literacy reflection essay

Article Reflection about Literacy Essay

Reflecting on these four articles; ‘There is reading … and then there’s reading,’

‘Taking literacy skills home,’ ‘The importance of the act of reading,’ and ‘the new literacy studies’ I cannot help but appreciate and celebrate the beauty of the milestones of achievements literacy know-how has bequeathed us with, enabling us have a personal intimate interaction with the world- even our world.

The articles highlight this utility value of literacy in our society and promote the application of theoretical-linguistic research findings in a bid to fully exploit our literacy potential. Varied literacy approaches, strategies and models are brought to the fore, stirring us to develop an inquisitive appetite for a sustainable lifelong literacy exploration.

Of necessity is the keen realization of the involuntary nature of acquiring knowledge through spontaneous interaction of the self and the world’s social, physical, political, spiritual structures in the course of one’s life.

This portrays the community as an indispensable platform for literacy development and evolution, in reciprocate; literacy equips every community with the necessary social interactive tools for a harmonious coexistence. It is, therefore evident that spontaneous involuntary understanding of the world always precedes the literal reading of the word.

This immutable spontaneous yet consistently progressive nature of literacy endowments is the basis of literacy research; investigating about viable literacy acquisition genres, formulating strategies of retaining the a comprehended literacy parameter, recommending varied areas of application of accomplished literacy know-how and promoting lifelong literacy exploration for all persons (evident in adult aided education programs).

Obvious as it may seem, the literacy models theoretically presented in these four articles are of a unique, central and pivotal role in shaping a strong literacy foundation for all people.

Key among the models is the fact that no one can read unless he/she looks at the print, recognizes the letters and then the words, text font sizes and their presentations are pivotal in this respect; the effectiveness of this hypothesis is appreciated in the ease with which it aids literacy encoding processes, boosting the realization of the ultimate goal of all literacy endeavors-comprehension of the literacy item.

It is important to clarify at this point that decoding is not reading; only comprehension is. This is true because, learning to read and write cannot be reduced to encoding mere words, syllables, or letters, a process of instruction in which the learner fills his/her supposedly empty mind with formal literacy tools; but accomplished literacy internalization is only realized through a thorough comprehension of the literally genre.

Thus, it is of paramount importance that literacy instructors facilitate a learner-centered – autonomous approach in their instruction processes; after all, the students are the subject of the learning process and should, therefore, be active player in steering their literacy acquisition with minimal aided attention from teachers. Thus, the instruction process should be dynamic, aiding the learner (whether young or adult) to adapt and expand their literacy practices.

Literacy research proponents hold the view that a fully accomplished reader develops a holistic approach to reading, processing words as wholes and even skipping words, parts of words, or entire sections without necessarily altering the intended meaning. Though unconventional, this premise is the pillar of the literacy prestige of individualized literacy discoveries and inventions, for it enshrines the recognition of the diversified of literacy practices and embraces the flexibility of the steadily evolving literacy discipline.

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Home — Essay Samples — Education — Literacy — The Importance and Role of Literacy in My Life

The Importance and Role of Literacy in My Life

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Published: Mar 3, 2020

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Guide on How to Write a Reflection Paper with Free Tips and Example

A reflection paper is a very common type of paper among college students. Almost any subject you enroll in requires you to express your opinion on certain matters. In this article, we will explain how to write a reflection paper and provide examples and useful tips to make the essay writing process easier.

Reflection papers should have an academic tone yet be personal and subjective. In this paper, you should analyze and reflect upon how an experience, academic task, article, or lecture shaped your perception and thoughts on a subject.

Here is what you need to know about writing an effective critical reflection paper. Stick around until the end of our guide to get some useful writing tips from the writing team at EssayPro — a research paper writing service

What Is a Reflection Paper

A reflection paper is a type of paper that requires you to write your opinion on a topic, supporting it with your observations and personal experiences. As opposed to presenting your reader with the views of other academics and writers, in this essay, you get an opportunity to write your point of view—and the best part is that there is no wrong answer. It is YOUR opinion, and it is your job to express your thoughts in a manner that will be understandable and clear for all readers that will read your paper. The topic range is endless. Here are some examples: whether or not you think aliens exist, your favorite TV show, or your opinion on the outcome of WWII. You can write about pretty much anything.

There are three types of reflection paper; depending on which one you end up with, the tone you write with can be slightly different. The first type is the educational reflective paper. Here your job is to write feedback about a book, movie, or seminar you attended—in a manner that teaches the reader about it. The second is the professional paper. Usually, it is written by people who study or work in education or psychology. For example, it can be a reflection of someone’s behavior. And the last is the personal type, which explores your thoughts and feelings about an individual subject.

However, reflection paper writing will stop eventually with one very important final paper to write - your resume. This is where you will need to reflect on your entire life leading up to that moment. To learn how to list education on resume perfectly, follow the link on our dissertation writing services .

Unlock the potential of your thoughts with EssayPro . Order a reflection paper and explore a range of other academic services tailored to your needs. Dive deep into your experiences, analyze them with expert guidance, and turn your insights into an impactful reflection paper.

Free Reflection Paper Example

Now that we went over all of the essentials about a reflection paper and how to approach it, we would like to show you some examples that will definitely help you with getting started on your paper.

Reflection Paper Format

Reflection papers typically do not follow any specific format. Since it is your opinion, professors usually let you handle them in any comfortable way. It is best to write your thoughts freely, without guideline constraints. If a personal reflection paper was assigned to you, the format of your paper might depend on the criteria set by your professor. College reflection papers (also known as reflection essays) can typically range from about 400-800 words in length.

Here’s how we can suggest you format your reflection paper:

How to Start a Reflection Paper

The first thing to do when beginning to work on a reflection essay is to read your article thoroughly while taking notes. Whether you are reflecting on, for example, an activity, book/newspaper, or academic essay, you want to highlight key ideas and concepts.

You can start writing your reflection paper by summarizing the main concept of your notes to see if your essay includes all the information needed for your readers. It is helpful to add charts, diagrams, and lists to deliver your ideas to the audience in a better fashion.

After you have finished reading your article, it’s time to brainstorm. We’ve got a simple brainstorming technique for writing reflection papers. Just answer some of the basic questions below:

• How did the article affect you?
• How does this article catch the reader’s attention (or does it all)?
• Has the article changed your mind about something? If so, explain how.
• Has the article left you with any questions?
• Were there any unaddressed critical issues that didn’t appear in the article?
• Does the article relate to anything from your past reading experiences?
• Does the article agree with any of your past reading experiences?

Here are some reflection paper topic examples for you to keep in mind before preparing to write your own:

• How my views on rap music have changed over time
• My reflection and interpretation of Moby Dick by Herman Melville
• Why my theory about the size of the universe has changed over time
• How my observations for clinical psychological studies have developed in the last year

The result of your brainstorming should be a written outline of the contents of your future paper. Do not skip this step, as it will ensure that your essay will have a proper flow and appropriate organization.

Another good way to organize your ideas is to write them down in a 3-column chart or table.

Do you want your task look awesome?

If you would like your reflection paper to look professional, feel free to check out one of our articles on how to format MLA, APA or Chicago style

Writing a Reflection Paper Outline

Reflection paper should contain few key elements:

Introduction

Your introduction should specify what you’re reflecting upon. Make sure that your thesis informs your reader about your general position, or opinion, toward your subject.

• State what you are analyzing: a passage, a lecture, an academic article, an experience, etc...)
• Briefly summarize the work.
• Write a thesis statement stating how your subject has affected you.

One way you can start your thesis is to write:

Example: “After reading/experiencing (your chosen topic), I gained the knowledge of…”

Body Paragraphs

The body paragraphs should examine your ideas and experiences in context to your topic. Make sure each new body paragraph starts with a topic sentence.

Your reflection may include quotes and passages if you are writing about a book or an academic paper. They give your reader a point of reference to fully understand your feedback. Feel free to describe what you saw, what you heard, and how you felt.

Example: “I saw many people participating in our weight experiment. The atmosphere felt nervous yet inspiring. I was amazed by the excitement of the event.”

As with any conclusion, you should summarize what you’ve learned from the experience. Next, tell the reader how your newfound knowledge has affected your understanding of the subject in general. Finally, describe the feeling and overall lesson you had from the reading or experience.

There are a few good ways to conclude a reflection paper:

• Tie all the ideas from your body paragraphs together, and generalize the major insights you’ve experienced.
• Restate your thesis and summarize the content of your paper.

We have a separate blog post dedicated to writing a great conclusion. Be sure to check it out for an in-depth look at how to make a good final impression on your reader.

Need a hand? Get help from our writers. Edit, proofread or buy essay .

How to Write a Reflection Paper: Step-by-Step Guide

Step 1: create a main theme.

After you choose your topic, write a short summary about what you have learned about your experience with that topic. Then, let readers know how you feel about your case — and be honest. Chances are that your readers will likely be able to relate to your opinion or at least the way you form your perspective, which will help them better understand your reflection.

For example: After watching a TEDx episode on Wim Hof, I was able to reevaluate my preconceived notions about the negative effects of cold exposure.

Step 2: Brainstorm Ideas and Experiences You’ve Had Related to Your Topic

You can write down specific quotes, predispositions you have, things that influenced you, or anything memorable. Be personal and explain, in simple words, how you felt.

For example: • A lot of people think that even a small amount of carbohydrates will make people gain weight • A specific moment when I struggled with an excess weight where I avoided carbohydrates entirely • The consequences of my actions that gave rise to my research • The evidence and studies of nutritional science that claim carbohydrates alone are to blame for making people obese • My new experience with having a healthy diet with a well-balanced intake of nutrients • The influence of other people’s perceptions on the harm of carbohydrates, and the role their influence has had on me • New ideas I’ve created as a result of my shift in perspective

Step 3: Analyze How and Why These Ideas and Experiences Have Affected Your Interpretation of Your Theme

Pick an idea or experience you had from the last step, and analyze it further. Then, write your reasoning for agreeing or disagreeing with it.

For example, Idea: I was raised to think that carbohydrates make people gain weight.

Analysis: Most people think that if they eat any carbohydrates, such as bread, cereal, and sugar, they will gain weight. I believe in this misconception to such a great extent that I avoided carbohydrates entirely. As a result, my blood glucose levels were very low. I needed to do a lot of research to overcome my beliefs finally. Afterward, I adopted the philosophy of “everything in moderation” as a key to a healthy lifestyle.

For example: Idea: I was brought up to think that carbohydrates make people gain weight. Analysis: Most people think that if they eat any carbohydrates, such as bread, cereal, and sugar, they will gain weight. I believe in this misconception to such a great extent that I avoided carbohydrates entirely. As a result, my blood glucose levels were very low. I needed to do a lot of my own research to finally overcome my beliefs. After, I adopted the philosophy of “everything in moderation” as a key for having a healthy lifestyle.

Step 4: Make Connections Between Your Observations, Experiences, and Opinions

Try to connect your ideas and insights to form a cohesive picture for your theme. You can also try to recognize and break down your assumptions, which you may challenge in the future.

There are some subjects for reflection papers that are most commonly written about. They include:

• Book – Start by writing some information about the author’s biography and summarize the plot—without revealing the ending to keep your readers interested. Make sure to include the names of the characters, the main themes, and any issues mentioned in the book. Finally, express your thoughts and reflect on the book itself.
• Course – Including the course name and description is a good place to start. Then, you can write about the course flow, explain why you took this course, and tell readers what you learned from it. Since it is a reflection paper, express your opinion, supporting it with examples from the course.
• Project – The structure for a reflection paper about a project has identical guidelines to that of a course. One of the things you might want to add would be the pros and cons of the course. Also, mention some changes you might want to see, and evaluate how relevant the skills you acquired are to real life.
• Interview – First, introduce the person and briefly mention the discussion. Touch on the main points, controversies, and your opinion of that person.

Writing Tips

Everyone has their style of writing a reflective essay – and that's the beauty of it; you have plenty of leeway with this type of paper – but there are still a few tips everyone should incorporate.

Before you start your piece, read some examples of other papers; they will likely help you better understand what they are and how to approach yours. When picking your subject, try to write about something unusual and memorable — it is more likely to capture your readers' attention. Never write the whole essay at once. Space out the time slots when you work on your reflection paper to at least a day apart. This will allow your brain to generate new thoughts and reflections.

• Short and Sweet – Most reflection papers are between 250 and 750 words. Don't go off on tangents. Only include relevant information.
• Clear and Concise – Make your paper as clear and concise as possible. Use a strong thesis statement so your essay can follow it with the same strength.
• Maintain the Right Tone – Use a professional and academic tone—even though the writing is personal.
• Cite Your Sources – Try to cite authoritative sources and experts to back up your personal opinions.
• Proofreading – Not only should you proofread for spelling and grammatical errors, but you should proofread to focus on your organization as well. Answer the question presented in the introduction.

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Apr 16, 2023

How to Write a Reflection Essay | Outlines and Examples

Do you ever struggle to put your thoughts into words? If you've ever felt stumped by a reflective essay assignment, you're not alone. In this article, we'll explore some strategies for writing effective reflection essays that will help you communicate your ideas clearly and powerfully!

Reflective Essays take a look at a piece of writing or an experience in your life and write down how you feel about it. This strategy not only reveals fascinating insights about your perspective and personality, but it also makes for entertaining reading. Examining some model papers is a great way to hone your skills in outlining introspective essays.

What Is a Reflective Essay?

A reflective essay (also called a critical reflection) involves a deep examination of one's assumptions, beliefs, and reactions to knowledge, events, or experiences. This type of writing encourages the author to introspect and articulate their personal insights on various subjects, influenced by literature, experiences, or lectures. Unlike traditional academic essays, reflective essays focus on the writer's individual perspective, employing a more subjective and expressive language without the necessity for scholarly sources. Essentially, while maintaining the core criteria of effective essay writing, a reflective essay distinguishes itself by centering on the writer's internal dialogue and personal growth.

Reflection isn't something that comes naturally to everyone. Whether one is contemplating one's own life experiences or a piece of literature, it can be challenging to put one's thoughts into words and express them adequately. Because of this, utilising this ability effectively when writing is necessary. The more time you devote to contemplating and learning about a topic, the more straightforward and understandable it will become. This situation is more complex than it initially appears to be.

What is the Purpose of Reflective Writing?

Reflective writing is another way to convey both your growth and the feelings you've experienced. You can discover a lot about yourself and how you function by conducting an in-depth investigation of your interior workings. It is interesting to watch how they mature and change over time. The initial move is always the one that presents the greatest challenge. Because of this, developing a strategy for your reflective essay is a fantastic way to kick off the writing process.

How to Create a Reflective Essay Outline?

The first part of an essay, known as the introduction, is generally composed of three parts. On the other hand, as was stated earlier, a conventional formula might experience significant shifts when written down in this manner.

Introduction

The introduction needs to be so captivating to the reader that they feel compelled to keep going with the story. To achieve this, writers will often include ambiguities, sarcastic circumstances, and tense situations in their works. An outline can be used for any kind of essay, but it is especially helpful for introspective writing because it organizes your thoughts and makes it easier to read. The abstract, just like the remainder of the essay, should be broken up into three main sections that are presented in the same order as the rest of the essay. On the other hand, as was stated earlier, a conventional formula might experience significant shifts when written down in this manner.

An engaging and interesting opening statement will pique the interest of the audience and encourage them to continue reading. To achieve this, authors will often include ambiguities, irony, and conflict within their works. The expression "my first bachelor celebration" is a good example of this concept in action.

Reflection Essay Example:

This past weekend I attended my first college frat party thanks to some friends who invited me.

That one phrase perfectly exemplifies an attention-grabbing opening to a reflective essay. In just one phrase, you've hooked the reader and set the stage for what you'll be discussing. Your essay's opening should always provide a teaser for the more in-depth explanation that follows in the essay's body.

The conclusion of your reflective essay, which you'll write based on the most significant event, should be the last line of the introduction. This sentence effectively summarises the changes brought about by the catalytic event and their importance in the grand scheme of things. 

Body Paragraphs

The body of an introspective essay needs to expand on the topic presented in the essay's thesis. Students' first challenge in writing such essays is expressing their thoughts uninhibitedly. It's simple to get sidetracked and leap from one thought to the next. This leads us to a useful piece of advice: be consistent with the story arc you've established. If possible, create a distinct outline for the paragraphs in the main body.

You're free to include as many or as few body lines as you like. The text may have a one-sentence introduction and a secret closing, for instance, but the body will always be the largest section. Put your viewpoint on display as much as possible in the middle section. Put forth justifications to back up your claim or corroborating details to back up your statements. Examples, facts, occurrences of public life, events, real-life circumstances and experiences, scientific proof, references to scholars and scientists, etc., can all serve as argumentative points.

If you don't want to appear uncertain of your views, avoid giving too many examples. A personal reflective essay only needs one piece of proof. For reflective essays, interacting aspects of literary analysis, or speculative writing about a variety of phenomena, two examples will suffice. Overloading a free reflective essay with more than three examples of the facts to be discussed will be apparent.

For Example:

My weekend at a house party made it clear that the vast majority of my fellow college students have no tolerance for alcohol.

An effective introduction to a body paragraph is provided above. Your paragraph's subject sentence should tell the reader exactly what the paragraph is going to be about. The first line of each paragraph in the body of your writing should do what the introductory paragraph did: make the reader want to keep reading. Body paragraphs are where you can bring the essay to life with specific descriptions and examples.

In other terms, immerse the reader by providing relatable examples of circumstances and describing minor details with great care. A reader's excitement and interest will increase in proportion to the originality and literary charm of each phrase.

An independent closing paragraph is optional in reflective essays. If you choose an essay format that calls for a conclusion with supporting notes, keep it brief. The end must not be overly formal, however. The paragraphs in the body of the essay need to be supervised naturally by this section.

If you look for a model reflective essay online, you will most likely find one that has a complete, detailed conclusion. You could, of course, use them as models for your essays. However, if you want your viewers to be impressed and reflect deeper on your work, you shouldn't spoon-feed them your observations. Get your readers to ignore the surface-level explanations and focus on the meat of the text where your ideas and feelings are revealed.

As I reflect on my time spent at a college party, I realize that I can no longer advocate for the consumption of alcoholic beverages by minors.

As you probably know by now, the end of your essay is where you restate your thesis and discuss its significance. Then, using the details from the body paragraph, you should draw a conclusion in which you quickly restate how this experience changed you physically and/or mentally. Conclude by giving the reader your concluding thoughts on the subject.

What is the Format of a Reflective Essay?

There is a unique structure for reflective writing. In this form of writing, the author employs a specific style, such as the Modern Language Association (MLA) or the American Psychological Association (APA) .

There are a few things to keep in mind when writing in APA style:

Use Time New Roman Font 

Double-space your work and use a font height of 12 points.

The page number appears in the upper right-hand area.

The major sections of an essay are the introduction, the body, and the bibliography or list of sources.

Equally to APA, there are a few things to keep in mind when using MLA format:

Use Time New Roman Font

Select 12 as a font size

Make sure to center all of your essay's names.

Include your name, the course number, the instructor's name, and the date in the header of your work.

On the last page of the essay, include the cited work.

Some Tips on Writing the Reflective Essay

The essay's structure serves as the paper's framework. You can't write a winning essay without first crafting a plan. If you have to write a reflective essay, here are some tips to follow.

References should be listed on the final page of the writing.

In the essay, try to avoid using the same phrase multiple times.

Give your take on the topic in the writing.

Verify that you have explained everything that was previously unclear.

Connect your parts with appropriate transitional language.

Make sure your plan covers everything important.

Avoid using difficult language and provide an argument to support your position.

Learn to identify your best qualities and highlight them in the writing.

Before sending or publishing the essay, make sure it has been thoroughly proofread.

Writing a reflective essay can be challenging, but you can make your way through the process with the help of a good plan. Some pupils simply don't have enough time to complete all of the required essay writing assignments. They lack the time necessary to offer essay writing their full attention.

3 Reflective Essay Examples

Impact of social media on students

Social media has become an integral part of our lives in recent years. With the advent of smartphones and the internet, social media platforms have become more accessible to everyone, including students. Social media platforms such as Facebook, Instagram, Twitter, Snapchat, TikTok, and others have had a profound impact on the way students interact with each other, access information, and learn.

Social media has created a platform for students to interact with their peers, teachers, and other individuals from different parts of the world. Social media platforms provide students with the opportunity to express their thoughts, share their experiences, and discuss topics that interest them. Through social media, students can participate in discussions, exchange ideas, and learn from others.

Advantages and Disadvantages of Social Media on Students’ Life

One of the primary benefits of social media is its ability to provide students with access to information. Social media platforms have become a significant source of news, information, and educational resources for students. Students can learn about various topics, including history, science, literature, and more, from different social media platforms. For instance, Twitter provides students with the latest news on various topics, while Facebook and LinkedIn provide them with access to professional networks and job opportunities.

However, the impact of social media on students is not all positive. Social media has become a distraction for students, and many students spend more time on social media than they do studying. Social media platforms are designed to be addictive, and many students find themselves spending hours scrolling through their feeds and interacting with their peers. As a result, many students experience a decline in their academic performance and find it difficult to focus on their studies.

Moreover, social media has also had a significant impact on the mental health of students. Social media platforms can be a breeding ground for cyberbullying and online harassment, which can have a profound impact on a student's mental health. Additionally, social media platforms have been linked to anxiety, depression, and other mental health issues in students. Many students feel pressured to present a perfect image of themselves on social media, which can lead to low self-esteem and feelings of inadequacy.

Furthermore, social media has also affected the way students interact with each other. Many students now prefer to communicate through social media rather than in person, which can lead to a lack of social skills and interpersonal communication skills. This can make it challenging for students to form meaningful relationships and communicate effectively in the workplace and other settings.

In conclusion, social media has had a significant impact on students, both positive and negative. While social media provides students with access to information and a platform to express themselves, it has also become a significant distraction and can hurt their mental health and social skills. Therefore, students need to use social media responsibly and balance their time between social media and other activities. Additionally, educators and parents can play a significant role in guiding students on how to use social media effectively and responsibly.

Taking a Hike Through Forest

Introduction:

Nature is a therapeutic and rejuvenating element in our lives. Walking through a forest is an excellent way to connect with nature, relieve stress, and experience a sense of calmness. A hike through the forest provides a sense of freedom, and the tranquillity of the trees helps to reconnect with oneself. In this essay, I will reflect on my experience of taking a hike through a forest.

I woke up early one morning, feeling the need to get out of the city and spend some time in nature. I packed my bag with essentials and set off on a drive to a nearby forest. Upon arriving, I took a deep breath and took in the fresh air, which filled my lungs with a sense of peace.

The path was lined with tall trees, and the forest floor was soft and covered with leaves. As I walked, I could hear the rustling of leaves and the chirping of birds. The serenity of the forest made me forget about the outside world and its pressures.

I kept walking deeper into the forest, and soon enough, I came across a stream. The sound of the water flowing over the rocks was soothing, and I sat down by the bank to take it all in. The quietness of the forest made me feel like I was in a different world altogether, away from the hustle and bustle of everyday life.

As I continued my hike, I came across a clearing, and there, I saw a herd of deer grazing. I stood there, frozen, watching the beauty of nature unfold in front of my eyes. It was a moment of pure bliss, and I felt grateful for the opportunity to witness it.

I reached a hilltop, and from there, I could see the entire forest. The view was breathtaking, and it made me realize how small we are in the grand scheme of things. It also made me appreciate the beauty of the earth and the environment around us.

Conclusion:

Taking a hike through the forest was a humbling and rejuvenating experience for me. The calmness of the trees, the sound of the water, and the sight of the animals made me feel connected to nature. It reminded me that we are all a part of this beautiful planet and that it's our responsibility to take care of it. The forest gave me the space to reflect and connect with myself, and it was a reminder that sometimes, the best therapy is found in nature.

The role of Friendship in my Life

Friendship is one of the most essential aspects of human life. It is an integral part of our social fabric, as it provides a sense of belonging, support, and joy. Friendship is not just about having someone to talk to or hang out with; it is about having a deep and meaningful connection with someone who accepts and loves us for who we are. In my life, friendship has played a crucial role in shaping my personality and helping me navigate through different phases of life. This essay aims to explore the role of friendship in my life, its significance, and how it has impacted me.

The significance of friendship:

Friendship is essential for our well-being and mental health. It is a bond that helps us feel connected and loved , even in the most challenging times. A good friend can help us navigate through difficult situations, offer us a fresh perspective on our problems, and provide us with emotional support. Friends also provide us with a sense of belonging, a feeling that we are part of something greater than ourselves. The sense of community and companionship that comes with friendship can help us develop a positive outlook toward life and a strong sense of self-esteem.

Friendship in my life:

In my life, friendship has played a vital role in shaping my personality and helping me grow as an individual. Growing up, I was a shy and introverted child who struggled to make friends. However, I was fortunate enough to find a group of friends who accepted me for who I was and helped me come out of my shell. They encouraged me to pursue my passions and interests and supported me through the ups and downs of life.

As I grew older, I realized the true value of friendship. I have made many friends over the years, and each one of them has played a unique role in my life. Some have been there for me through thick and thin, while others have helped me discover new interests and passions. Some have challenged me to step out of my comfort zone, while others have offered me a shoulder to cry on. Regardless of the role they played, all my friends have helped me grow as a person and provided me with a sense of belonging.

Impact of friendship on my life:

The impact of friendship on my life has been profound. My friends have helped me develop a positive outlook toward life and have taught me to appreciate the little things. They have taught me to be more empathetic, kind, and compassionate toward others, and have helped me develop a strong sense of self-worth. They have been a source of strength and inspiration, and have helped me navigate through difficult times.

In conclusion, friendship is an essential aspect of human life. It provides us with a sense of belonging, support, and joy, and helps us grow as individuals. In my life, friendship has played a vital role in shaping my personality and helping me navigate through different phases of life. My friends have been there for me through thick and thin, and have taught me valuable life lessons. I am grateful for their presence in my life, and I believe that everyone should have a good friend or a group of friends who accept and love them for who they are.

Final Words

In conclusion, writing a reflection essay is a powerful tool for gaining self-awareness and insight into our experiences. By following a few simple steps, such as choosing a meaningful experience to reflect on, asking yourself critical questions, and structuring your thoughts into a clear and organized essay, you can effectively convey your thoughts and emotions to your reader. Essay topics like composing a reflective essay are a great opportunity to delve deeper into your own thoughts and feelings, and to connect with your readers on a deeper level.

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Chapter 1. What is Literacy? Multiple Perspectives on Literacy

Constance Beecher

“Once you learn to read, you will be forever free.” – Frederick Douglass

Download Tar Beach – Faith Ringgold Video Transcript [DOC]

Keywords: literacy, digital literacy, critical literacy, community-based literacies

Definitions of literacy from multiple perspectives

Literacy is the cornerstone of education by any definition. Literacy refers to the ability of people to read and write (UNESCO, 2017). Reading and writing in turn are about encoding and decoding information between written symbols and sound (Resnick, 1983; Tyner, 1998). More specifically, literacy is the ability to understand the relationship between sounds and written words such that one may read, say, and understand them (UNESCO, 2004; Vlieghe, 2015). About 67 percent of children nationwide, and more than 80 percent of those from families with low incomes, are not proficient readers by the end of third grade ( The Nation Assessment for Educational Progress; NAEP 2022 ).  Children who are not reading on grade level by third grade are 4 times more likely to drop out of school than their peers who are reading on grade level. A large body of research clearly demonstrates that Americans with fewer years of education have poorer health and shorter lives. In fact, since the 1990s, life expectancy has fallen for people without a high school education. Completing more years of education creates better access to health insurance, medical care, and the resources for living a healthier life (Saha, 2006). Americans with less education face higher rates of illness, higher rates of disability, and shorter life expectancies. In the U.S., 25-year-olds without a high school diploma can expect to die 9 years sooner than college graduates. For example, by 2011, the prevalence of diabetes had reached 15% for adults without a high -school education, compared with 7% for college graduates (Zimmerman et al., 2018).

Thus, literacy is a goal of utmost importance to society. But what does it mean to be literate, or to be able to read? What counts as literacy?

Learning Objectives

• Describe two or more definitions of literacy and the differences between them.
• Define digital and critical literacy.
• Distinguish between digital literacy, critical literacy, and community-based literacies.
• Explain multiple perspectives on literacy.

Here are some definitions to consider:

“Literacy is the ability to identify, understand, interpret, create, communicate, and compute, using printed and written materials associated with varying contexts. Literacy involves a continuum of learning in enabling individuals to achieve their goals, to develop their knowledge and potential, and to participate fully in their community and wider society.” – United Nations Educational, Scientific, and Cultural Organization (UNESCO)

“The ability to understand, use, and respond appropriately to written texts.” – National Center for Education Statistics (NCES), citing the Program for the International Assessment of Adult Competencies (PIAAC)

“An individual’s ability to read, write, and speak in English, compute, and solve problems, at levels of proficiency necessary to function on the job, in the family of the individual, and in society.” – Workforce Innovation and Opportunity Act (WIOA), Section 203

“The ability to identify, understand, interpret, create, communicate, and compute, using printed and written materials associated with varying contexts. Literacy involves a continuum of learning in enabling individuals to achieve their goals, to develop their knowledge and potential, and to participate fully in their community and wider society.” – Organization for Economic Co-operation and Development’s (OECD) Program for the International Assessment of Adult Competencies (PIAAC), as cited by the American Library Association’s Committee on Literacy

“Using printed and written information to function in society, to achieve one’s goals, and to develop one’s knowledge and potential.” – Kutner, Greenberg, Jin, Boyle, Hsu, & Dunleavy (2007). Literacy in Everyday Life: Results from the 2003 National Assessment of Adult Literacy (NCES 2007-480)

Which one of these above definitions resonates with you? Why?

New literacy practices as meaning-making practices

In the 21 st century, literacy increasingly includes understanding the roles of digital media and technology in literacy. In 1996, the New London Group coined the term “multiliteracies” or “new literacies” to describe a modern view of literacy that reflected multiple communication forms and contexts of cultural and linguistic diversity within a globalized society. They defined multiliteracies as a combination of multiple ways of communicating and making meaning, including such modes as visual, audio, spatial, behavioral, and gestural (New London Group, 1996). Most of the text’s students come across today are digital (like this textbook!). Instead of books and magazines, students are reading blogs and text messages.

For a short video on the importance of digital literacy, watch The New Media Literacies .

The National Council for Teachers of English (NCTE, 2019) makes it clear that our definitions of literacy must continue to evolve and grow ( NCTE definition of digital literacy ).

“Literacy has always been a collection of communicative and sociocultural practices shared among communities. As society and technology change, so does literacy. The world demands that a literate person possess and intentionally apply a wide range of skills, competencies, and dispositions. These literacies are interconnected, dynamic, and malleable. As in the past, they are inextricably linked with histories, narratives, life possibilities, and social trajectories of all individuals and groups. Active, successful participants in a global society must be able to:

• participate effectively and critically in a networked world.
• explore and engage critically and thoughtfully across a wide variety of inclusive texts and tools/modalities.
• consume, curate, and create actively across contexts.
• advocate for equitable access to and accessibility of texts, tools, and information.
• build and sustain intentional global and cross-cultural connections and relationships with others to pose and solve problems collaboratively and strengthen independent thought.
• promote culturally sustaining communication and recognize the bias and privilege present in the interactions.
• examine the rights, responsibilities, and ethical implications of the use and creation of information.
• determine how and to what extent texts and tools amplify one’s own and others’ narratives as well as counterproductive narratives.
• recognize and honor the multilingual literacy identities and culture experiences individuals bring to learning environments, and provide opportunities to promote, amplify, and encourage these variations of language (e.g., dialect, jargon, and register).”

In other words, literacy is not just the ability to read and write. It is also being able to effectively use digital technology to find and analyze information. Students who are digitally literate know how to do research, find reliable sources, and make judgments about what they read online and in print. Next, we will learn more about digital literacy.

• Malleable : can be changed.
• Culturally sustaining : the pedagogical preservation of the cultural and linguistic competence of young people pertaining to their communities of origin while simultaneously affording dominant-culture competence.
• Bias : a tendency to believe that some people, ideas, etc., are better than others, usually resulting in unfair treatment.
• Privilege : a right or benefit that is given to some people and not to others.
• Unproductive narrative : negative commonly held beliefs such as “all students from low-income backgrounds will struggle in school.” (Narratives are phrases or ideas that are repeated over and over and become “shared narratives.” You can spot them in common expressions and stories that almost everyone knows and holds as ingrained values or beliefs.)

Literacy in the digital age

The Iowa Core recognizes that today, literacy includes technology. The goal for students who graduate from the public education system in Iowa is:

“Each Iowa student will be empowered with the technological knowledge and skills to learn effectively and live productively. This vision, developed by the Iowa Core 21st Century Skills Committee, reflects the fact that Iowans in the 21st century live in a global environment marked by a high use of technology, giving citizens and workers the ability to collaborate and make individual contributions as never before. Iowa’s students live in a media-suffused environment, marked by access to an abundance of information and rapidly changing technological tools useful for critical thinking and problem-solving processes. Therefore, technological literacy supports preparation of students as global citizens capable of self-directed learning in preparation for an ever-changing world” (Iowa Core Standards 21 st Century Skills, n.d.).

NOTE: The essential concepts and skills of technology literacy are taken from the International Society for Technology in Education’s National Educational Technology Standards for Students: Grades K-2 | Technology Literacy Standards

Literacy in any context is defined as the ability “ to access, manage, integrate, evaluate, and create information in order to function in a knowledge society” (ICT Literacy Panel, 2002). “ When we teach only for facts (specifics)… rather than for how to go beyond facts, we teach students how to get out of date ” (Sternberg, 2008). This statement is particularly significant when applied to technology literacy. The Iowa essential concepts for technology literacy reflect broad, universal processes and skills.

Unlike the previous generations, learning in the digital age is marked using rapidly evolving technology, a deluge of information, and a highly networked global community (Dede, 2010). In such a dynamic environment, learners need skills beyond the basic cognitive ability to consume and process language. To understand the characteristics of the digital age, and what this means for how people learn in this new and changing landscape, one may turn to the evolving discussion of literacy or, as one might say now, of digital literacy. The history of literacy contextualizes digital literacy and illustrates changes in literacy over time. By looking at literacy as an evolving historical phenomenon, we can glean the fundamental characteristics of the digital age. These characteristics in turn illuminate the skills needed to take advantage of digital environments. The following discussion is an overview of digital literacy, its essential components, and why it is important for learning in the digital age.

Literacy is often considered a skill or competency. Children and adults alike can spend years developing the appropriate skills for encoding and decoding information. Over the course of thousands of years, literacy has become much more common and widespread, with a global literacy rate ranging from 81% to 90% depending on age and gender (UNESCO, 2016). From a time when literacy was the domain of an elite few, it has grown to include huge swaths of the global population. There are several reasons for this, not the least of which are some of the advantages the written word can provide. Kaestle (1985) tells us that “literacy makes it possible to preserve information as a snapshot in time, allows for recording, tracking and remembering information, and sharing information more easily across distances among others” (p. 16). In short, literacy led “to the replacement of myth by history and the replacement of magic by skepticism and science.”

If literacy involves the skills of reading and writing, digital literacy requires the ability to extend those skills to effectively take advantage of the digital world (American Library Association [ALA], 2013). More general definitions express digital literacy as the ability to read and understand information from digital sources as well as to create information in various digital formats (Bawden, 2008; Gilster, 1997; Tyner, 1998; UNESCO, 2004). Developing digital skills allows digital learners to manage a vast array of rapidly changing information and is key to both learning and working in the evolving digital landscape (Dede, 2010; Koltay, 2011; Mohammadyari & Singh, 2015). As such, it is important for people to develop certain competencies specifically for handling digital content.

ALA Digital Literacy Framework

To fully understand the many digital literacies, we will look at the American Library Association (ALA) framework. The ALA framework is laid out in terms of basic functions with enough specificity to make it easy to understand and remember but broad enough to cover a wide range of skills. The ALA framework includes the following areas:

• understanding,
• evaluating,
• creating, and
• communicating (American Library Association, 2013).

Finding information in a digital environment represents a significant departure from the way human beings have searched for information for centuries. The learner must abandon older linear or sequential approaches to finding information such as reading a book, using a card catalog, index, or table of contents, and instead use more horizontal approaches like natural language searches, hypermedia text, keywords, search engines, online databases and so on (Dede, 2010; Eshet, 2002). The shift involves developing the ability to create meaningful search limits (SCONUL, 2016). Previously, finding the information would have meant simply looking up page numbers based on an index or sorting through a card catalog. Although finding information may depend to some degree on the search tool being used (library, internet search engine, online database, etc.) the search results also depend on how well a person is able to generate appropriate keywords and construct useful Boolean searches. Failure in these two areas could easily return too many results to be helpful, vague, or generic results, or potentially no useful results at all (Hangen, 2015).

Part of the challenge of finding information is the ability to manage the results. Because there is so much data, changing so quickly, in so many different formats, it can be challenging to organize and store them in such a way as to be useful. SCONUL (2016) talks about this as the ability to organize, store, manage, and cite digital resources, while the Educational Testing Service also specifically mentions the skills of accessing and managing information. Some ways to accomplish these tasks is using social bookmarking tools such as Diigo, clipping and organizing software such as Evernote and OneNote, and bibliographic software. Many sites, such as YouTube, allow individuals with an account to bookmark videos, as well as create channels or collections of videos for specific topics or uses. Other websites have similar features.

Understanding

Understanding in the context of digital literacy perhaps most closely resembles traditional literacy because it is the ability to read and interpret text (Jones-Kavalier & Flannigan, 2006). In the digital age, however, the ability to read and understand extends much further than text alone. For example, searches may return results with any combination of text, video, sound, and audio, as well as still and moving pictures. As the internet has evolved, a whole host of visual languages have also evolved, such as moving images, emoticons, icons, data visualizations, videos, and combinations of all the above. Lankshear & Knoble (2008) refer to these modes of communication as “post typographic textual practice.” Understanding the variety of modes of digital material may also be referred to as multimedia literacy (Jones-Kavalier & Flannigan, 2006), visual literacy (Tyner, 1998), or digital literacy (Buckingham, 2006).

Evaluating digital media requires competencies ranging from assessing the importance of a piece of information to determining its accuracy and source. Evaluating information is not new to the digital age, but the nature of digital information can make it more difficult to understand who the source of information is and whether it can be trusted (Jenkins, 2018). When there are abundant and rapidly changing data across heavily populated networks, anyone with access can generate information online. This results in the learner needing to make decisions about its authenticity, trustworthiness, relevance, and significance. Learning evaluative digital skills means learning to ask questions about who is writing the information, why they are writing it, and who the intended audience is (Buckingham, 2006). Developing critical thinking skills is part of the literacy of evaluating and assessing the suitability for use of a specific piece of information (SCONUL, 2016).

Creating in the digital world makes the production of knowledge and ideas in digital formats explicit. While writing is a critical component of traditional literacy, it is not the only creative tool in the digital toolbox. Other tools are available and include creative activities such as podcasting, making audio-visual presentations, building data visualizations, 3D printing, and writing blogs. Tools that haven’t been thought of before are constantly appearing. In short, a digitally literate individual will want to be able to use all formats in which digital information may be conveyed in the creation of a product. A key component of creating with digital tools is understanding what constitutes fair use and what is considered plagiarism. While this is not new to the digital age, it may be more challenging these days to find the line between copying and extending someone else’s work.

In part, the reason for the increased difficulty in discerning between plagiarism and new work is the “cut and paste culture” of the Internet, referred to as “reproduction literacy” (Eshet 2002, p.4), or appropriation in Jenkins’ New Media Literacies (Jenkins, 2018). The question is, what kind and how much change is required to avoid the accusation of plagiarism? This skill requires the ability to think critically, evaluate a work, and make appropriate decisions. There are tools and information to help understand and find those answers, such as the Creative Commons. Learning about such resources and how to use them is part of digital literacy.

Communicating

Communicating is the final category of digital skills in the ALA digital framework. The capacity to connect with individuals all over the world creates unique opportunities for learning and sharing information, for which developing digital communication skills is vital. Some of the skills required for communicating in the digital environment include digital citizenship, collaboration, and cultural awareness. This is not to say that one does not need to develop communication skills outside of the digital environment, but that the skills required for digital communication go beyond what is required in a non-digital environment. Most of us are adept at personal, face- to-face communication, but digital communication needs the ability to engage in asynchronous environments such as email, online forums, blogs, social media, and learning platforms where what is written may not be deleted and may be misinterpreted. Add that to an environment where people number in the millions and the opportunities for misunderstanding and cultural miscues are likely.

The communication category of digital literacies covers an extensive array of skills above and beyond what one might need for face-to-face interactions. It is comprised of competencies around ethical and moral behavior, responsible communication for engagement in social and civic activities (Adam Becker et al., 2017), an awareness of audience, and an ability to evaluate the potential impact of one’s online actions. It also includes skills for handling privacy and security in online environments. These activities fall into two main categories: digital citizenship and collaboration.

Digital citizenship refers to one’s ability to interact effectively in the digital world. Part of this skill is good manners, often referred to as “netiquette.” There is a level of context which is often missing in digital communication due to physical distance, lack of personal familiarity with the people online, and the sheer volume of the people who may encounter our words. People who know us well may understand exactly what we mean when we say something sarcastic or ironic, but people online do not know us, and vocal and facial cues are missing in most digital communication, making it more likely we will be misunderstood. Furthermore, we are more likely to misunderstand or be misunderstood if we are unaware of cultural differences. So, digital citizenship includes an awareness of who we are, what we intend to say, and how it might be perceived by other people we do not know (Buckingham, 2006). It is also a process of learning to communicate clearly in ways that help others understand what we mean.

Another key digital skill is collaboration, and it is essential for effective participation in digital projects via the Internet. The Internet allows people to engage with others they may never see in person and work towards common goals, be they social, civic, or business oriented. Creating a community and working together requires a degree of trust and familiarity that can be difficult to build when there is physical distance between the participants. Greater effort must be made to be inclusive , and to overcome perceived or actual distance and disconnectedness. So, while the potential of digital technology for connecting people is impressive, it is not automatic or effortless, and it requires new skills.

Literacy narratives are stories about reading or composing a message in any form or context. They often include poignant memories that involve a personal experience with literacy. Digital literacy narratives can sometimes be categorized as ones that focus on how the writer came to understand the importance of technology in their life or pedagogy. More often, they are simply narratives that use a medium beyond the print-based essay to tell the story:

Create your own literacy narrative that tells of a significant experience you had with digital literacy. Use a multi-modal tool that includes audio and images or video. Share it with your classmates and discuss the most important ideas you notice in each other’s narratives.

Critical literacy

Literacy scholars recognize that although literacy is a cognitive skill, it is also a set of practices that communities and people participate in. Next, we turn to another perspective on literacy – critical literacy. “Critical” here is not meant as having a negative point of view, but rather using an analytic lens that detects power, privilege, and representation to understand different ways of looking at texts. For example, when groups or individuals stage a protest, do the media refer to them as “protesters” or “rioters?” What is the reason for choosing the label they do, and what are the consequences? 

Critical literacy does not have a set definition or typical history of use, but the following key tenets have been described in the literature, which will vary in their application based on the individual social context (Vasquez, 2019). Table 1 presents some key aspects of critical literacy, but this area of literacy research is growing and evolving rapidly, so this is not an exhaustive list.

An important component of critical literacy is the adoption of culturally responsive and sustaining pedagogy. One definition comes from Dr. Django Paris (2012), who stated that Culturally Responsive-Sustaining (CR-S) education recognizes that cultural differences (including racial, ethnic, linguistic, gender, sexuality, and ability ones) should be treated as assets for teaching and learning. Culturally sustaining pedagogy requires teachers to support multilingualism and multiculturalism in their practice. That is, culturally sustaining pedagogy seeks to perpetuate and foster—to sustain—linguistic, literary, and cultural pluralism as part of the democratic project of schooling.

For more, see the Culturally Responsive and Sustaining F ramework . The framework helps educators to think about how to create student-centered learning environments that uphold racial, linguistic, and cultural identities. It prepares students for rigorous independent learning, develops their abilities to connect across lines of difference, elevates historically marginalized voices, and empowers them as agents of social change. CR-S education explores the relationships between historical and contemporary conditions of inequality and the ideas that shape access, participation, and outcomes for learners.

• What can you do to learn more about your students’ cultures?
• How can you build and sustain relationships with your students?
• How do the instructional materials you use affirm your students’ identities?

Community-based literacies

You may have noticed that communities are a big part of critical literacy – we understand that our environment and culture impact what we read and how we understand the world. Now think about the possible differences among three Iowa communities: a neighborhood in the middle of Des Moines, the rural community of New Hartford, and Coralville, a suburb of Iowa City:

You may not have thought about how living in a certain community might contribute to or take away from a child’s ability to learn to read. Dr. Susan Neuman (2001) did. She and her team investigated the differences between two neighborhoods regarding how much access to books and other reading materials children in those neighborhoods had. One middle-to-upper class neighborhood in Philadelphia had large bookstores, toy stores with educational materials, and well-resourced libraries. The other, a low-income neighborhood, had no bookstores or toy stores. There was a library, but it had fewer resources and served a larger number of patrons. In fact, the team found that even the signs on the businesses were harder to read, and there was less environmental printed word. Their findings showed that each child in the middle-class neighborhood had 13 books on average, while in the lower-class neighborhood there was one book per 300 children .

Dr. Neuman and her team (2019) recently revisited this question. This time, they looked at low-income neighborhoods – those where 60% or more of the people are living in poverty . They compared these to borderline neighborhoods – those with 20-40% in poverty – in three cities, Washington, D.C., Detroit, and Los Angeles. Again, they found significantly fewer books in the very low-income areas. The chart represents the preschool books available for sale in each neighborhood. Note that in the lower-income neighborhood of Washington D.C., there were no books for young children to be found at all!

Now watch this video from Campaign for Grade Level Reading. Access to books is one way that children can have new experiences, but it is not the only way!

What is the “summer slide,” and how does it contribute to the differences in children’s reading abilities?

The importance of being literate and how to get there

“Literacy is a bridge from misery to hope” – Kofi Annan, former United Nations Secretary-General.

Our economy is enhanced when citizens have higher literacy levels. Effective literacy skills open the doors to more educational and employment opportunities so that people can lift themselves out of poverty and chronic underemployment. In our increasingly complex and rapidly changing technological world, it is essential that individuals continuously expand their knowledge and learn new skills to keep up with the pace of change. The goal of our public school system in the United States is to “ensure that all students graduate from high school with the skills and knowledge necessary to succeed in college, career, and life, regardless of where they live.” This is the basis of the Common Core Standards, developed by the Council of Chief State School Officers (CCSSO) and the National Governors Association Center for Best Practices (NGA Center). These groups felt that education was too inconsistent across the different states, and today’s students are preparing to enter a world in which colleges and businesses are demanding more than ever before. To ensure that all students are ready for success after high school, the Common Core State Standards established clear universal guidelines for what every student should know and be able to do in math and English language arts from kindergarten through 12th grade: “The Common Core State Standards do not tell teachers how to teach, but they do help teachers figure out the knowledge and skills their students should have” (Common Core State Standards Initiative, 2012).

Explore the Core!

Go to iowacore.gov and click on Literacy Standards. Spend some time looking at the K-3 standards. Notice how consistent they are across the grade levels. Each has specific requirements within the categories:

• Reading Standards for Literature
• Reading Standards for Informational Text
• Reading Standards for Foundational Skills
• Writing Standards
• Speaking and Listening Standards
• Language Standards

Download the Iowa Core K-12 Literacy Manual . You will use it as a reference when you are creating lessons.

Next, explore the Subject Area pages and resources. What tools does the state provide to teachers to support their use of the Core?

Describe a resource you found on the website. How will you use this when you are a teacher?

Watch this video about the Iowa Literacy Core Standards:

• Literacy is typically defined as the ability to ingest, understand, and communicate information.
• Literacy has multiple definitions, each with a different point of focus.
• “New literacies,” or multiliteracies, are a combination of multiple ways of communicating and making meaning, including visual, audio, spatial, behavioral, and gestural communication.
• As online communication has become more prevalent, digital literacy has become more important for learners to engage with the wealth of information available online.
• Critical literacy develops learners’ critical thinking by asking them to use an analytic lens that detects power, privilege, and representation to understand different ways of looking at information.
• The Common Core State Standards were established to set clear, universal guidelines for what every student should know after completing high school.

Resources for teacher educators

• Culturally Responsive-Sustaining Education Framework [PDF]
• Common Core State Standards
• Iowa Core Instructional Resources in Literacy

Gonzalez, N., Moll, L. C., & Amanti, C. (Eds.). (2006). Funds of knowledge: Theorizing practices in households, communities, and classrooms . New York, NY: Routledge.

Lau, S. M. C. (2012). Reconceptualizing critical literacy teaching in ESL classrooms. The Reading Teacher, 65 , 325–329.

Literacy. (2018, March 19). Retrieved March 2, 2020, from  https://en.unesco.org/themes/literacy

Neuman, S. B., & Celano, D. (2001). Access to print in low‐income and middle‐income communities: An ecological study of four neighborhoods. Reading Research Quarterly, 36 (1), 8-26.

Neuman, S. B., & Moland, N. (2019). Book deserts: The consequences of income segregation on children’s access to print.  Urban education, 54 (1), 126-147.

New London Group (1996). A Pedagogy of multiliteracies: Designing social futures.  Harvard Educational Review, 66 (1), 60-92.

O’Brien, J. (2001). Children reading critically: A local history. In B. Comber & A. Simpson (Eds.), Negotiating critical literacies in classrooms (pp. 41–60). Mahwah, NJ: Lawrence Erlbaum.

Ordoñez-Jasis, R., & Ortiz, R. W. (2006). Reading their worlds: Working with diverse families to enhance children’s early literacy development. Y C Young Children, 61 (1), 42.

Saha S. (2006). Improving literacy as a means to reducing health disparities. J Gen Intern Med. 21 (8):893-895. doi:10.1111/j.1525-1497.2006.00546.x

UNESCO. (2017). Literacy rates continue to rise from one generation to the next global literacy trends today. Retrieved from http://on.unesco.org/literacy-map.

Vasquez, V.M., Janks, H. & Comber, B. (2019). Critical Literacy as a Way of Being and Doing. Language Arts, 96 (5), 300-311.

Vlieghe, J. (2015). Traditional and digital literacy. The literacy hypothesis, technologies of reading and writing, and the ‘grammatized’ body. Ethics and Education, 10 (2), 209-226.

Zimmerman, E. B., Woolf, S. H., Blackburn, S. M., Kimmel, A. D., Barnes, A. J., & Bono, R. S. (2018). The case for considering education and health. Urban Education, 53 (6), 744-773.U.S. Department of Education. Institute of Education Sciences.

U.S. Department of Education. Institute of Education Sciences, National Center for Education Statistics, National Assessment of Educational Progress (NAEP), 2022 Reading Assessment.

Methods of Teaching Early Literacy Copyright © 2023 by Constance Beecher is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

How to Write a Literacy Narrative Essay | Guide & Examples

22 December 2023

last updated

Mastering an art of writing requires students to have a guideline of how to write a good literacy narrative essay, emphasizing the details they should consider. This article begins by defining this type of academic document, its distinctive features, and its unique structure. Moreover, the guideline teaches students how to choose some topics and provides a sample outline and an example of a literacy narrative essay. Other crucial information is the technical details writers should focus on when writing a document, 10 things to do and not to do, and essential tips for producing a high-standard text. Therefore, reading this guideline benefits students and others because one gains critical insights that help to start writing a literacy narrative essay and want to meet a scholarly standard.

General Aspects of How to Write an Outstanding Literacy Narrative Essay

Learning how to write many types of essays should be a priority for any student hoping to be intellectually sharp. Besides being an exercise for academic assessment, writing is a platform for developing mental faculties, including intellect, memory, imagination, reason, and intuition. This guideline of how to write a literacy narrative, and this type of essay requires students to tell their story through the text. It defines a literacy narrative, distinctive text features, unique structure, possible topics students can choose from, and the technicality of writing this kind of text. There is also a sample outline and an example of a good literacy narrative essay. Hence, this guideline gives students critical insights for writing a high-standard literacy narrative essay.

Definition of What Is a Literacy Narrative Essay and Its Meaning

A literacy narrative is an essay that tells the writer’s personal story. It differs from other types of papers , including an argumentative essay , an analytical essay , a cause and effect essay , a report , or a research paper . While these other texts require students to borrow information from different sources to strengthen a thesis statement and back up claims, a literacy narrative means that students narrate an experience or event that has impacted them significantly. In other words, writers focus on one or several aspects of their lives and construct a story through the text. Therefore, when writing a literacy narrative essay, students should examine and reexamine their life course to identify experiences, events, or issues that stand out because they were pleasant or unpleasant. After identifying a memorable aspect of their life, students should use their accumulated knowledge to construct a narrative through speaking, reading, or writing.

Distinctive Features of a Literacy Narrative Essay

Every type of scholarly text has distinctive features that differentiate it from others. While some features may be standard among academic papers, most are not. Therefore, when writing a literacy narrative essay, students must first familiarize themselves with the features that make this kind of document distinct from others, like reports and research papers. With such knowledge, writers can know when to use an element when telling their personal stories through writing. Some distinctive features of a literacy narrative essay include a personal tone, a private tale, descriptive language, show-not-tell, active voice, similes and metaphors, and dialogue .

💠 Personal Tone

A personal tone is a quality that makes a narrative personal, meaning it is the writer telling the story. In this respect, students should use the first-person language, such as ‘I’ and ‘we,’ throughout the story. Using these terms makes the audience realize that the story is about the writer and those close to them, such as family, peers, and colleagues. The value of using a personal tone in writing a literacy narrative essay is that it reinforces the story’s theme, such as celebration or tragedy. In essence, people hearing, listening, or reading the story can appreciate its direct effect on the reader, speaker, or writer.

💠 Private Story

The essence of a literacy narrative essay is to tell a personal story. In this respect, telling people about a private experience, event, or issue gives this kind of text a narrative identity. Although the story people tell need not be about them, they must have been witnesses. For example, one can write a literacy narrative essay about their worst experience after joining college. Such a narrative should tell a private story involving the writer directly. Alternatively, people can write a literacy narrative essay about the day they witnessed corruption in public office. Such a narrative should not necessarily focus on the writer but on corrupt individuals in public office. Therefore, a private story should have the writer as the central character or a witness to an event.

💠 Descriptive Language

Since a literacy narrative essay is about a personal, private story that tells the writer’s experience, it is critical to provide details that help the audience to identify with the experience. Individuals can only do this activity by using descriptive language in their stories because the audience uses the information to imagine what they hear or read. An example of descriptive language is where, instead of writing, “I passed my aunt by the roadside as I headed home to inform others about the event,” one should write, “As I headed home to inform others about the happening, I came across my aunt standing on the roadside with a village elder in what seemed like a deep conversation about the event that had just transpired.” This latter statement is rich with information the audience can use to imagine the situation.

💠 Show-Not-Tell

A literacy narrative essay aims to help the audience to recreate the writer’s experience in their minds. As such, they focus less on telling the audience what happened and more on ‘showing’ them how events unfolded. A practical method for doing this activity is comprehensively narrating experiences and events. For example, authors should not just write about how an experience made them feel, but they should be thorough in their narration by telling how the feeling affected them, such as influencing them to do something. As a result, a literacy narrative essay allows writers to show the audience how past experiences, events, or situations affected them or influenced their worldviews.

💠 Active Voice

Academic writing conventions demand that students write non-scientific scholarly documents, including literacy narrative essays, in the active voice, meaning writing in a form where the subject of a sentence performs the action. Practically, it should follow the following format: subject + verb + object. For example, this arrangement makes the sentence easy to read but, most importantly, keeps meanings in sentences clear and avoids complicating sentences or making them too wordy. The opposite of the active voice is the passive voice, which is common in scientific papers. The following sentence exemplifies the active voice: “The young men helped the old lady climb the stairs.” A passive voice would read: “The old woman was helped by the young men to climb up the stairs.” As is evidence, the active voice is simple, straightforward, and short as opposed to the passive voice.

💠 Similes and Metaphors

Similes and metaphors are literary devices or figures of speech writers use to compare two things that are not alike in literacy narrative essays. The point of difference between these aspects is that similes compare two things by emphasizing one thing is like something else, while metaphors emphasize one thing is something else. Simply put, similes use the terms ‘is like’ or ‘is as…as’ to emphasize comparison between two things. A metaphor uses the word ‘is’ to highlight the comparison. Therefore, when writing a literary narrative essay, students should incorporate similes by saying, “Friendship is like a flowery garden,” meaning friendship is pleasant. An example of a metaphor one can use is the statement: “My uncle’s watch is a dinosaur,” meaning it is ancient, a relic.

Dialogue is communication between two or more people familiar with plays, films, or novels. The purpose of this kind of communication is to show the importance of an issue to different people. Generally, discussions are the most common platforms for dialogue because individuals can speak their minds and hear what others say about the same problem. Dialogue is a distinctive feature of a literacy narrative essay because it allows writers to show-not-tell. Authors can show readers how their interaction with someone moved from pleasant to unpleasant through dialogue. Consequently, dialogue can help readers to understand the writer’s attitudes, mindset, or state of mind during an event described in the text. As such, incorporating a dialogue in a literacy narrative essay makes the text personal to the writer and descriptive to the reader.

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Unique Structure of a Literacy Narrative Essay

Besides the distinctive features above, a literacy narrative is distinct from other types of scholarly documents because it has a unique essay structure . In academic writing, a text’s structure denotes essay outline that writers adopt to produce the work. For example, it is common knowledge that essays should have three sections: introduction, body, and conclusion . In the same way, literacy narratives, which also follow this outline, have a structure, which students should demonstrate in the body. The structure addresses a literacy issue, solution, lesson, and summary . This structure allows writers to produce a coherent paper that readers find to have a logical flow of ideas.

1️⃣ Literacy Issue

A literacy issue signifies a problem or struggles for the writer and is the personal or private issue that the narrative focuses on. Ideally, students use this issue to give the audience a sneak peek into their personalities and private life. Most literacy issues are personal experiences involving a problem or struggle and their effect on the writer and those close to them, like family members or friends. Therefore, when writing a literacy narrative essay, students should identify personal problems or struggles in their past and make them the paper’s focal subject.

2️⃣ Solution

The solution element in a literacy narrative essay describes how writers overcame their problems or managed personal struggles. Simply put, it is where authors tell and show readers how they solved the personal, private issue that is the paper’s subject. Such information is crucial to readers because they need to know what happened to the writer, who they see as the hero or protagonist of the story. For example, literacy narratives are informative because they show the audience how writers dealt with a problem or struggle and how they can use the same strategy to overcome their examples. From this perspective, students should write a literacy narrative essay to inform and empower readers through insights that are relevant and applicable to one’s life.

The lesson element is the message readers get from the writer’s narrative about a literacy issue and its solution. For example, students can talk about how lacking confidence affects their social life by undermining their ability to create and nurture friendships. This problem is personal and becomes a literacy issue. Then, they show readers how they dealt with the situation, such as reading books and articles on building personal confidence. Writers should use practical examples of how they solved their problems or struggles. Overall, including all the information about the unique situation or struggle and the solution helps readers to learn a lesson, what they take away after reading the text. As such, students should know that their literacy narrative essays must have a lesson for their readers.

4️⃣ Summary

The summary element briefly describes a personal experience and its effects. Every literacy narrative essay must summarize the writer’s experience to allow readers to judge, such as learning the value of something. When summarizing their personal story, such as an experience, students should understand that the summary must be brief but detailed enough to allow readers to put themselves in their place. In other words, the summary must be relevant to the reader and the broader society. The most crucial element in the summary is emphasizing the lesson from the personal issue by telling how the writer addressed the personal issue.

Examples of Famous Literacy Narrative Essays

Research is an essential activity that helps writers to find credible sources to support their work. When writing literacy narrative essays, students should adopt this approach to find famous literacy narratives and discover what makes them popular in the literary world. Students should focus on how writers adopt the unique structure described above. The list below highlights five popular literacy narratives because they are high-standard texts.

Learning to Read by Malcolm X

Malcolm X’s Learning to Read is a literacy narrative that describes his journey to enlightenment. The text reflects the unique structure of a literacy narrative because it communicates a personal issue, the solution to the problem, a lesson to the reader, and a summary of the writer’s experience. For example, the literacy issue is the writer’s hardships that inspired his journey to becoming a literate activist. After dropping from school at a young age, Malcolm X committed a crime that led to his imprisonment. The solution to his hardships was knowledge, and he immersed himself in education by reading in the prison library, gaining essential knowledge that helped him to confront his reality. The lesson is that education is transformative, and people can educate themselves from ignorance to enlightenment. The summary is that personal struggles are a ladder to more extraordinary life achievements.

Scars: A Life in Injuries by David Owen

David Owen’s Scars: A Life in Injuries is a literacy narrative that adopts the unique structure above. The literacy issue in the story is Owen’s scars, including over ten injuries and witnessing Duncan’s traumas. For example, the solution that the article proposes for dealing with personal scars is finding a purpose in each. The text describes how Owen saw each scar not as bad but as something that gave him a reason to live. The lesson is that scars are not just injuries but stories people can tell others to give hope and a reason for living. The summary is that life’s misfortunes should not be a reason to give up but a motivation to press on. It clarifies that, while misfortunes can lead to despair, one must be bold enough to see them as scars, not disabilities.

Notes of a Native Son by James Baldwin

James Baldwin’s Notes of a Native Son reflects the writer’s tense relationship with his father in the context of racial tension that gripped New York City in the mid-20th century. The story fits the unique structure of a literacy narrative. The personal issue in the text is the writer’s tense relationship with his father. The solution to this struggle is accepting life as it is and humans as they are, not struggling to change anyone or anything. For example, the lesson in the text is that the family can cause pain and anguish, and the best people can do is not to let others influence their feelings, attitude, behaviors, or motivations in life. The summary is that people’s struggles are a fire that sparks a revolution of ideas that uplift them and others in the broader society.

Dreams From My Father by Barack Obama

Barack Obama’s Dreams From My Father is the story of the writer’s search for his biracial identity that satisfies the unique structure of a literacy narrative. For example, the personal issue in the text is Obama’s desire to understand the forces that shaped him and his father’s legacy, which propelled him to travel to Kenya. The journey exposed him to brutal poverty and tribal conflict and a community with an enduring spirit. The solution to this personal struggle is becoming a community organizer in the tumultuous political and racial strife that birthed despair in the inner cities. The reader learns that community is valuable in healing wounds that can lead to distress. The summary is that family is crucial to one’s identity, and spending time to know one’s background is helpful for a purposeful and meaningful life.

A Moveable Feast by Ernest Hemingway

Ernest Hemingway’s A Moveable Feast recalls the writer’s time in Paris during the 1920s. The personal issue in the text is dealing with a changing Paris. The solution to the writer’s struggle was to build a network of friends and use them as a study. For example, the text summarizes the writer’s story by discussing his relationships, including befriending Paul Cézanne, Ezra Pound, and F. Scott  Fitzgerald. He found some unpleasant and others very hedonistic. The reader learns from the text that friendships are vital in one’s professional journey because they provide insights into the attitudes that make up the human community. The summary is that one’s friendships are crucial in social and intellectual development, despite the weaknesses of some friends.

Topic Examples for Writing a Good Literacy Narrative Essay

Since students may get a chance to write a literacy narrative essay, they should learn how to choose good essay topics . Typically, students receive instructions specifying the topic, but, sometimes, such specifications may be lacking. In such an instance, one must know how to choose a good theme from lists of popular narrative essay topics or personal essay topics . For example, the best approach in selecting a subject is to read widely while noting valuable ideas. These aspects are a good starting point when deciding the subject of a literacy narrative essay. The following list provides easy topics for this kind of scholarly paper because they require students to tell a personal story, addressing the elements of the unique structure.

• Overcoming a Fear That Changed My Life
• A Memorable Day in Winter
• My Experience in an Adventure in Africa
• The Greatest Lessons in Friendship
• My Family Is My Anchor
• The Day I Will Never Forget
• My Life as a Community Advocate
• Delving Into the Enigma of Alternate Universes: A Hypothetical Journey

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Sample Outline Template for Writing a Literacy Narrative Essay

I. College Essay Introduction

• A hook : An exciting statement to grab the reader’s attention.
• Background of the topic.
• A thesis that states the topic’s significance to the writer and reader.

A. Literacy Issue:

• State the literacy issue that signifies a personal problem, struggle, or issue.

B. Solution

• Give some background information about the literacy issue.
• Describe the setting of the literacy issue.
• Mention some characters involved in solving the literacy issue.
• Give a short story about the literacy issue and its significance.

D. Summary:

• State the outcomes of the literacy issue through detailed language.

III. Conclusion Examples

• Restate the thesis.
• State the outcome and the lesson.

Example of a Literacy Narrative Essay

Topic: My Life as a Community Advocate

I. Example of an Introduction of a Literacy Narrative Essay

Community service is a noble idea that should form part of every person’s life mantra. The context of community is the myriad social issues that may undermine people’s quality of life without adequate interventions. My life as a community advocate is about how I have helped to address social issues without holding any public office, evidence that all one needs is love, concern, focus, and commitment.

II. Examples of Body Paragraphs of a Literacy Narrative Essay

A. literacy issue sample paragraph.

Community service is a noble duty every person should view as an intervention against social problems that potentially undermine the quality of life of vulnerable groups in society, such as children, persons living with disabilities, and senior citizens. Community advocacy is standing up for the community in critical forums where decision-makers gather. As such, my life as a community advocate involves attending community meetings, political gatherings, seminars, and any association that consists of an interaction between ordinary people and those in leadership. My goal in such meetings is to raise issues affecting vulnerable groups in my community, which need more attention from local, state, or national leadership.

B. Solution Sample Paragraph

My life as a community advocate happens in the community where I live and any place where leaders with the power to change the community’s political, economic, and social architecture gather. In this respect, people involved in my role as a community advocate include elected leaders at the local, state, and national levels and leaders of various groups, including senior citizens and persons with disabilities. I also interact with school administrators, social workers, and health professionals like psychologists. These people are valuable in providing insights into different groups’ challenges and what is missing to make their lives satisfactory, if not better. It is common knowledge that vulnerable groups are significantly disadvantaged across dimensions of life, including employment, healthcare, and leadership. Therefore, my life as a community advocate focuses on being a voice for these groups in forums where those with the potential to improve their experiences and outcomes are present.

C. Lesson Sample Paragraph

An event that makes me proud of being a community advocate is when I helped to create a school-based program for children from low-income households below the age of five in my county. The program’s objective was to feed children and provide essential amenities they lacked due to their parent’s or guardians’ economic circumstances. Over time, I have learned that several counties across the state have adopted the program and made the lives of vulnerable children promising.

D. Summary Sample Paragraph

I took part in activities and improved the quality of health support for children. I have learned from several clinicians and social workers that children in the program have shown improved scores in body immunity because of good nutrition. Such news makes me proud to be a community advocate and continue being a voice for the voiceless in a society where politicians have prioritized self-interests in local, state, and national leadership.

III. Example of a Conclusion of a Literacy Narrative Essay

My life as a community advocate has shown me that people can solve social problems without minding their position in the community. The only tools I have used are love, concern, focus, and commitment to make the lives of vulnerable groups satisfactory, if not better. Looking back, I feel proud knowing I have helped vulnerable children to experience a life they may have missed if no one showed love and care. My community advocacy is evidence that people can solve social problems by caring.

4 Easy Steps for Writing a Great Literacy Narrative Essay

Writing a literacy narrative essay is a technical exercise that involves several steps. Each step requires writers to demonstrate sufficient knowledge of how to write this type of scholarly document. In essence, the technical details of writing a good literacy narrative essay are the issues one must address in each step of writing: preparation, stage setup, writing a first draft, and wrap-up. Although not every detail applies in a literacy narrative, most do, and students must grasp all for an improved understanding of what writing a high-standard academic document means.

Step 1: Preparation

Preparation is the first step in starting a literacy narrative essay. One technical detail students should address is defining a specific topic. Typically, instructors choose the topic, but students can select one if such a specification is lacking. For example, the best way to choose a topic is research, where one searches for documents, including famous narratives, on the Internet, using online databases. The second technical detail is to generate ideas, which means reading reliable sources while making notes. In this task, one should consider the audience to determine whether to use simple or technical language.

Step 2: Stage Set Up

Setting the stage is the second step in writing a literacy narrative essay. The first technical detail one needs to address is to create a well-organized outline according to the one above. For example, this task helps writers to assess their ideas to see whether they are sufficient for each paper section. The second technical detail is gathering stories by recalling experiences and events significantly affecting one’s life. The last technical point is constructing a hook, a statement that will help the text to grab readers’ attention from the start.

Step 3: Writing a First Draft

Writing a first draft of a literacy narrative essay is the third step in this activity. The first technical detail students should address is creating a draft. This text is the first product of the writing process and helps writers to judge their work. For example, the main issue is whether they have used all the ideas to construct a compelling narrative. The answer will determine if they will add new ideas or delete some, meaning adding or deleting academic sources. Whatever the outcome, writers may have to alter clear outlines to fit all the ideas necessary to make papers compelling and high-standard.

Writing an Introduction for a Literacy Analysis Essay

Students should focus on three outcomes when writing a good introduction: a hook, context, and thesis. The hook is a statement that captures the reader’s attention. As such, one must use a quote, fact, or question that triggers the reader’s interest to want to read more. Context is telling readers why the topic is vital to write about. A thesis is a statement that summarizes the writer’s purpose for writing a literacy narrative essay.

Writing a Body for a Literacy Analysis Essay

Writing the body part of a literacy narrative essay requires addressing the essential elements of a unique structure. The first element is to state a personal issue and make it the center of the narrative. The best approach is to look into the past and identify an experience or event with a lasting impact. The second element is a solution to the problem or struggle resulting from the personal issue. Therefore, writers should identify personal problems that expose them to conflict with others or social structures and systems. The third element is a lesson, how the personal issue and the solution affect the writer and potentially the reader. The last element is a summary, where authors conclude by giving readers a life perspective relating to the personal story.

Writing a Conclusion for a Literacy Analysis Essay

When writing a conclusion part for a literacy narrative essay, students should summarize the story by reemphasizing the thesis, the personal issue, and the lesson learned. Ideally, the goal of this section is not to introduce new ideas but reinforce what the paper has said and use the main points to conclude the story. As such, writers should not leave readers with questions but give information that allows them to draw a good lesson from the text.

Step 4: Wrap Up

The last step in writing a literacy narrative essay is wrapping up a final draft. The first technical detail students should address is revising the sections without a logical order of ideas. Ideally, one should read and reread their work to ensure the sentences and paragraphs make logical sense. For example, this task should ensure all body paragraphs have a topic sentence , a concluding sentence, and a transition. The next technical detail is editing a final draft by adding or deleting words and fixing grammar and format errors. Lastly, writers should confirm that a literary narrative essay adopts a single formatting style from beginning to end. Content in literacy narratives includes block quotes and dialogue. Students should format them appropriately as follows:

• Block quotes: Select the text to quote, click “Layout” on the ribbon, set the left indent to 0.5cm, click the “Enter” key, then use the arrows in the indent size box to increase or decrease the indentation.
• Dialogue: Use quotation marks to start and end spoken dialogue and create a new paragraph for each speaker.

20 Tips for Writing a Literacy Narrative Essay

Writing a literacy narrative essay requires students to learn several tips. These elements include choosing topics that are meaningful to the writer, generating ideas from the selected themes and putting them in sentence form, creating a clear outline and populating it with the ideas, writing the first draft that reflects the unique structure (literacy issue, solution, lesson, and summary), reading and rereading the draft, revising and editing the draft to produce a high-quality literacy narrative essay, proofreading the document.

10 things to do when writing a literacy narrative essay include:

• developing a hook to grab the readers’ attention,
• writing in paragraphs ,
• using the correct grammar,
• incorporating verbs that trigger the reader’s interest,
• showing rather than telling by using descriptive language,
• incorporating a dialogue,
• varying sentence beginnings,
• following figurative speech,
• formatting correctly,
• rereading the text.

10 things not to do include:

• choosing an irrelevant topic that does not stir interest in the reader,
• presenting a long introduction,
• providing a thesis that does not emphasize a personal issue,
• writing paragraphs without topic sentences and transitions,
• ignoring the unique structure of a literacy narrative essay (literacy issue, solution, lesson, and summary),
• focusing on too many personal experiences or events,
• using several formatting styles,
• writing sentences without logical sense,
• finalizing a document with multiple grammatical and formatting mistakes,
• not concluding the narrative by reemphasizing the thesis and lesson learned.

Summing Up on How to Write a Perfect Literacy Narrative Essay

• For writing a good literacy narrative essay, think of a personal experience or an event with a lasting impact.
• Use descriptive language to narrate the experience or event.
• Identify a conflict in the experience or event.
• State how the conflict shaped your perspective.
• Provide a solution to the conflict.
• Mention the setting of the personal experience or event, including people or groups involved.
• State the significance of the experience or event to people and groups involved and the broader society.

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What Counts as Literacy?

Reading together.

Instructions for joining on the Assignments page.

Reflection on literacy

By daniellemota | may 15, 2013.

Before stepping into our literacy studies class, I had no idea what to expect, just like I have no idea what to expect in any other class, but it sounded interesting to me. I had always thought as the majority does of literacy only being about reading and writing but something about the word “literacy” itself sounding so broad to me made me think that reading and writing could not even begin to cover what literacy is, and that’s exactly what we’ve been learning in class.

Literacy is not just about reading and writing, it encompasses so much more. Reading and writing themselves are not so black and white either. There are different types of reading and writing that one can do and they’re not the same thing to every person out there because we all have different literacy practices/skills based on our place in society, our ethnicity, etc. We are all on different reading and writing levels, and take different approaches and techniques when it comes to reading and writing. There is no right or wrong way to go about it. No concrete meaning that can be attached to literacy. No concrete set of rules that can be applied to our learning, reading, and writing processes. We have to follow what we feel is the right way to go about these things.

The fact that literacy is not black and white is liberating when one actually comes to term with all it has to encompass especially for those who have been told that they are illiterate or who feel that they can’t read or don’t know how to read and write, and those who have been placed on lower reading and writing levels that make them feel stupid. Having kids take standardized tests that rank them on their reading and writing skills and placing them into certain categories is a disservice to kids. It can hinder and discourage and even worse, instructors that feel that they can’t be helped and won’t be able to move forward from their low levels just give up on the kids and that’s so sad because every kid deserves a chance to better themselves intellectually and to be able to move forward. Everybody is literate is some way, shape, or form it just may not be the same as yours but that is no reason to write them off as being illiterate. Working in our book clubs and article groups, I felt a deeper and better understanding of this.

The book I read in my book club was “Just Girls” which followed two different groups of middle school girls and their literacy practives, while also giving the reader some background information on each of the girl’s lives in school and at home. The two groups of girls were labeled as the “social queens” and the “tough cookies.” The “social queens” were the popular girls in the school and the “tough cookies” were the more quiet, not so popular, smart, outcasts of the school. Each group had their own literacy practices, the “social queens” mostly read teen magazines and passed notes during class while the tough cookies actually did their school work and read books as opposed to magazines and they weren’t note-passers. What I got from the book is that literacy practices can be seen and made to create social boundaries. Certain literacy practices are associated within certain social groups and the priorites of each social group differ. For example the parents of the “social queens” (who come from money) didn’t worry much about their daughter’s literacy practices, saying that being socially involved in school activities and sports were just as important if not more important than being good in school, while the “tought cookies” parents were more or less opposite since they weren’t rich and thought having a good education would be beneficial to getting a good job and would benefit the family.

In my article group of hip hop and literacy, the literacy practices I saw were more of a means of self-expression. The kids in one of the articles that I read which is called, “A love for the thing…” by Susan Weinstien, all have their own styles of rapping and self-expression. The kids in the article are siblings but each of them raps about different topics or themes and have distinct sounds to them. This was the most interesting article that I read for my article group and it opens the possibilities to the use of what literacy practices can be and how literacy is used by different groups of people. Reading and writing is a means of self-expression and it is an indication to the type of person you are and can point out your likes and dislikes depending on the type of material you read and the style in which you write and express yourself, which in my opinion, is so vital to our literacy practices and ways of learning.

One idea that sums up what I believe literacy to be and that sums up what I have learned through out the semester comes from Gee’s idea that “literacy as the ability to read and write situates literacy in the individual person, rather than in society. The practices of social groups are never just literacy practices; they also involve ways of talking, interacting, thinking, valuing, and believing. Can not pull apart literacy practices from non-literacy practices.” (Yes I totally just took this from “Defining literacy… not an easy thing” post from Professor Jaxon, but anyways this all that has stood out to me in our class.

To sign off this post I thought I’d throw in a little treat, a “rap” or poem is what I think I’ll call it, that I came up with for my hip hop and literacy article group that I didn’t include in our presentation:

Music, lyrics, poetry

tell me what’s the meaning

an expression, escape from depression

tell me what you’re feeling

and get started on your healing

you can make and earning

but also use them for learning

-Danielle Mota

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Composing Science

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Language and Literacy

Just another cuny academic commons site, final reflection.

In the self-assessment essay, I evaluated whether or not I have achieved the eight Course Learning Objectives. By using my previous homework assignments, essays, and in-class work as evidence, I was able to prove how I have accomplished the Course Learning Objectives.

Reflections and Accomplishments 

Throughout the composition of world culture and global issues course, we focused on the topic of language and literary. We were able to explore the different attitudes of language and how it has impacted individuals in society. With class readings, videos, written essays, and worksheets we have been able to further explore the topic of language and literacy. These assignments and activities have allowed me to gain and improve many reading and writing skills. Through this course, I have been able to achieve the course learning objectives. 

One of the objectives that I achieved during this course has been to “ recognize the role of language attitudes and standards in empowering, oppressing, and hierarchizing languages and their users. Through the author June Jordan in “Nobody Mean More to Me than You And the Future Life of Willie Jordan “, I was exposed to the idea that those who speak standard English are usually seen as socially superior. While those who are non-standard speaker, are usually socially oppressed in society. According to “Nobody Mean More to Me than You And the Future Life of Willie Jordan”, “Should we use the language of the Killer-standard English-in order to make our ideas acceptable to those controlling the killer? But wouldn’t what we had to say be rejected, summarily, if we said it in our language…” June Jordan is referring to the death of Reggie Jordan, who was killed by police officers and the desire to write to the public about this police brutality. The author acknowledges that if she was to write in standard English in order for her voice would be heard. Whereas, she knows that writing in Black English will only be rejected or not read by those important figures in society.  This further divides into the idea of hierarchizing language, where there is a division being made between non-standard speakers and standard speakers. Where those who speak the standard- English seems to have more power and have this profound image over the non-standard community. The author Walt Wolfram in “Challenging Language Prejudice in the Classroom” also addressed how standard English is being empowered and non-standard speakers are oppressed in television cartoons. Non-standard speakers are portrayed as inferior and given a negative connotation as villain charcters, while standard English speaker is portrayed as heroes in the media. 

Another objective that I was able to achieve was to “explore and analyze my own and other’s writing a variety of genres and rhetorical situations.” In this course, we read a range of genres that include personal essays, academic journals, and memoirs. To continue, through rhetorical situation worksheets we were able to identify the genre, purpose, stance, and the audience of the course readings, and this also gave me an idea of what I needed to include in my own writing. Identifying and using these rhetorical situations helped me further analyze the message that the authors are conveying or what I wanted the readers to receive in my writing. For example, below you can see the rhetorical situation worksheets for the course readings for “English Belongs to Everybody”,  “How to Tame a Wild Tongue”, and how I used the rhetorical situations in my Critical and Analysis essay(cover letter).

 I also had the opportunity to “develop strategies for reading, drafting, revising, and editing.” The strategies that I have developed for reading have been to annotate the texts by highlighting, underlining, and writing side notes on the margin to analyze and point out the significant sections of the text. 

To continue, throughout the essays that we have written during phases 1,2, and 3 we have drafted, revised and edited our essay multiple times. In class, I had the opportunity to give and receive feedback on the essays that we have drafted. This feed given by my classmates and professors has helped my revising and editing porcess to be more successful. This process of drafting, revising, and then editing has helped me my writing and better conveying my ideas to the readers.  

In phase 2, the prompt of our essay was a research essay that reflected language and literacy. In this essay, it has allowed me to “practice systemic application of citation conventions.” We were introduced to Purdue Owl, in the library by the librarian, and it gives us the format for citing the different sources that I used in the essay. Using the format for citing I was able to use this application and include it in my essay. 

Another objective that I accomplished in this course has been to “recognize and practice key rhetorical terms and strategies when engaged in writing situations.”  With the rhetorical situation of purpose, I was able to figure out the reason why the source was created or the message it was trying to transmit. The rhetorical situation of the audience helped me acknowledge the people that viewed the source. By acknowledging the targeted audience, I was able to find out what they have in common and their beliefs. Using these rhetorical situations and identifying them in my essay has assisted me in strengthen the way that my essay is set-up and the message that I am trying to transmit to the readers of my essays.

 I also “understood and used printed and digital technologies to address a range of audiences.” For example, I used the digital book called Myth languages, edited by the linguists Laurie Bauer and Peter Trudgill to refer to people who don’t speak standard English and the group of people who has an accent. 

Lastly, I meet the course goal of “locating research sources(including academic journal articles, magazine and newspaper articles )in the library’s database or archives an on the internet and evaluate them for credibility, accuracy, and bias.” In the library session, I was introduced to the city college database and j-stor. Through this database, I was able to gather and search sources that I needed for my essays. In this session, we also taught how to tell if a source is reliable and accurate. This was done by acknowledging the author, when or it was published, the date, and more.

Through this course, I have been able to achieve the eight-course learning objectives. I was able to achieve was to “explore and analyze my own and other’s writing a variety of genres and rhetorical situations.” through rhetorical situation worksheets we were able to identify the genre, purpose, stance, and audience of the course readings. I have been to “ recognize the role of language attitudes and standards in empowering, oppressing, and hierarchizing languages and their users. I also had the opportunity to “develop strategies for reading, drafting, revising, and editing.” Using the format for citing I was able to use this application and include it in my essay. Another objective that I accomplished in this course has been to “recognize and practice key rhetorical terms and strategies when engaged in writing situations.”.  Lastly, I meet the course goal of“locating research sources in the library’s database or archives on the internet and evaluate them for credibility, accuracy, and bias.” 

Bauer, Laurie, and Peter Trudgill.  Language Myths . London ; New York, Penguin Books, 2007.

MacNeil, Robert. “English Belongs to Everybody”. Wordstruck: a Memoir . Viking, 1989

Wolfram,Walt. “Sound Effects: Challenging Language Prejudice in the   Classroom”. Teaching Tolerance,  vol .43,  2013, pp.29-31

June Jordan ( 1988) . “Nobody Mean More to Me Than You And the Future Life of Willie Jordan”.  Harvard Educational Review . September 1988, Vol. 58, No. 3, pp. 363-375.url.

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12.14: Sample Student Literary Analysis Essays

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• Heather Ringo & Athena Kashyap
• City College of San Francisco via ASCCC Open Educational Resources Initiative

The following examples are essays where student writers focused on close-reading a literary work.

While reading these examples, ask yourself the following questions:

• What is the essay's thesis statement, and how do you know it is the thesis statement?
• What is the main idea or topic sentence of each body paragraph, and how does it relate back to the thesis statement?
• Where and how does each essay use evidence (quotes or paraphrase from the literature)?
• What are some of the literary devices or structures the essays analyze or discuss?
• How does each author structure their conclusion, and how does their conclusion differ from their introduction?

Example 1: Poetry

Victoria Morillo

Instructor Heather Ringo

3 August 2022

How Nguyen’s Structure Solidifies the Impact of Sexual Violence in “The Study”

Stripped of innocence, your body taken from you. No matter how much you try to block out the instance in which these two things occurred, memories surface and come back to haunt you. How does a person, a young boy , cope with an event that forever changes his life? Hieu Minh Nguyen deconstructs this very way in which an act of sexual violence affects a survivor. In his poem, “The Study,” the poem's speaker recounts the year in which his molestation took place, describing how his memory filters in and out. Throughout the poem, Nguyen writes in free verse, permitting a structural liberation to become the foundation for his message to shine through. While he moves the readers with this poignant narrative, Nguyen effectively conveys the resulting internal struggles of feeling alone and unseen.

The speaker recalls his experience with such painful memory through the use of specific punctuation choices. Just by looking at the poem, we see that the first period doesn’t appear until line 14. It finally comes after the speaker reveals to his readers the possible, central purpose for writing this poem: the speaker's molestation. In the first half, the poem makes use of commas, em dashes, and colons, which lends itself to the idea of the speaker stringing along all of these details to make sense of this time in his life. If reading the poem following the conventions of punctuation, a sense of urgency is present here, as well. This is exemplified by the lack of periods to finalize a thought; and instead, Nguyen uses other punctuation marks to connect them. Serving as another connector of thoughts, the two em dashes give emphasis to the role memory plays when the speaker discusses how “no one [had] a face” during that time (Nguyen 9-11). He speaks in this urgent manner until the 14th line, and when he finally gets it off his chest, the pace of the poem changes, as does the more frequent use of the period. This stream-of-consciousness-like section when juxtaposed with the latter half of the poem, causes readers to slow down and pay attention to the details. It also splits the poem in two: a section that talks of the fogginess of memory then transitions into one that remembers it all.

In tandem with the fluctuating nature of memory, the utilization of line breaks and word choice help reflect the damage the molestation has had. Within the first couple of lines of the poem, the poem demands the readers’ attention when the line breaks from “floating” to “dead” as the speaker describes his memory of Little Billy (Nguyen 1-4). This line break averts the readers’ expectation of the direction of the narrative and immediately shifts the tone of the poem. The break also speaks to the effect his trauma has ingrained in him and how “[f]or the longest time,” his only memory of that year revolves around an image of a boy’s death. In a way, the speaker sees himself in Little Billy; or perhaps, he’s representative of the tragic death of his boyhood, how the speaker felt so “dead” after enduring such a traumatic experience, even referring to himself as a “ghost” that he tries to evict from his conscience (Nguyen 24). The feeling that a part of him has died is solidified at the very end of the poem when the speaker describes himself as a nine-year-old boy who’s been “fossilized,” forever changed by this act (Nguyen 29). By choosing words associated with permanence and death, the speaker tries to recreate the atmosphere (for which he felt trapped in) in order for readers to understand the loneliness that came as a result of his trauma. With the assistance of line breaks, more attention is drawn to the speaker's words, intensifying their importance, and demanding to be felt by the readers.

Most importantly, the speaker expresses eloquently, and so heartbreakingly, about the effect sexual violence has on a person. Perhaps what seems to be the most frustrating are the people who fail to believe survivors of these types of crimes. This is evident when he describes “how angry” the tenants were when they filled the pool with cement (Nguyen 4). They seem to represent how people in the speaker's life were dismissive of his assault and who viewed his tragedy as a nuisance of some sorts. This sentiment is bookended when he says, “They say, give us details , so I give them my body. / They say, give us proof , so I give them my body,” (Nguyen 25-26). The repetition of these two lines reinforces the feeling many feel in these scenarios, as they’re often left to deal with trying to make people believe them, or to even see them.

It’s important to recognize how the structure of this poem gives the speaker space to express the pain he’s had to carry for so long. As a characteristic of free verse, the poem doesn’t follow any structured rhyme scheme or meter; which in turn, allows him to not have any constraints in telling his story the way he wants to. The speaker has the freedom to display his experience in a way that evades predictability and engenders authenticity of a story very personal to him. As readers, we abandon anticipating the next rhyme, and instead focus our attention to the other ways, like his punctuation or word choice, in which he effectively tells his story. The speaker recognizes that some part of him no longer belongs to himself, but by writing “The Study,” he shows other survivors that they’re not alone and encourages hope that eventually, they will be freed from the shackles of sexual violence.

Works Cited

Nguyen, Hieu Minh. “The Study” Poets.Org. Academy of American Poets, Coffee House Press, 2018, https://poets.org/poem/study-0 .

Example 2: Fiction

Todd Goodwin

Professor Stan Matyshak

Advanced Expository Writing

Sept. 17, 20—

Poe’s “Usher”: A Mirror of the Fall of the House of Humanity

Right from the outset of the grim story, “The Fall of the House of Usher,” Edgar Allan Poe enmeshes us in a dark, gloomy, hopeless world, alienating his characters and the reader from any sort of physical or psychological norm where such values as hope and happiness could possibly exist. He fatalistically tells the story of how a man (the narrator) comes from the outside world of hope, religion, and everyday society and tries to bring some kind of redeeming happiness to his boyhood friend, Roderick Usher, who not only has physically and psychologically wasted away but is entrapped in a dilapidated house of ever-looming terror with an emaciated and deranged twin sister. Roderick Usher embodies the wasting away of what once was vibrant and alive, and his house of “insufferable gloom” (273), which contains his morbid sister, seems to mirror or reflect this fear of death and annihilation that he most horribly endures. A close reading of the story reveals that Poe uses mirror images, or reflections, to contribute to the fatalistic theme of “Usher”: each reflection serves to intensify an already prevalent tone of hopelessness, darkness, and fatalism.

It could be argued that the house of Roderick Usher is a “house of mirrors,” whose unpleasant and grim reflections create a dark and hopeless setting. For example, the narrator first approaches “the melancholy house of Usher on a dark and soundless day,” and finds a building which causes him a “sense of insufferable gloom,” which “pervades his spirit and causes an iciness, a sinking, a sickening of the heart, an undiscerned dreariness of thought” (273). The narrator then optimistically states: “I reflected that a mere different arrangement of the scene, of the details of the picture, would be sufficient to modify, or perhaps annihilate its capacity for sorrowful impression” (274). But the narrator then sees the reflection of the house in the tarn and experiences a “shudder even more thrilling than before” (274). Thus the reader begins to realize that the narrator cannot change or stop the impending doom that will befall the house of Usher, and maybe humanity. The story cleverly plays with the word reflection : the narrator sees a physical reflection that leads him to a mental reflection about Usher’s surroundings.

The narrator’s disillusionment by such grim reflection continues in the story. For example, he describes Roderick Usher’s face as distinct with signs of old strength but lost vigor: the remains of what used to be. He describes the house as a once happy and vibrant place, which, like Roderick, lost its vitality. Also, the narrator describes Usher’s hair as growing wild on his rather obtrusive head, which directly mirrors the eerie moss and straw covering the outside of the house. The narrator continually longs to see these bleak reflections as a dream, for he states: “Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building” (276). He does not want to face the reality that Usher and his home are doomed to fall, regardless of what he does.

Although there are almost countless examples of these mirror images, two others stand out as important. First, Roderick and his sister, Madeline, are twins. The narrator aptly states just as he and Roderick are entombing Madeline that there is “a striking similitude between brother and sister” (288). Indeed, they are mirror images of each other. Madeline is fading away psychologically and physically, and Roderick is not too far behind! The reflection of “doom” that these two share helps intensify and symbolize the hopelessness of the entire situation; thus, they further develop the fatalistic theme. Second, in the climactic scene where Madeline has been mistakenly entombed alive, there is a pairing of images and sounds as the narrator tries to calm Roderick by reading him a romance story. Events in the story simultaneously unfold with events of the sister escaping her tomb. In the story, the hero breaks out of the coffin. Then, in the story, the dragon’s shriek as he is slain parallels Madeline’s shriek. Finally, the story tells of the clangor of a shield, matched by the sister’s clanging along a metal passageway. As the suspense reaches its climax, Roderick shrieks his last words to his “friend,” the narrator: “Madman! I tell you that she now stands without the door” (296).

Roderick, who slowly falls into insanity, ironically calls the narrator the “Madman.” We are left to reflect on what Poe means by this ironic twist. Poe’s bleak and dark imagery, and his use of mirror reflections, seem only to intensify the hopelessness of “Usher.” We can plausibly conclude that, indeed, the narrator is the “Madman,” for he comes from everyday society, which is a place where hope and faith exist. Poe would probably argue that such a place is opposite to the world of Usher because a world where death is inevitable could not possibly hold such positive values. Therefore, just as Roderick mirrors his sister, the reflection in the tarn mirrors the dilapidation of the house, and the story mirrors the final actions before the death of Usher. “The Fall of the House of Usher” reflects Poe’s view that humanity is hopelessly doomed.

Poe, Edgar Allan. “The Fall of the House of Usher.” 1839. Electronic Text Center, University of Virginia Library . 1995. Web. 1 July 2012. < http://etext.virginia.edu/toc/modeng/public/PoeFall.html >.

Example 3: Poetry

Amy Chisnell

Professor Laura Neary

Writing and Literature

April 17, 20—

Don’t Listen to the Egg!: A Close Reading of Lewis Carroll’s “Jabberwocky”

“You seem very clever at explaining words, Sir,” said Alice. “Would you kindly tell me the meaning of the poem called ‘Jabberwocky’?”

“Let’s hear it,” said Humpty Dumpty. “I can explain all the poems that ever were invented—and a good many that haven’t been invented just yet.” (Carroll 164)

In Lewis Carroll’s Through the Looking-Glass , Humpty Dumpty confidently translates (to a not so confident Alice) the complicated language of the poem “Jabberwocky.” The words of the poem, though nonsense, aptly tell the story of the slaying of the Jabberwock. Upon finding “Jabberwocky” on a table in the looking-glass room, Alice is confused by the strange words. She is quite certain that “ somebody killed something ,” but she does not understand much more than that. When later she encounters Humpty Dumpty, she seizes the opportunity at having the knowledgeable egg interpret—or translate—the poem. Since Humpty Dumpty professes to be able to “make a word work” for him, he is quick to agree. Thus he acts like a New Critic who interprets the poem by performing a close reading of it. Through Humpty’s interpretation of the first stanza, however, we see the poem’s deeper comment concerning the practice of interpreting poetry and literature in general—that strict analytical translation destroys the beauty of a poem. In fact, Humpty Dumpty commits the “heresy of paraphrase,” for he fails to understand that meaning cannot be separated from the form or structure of the literary work.

Of the 71 words found in “Jabberwocky,” 43 have no known meaning. They are simply nonsense. Yet through this nonsensical language, the poem manages not only to tell a story but also gives the reader a sense of setting and characterization. One feels, rather than concretely knows, that the setting is dark, wooded, and frightening. The characters, such as the Jubjub bird, the Bandersnatch, and the doomed Jabberwock, also appear in the reader’s head, even though they will not be found in the local zoo. Even though most of the words are not real, the reader is able to understand what goes on because he or she is given free license to imagine what the words denote and connote. Simply, the poem’s nonsense words are the meaning.

Therefore, when Humpty interprets “Jabberwocky” for Alice, he is not doing her any favors, for he actually misreads the poem. Although the poem in its original is constructed from nonsense words, by the time Humpty is done interpreting it, it truly does not make any sense. The first stanza of the original poem is as follows:

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogroves,

An the mome raths outgrabe. (Carroll 164)

If we replace, however, the nonsense words of “Jabberwocky” with Humpty’s translated words, the effect would be something like this:

’Twas four o’clock in the afternoon, and the lithe and slimy badger-lizard-corkscrew creatures

Did go round and round and make holes in the grass-plot round the sun-dial:

All flimsy and miserable were the shabby-looking birds

with mop feathers,

And the lost green pigs bellowed-sneezed-whistled.

By translating the poem in such a way, Humpty removes the charm or essence—and the beauty, grace, and rhythm—from the poem. The poetry is sacrificed for meaning. Humpty Dumpty commits the heresy of paraphrase. As Cleanth Brooks argues, “The structure of a poem resembles that of a ballet or musical composition. It is a pattern of resolutions and balances and harmonizations” (203). When the poem is left as nonsense, the reader can easily imagine what a “slithy tove” might be, but when Humpty tells us what it is, he takes that imaginative license away from the reader. The beauty (if that is the proper word) of “Jabberwocky” is in not knowing what the words mean, and yet understanding. By translating the poem, Humpty takes that privilege from the reader. In addition, Humpty fails to recognize that meaning cannot be separated from the structure itself: the nonsense poem reflects this literally—it means “nothing” and achieves this meaning by using “nonsense” words.

Furthermore, the nonsense words Carroll chooses to use in “Jabberwocky” have a magical effect upon the reader; the shadowy sound of the words create the atmosphere, which may be described as a trance-like mood. When Alice first reads the poem, she says it seems to fill her head “with ideas.” The strange-sounding words in the original poem do give one ideas. Why is this? Even though the reader has never heard these words before, he or she is instantly aware of the murky, mysterious mood they set. In other words, diction operates not on the denotative level (the dictionary meaning) but on the connotative level (the emotion(s) they evoke). Thus “Jabberwocky” creates a shadowy mood, and the nonsense words are instrumental in creating this mood. Carroll could not have simply used any nonsense words.

For example, let us change the “dark,” “ominous” words of the first stanza to “lighter,” more “comic” words:

’Twas mearly, and the churly pells

Did bimble and ringle in the tink;

All timpy were the brimbledimps,

And the bip plips outlink.

Shifting the sounds of the words from dark to light merely takes a shift in thought. To create a specific mood using nonsense words, one must create new words from old words that convey the desired mood. In “Jabberwocky,” Carroll mixes “slimy,” a grim idea, “lithe,” a pliable image, to get a new adjective: “slithy” (a portmanteau word). In this translation, brighter words were used to get a lighter effect. “Mearly” is a combination of “morning” and “early,” and “ringle” is a blend of “ring” and "dingle.” The point is that “Jabberwocky’s” nonsense words are created specifically to convey this shadowy or mysterious mood and are integral to the “meaning.”

Consequently, Humpty’s rendering of the poem leaves the reader with a completely different feeling than does the original poem, which provided us with a sense of ethereal mystery, of a dark and foreign land with exotic creatures and fantastic settings. The mysteriousness is destroyed by Humpty’s literal paraphrase of the creatures and the setting; by doing so, he has taken the beauty away from the poem in his attempt to understand it. He has committed the heresy of paraphrase: “If we allow ourselves to be misled by it [this heresy], we distort the relation of the poem to its ‘truth’… we split the poem between its ‘form’ and its ‘content’” (Brooks 201). Humpty Dumpty’s ultimate demise might be seen to symbolize the heretical split between form and content: as a literary creation, Humpty Dumpty is an egg, a well-wrought urn of nonsense. His fall from the wall cracks him and separates the contents from the container, and not even all the King’s men can put the scrambled egg back together again!

Through the odd characters of a little girl and a foolish egg, “Jabberwocky” suggests a bit of sage advice about reading poetry, advice that the New Critics built their theories on. The importance lies not solely within strict analytical translation or interpretation, but in the overall effect of the imagery and word choice that evokes a meaning inseparable from those literary devices. As Archibald MacLeish so aptly writes: “A poem should not mean / But be.” Sometimes it takes a little nonsense to show us the sense in something.

Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry . 1942. San Diego: Harcourt Brace, 1956. Print.

Carroll, Lewis. Through the Looking-Glass. Alice in Wonderland . 2nd ed. Ed. Donald J. Gray. New York: Norton, 1992. Print.

MacLeish, Archibald. “Ars Poetica.” The Oxford Book of American Poetry . Ed. David Lehman. Oxford: Oxford UP, 2006. 385–86. Print.

Attribution

• Sample Essay 1 received permission from Victoria Morillo to publish, licensed Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International ( CC BY-NC-SA 4.0 )
• Sample Essays 2 and 3 adapted from Cordell, Ryan and John Pennington. "2.5: Student Sample Papers" from Creating Literary Analysis. 2012. Licensed Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported ( CC BY-NC-SA 3.0 )

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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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