critical review a

How to Write Critical Reviews

When you are asked to write a critical review of a book or article, you will need to identify, summarize, and evaluate the ideas and information the author has presented. In other words, you will be examining another person’s thoughts on a topic from your point of view.

Your stand must go beyond your “gut reaction” to the work and be based on your knowledge (readings, lecture, experience) of the topic as well as on factors such as criteria stated in your assignment or discussed by you and your instructor.

Make your stand clear at the beginning of your review, in your evaluations of specific parts, and in your concluding commentary.

Remember that your goal should be to make a few key points about the book or article, not to discuss everything the author writes.

Understanding the Assignment

To write a good critical review, you will have to engage in the mental processes of analyzing (taking apart) the work–deciding what its major components are and determining how these parts (i.e., paragraphs, sections, or chapters) contribute to the work as a whole.

Analyzing the work will help you focus on how and why the author makes certain points and prevent you from merely summarizing what the author says. Assuming the role of an analytical reader will also help you to determine whether or not the author fulfills the stated purpose of the book or article and enhances your understanding or knowledge of a particular topic.

Be sure to read your assignment thoroughly before you read the article or book. Your instructor may have included specific guidelines for you to follow. Keeping these guidelines in mind as you read the article or book can really help you write your paper!

Also, note where the work connects with what you’ve studied in the course. You can make the most efficient use of your reading and notetaking time if you are an active reader; that is, keep relevant questions in mind and jot down page numbers as well as your responses to ideas that appear to be significant as you read.

Please note: The length of your introduction and overview, the number of points you choose to review, and the length of your conclusion should be proportionate to the page limit stated in your assignment and should reflect the complexity of the material being reviewed as well as the expectations of your reader.

Write the introduction

Below are a few guidelines to help you write the introduction to your critical review.

Introduce your review appropriately

Begin your review with an introduction appropriate to your assignment.

If your assignment asks you to review only one book and not to use outside sources, your introduction will focus on identifying the author, the title, the main topic or issue presented in the book, and the author’s purpose in writing the book.

If your assignment asks you to review the book as it relates to issues or themes discussed in the course, or to review two or more books on the same topic, your introduction must also encompass those expectations.

Explain relationships

For example, before you can review two books on a topic, you must explain to your reader in your introduction how they are related to one another.

Within this shared context (or under this “umbrella”) you can then review comparable aspects of both books, pointing out where the authors agree and differ.

In other words, the more complicated your assignment is, the more your introduction must accomplish.

Finally, the introduction to a book review is always the place for you to establish your position as the reviewer (your thesis about the author’s thesis).

As you write, consider the following questions:

• Is the book a memoir, a treatise, a collection of facts, an extended argument, etc.? Is the article a documentary, a write-up of primary research, a position paper, etc.?
• Who is the author? What does the preface or foreword tell you about the author’s purpose, background, and credentials? What is the author’s approach to the topic (as a journalist? a historian? a researcher?)?
• What is the main topic or problem addressed? How does the work relate to a discipline, to a profession, to a particular audience, or to other works on the topic?
• What is your critical evaluation of the work (your thesis)? Why have you taken that position? What criteria are you basing your position on?

Provide an overview

In your introduction, you will also want to provide an overview. An overview supplies your reader with certain general information not appropriate for including in the introduction but necessary to understanding the body of the review.

Generally, an overview describes your book’s division into chapters, sections, or points of discussion. An overview may also include background information about the topic, about your stand, or about the criteria you will use for evaluation.

The overview and the introduction work together to provide a comprehensive beginning for (a “springboard” into) your review.

• What are the author’s basic premises? What issues are raised, or what themes emerge? What situation (i.e., racism on college campuses) provides a basis for the author’s assertions?
• How informed is my reader? What background information is relevant to the entire book and should be placed here rather than in a body paragraph?

Write the body

The body is the center of your paper, where you draw out your main arguments. Below are some guidelines to help you write it.

Organize using a logical plan

Organize the body of your review according to a logical plan. Here are two options:

• First, summarize, in a series of paragraphs, those major points from the book that you plan to discuss; incorporating each major point into a topic sentence for a paragraph is an effective organizational strategy. Second, discuss and evaluate these points in a following group of paragraphs. (There are two dangers lurking in this pattern–you may allot too many paragraphs to summary and too few to evaluation, or you may re-summarize too many points from the book in your evaluation section.)
• Alternatively, you can summarize and evaluate the major points you have chosen from the book in a point-by-point schema. That means you will discuss and evaluate point one within the same paragraph (or in several if the point is significant and warrants extended discussion) before you summarize and evaluate point two, point three, etc., moving in a logical sequence from point to point to point. Here again, it is effective to use the topic sentence of each paragraph to identify the point from the book that you plan to summarize or evaluate.

Questions to keep in mind as you write

With either organizational pattern, consider the following questions:

• What are the author’s most important points? How do these relate to one another? (Make relationships clear by using transitions: “In contrast,” an equally strong argument,” “moreover,” “a final conclusion,” etc.).
• What types of evidence or information does the author present to support his or her points? Is this evidence convincing, controversial, factual, one-sided, etc.? (Consider the use of primary historical material, case studies, narratives, recent scientific findings, statistics.)
• Where does the author do a good job of conveying factual material as well as personal perspective? Where does the author fail to do so? If solutions to a problem are offered, are they believable, misguided, or promising?
• Which parts of the work (particular arguments, descriptions, chapters, etc.) are most effective and which parts are least effective? Why?
• Where (if at all) does the author convey personal prejudice, support illogical relationships, or present evidence out of its appropriate context?

Keep your opinions distinct and cite your sources

Remember, as you discuss the author’s major points, be sure to distinguish consistently between the author’s opinions and your own.

Keep the summary portions of your discussion concise, remembering that your task as a reviewer is to re-see the author’s work, not to re-tell it.

And, importantly, if you refer to ideas from other books and articles or from lecture and course materials, always document your sources, or else you might wander into the realm of plagiarism.

Include only that material which has relevance for your review and use direct quotations sparingly. The Writing Center has other handouts to help you paraphrase text and introduce quotations.

Write the conclusion

You will want to use the conclusion to state your overall critical evaluation.

You have already discussed the major points the author makes, examined how the author supports arguments, and evaluated the quality or effectiveness of specific aspects of the book or article.

Now you must make an evaluation of the work as a whole, determining such things as whether or not the author achieves the stated or implied purpose and if the work makes a significant contribution to an existing body of knowledge.

Consider the following questions:

• Is the work appropriately subjective or objective according to the author’s purpose?
• How well does the work maintain its stated or implied focus? Does the author present extraneous material? Does the author exclude or ignore relevant information?
• How well has the author achieved the overall purpose of the book or article? What contribution does the work make to an existing body of knowledge or to a specific group of readers? Can you justify the use of this work in a particular course?
• What is the most important final comment you wish to make about the book or article? Do you have any suggestions for the direction of future research in the area? What has reading this work done for you or demonstrated to you?

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Writing Critical Reviews

What is a Critical Review of a Journal Article?

A critical review of a journal article evaluates the strengths and weaknesses of an article's ideas and content. It provides description, analysis and interpretation that allow readers to assess the article's value.

Before You Read the Article

• What does the title lead you to expect about the article?
• Study any sub-headings to understand how the author organized the content.
• Read the abstract for a summary of the author's arguments.
• Study the list of references to determine what research contributed to the author's arguments. Are the references recent? Do they represent important work in the field?
• If possible, read about the author to learn what authority he or she has to write about the subject.
• Consult Web of Science to see if other writers have cited the author's work. (Please see 'How to use E-Indexes'.) Has the author made an important contribution to the field of study?

Reading the Article: Points to Consider

Read the article carefully. Record your impressions and note sections suitable for quoting.

• Who is the intended audience?
• What is the author's purpose? To survey and summarize research on a topic? To present an argument that builds on past research? To refute another writer's argument?
• Does the author define important terms?
• Is the information in the article fact or opinion? (Facts can be verified, while opinions arise from interpretations of facts.) Does the information seem well-researched or is it unsupported?
• What are the author's central arguments or conclusions? Are they clearly stated? Are they supported by evidence and analysis?
• If the article reports on an experiment or study, does the author clearly outline methodology and the expected result?
• Is the article lacking information or argumentation that you expected to find?
• Is the article organized logically and easy to follow?
• Does the writer's style suit the intended audience? Is the style stilted or unnecessarily complicated?
• Is the author's language objective or charged with emotion and bias?
• If illustrations or charts are used, are they effective in presenting information?

Prepare an Outline

Read over your notes. Choose a statement that expresses the central purpose or thesis of your review. When thinking of a thesis, consider the author's intentions and whether or not you think those intentions were successfully realized. Eliminate all notes that do not relate to your thesis. Organize your remaining points into separate groups such as points about structure, style, or argument. Devise a logical sequence for presenting these ideas. Remember that all of your ideas must support your central thesis.

Write the First Draft

The review should begin with a complete citation of the article. For example:

Platt, Kevin M.F. "History and Despotism, or: Hayden White vs. Ivan the Terrible  and Peter the Great." Rethinking History 3:3 (1999) : 247-269.

NOTE: Use the same bibliographic citation format as you would for any bibliography, works cited or reference list. It will follow a standard documentation style such as MLA or APA.

Be sure to ask your instructor which citation style to use. For frequently used style guides consult Queen's University Library's Citing Sources guide.

The first paragraph may contain:

• a statement of your thesis
• the author's purpose in writing the article
• comments on how the article relates to other work on the same subject
• information about the author's reputation or authority in the field

The body of the review should:

• state your arguments in support of your thesis
• follow the logical development of ideas that you mapped out in your outline
• include quotations from the article which illustrate your main ideas

The concluding paragraph may:

• summarize your review
• restate your thesis

Revise the First Draft

Ideally, you should leave your first draft for a day or two before revising. This allows you to gain a more objective perspective on your ideas. Check for the following when revising:

• grammar and punctuation errors
• organization, logical development and solid support of your thesis
• errors in quotations or in references

You may make major revisions in the organization or content of your review during the revision process. Revising can even lead to a radical change in your central thesis.

NOTE: Prepared by University of Toronto Mississauga Library, Hazel McCallion Academic Learning Centre.

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Additional Resources

Writing a Critical Review (Allyson Skene, The Writing Centre, U of Toronto at Scarborough)

The Book Review or Article Critique (Margaret Procter, Writing Support, University of Toronto)

Critical Reviews of Journal Articles (Herbert Coutts, University of Alberta)

Writing a Critical Review (The Writing Centre, Queen's University)

• Last Updated: Aug 29, 2023 12:23 PM
• Subjects: Multidisciplinary

IOE Writing Centre

• Writing a Critical Review

Writing a Critique

A critique (or critical review) is not to be mistaken for a literature review. A 'critical review', or 'critique', is a complete type of text (or genre), discussing one particular article or book in detail.  In some instances, you may be asked to write a critique of two or three articles (e.g. a comparative critical review). In contrast, a 'literature review', which also needs to be 'critical', is a part of a larger type of text, such as a chapter of your dissertation.

Most importantly: Read your article / book as many times as possible, as this will make the critical review much easier.

1. Read and take notes 2. Organising your writing 3. Summary 4. Evaluation 5. Linguistic features of a critical review 6. Summary language 7. Evaluation language 8. Conclusion language 9. Example extracts from a critical review 10. Further resources

Read and Take Notes

To improve your reading confidence and efficiency, visit our pages on reading.

Further reading: Read Confidently

After you are familiar with the text, make notes on some of the following questions. Choose the questions which seem suitable:

• What kind of article is it (for example does it present data or does it present purely theoretical arguments)?
• What is the main area under discussion?
• What are the main findings?
• What are the stated limitations?
• Where does the author's data and evidence come from? Are they appropriate / sufficient?
• What are the main issues raised by the author?
• What questions are raised?
• How well are these questions addressed?
• What are the major points/interpretations made by the author in terms of the issues raised?
• Is the text balanced? Is it fair / biased?
• Does the author contradict herself?
• How does all this relate to other literature on this topic?
• How does all this relate to your own experience, ideas and views?
• What else has this author written? Do these build / complement this text?
• (Optional) Has anyone else reviewed this article? What did they say? Do I agree with them?

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Organising your writing

You first need to summarise the text that you have read. One reason to summarise the text is that the reader may not have read the text. In your summary, you will

• focus on points within the article that you think are interesting
• summarise the author(s) main ideas or argument
• explain how these ideas / argument have been constructed. (For example, is the author basing her arguments on data that they have collected? Are the main ideas / argument purely theoretical?)

In your summary you might answer the following questions:     Why is this topic important?     Where can this text be located? For example, does it address policy studies?     What other prominent authors also write about this?

Evaluation is the most important part in a critical review.

Use the literature to support your views. You may also use your knowledge of conducting research, and your own experience. Evaluation can be explicit or implicit.

Explicit evaluation

Explicit evaluation involves stating directly (explicitly) how you intend to evaluate the text. e.g. "I will review this article by focusing on the following questions. First, I will examine the extent to which the authors contribute to current thought on Second Language Acquisition (SLA) pedagogy. After that, I will analyse whether the authors' propositions are feasible within overseas SLA classrooms."

Implicit evaluation

Implicit evaluation is less direct. The following section on Linguistic Features of Writing a Critical Review contains language that evaluates the text. A difficult part of evaluation of a published text (and a professional author) is how to do this as a student. There is nothing wrong with making your position as a student explicit and incorporating it into your evaluation. Examples of how you might do this can be found in the section on Linguistic Features of Writing a Critical Review. You need to remember to locate and analyse the author's argument when you are writing your critical review. For example, you need to locate the authors' view of classroom pedagogy as presented in the book / article and not present a critique of views of classroom pedagogy in general.

Linguistic features of a critical review

The following examples come from published critical reviews. Some of them have been adapted for student use.

Summary language

•     This article / book is divided into two / three parts. First...
•     While the title might suggest...
•     The tone appears to be...
•     Title is the first / second volume in the series Title, edited by...The books / articles in this series address...
•     The second / third claim is based on...
•     The author challenges the notion that...
•     The author tries to find a more middle ground / make more modest claims...
•     The article / book begins with a short historical overview of...
•     Numerous authors have recently suggested that...(see Author, Year; Author, Year). Author would also be once such author. With his / her argument that...
•     To refer to title as a...is not to say that it is...
•     This book / article is aimed at... This intended readership...
•     The author's book / article examines the...To do this, the author first...
•     The author develops / suggests a theoretical / pedagogical model to…
•     This book / article positions itself firmly within the field of...
•     The author in a series of subtle arguments, indicates that he / she...
•     The argument is therefore...
•     The author asks "..."
•     With a purely critical / postmodern take on...
•     Topic, as the author points out, can be viewed as...
•     In this recent contribution to the field of...this British author...
•     As a leading author in the field of...
•     This book / article nicely contributes to the field of...and complements other work by this author...
•     The second / third part of...provides / questions / asks the reader...
•     Title is intended to encourage students / researchers to...
•     The approach taken by the author provides the opportunity to examine...in a qualitative / quantitative research framework that nicely complements...
•     The author notes / claims that state support / a focus on pedagogy / the adoption of...remains vital if...
•     According to Author (Year) teaching towards examinations is not as effective as it is in other areas of the curriculum. This is because, as Author (Year) claims that examinations have undue status within the curriculum.
•     According to Author (Year)…is not as effective in some areas of the curriculum / syllabus as others. Therefore the author believes that this is a reason for some school's…

Evaluation language

•     This argument is not entirely convincing, as...furthermore it commodifies / rationalises the...
•     Over the last five / ten years the view of...has increasingly been viewed as 'complicated' (see Author, Year; Author, Year).
•     However, through trying to integrate...with...the author...
•     There are difficulties with such a position.
•     Inevitably, several crucial questions are left unanswered / glossed over by this insightful / timely / interesting / stimulating book / article. Why should...
•     It might have been more relevant for the author to have written this book / article as...
•     This article / book is not without disappointment from those who would view...as...
•     This chosen framework enlightens / clouds...
•     This analysis intends to be...but falls a little short as...
•     The authors rightly conclude that if...
•     A detailed, well-written and rigorous account of...
•     As a Korean student I feel that this article / book very clearly illustrates...
•     The beginning of...provides an informative overview into...
•     The tables / figures do little to help / greatly help the reader...
•     The reaction by scholars who take a...approach might not be so favourable (e.g. Author, Year).
•     This explanation has a few weaknesses that other researchers have pointed out (see Author, Year; Author, Year). The first is...
•     On the other hand, the author wisely suggests / proposes that...By combining these two dimensions...
•     The author's brief introduction to...may leave the intended reader confused as it fails to properly...
•     Despite my inability to...I was greatly interested in...
•     Even where this reader / I disagree(s), the author's effort to...
•     The author thus combines...with...to argue...which seems quite improbable for a number of reasons. First...
•     Perhaps this aversion to...would explain the author's reluctance to...
•     As a second language student from ...I find it slightly ironic that such an anglo-centric view is...
•     The reader is rewarded with...
•     Less convincing is the broad-sweeping generalisation that...
•     There is no denying the author's subject knowledge nor his / her...
•     The author's prose is dense and littered with unnecessary jargon...
•     The author's critique of...might seem harsh but is well supported within the literature (see Author, Year; Author, Year; Author, Year). Aligning herself with the author, Author (Year) states that...
•     As it stands, the central focus of Title is well / poorly supported by its empirical findings...
•     Given the hesitation to generalise to...the limitation of...does not seem problematic...
•     For instance, the term...is never properly defined and the reader left to guess as to whether...
•     Furthermore, to label...as...inadvertently misguides...
•     In addition, this research proves to be timely / especially significant to... as recent government policy / proposals has / have been enacted to...
•     On this well researched / documented basis the author emphasises / proposes that...
•     Nonetheless, other research / scholarship / data tend to counter / contradict this possible trend / assumption...(see Author, Year; Author, Year).
•     Without entering into detail of the..., it should be stated that Title should be read by...others will see little value in...
•     As experimental conditions were not used in the study the word 'significant' misleads the reader.
•     The article / book becomes repetitious in its assertion that...
•     The thread of the author's argument becomes lost in an overuse of empirical data...
•     Almost every argument presented in the final section is largely derivative, providing little to say about...
•     She / he does not seem to take into consideration; however, that there are fundamental differences in the conditions of…
•     As Author (Year) points out, however, it seems to be necessary to look at…
•     This suggest that having low…does not necessarily indicate that…is ineffective.
•     Therefore, the suggestion made by Author (Year)…is difficult to support.
•     When considering all the data presented…it is not clear that the low scores of some students, indeed, reflects…

Conclusion language

•     Overall this article / book is an analytical look at...which within the field of...is often overlooked.
•     Despite its problems, Title offers valuable theoretical insights / interesting examples / a contribution to pedagogy and a starting point for students / researchers of...with an interest in...
•     This detailed and rigorously argued...
•     This first / second volume / book / article by...with an interest in...is highly informative...

Example extracts from a critical review

Writing critically.

If you have been told your writing is not critical enough, it probably means that your writing treats the knowledge claims as if they are true, well supported, and applicable in the context you are writing about. This may not always be the case.

In these two examples, the extracts refer to the same section of text. In each example, the section that refers to a source has been highlighted in bold. The note below the example then explains how the writer has used the source material.    

There is a strong positive effect on students, both educationally and emotionally, when the instructors try to learn to say students' names without making pronunciation errors (Kiang, 2004).

Use of source material in example a: 

This is a simple paraphrase with no critical comment. It looks like the writer agrees with Kiang. (This is not a good example for critical writing, as the writer has not made any critical comment).        

Kiang (2004) gives various examples to support his claim that "the positive emotional and educational impact on students is clear" (p.210) when instructors try to pronounce students' names in the correct way. He quotes one student, Nguyet, as saying that he "felt surprised and happy" (p.211) when the tutor said his name clearly . The emotional effect claimed by Kiang is illustrated in quotes such as these, although the educational impact is supported more indirectly through the chapter. Overall, he provides more examples of students being negatively affected by incorrect pronunciation, and it is difficult to find examples within the text of a positive educational impact as such.

Use of source material in example b: 

The writer describes Kiang's (2004) claim and the examples which he uses to try to support it. The writer then comments that the examples do not seem balanced and may not be enough to support the claims fully. This is a better example of writing which expresses criticality.

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Further resources

You may also be interested in our page on criticality, which covers criticality in general, and includes more critical reading questions.

Further reading: Read and Write Critically

We recommend that you do not search for other university guidelines on critical reviews. This is because the expectations may be different at other institutions. Ask your tutor for more guidance or examples if you have further questions.

IOE Writing Centre Online

Self-access resources from the Academic Writing Centre at the UCL Institute of Education.

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Academic Writing Centre, UCL Institute of Education [email protected] Twitter:   @AWC_IOE Skype:   awc.ioe

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Writing Critical Reviews

Dawn Atkinson

Chapter Overview

This chapter aims to help you build strong arguments in your own work by learning to write critical reviews, or critiques , of texts. A critical review requires a close examination of the argument presented in a text (analysis) and a subsequent explanation of how effective the argument is (evaluation). Critiques are assigned in both academic and technical writing classes because they encourage critical reading practices; in other words, this type of assignment calls for a sharp eye to discern what a piece says and how it communicates in order to arrive at a reasoned judgement about its argument. Ultimately, a critical review may discuss both the strengths and weaknesses of a document.

How might the skills used to develop a critical review be applicable in a workplace setting?

Understand Expectations before Starting a Critical Review Assignment

As with any assignment, make sure you understand the expectations for a critical review before beginning work on it. Pay attention to specifications regarding the paper’s audience, purpose, genre, and design; in addition, determine how many and what type of sources are required. You may be asked to restrict your evidentiary source list to the document under review rather than search for additional sources. Read the critical review directions carefully, and approach your instructor if you have unresolved questions.

Read a Text Closely to Prepare for a Critical Review

A critical review requires close engagement with a text: you cannot effectively analyze and evaluate a document if you have not read and attempted to comprehend it. To develop a broad understanding of a text’s focus and composition, begin by previewing the document. While other chapters of this textbook discuss previewing in detail, Figure 1, adapted from Excelsior Online Writing Lab (2020c), offers a reminder of how to undertake this activity.

Figure 1. How to preview a text before reading it in full

  Previewing should give you an overall sense of what the text is about, how it is organized, and what information it contains.

After previewing the piece, it is time to read it though, while keeping the assignment purpose in mind. Because a critical review demands close work with a text, be prepared to annotate as you read by reflecting on the document’s content and meaning, recording comments and questions in the margin, highlighting important examples and evidence, underlining and defining new vocabulary, and making notes about your reactions to the text. These activities can facilitate understanding of and connection with a piece, aspects crucial to writing a successful critical review.

Your active engagement with the text should continue even after you have read it in full. To illustrate, you can use the prompts in Figure 2, adapted from Excelsior Online Writing Lab (2020a), to investigate the author’s intent for writing the document.

Figure 2. Prompts for evaluating an author’s intent

In addition to evaluating an author’s intent, think carefully about your own reactions to the text as a means to interrogate it further. The following questions, adapted from Excelsior Online Writing Lab (2020d) and Student Academic Success Services at Queen’s University (2018, “Strengths/Weaknesses”), may help in this regard.

• What, if anything, about the reading is unclear? Why is it unclear?
• Does the text deliver on the promises it made in its title and introduction?
• Do you find the author’s writing style persuasive? Why or why not?
• Are the author’s arguments logical? Do they make sense?
• Are points illustrated with relevant and comprehensible examples?
• What kind of evidence does the author provide to support claims? Given the purpose of the piece and its audience, is the evidence from suitable sources?
• Is the evidence relevant? Is it sufficient? Is it credible?
• Does the author supply stated or unstated reasons to support claims?
• Does the author consider alternative points of view, reasons, and evidence?
• How does the reading compare with other texts on the same topic?
• What ideas do you find most thought-provoking?
• What points do you want to investigate further?

The activities described here are intended to promote active engagement with a reading for purposes of eliciting a critical response to it.

Take Advantage of Opportunities to Discuss the Text

Discussions can sometimes inspire thoughtful reflection about a text and clarify lingering uncertainties, so seize opportunities to discuss the document with your classmates. If your instructor schedules a seminar or class discussion period to focus on the text, aim to get as much out of it as you can by preparing in advance, by contributing during the activity, and by reflecting on the experience afterward. Figure 3, adapted from McLaughlin Library, University of Guelph (n.d.), shares tips for participating in class discussions.

Can you think of any other advice you would add to the visual?

Figure 3. How to take part in class discussions

Always be respectful of others’ ideas during a class discussion to encourage a positive and productive session. Remember that one of the reasons to engage in discussion is to hear viewpoints different from your own—ultimately these viewpoints may help to refine your own understanding of the reading.

Meeting with your instructor to discuss the text might also help bring your own ideas into focus. Faculty members appreciate talking with students who take active steps to ensure their own success, so be sure to read the document prior to the appointment. Schedule the meeting with your instructor by sending an email that applies the best practices discussed in this textbook, and arrive on time to the session prepared with your questions. Figure 4, a multipage handout adapted from Roux et al. (2020), illustrates these pieces of advice.

Can you think of any other tips you would add to the visual?

How might the skills used to schedule and participate in a meeting with an instructor be transferred to a workplace context?

Figure 4. Tips for emailing and meeting with an instructor

Do not be afraid to discuss points of uncertainty or confusion during a meeting with an instructor. After all, your purpose is to seek clarification about a text so that you may write about it confidently in a critical review.

Understand How to Organize a Critical Review

Once you have read the text and feel confident about discussing it, you can make plans for your critical review. This type of paper generally follows an introduction, body, and conclusion structure, the same organizational configuration you have applied when writing memos and letters.

The Introduction

To establish context for readers, begin the introduction with a concise summary of the document under review; list the document’s title and author at the beginning of the summary. This summary serves as a foundation for the subsequent critical discussion of the text presented in the body section of the paper. Recall that when composing a summary, a writer uses his or her own words and sentence structures, focuses on main points, excludes details, and cites and references source material. The following summary, adapted from the Writing and Communication Centre, University of Waterloo (n.d., para. 4), demonstrates application of these summary guidelines.

In their article “British Columbia’s Revenue-Neutral Carbon Tax: A Review of the Latest ‘Grand Experiment’ in Environmental Policy,” Murray and Rivers (2015) examine the outcome of that province’s first attempt to institute a carbon tax. The main goal was to try to lower greenhouse gas (GHG) emissions. Following principles favored by economists, the authors explain that the province began with a small tax and increased the rate over several years, allowing taxpayers to ease into the plan slowly. By reviewing other research studies and using a simulation model, Murray and Rivers (para. 1) find that GHG emissions decreased by 5 to 15 percent as a result of the carbon tax. This reduction was higher than expected, and the authors suggest that a carbon tax not only works because of the extra financial burden, but also because of some other social cost of consuming fossil fuels; however, the exact mechanism is not yet understood. Their study also revealed that public support for the carbon tax grew post-implementation.

Murray, B., & Rivers, N. (2015). British Colombia’s revenue-neutral carbon tax: A review of the   latest ‘grand experiment’ in environmental policy. Energy Policy, 86 , 674-683.          https://doi.org/10.1016/j.enpol.2015.08.011

Notice how compact this summary is: it communicates the central points of a nine-page journal article in one concise paragraph.

After the summary, continue the introduction by supplying a thesis statement that reveals the critical review’s purpose and your determination regarding the effectiveness of the text’s argument: this determination is the result of your analysis and evaluation of the argument. The thesis may also outline the critique’s organization; alternatively, you might decide to place the forecasting statement (route map) in a separate sentence at the end of the introduction. The following introduction, adapted from Grosz (2019, paras. 1, 2, 3), demonstrates these elements at work in a sample critique introduction.

In his 2019 Harvard Data Science Review article entitled “Artificial Intelligence—The Revolution Hasn’t Happened Yet,” Michael I. Jordan makes evident that many have lost sight of the full richness of human intelligence and have neglected to separate foundational understanding from engineering. Most importantly, he points out the need to develop an “engineering discipline . . . for the data-focused and learning-focused fields” and that the systems based on their methods “should be built to work as claimed” (para. 29). A distinguished machine learning insider, Jordan speaks with authority, bringing insight to current discussions of the promise of artificial intelligence (AI) and the potential threats it raises for societal wellbeing. The article, nonetheless, misses two important pieces of the story: the point that when established, the AI and human-computer interaction fields initially competed to their detriment and the reality that humanities values and social science principles are central to the foundation of the engineering discipline he describes. I discuss these matters in turn and then indicate ways they should inform the engineering discipline Jordan envisions.

Jordan, M.I. (2019). Artificial intelligence—The revolution hasn’t happened yet. Harvard Data Science Review, 1 (1). https://doi.org/10.1162/99608f92.f06c6e61

Although the jargon used in this paragraph may be unfamiliar to you, the text’s organizational structure is nevertheless clear.

Organize your body paragraphs around the themes that resulted from your evaluation of the text. In other words, rather than discussing each paragraph of the text in a chronological fashion—an approach that can be wordy and repetitious—think about the main points that emerged during your examination of the text’s argument, and center your discussion on those areas. Your aim when writing a critical review is to construct an argument about the effectiveness of the text’s argument, so begin each body paragraph with a topic sentence that makes a claim in reference to an evaluation theme. Then develop the body paragraphs by discussing examples and evidence from the text to support your points; remember to indicate the relevance of this information to your argument and incorporate it cohesively into your text. The following student example, adapted from Jensen (2014) as cited in Excelsior Online Writing Lab (2020f, “Sample Essay”), demonstrates these guidelines at work in a body paragraph.

In the article “Why I Won’t Buy and iPad (and Think You Shouldn’t, Either),” Cory Doctorow (2014) expresses bias against the digital rights management (DRM) control built into the Apple iPad’s design by constructing a one-sided argument. He makes the point that Apple “uses DRM to control what can run on your devices, which means that Apple’s customers can’t take their ‘iContent’ with them to competing devices, and Apple developers can’t sell on their own terms” (para. 13). Doctorow is a software creator, so he has something personal to gain from unconstrained digital media sharing; however, not everyone can develop software. The author overlooks the iPad’s beneficial applications, which can be used by a diverse range of people, by focusing only on those who are looking to develop and sell their own software. Just because the iPad does not work for Doctorow does not mean it will not work for others.

Doctorow, C. (2010, April 2). Why I won’t buy an iPad (and think you shouldn’t, either) . BoingBoing. https://boingboing.net/2010/04/02/why-i-wont-buy-an-ipad-and-thi.html

Be sure to cite and reference pieces of evidence, including those taken from the text under review, as the sample does.

The Conclusion

When writing the conclusion section of a critical review, reiterate your thesis (without repeating it word for word) and emphasize what your analysis and evaluation reveals about the text under review.

Plan Your Critical Review

A well-organized critical review requires careful planning: although close work with a text can reveal many points about its argument, you will likely only be able to discuss a selection of these in your paper given length restrictions. An outline may help you to narrow the focus of your paper and devise a logical plan for its construction. Figure 5, adapted from Excelsior Online Writing Lab (2020e), provides tips for outlining.

Figure 5. Guidance for constructing an outline

A concept map, also known as a mind map, can also be used to plan a critical review. Figure 6, adapted from Excelsior Online Writing Lab (2020b), supplies directions for constructing a concept map.

Figure 6. Instructions for creating a concept map

Whatever planning method you select, concentrate only on prominent evaluation themes in order to address those themes adequately in your paper.

Use an Appropriate Tone and Language When Writing a Critical Review

A critical review aims to reveal the positive and negative aspects of a text’s argument in order to comment upon its effectiveness; in so doing, a critical review makes its own argument. As with other types of academic and technical writing, maintain a respectful, reasonable tone when writing a critique so that you work is taken seriously. Tone is the attitude a writer conveys toward a paper’s audience and subject matter. Strive to build your argument on clear claims, rational reasons, and quality evidence—as well as coverage of counter-claims, reasons, and evidence—rather than on emotive language, exclamatory sentences, personal attacks, or indefensible assertions. The latter weaken an argument’s persuasiveness and are inappropriate in academic and technical writing.

When writing a critical review, use words that are precise, concise, and appropriately formal. The following guidelines elaborate on these points.

Negative Sentence Construction

Avoid negative sentence constructions because they can be awkward and difficult to follow. Here is an example.

• Instead of: He did not remember to complete the homework assignment.
• Write: He forgot to complete the homework assignment.

The affirmative sentence construction provides a clear and concise alternative to the awkward first version.

Word Choice (adapted from McNamee, 2019, p. 1)

When writing for a technical or academic audience, avoid unquantifiable descriptive words, such as good , bad , great , huge , big , very , extremely , incredibly , and enormously . These words are problematic because they do not define a specific degree or amount.

Sentence Structure (adapted from McNamee, 2019, p. 2)

Aim to convey the meaning of a sentence, the key information, at the beginning of the sentence. To demonstrate, look at these two examples.

• Instead of: Despite the margins of error due to human error that occurred due to improper pipette cleaning, the results showed that the pH still remained acidic.
• Write: The results showed the pH remained acidic, despite the margins of error due to improper pipette cleaning.

The first version is unclear because the beginning clause does not communicate the main purpose of the sentence. The second version communicates the focus of the sentence early on and is also more concise.

Language (adapted from Excelsior Online Writing Lab, 2020g)

Make every effort to use language that is clear and appropriately formal when writing a critical review. Here are some specific guidelines to keep in mind.

• o Instead of: I think anyone who becomes a parent should have to take parenting classes.
• o Write: Parenting classes should be mandatory for biological and adoptive parents.
• o Instead of: When you read this textbook, you will notice the content is focused on technical writing.
• o Write: Textbook readers will notice this book’s content focuses on technical writing.
• o Instead of: The study didn’t examine how age affected participants’ notetaking practices.
• o Write: The study did not examine how age affected participants’ notetaking practices.
• o Instead of: A lot of employees showed up at the staff meeting.
• o Write: Twenty-five employees attended the staff meeting.
• Avoid redundant words and phrases.
• o Instead of: The conference presentation was brief in length.
• o Write: The conference presentation was brief.

Consider the audience, purpose, context, and genre for a critique to gauge the level of formality expected in the document.

Can you think of any other tone or language tips you would add to this textbook section?

Activity A: Read and Work with a Text that Addresses Top Writing Errors

Read the handout “Top Twenty Errors in Undergraduate Writing” (Hume Center for Writing and Speaking, Stanford University, n.d.), which can be found at the following address.

https://undergrad.stanford.edu/tutoring-support/hume-center/resources/student-resources/grammar-resources-writers/top-twenty-errors-undergraduate-writing

Now review the feedback on three of your previous writing assignments. Do you detect any of the errors listed on the handout in your work? Identify three issues that recur in your assignments and handout sections/explanations that will help you address these issues.

Issue one + handout section/explanation:

Issue two + handout section/explanation:

Issue three + handout section/explanation:

Activity B: Read and Engage with a Formal Report

Watch a video entitled “Meet Emma – Your Work Colleague of the Future” (Fellowes Brands, 2019), which can be found at https://www.youtube.com/watch?v=fL5SuzGkUPw , for an introduction to the topic of a particular formal report.

Now open William Higham’s (2019) formal report entitled “The Work Colleague of the Future: A Report on the Long-Term Health of Office Workers” at https://assets.fellowes.com/skins/fellowes/responsive/gb/en/resources/work-colleague-of-the-future/download/WCOF_Report_EU.pdf . You will be asked to write a critical review of Higham’s report for homework. To help you comprehend and connect with the ideas discussed in the report, practice preview, close, and critical reading techniques by following the steps listed. Actively engage with the text by making notes on the steps as you proceed.

• Look at the title of the text. Based on the title, what do you think the report is about?
• Look at the text’s headings and subheadings. What do these tell you about the topic of the report?
• Skim through the introduction. What do you expect the report will discuss?
• Skim though the final section of the report. What did you learn?
• What is your initial impression regarding the soundness of the report? What made you form that impression?
• What do you know about Higham or Fellowes, the organization that commissioned the report? Google them now on your computer.
• Does what you discovered about them change your impression regarding the soundness of the report? Why or why not?
• On first glance, does the document follow the conventions for formal reports outlined in the “Reading Actively” chapter of this textbook?
• If so, how? If not, how does it deviate from the conventions, what effect does the deviation have on you as a reader, and what might be the reason for the deviation?
• After reading, try to define the unknown terms you identified.
• After reading, try to answer your questions. You may need to review the essential details of the text again to do this.
• Determine the report’s purpose or thesis.
• Determine the report’s target audience.
• Identify the main idea of the section entitled “Findings.”
• Identify the main idea of the section entitled “Danger Zones.”
• Identify the main idea of the section entitled “Our Offices.”
• Identify the main idea of the section entitled “Physical Impact.”
• Concentrate on the report’s purpose/thesis and main ideas or themes when summarizing, and omit detail
• Put the report away when summarizing it to avoid copying its language and sentence structures
• Identify how the author contextualizes the report for readers by looking for associations between its content and readers’ experiences.
• Are the author’s points logical? Do they make sense?
• Is each of the author’s viewpoints (claims) supported with evidence?
• Is the evidence comprehensible?
• Does the evidence sufficiently support the claim?
• Is the evidence relevant to the claim?
• Is the evidence logically tied to the claim?
• Given the purpose of the piece and its audience, is the evidence from suitable sources?
• Is the evidence research-based ( empirical ), factual, or grounded in hearsay or casual observation ( anecdotal ), or does the author rely heavily on a reader’s emotional reactions to communicate the force of his viewpoints?
• Is the evidence credible?
• Can you easily associate citations with their references and sources?
• Identify the connection of reasons to viewpoints. The report author may state reasons outright—look for uses of seeing as , because , since , given that , and the like—or imply them.
• Does the author address counter-claims?
• Does the author address counter-reasons?
• Does the author address counter-evidence?
• Does the author respond reasonably to other viewpoints or simply dismiss them?
• What impression does the design give you?
• How does the design contribute (or not) to your understanding of the report?
• Does your thesis articulate the theme of your paper and express your viewpoint?
• Is your thesis an arguable statement rather than a statement of fact?
• Can the argument conveyed in your thesis be supported with claims, reasons, and evidence?

Homework: Compose a Critical Review Essay

Draw upon what you did in Activity B to write an essay that critiques “The Work Colleague of the Future: A Report on the Long-Term Health of Office Workers” (Higham, 2019). This assignment asks you to closely examine the argument presented in the formal report (analyze it) and explain to readers how effective the argument is (evaluate it). Remember that a critical review makes an argument: you will need to support your claims about the report with reasons and evidence and cite and reference all outside sources of information used. Follow the guidelines presented in this chapter when writing your paper; in addition, consult the “Writing Essays” chapter of this textbook for essay formatting guidance and the “Writing to Persuade” chapter for argumentation information. Lastly, use the points you identified in activity A to revise your work.

Excelsior Online Writing Lab. (2020a). Evaluating an author’s intent . License: CC-BY 4.0 . https://owl.excelsior.edu/wp-content/uploads/sites/2/2017/03/EvaluatingAuthorsIntent2019.pdf

Excelsior Online Writing Lab. (2020b). How to make a concept map . License: CC-BY 4.0 https://owl.excelsior.edu/wp-content/uploads/sites/2/2017/03/HowToMakeConceptMap2019.pdf

Excelsior Online Writing Lab. (2020c). How to preview a text . License: CC-BY 4.0 https://owl.excelsior.edu/wp-content/uploads/sites/2/2016/10/Previewing2019.pdf

Excelsior Online Writing Lab. (2020d). How to use questioning to improve reading comprehension . License: CC-BY 4.0 https://owl.excelsior.edu/wp-content/uploads/sites/2/2017/03/Questioning2019.pdf

Excelsior Online Writing Lab. (2020e). Outlining . License: CC-BY 4.0 https://owl.excelsior.edu/wp-content/uploads/sites/2/2017/03/HowToMakeAnOutline2019.pdf

Excelsior Online Writing Lab. (2020f). Sample rhetorical analysis . License: CC-BY 4.0 https://owl.excelsior.edu/argument-and-critical-thinking/argument-analysis/argument-analysis-sample-rhetorical-analysis/

Excelsior Online Writing Lab. (2020g). Tips on academic voice . License: CC-BY 4.0 .  https://owl.excelsior.edu/writing-process/finding-your-voice/finding-your-voice-tips-on-academic-voice/

Fellowes Brands. (2019, October 23). Meet Emma – your work colleague of the future [Video].  YouTube. https://www.youtube.com/watch?v=fL5SuzGkUPw

Grosz, B.J. (2019). The AI revolution needs expertise in people, publics and societies. Harvard  Data Science Review, 1 (1). https://doi.org/10.1162/99608f92.97b95546

Higham, W. (2019). The work colleague of the future: A report on the long-term health of office workers. Fellowes . https://assets.fellowes.com/skins/fellowes/responsive/gb/en/resources/work-colleague-of-the-future/download/WCOF_Report_EU.pdf

Hume Center for Writing and Speaking, Stanford University. (n.d.). Top twenty errors in undergraduate writing . https://undergrad.stanford.edu/tutoring-support/hume-center/resources/student-resources/grammar-resources-writers/top-twenty-errors-undergraduate-writing

McLaughlin Library, University of Guelph. (n.d.). We need to talk: Tips for participating in class discussions . License: CC-BY-NC-SA 4.0 .  https://learningcommons.lib.uoguelph.ca/item/we-need-talk-tips-participating-class-discussions

McNamee, K. (2019). Tone. Colorado School of Mines Writing Center . License: CC-BY-NC 4.0 .  https://www.mines.edu/otcc/wp-content/uploads/sites/303/2019/12/otcctonelesson.pdf

Roux, S., Ravaei, K., & Harper, T. (2020).  Quick tips for contacting instructors over email, quick tips for meeting instructors in-person . WI+RE: Writing Instruction + Research Education. License: CC-BY-NC-SA 3.0 .  https://uclalibrary.github.io/research-tips/assets/handouts/contacting-faculty-combined.pdf

Student Academic Success Services, Queen’s University. (2018). Writing a critical review . License: CC-BY-NC-SA 2.5 .  https://sass.queensu.ca/wp-content/uploads/2019/04/Critical-Review.pdf

Writing and Communication Centre, University of Waterloo. (n.d.). Citing a source more than once . https://uwaterloo.ca/writing-and-communication-centre/citing-source-more-once

Mindful Technical Writing Copyright © 2020 by Dawn Atkinson is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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A Critical Review: How to Do it Step by Step

April 24, 2023

You have been asked to write a critical review of a novel, a painting, a movie, a play, a piece of music... and you don't know where to start? It's not the same as asking "how to write my papers or an academic essay" because a review has a different structure and emphases to pay attention to. But don't panic! Read this post carefully, and you'll learn how to organise and write it step by step. You can also read various sample critiques by other writers to prepare for them better.

Key Takeaways section on how to write a Critical Review

• Understand the purpose : A critical review should summarise and evaluate the work, providing well-argued and justified opinions.
• No standard length : Critical reviews can range from 500 to 800 words depending on the complexity of the work being analysed.
• Five-part structure : Include a title, introduction, summary, critical commentary, and conclusion in your review.
• Create a compelling title : A title should summarise your general opinion; consider writing it after completing the review to capture the essence of your conclusions.
• Offer well-supported evaluations : Your critical commentary should be extensive and supported by arguments, not just simple statements of liking or disliking the work.
• Brief conclusions : Summarise your critical commentary and overall thoughts on the work in a concise manner.
• Prepare before writing : Approach the work without prejudice, take notes, make summaries, and gather relevant information to ensure a successful critical review.

What to take into account when writing a critical review?

The first thing to remember is that it is an expository-argumentative text. Therefore, your critical review must fulfil two objectives:

Summarise the work , i.e., provide an overall view by synthesising its most important aspects.

Evaluate the work , that is, give a personal value judgement about it. Your opinion must be well-argued and justified.

And how long should this text be, you may be wondering. The truth is that there is no standard length. That is, it depends on how long and complex the object of your analysis is (reviewing a short film is not the same as reviewing a three-hour movie). A reasonable measure would be between 500 words minimum and 800 words maximum. But remember - a text must say something, give information, so if your text is short, but you don't think it is necessary to add anything more, don't continue writing! Go to the point and remember: empty text only serves to confuse and divert attention from the main topic.

The structure of a critical review

As we have seen, your review should summarise the work you are analysing and give your opinion about it. To fulfil both objectives, you will have to follow this five-part structure:

• ‍ Title of the review: it should be a title that synthesises your general opinion. For example, if you are reviewing the novel Love in the Time of Cholera, you liked it and what moved you most is how the author narrates a love that resists decades and decades - your title could be something like this: 'Love in the Time of Cholera: the moving tale of a patient love that can do anything. A trick to write the perfect title is to wait until the end of the review since the essence of the title is usually in the conclusions. ‍
• Introduction: this section should be very brief, and in it you will have to introduce the author and the work. In the case of Love in the Time of Cholera, we would briefly talk about Gabriel García Márquez's career and tell that the book is about the love between Florentino, Fermina and Juvenal throughout the years. ‍
• Summary : This third part is broader than the presentation, and it is here where you should go deeper into the theme of the work. It is about choosing those key moments or features that shape the play. Returning to the example of Love in the Time of Cholera, some moments that should be in the expository summary would be the love affair between Florentino and Fermina, her marriage to Juvenal, the death of the doctor, and the reunion with Florentino, since they mark turning points in the story. ‍
• Critical commentary: this point should be the most extensive of all the critical reviews since you must give your opinion about the work, but be careful! it is not enough to say 'I liked it' or 'I didn't like it', but your evaluation must have a basis and be supported by arguments. To do this, you will have to choose the points of the work that most caught your attention and comment on them, saying if you agree with the way it has been presented. And if the work has seemed novel or not, if you think it has maintained coherence from beginning to end, if the characters seem relevant to you, if you think another approach would have been more effective… and why. ‍
• Conclusions: this part should be very brief, and in it you have to summarise your critical commentary and say what you thought of the work in general and how it made you feel.

How to prepare a critical review

To make sure that the writing of your review is perfect, you will have to start preparing it before you start writing while you are enjoying the book.

Approach the works without prejudice! If, for example, you go to a concert thinking you won't like it, you will probably be unfairly negative in your review.

Take notes as you read, watch, listen and observe the work to recover them in your review.

In the case of long works, make summaries of their parts: it will be easier and faster to synthesise the whole.

Make sure you have a good understanding of the work to be able to judge it correctly. To do this, consult information and bibliography about it.

Now that you know how to write it, your next critical review will be a success!

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Structure of a Critical Review

Critical reviews, both short (one page) and long (four pages), usually have a similar structure. Check your assignment instructions for formatting and structural specifications. Headings are usually optional for longer reviews and can be helpful for the reader.

Introduction

The length of an introduction is usually one paragraph for a journal article review and two or three paragraphs for a longer book review. Include a few opening sentences that announce the author(s) and the title, and briefly explain the topic of the text. Present the aim of the text and summarise the main finding or key argument. Conclude the introduction with a brief statement of your evaluation of the text. This can be a positive or negative evaluation or, as is usually the case, a mixed response.

Present a summary of the key points along with a limited number of examples. You can also briefly explain the author’s purpose/intentions throughout the text and you may briefly describe how the text is organised. The summary should only make up about a third of the critical review.

The critique should be a balanced discussion and evaluation of the strengths, weakness and notable features of the text. Remember to base your discussion on specific criteria. Good reviews also include other sources to support your evaluation (remember to reference).

You can choose how to sequence your critique. Here are some examples to get you started:

• Most important to least important conclusions you make about the text.
• If your critique is more positive than negative, then present the negative points first and the positive last.
• If your critique is more negative than positive, then present the positive points first and the negative last.
• If there are both strengths and weakness for each criterion you use, you need to decide overall what your judgement is. For example, you may want to comment on a key idea in the text and have both positive and negative comments. You could begin by stating what is good about the idea and then concede and explain how it is limited in some way. While this example shows a mixed evaluation, overall you are probably being more negative than positive.
• In long reviews, you can address each criterion you choose in a paragraph, including both negative and positive points. For very short critical reviews (one page or less), where your comments will be briefer, include a paragraph of positive aspects  and another of negative.
• You can also include recommendations for how the text can be improved in terms of ideas, research approach; theories or frameworks used can also be included in the critique section.

Conclusion & References

This is usually a very short paragraph.

• Restate your overall opinion of the text.
• Briefly present recommendations.
• If necessary, some further qualification or explanation of your judgement can be included. This can help your critique sound fair and reasonable.

If you have used other sources in you review you should also include a list of references at the end of the review.

Summarising and paraphrasing for the critical review

The best way to summarise

• Scan the text. Look for information that can be deduced from the introduction, conclusion, title, and headings. What do these tell you about the main points of the article?
• Locate the topic sentences and highlight the main points as you read.
• Reread the text and make separate notes of the main points. Examples and evidence do not need to be included at this stage. Usually they are used selectively in your critique.

Paraphrasing means putting it into your own words. Paraphrasing offers an alternative to using direct quotations in your summary (and the critique) and can be an efficient way to integrate your summary notes.

The best way to paraphrase

• Review your summary notes
• Rewrite them in your own words and in complete sentences
• Use reporting verbs and phrases, e.g. 'The author describes…', 'Smith argues that …'.
• Use quotation marks if If you include unique or specialist phrases from the text.

  Next: Some general criteria for evaluating texts

Essay and assignment writing guide.

• Essay writing basics
• Essay and assignment planning
• Answering assignment questions
• Editing checklist
• Structure of a critical review
• General criteria for evaluating
• Sample extracts
• Annotated bibliography
• Reflective writing
• ^ More support

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• To introduce the source, its main ideas, key details, and its place within the field
• To present your assessment of the quality of the source

In general, the introduction of your critical review should include

• Author(s) name
• Title of the source 
• What is the author's central purpose?
• What methods or theoretical frameworks were used to accomplish this purpose?
• What topic areas, chapters, sections, or key points did the author use to structure the source?
• What were the results or findings of the study?
• How were the results or findings interpreted? How were they related to the original problem (author's view of evidence rather than objective findings)?
• Who conducted the research? What were/are their interests?
• Why did they do this research?
• Was this research pertinent only within the author’s field, or did it have broader (even global) relevance?
• On what prior research was this source-based? What gap is the author attempting to address?
• How important was the research question posed by the researcher?
• Your overall opinion of the quality of the source. Think of this like a thesis or main argument.
• Present your evaluation of the source, providing evidence from the text (or other sources) to support your assessment.

In general, the body of your critical review should include

• Is the material organized logically and with appropriate headings?
• Are there stylistic problems in logical, clarity or language?
• Were the author(s) able to answer the question (test the hypothesis) raised
• What was the objective of the study?
• Does all the information lead coherently to the purpose of the study?
• Are the methods valid for studying the problem or gap?
• Could the study be duplicated from the information provided?
• Is the experimental design logical and reliable?
• How are the data organized? Is it logical and interpretable?
• Do the results reveal what the researcher intended?
• Do the authors present a logical interpretation of the results?
• Have the limitations of the research been addressed?
• Does the study consider other key studies in the field or other research possibilities or directions?
• How was the significance of the work described?
• Follow the structure of the journal article (e.g. Introduction, Methods, Results, Discussion) - highlighting the strengths and weaknesses in each section
• Present the weaknesses of the article, and then the strengths of the article (or vice versa).
• Group your ideas according to different research themes presented in the source
• Group the strengths and weaknesses of the article into the following areas: originality, reliability, validity, relevance, and presentation

Purpose: 

• To summarize the strengths and weaknesses of the article as a whole
• To assert the article’s practical and theoretical significance

In general, the conclusion of your critical review should include

• A restatement of your overall opinion
• A summary of the key strengths and weaknesses of the research that support your overall opinion of the source
• Did the research reported in this source result in the formation of new questions, theories or hypotheses by the authors or other researchers?
• Have other researchers subsequently supported or refuted the observations or interpretations of these authors?
• Did the research provide new factual information, a new understanding of a phenomenon in the field, a new research technique?
• Did the research produce any practical applications? 
• What are the social, political, technological, or medical implications of this research?
• How do you evaluate the significance of the research? 
• Find out what style guide you are required to follow (e.g., APA, MLA, Chicago) and follow the guidelines to create a reference list (may be called a bibliography or works cited).
• Be sure to include citations in the text when you refer to the source itself or external sources. 
• Check out our Cite Your Sources Guide for more information. 
• Read assignment instructions carefully and refer to them throughout the writing process.
• Make an outline of your main sections before you write.
• If your professor does not assign a topic or source, you must choose one yourself. Select a source that interests you and is written clearly so you can understand it.
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PSY290 - Research Methods

• Identifying & Locating Empirical Research Articles
• Survey & Test Instruments

Writing a Critical Review

Sample summaries, verbs to help you write the summary, how to read a scholarly article.

• APA Citation Style Help

A critical review is an academic appraisal of an article that offers both a summary and critical comment. They are useful in evaluating the relevance of a source to your academic needs. They demonstrate that you have understood the text and that you can analyze the main arguments or findings. It is not just a summary; it is an evaluation of what the author has said on a topic. It’s critical in that you thoughtfully consider the validity and accuracy of the author’s claims and that you identify other valid points of view.

An effective critical review has three parts:

• APA citation of article
• Clearly summarizes the purpose for the article and identifies the strengths and weaknesses of the research. (In your own words – no quotations.)
• Evaluates the contribution of the article to the discipline or broad subject area and how it relates to your own research.

Steps to Write a Critical Review:

• Create and APA style citation for the article you are reviewing.
• Skim the text: Read the title, abstract, introduction, and conclusion.
• Read the entire article in order to identify its main ideas and purpose.

Q. What were the authors investigating? What is their thesis? Q. What did the authors hope to discover?

        D. Pay close attention to the methods used by the authors to collection information.

Q. What are the characteristics of the participants? (e.g.) Age/gender/ethnicity

Q. What was the procedure or experimental method/surveys used?

Q. Are their any flaws in the design of their study?

  E. Review the main findings in the “Discussion” or “Conclusion” section. This will help you to evaluate the validity of their evidence, and the credibility of the authors.             Q.   Are their conclusions convincing?            Q.   Were their results significant? If so, describe how they were significant.  F. Evaluate the usefulness of the text to YOU in the context of your own research.

Q. How does this article assist you in your research?

Q. How does it enhance your understanding of this issue?

Q. What gaps in your research does it fill?

Good Summary:

Hock, S., & Rochford, R. A. (2010). A letter-writing campaign: linking academic success and civic engagement. Journal  of Community Engagement and Scholarship, 3 (2), 76-82.

Hock & Rochford (2010) describe how two classes of developmental writing students were engaged in a service-learning project to support the preservation of an on-campus historical site. The goal of the assignment was to help students to see how they have influence in their community by acting as engaged citizens, and to improve their scores on the ACT Writing Sample Assessment (WSA) exam. The authors report that students in developmental classes often feel disempowered, especially when English is not their first language. This assignment not only assisted them in elevating their written communication skills, but it also gave real-life significance to the assignment, and by extension made them feel like empowered members of the community. The advancement in student scores serves as evidence to support my research that when students are given assignments which permit local advocacy and active participation, their academic performance also improves.

Bad Summary:

Two ELL classes complete a service-learning project and improve their writing scores. This article was good because it provided me with lots of information I can use. The students learned a lot in their service-learning project and they passed the ACT exam.  

Remember you're describing what someone else has said. Use verbal cues to make this clear to your reader.  Here are some suggested verbs to use: 

* Adapted from: http://www.laspositascollege.edu/raw/summaries.php

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Writing, reading, and critiquing reviews

Écrire, lire et revue critique, douglas archibald.

1 University of Ottawa, Ontario, Canada;

Maria Athina Martimianakis

2 University of Toronto, Ontario, Canada

Why reviews matter

What do all authors of the CMEJ have in common? For that matter what do all health professions education scholars have in common? We all engage with literature. When you have an idea or question the first thing you do is find out what has been published on the topic of interest. Literature reviews are foundational to any study. They describe what is known about given topic and lead us to identify a knowledge gap to study. All reviews require authors to be able accurately summarize, synthesize, interpret and even critique the research literature. 1 , 2 In fact, for this editorial we have had to review the literature on reviews . Knowledge and evidence are expanding in our field of health professions education at an ever increasing rate and so to help keep pace, well written reviews are essential. Though reviews may be difficult to write, they will always be read. In this editorial we survey the various forms review articles can take. As well we want to provide authors and reviewers at CMEJ with some guidance and resources to be able write and/or review a review article.

What are the types of reviews conducted in Health Professions Education?

Health professions education attracts scholars from across disciplines and professions. For this reason, there are numerous ways to conduct reviews and it is important to familiarize oneself with these different forms to be able to effectively situate your work and write a compelling rationale for choosing your review methodology. 1 , 2 To do this, authors must contend with an ever-increasing lexicon of review type articles. In 2009 Grant and colleagues conducted a typology of reviews to aid readers makes sense of the different review types, listing fourteen different ways of conducting reviews, not all of which are mutually exclusive. 3 Interestingly, in their typology they did not include narrative reviews which are often used by authors in health professions education. In Table 1 , we offer a short description of three common types of review articles submitted to CMEJ.

Three common types of review articles submitted to CMEJ

More recently, authors such as Greenhalgh 4 have drawn attention to the perceived hierarchy of systematic reviews over scoping and narrative reviews. Like Greenhalgh, 4 we argue that systematic reviews are not to be seen as the gold standard of all reviews. Instead, it is important to align the method of review to what the authors hope to achieve, and pursue the review rigorously, according to the tenets of the chosen review type. Sometimes it is helpful to read part of the literature on your topic before deciding on a methodology for organizing and assessing its usefulness. Importantly, whether you are conducting a review or reading reviews, appreciating the differences between different types of reviews can also help you weigh the author’s interpretation of their findings.

In the next section we summarize some general tips for conducting successful reviews.

How to write and review a review article

In 2016 David Cook wrote an editorial for Medical Education on tips for a great review article. 13 These tips are excellent suggestions for all types of articles you are considering to submit to the CMEJ. First, start with a clear question: focused or more general depending on the type of review you are conducting. Systematic reviews tend to address very focused questions often summarizing the evidence of your topic. Other types of reviews tend to have broader questions and are more exploratory in nature.

Following your question, choose an approach and plan your methods to match your question…just like you would for a research study. Fortunately, there are guidelines for many types of reviews. As Cook points out the most important consideration is to be sure that the methods you follow lead to a defensible answer to your review question. To help you prepare for a defensible answer there are many guides available. For systematic reviews consult PRISMA guidelines ; 13 for scoping reviews PRISMA-ScR ; 14 and SANRA 15 for narrative reviews. It is also important to explain to readers why you have chosen to conduct a review. You may be introducing a new way for addressing an old problem, drawing links across literatures, filling in gaps in our knowledge about a phenomenon or educational practice. Cook refers to this as setting the stage. Linking back to the literature is important. In systematic reviews for example, you must be clear in explaining how your review builds on existing literature and previous reviews. This is your opportunity to be critical. What are the gaps and limitations of previous reviews? So, how will your systematic review resolve the shortcomings of previous work? In other types of reviews, such as narrative reviews, its less about filling a specific knowledge gap, and more about generating new research topic areas, exposing blind spots in our thinking, or making creative new links across issues. Whatever, type of review paper you are working on, the next steps are ones that can be applied to any scholarly writing. Be clear and offer insight. What is your main message? A review is more than just listing studies or referencing literature on your topic. Lead your readers to a convincing message. Provide commentary and interpretation for the studies in your review that will help you to inform your conclusions. For systematic reviews, Cook’s final tip is most likely the most important– report completely. You need to explain all your methods and report enough detail that readers can verify the main findings of each study you review. The most common reasons CMEJ reviewers recommend to decline a review article is because authors do not follow these last tips. In these instances authors do not provide the readers with enough detail to substantiate their interpretations or the message is not clear. Our recommendation for writing a great review is to ensure you have followed the previous tips and to have colleagues read over your paper to ensure you have provided a clear, detailed description and interpretation.

Finally, we leave you with some resources to guide your review writing. 3 , 7 , 8 , 10 , 11 , 16 , 17 We look forward to seeing your future work. One thing is certain, a better appreciation of what different reviews provide to the field will contribute to more purposeful exploration of the literature and better manuscript writing in general.

In this issue we present many interesting and worthwhile papers, two of which are, in fact, reviews.

Major Contributions

A chance for reform: the environmental impact of travel for general surgery residency interviews by Fung et al. 18 estimated the CO 2 emissions associated with traveling for residency position interviews. Due to the high emissions levels (mean 1.82 tonnes per applicant), they called for the consideration of alternative options such as videoconference interviews.

Understanding community family medicine preceptors’ involvement in educational scholarship: perceptions, influencing factors and promising areas for action by Ward and team 19 identified barriers, enablers, and opportunities to grow educational scholarship at community-based teaching sites. They discovered a growing interest in educational scholarship among community-based family medicine preceptors and hope the identification of successful processes will be beneficial for other community-based Family Medicine preceptors.

Exploring the global impact of the COVID-19 pandemic on medical education: an international cross-sectional study of medical learners by Allison Brown and team 20 studied the impact of COVID-19 on medical learners around the world. There were different concerns depending on the levels of training, such as residents’ concerns with career timeline compared to trainees’ concerns with the quality of learning. Overall, the learners negatively perceived the disruption at all levels and geographic regions.

The impact of local health professions education grants: is it worth the investment? by Susan Humphrey-Murto and co-authors 21 considered factors that lead to the publication of studies supported by local medical education grants. They identified several factors associated with publication success, including previous oral or poster presentations. They hope their results will be valuable for Canadian centres with local grant programs.

Exploring the impact of the COVID-19 pandemic on medical learner wellness: a needs assessment for the development of learner wellness interventions by Stephana Cherak and team 22 studied learner-wellness in various training environments disrupted by the pandemic. They reported a negative impact on learner wellness at all stages of training. Their results can benefit the development of future wellness interventions.

Program directors’ reflections on national policy change in medical education: insights on decision-making, accreditation, and the CanMEDS framework by Dore, Bogie, et al. 23 invited program directors to reflect on the introduction of the CanMEDS framework into Canadian postgraduate medical education programs. Their survey revealed that while program directors (PDs) recognized the necessity of the accreditation process, they did not feel they had a voice when the change occurred. The authors concluded that collaborations with PDs would lead to more successful outcomes.

Experiential learning, collaboration and reflection: key ingredients in longitudinal faculty development by Laura Farrell and team 24 stressed several elements for effective longitudinal faculty development (LFD) initiatives. They found that participants benefited from a supportive and collaborative environment while trying to learn a new skill or concept.

Brief Reports

The effect of COVID-19 on medical students’ education and wellbeing: a cross-sectional survey by Stephanie Thibaudeau and team 25 assessed the impact of COVID-19 on medical students. They reported an overall perceived negative impact, including increased depressive symptoms, increased anxiety, and reduced quality of education.

In Do PGY-1 residents in Emergency Medicine have enough experiences in resuscitations and other clinical procedures to meet the requirements of a Competence by Design curriculum? Meshkat and co-authors 26 recorded the number of adult medical resuscitations and clinical procedures completed by PGY1 Fellow of the Royal College of Physicians in Emergency Medicine residents to compare them to the Competence by Design requirements. Their study underscored the importance of monitoring collection against pre-set targets. They concluded that residency program curricula should be regularly reviewed to allow for adequate clinical experiences.

Rehearsal simulation for antenatal consults by Anita Cheng and team 27 studied whether rehearsal simulation for antenatal consults helped residents prepare for difficult conversations with parents expecting complications with their baby before birth. They found that while rehearsal simulation improved residents’ confidence and communication techniques, it did not prepare them for unexpected parent responses.

Review Papers and Meta-Analyses

Peer support programs in the fields of medicine and nursing: a systematic search and narrative review by Haykal and co-authors 28 described and evaluated peer support programs in the medical field published in the literature. They found numerous diverse programs and concluded that including a variety of delivery methods to meet the needs of all participants is a key aspect for future peer-support initiatives.

Towards competency-based medical education in addictions psychiatry: a systematic review by Bahji et al. 6 identified addiction interventions to build competency for psychiatry residents and fellows. They found that current psychiatry entrustable professional activities need to be better identified and evaluated to ensure sustained competence in addictions.

Six ways to get a grip on leveraging the expertise of Instructional Design and Technology professionals by Chen and Kleinheksel 29 provided ways to improve technology implementation by clarifying the role that Instructional Design and Technology professionals can play in technology initiatives and technology-enhanced learning. They concluded that a strong collaboration is to the benefit of both the learners and their future patients.

In his article, Seven ways to get a grip on running a successful promotions process, 30 Simon Field provided guidelines for maximizing opportunities for successful promotion experiences. His seven tips included creating a rubric for both self-assessment of likeliness of success and adjudication by the committee.

Six ways to get a grip on your first health education leadership role by Stasiuk and Scott 31 provided tips for considering a health education leadership position. They advised readers to be intentional and methodical in accepting or rejecting positions.

Re-examining the value proposition for Competency-Based Medical Education by Dagnone and team 32 described the excitement and controversy surrounding the implementation of competency-based medical education (CBME) by Canadian postgraduate training programs. They proposed observing which elements of CBME had a positive impact on various outcomes.

You Should Try This

In their work, Interprofessional culinary education workshops at the University of Saskatchewan, Lieffers et al. 33 described the implementation of interprofessional culinary education workshops that were designed to provide health professions students with an experiential and cooperative learning experience while learning about important topics in nutrition. They reported an enthusiastic response and cooperation among students from different health professional programs.

In their article, Physiotherapist-led musculoskeletal education: an innovative approach to teach medical students musculoskeletal assessment techniques, Boulila and team 34 described the implementation of physiotherapist-led workshops, whether the workshops increased medical students’ musculoskeletal knowledge, and if they increased confidence in assessment techniques.

Instagram as a virtual art display for medical students by Karly Pippitt and team 35 used social media as a platform for showcasing artwork done by first-year medical students. They described this shift to online learning due to COVID-19. Using Instagram was cost-saving and widely accessible. They intend to continue with both online and in-person displays in the future.

Adapting clinical skills volunteer patient recruitment and retention during COVID-19 by Nazerali-Maitland et al. 36 proposed a SLIM-COVID framework as a solution to the problem of dwindling volunteer patients due to COVID-19. Their framework is intended to provide actionable solutions to recruit and engage volunteers in a challenging environment.

In Quick Response codes for virtual learner evaluation of teaching and attendance monitoring, Roxana Mo and co-authors 37 used Quick Response (QR) codes to monitor attendance and obtain evaluations for virtual teaching sessions. They found QR codes valuable for quick and simple feedback that could be used for many educational applications.

In Creation and implementation of the Ottawa Handbook of Emergency Medicine Kaitlin Endres and team 38 described the creation of a handbook they made as an academic resource for medical students as they shift to clerkship. It includes relevant content encountered in Emergency Medicine. While they intended it for medical students, they also see its value for nurses, paramedics, and other medical professionals.

Commentary and Opinions

The alarming situation of medical student mental health by D’Eon and team 39 appealed to medical education leaders to respond to the high numbers of mental health concerns among medical students. They urged leaders to address the underlying problems, such as the excessive demands of the curriculum.

In the shadows: medical student clinical observerships and career exploration in the face of COVID-19 by Law and co-authors 40 offered potential solutions to replace in-person shadowing that has been disrupted due to the COVID-19 pandemic. They hope the alternatives such as virtual shadowing will close the gap in learning caused by the pandemic.

Letters to the Editor

Canadian Federation of Medical Students' response to “ The alarming situation of medical student mental health” King et al. 41 on behalf of the Canadian Federation of Medical Students (CFMS) responded to the commentary by D’Eon and team 39 on medical students' mental health. King called upon the medical education community to join the CFMS in its commitment to improving medical student wellbeing.

Re: “Development of a medical education podcast in obstetrics and gynecology” 42 was written by Kirubarajan in response to the article by Development of a medical education podcast in obstetrics and gynecology by Black and team. 43 Kirubarajan applauded the development of the podcast to meet a need in medical education, and suggested potential future topics such as interventions to prevent learner burnout.

Response to “First year medical student experiences with a clinical skills seminar emphasizing sexual and gender minority population complexity” by Kumar and Hassan 44 acknowledged the previously published article by Biro et al. 45 that explored limitations in medical training for the LGBTQ2S community. However, Kumar and Hassen advocated for further progress and reform for medical training to address the health requirements for sexual and gender minorities.

In her letter, Journey to the unknown: road closed!, 46 Rosemary Pawliuk responded to the article, Journey into the unknown: considering the international medical graduate perspective on the road to Canadian residency during the COVID-19 pandemic, by Gutman et al. 47 Pawliuk agreed that international medical students (IMGs) do not have adequate formal representation when it comes to residency training decisions. Therefore, Pawliuk challenged health organizations to make changes to give a voice in decision-making to the organizations representing IMGs.

In Connections, 48 Sara Guzman created a digital painting to portray her approach to learning. Her image of a hand touching a neuron showed her desire to physically see and touch an active neuron in order to further understand the brain and its connections.

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• Knowledge Base

Methodology

• How to Write a Literature Review | Guide, Examples, & Templates

How to Write a Literature Review | Guide, Examples, & Templates

Published on January 2, 2023 by Shona McCombes . Revised on September 11, 2023.

What is a literature review? A literature review is a survey of scholarly sources on a specific topic. It provides an overview of current knowledge, allowing you to identify relevant theories, methods, and gaps in the existing research that you can later apply to your paper, thesis, or dissertation topic .

There are five key steps to writing a literature review:

• Search for relevant literature
• Evaluate sources
• Identify themes, debates, and gaps
• Outline the structure
• Write your literature review

A good literature review doesn’t just summarize sources—it analyzes, synthesizes , and critically evaluates to give a clear picture of the state of knowledge on the subject.

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Table of contents

What is the purpose of a literature review, examples of literature reviews, step 1 – search for relevant literature, step 2 – evaluate and select sources, step 3 – identify themes, debates, and gaps, step 4 – outline your literature review’s structure, step 5 – write your literature review, free lecture slides, other interesting articles, frequently asked questions, introduction.

• Quick Run-through
• Step 1 & 2

When you write a thesis , dissertation , or research paper , you will likely have to conduct a literature review to situate your research within existing knowledge. The literature review gives you a chance to:

• Demonstrate your familiarity with the topic and its scholarly context
• Develop a theoretical framework and methodology for your research
• Position your work in relation to other researchers and theorists
• Show how your research addresses a gap or contributes to a debate
• Evaluate the current state of research and demonstrate your knowledge of the scholarly debates around your topic.

Writing literature reviews is a particularly important skill if you want to apply for graduate school or pursue a career in research. We’ve written a step-by-step guide that you can follow below.

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Writing literature reviews can be quite challenging! A good starting point could be to look at some examples, depending on what kind of literature review you’d like to write.

• Example literature review #1: “Why Do People Migrate? A Review of the Theoretical Literature” ( Theoretical literature review about the development of economic migration theory from the 1950s to today.)
• Example literature review #2: “Literature review as a research methodology: An overview and guidelines” ( Methodological literature review about interdisciplinary knowledge acquisition and production.)
• Example literature review #3: “The Use of Technology in English Language Learning: A Literature Review” ( Thematic literature review about the effects of technology on language acquisition.)
• Example literature review #4: “Learners’ Listening Comprehension Difficulties in English Language Learning: A Literature Review” ( Chronological literature review about how the concept of listening skills has changed over time.)

You can also check out our templates with literature review examples and sample outlines at the links below.

Download Word doc Download Google doc

Before you begin searching for literature, you need a clearly defined topic .

If you are writing the literature review section of a dissertation or research paper, you will search for literature related to your research problem and questions .

Make a list of keywords

Start by creating a list of keywords related to your research question. Include each of the key concepts or variables you’re interested in, and list any synonyms and related terms. You can add to this list as you discover new keywords in the process of your literature search.

• Social media, Facebook, Instagram, Twitter, Snapchat, TikTok
• Body image, self-perception, self-esteem, mental health
• Generation Z, teenagers, adolescents, youth

Search for relevant sources

Use your keywords to begin searching for sources. Some useful databases to search for journals and articles include:

• Your university’s library catalogue
• Google Scholar
• Project Muse (humanities and social sciences)
• Medline (life sciences and biomedicine)
• EconLit (economics)
• Inspec (physics, engineering and computer science)

You can also use boolean operators to help narrow down your search.

Make sure to read the abstract to find out whether an article is relevant to your question. When you find a useful book or article, you can check the bibliography to find other relevant sources.

You likely won’t be able to read absolutely everything that has been written on your topic, so it will be necessary to evaluate which sources are most relevant to your research question.

For each publication, ask yourself:

• What question or problem is the author addressing?
• What are the key concepts and how are they defined?
• What are the key theories, models, and methods?
• Does the research use established frameworks or take an innovative approach?
• What are the results and conclusions of the study?
• How does the publication relate to other literature in the field? Does it confirm, add to, or challenge established knowledge?
• What are the strengths and weaknesses of the research?

Make sure the sources you use are credible , and make sure you read any landmark studies and major theories in your field of research.

You can use our template to summarize and evaluate sources you’re thinking about using. Click on either button below to download.

Take notes and cite your sources

As you read, you should also begin the writing process. Take notes that you can later incorporate into the text of your literature review.

It is important to keep track of your sources with citations to avoid plagiarism . It can be helpful to make an annotated bibliography , where you compile full citation information and write a paragraph of summary and analysis for each source. This helps you remember what you read and saves time later in the process.

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To begin organizing your literature review’s argument and structure, be sure you understand the connections and relationships between the sources you’ve read. Based on your reading and notes, you can look for:

• Trends and patterns (in theory, method or results): do certain approaches become more or less popular over time?
• Themes: what questions or concepts recur across the literature?
• Debates, conflicts and contradictions: where do sources disagree?
• Pivotal publications: are there any influential theories or studies that changed the direction of the field?
• Gaps: what is missing from the literature? Are there weaknesses that need to be addressed?

This step will help you work out the structure of your literature review and (if applicable) show how your own research will contribute to existing knowledge.

• Most research has focused on young women.
• There is an increasing interest in the visual aspects of social media.
• But there is still a lack of robust research on highly visual platforms like Instagram and Snapchat—this is a gap that you could address in your own research.

There are various approaches to organizing the body of a literature review. Depending on the length of your literature review, you can combine several of these strategies (for example, your overall structure might be thematic, but each theme is discussed chronologically).

Chronological

The simplest approach is to trace the development of the topic over time. However, if you choose this strategy, be careful to avoid simply listing and summarizing sources in order.

Try to analyze patterns, turning points and key debates that have shaped the direction of the field. Give your interpretation of how and why certain developments occurred.

If you have found some recurring central themes, you can organize your literature review into subsections that address different aspects of the topic.

For example, if you are reviewing literature about inequalities in migrant health outcomes, key themes might include healthcare policy, language barriers, cultural attitudes, legal status, and economic access.

Methodological

If you draw your sources from different disciplines or fields that use a variety of research methods , you might want to compare the results and conclusions that emerge from different approaches. For example:

• Look at what results have emerged in qualitative versus quantitative research
• Discuss how the topic has been approached by empirical versus theoretical scholarship
• Divide the literature into sociological, historical, and cultural sources

Theoretical

A literature review is often the foundation for a theoretical framework . You can use it to discuss various theories, models, and definitions of key concepts.

You might argue for the relevance of a specific theoretical approach, or combine various theoretical concepts to create a framework for your research.

Like any other academic text , your literature review should have an introduction , a main body, and a conclusion . What you include in each depends on the objective of your literature review.

The introduction should clearly establish the focus and purpose of the literature review.

Depending on the length of your literature review, you might want to divide the body into subsections. You can use a subheading for each theme, time period, or methodological approach.

As you write, you can follow these tips:

• Summarize and synthesize: give an overview of the main points of each source and combine them into a coherent whole
• Analyze and interpret: don’t just paraphrase other researchers — add your own interpretations where possible, discussing the significance of findings in relation to the literature as a whole
• Critically evaluate: mention the strengths and weaknesses of your sources
• Write in well-structured paragraphs: use transition words and topic sentences to draw connections, comparisons and contrasts

In the conclusion, you should summarize the key findings you have taken from the literature and emphasize their significance.

When you’ve finished writing and revising your literature review, don’t forget to proofread thoroughly before submitting. Not a language expert? Check out Scribbr’s professional proofreading services !

This article has been adapted into lecture slides that you can use to teach your students about writing a literature review.

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If you want to know more about the research process , methodology , research bias , or statistics , make sure to check out some of our other articles with explanations and examples.

• Sampling methods
• Simple random sampling
• Stratified sampling
• Cluster sampling
• Likert scales
• Reproducibility

 Statistics

• Null hypothesis
• Statistical power
• Probability distribution
• Effect size
• Poisson distribution

Research bias

• Optimism bias
• Cognitive bias
• Implicit bias
• Hawthorne effect
• Anchoring bias
• Explicit bias

A literature review is a survey of scholarly sources (such as books, journal articles, and theses) related to a specific topic or research question .

It is often written as part of a thesis, dissertation , or research paper , in order to situate your work in relation to existing knowledge.

There are several reasons to conduct a literature review at the beginning of a research project:

• To familiarize yourself with the current state of knowledge on your topic
• To ensure that you’re not just repeating what others have already done
• To identify gaps in knowledge and unresolved problems that your research can address
• To develop your theoretical framework and methodology
• To provide an overview of the key findings and debates on the topic

Writing the literature review shows your reader how your work relates to existing research and what new insights it will contribute.

The literature review usually comes near the beginning of your thesis or dissertation . After the introduction , it grounds your research in a scholarly field and leads directly to your theoretical framework or methodology .

A literature review is a survey of credible sources on a topic, often used in dissertations , theses, and research papers . Literature reviews give an overview of knowledge on a subject, helping you identify relevant theories and methods, as well as gaps in existing research. Literature reviews are set up similarly to other  academic texts , with an introduction , a main body, and a conclusion .

An  annotated bibliography is a list of  source references that has a short description (called an annotation ) for each of the sources. It is often assigned as part of the research process for a  paper .  

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Creating a Corporate Social Responsibility Program with Real Impact

• Emilio Marti,
• David Risi,
• Eva Schlindwein,
• Andromachi Athanasopoulou

Lessons from multinational companies that adapted their CSR practices based on local feedback and knowledge.

Exploring the critical role of experimentation in Corporate Social Responsibility (CSR), research on four multinational companies reveals a stark difference in CSR effectiveness. Successful companies integrate an experimental approach, constantly adapting their CSR practices based on local feedback and knowledge. This strategy fosters genuine community engagement and responsive initiatives, as seen in a mining company’s impactful HIV/AIDS program. Conversely, companies that rely on standardized, inflexible CSR methods often fail to achieve their goals, demonstrated by a failed partnership due to local corruption in another mining company. The study recommends encouraging broad employee participation in CSR and fostering a culture that values CSR’s long-term business benefits. It also suggests that sustainable investors and ESG rating agencies should focus on assessing companies’ experimental approaches to CSR, going beyond current practices to examine the involvement of diverse employees in both developing and adapting CSR initiatives. Overall, embracing a dynamic, data-driven approach to CSR is essential for meaningful social and environmental impact.

By now, almost all large companies are engaged in corporate social responsibility (CSR): they have CSR policies, employ CSR staff, engage in activities that aim to have a positive impact on the environment and society, and write CSR reports. However, the evolution of CSR has brought forth new challenges. A stark contrast to two decades ago, when the primary concern was the sheer neglect of CSR, the current issue lies in the ineffective execution of these practices. Why do some companies implement CSR in ways that create a positive impact on the environment and society, while others fail to do so? Our research reveals that experimentation is critical for impactful CSR, which has implications for both companies that implement CSR and companies that externally monitor these CSR activities, such as sustainable investors and ESG rating agencies.

• EM Emilio Marti is an associate professor at the Rotterdam School of Management, Erasmus University. His research focuses on corporate sustainability with a specific focus on sustainable investing.”
• DR David Risi is a professor at the Bern University of Applied Sciences and a habilitated lecturer at the University of St. Gallen. His research focuses on how companies organize CSR and sustainability.
• ES Eva Schlindwein is a professor at the Bern University of Applied Sciences and a postdoctoral fellow at the University of Oxford. Her research focuses on how organizations navigate tensions between business and society.
• AA Andromachi Athanasopoulou is an associate professor at Queen Mary University of London and an associate fellow at the University of Oxford. Her research focuses on how individuals manage their leadership careers and make ethically charged decisions.

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This Town review – there is no point in resisting this bold, brilliant TV show

Steven Knight’s six-parter about the formation of an 80s new wave band is intelligent, ambitious and anarchic. But be warned: it can feel oppressive at first

I don’t know about you, but whenever I hear about a film or drama series about a band getting together, the spirit quails within. I prepare for “Let’s put the show on right here!” vibes and the equivalent of poor Billy Zane’s line in Titanic – “Something Picasso? He won’t amount to a thing!” So it is with a heavy heart that I approach This Town, the new offering from Steven Knight (of Peaky Blinders fame). It’s about the formation of an 80s new wave band, influenced by the preceding popularity of ska, reggae, two tone and punk, with the tracks the characters write created by record producer and songwriter Dan Carey and poet Kae Tempest. I am exhausted before it even starts.

Which just goes to show how very stupid one should try not to be. This Town is an ingenious piece of work, with such intelligence, ambition and heart – shot through with a borderline anarchic spirit – that it can and should overcome all resistance. It does take a bit of getting used to, as anything innovative will. There is – and there’s no easy way to say this – a lot of poetry going on, especially in voiceover, especially at the beginning, and the opening couple of episodes occasionally feel a bit oppressive. But it is compelling from the off, and certainly by episode three it has found the confidence to open up a bit, take a breath and even admit a few welcome comic moments as the tensions among the characters mount, the stakes rise and consequences build towards potential catastrophe.

At the centre of the piece is Birmingham college student and nascent poet Dante (Levi Brown). He doesn’t, when we first meet him, drink, smoke cigarettes or dope, or dance. He is heartbroken by the girl he fancies, Fiona (Freya Parks), refusing to go for a cup of tea with him. He is a gentle, gently odd soul. Or, as his friend Jeannie (Eve Austin) puts it, “A weird fucker.” She is very fond of him. She writes music but can’t do words. He can do words but not music. We brace ourselves for things to turn Rooney-Garlandwards immediately, but instead we get the story of an extended family – loving, beset by demons, embroiled with the IRA, broken, defiant – and the band’s an offshoot of that. It’s an examination of art as an escape, of suffering and despair as a crucible in which talent can become genius.

Dante’s cousin Bardon (Ben Rose) lives in Coventry with his bullying father, Eamonn, who is heavily involved with the local IRA “battalion” and pressurising his wholly unwilling son into greater involvement with the movement. Through them and Bardon’s mother, Estella (Michelle Dockery), and grandmother Marie (Geraldine James), we get a rare intimate portrait of the effects of living under the rule of a terrorist organisation. Fear is everywhere. Normal life cannot proceed. The damage runs impossibly far and impossibly deep. At one point, Bardon makes a break for London, but he is more trapped that he ever realised.

There is also Dante’s older brother Gregory (Jordan Bolger), who complicates things substantially by being a member of the British army stationed in Belfast. He is everything Dante is not – a hard man, known and respected for it – but who got out of a life of crime and into the forces just before it swallowed him whole. A family funeral surveilled by special branch puts him in a terrible position, brings him back to the Midlands and provides the narrative torque for much of the latter half of the six-episode run.

Almost as an afterthought, but one whose impact is out of all proportion to his screen time, is Gregory’s old boss. Gangster Robbie Carmen is setting up a new music venue – purely as a front for selling drugs – and is looking to recruit both a security team and new acts. Carmen is played by a truly terrifying David Dawson, especially in what I am going to call the finger scene – the first thing I have ever seen on television that made me retch unstoppably.

The performances are all excellent but Brown as Dante, in his first lead role, is extraordinary. You seldom find a character credibly written as odd because they have to have a makeup all of their own, but to have an actor able to portray it as nimbly, to keep it as weird yet human as Brown does is rarer still. But everyone is digging deep and bringing out of Knight’s bold, brilliant work all the profound heartbreak and wisdom that lies in it too.

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Engineers Raise Questions About Bridge’s Construction as Inquiry Begins

In reviewing images of the Francis Scott Key Bridge, some structural engineers said that its piers, which are essential to the structure’s integrity, appeared to lack protective barriers.

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By James Glanz and Annie Correal

• March 26, 2024

The large container ship that collided with the Key Bridge in Baltimore, leading to its near-total collapse, appeared to strike a critical component, known as a pylon or pier, according to several engineers who have reviewed footage of the incident.

Without the pier, they said, it was impossible for other components of the bridge to assume the load and keep the bridge standing.

The piers on a bridge act as a kind of leg and are what is known as “nonredundant” parts of a bridge’s structure. If a pier is somehow taken out, there is nothing to compensate for the missing structural support, and a collapse of the bridge is all but inevitable, most of the analysts said.

How Fenders Might Have Protected Against Bridge Collapse

The Francis Scott Key Bridge did not have an obvious fender system, or protective barriers, to redirect or prevent a ship from crashing into the bridge piers.

Yet the collapse in Baltimore on Tuesday might have been avoided, some of the engineers said, if the piers had been better able to block, deflect or withstand such a collision. And some of the engineers questioned whether the bridge’s piers had adequate blocking devices that are known with a self-explanatory name: fenders.

In bridge engineering, fenders can be anything from simple pyramids of rocks piled around the pylons to major concrete rings padded with slats of wood, designed to shield the bridge’s supports from damage by water or collisions.

It was not clear whether any such protection built around the bridge’s piers was sufficient to guard against even a glancing hit from a 95,000-gross-ton container vessel.

And the U.S. secretary of transportation, Pete Buttigieg, expressed doubt on Tuesday that any bridge could have withstood such a serious collision.

“This is a unique circumstance. I do not know of a bridge that has been constructed to withstand a direct impact from a vessel of this size,” he told reporters.

Yet a different perspective emerged in initial comments by the investigators who will be sorting out what happened in the collapse.

Jennifer Homendy, the chair of the National Transportation Safety Board, said protective structures would be a part of the investigation into the collapse. “There’s some questions about the structure of the bridge — protective structure around the bridge or around the piers to make sure there isn’t a collapse,” she said, responding to a reporter’s question.

“We are aware of what a structure should have. Part of our investigation will be how was this bridge constructed? It will look at the structure itself. Should there be any sort of safety improvements? All of that will be part of our investigation.”

The Maryland Transportation Authority did not immediately respond to a request for comment on the design of the piers in Baltimore, and did not say whether any fenders were installed to protect them.

Between 1960 and 2015, there were 35 major bridge collapses worldwide because of ship or barge collisions, resulting in the deaths of 342 people, according to a 2018 report from the World Association for Waterborne Transport Infrastructure, a scientific and technical organization.

The deadliest crash took place in 1983, when a passenger ship collided with a railroad bridge on the Volga River in Russia, killing 176 people, according to the report.

It was only after “a marked increase in the frequency and severity of vessel collisions with bridges” that attempts to study and address the risks were initiated in the 1980s, said the report’s authors, Michael Knott and Mikele Winters.

A widely circulated video of the Key Bridge failure drew attention to the disastrous collapse of the upper bridge structure. But engineers who reviewed the footage said that did not appear to be the culprit in the disaster. Instead, they said, the superstructure failure was most likely a secondary effect of the pier crumbling beneath it after the collision.

Engineers who reviewed images of the bridge both before and after the collapse said no significant fender structures were visible. Only fairly small structures were visible in photos taken at the foot of the pier, and they did not appear to be substantial enough to be able to stop a large ship, some of them said. They said the structures may have served another purpose entirely — like preventing water from scouring and undermining the pier’s foundation.

Benjamin W. Schafer, a professor of engineering at Johns Hopkins University, said, after looking at images of the bridge taken before the disaster, “If you zoom further out, you can see these large cylinders that sort of define the shipping channel. They are to direct the ships and they are part of the bridge structure. Some would say those are protective structures. But I haven’t seen any evidence of fenders myself.”

In some bridges, engineers may elect, instead of fendering, “the alternative of making the pier exceptionally strong,” said Shankar Nair, a structural engineer with over half a century of experience who is a member of the National Academy of Engineering. But the visual evidence so far, he and others said, suggested that the pier was simply not strong enough to survive the collision.

The structure’s apparent vulnerability left some engineers dumbfounded.

“This is a huge shock,” Dr. Nair said. “A bridge of that size and importance should not collapse when hit by an errant vessel.”

The importance of sturdy fenders on bridge piers was backed up by a similar accident that occurred in 2013 when a 752-foot-long tanker collided with a support of the San Francisco-Oakland Bay Bridge. According to a National Transportation Safety Board report on the incident, the support stood — although $1.4 million in damage was done to the fendering system, which cushioned the impact.

In other cases when collisions lead to full or partial collapses, shortcomings in the fendering system are usually involved, said Matthys Levy, a longtime structural engineer and co-author of “Why Buildings Fall Down.”

“It’s usually an issue of fendering,” Mr. Levy said. “The fendering is not strong enough.”

According to a description of the Key Bridge by an American Society of Civil Engineers manual, the 8,636-foot-long structure in Baltimore was opened to traffic in 1977. The steel span above it, a design known as a truss, can be vulnerable to failure itself — damage to individual elements of the truss can theoretically cascade into a wider collapse. But that did not appear to be the case in Baltimore, engineers who reviewed the footage said: The truss, they said, was simply unable to remain intact when the pier was taken out beneath it.

Tuesday’s collapse raises the question “of how vulnerable are the piers and what is done or should have been done to protect them in the event of something like this,” said Donald O. Dusenberry, a consulting engineer who has investigated many bridge failures.

Mr. Dusenberry, in pointing to the issue of fender protection, said that it was impossible to make a full determination of what was installed without reviewing structural drawings of the bridge.

But images taken before the disaster, he said, suggested that small barriers that could be seen rising around the bridge’s piers, roughly at water level, would be unlikely to be able to stop a large ship. Effective fenders, he said, had to be far enough from the pier to keep the bow of a large ship from striking the pier, and large enough to absorb the energy of a collision. Assuming nothing had changed since the prior pictures were taken, he said, the visible structures did not seem up to that task.

“Maybe it would stop a ferry or something like that,” he said. “Not a massive, oceangoing cargo ship.”

One of the catastrophes prompting scrutiny of the issue of bridge collisions was the collapse of the Sunshine Skyway Bridge in Tampa, Fla., in 1980.

The structure collapsed when a cargo ship hit a pier, bringing down part of the main span and killing 35 people. Seven years later, a shrimp boat hit a bumper erected on the bridge built to replace it.

While catastrophic collisions garner the most attention, vessel collision accidents with bridges are not uncommon and regularly cause damage that, according to the 2018 report, “varies from minor to significant but does not necessarily result in collapse of the structure or loss of life.”

Mr. Schafer, the professor of engineering at Johns Hopkins, said fenders were undeniably important to preventing catastrophic collisions but that the size of the vessel that hits a bridge plays a critical role.

“When people think about fenders, they’re thinking about something that is similar in scale, in size, to the supporting concrete structure itself,” Mr. Schafer said. “So, you know, if that is 30-feet across, you might think of a fender which is like 30 feet as well. Right?”

The problem, he said, comes with trying to design protection against something so large as a container ship. “Could we design something that’s big enough to divert a runaway cargo ship? Yes. Would it be of a scale that’s practical? Probably not.”

Rather than build bigger fenders, Mr. Schafer said, the key is to divert ships before they get dangerously close to the piers and fenders. “That would be the physical answer,” he said. “The better answer is to have the people and the processes in place, so it never happens .”

James Glanz is a Times international and investigative reporter covering major disasters, conflict and deadly failures of technology. More about James Glanz

Annie Correal reports from the U.S. and Latin America for The Times. More about Annie Correal

Beyoncé’s ‘Cowboy Carter’ Is a Sprawling, Endlessly Entertaining Tour de Force: Album Review

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

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It sounds pretty magnificent, if a short answer is required. But if it’s genre we all really want to get into, “Cowboy Carter” sounds kinda country, and kinda not — in a way that feels wholly country. Because what is modern country music if not a cornucopia that’s a long way past being defined by a single sound? “Act II” feels a lot like a 27-course meal, difficult to describe in whole, but endlessly easy to digest, serving by serving. There are moments throughout where she’s embracing the tropes and traditions of country as we’ve known it, and just as many where you’re thinking she decided to abandon the concept, until suddenly Willie Nelson or Dolly Parton pop up for one of their intermittent spoken cameos, or there’s a fleeting Patsy Cline interpolation, and suddenly she’s veered back into C&W mode again. No one will mistake this sprawling set for ever following a straight path, or having a remotely dull moment.

It’s almost as if Beyoncé was watching some of the evolutionary leaps and hiccups country has been experiencing as it redefines its boundaries — as the music always has — and said, “Hold my Armand de Brignac. I’ve got this.”  But it’s not just a matter of what Beyoncé can do for country music; it’s what her concept of country can do for her, in expanding her musical empire and even her already well-honed sense of self. It’s a lot.

As a whole, “Cowboy Carter” is a masterpiece of sophisticated vocal arranging, laid out on top of mostly fairly stark band tracks. It’s not as if she ever laid off that great trick of her trade, even in a dance-based album like “Renaissance.” But here her brilliance at rendering self-harmonies is pushed up to the forefront in a way that might not have been as easy to focus on for a listener since Destiny’s Child covered “Carol of the Bells” for a Christmas record. It’s bliss.

Apart from these mostly common elements, the tracks almost couldn’t be more different from one another. Who knew that her exploration of Black Country would seem so much like her White Album? Or like a countrified version of Side 2 of “Abbey Road,” once the second half of this album turns into a series of short, sometimes weirder songs that have more strength as part of a dizzying medley than they might as Spotify singles. In its own fashion, “Cowboy Carter” plays as well as a smartly sequenced album as “Renaissance” did, even though that felt like a DJ club set and the new one goes harder on eclectic songcraft.

Her decision to issue “Texas Hold ‘Em” and “16 Carriages” as the two teaser tracks two months in advance of the album turns out to have been ideal for setting expectations for two very different sides of the record. “Texas” wasn’t shy about invoking country tropes, like line-dancing; it, along with some of the attendent pre-release imagery, made some suspicious souls wonder if this album would end up feeling like country cosplay. But then there was “Carriages,” a deeply personal ballad about her misspent youth as a budding starlet, sounding nothing like either old or new country, but married to the genre somehow just by the sound of its intricately plucked strings and storytelling.

There aren’t many moments that sell the lifestyle-branding side of country as hard as “Texas Hold ‘Em” does. (That song did its job; it’s still rising on the country airplay charts, upending some people’s initial expectations.) But of course she’s tying herself to mainstream country’s coolest elders, bringing in Willie Nelson, who does a couple of faux-DJ skits, and Dolly Parton, who brings a chuckle to a spoken introduction to Bey’s “Jolene” cover by pointing out the correlation between that classic’s auburn-haired temptress and the fabled Becky-with-the-good-hair. The Dolly homage is unquestionably the most pure country number on the album, but it’s not a completely straight take, as Beyoncé has rewritten almost all of the lyrics (and added a bridge) to make the song a fiercely protective warning instead of an endangered housewife’s plea. Taking out all the vulnerability lessens the tune a little, but it’s still a kick to hear “Jolene” with a serious infusion of “Lemonade.”

Did we mention that this murder fantasy — which starts off with a classical-sounding guitar that sounds almost fit for a Marty Robbins song — eventually winds up with Beyoncé flawlessly singing an aria from the 1700s, “Caro Mio Ben,” in Italian? It’s that kind of unpredictable album, although this at least counts as probably the strangest turn on it. Unless you count “Oh Louisiana,” a much goofier number that has Beyoncé covering a Chuck Berry oldie in a sped-up voice for a mere 52 seconds.

In evangelizing for this album, it’s hard to know whether to emphasize its weirder choices or its more conventional pleasures. There are more than enough of both of them to give “Cowboy Carter” a real sense of dynamics. But when it comes to the most straightforward material, the average listener may gravitate immediately to Beyoncé’s crowd-pleasing duet with Miley Cyrus , “II Most Wanted,” which has producer Ryan Tedder building a breezy buddyship anthem over an interpolation of Fleetwood Mac’s “Landslide.” “I’ll be your shotgun rider ’til the day I die / Smoke out the window flyin’ down the 405,” they sing, putting the western back in country & Western. “II Most Wanted” is not the most interesting song here, but Bey harmonizes with Cyrus just as effectively as she does with herself. It’d be no surprise if their duet finds its way onto and sticks around the adult contemporary chart for about 18 months.

Sexy-time is a big thing on this album, too. Another superstar duet, “Levii’s Jeans,” has Post Malone in the role of Jay-Z. (Or at least we can surmise from other lyrics on the album that Beyoncé considers herself to have a very healthy marital relationship, physically and otherwise.) “Baby, let me rattle that snake with my venom / Denim on denim on denim on denim,” she sings, although it’s actually more lilting and gentle in tone than any saucy lyric excerpt is going to make it sound.

There are theories that “Act III” in her promised musical triptych will be a rock ‘n’ roll album. It could be wishful thinking; maybe she is saving an all-arias album for last in the trilogy. But if she is planning to rock, she gets a slight head start on it here with a couple of numbers here. “Bodyguard” is a strummed soft-rock number with a straight-up backbeat, sounding almost like a demo, in its sweet minimalism.

Later, she seriously ramps up the energy with “Ya Ya,” which brings out her Tina Turner side, and/or sounds like a “TAMI Show” outtake. “Ya Ya” risks extending itself an interpolation too far, as some iconic bass riffing from “These Boots Are Made for Walkin’” is succeeded by Bey twice throwing in the hook from that famous country classic, “Good Vibrations.” On paper, “Ya Ya” is overstuffed with references, but that doesn’t really matter when you can feel the wind coming off the fringe of her miniskirt.

It takes until the 12 th song on the album — at which point, remember, we’re not halfway through — till we get the first and only real hip-hop song on the album, “Spaghetti,” which has Beyoncé rapping, ever so briefly. But it does have, yes, the barest trace of a spaghetti Western feel, which is just enough to technically tie it back to the overriding concept. It also has an introducion from Linda Martell, the first Black female star in country music (circa 1970), who gives a short homily: “Genres are a funny little concept, aren’t they? … In theory, they have a simple definition, but in practice, well, some may feel confined.”

And then, after a few more essentially acoustic-based songs that pick up the tempo, there’s the final stretch of the album, where things finally get a lot looser and loopier. It may be at this late point in the album when Beyoncé loses some people. After the bonkers “Oh Louisiana” and the 1:13 paean to oral sex that is “Desert Eagle,” a few listeners might be going: What the hell was that we just heard? Suddenly, after that, it begins turning into a club album, with “II Hands to Heaven,” which has an electronic pulse we haven’t heard much of, and “Tyrant,” which flirts with trap, even though Bey is keeping the rodeo underpinnings alive with a “Giddy-up, giddy-up.”

Hearing the album finally turn into something that feels a bit closer to 2022’s “Renaissance” toward the very end could be seen as a reward for some of her faithful fans who are more into dance music for sticking through the Texas two-stepping. But in country terms, it also feels a bit like going to California’s Stagecoach Festival, where the headliner is now always followed at the end of the final night by a late-night DJ set from Diplo, since the line between line-dancing and EDM culture is being further erased these days.

Who cares if any or all of it is country or not, you might ask? Well, lots of people do — especially fellow Black artists who have a stake in how this album is received and how it might affect their futures. Martell, 82, is on board for a couple of spoken-word interludes to serve as a reminder Black country’s largely swept-under-the-rug past. But Beyoncé has brought on board here several young singers who are part of the music’s past and future, including Willie Jones, on “Just for Fun,” and Shaboozey, on “Spaghetti” and again on “Sweet Honey Buckin’,” where their interplay is as randy as the title suggests.

“You were only waiting for this moment to arrive” — that’s a key line for an album that lives up to its event status as an inherent piece of agitprop and socially significant performance art, reflecting and affecting the history of Black music and country. It obviously has been compared to Ray Charles’ landmark 1962 “Modern Sounds in Country and Western Music,” but this feels different than someone coming in and adopting the existing country songbook for their own purposes, vital as that was. Beyoncé expanding this historic catalog with her own crucial additions to it is a never-to-be-forgotten signpost, however much it does or doesn’t immediately affect the fortunes of those still trying to get a basic foothold in the genre.

And she’s not pulling this off either by unduly ingratiating herself into a scene with country customs or ignoring those hallmarks entirely. With this endlessly entertaining project, she gets to be a warrior of female and Black pride and a sweetheart of the radio. Because being Beyoncé means never having to pretend to be just one thing.

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Crime and Public Safety | Boy, 16, in critical condition after 4 shot in…

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Crime and Public Safety

Crime and public safety | boy, 16, in critical condition after 4 shot in austin.

Four people were wounded, including a 16-year-old in critical condition, after being shot on a sidewalk in the Austin neighborhood Sunday afternoon, according to police.

Shortly before 3 p.m., a vehicle approached the group in the 400 block of North Lavergne Avenue and two shooters fired at them.

Paramedics transported the 16-year-old boy, who had suffered a gunshot wound to the head, to Mount Sinai Hospital. A 25-year-old man was grazed by a bullet on his right thigh and transported himself to West Suburban Hospital in good condition.

Another 25-year-old man who was shot in the ankle and a 21-year-old man who was shot in the groin also transported themselves to the same hospital.

The shooters fled northbound on North Lavergne Avenue. No arrests had been made as of Sunday evening, and area detectives are investigating, according to police.

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Boy, 14, in critical condition after shooting in Englewood

Driver fleeing traffic stop critically injures cyclist in Auburn Gresham, police say

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