form.  We look forward to getting acquainted.

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How to Write a Great College Essay

You’ve researched potential schools , applied for financial aid , and filled out your applications, but the college essay deadline looms over you. Your blank screen may intimidate you, but you’re closer to writing an amazing essay than you think. 

If you’re wondering how to write a great college essay, consult these tips.

1. Choose Your Topic Wisely

Choosing what to write about can feel like half the battle of writing a college essay. 

The essay serves as a picture of who you are to the admissions staff, so the topics you care about deeply work the best. Your passions, convictions, and meaningful experiences are all great places to start.

To generate ideas, imagine someone who knows you well had to describe you to a stranger. What’s crucial to include? What stories would they tell? What hobbies and interests would they mention? To take the exercise a step further, ask a close relative or friend the same questions.

Take a close look at the essay prompts, too. Though you can usually write about whatever topic you’d like, the suggested prompts may help you narrow your focus if you have a general idea in mind.

2. Stand Out

A few common topics saturate the hundreds of essays that admissions staff read every year. Some of these include academic setbacks and successes, sports injuries and victories, experiences of loss, immigration and relocation, and travel.

Though you may have powerful stories that fall under these topics, their universality puts you at a disadvantage. It’s extremely difficult to provide a fresh perspective on subjects that thousands of other students have written about. So if you pick one of these topics, know that you risk blending in with the crowd. Consider giving a unique story or unconventional interest the spotlight.

No matter what subject you choose, write in a way that allows you to stand out. Include the details only you can write, describing them in the way only you would.

3. Develop Your Voice

The college essay calls for mature and skillful writing. Many students, wanting to demonstrate that they know how to write a college essay, use unnecessarily complicated language. This only results in a dense and confusing paper.

You risk sounding ingenuine when you use words and expressions that you never would in real life. Your best writing allows your authentic voice to shine through. The admissions officers care more about whether you’re capable of writing clearly and concisely, not about how many academic, multi-syllabic words you know. 

Have trouble sounding like yourself while writing? Read your writing aloud. You’ll catch unnatural wording and awkward phrasing.

Consider freewriting as well. Freewriting entails writing whatever comes to mind without pausing, erasing or editing your work. To get started, set a timer for 10-20 minutes and write until it goes off. 

After a couple of sessions, you’ll feel more comfortable putting the pen to the page (or fingers to the keyboard!). You’ll also get to practice putting complex feelings and ideas into words, a valuable skill when understanding how to write a great college essay.

4. Highlight Your Growth

Everyone knows that the power of a good story lies in the details. So when writing a college essay, many students focus more on what happened than how they developed as a person through it.

While you want to write descriptively, your essay should emphasize your growth and development more than the external circumstances. Describing what you did on a trip doesn’t illustrate much about you as a person. But exploring how it sparked a passion in you, changed your view about an issue, or challenged you to reexamine your faith makes for a more meaningful essay.

Many students also believe their essay should function as a resume, listing out their strengths and achievements. Your essay may indeed demonstrate a positive quality or achievement of yours. But when you restate details already on your application, you waste the opportunity to venture beyond facts and figures and into who you are as a person. Outlining your noble deeds and impressive accolades won’t resonate with the admissions staff, but sincere, vulnerable writing will. 

If you’re wondering how to write a great college essay, highlight your growth and your passions. Don’t select a story simply because it paints you in a good light.

5. Tell a Good Story

Great college essays use compelling narratives to highlight growth. A good story speaks to us in ways other types of writing cannot.

Most college essays follow a narrative sequence, taking the reader through an event chronologically. Because of its simplicity and clarity, this format lends itself well to college essays. Some essays also follow a topical order, describing multiple scenes that revolve around a common theme.

No matter how you structure your essay, use rich, descriptive writing. Specific, powerful language immerses your reader in your story. You can only achieve this kind of writing by putting time and effort into your college essay. Don’t settle on one draft! Play around with sentence structure. Try out multiple words before choosing one. Your college essay is brief, so make sure every word conveys exactly what you intend it to mean.

Wonder no longer how to write a great college essay. With these tips in mind, you can write with power and meaning, giving admissions staff a clear picture of what makes you, you.

Looking for a college that doesn’t require an essay? Consider Grace College. The Lancer application is free and takes only five minutes to complete.

Explore Grace College Admissions and read this blog about Grace’s admissions process here.

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How to start a college essay

Bonus Material: PrepMaven’s 30 College Essays that worked

If you’re applying to college, then you likely already know that the college admissions essay goes a long way to distinguishing your profile from the thousands of other applications in the college admissions process. 

If you want to wow those picky admission officers at selective colleges, you want an effective college application essay–and if you want an effective college application essay, you need a strong start that hooks readers. 

At PrepMaven, we’ve spent years coaching students on how to craft college essays that work, and we’ve seen countless students get admitted to Princeton, Harvard, and other elite universities after using our methods. 

We’ve already written up some of our best advice on brainstorming and structuring your college essay. In this post, we’ll specifically cover one of the hardest parts: how to actually begin your college application essay. 

We’ve also provided a link to our collection of 30 real college application essays that worked–take a look at these for real-life examples of the techniques covered in this post!

Download 30 essays that worked

Jump to section: Tips for getting past the blank page Techniques for effective openings The action scene The disorienting scene The surprising declaration The (unusual) quote The weird fact Final considerations Next steps

Tips for getting past the blank page

If you’re intimidated by the act of starting the college essay, you aren’t alone. The blank page is as terrifying and intimidating to professional writers as it is for you. 

Take it from Margaret Atwood, an astonishingly prolific writer who still said, “The fact is that blank pages inspire me with terror.” In this section, we’ll offer three ways to get started writing and get past that blank page.

Later in this post, we’ll highlight several specific ways you can begin your essay, with examples and analysis. “Techniques for effective openings” to jump to those techniques. 

It’s a tough thing to put a story on the page. It’s even more so when the story is personal and the stakes are high, as is the case with these college application essays. So, before we cover specific writing techniques you can use to begin your college essay, we’d like to suggest a few ways to get over that initial hump of writing the first word. 

Note that all of these assume you’ve got a topic in mind–if you don’t, check out our post here on how to brainstorm an effective college essay topic. If you’re still having trouble picking a topic, that’s something that can easily be worked through by connecting with one of our college essay experts. 

Before beginning your actual essay, take a stab at a few short free-writes that nobody will ever see. 

After selecting your topic, try writing anywhere from 100-250 words on two or more of the following prompts:

• Write a first-person description of the most important moment related to your chosen topic. 
• Why did you choose this topic? Why is it important?
• Narrate how your worldview has changed as a result of the events you plan to write about. 
• Write exactly what point you want college admissions officers to take away from your essay and choice of topic. 
• Conversely, describe what you don’t want admissions officers to take away from this essay. 

Remember: these are free-writes, not part of your essay! More likely than not, what you write here won’t find its way directly into the finished product. But, even if it might sound corny, this will help you start thinking more deeply about what you want to convey. 

More importantly, it’ll help you get over the initial hurdle of writing something . If nobody is ever going to read one of these free-writes, you don’t have to worry about making it pretty or neat. Just get some content on the page and let it shape your thinking. 

• Start in the middle

Often, it’s the introduction that’s hardest to come up with. But there’s no rule that says you have to write that part first! If you have a decent sense of where you want your essay to go, simply start writing from the middle of the essay. 

As you continue to write, you’ll always have the ability to go back to the start and craft a powerful opening paragraph or scene that sets up your entire essay. What’s most important at this stage is to simply start writing . If that means starting in the middle, so be it: you get to decide where you start and where you end. 

• Early on, don’t try to make it perfect… or even good!

We know: the stakes are high, the sweat might be starting to bead on your forehead. But while this pressure can be a good thing, it shouldn’t affect your first draft. Remember that no admissions officer will ever read your first draft. 

Does the first sentence you come up with sound awkward or silly? Perfectly fine. Does your introductory anecdote seem cliche? Sounds great. Do you think the first couple sentences don’t connect to each other at all? Absolutely no problem. 

When you begin writing, you are not trying to jump to a finished product as quickly as possible. The truth is that whatever you write now will get edited or revised countless times before you arrive at the final, polished version of your college application essay. 

When we work with students, it’s not uncommon to see an essay go through 10 or more drafts. At first, those changes might be massive–an essay might transform almost totally between drafts 1 and 2. As the work continues, all those clunky or awkward moments you didn’t like in your first draft will get tweaked and polished into something beautiful that you can be proud of. 

We’ve seen it happen with every successful college personal statement. Every time, students find it so much easier to work on the second draft than the first, regardless of how successful that first draft was. The mere fact of having something to edit makes all the difference. 

We can take some more advice from Margaret Atwood: “If I waited for perfection, I would never write a word.” 

Don’t wait for perfection: write. 

Techniques for effective college essay openings (with examples!)

While the above suggestions can help you get started writing, we also want to provide 5 specific techniques you can use to begin your essay. 

Of course, there are way more than 5 ways to start an essay. In this post, however, we wanted to highlight the 5 techniques that can easily and successfully be incorporated into just about any essay. You can think of these 5 as integral components of your basic toolkit. 

Depending on the topic of your essay and what structure you plan to use, some of these will work better than others. 

If you ever want someone with a proven track record of experience to show you how it’s done, you can always get matched with one of our essay tutors . Or, if you just want to take a look at openings like these in action, check out our free collection of 30 real sample essays below. 

I walked down the pale pink stone pathway, up a ramp, past the library building, and towards the Student Activities Center of the college campus, carrying a large brown cardboard box.

From: 30 College Essay Samples

If you’ve read any real sample college essays, you’ve seen this kind of opening. And with good reason: it’s tried, it’s true, it hooks admission officers while also setting up the story you’re about to tell. 

The idea is extremely simple. Identify a particular moment that can serve to introduce the topic of your essay. Then, begin by writing 1-2 sentences describing a specific action that you were taking, as in the example above. 

What’s so good about this kind of opening? Well, it immediately puts the spotlight on you and drops us in the middle of some event or incident that we want to learn more about. Where is this person going? What’s in the cardboard box? Why have they chosen to write about this particular moment at this particular place?

If you’re really not sure how to start, this is often one of the easiest paths to take. Describe in detail where you were and what you did, and you’ll have the makings of a strong piece of writing. 

The disorienting scene

The squeaks of whiteboard markers have now replaced the scritch-scratch of chalk, but the hubbub of voices is always the same. For millennia, the great thinkers of their day would gather and discuss. 

From: 30 College Essay Examples

This is similar to the first technique, with two differences. The first is that it doesn’t necessarily recount any action that you are taking (it doesn’t even need to talk about you); the second is that it explicitly aims to be a bit disorienting. 

In this case, it’s not totally clear what’s going on: where are we, what’s going on, and what does all this have to do with great thinkers? As is always the case, the primary goal is to hook admissions committees so that they keep reading. This kind of disorienting scene works by making us want to figure out what’s going on. 

A couple key things to bear in mind for this opening:

• Sensory details are key! Without the sensory details in this example, it simply wouldn’t work. 
• Don’t keep it disorienting for too long. Any longer than a few sentences of disorientation and you risk annoying readers. 
• Don’t make it so disorienting that we can’t get any sense of what’s happening. It’s a tricky thing to balance, but you want us confused enough to keep reading and not so confused that we think it’s just bad writing. 

The surprising declaration

I am an aspiring hot sauce sommelier.

We’ve used this opener as an example in some of our other posts, but it really is a great one: it’s weird, it’s unusual, it’s unique. And that’s exactly what you want with this kind of opening. Simply start with a surprising or bold statement about who you are or what you believe. 

Shorter is usually better with these: surprise us, and let us stay surprised for a second! If you’re writing an essay about how you view the world or some element of your identity that’s important to you, you can almost always start off the essay with a statement like “I am…” or “I believe…”

It’s stunningly simple, and, done well, it can be stunningly effective, providing something like a thesis statement that you’ll explore over the course of your essay. But simplicity can be dangerous:

• The statement must be surprising . If it’s something obvious, boring, or cliche, then you risk jeopardizing your entire essay from the start. 
• The statement cannot be offensive . We know: that’s a loaded, subjective term. But you don’t want to try so hard to be surprising and edgy that you offend adcoms. 
• Finally, you have to be able to meaningfully explore the statement. This opening is just that: an opening. You have to make sure the rest of your essay successfully conveys some key personal experience that matters. 

For more successful essays that open with the surprising declaration, check our our collection of 30 real essays that worked below. 

Download 30 Essays That Worked

The (unusual) quote

Example 1: “What’s this white-ass boy doin’ in a black neighborhood?”

Example 2: “So long as you have food in your mouth, you have solved all questions for the time being.” – Franz Kafka. Kafka, I’m afraid, has drastically overestimated the power of food. 

If you’ve read other guides, then you’ve probably noticed almost all of them tell you not to start by quoting someone. And, for the most part, they’re right. You do not want to start by quoting one of the tired, cliche quotes that everyone comes across and uses. 

It’s not, obviously, that the most famous quotes from Martin Luther King Jr, Gandhi, or JFK aren’t important–it’s that they’re so important everyone has heard them a million times. 

But the point to take away isn’t that a quote is always bad. A cliche quote, a boring quote, a quote that you don’t do anything interesting with– that’s bad. An unusual, unexpected, and totally original quote? That can work.

Take a look at our two examples above. They’re radically different, but what they share is that they’re not just some famous quotes a student saw in a textbook. 

The first is provocative, even vulgar–but you absolutely know there’s a brilliant story about to follow. 

The second, while it could be boring or cliche, isn’t. Why? Because the writer immediately inserts their own voice and criticism: they’re not just using the quote to prove some big point, they’re humorously arguing against the quote itself. 

It helps, too, that the quote is from someone well known enough (read Kafka if you haven’t already) but not quite as famous as the usual folks people cite. 

The lesson to take away from this is two-pronged: 

• Never start a college essay with an overly famous, cliche, or boring quote–especially if you don’t have anything new to say about it. 
• You can start an essay with a quote that’s personal, provocative, or otherwise unusual. 

It’s a tough needle to thread, but done well, this can make for a killer introduction to your personal narrative. 

Not sure whether the quote you’ve got in mind is cliche or not? The best way to find out is by asking someone who’s actually read countless essays– like one of our essay counselors , who’ve helped countless students navigate the college admissions process successfully. 

The weird fact

Over 13 billion pennies are made each year, and for the most part, they are indistinguishable from one another. Each copper-brown coin has the same feel, the same size, and even the same old Abraham Lincoln on one side.

This one, more or less, is self-explanatory: toss an unexpected fact or stat at the reader, and you’ll get them intrigued as to what the connection is between it and your personal experience. 

Often (as in the case of the example above), it’s a great way to introduce an unusual hobby or interest. If, say, you’re writing your college essays about your love for numismatics (coin-collecting), an unexpected fact about pennies can serve as the perfect opener. 

But, as has been the dominant theme up to now, it’s crucial that your opening fact is at least somewhat unusual or interesting. It’s also super important that you immediately follow up to explain its relevance. 

A few pointers:

• If you open with a fact, connect it to your larger themes ASAP . Compared to the other opening techniques we covered, this one buys you the least time: an admissions committee can very quickly get bored of facts and stats, so give them something else quickly.
• As always, what matters is what you do with this opening. Anyone can start with a wacky statistic–the question is how you can connect it seamlessly to your narrative in a way that convinces these hyper-selective universities that you’re a perfect fit.

Final suggestions

While each of those opening techniques has been proven to work countless times by our students, which one you choose might depend a bit on your choice of topic. 

It might help to think about why each of these openings works: at heart, they all help you do what a good hook must: 

• Capture the reader’s attention by being distinct from other essays
• Engage the reader’s curiosity by withholding a certain amount of information
• Set the tone and stakes for what the rest of your essay will talk about. 

At the same time, a hook has to avoid :

• Coming off as inauthentic or like you’re trying too hard to be clever
• insulting/offending/otherwise alienating the reader
• Being confusing or unrelated to the essay prompt

Because each essay is unique, the best opening can vary–we recommend talking this over with one of our college essay experts , who have a proven track record of success helping students gain admission to Ivy League schools and other elite institutions. 

Also bear in mind that these essay openers don’t just work for starting your Common App essay or personal statement; they’re just as valuable for all of your supplemental essays. 

Ultimately, these are techniques you can use to ensure that your opening gives admissions committees what they want. They won’t guarantee a perfect essay–but they will help you develop a strong opening that sets you up for a powerful, convincing piece of writing. 

As the beginning of this post suggested, the most important thing to do is: write! Use our techniques for getting past the blank page to get yourself warmed up. 

Then, play around with our specific, proven openers to try different beginnings to your college essay. 

If you ever need inspiration, then there’s no better place to look than our collection of 30 real essays that worked to get students into college, linked below. 

And if you find you want someone to make sure your essay is as competitive as it needs to be, then you can always reach out to our team of expert college essay coaches here . 

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Your chance of acceptance, your chancing factors, extracurriculars, 'tell us your story' college essay examples.

I'm starting to draft my essays and was wondering if anyone has examples of 'tell us your story' college essays that got them accepted? I'm curious to see how other students approached this vague prompt successfully!

Certainly! I can point you in the direction of influential essays and provide some guidance on how to approach the "Tell us your story" prompt effectively.

1. New York Times College Essay Selections: The New York Times has a series where they share powerful and moving college essays from accepted students. You might find some inspiration there, even if some prompts might look different from the "Tell us your story" one. You can find the series by searching "New York Times college essays that worked."

2. CollegeVine Essay Guides: CollegeVine has essay guides for many top schools, including tips and examples on how to approach various prompts. Take a look at their website and explore the various resources available. Check out responses to the Common App prompts, which include responses similar to a "Tell us your story" essay: https://blog.collegevine.com/common-app-essay-examples

When approaching the "Tell us your story" prompt, consider these tips:

a. Be authentic: Your essay should focus on your unique experiences or perspective. Think about what makes you different from other applicants and how that informs your story.

b. Focus on a single theme: Rather than trying to cover your entire life, focus on a specific challenge, accomplishment, or personal experience that has shaped your identity.

c. Show, don't tell: Use descriptive and evocative language to make your story engaging and immersive for the reader.

d. Make it personal: Colleges are looking to get to know you as an individual, so make sure the essay reflects your personality and values.

e. Incorporate your growth: Show how your experiences have helped you grow and develop as a person, demonstrating your resilience, adaptability, or other valuable qualities.

Remember, the "Tell us your story" prompt is an opportunity for you to showcase your unique perspective, experiences, and personality. Use the available resources and tips to create a compelling and authentic essay that accurately represents who you are. Good luck with your writing!

About CollegeVine’s Expert FAQ

CollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field.

To revisit this article, visit My Profile, then View saved stories .

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How to Resist the Temptation of AI When Writing

Whether you're a student, a journalist, or a business professional, knowing how to do high-quality research and writing using trustworthy data and sources, without giving in to the temptation of AI or ChatGPT , is a skill worth developing.

As I detail in my book Writing That Gets Noticed , locating credible databases and sources and accurately vetting information can be the difference between turning a story around quickly or getting stuck with outdated information.

For example, several years ago the editor of Parents.com asked for a hot-take reaction to country singer Carrie Underwood saying that, because she was 35, she had missed her chance at having another baby. Since I had written about getting pregnant in my forties, I knew that as long as I updated my facts and figures, and included supportive and relevant peer-reviewed research, I could pull off this story. And I did.

The story ran later that day , and it led to other assignments. Here are some tips I’ve learned that you should consider mastering before you turn to automated tools like generative AI to handle your writing work for you.

Identify experts, peer-reviewed research study authors, and sources who can speak with authority—and ideally, offer easily understood sound bites or statistics on the topic of your work. Great sources include professors at major universities and media spokespeople at associations and organizations.

For example, writer and author William Dameron pinned his recent essay in HuffPost Personal around a statistic from the American Heart Association on how LGBTQ people experience higher rates of heart disease based on discrimination. Although he first found the link in a secondary source (an article in The New York Times ), he made sure that he checked the primary source: the original study that the American Heart Association gleaned the statistic from. He verified the information, as should any writer, because anytime a statistic is cited in a secondary source, errors can be introduced.

Jen Malia, author of  The Infinity Rainbow Club  series of children’s books (whom I recently interviewed on my podcast ), recently wrote a piece about dinosaur-bone hunting for Business Insider , which she covers in her book Violet and the Jurassic Land Exhibit.

After a visit to the Carnegie Museum of Natural History in Pittsburgh, Pennsylvania, Malia, whose books are set in Philadelphia, found multiple resources online and on the museum site that gave her the history of the Bone Wars , information on the exhibits she saw, and the scientific names of the dinosaurs she was inspired by. She also used the Library of Congress’ website, which offers digital collections and links to the Library of Congress Newspaper Collection.

Malia is a fan of searching for additional resources and citable documents with Google Scholar . “If I find that a secondary source mentions a newspaper article, I’m going to go to the original newspaper article, instead of just stopping there and quoting,” she says.

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Adrienne So

Your local public library is a great source of free information, journals, and databases (even ones that generally require a subscription and include embargoed research). For example, your search should include everything from health databases ( Sage Journals , Scopus , PubMed) to databases for academic sources and journalism ( American Periodical Series Online , Statista , Academic Search Premier ) and databases for news, trends, market research, and polls (t he Harris Poll , Pew Research Center , Newsbank , ProPublica ).

Even if you find a study or paper that you can’t access in one of those databases, consider reaching out to the study’s lead author or researcher. In many cases, they’re happy to discuss their work and may even share the study with you directly and offer to talk about their research.

For journalist Paulette Perhach’s article on ADHD in The New York Times, she used Epic Research to see “dual team studies.” That's when two independent teams address the same topic or question, and ideally come to the same conclusions. She recommends locating research and experts via key associations for your topic. She also likes searching via Google Scholar but advises filtering it for studies and research in recent years to avoid using old data. She suggests keeping your links and research organized. “Always be ready to be peer-reviewed yourself,” Perhach says.

When you are looking for information for a story or project, you might be inclined to start with a regular Google search. But keep in mind that the internet is full of false information, and websites that look trustworthy can sometimes turn out to be businesses or companies with a vested interest in you taking their word as objective fact without additional scrutiny. Regardless of your writing project, unreliable or biased sources are a great way to torpedo your work—and any hope of future work.

Author Bobbi Rebell researched her book Launching Financial Grownups using the IRS’ website . “I might say that you can contribute a certain amount to a 401K, but it might be outdated because those numbers are always changing, and it’s important to be accurate,” she says. “AI and ChatGPT can be great for idea generation,” says Rebell, “but you have to be careful. If you are using an article someone was quoted in, you don’t know if they were misquoted or quoted out of context.”

If you use AI and ChatGPT for sourcing, you not only risk introducing errors, you risk introducing plagiarism—there is a reason OpenAI, the company behind ChatGPT, is being sued for downloading information from all those books.

Audrey Clare Farley, who writes historical nonfiction, has used a plethora of sites for historical research, including Women Also Know History , which allows searches by expertise or area of study, and JSTOR , a digital library database that offers a number of free downloads a month. She also uses Chronicling America , a project from the Library of Congress which gathers old newspapers to show how a historical event was reported, and Newspapers.com (which you can access via free trial but requires a subscription after seven days).

When it comes to finding experts, Farley cautions against choosing the loudest voices on social media platforms. “They might not necessarily be the most authoritative. I vet them by checking if they have a history of publication on the topic, and/or educational credentials.”

When vetting an expert, look for these red flags:

• You can’t find their work published or cited anywhere.
• They were published in an obscure journal.
• Their research is funded by a company, not a university, or they are the spokesperson for the company they are doing research for. (This makes them a public relations vehicle and not an appropriate source for journalism.)

And finally, the best endings for virtually any writing, whether it’s an essay, a research paper, an academic report, or a piece of investigative journalism, circle back to the beginning of the piece, and show your reader the transformation or the journey the piece has presented in perspective.

As always, your goal should be strong writing supported by research that makes an impact without cutting corners. Only then can you explore tools that might make the job a little easier, for instance by generating subheads or discovering a concept you might be missing—because then you'll have the experience and skills to see whether it's harming or helping your work.

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List of Comments for Student Writing

C omments on student writing can be one of the most tedious, frustrating parts of being a teacher. You find yourself writing the same few things repeatedly, and even though there’s probably a rubric that gives substantial feedback, students and parents still expect additional comments that are more tailored to them.

Feedback on writing can be crucial for improvement, but how often do students take the input and apply it to their next piece of writing? Some don’t even read the comments; they just look at the grade, and the paper goes into the recycling bin!

One way to force students to use your feedback is to have them hold onto the last writing assignment or collect it and re-issue it the next time you give a writing assignment. Then, have them attach it to the next piece of writing and see if they have actually applied any of your feedback. Make sure to have “growth” or “applying feedback” as part of the new grade.

But what kind of comments should you be making? This article delves into the various types of constructive comments you can make on student writing.

Argumentative Writing or Debate

Use these comments when students have to write an argument that takes one side of a debate. 

• Organization and Clarity: Viewpoints and responses are clear and organized
• Use of Facts and Examples: Arguments are supported with facts and examples
• Relevance of Supporting Arguments: All supporting arguments are relevant
• Strength of Arguments: All arguments are solid and convincing

Personal Narrative

Use these comments when students have a personal narrative essay, such as the college application essay.

• Organization and Focus: Clear main ideas and supporting details, stays on topic
• Originality: Vivid details, fresh word choice, creativity, risk-taking
• Writer’s Voice: consistent throughout, engaging, conveys individual personality
• Technical Errors: Spelling, grammar, punctuation, usage
• Power overall: exciting topic, clearly developed; holds the attention of the reader

Literary Analysis

Use these comments when students have to analyze literature in any way including identifying and evaluating author’s style or purpose.

• Makes a claim: Clear and specific thesis that accurately identifies how the author used a specific element to achieve a particular purpose
• Uses support: Analysis of the techniques used is thorough and fully explains HOW and WHY the techniques are effective
• Conclusion: effectively sums up your main point and evaluates the effectiveness of the author’s techniques
• Purpose: writing is formal and purposeful, style follows proper grammatical, syntactical, and spelling rules

Fictional Narrative

Use these comments any time students have to write a piece of fiction.

• Uses proper format (font, spacing, heading, original title)
• Length: Minimum of ____words
• Proper use of dialogue
• Vivid Descriptions of characters and setting
• Conventions: The writer uses standard writing conventions effectively and purposefully
• Effect: the story has an intended effect on the reader
• Conclusion: The story feels complete, not as if it needs more details; the conflict has been resolved

Synthesis Essay

A Synthesis essay is a multi-paragraph essay that includes quotes and details for support from two or more sources. 

• Essay contains a logical organizational format with an introduction that ends with the thesis, supporting paragraphs with topic and concluding sentences, a conclusion, and transitions
• Essay incorporates valid and significant support from at least two sources that explicitly connect to add support to the thesis that is cited using the proper citation
• Essay contains sound mechanics, has been proofread, and is free of grammatical and spelling errors

Research Paper

A research paper includes quotes and citations from multiple sources.

• Content/Information: You successfully provide the history or background on the chosen topic. There is evidence that you carefully selected the information provided. All information is accurate, relevant, and engaging
• Organization: You organized the information in a logical, purposeful, and coherent way
• Research and Citations: You carefully researched the topic using reliable sources of information. You included a properly formatted works cited page that lists all sources cited in the paper
• Use of Language: Your writing has been proofread carefully and is generally free of all errors in spelling, punctuation, capitalization, grammar, and usage

General Essay Scoring Rubric

Use this rubric for any general piece of writing.

A paper in this category is outstanding, demonstrating clear and consistent mastery, although it may have occasional errors. Such a paper will:

• effectively and insightfully addresses the writing task, 
• is well organized and fully developed, using clearly appropriate examples to support ideas,
• displays consistent facility in the use of language, demonstrating variety in sentence structure and range of vocabulary.

A paper in this category is effective, demonstrating reasonably consistent mastery, although it will have occasional errors or lapses in quality. Such a paper will:

• effectively addresses the writing task,
• is generally well organized and well developed, using appropriate examples to support ideas,
• displays facility in the use of language, demonstrating some syntactic variety and range of vocabulary.

A paper in this category is competent, demonstrating adequate mastery with occasional errors and lapses in quality. Such a paper will:

• addresses the writing task,
• is organized and adequately developed, using examples to support ideas,
• displays adequate but inconsistent facility in the use of language, presenting some errors in
• grammar or diction present minimal sentence variety

A paper in this category is inadequate but demonstrates developing mastery. Such a paper may contain one or more of the following weaknesses:

• inadequate organization or development
• inappropriate or insufficient details to support ideas
• an accumulation of errors in grammar, diction, or sentence structure

A paper in this category is seriously limited, demonstrating little mastery. Such a paper is flawed by one or more of the following weaknesses:

• poor organization,
• thin development
• little or inappropriate detail to support ideas
• frequent errors in grammar, diction, and sentence structure

As much as students hate to write papers, we hate to grade them. It’s tedious and bordering on torture. But having comments at the ready can speed up the process and even make it more meaningful for those students who choose to actually read and apply the feedback. 

Should college essays touch on race? Some feel the affirmative action ruling leaves them no choice

CHICAGO — When she started writing her college essay, Hillary Amofa told the story she thought admissions offices wanted to hear. About being the daughter of immigrants from Ghana and growing up in a small apartment in Chicago. About hardship and struggle.

Then she deleted it all.

“I would just find myself kind of trauma-dumping,” said the 18-year-old senior at Lincoln Park High School in Chicago. “And I’m just like, this doesn’t really say anything about me as a person.”

When the Supreme Court ended affirmative action in higher education, it left the college essay as one of few places where race can play a role in admissions decisions. For many students of color, instantly more was riding on the already high-stakes writing assignment. Some say they felt pressure to exploit their hardships as they competed for a spot on campus.

Amofa was just starting to think about her essay when the court issued its decision, and it left her with a wave of questions. Could she still write about her race? Could she be penalized for it? She wanted to tell colleges about her heritage but she didn’t want to be defined by it.

In English class, Amofa and her classmates read sample essays that all seemed to focus on some trauma or hardship. It left her with the impression she had to write about her life’s hardest moments to show how far she’d come. But she and some of her classmates wondered if their lives had been hard enough to catch the attention of admissions offices.

“For a lot of students, there’s a feeling of, like, having to go through something so horrible to feel worthy of going to school, which is kind of sad,” said Amofa, the daughter of a hospital technician and an Uber driver.

This year’s senior class is the first in decades to navigate college admissions without affirmative action . The Supreme Court upheld the practice in decisions going back to the 1970s, but this court’s conservative supermajority found it is unconstitutional for colleges to give students extra weight because of their race alone.

Still, the decision left room for race to play an indirect role: Chief Justice John Roberts wrote universities can still consider how an applicant’s life was shaped by their race, “so long as that discussion is concretely tied to a quality of character or unique ability.”

“A benefit to a student who overcame racial discrimination, for example, must be tied to that student’s courage and determination,” he wrote.

Scores of colleges responded with new essay prompts asking about students’ backgrounds. Brown University asked applicants how “an aspect of your growing up has inspired or challenged you.” Rice University asked students how their perspectives were shaped by their “background, experiences, upbringing, and/or racial identity.”

WONDERING IF SCHOOLS 'EXPECT A SOB STORY'

When Darrian Merritt started writing his essay, he knew the stakes were higher than ever because of the court’s decision. His first instinct was to write about events that led to him going to live with his grandmother as a child.

Those were painful memories, but he thought they might play well at schools like Yale, Stanford and Vanderbilt.

“I feel like the admissions committee might expect a sob story or a tragic story,” said Merritt, a senior in Cleveland. “And if you don’t provide that, then maybe they’re not going to feel like you went through enough to deserve having a spot at the university. I wrestled with that a lot.”

He wrote drafts focusing on his childhood, but it never amounted to more than a collection of memories. Eventually he abandoned the idea and aimed for an essay that would stand out for its positivity.

Merritt wrote about a summer camp where he started to feel more comfortable in his own skin. He described embracing his personality and defying his tendency to please others. The essay had humor — it centered on a water gun fight where he had victory in sight but, in a comedic twist, slipped and fell. But the essay also reflects on his feelings of not being “Black enough” and getting made fun of for listening to “white people music.”

“I was like, ‘OK, I’m going to write this for me, and we’re just going to see how it goes,’” he said. “It just felt real, and it felt like an honest story.”

The essay describes a breakthrough as he learned “to take ownership of myself and my future by sharing my true personality with the people I encounter. ... I realized that the first chapter of my own story had just been written.”

A RULING PROMPTS PIVOTS ON ESSAY TOPICS

Like many students, Max Decker of Portland, Oregon, had drafted a college essay on one topic, only to change direction after the Supreme Court ruling in June.

Decker initially wrote about his love for video games. In a childhood surrounded by constant change, navigating his parents’ divorce, the games he took from place to place on his Nintendo DS were a source of comfort.

But the essay he submitted to colleges focused on the community he found through Word is Bond, a leadership group for young Black men in Portland.

As the only biracial, Jewish kid with divorced parents in a predominantly white, Christian community, Decker wrote he constantly felt like the odd one out. On a trip with Word is Bond to Capitol Hill, he and friends who looked just like him shook hands with lawmakers. The experience, he wrote, changed how he saw himself.

“It’s because I’m different that I provide something precious to the world, not the other way around,” he wrote.

As a first-generation college student, Decker thought about the subtle ways his peers seemed to know more about navigating the admissions process . They made sure to get into advanced classes at the start of high school, and they knew how to secure glowing letters of recommendation.

If writing about race would give him a slight edge and show admissions officers a fuller picture of his achievements, he wanted to take that small advantage.

His first memory about race, Decker said, was when he went to get a haircut in elementary school and the barber made rude comments about his curly hair. Until recently, the insecurity that moment created led him to keep his hair buzzed short.

Through Word is Bond, Decker said he found a space to explore his identity as a Black man. It was one of the first times he was surrounded by Black peers and saw Black role models. It filled him with a sense of pride in his identity. No more buzzcut.

The pressure to write about race involved a tradeoff with other important things in his life, Decker said. That included his passion for journalism, like the piece he wrote on efforts to revive a once-thriving Black neighborhood in Portland. In the end, he squeezed in 100 characters about his journalism under the application’s activities section.

“My final essay, it felt true to myself. But the difference between that and my other essay was the fact that it wasn’t the truth that I necessarily wanted to share,” said Decker, whose top college choice is Tulane, in New Orleans, because of the region’s diversity. “It felt like I just had to limit the truth I was sharing to what I feel like the world is expecting of me.”

SPELLING OUT THE IMPACT OF RACE

Before the Supreme Court ruling, it seemed a given to Imani Laird that colleges would consider the ways that race had touched her life. But now, she felt like she had to spell it out.

As she started her essay, she reflected on how she had faced bias or felt overlooked as a Black student in predominantly white spaces.

There was the year in math class when the teacher kept calling her by the name of another Black student. There were the comments that she’d have an easier time getting into college because she was Black .

“I didn’t have it easier because of my race,” said Laird, a senior at Newton South High School in the Boston suburbs who was accepted at Wellesley and Howard University, and is waiting to hear from several Ivy League colleges. “I had stuff I had to overcome.”

In her final essays, she wrote about her grandfather, who served in the military but was denied access to GI Bill benefits because of his race.

She described how discrimination fueled her ambition to excel and pursue a career in public policy.

“So, I never settled for mediocrity,” she wrote. “Regardless of the subject, my goal in class was not just to participate but to excel. Beyond academics, I wanted to excel while remembering what started this motivation in the first place.”

WILL SCHOOLS LOSE RACIAL DIVERSITY?

Amofa used to think affirmative action was only a factor at schools like Harvard and Yale. After the court’s ruling, she was surprised to find that race was taken into account even at some public universities she was applying to.

Now, without affirmative action, she wondered if mostly white schools will become even whiter.

It’s been on her mind as she chooses between Indiana University and the University of Dayton, both of which have relatively few Black students. When she was one of the only Black students in her grade school, she could fall back on her family and Ghanaian friends at church. At college, she worries about loneliness.

“That’s what I’m nervous about,” she said. “Going and just feeling so isolated, even though I’m constantly around people.”

The first drafts of her essay focused on growing up in a low-income family, sharing a bedroom with her brother and grandmother. But it didn’t tell colleges about who she is now, she said.

Her final essay tells how she came to embrace her natural hair . She wrote about going to a mostly white grade school where classmates made jokes about her afro. When her grandmother sent her back with braids or cornrows, they made fun of those too.

Over time, she ignored their insults and found beauty in the styles worn by women in her life. She now runs a business doing braids and other hairstyles in her neighborhood.

“I stopped seeing myself through the lens of the European traditional beauty standards and started seeing myself through the lens that I created,” Amofa wrote.

“Criticism will persist, but it loses its power when you know there’s a crown on your head!”

Ma reported from Portland, Oregon.

The Associated Press’ education coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org .

What are your chances of acceptance?

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Extracurriculars.

How to Create a Story with Your College Application

This article was written based on the information and opinions presented by Sophie Alina in a CollegeVine livestream. You can watch the full livestream for more info.

What’s Covered:

Focus on your academic interests, strengthen your extracurricular profile.

• Tell Your Story Through Compelling Essays

Secure the Perfect Recommendation Letters

Crafting a strong application theme is a crucial part of the college application process. It will help you tie together your academic and extracurricular interests and highlight your value to the admissions officers who read your application. 

However, there are so many components to a strong college application that it can be difficult to know where to start. In this article, you will learn how to incorporate all aspects of your application – academic interests, extracurricular profile, essays, and letters of recommendation – into a consistent and compelling theme.

One important aspect to consider when crafting your application theme is your academic interests or career goals. A strong application theme has a high school transcript that reflects the student’s academic talents, interests, and goals for the future. 

If you took several math and science classes, then your theme might highlight your passion for technology or how you want to pursue a career in engineering. If you are interested in the environment, you might plan to take AP Environmental Science or other science classes that will demonstrate your passion for learning about the environment or climate change. Your high school courses should showcase your strengths and interests in a way that aligns with your application theme.

Your application theme should also be supported by your extracurricular profile . Most students participate in too many unrelated extracurriculars and are not able to explain their interest in the activities. For example, you might be in a video game design club, serve on student council, and participate in soccer. While it’s great to include all of these activities in your college application, you can strengthen your application by ordering those activities by relevance to your theme. The first extracurricular should correspond with your theme the most. This way, the admissions officers can recreate your theme by simply reading your list of extracurricular activities. 

Additionally, as an underclassman it can be extremely impressive to sign up for or even found a club that is in the realm of this theme. For example, if you are interested in environmental sustainability, you might create a club that promotes sustainability in your school, and by your senior year it should be one of the most prominent clubs at the top of your extracurricular profile.

Tell Your Story Through Compelling Essays 

Your college essay is a great place to start elaborating on your application theme. Many essay questions ask students to talk about how their extracurricular activities have impacted their life and plans for the future. 

For example, you may be involved in math honor society and may also have an interest in teaching. To combine these interests in math and help other students you began tutoring math within your school or community. These activities would be great to highlight in your college application essays, as this demonstrates your interest in math, commitment to service, and leadership ability. College essays provide a rich space to elaborate on important extracurricular experiences and how they have shaped your goals and values. 

When thinking about who to ask to write your recommendation letters, it is important to consider asking people who will be able to speak to your strengths and extend the application theme you have created. For example, if you are interested in pursuing a degree in Chemical Engineering, it is logical for you to ask your math teacher, chemistry teacher, or even a mentor from an engineering club. 

It is also crucial that your teachers know about the application theme you are trying to create so that they are able to write a persuasive letter that compliments your theme. This is really powerful because it shows cohesion between all parts of your application. 

To guide your recommenders, you should give them a copy of your transcript and a resume, which should include a list of relevant hobbies and extracurricular activities. In addition to these, your school may ask you to provide them with an extra form with information about your interests, family life, and future goals, including the type of college you want to attend, what you plan to major in, and your intended career path. This is all information that can make it easier for your teacher to craft a strong recommendation letter that supports and strengthens your overall application theme.

Tying it All Together

Whether you’re only a freshman in high school or a senior beginning to think about essays, determining a strong application theme will help you put your best foot forward in the college admissions process. The most important thing to remember is to be authentic when discussing your values and passions. A clear and genuine application theme that reflects who you are will help your narrative to shine amongst the other applications.

Whether you are trying to craft your application, edit your essays, or organize your college application process, CollegeVine is here to help! Using our college advising platform , students and parents can connect with experts for one-on-one advising sessions or essay reviews. You can get started by booking a free consultation with an expert to see if they’d be a good fit for you. 

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Angel Reese Bids Farewell to LSU, College Basketball With Heartfelt Video Essay

• Author: Karl Rasmussen

In this story:

Angel Reese announced Wednesday morning that she intends to enter the 2024 WNBA draft following LSU's season-ending defeat against Caitlin Clark and Iowa in Monday's Elite Eight .

Shortly after her announcement, Reese bid farewell to the Tigers and all of her fans across the country on a more personal level, sharing a heartfelt video essay to her social media accounts. In the video, Reese thanked her supporters and expressed her gratitude to those who helped her along her journey.

"I'm leaving college with everything I've ever wanted," Reese said. "A degree. A national championship. And this platform I could have never imagined. This is for the girls that look like me, that's going to speak up on what they believe in, it's unapologetically you. To grow up in sports and have an impact on what's coming next.

"This was a difficult decision, but I trust the next chapter because I know the author. Bayou Barbie, out."

Grateful for these last four years and excited for this next chapter. #BAYOUBARBIEOUT pic.twitter.com/EvkzUW08JV — Angel Reese (@Reese10Angel) April 3, 2024

Reese played two seasons at LSU after transferring from the University of Maryland. With the Tigers, she racked up a multitude of accolades and won a national championship last season, vaulting herself into the national spotlight in the process. Across 69 games for LSU, Reese averaged 20.9 points and 14.4 rebounds.

After wrapping up a legendary college career and bidding an emotional farewell to her fans, Reese has officially declared her intention to enter the WNBA draft, where she projects as a first-round pick in what figures to be a loaded draft class.

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The War at Stanford

I didn’t know that college would be a factory of unreason.

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ne of the section leaders for my computer-science class, Hamza El Boudali, believes that President Joe Biden should be killed. “I’m not calling for a civilian to do it, but I think a military should,” the 23-year-old Stanford University student told a small group of protesters last month. “I’d be happy if Biden was dead.” He thinks that Stanford is complicit in what he calls the genocide of Palestinians, and that Biden is not only complicit but responsible for it. “I’m not calling for a vigilante to do it,” he later clarified, “but I’m saying he is guilty of mass murder and should be treated in the same way that a terrorist with darker skin would be (and we all know terrorists with dark skin are typically bombed and drone striked by American planes).” El Boudali has also said that he believes that Hamas’s October 7 attack was a justifiable act of resistance, and that he would actually prefer Hamas rule America in place of its current government (though he clarified later that he “doesn’t mean Hamas is perfect”). When you ask him what his cause is, he answers: “Peace.”

I switched to a different computer-science section.

Israel is 7,500 miles away from Stanford’s campus, where I am a sophomore. But the Hamas invasion and the Israeli counterinvasion have fractured my university, a place typically less focused on geopolitics than on venture-capital funding for the latest dorm-based tech start-up. Few students would call for Biden’s head—I think—but many of the same young people who say they want peace in Gaza don’t seem to realize that they are in fact advocating for violence. Extremism has swept through classrooms and dorms, and it is becoming normal for students to be harassed and intimidated for their faith, heritage, or appearance—they have been called perpetrators of genocide for wearing kippahs, and accused of supporting terrorism for wearing keffiyehs. The extremism and anti-Semitism at Ivy League universities on the East Coast have attracted so much media and congressional attention that two Ivy presidents have lost their jobs. But few people seem to have noticed the culture war that has taken over our California campus.

For four months, two rival groups of protesters, separated by a narrow bike path, faced off on Stanford’s palm-covered grounds. The “Sit-In to Stop Genocide” encampment was erected by students in mid-October, even before Israeli troops had crossed into Gaza, to demand that the university divest from Israel and condemn its behavior. Posters were hung equating Hamas with Ukraine and Nelson Mandela. Across from the sit-in, a rival group of pro-Israel students eventually set up the “Blue and White Tent” to provide, as one activist put it, a “safe space” to “be a proud Jew on campus.” Soon it became the center of its own cluster of tents, with photos of Hamas’s victims sitting opposite the rubble-ridden images of Gaza and a long (and incomplete) list of the names of slain Palestinians displayed by the students at the sit-in.

Some days the dueling encampments would host only a few people each, but on a sunny weekday afternoon, there could be dozens. Most of the time, the groups tolerated each other. But not always. Students on both sides were reportedly spit on and yelled at, and had their belongings destroyed. (The perpetrators in many cases seemed to be adults who weren’t affiliated with Stanford, a security guard told me.) The university put in place round-the-clock security, but when something actually happened, no one quite knew what to do.

Conor Friedersdorf: How October 7 changed America’s free speech culture

Stanford has a policy barring overnight camping, but for months didn’t enforce it, “out of a desire to support the peaceful expression of free speech in the ways that students choose to exercise that expression”—and, the administration told alumni, because the university feared that confronting the students would only make the conflict worse. When the school finally said the tents had to go last month, enormous protests against the university administration, and against Israel, followed.

“We don’t want no two states! We want all of ’48!” students chanted, a slogan advocating that Israel be dismantled and replaced by a single Arab nation. Palestinian flags flew alongside bright “Welcome!” banners left over from new-student orientation. A young woman gave a speech that seemed to capture the sense of urgency and power that so many students here feel. “We are Stanford University!” she shouted. “We control things!”

“W e’ve had protests in the past,” Richard Saller, the university’s interim president, told me in November—about the environment, and apartheid, and Vietnam. But they didn’t pit “students against each other” the way that this conflict has.

I’ve spoken with Saller, a scholar of Roman history, a few times over the past six months in my capacity as a student journalist. We first met in September, a few weeks into his tenure. His predecessor, Marc Tessier-Lavigne, had resigned as president after my reporting for The Stanford Daily exposed misconduct in his academic research. (Tessier-Lavigne had failed to retract papers with faked data over the course of 20 years. In his resignation statement , he denied allegations of fraud and misconduct; a Stanford investigation determined that he had not personally manipulated data or ordered any manipulation but that he had repeatedly “failed to decisively and forthrightly correct mistakes” from his lab.)

In that first conversation, Saller told me that everyone was “eager to move on” from the Tessier-Lavigne scandal. He was cheerful and upbeat. He knew he wasn’t staying in the job long; he hadn’t even bothered to move into the recently vacated presidential manor. In any case, campus, at that time, was serene. Then, a week later, came October 7.

The attack was as clear a litmus test as one could imagine for the Middle East conflict. Hamas insurgents raided homes and a music festival with the goal of slaughtering as many civilians as possible. Some victims were raped and mutilated, several independent investigations found. Hundreds of hostages were taken into Gaza and many have been tortured.

This, of course, was bad. Saying this was bad does not negate or marginalize the abuses and suffering Palestinians have experienced in Gaza and elsewhere. Everyone, of every ideology, should be able to say that this was bad. But much of this campus failed that simple test.

Two days after the deadliest massacre of Jews since the Holocaust, Stanford released milquetoast statements marking the “moment of intense emotion” and declaring “deep concern” over “the crisis in Israel and Palestine.” The official statements did not use the words Hamas or violence .

The absence of a clear institutional response led some teachers to take matters into their own hands. During a mandatory freshman seminar on October 10, a lecturer named Ameer Loggins tossed out his lesson plan to tell students that the actions of the Palestinian “military force” had been justified, that Israelis were colonizers, and that the Holocaust had been overemphasized, according to interviews I conducted with students in the class. Loggins then asked the Jewish students to identify themselves. He instructed one of them to “stand up, face the window, and he kind of kicked away his chair,” a witness told me. Loggins described this as an effort to demonstrate Israel’s treatment of Palestinians. (Loggins did not reply to a request for comment; a spokesperson for Stanford said that there were “different recollections of the details regarding what happened” in the class.)

“We’re only in our third week of college, and we’re afraid to be here,” three students in the class wrote in an email that night to administrators. “This isn’t what Stanford was supposed to be.” The class Loggins taught is called COLLEGE, short for “Civic, Liberal, and Global Education,” and it is billed as an effort to develop “the skills that empower and enable us to live together.”

Loggins was suspended from teaching duties and an investigation was opened; this angered pro-Palestine activists, who organized a petition that garnered more than 1,700 signatures contesting the suspension. A pamphlet from the petitioners argued that Loggins’s behavior had not been out of bounds.

The day after the class, Stanford put out a statement written by Saller and Jenny Martinez, the university provost, more forcefully condemning the Hamas attack. Immediately, this new statement generated backlash.

Pro-Palestine activists complained about it during an event held the same day, the first of several “teach-ins” about the conflict. Students gathered in one of Stanford’s dorms to “bear witness to the struggles of decolonization.” The grievances and pain shared by Palestinian students were real. They told of discrimination and violence, of frightened family members subjected to harsh conditions. But the most raucous reaction from the crowd was in response to a young woman who said, “You ask us, do we condemn Hamas? Fuck you!” She added that she was “so proud of my resistance.”

David Palumbo-Liu, a professor of comparative literature with a focus on postcolonial studies, also spoke at the teach-in, explaining to the crowd that “European settlers” had come to “replace” Palestine’s “native population.”

Palumbo-Liu is known as an intelligent and supportive professor, and is popular among students, who call him by his initials, DPL. I wanted to ask him about his involvement in the teach-in, so we met one day in a café a few hundred feet away from the tents. I asked if he could elaborate on what he’d said at the event about Palestine’s native population. He was happy to expand: This was “one of those discussions that could go on forever. Like, who is actually native? At what point does nativism lapse, right? Well, you haven’t been native for X number of years, so …” In the end, he said, “you have two people who both feel they have a claim to the land,” and “they have to live together. Both sides have to cede something.”

The struggle at Stanford, he told me, “is to find a way in which open discussions can be had that allow people to disagree.” It’s true that Stanford has utterly failed in its efforts to encourage productive dialogue. But I still found it hard to reconcile DPL’s words with his public statements on Israel, which he’d recently said on Facebook should be “the most hated nation in the world.” He also wrote: “When Zionists say they don’t feel ‘safe’ on campus, I’ve come to see that as they no longer feel immune to criticism of Israel.” He continued: “Well as the saying goes, get used to it.”

Z ionists, and indeed Jewish students of all political beliefs, have been given good reason to fear for their safety. They’ve been followed, harassed, and called derogatory racial epithets. At least one was told he was a “dirty Jew.” At least twice, mezuzahs have been ripped from students’ doors, and swastikas have been drawn in dorms. Arab and Muslim students also face alarming threats. The computer-science section leader, El Boudali, a pro-Palestine activist, told me he felt “safe personally,” but knew others who did not: “Some people have reported feeling like they’re followed, especially women who wear the hijab.”

In a remarkably short period of time, aggression and abuse have become commonplace, an accepted part of campus activism. In January, Jewish students organized an event dedicated to ameliorating anti-Semitism. It marked one of Saller’s first public appearances in the new year. Its topic seemed uncontroversial, and I thought it would generate little backlash.

Protests began before the panel discussion even started, with activists lining the stairs leading to the auditorium. During the event they drowned out the panelists, one of whom was Israel’s special envoy for combatting anti-Semitism, by demanding a cease-fire. After participants began cycling out into the dark, things got ugly.

Activists, their faces covered by keffiyehs or medical masks, confronted attendees. “Go back to Brooklyn!” a young woman shouted at Jewish students. One protester, who emerged as the leader of the group, said that she and her compatriots would “take all of your places and ensure Israel falls.” She told attendees to get “off our fucking campus” and launched into conspiracy theories about Jews being involved in “child trafficking.” As a rabbi tried to leave the event, protesters pursued him, chanting, “There is only one solution! Intifada revolution!”

At one point, some members of the group turned on a few Stanford employees, including another rabbi, an imam, and a chaplain, telling them, “We know your names and we know where you work.” The ringleader added: “And we’ll soon find out where you live.” The religious leaders formed a protective barrier in front of the Jewish students. The rabbi and the imam appeared to be crying.

S aller avoided the protest by leaving through another door. Early that morning, his private residence had been vandalized. Protesters frequently tell him he “can’t hide” and shout him down. “We charge you with genocide!” they chant, demanding that Stanford divest from Israel. (When asked whether Stanford actually invested in Israel, a spokesperson replied that, beyond small exposures from passive funds that track indexes such as the S&P 500, the university’s endowment “has no direct holdings in Israeli companies, or direct holdings in defense contractors.”)

When the university finally said the protest tents had to be removed, students responded by accusing Saller of suppressing their right to free speech. This is probably the last charge he expected to face. Saller once served as provost at the University of Chicago, which is known for holding itself to a position of strict institutional neutrality so that its students can freely explore ideas for themselves. Saller has a lifelong belief in First Amendment rights. But that conviction in impartial college governance does not align with Stanford’s behavior in recent years. Despite the fact that many students seemed largely uninterested in the headlines before this year, Stanford’s administrative leadership has often taken positions on political issues and events, such as the Paris climate conference and the murder of George Floyd. After Russia invaded Ukraine, Stanford’s Hoover Tower was lit up in blue and yellow, and the school released a statement in solidarity.

Thomas Chatterton Williams: Let the activists have their loathsome rallies

When we first met, a week before October 7, I asked Saller about this. Did Stanford have a moral duty to denounce the war in Ukraine, for example, or the ethnic cleansing of Uyghur Muslims in China? “On international political issues, no,” he said. “That’s not a responsibility for the university as a whole, as an institution.”

But when Saller tried to apply his convictions on neutrality for the first time as president, dozens of faculty members condemned the response, many pro-Israel alumni were outraged, donors had private discussions about pulling funding, and an Israeli university sent an open letter to Saller and Martinez saying, “Stanford’s administration has failed us.” The initial statement had tried to make clear that the school’s policy was not Israel-specific: It noted that the university would not take a position on the turmoil in Nagorno-Karabakh (where Armenians are undergoing ethnic cleansing) either. But the message didn’t get through.

Saller had to beat an awkward retreat or risk the exact sort of public humiliation that he, as caretaker president, had presumably been hired to avoid. He came up with a compromise that landed somewhere in the middle: an unequivocal condemnation of Hamas’s “intolerable atrocities” paired with a statement making clear that Stanford would commit to institutional neutrality going forward.

“The events in Israel and Gaza this week have affected and engaged large numbers of students on our campus in ways that many other events have not,” the statement read. “This is why we feel compelled to both address the impact of these events on our campus and to explain why our general policy of not issuing statements about news events not directly connected to campus has limited the breadth of our comments thus far, and why you should not expect frequent commentary from us in the future.”

I asked Saller why he had changed tack on Israel and not on Nagorno-Karabakh. “We don’t feel as if we should be making statements on every war crime and atrocity,” he told me. This felt like a statement in and of itself.

In making such decisions, Saller works closely with Martinez, Stanford’s provost. I happened to interview her, too, a few days before October 7, not long after she’d been appointed. When I asked about her hopes for the job, she said that a “priority is ensuring an environment in which free speech and academic freedom are preserved.”

We talked about the so-called Leonard Law—a provision unique to California that requires private universities to be governed by the same First Amendment protections as public ones. This restricts what Stanford can do in terms of penalizing speech, putting it in a stricter bind than Harvard, the University of Pennsylvania, or any of the other elite private institutions that have more latitude to set the standards for their campus (whether or not they have done so).

So I was surprised when, in December, the university announced that abstract calls for genocide “clearly violate Stanford’s Fundamental Standard, the code of conduct for all students at the university.” The statement was a response to the outrage following the congressional testimony of three university presidents—outrage that eventually led to the resignation of two of them, Harvard’s Claudine Gay and Penn’s Liz Magill. Gay and Magill, who had both previously held positions at Stanford, did not commit to punishing calls for the genocide of Jews.

Experts told me that Stanford’s policy is impossible to enforce—and Saller himself acknowledged as much in our March interview.

“Liz Magill is a good friend,” Saller told me, adding, “Having watched what happened at Harvard and Penn, it seemed prudent” to publicly state that Stanford rejected calls for genocide. But saying that those calls violate the code of conduct “is not the same thing as to say that we could actually punish it.”

Stanford’s leaders seem to be trying their best while adapting to the situation in real time. But the muddled messaging has created a policy of neutrality that does not feel neutral at all.

When we met back in November, I tried to get Saller to open up about his experience running an institution in turmoil. What’s it like to know that so many students seem to believe that he—a mild-mannered 71-year-old classicist who swing-dances with his anthropologist wife—is a warmonger? Saller was more candid than I expected—perhaps more candid than any prominent university president has been yet. We sat in the same conference room as we had in September. The weather hadn’t really changed. Yet I felt like I was sitting in front of a different person. He was hunched over and looked exhausted, and his voice broke when he talked about the loss of life in Gaza and Israel and “the fact that we’re caught up in it.” A capable administrator with decades of experience, Saller seemed almost at a loss. “It’s been a kind of roller coaster, to be honest.”

He said he hadn’t anticipated the deluge of the emails “blaming me for lack of moral courage.” Anything the university says seems bound to be wrong: “If I say that our position is that we grieve over the loss of innocent lives, that in itself will draw some hostile reactions.”

“I find that really difficult to navigate,” he said with a sigh.

By March, it seemed that his views had solidified. He said he knew he was “a target,” but he was not going to be pushed into issuing any more statements. The continuing crisis seems to have granted him new insight. “I am certain that whatever I say will not have any material effect on the war in Gaza.” It’s hard to argue with that.

P eople tend to blame the campus wars on two villains: dithering administrators and radical student activists. But colleges have always had dithering administrators and radical student activists. To my mind, it’s the average students who have changed.

Elite universities attract a certain kind of student: the overachieving striver who has won all the right accolades for all the right activities. Is it such a surprise that the kids who are trained in the constant pursuit of perfect scores think they have to look at the world like a series of multiple-choice questions, with clearly right or wrong answers? Or that they think they can gamify a political cause in the same way they ace a standardized test?

Everyone knows that the only reliable way to get into a school like Stanford is to be really good at looking really good. Now that they’re here, students know that one easy way to keep looking good is to side with the majority of protesters, and condemn Israel.

It’s not that there isn’t real anger and anxiety over what is happening in Gaza—there is, and justifiably so. I know that among the protesters are many people who are deeply connected to this issue. But they are not the majority. What really activates the crowds now seems less a principled devotion to Palestine or to pacifism than a desire for collective action, to fit in by embracing the fashionable cause of the moment—as if a centuries-old conflict in which both sides have stolen and killed could ever be a simple matter of right and wrong. In their haste to exhibit moral righteousness, many of the least informed protesters end up being the loudest and most uncompromising.

Today’s students grew up in the Trump era, in which violent rhetoric has become a normal part of political discourse and activism is as easy as reposting an infographic. Many young people have come to feel that being angry is enough to foment change. Furious at the world’s injustices and desperate for a simple way to express that fury, they don’t seem interested in any form of engagement more nuanced than backing a pure protagonist and denouncing an evil enemy. They don’t, always, seem that concerned with the truth.

At the protest last month to prevent the removal of the sit-in, an activist in a pink Women’s March “pussy hat” shouted that no rape was committed by Hamas on October 7. “There hasn’t been proof of these rape accusations,” a student told me in a separate conversation, criticizing the Blue and White Tent for spreading what he considered to be misinformation about sexual violence. (In March, a United Nations report found “reasonable grounds to believe that conflict-related sexual violence,” including “rape and gang rape,” occurred in multiple locations on October 7, as well as “clear and convincing information” on the “rape and sexualized torture” of hostages.) “The level of propaganda” surrounding Hamas, he told me, “is just unbelievable.”

The real story at Stanford is not about the malicious actors who endorse sexual assault and murder as forms of resistance, but about those who passively enable them because they believe their side can do no wrong. You don’t have to understand what you’re arguing for in order to argue for it. You don’t have to be able to name the river or the sea under discussion to chant “From the river to the sea.” This kind of obliviousness explains how one of my friends, a gay activist, can justify Hamas’s actions, even though it would have the two of us—an outspoken queer person and a Jewish reporter—killed in a heartbeat. A similar mentality can exist on the other side: I have heard students insist on the absolute righteousness of Israel yet seem uninterested in learning anything about what life is like in Gaza.

I’m familiar with the pull of achievement culture—after all, I’m a product of the same system. I fell in love with Stanford as a 7-year-old, lying on the floor of an East Coast library and picturing all the cool technology those West Coast geniuses were dreaming up. I cried when I was accepted; I spent the next few months scrolling through the course catalog, giddy with anticipation. I wanted to learn everything.

I learned more than I expected. Within my first week here, someone asked me: “Why are all Jews so rich?” In 2016, when Stanford’s undergraduate senate had debated a resolution against anti-Semitism, one of its members argued that the idea of “Jews controlling the media, economy, government, and other societal institutions” represented “a very valid discussion.” (He apologized, and the resolution passed.) In my dorm last year, a student discussed being Jewish and awoke the next day to swastikas and a portrait of Hitler affixed to his door.

David Frum: There is no right to bully and harass

I grew up secularly, with no strong affiliation to Jewish culture. When I found out as a teenager that some of my ancestors had hidden their identity from their children and that dozens of my relatives had died in the Holocaust (something no living member of my family had known), I felt the barest tremor of identity. After I saw so many people I know cheering after October 7, I felt something stronger stir. I know others have experienced something similar. Even a professor texted me to say that she felt Jewish in a way she never had before.

But my frustration with the conflict on campus has little to do with my own identity. Across the many conversations and hours of formal interviews I conducted for this article, I’ve encountered a persistent anti-intellectual streak. I’ve watched many of my classmates treat death so cavalierly that they can protest as a pregame to a party. Indeed, two parties at Stanford were reported to the university this fall for allegedly making people say “Fuck Israel” or “Free Palestine” to get in the door. A spokesperson for the university said it was “unable to confirm the facts of what occurred,” but that it had “met with students involved in both parties to make clear that Stanford’s nondiscrimination policy applies to parties.” As a friend emailed me not long ago: “A place that was supposed to be a sanctuary from such unreason has become a factory for it.”

Readers may be tempted to discount the conduct displayed at Stanford. After all, the thinking goes, these are privileged kids doing what they always do: embracing faux-radicalism in college before taking jobs in fintech or consulting. These students, some might say, aren’t representative of America.

And yet they are representative of something: of the conduct many of the most accomplished students in my generation have accepted as tolerable, and what that means for the future of our country. I admire activism. We need people willing to protest what they see as wrong and take on entrenched systems of repression. But we also need to read, learn, discuss, accept the existence of nuance, embrace diversity of thought, and hold our own allies to high standards. More than ever, we need universities to teach young people how to do all of this.

F or so long , Stanford’s physical standoff seemed intractable. Then, in early February, a storm swept in, and the natural world dictated its own conclusion.

Heavy rains flooded campus. For hours, the students battled to save their tents. The sit-in activists used sandbags and anything else they could find to hold back the water—at one point, David Palumbo-Liu, the professor, told me he stood in the lashing downpour to anchor one of the sit-in’s tents with his own body. When the storm hit, many of the Jewish activists had been attending a discussion on anti-Semitism. They raced back and struggled to salvage the Blue and White Tent, but it was too late—the wind had ripped it out of the ground.

The next day, the weary Jewish protesters returned to discover that their space had been taken.

A new collection of tents had been set up by El Boudali, the pro-Palestine activist, and a dozen friends. He said they were there to protest Islamophobia and to teach about Islam and jihad, and that they were a separate entity from the Sit-In to Stop Genocide, though I observed students cycling between the tents. Palestinian flags now flew from the bookstore to the quad.

Administrators told me they’d quickly informed El Boudali and his allies that the space had been reserved by the Jewish advocates, and offered to help move them to a different location. But the protesters told me they had no intention of going. (El Boudali later said that they did not take over the entire space, and would have been “happy to exist side by side, but they wanted to kick us off entirely from that lawn.”)

When it was clear that the area where they’d set up their tents would not be ceded back to the pro-Israel group willingly, Stanford changed course and decided to clear everyone out in one fell swoop. On February 8, school officials ordered all students to vacate the plaza overnight. The university was finally going to enforce its rule prohibiting people from sleeping outside on campus and requiring the removal of belongings from the plaza between 8 p.m. and 8 a.m. The order cited the danger posed by the storm as a justification for changing course and, probably hoping to avoid allegations of bias, described the decision as “viewpoint-neutral.”

That didn’t work.

About a week of protests, led by the sit-in organizers, followed. Chants were chanted. More demands for a “river to the sea” solution to the Israel problem were made. A friend boasted to me about her willingness to be arrested. Stanford sent a handful of staff members, who stood near balloons left over from an event earlier in the day. They were there, one of them told me, to “make students feel supported and safe.”

In the end, Saller and Martinez agreed to talk with the leaders of the sit-in about their demands to divest the university and condemn Israel, under the proviso that the activists comply with Stanford’s anti-camping guidelines “regardless of the outcome of discussions.” Eight days after they were first instructed to leave, 120 days after setting up camp, the sit-in protesters slept in their own beds. In defiance of the university’s instructions, they left behind their tents. But sometime in the very early hours of the morning, law-enforcement officers confiscated the structures. The area was cordoned off without any violence and the plaza filled once more with electric skateboards and farmers’ markets.

The conflict continues in its own way. Saller was just shouted down by protesters chanting “No peace on stolen land” at a Family Weekend event, and protesters later displayed an effigy of him covered in blood. Students still feel tense; Saller still seems worried. He told me that the university is planning to change all manner of things—residential-assistant training, new-student orientation, even the acceptance letters that students receive—in hopes of fostering a culture of greater tolerance. But no campus edict or panel discussion can address a problem that is so much bigger than our university.

At one rally last fall, a speaker expressed disillusionment about the power of “peaceful resistance” on college campuses. “What is there left to do but to take up arms?” The crowd cheered as he said Israel must be destroyed. But what would happen to its citizens? I’d prefer to believe that most protesters chanting “Palestine is Arab” and shouting that we must “smash the Zionist settler state” don’t actually think Jews should be killed en masse. But can one truly be so ignorant as to advocate widespread violence in the name of peace?

When the world is rendered in black-and-white—portrayed as a simple fight between colonizer and colonized—the answer is yes. Solutions, by this logic, are absolute: Israel or Palestine, nothing in between. Either you support liberation of the oppressed or you support genocide. Either Stanford is all good or all bad; all in favor of free speech or all authoritarian; all anti-Semitic or all Islamophobic.

At January’s anti-anti-Semitism event, I watched an exchange between a Jewish attendee and a protester from a few feet away. “Are you pro-Palestine?” the protester asked.

“Yes,” the attendee responded, and he went on to describe his disgust with the human-rights abuses Palestinians have faced for years.

“But are you a Zionist?”

“Then we are enemies.”

What All Of The 3.6% Admitted Students At Harvard Have In Common This Year

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Harvard College

Every year, tens of thousands of students from around the world apply to Harvard University in the hopes of attending one of the nation’s most prestigious universities. To write that receiving a coveted letter of admission is challenging is a gross understatement—only 3.59% of Harvard hopefuls were admitted during the 2023-24 application cycle. Earning acceptance in the cutthroat admissions landscape requires strategy and planning. While Harvard's admitted class is composed of a diverse group of students with widely varied interests and backgrounds, there are a few guiding commonalities that unite them.

As they develop their interests and build their applicant profiles, Ivy League hopefuls should keep in mind that successful students who are bound for elite institutions showcase:

1. Academic Prowess

While academic skills are not the sum total of what a student needs to get into Harvard, they are a foundational component of a successful application. Students can demonstrate their preparedness for the rigors of Harvard academics in two ways—through a strong GPA (particularly in classes related to their intended major) and through standardized test scores. Dartmouth notes in their announcement of their reinstated standardized testing policy that students’ perception of what admissions officers look for in scores is strongly misunderstood. The press release states: “The absence of such scores underscores longstanding misperceptions about what represents a "high" or a "low" score; those definitions are not binary. A score that falls below our class mean but several hundred points above the mean at the student’s school is "high" and, as such, it has value as one factor among many in our holistic assessment.” While strong candidates typically submit scores that match or exceed an institution’s published average for admitted students, this is not always the case, and students should be mindful that their scores will be evaluated within the larger context of their application.

2. Singular Passions

Although a stellar academic record and impressive standardized test scores are critical for admission, they are merely the foundation of a successful Ivy League application. Harvard and other top colleges seek students with more than great transcripts—students who not only excel academically but who also possess a guiding passion, often one that they have mobilized in service of their communities. As Harvard’s admissions website states : “There is no formula for gaining admission to Harvard. Academic accomplishment in high school is important, but the Admissions Committee also considers many other criteria, such as community involvement, leadership and distinction in extracurricular activities, and personal qualities and character.” Reflecting a passion in an applicant profile requires strategy, motivation, and—perhaps most importantly—time.

While students should use their freshman and sophomore years to explore their interests and get involved in clubs and organizations on campus, it is critical that they do so with the intention of discovering their core passions and honing their involvements by junior year. Rather than spreading themselves thin by pursuing a multitude of interests, admitted students at top schools demonstrate deep engagement and leadership in a particular area of interest, aiming to become specialists in their field. Whether it's a passion for scientific research, a commitment to social justice advocacy, a love for the performing arts, or a dedication to community service, focused pursuits allow applicants to showcase their talents, accomplishments, and potential contributions to their future college community.

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Best 5% interest savings accounts of 2024, 3. demonstrable impact on their communities.

Beyond mere interest or involvement, successful Harvard applicants demonstrate tangible impact in their communities through their endeavors. Demonstrated impact is a powerful indicator of an applicant's drive, initiative, and potential for future success, and it illustrates to admissions committees the kind of community member the student will be on campus. Therefore, students should not only strategize for discovering and pursuing their core passions, but they should also be intentional about crafting a compelling and cohesive narrative demonstrating those passions through their Activities List, essays, and letters of recommendation .

The small percentage of students who earn admission to Harvard are not only academically gifted—they are deeply engaged, committed, and impactful. By telling a cohesive narrative about their grounding passions in their applications, students can stand out to admissions officers and boost their chances of admission to their dream schools.

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