movie critique essay

How to Critique a Movie: Tips + Film Critique Example

How to write a film critique essay? To answer this question, you should clearly understand what a movie critique is. It can be easily confused with a movie review. Both paper types can become your school or college assignments. However, they are different. A movie review reveals a personal impression of the viewer. A movie critique, in its turn, aims to discuss the means of film production and give advice on what could be changed to make the film better.

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This article by Custom-Writing.org experts contains useful tips on how to critique a movie and a great film critique example. Read on to learn more!

• 🎬 How to Begin
• ⚙️ Key Elements of Any Film
• 💡 Useful Phrases

🎬 How to Critique a Movie: the Basics

Writing a movie critique means offering your insight and opinion on what was good and not that good with the movie and what made it intriguing to watch. There’s always something you like about the film and something you don’t. You may consider that the plot was good, but the special effects were horrible. Think of all the possible film production stages and try to look at them critically.

How to Critique a Movie: General Guidelines

• Choose a movie
• Specify the issues you are going to discuss and analyze in your paper
• Watch the movie several times: first to get a general idea of the film; second – to pay attention to the points that come into your sphere of interest
• Take notes while watching
• During your second watch, note the details you weren’t able to notice the first time
• Be specific
• Be objective

Criticizing does not mean expressing negative emotions. Too much pessimism will kill the reader’s desire to get closely acquainted with your writing. Even though the movie could be a real failure, try to present a sophisticated evaluation.

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⚙️ Movie Critique: Key Elements of Any Film

Any film features several elements that you need to mention when you write your movie critique paper. Below in this section, you’ll find these elements’ descriptions and useful tips on analyzing them in your paper.

How to Critique a Film’s Plot

The plot is the flow of events and actions that consequently develop in a story. To discuss the film’s plot in your movie critique, you need to do the following:

• Decide whether the plot is predictable.
• Define whether some actions were unpredictable.
• If they were, express your views considering an unexpected turn of events that shocked you.
• See if the story corresponds to the characters’ motivations.

How to Critique a Film’s Structure

The movie’s structure is how the parts relate to each other or how the plot is built. Remember that the structure encompasses the following parts:

• Exposition (introducing the key characters and their circumstances)
• Rising action (mounting tension that leads to the story’s climax)
• Falling action
• Denouement (a resolution that brings the story to an end)

How to Critique the Movie’s Characters

Characterization is the description of the characters’ personalities, beliefs, motivations, etc. To discuss the film’s characterization in your movie critique, you need to do the following:

• Concentrate on specific movie characters.
• Set your priorities: some movie characters do not need any serious analysis.
• See if the characters’ dress, talk, act, or look corresponds with the impression they should create.
• Remember that the better the characters are developed, the more character-driven the story is.
• Consider that the right motivation of the characters makes the audience believe the story.

How to Criticize the Movie’s Dialogues

A dialogue is a conversation between two or more characters. To analyze the dialogues in your movie critique, do the following:

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• Remember that good dialogues should not be protracted as they are to sound natural.
• See if there is a logical development of the conversation.
• Watch the body language of the actors and decide whether their gestures correspond to their words or not.

How to Criticize the Movie’s Scenes

A scene is a self-contained episode within a larger work. To discuss the scenes in your movie critique, you should do the following:

• Determine whether the scenes were well-played by the actors and well-shot by the operator.
• Mind that they are to develop smoothly as a part of a larger dramatic unit.
• Remember that scenes should build a chain that makes up the story.
• Examine if they contain some conflict and how the characters typically react to it.
• Try to follow through each scene to make sure that it properly transitioned into the next one.

🧱 Movie Critique Outline

The general structure of a movie critique resembles the structure of an essay .

• Start with an introduction . There you are to provide necessary information about the film, make a summary of the plot, state your thesis, and give readers a clue on what your critique will be about.
• Divide the main body into several paragraphs . Explain your thesis there and examine each point separately. Do not forget to provide examples.
• End writing your movie critique with a conclusion . It should summarize everything and give answers to the questions raised in the paper.

Go over your paper to eliminate factual and spelling/grammar/punctuation mistakes. A good structure is a basis and a necessary condition of a successful paper.

💡 Top Phrases to Use while Writing a Film Critique

Now that you know all the essential elements of a movie critique structure, it’s high time to consider how to present your information in the most digestible and impressive way. A list of common phrases and set expressions in your movie critique writing will make your content more engaging, diverse, and easy to read.

Give your opinion on the topic and analyze the movie rather than just summarizing the content. Make use of persuasive words that would be helpful and appropriate to your readers.

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Movie Genre

• Crime and Gangster
• Epics/Historical

Producer, Director

• Produced by…
• Directed by…
• The movie is expertly directed by…
• This movie is based on a book…

Actors, Characters

• Warm-hearted, appealing, fascinating
• The characters were very convincing because…
• Exceptional performance
• Fervently performed
• The performance of… in… is excellent

Film’s Plot

• Well-directed, amusing, exciting, boring, clichéd, confusing, entertaining, exciting, melodramatic, thrilling, unbelievable, surprising, full of tension
• The plot reaches a climax when…
• Develop a story
• Non-linear/fragmented narrative
• Full of unexpected plot twists
• One of the most unbelievable/entertaining moments in the film occurs when…

Assessment, Evaluation

• A must-see/worth seeing/not to be missed/a smash hit/an impressive debut
• An emotional movie/it brought tears to my eyes
• A truly great/skillful piece of filmmaking
• I would definitely recommend this film to anyone who likes…
• On a scale from zero to five, I’d give this film a four because…
• I strongly/highly recommend watching this film because…
• If you like…, you shouldn’t miss this movie.
• I certainly wouldn’t recommend the film, and here’s why…
• Unfortunately, this movie is a complete waste of time because…
• I was impressed/surprised by…

👀 Film Critique Examples

Below you’ll find a downloadable movie critique example. Other samples can be found here:

• Selma: Historical Drama Film by Ava DuVernay
• Christian Symbolism and Imagery in “The Matrix” Film
• “The Morning Guy” Film Analysis
• “Night of the Living Dead” a Film by George Romero
• “Star Wars, Episode IV: A New Hope” by George Lucas

Movie Critique Example: Hitchcock’s North by Northwest

North by Northwest , directed by Alfred Hitchcock, is considered one of the most prominent films in cinematography. This spy thriller combines darkness and light typical for Hitchcock movies: witty humor, love story, suspense, and mortal danger harmoniously merge in this thriller (Longacre 75). Starring Cary Grant and Eva Marie Saint, North by Northwest contains memorable acting performances, accentuating the director’s dexterity in creating suspense. North by Northwest is representative of Hitchcock’s entertaining talent, as it allows readers to escape into a world of international espionage thriving during the Cold War Era.

Movie Critique Essay Topics

• Review of the film The Corporation . 
• Philosophical questions in Through a Glass Darkly by Ingmar Bergman. 
• Discuss the symbolism in the film Hacksaw Ridge . 
• Analyze the impersonation of Elizabeth Bennet by Keira Knightley in Pride and Prejudice (2005) . 
• Evaluate the meaning of the setting in the movie Mean Girls by Mark Walters .  
• Explore the similarities and differences of Lord of the Rings and Harry Potter movies. 
• Describe the characters of Duke Bill’s Not Easily Broken . 
• Analyze the rhetoric of the film Salt by Phillip Noyce . 
• The importance of the teacher’s role in the movie Freedom Writers.  
• Analyze the characters of the film The Green Mile .  
• Social mobility and racial biases in Paul Haggis’s film Crash .  
• Compare the semantic message of the movies West Side Story (1961) and Romeo + Juliet (1996).  
• The role of sound and costume choice in the film Inception by Christopher Nolan . 
• Examine the depiction of disproportionate female objectification in the documentary Miss Representation .  
• Discuss the techniques Fellini uses to depict the paradoxes and contradictions of the real world in his film La Dolce Vita .  
• The problem of selfhood and identity in the movie The Boy in The Striped Pajamas by Mark Herman.  
• The core theme of Werner Fassbinder’s The Bitter Tears of Petra von Kant . 
• Analyze the film Erin Brockovich.  
• The serious messages in the comedies Educating Rita and Small-Time Crooks . 
• Describe the characters of The Wizard of Oz (1939).  
• Discuss the similarities and differences of the events in the film The Crucible and the real history of Salem.  
• Analyze the depiction of ethical dilemmas and emotional conflicts in the movie Juno . 
• The peculiarities of Martin Scorsese’s film The Aviator .  
• Allegory in Robert Redford’s film Lions for Lambs . 
• Critique of the film Secret Window .  
• The sociological significance of the Lone Survivor by Peter Berg . 
• Describe the filmmaking techniques used in the documentary film The Interrupters .  
• Analyze the significance of the opening scene of the Citizen Kane .  
• Examine the main woman character of David Fincher’s film The Girl with the Dragon Tattoo . 
• Discuss the setting of Sleepy Hollow by Tim Burton . 
• The main concepts of Christopher Nolan’s film Interstellar .  
• Analytical critique of the movie Signs .  
• Discuss the theme of the film Love, Simon by Greg Berlanti .  
• Explore the major theme and objectives of Blood Diamond by Edward Zwick.  
• The problem of choice in Gone Baby Gone by Ben Affleck .  
• Describe the filmmaking techniques used to portray a historical period in The Patriot .  
• Analyze the rhetorical strategies in Laurence Olivier’s film Henry V .  
• Discuss the philosophy of the film Les Intouchables .  
• The leading theme of Catch Me If You Can by Steven Spielberg . 
• Analyze the movie Rear Window . 
• Analyze the message of the film Home by Yann Arthus-Bertrand. 
• The role of visuals in the movie My Family/ Mi Familia . 
• Examine the rhetorical techniques used in Jordan Peele’s horror film Us . 
• Split : movie critique.  
• The importance of geography and landscapes in The Sound of Music by Robert Wise . 

Now you can confidently claim that you know how to write a movie critique and even have a whole list of helpful vocabulary you can include. We hope that these tips were helpful and that your next critical paper about a movie will be a success. Be sure to check out our blog for more useful articles!

✏️ Movie Critique FAQ

A film critique is an extended opinion about a movie. It is typically made in the form of a paper, article, or essay. Such papers are usually highly rated when written by respected professionals in the field.

If you are writing any paper, it is always a good idea to begin with an outline. If you are writing an essay for college, make sure that you have a clear structure. A typical structure includes an introduction, a body, and a conclusion.

When criticizing any visual artwork, follow these 4 steps:

• Description,
• Interpretation,

Identify a few aspects you want to focus on. It could be actors, music and sound, visual effects, plot peculiarities, etc.). Then, describe each point according to the four steps.

If you are focusing on an actor’s performance in a particular film, make sure that your judgments are based not on the appearance or personal prejudice. Try to make a relatively objective assessment.

🔗 References

• Merriam-Webster “Critique” Definition
• Structuring a Premise for Stronger Stories
• Merriam-Webster “Original” Definition
• Merriam-Webster “Motif” Definition
• Duke Writing Studio’s Film Review Guide
• Tips for Writing a Film Review
• How to Analyze a Movie: A Step-by-Step Guide
• Tips for Writing a Review
• Summary: Using it Wisely
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Home — Essay Samples — Entertainment — Movies — Movie Review

Essays on Movie Review

Once in a while, you’ll be asked to do a movie review essay. This task is a great training tool for enhancing critical thinking skills. Essays on movie review aim at presenting a film from the most important scenes, special effects, to exciting moments and may be accompanied by criticism. From an advertising perspective, such a paper is aimed at convincing readers to watch the movie in question. Your writing should let a reader draw a conclusion, i.e, whether the film is worth their time or if they should try something else. Most importantly, your opinion must be independent and accurate. But how can you create a perfect introduction if you don’t have the experience in this type of writing? Relax. A good online writer can do it for you. If you have an idea but need some guidance, simply ask for a professional outline or use evaluation essay examples for students for more insights.

Hook Examples for Movie Review Essays

"a cinematic masterpiece" hook.

"Prepare to be captivated by the sheer brilliance of this cinematic masterpiece. Explore how every frame, performance, and detail contributes to a visual and emotional spectacle."

"Beyond the Screen: Themes and Messages" Hook

"This film transcends entertainment, offering profound themes and powerful messages. Dive into the underlying ideas and social commentary that make it a thought-provoking experience."

"The Journey of Character Development" Hook

"Follow the compelling journey of characters who evolve throughout the film. Analyze their growth, conflicts, and relationships, making this movie a character-driven narrative."

"Visual Delights: Cinematography and Special Effects" Hook

"Be prepared to be visually stunned by the breathtaking cinematography and cutting-edge special effects. Explore how these elements enhance the storytelling and immerse the audience."

"Unforgettable Performances" Hook

"The cast delivers unforgettable performances that breathe life into the characters. Discuss standout acting moments, character dynamics, and the emotional impact of their roles."

"The Soundtrack: Music That Moves" Hook

"The film's soundtrack is more than just music; it's an integral part of the storytelling. Explore how the score enhances emotions, sets the tone, and complements the visuals."

"Cinematic Analysis: Directing and Editing" Hook

"Delve into the meticulous craftsmanship of the director and editor. Analyze their choices in pacing, sequencing, and storytelling techniques that make this film a cinematic triumph."

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Film Analysis

What this handout is about.

This handout introduces film analysis and and offers strategies and resources for approaching film analysis assignments.

Writing the film analysis essay

Writing a film analysis requires you to consider the composition of the film—the individual parts and choices made that come together to create the finished piece. Film analysis goes beyond the analysis of the film as literature to include camera angles, lighting, set design, sound elements, costume choices, editing, etc. in making an argument. The first step to analyzing the film is to watch it with a plan.

Watching the film

First it’s important to watch the film carefully with a critical eye. Consider why you’ve been assigned to watch a film and write an analysis. How does this activity fit into the course? Why have you been assigned this particular film? What are you looking for in connection to the course content? Let’s practice with this clip from Alfred Hitchcock’s Vertigo (1958). Here are some tips on how to watch the clip critically, just as you would an entire film:

• Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.
• Watch the clip a second time. For this viewing, you will want to focus specifically on those elements of film analysis that your class has focused on, so review your course notes. For example, from whose perspective is this clip shot? What choices help convey that perspective? What is the overall tone, theme, or effect of this clip?
• Take notes while you watch for the second time. Notes will help you keep track of what you noticed and when, if you include timestamps in your notes. Timestamps are vital for citing scenes from a film!

For more information on watching a film, check out the Learning Center’s handout on watching film analytically . For more resources on researching film, including glossaries of film terms, see UNC Library’s research guide on film & cinema .

Brainstorming ideas

Once you’ve watched the film twice, it’s time to brainstorm some ideas based on your notes. Brainstorming is a major step that helps develop and explore ideas. As you brainstorm, you may want to cluster your ideas around central topics or themes that emerge as you review your notes. Did you ask several questions about color? Were you curious about repeated images? Perhaps these are directions you can pursue.

If you’re writing an argumentative essay, you can use the connections that you develop while brainstorming to draft a thesis statement . Consider the assignment and prompt when formulating a thesis, as well as what kind of evidence you will present to support your claims. Your evidence could be dialogue, sound edits, cinematography decisions, etc. Much of how you make these decisions will depend on the type of film analysis you are conducting, an important decision covered in the next section.

After brainstorming, you can draft an outline of your film analysis using the same strategies that you would for other writing assignments. Here are a few more tips to keep in mind as you prepare for this stage of the assignment:

• Make sure you understand the prompt and what you are being asked to do. Remember that this is ultimately an assignment, so your thesis should answer what the prompt asks. Check with your professor if you are unsure.
• In most cases, the director’s name is used to talk about the film as a whole, for instance, “Alfred Hitchcock’s Vertigo .” However, some writers may want to include the names of other persons who helped to create the film, including the actors, the cinematographer, and the sound editor, among others.
• When describing a sequence in a film, use the literary present. An example could be, “In Vertigo , Hitchcock employs techniques of observation to dramatize the act of detection.”
• Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
• Go beyond describing basic film elements by articulating the significance of these elements in support of your particular position. For example, you may have an interpretation of the striking color green in Vertigo , but you would only mention this if it was relevant to your argument. For more help on using evidence effectively, see the section on “using evidence” in our evidence handout .

Also be sure to avoid confusing the terms shot, scene, and sequence. Remember, a shot ends every time the camera cuts; a scene can be composed of several related shots; and a sequence is a set of related scenes.

Different types of film analysis

As you consider your notes, outline, and general thesis about a film, the majority of your assignment will depend on what type of film analysis you are conducting. This section explores some of the different types of film analyses you may have been assigned to write.

Semiotic analysis

Semiotic analysis is the interpretation of signs and symbols, typically involving metaphors and analogies to both inanimate objects and characters within a film. Because symbols have several meanings, writers often need to determine what a particular symbol means in the film and in a broader cultural or historical context.

For instance, a writer could explore the symbolism of the flowers in Vertigo by connecting the images of them falling apart to the vulnerability of the heroine.

Here are a few other questions to consider for this type of analysis:

• What objects or images are repeated throughout the film?
• How does the director associate a character with small signs, such as certain colors, clothing, food, or language use?
• How does a symbol or object relate to other symbols and objects, that is, what is the relationship between the film’s signs?

Many films are rich with symbolism, and it can be easy to get lost in the details. Remember to bring a semiotic analysis back around to answering the question “So what?” in your thesis.

Narrative analysis

Narrative analysis is an examination of the story elements, including narrative structure, character, and plot. This type of analysis considers the entirety of the film and the story it seeks to tell.

For example, you could take the same object from the previous example—the flowers—which meant one thing in a semiotic analysis, and ask instead about their narrative role. That is, you might analyze how Hitchcock introduces the flowers at the beginning of the film in order to return to them later to draw out the completion of the heroine’s character arc.

To create this type of analysis, you could consider questions like:

• How does the film correspond to the Three-Act Structure: Act One: Setup; Act Two: Confrontation; and Act Three: Resolution?
• What is the plot of the film? How does this plot differ from the narrative, that is, how the story is told? For example, are events presented out of order and to what effect?
• Does the plot revolve around one character? Does the plot revolve around multiple characters? How do these characters develop across the film?

When writing a narrative analysis, take care not to spend too time on summarizing at the expense of your argument. See our handout on summarizing for more tips on making summary serve analysis.

Cultural/historical analysis

One of the most common types of analysis is the examination of a film’s relationship to its broader cultural, historical, or theoretical contexts. Whether films intentionally comment on their context or not, they are always a product of the culture or period in which they were created. By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical.

For example, the clip from Vertigo depicts a man observing a woman without her knowing it. You could examine how this aspect of the film addresses a midcentury social concern about observation, such as the sexual policing of women, or a political one, such as Cold War-era McCarthyism.

A few of the many questions you could ask in this vein include:

• How does the film comment on, reinforce, or even critique social and political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?
• How might a biographical understanding of the film’s creators and their historical moment affect the way you view the film?
• How might a specific film theory, such as Queer Theory, Structuralist Theory, or Marxist Film Theory, provide a language or set of terms for articulating the attributes of the film?

Take advantage of class resources to explore possible approaches to cultural/historical film analyses, and find out whether you will be expected to do additional research into the film’s context.

Mise-en-scène analysis

A mise-en-scène analysis attends to how the filmmakers have arranged compositional elements in a film and specifically within a scene or even a single shot. This type of analysis organizes the individual elements of a scene to explore how they come together to produce meaning. You may focus on anything that adds meaning to the formal effect produced by a given scene, including: blocking, lighting, design, color, costume, as well as how these attributes work in conjunction with decisions related to sound, cinematography, and editing. For example, in the clip from Vertigo , a mise-en-scène analysis might ask how numerous elements, from lighting to camera angles, work together to present the viewer with the perspective of Jimmy Stewart’s character.

To conduct this type of analysis, you could ask:

• What effects are created in a scene, and what is their purpose?
• How does this scene represent the theme of the movie?
• How does a scene work to express a broader point to the film’s plot?

This detailed approach to analyzing the formal elements of film can help you come up with concrete evidence for more general film analysis assignments.

Reviewing your draft

Once you have a draft, it’s helpful to get feedback on what you’ve written to see if your analysis holds together and you’ve conveyed your point. You may not necessarily need to find someone who has seen the film! Ask a writing coach, roommate, or family member to read over your draft and share key takeaways from what you have written so far.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Aumont, Jacques, and Michel Marie. 1988. L’analyse Des Films . Paris: Nathan.

Media & Design Center. n.d. “Film and Cinema Research.” UNC University Libraries. Last updated February 10, 2021. https://guides.lib.unc.edu/filmresearch .

Oxford Royale Academy. n.d. “7 Ways to Watch Film.” Oxford Royale Academy. Accessed April 2021. https://www.oxford-royale.com/articles/7-ways-watch-films-critically/ .

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to Write a Movie Review

Writing a Film Review

Movies have become a cultural mainstay of our society. Not only are they art and entertainment, but they have also become a way for people to bond and make connections. Finding someone who has a similar taste in movies can create new friendships and start interesting conversations. That's why understanding how to analyze a movie and write movie reviews is such a useful skill. 

Do you need to know how to write a movie review for college? Or how to write a movie critique? Or maybe just how to do a movie review? In this article, you will learn how to write a movie review step by step, as well as get an in-depth guide into each section of a movie review.

What is a Movie Review?

A film review essay is more than just a plot summary followed by a recommendation. A movie review analyzes different elements of a movie and mixes personal opinion with objective analysis. The goal of the movie review is to tell the reader about the details of a movie while giving them enough information to decide for themselves whether it's worth watching or not. Of course, a good movie review also has to be interesting and engaging! 

How to Write a Good Movie Review

More than most other pieces of writing, there are a lot of steps to take before actually getting into writing a movie review. But don't worry though, most of these steps are pretty fun and if you follow them, you will know how to review movies. 

Watch the film! 

It goes without saying that you need to watch a movie before you write a review for it, so, before you do anything else, watch the movie at least once. Don't worry about trying to pick up specific details on your first watch, just enjoy the movie and get a general impression of whether you liked it or not and what you liked or disliked. Ideally, you should watch the movie at least two times. On your second and third viewings, pay attention to movie review criteria like cinematography, acting, dialogue, character development, deeper meanings, etc. Read some film review examples to get a sense of the things they talk about.

Pause the movie on your second and third viewings and take notes on things that stand out to you. Don't be afraid to take as many notes as you want, after all these notes are just for you.  You might not use all the notes you have taken, but they will help you compose the main part of your body paragraphs.

Express your opinions

Once you have watched the movie a few times and taken notes, make a list of the strongest opinions you have about the movie. If you think that the quality of acting was one of the best parts of the movie, use your notes to come up with specific examples. You should have between 3 and 5 key opinions that you will elaborate on when writing a film review along with examples to back up your claims.

Think about your audience

The language you use is going to change based on who you are writing the movie review for. If it is an assignment for school or university, then you may have to use more technical language.  If you're writing an article for a website or personal blog, then think about who the audience is and use language appropriate for them. Keep in mind that your audience also depends on the genre of the movie you are critiquing. A movie review for a serious period drama will have a different audience than a buddy cop comedy and therefore different language. Look at a movie review sample from different genres to get an idea of the type of language to use. 

Research the actors

Having big movie stars associated with a film is often one of the main selling points of a movie.  If an actor is critically acclaimed, it’s especially important to mention the awards they have won as this is often a sign of the overall quality of the movie. It's also possible that you didn't like the movie overall, but one of your favorite actors was in it so you enjoyed the movie and another fan might enjoy it too. 

Do background research

An easy way to make a movie review interesting is to search for interesting details about the making of the movie. It may be worth mentioning if it was shot in a particularly beautiful place or a unique location, or if the special effects were practical rather than CGI. Include interesting casting decisions or other actors that were considered for a particular role. Think about what information could be interesting to someone who might want to watch the movie and include those details. Go over some movie critique examples to get inspiration. 

Research the professionals

People can be fans not just of the actors, but of directors, writers, cinematographers, costume designers, and many other elements of filmmaking. Many directors are auteurs, which means they have a very particular visual style or storytelling method. How much time you spend on this section is dependent on your audience. If you're writing for social media or a blog for general people, then this might not be interesting to most. But if you're writing for film school or for a specific audience interested in filmmaking, then this section will need to be more elaborate. Look at a film review example written for different audiences to understand the differences. 

Draft an outline

Now that you've done all the required research, it's time to come up with a review outline. An outline is always useful when doing any piece of writing because it gives you a  chance to visualize the structure and plan how you want to incorporate information. This is the general film review format.

Introduction

• Brief summary of the film
• Discuss plot, tone, characters
• Discuss creative and technical elements
• Your opinions

Conclusion 

Come up with a catchy title.

Almost more than any other piece of writing, a movie review’s title needs to be engaging. A title like ”film review of (name of the movie) might be to the point, but isn't going to stand out. A good title should grab the reader's attention and make them want to read more. A few ways you can do this is by talking about a specific actor or director, or by using one of the main plot points of the movie. For example, “A Romantic Comedy for the Unromantic”,  or “Chris Pratt Plays Against Type in the Best Possible Way”. Look at the titles of some movie review examples for inspiration!

Write your review

It's finally time to get to the actual writing! The next part of this article talks in-depth about each section of a film review. 

People aren't going to take a review seriously if you have spelling mistakes or grammatical errors. If it's an assignment for school, then you’re going to lose marks because of mistakes like that. Make sure you reread your paper a few times and check for typos and other silly mistakes.  Read the paper out loud once or twice to get an idea of if it has a good flow. Don't be afraid to move sections around if you think it helps you build a stronger case.

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How to Write a Film Review

Do you want a ‘how to write a movie review’ template? Let's go over the specific parts of a film review and what to include in each one.

Your first sentence needs to capture the reader's attention. You can do this by stating an interesting fact about the movie, starting off by expressing your opinion of whether it's good or bad, mentioning some of the important actors, comparing it to other movies in the genre or to real-world events, whatever it is, make sure it's catchy!

Next, give background information about the movie. This includes things like the title, release date, studio, important cast members, director, budget, etc. Make sure to highlight any achievements of the movie, for example, if it was nominated for any awards. The same goes for the director as well as important members of the cast. This shouldn't just be a dry stating of facts, rather this should be a collection of interesting information about the background of the movie. 

Finally, end your introduction paragraph with your thesis. In the case of a film review, your thesis is essentially what you thought about the film. Without giving away too much, express your overall impression of the movie noting particular things that you thought stood out or were weak.

Summary of the story

The trick to writing the summary of the story is giving readers an idea of what to expect without giving away any important plot points or spoilers. The goal of this section isn't to explain the plot of the movie, It's to make sure that people have a basic understanding of the story so that the rest of the review can make sense. Describe the setting of the movie, which includes the main locations and time period. Introduce the main characters (including the name of the actor in parentheses after the name of their character). And go over the general storyline. 

Plot elements

This is when you start explaining what you thought about the movie. Start with an analysis of the plot itself. Did it have a rising action that builds suspense? Was the climax a good payoff? What were your overall impressions of the movie? How did it make you feel? What do you think the purpose of the movie was and did the director succeed in their goal? 

This is also the section where you get to talk about the different characters in the movie. Why did you enjoy certain characters? Were some characters better developed than others? Could some characters have benefited from more development? Was the villain particularly interesting? 

Think about the overall mood of the movie, did it change over time? How did the tones and symbols of the movie emphasize elements of the plot? Remember that any point you make in this section has to be backed up by examples. So if you say that there are several plot holes that make the movie complicated to understand, mention the specific scenes.

Creative elements

There are a lot of technical and creative elements in a movie that can stand out even if the overall plot and story weren’t the best. On the other hand, even a great story can be spoiled by bad dialogue or set design. These are some of the creative elements you should pay attention to especially when rewatching the movie and taking notes.

Dialogue : This can refer to the overall writing of the movie as well. If you can get your hands on a script then read it! When thinking about dialogue ask yourself, did the conversation between characters seem natural and flow easily? Or did it seem choppy and unnatural? 

Cinematography : Cinematography refers to the camera effects and the choices of how to film a certain scene. The lighting, the choice of camera angles, essentially the unique perspective of the story as told through the camera. 

Editing : Editing refers to the transition between different scenes as well as how well the movie flows together. This could include things like clever montages, longshots, different perspectives, etc.  

Costumes : Some movies, especially historical movies, fantasy films, and science fiction films, depend heavily on costume design. Costumes are an integral part of making a character stand out or making the world seem more real.

Set Design : Set design refers to the backgrounds of scenes. Some sets might be more elaborate whereas others can be minimalistic. Each choice has its pros and cons and effective set design creates proper ambiance, setting the tone and mood for a scene or the movie.

Music and Sound : Sometimes the movie has a great soundtrack or just incredible sound effects that help make it stand out.

Stunts : More important for action movies, but in general stunts and action sequences can be a major selling point for a film.

Special Effects : Most movies rely on some amount of special effects, and whether it be CGI, or practical, or a combination of the two, the quality is important.

Once you have analyzed multiple different elements of the story from its plot, characterization, and other technical and creative elements, you can state your opinions and provide evidence for them. Make sure you refer to specific scenes or specific situations when looking for substantiating evidence. Remember that the goal of a movie review is not to just state whether you liked or disliked a movie, it is to analyze it in an objective way, and give information so that somebody else can decide whether they want to watch the movie or not.

In the conclusion you express your main opinion of the movie along with the most important pieces of evidence. You can talk about the purpose of the movie and whether the director was successful in showing that purpose. End with a recommendation of whether the movie should be watched or not, along with suggestions of movies that are similar to it.

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Mistakes to avoid

You now know how to write a review on a movie but let's take a look at some mistakes that you should be careful to avoid.

Not focusing on the film

It's easy to start writing about things like the historical events the movie you loved is based on or the importance of the Marvel Cinematic Universe overall rather than focus on the movie itself.  While those elements can be interesting to include as background information, the point of a film review is to go over a particular movie so that is what you should spend the most time on.

Not providing evidence 

A common mistake people make when they write movie reviews is to state their opinions without any objective analysis. An easy way to overcome this mistake is to make sure that you provide evidence for any claims that you make.

Spoilers are an easy way to make sure that people will be upset with your movie review. It is common to accidentally give away too much, especially when writing the plot summary. Find the line between giving enough information so that people understand the general story and revealing important plot twists and turning points. Read some sample movie reviews for examples of how to avoid spoilers.

Using personal pronouns

Statements like “I did not like the special effects” or “I did not like the pacing of the movie” are clearly expressions of opinion. It is better to make statements like “the special effects in certain action scenes were cartoonish and took away from the realism of the film”. 

A movie review essay can be incredibly fun to write, especially if you have a strong opinion about the movie. But keep in mind that a movie review isn't just about your opinion, it has to include an objective analysis with claims backed up by evidence from specific scenes. It's difficult to have a movie review definition, but a great movie review is a blend between personal opinion and objective analysis. It informs the reader about the strengths and weaknesses of the movie while letting them make the decision whether they want to watch it or not. 

If you found your way to this article because you were looking for help on how to write a movie review for college, then you're in the perfect place. If you need any help, don't hesitate to reach out to the experts at Studyfy. At Studyfy, we offer a wide range of custom writing services, coursework writing services, and essay writer service . Our team of experienced writers is well-equipped to handle any writing task you may have, no matter the complexity or urgency. Just say, " write a paper for me ," and we will ensure that you receive a high-quality custom essay that meets all your requirements. Trust us to provide you with the best coursework writing services and custom essay writing that will help you achieve your academic goals.

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How to Write a Movie Critique: Top Tips for Quality Writing

Movie critiques can be easily confused with movie reviews. However, movie reviews reveal a personal impression of the viewer. In a movie critique essay, you are to criticize the means of film production and give some practical pieces of advice on what could be changed in order to enhance the quality of the film and attract a wider audience. And here's how we can help you! We want to provide you with some tips on how to write a movie critique because it's not as easy as it seems, and we've seen many students stumble over this minor challenge during their educational careers. We have studied the resources available online and enriched them with our professional point of view, and now we are ready to present you the results of our research, presenting below your steps to write a critique.

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The Writing Place

Resources – writing about film: the critical essay, introduction to the topic.

Like it or not, studying film may very well be a part of the well-rounded education you receive here at Northwestern University. But how to go about writing such an essay? While film reviews and theoretical essays are part of Film Studies, the most common paper that students will face is: “the critical essay”

Fear not. Though its title combines a serious undertone that implies it is both a large chuck of your grade and also really hard and vague, this post will guide you on your way.

First, what is the critical essay? It may surprise you to note that it is much more than 35% of your grade. In actuality, the most common form of the cinematic critical essay is one in which the writer explores one or more aspects of a film and analyzes how they enhance the film’s meaning and/or artistry. This is very similar to English analysis papers. For example,  The Scarlet Letter  can be analyzed in terms of its motif of civilization versus the wilderness. In the novel, the town is representative of human civilization and authority while the forest represents natural authority (Sparknotes Editors, 2003).  Likewise, the same motif illustrates Terrence Malick’s  Tree of Life.  The wilderness represents the way of nature while the family (or civilization) represents the way of grace. The crossing over of these settings enables the viewer to visualize the internal struggles of Malick’s characters as they seek higher meaning from God.

“Hmmm…” I can hear you wondering. “I already know how to do that! It’s all we did in high school English classes!” But here is where the cinematic essay diverges from the literary essay— the elements that we analyze. Films can be analyzed from traditional literary aspects such as themes, narrative, characters, and points of view but there are also uniquely cinematic aspects: mise-en-scene, the shot, aesthetic history and edited images.

Parts of a Critical Essay

Aspect 1: mise-en-scene.

Mise-en-scene refers to everything in a scene independent of the camera’s position, movement, and editing (Corrigan, 1998). This includes lighting, costumes, sets, the quality of the acting, etc. It is important to remember that every aspect of a scene was consciously chosen by the director and his or her team. Because movies often present themselves as instances of real life, this fact is easily forgotten and the artistic choices that the film crew made are overlooked.

In the following still from   Wes Anderson’s  Moonrise Kingdom  (2012), one can analyze it in terms of mise-en-scene. One could note the arrangement of the props. In real life, it would be unlikely that rocks, sticks, and supplies would arrange themselves in an almost perfect circular fashion around the map. However, Anderson’s decision to arrange the props focus viewer’s attention on the map and highlight the adventure that the two children are about to go on in  Moonrise Kingdom.

Click  here for an example of an essay dealing with mise-en-scene.

Aspect 2: The Shot

The shot refers to the single image before the camera cuts to the next scene (Corrigan, 1998). These shots can include a lot of variety and movement. We can analyze the effect that shots have in terms of their photographic qualities such as tone, speed, and perspectives created, to name a few examples (Corrigan, 1998). A single shot is composed of multiple frames, or stills of the same scene. We can analyze the shot in terms of framing, i.e. what was actually decided to be included within the image and the location of stuff within the frame.

Watch the following shot (beginning at the 30 second mark) for an example: Click Here to Navigate to YouTube

In this shot from Dayton and Faris’  Little Miss Sunshine  (2006), Dwayne has just found out he cannot join the air force. He had maintained a vow of silence to help him focus on getting admitted to the air force and breaks it from utter frustration. The shot’s stationary position as Dwayne runs screaming from his family helps highlight how the physical distance Dwayne puts between himself and his family reflects the emotional distance and frustration he feels at the moment.

Aspect 3: Edited Images

When one or more shots are joined together, they become edited (Corrigan, 1998). These usually have two main purposes. One is the logical development of the story. A shot in the morning connected with a shot in the afternoon connotes to the viewer that time has passed. Other times the editing of shots has artistic intent. For example, in a Chipotle commercial the first shot is of an industrial slaughterhouse. The next shot features animals grazing in a pasture. This is an artistic statement on the part of the advertising team to convey to Chipotle’s customers about the higher standard of care and ethics that they ensure their meat sources follow.

Edited images can also be analyzed from other aspects. For example, one could explain how meaning is created by the specific arrangement in shots, their collisions with each other, and the presence of visual motifs “echoing” through subsequent shots.

For instance, in the edited shots from Patar and Aubier’s movie  A Town Called Panic  (2009) the editing of the kitchen shot and the snow shot serves two purposes. One purpose is to further the logical chronological development of the story. The other purpose is to add humor. Because being asleep for an entire summer is impossibly long, it adds absurd humor.

Hopefully, the brief foray into the various cinematic aspects that one could examine was helpful. The world of film analysis is vast and wide, offering a fecund source for analytical and cinematic exploration and creation.

-Developed by Kyla Donato  

Click here to return to the “writing place resources” main page..

7 Steps for Writing Movie Critique Essay

Writing an evaluation essay on a movie is way more enjoyable experience than a regular essay, because everyone likes watching movies. Moreover, it is easy to write about something you like. You can choose to write a favorite movie essay or a classification essay about movies, if you are a real devotee of cinematographic art. However, when you write a movie analysis essay you should remember that it is more than just a review of the film. While a review expresses only your opinion and summarizes the plot of the movie, a movie evaluation essay involves deeper analysis of different layers of the film, such as symbolism, settings, theme, and so on. If you are not a stranger to these cinematic devices and can identify them when watching a movie, then such paper shouldn’t be a problem for you. However, if you are not sure you can dig deeper than just a basic story line, you can order a custom written movie critique essay from Star-Writers. You can be sure to receive an original unique paper from a professional author and for a very moderate price .

Writing Movie Essay Step by Step

Writing an essay many seem like an overwhelming task. But it is only so when you work without a precise plan. After you learn these steps to writing a perfect movie analysis essay, you will be able to compose your paper with no effort. It will take even less of your time and energy, if you use our professional rewriting services after composing a first draft of your essay.

Step 1: Watch the movie . Obviously, to analyze a movie, you must watch it beforehand. Moreover, you have to watch it actively, not like an ordinary viewer. Have a notebook with you, so you could pause at some moments and take notes. Write down everything that catches your attention. There is no ultimate rule about what you must write about, it is your essay and it reflects the way you perceive things. So be confident, and note everything you like or dislike, any piece of dialog that got your attention or the way some character is dressed.

Step 2: Define the main elements. It is crucial for the success of your essay to identify the theme of the movie as soon as possible. Theme is so important, because it is like prism through which events of the story are perceived. For example the film may revolve around such theme, as unrequited love, revenge, survival, loneliness. Ultimately, there is no limit to the theme, it can be anything. Also it is important to define the genre of the movie, figure out the setting and the point of view. Analyzing a movie is very similar to analyzing a book. You will be able to read about writing a book critique essay if you visit our blog .

Step 3: Look at the characters. While watching a movie, jot down in your notebook some notes about characters. Try to understand the purpose of each character in the story. Define the protagonist, antagonist and the supporting cast; what aspect of human nature each character represents. You should also consider the settings as an important element. Sometimes, for example in movies, such as man vs. wild nature, the setting can be represented as a leading character, too. If all this seems confusing, you can read some of the movie essay samples on our blog to get an idea, how to write one.

Step 4: The role of actors and director. When analyzing a movie, you must certainly take into account the people who created it. These are not only actors, directors and producers, but also music orchestra, camera-men, engineers, visual artists, etc. You don’t need to write about all of them, you just need to choose one angle to look at. Your focus would depend on the type of the movie and the elements you want to emphasize. For example, you can write how music gave a rich emotional tone to the movie. If it is a film with fantastic creatures, you can write about the amazing job make-up artists did in creating the greasepaint.

Step 5: Story short outline . Briefly write about the main story line. Don’t go too deep into all nuances and twists of the plot. The purpose of the movie critique essay is not to summarize the whole story, but to analyze it. So don’t spend much time on this step. All you need is to give your readers a close enough idea what the movie is about. Read this article if you want to learn more about writing short, but concise story outlines.

Step 6: Write your essay.   After you have analyzed all the above elements of the movie and took short notes of them, it is finally time for you to start writing your essay. It will be easier and faster if you outline your essay beforehand. Just make a list of things you are going to mention in each paragraph. You can follow this classic five paragraph essay template, which would make the process of outlining clearer and more visual.  Otherwise, remember that you can always rely on Star-Writers to compose an exceptional movie critique essay for you. Here is the template you can use:

• Paragraph 1 : State the movie title, director, the main idea of the movie, your thesis statement;
• Paragraph 2: Brief outline of the story.
• Paragraph 3 : Settings, structure, style and point of view;
• Paragraph 4 : Analysis of deeper meaning, symbolism and cinematic devices;
• Paragraph 5: Conclusion, restate your thesis and summarize.

Step 7: Edit . You cannot submit your essay without making sure it is free of structural, grammar, punctuation and spelling mistakes. If you have strong grammar skills and good attention to details, you can try to edit your essay by yourself. There are many online guides that would teach you how to do it. However, written language is such a tricky thing and there are many aspects that you can overlook. Thus, it is better to trust this important task to professionals. Star-Writers can help you with your movie analysis essay in any way you like — to revise, rewrite, edit or proofread it.

Writing Perfect Movie Analysis Essay

Writing about movies can be a lot of fun, especially if you know what you must focus on. If you use these 7 steps, you can be sure to compose a winning movie analysis essay. And Star-Writers are always available online to help you out at any moment of that writing journey. In addition, if you submit your email address right now, you will be able to receive a generous 20% discount on your first order. Contact Star-Writers and don’t lose your chance to get a perfect movie analysis essay. 

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How to Write a Critique in Five Paragraphs

Last Updated: January 20, 2024 Fact Checked

This article was co-authored by Diane Stubbs . Diane Stubbs is a Secondary English Teacher with over 22 years of experience teaching all high school grade levels and AP courses. She specializes in secondary education, classroom management, and educational technology. Diane earned a Bachelor of Arts in English from the University of Delaware and a Master of Education from Wesley College. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 971,971 times.

A critique is usually written in response to a creative work, such as a novel, a film, poetry, or a painting. However, critiques are also sometimes assigned for research articles and media items, such as news articles or features. A critique is slightly different than a traditional 5-paragraph theme, as it is usually focused on the overall effectiveness and usefulness of the work it is critiquing, rather than making a strictly analytical argument about it. Organizing your critique into 5 paragraphs can help you structure your thoughts.

Laying the Groundwork

• Does the creator clearly state her/his main point or goal? If not, why do you think that is?
• Who do you think is the creator’s intended audience? This can be crucial to determining the success of a work; for example, a movie intended for young children might work well for its intended audience but not for adult viewers.
• What reactions do you have when reading or viewing this work? Does it provoke emotional responses? Do you feel confused?
• What questions does the work make you think of? Does it suggest other avenues of exploration or observation to you?

• For example, if you're critiquing a research article about a new treatment for the flu, a little research about other flu treatments currently available could be helpful to you when situating the work in context.
• As another example, if you're writing about a movie, you might want to briefly discuss the director's other films, or other important movies in this particular genre (indie, action, drama, etc.).
• Your school or university library is usually a good place to start when conducting research, as their databases provide verified, expert sources. Google Scholar can also be a good source for research.

Writing the Introductory Paragraph

• For a work of fiction or a published work of journalism or research, this information is usually available in the publication itself, such as on the copyright page for a novel.
• For a film, you may wish to refer to a source such as IMDb to get the information you need. If you're critiquing a famous artwork, an encyclopedia of art would be a good place to find information on the creator, the title, and important dates (date of creation, date of exhibition, etc.).

• For example, if you’re assessing a research article in the sciences, a quick overview of its place in the academic discussion could be useful (e.g., “Professor X’s work on fruit flies is part of a long research tradition on Blah Blah Blah.”)
• If you are evaluating a painting, giving some brief information on where it was first displayed, for whom it was painted, etc., would be useful.
• If you are assessing a novel, it could be good to talk about what genre or literary tradition the novel is written within (e.g., fantasy, High Modernism, romance). You may also want to include details about the author’s biography that seem particularly relevant to your critique.
• For a media item, such as a news article, consider the social and/or political context of the media outlet the item came from (e.g., Fox News, BBC, etc.) and of the issue it is dealing with (e.g., immigration, education, entertainment).

• The authors of research articles will often state very clearly in the abstract and in the introduction to their work what they are investigating, often with sentences that say something like this: "In this article we provide a new framework for analyzing X and argue that it is superior to previous methods because of reason A and reason B."
• For creative works, you may not have an explicit statement from the author or creator about their purpose, but you can often infer one from the context the work occupies. For example, if you were examining the movie The Shining, you might argue that the filmmaker Stanley Kubrick's goal is to call attention to the poor treatment of Native Americans because of the strong Native American themes present in the movie. You could then present the reasons why you think that in the rest of the essay.

• For example, if you were writing about The Shining, you could summarize the main points this way: "Stanley Kubrick uses strong symbolism, such as the placement of the movie's hotel on an Indian burial ground, the naming of the hotel "Overlook," and the constant presence of Native American artwork and representation, to call viewers' attention to America's treatment of Native Americans in history."

• For a research article, you will probably want to focus your thesis on whether the research and discussion supported the authors' claims. You may also wish to critique the research methodology, if there are obvious flaws present.
• For creative works, consider what you believe the author or creator's goal was in making the work, and then present your assessment of whether or not they achieved that goal.

Writing the 3 Body Paragraphs

• If you have three clear points about your work, you can organize each paragraph by point. For example, if you are analyzing a painting, you might critique the painter’s use of color, light, and composition, devoting a paragraph to each topic.
• If you have more than three points about your work, you can organize each paragraph thematically. For example, if you are critiquing a movie and want to talk about its treatment of women, its screenwriting, its pacing, its use of color and framing, and its acting, you might think about the broader categories that these points fall into, such as “production” (pacing, color and framing, screenwriting), “social commentary” (treatment of women), and “performance” (acting).
• Alternatively, you could organize your critique by “strengths” and “weaknesses.” The aim of a critique is not merely to criticize, but to point out what the creator or author has done well and what s/he has not.

• For example, if you are critiquing a song, you could consider how the beat or tone of the music supports or detracts from the lyrics.
• For a research article or a media item, you may want to consider questions such as how the data was gathered in an experiment, or what method a journalist used to discover information.

• Does the author use primary sources (e.g., historical documents, interviews, etc.)? Secondary sources? Quantitative data? Qualitative data? Are these sources appropriate for the argument?
• Has evidence been presented fairly, without distortion or selectivity?
• Does the argument proceed logically from the evidence used?

• If the work is a creative work, consider whether it presents its ideas in an original or interesting way. You can also consider whether it engages with key concepts or ideas in popular culture or society.
• If the work is a research article, you can consider whether the work enhances your understanding of a particular theory or idea in its discipline. Research articles often include a section on “further research” where they discuss the contributions their research has made and what future contributions they hope to make.

Writing the Conclusion Paragraph and References

Sample Critiques

Community Q&A

• Before you begin writing, take notes while you are watching or reading the subject of your critique. Keep to mind certain aspects such as how it made you feel. What was your first impression? With deeper examination, what is your overall opinion? How did you come to this opinion? Thanks Helpful 0 Not Helpful 0
• While the 5-paragraph form can work very well to help you organize your ideas, some instructors do not allow this type of essay. Be sure that you understand the assignment. If you’re not sure whether a 5-paragraph format is acceptable to your teacher, ask! Thanks Helpful 0 Not Helpful 0

• Avoid using first and second person pronouns such as, “you”, “your”, “I”, “my”, or “mine.” State your opinion objectively for a more credible approach. Thanks Helpful 39 Not Helpful 14

You Might Also Like

• ↑ https://www.indeed.com/career-advice/career-development/how-to-write-a-critique
• ↑ https://writingcenter.uagc.edu/writing-article-critique
• ↑ https://www.citewrite.qut.edu.au/write/writing-well/critique.html
• ↑ http://www.writing.utoronto.ca/advice/specific-types-of-writing/book-review
• ↑ https://www.hunter.cuny.edu/rwc/handouts/the-writing-process-1/invention/Writing-a-Critique
• ↑ https://writingcenter.unc.edu/esl/resources/writing-critiques/

About This Article

To write a 5-paragraph critique, provide the basic information about the work you're critiquing in the first paragraph, including the author, when it was published, and what its key themes are. Then, conclude this paragraph with a statement of your opinion of the work. Next, identify 3 central positive or negative issues in the work and write a paragraph about each one. For example, you could focus on the color, light, and composition of a painting. In the final paragraph, state your overall assessment of the work, and give reasons to back it up. For tips on how to take notes on the piece your critiquing, read on! Did this summary help you? Yes No

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Expert Help with Movie Critique Writing

Table of Contents

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What Is a Movie Critique?

Top tips on creating a movie critique essay, the keys to writing a film critique essay of high quality, writing a movie critique essay: the questions each writer should answer, our writing team, our highest priority – providing unique and original content, how to order a movie critique, ordering papers from us is easy, the benefits of getting movie critique essay help, customer feedback on the delivered movie critiques.

A successful movie critique is an informative and complete review of a particular movie. Movie review writing is something an art form. The writer needs patience and understanding in order to provide a bias-free opinion regarding a movie. The primary purpose of a critique is to provide readers with sufficient information about a movie to enable them to decide if they should watch it or not. Do you know how to critique a movie and write an effective movie critique essay ?

Those who know how to write a film critique paper understand that it requires immersing yourself in the movie, paying attention to the subtle details, and understanding how to analyze a film in the context of the genre as a whole or based on the contemporary thought of the time. In other words, writing a film critique is a real challenge that few students are capable of handling. Fortunately, the professionals at Fresh-Essay.com know exactly how to write a film analysis that gets you the grades you need, and can provide you with effective tips and tricks that will definitely help you write a solid, successful and catchy movie critique essay.

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Movie critique is an informative review of a certain movie. Writing a movie critique essay requires person’s understanding, commitment, patience, as well as unbiased opinion regarding the chosen movie or film. The main idea of a decent movie critique paper is to give future readers some piece of info about the film, so that they can take a decision for themselves whether to see it or not.

Writing a movie critique, the author is supposed to include a piece of evidence or details regarding what the movie is about, his/ her assessment of the success or failure of this film, based on the data gathered. Therefore, it is more than a movie synopsis of the film / movie. For the author, a movie critique writing implies presenting his/her personal considerations, points of view or opinions about the movie based on the pleasure, interest, frustration, disgust, surprise, disappointment, or any other kinds of emotions or feelings that this piece of art evokes.

Writing a movie critique means to offer your insight and opinion on what was wrong with the movie and what made it special/interesting and intriguing to watch. There’s always something you like about movies and something you don’t: you may think that the plot was good, but the special effects were horrible – think about all of the possible film production stages and try to look at all of them critically.

The general guidelines on how to write a film critique essay are as follows:

• Choose a film.
• Specify the points and issues you are going to analyze and discuss in your essay.
• Watch the film several times: first time – to get a general idea of it; second time – to pay attention to the points that come into your sphere of interest and/or to note the details you weren’t able to notice the first time.
• Take notes while watching.
• Try to be objective
• Try to be specific.

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Writing an effective movie critique essay means learning what information to include and at what stages to include it.

• Make a note of all critical facts and important moments in the movie as you watch it. Name the main actors and key performers, the movie producer, and its director. Describe also these three key stages of the storyline’s development: the story’s beginning, its climax, and its ending.
• Review your notes before you start writing and select important parts to highlight.
• A good movie critique also means identifying the readers your writing is aimed at. Choose a tone to suit your intended audience.
• Start your critique in a way that grabs readers’ attention. This could mean recalling an important moment or referring to a memorable quote from the movie.
• Refer to some of the movie’s most important players, which may mean the director, producer, or actors. If readers notice a familiar name, it is more probable they will continue reading. You should also mention the movie’s title in full. Once you have covered these aspects, the introductory paragraph is complete.
• The next stage in writing a movie critique is to create the middle or body section (usually comprised of one to three paragraphs), and here you should describe the movie’s basic storyline. Draw attention to important scenes and how characters develop.
• Talk about the movie’s climax in the body paragraphs. However, you should not reveal too much of the story.
• End your movie critique essay by offering your own opinion. As well as wanting to know your opinion, readers will want to know why you formed those opinions, so set out your reasons for thinking a movie is good or bad.

Every film critique has a similar structure: an introductory section, a main body, and a concluding section, to include a thesis sentence. A clearly-written thesis statement lets readers know what the critique will cover.

Professors tend to give students film critique assignments for two primary reasons. Firstly, it enables professors to see if students understand the subject and how attentive they are. Secondly, it allows professors to see if students are able to form a well-reasoned opinion and a sound argument against or in favor of the movie.

The movie critique help provided above is designed to make it easier for students to complete their assignments. Yet, if it is the case you still feel that critique writing is not for you, feel free to contact Fresh-Essay.com. Our company would be delighted to welcome you as a customer. We would like to introduce the main features of our writing service to you.

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If you are facing the need to compose a critical review of some film for your class, you need to know the basics of dealing with this type of tasks. First, you should realize that writing such paper demands your focused attention during film watching, so it is nothing like the leisure movie nights you are used to. Second, retelling the plot is not about a critique, but rather about a general analysis of the movie in general and its ideas in specific. Finally, your writing needs to correspond to the requirements of your instructor and comply with referencing and formatting rules of your college. Besides, it is needless to mention how important the absence of plagiarism is, as everyone knows, how dangerous the copied parts of writing are for one’s academic career.

Apart from these ground rules, here are some secrets that can help you to make your paper more efficient:

• It is often a good idea to watch the movie once and then do it again after a few days, to get a fresh perception and notice new subtle aspects;
• While watching, take notes about your impressions and emotions, and mention them later in your paper;
• Try to decode the author’s messages behind the story: what did they want to convey? What did the author want the viewers to feel? Did he managed to achieve this effect?
• Do not retell the plot: too many details do not work for you in this type of assignment;
• Before writing, make some research about the film creation: it often reveals interesting details and facts and explains the tools that the director has used;
• Analyze the film genre and how it corresponds to the frame of this genre. Provide the list of the features that have helped you put this piece of art in a certain category.
• Illustrate your paper with quotations from the movie: they will prop up your arguments in the essay;
• Provide your personal opinion about everything in the film: a critique is not a paper where you can stay neutral, so do not be afraid to show your feelings and emotions.

After you read a bunch of articles on how to write a film critique essay it might still be challenging for you to create a powerful and convincing paper. If you experience a writer’s block and do not know where to start, ask yourself the following questions:

• Is this a movie adaptation of a book, an original story or true story? In case this is an adaptation, how effectively does it convey the original idea?
• Are there unique characters in the movie?
• Was the cast choice successful?
• What is the central theme of the movie?
• Were the locations suitable for the story?
• Does the music help set the appropriate mood?
• How effective or ineffective is the cinematography in general and the movie in particular?
• Which character is the most impressive?
• Did the filmmakers use any notable technology?

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Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Film Writing: Sample Analysis

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Summary: A sample analysis of a filmic sequence that makes use of the terminology on the OWL’s Writing About Film page .

Written by Kylie Regan

Introductory Note

The analysis below discusses the opening moments of the science fiction movie  Ex Machina  in order to make an argument about the film's underlying purpose. The text of the analysis is formatted normally. Editor's commentary, which will occasionally interrupt the piece to discuss the author's rhetorical strategies, is written in brackets in an italic font with a bold "Ed.:" identifier. See the examples below:

The text of the analysis looks like this.

[ Ed.:  The editor's commentary looks like this. ]

Frustrated Communication in Ex Machina ’s Opening Sequence

Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.

[ Ed.:  The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start. ]

The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.

The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.

[ Ed.:  These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs). ]

Without any audible dialogue or traditional expository setup of the main characters, this opening sequence sets viewers up to make sense of Ex Machina ’s visual style and its exploration of the ways that technology can both enhance and limit human communication. The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology. Caleb’s first response when he hears his good news is to text his friends rather than tell the people sitting around him, and he makes no move to take his headphones out when the in-person celebration finally breaks out. Everyone in the building is on their phones, looking at screens, or has headphones in, and the camera is looking at screens through Caleb’s viewpoint for at least half of the sequence.  

Rather than simply muting the specific conversations that Caleb has with his coworkers, the ambient soundtrack replaces all the noise that a crowded building in the middle of a workday would ordinarily have. This silence sets the uneasy tone that characterizes the rest of the film, which is as much a horror-thriller as a piece of science fiction. Viewers get the sense that all the sounds that humans make as they walk around and talk to each other are being intentionally filtered out by some presence, replaced with a quiet electronic beat that marks the pacing of the sequence, slowly building to a faster tempo. Perhaps the sound of people is irrelevant: only the visual data matters here. Silence is frequently used in the rest of the film as a source of tension, with viewers acutely aware that it could be broken at any moment. Part of the horror of the research bunker, which will soon become the film’s primary setting, is its silence, particularly during sequences of Caleb sneaking into restricted areas and being startled by a sudden noise.

The visual style of this opening sequence reinforces the eeriness of the muted humans and electronic soundtrack. Prominent use of shallow focus to depict a workspace that is constructed out of glass doors and walls makes it difficult to discern how large the space really is. The viewer is thus spatially disoriented in each new setting. This layering of glass and mirrors, doubling some images and obscuring others, is used later in the film when Caleb meets the artificial being Ava (Alicia Vikander), who is not allowed to leave her glass-walled living quarters in the research bunker. The similarity of these spaces visually reinforces the film’s late revelation that Caleb has been manipulated by Nathan Bates (Oscar Isaac), the troubled genius who creates Ava.

[ Ed.:  In these paragraphs, the author cites the information about the scene she's provided to make her argument. Because she's already teased the argument in the introduction and provided an account of her evidence, it doesn't strike us as unreasonable or far-fetched here. Instead, it appears that we've naturally arrived at the same incisive, fascinating points that she has. ]

A few other shots in the opening sequence more explicitly hint that Caleb is already under Nathan’s control before he ever arrives at the bunker. Shortly after the P.O.V shot of Caleb reading the email notification that he won the prize, we cut to a few other P.O.V. shots, this time from the perspective of cameras in Caleb’s phone and desktop computer. These cameras are not just looking at Caleb, but appear to be scanning him, as the screen flashes in different color lenses and small points appear around Caleb’s mouth, eyes, and nostrils, tracking the smallest expressions that cross his face. These small details indicate that Caleb is more a part of this digital space than he realizes, and also foreshadow the later revelation that Nathan is actively using data collected by computers and webcams to manipulate Caleb and others. The shots from the cameras’ perspectives also make use of a subtle fisheye lens, suggesting both the wide scope of Nathan’s surveillance capacities and the slightly distorted worldview that motivates this unethical activity.

[ Ed.: This paragraph uses additional details to reinforce the piece's main argument. While this move may not be as essential as the one in the preceding paragraphs, it does help create the impression that the author is noticing deliberate patterns in the film's cinematography, rather than picking out isolated coincidences to make her points. ]

Taken together, the details of Ex Machina ’s stylized opening sequence lay the groundwork for the film’s long exploration of the relationship between human communication and technology. The sequence, and the film, ultimately suggests that we need to develop and use new technologies thoughtfully, or else the thing that makes us most human—our ability to connect through language—might be destroyed by our innovations. All of the aural and visual cues in the opening sequence establish a world in which humans are utterly reliant on technology and yet totally unaware of the nefarious uses to which a brilliant but unethical person could put it.

Author's Note:  Thanks to my literature students whose in-class contributions sharpened my thinking on this scene .

[ Ed.: The piece concludes by tying the main themes of the opening sequence to those of the entire film. In doing this, the conclusion makes an argument for the essay's own relevance: we need to pay attention to the essay's points so that we can achieve a rich understanding of the movie. The piece's final sentence makes a chilling final impression by alluding to the danger that might loom if we do not understand the movie. This is the only the place in the piece where the author explicitly references how badly we might be hurt by ignorance, and it's all the more powerful for this solitary quality. A pithy, charming note follows, acknowledging that the author's work was informed by others' input (as most good writing is). Beautifully done. ]

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How to write a movie critique

Writing film critique essay is a task that few students can successfully complete. However, it is still more interesting and much more enjoyable than, for example, writing a research paper or a capstone project. Just imagine what a great thing it is when you watch a nice movie and then discuss it in writing. The whole situation becomes even more pleasant when your professor gives you some freedom to choose a movie you want to write about.

However, whenever you need to write a film critique essay, mind its contents and structure. It is not simply about sharing some random thoughts. A perfect movie critique essay will be properly structured. It will be logical and persuasive. Moreover, it may take some time for you to understand the purpose and meaning of cinematic and literary devices used in movies. Your task is to go beyond the obvious facts and see the hidden message. You must articulate this message to your audience in ways that create a clear picture of the movie, its purpose, as well as its strengths and weaknesses.

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Writing a movie critique paper

Writing movie critique essay may seem difficult. Even the best students can stumble when they see the movie critique task. However, you can follow several simple steps to produce a brilliant movie critique paper. Just make sure that you follow a proper structure and incorporate the basic components of effective academic writing into your work.

This is the first step you should make to produce a perfect movie critique paper. As you keep watching it, try to understand its meaning and purpose. Make notes. Remember the most meaningful passages. Explore the plot beyond the movie. Look deeper into the way the movie extends the logic of the book or scenario that the director was following. Note the things that you like or do not like about the movie. You will discuss them in detail while working on your movie critique paper.

Determine the key components or cinematographic elements used in the movie. It is about defining the main theme and discussing its implications for the target audience. You cannot move ahead without understanding the theme, because it is the core component of any film critique structure. For example, racism and discrimination are the priority themes in your movie, which are further associated with the themes of loneliness and hostility. Once you define the theme of your movie, you will also need to determine its purpose, genre, and point of view. You will need to evaluate how these components fit together to create a coherent picture on the screen. Writing movie critique essay will be easier if you follow the recommendations provided in our blog.

In the process of watching the movie you will need to write down the names of all main characters. Note their behaviors and cite the most important phrases. Also, do not underestimate the importance of setting. It will help your reader understand your characters and the roles they play in the movie. For example, if the action is taking place in a natural environment, it will impact the meaning of words and sentences. In case of any problem, please review our movie paper samples or order a brilliant movie essay today.

Director and actors working as one team – pay more attention to them. When you are writing movie critique essay, you will have to look beyond the scene. Try to understand what each member of the cinematographic team did to create the movie and how each member of the team contributed to the final result. For example, if you are writing about a fantastic movie, include a brief discussion of animation and make up that were used to create a realistic picture of each event.

Outline the plot and development of the story. Now you are ready to describe and evaluate the story line. Firstly, pay attention to the main events during the movie. How do they shape your understanding of the movie’s theme and purpose? Then consider if the story line is logical and consistent to produce a positive and lasting impression on the target audience.

Now you can start writing your movie paper. Bring together the information and analysis that you did for each of above steps and create an outline for your paper. A good film critique example will give you a good understanding of the way your own movie essay might look when you finish the first draft. In fact, you can use the most basic five-paragraph academic structure for your movie essay. At the same time, make sure that you have consulted the instructions and recommendations given by your instructor.

Finally, you can edit the draft of your movie critique paper to make it perfect. Never submit the first draft of your paper for grading. You will never earn the highest mark for your paper if you do not spend some time addressing errors and logical inconsistencies. The first draft is never perfect. The best you can do is putting away your draft and taking some time away from writing. Then you can get back to your paper with fresh eyes and an open mind. Look for the tiniest inconsistencies and eliminate them.

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Writing film critique essay is a task that few students can successfully complete. However, it is still more interesting and much more enjoyable than, for example, writing a research pape...

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Christopher Nolan’s  "Interstellar ," about astronauts traveling to the other end of the galaxy to find a new home to replace humanity’s despoiled home-world, is frantically busy and earsplittingly loud. It uses booming music to jack up the excitement level of scenes that might not otherwise excite. It features characters shoveling exposition at each other for almost three hours, and a few of those characters have no character to speak of: they’re mouthpieces for techno-babble and philosophical debate. And for all of the director’s activism on behalf of shooting on film, the tactile beauty of the movie’s 35mm and 65mm textures isn’t matched by a sense of composition. The camera rarely tells the story in Nolan’s movies. More often it illustrates the screenplay, and there are points in this one where I felt as if I was watching the most expensive NBC pilot ever made.

And yet "Interstellar" is still an impressive, at times astonishing movie that overwhelmed me to the point where my usual objections to Nolan's work melted away. I’ve packed the first paragraph of this review with those objections (they could apply to any Nolan picture post "Batman Begins"; he is who he is) so that people know that he’s still doing the things that Nolan always does. Whether you find those things endearing or irritating will depend on your affinity for Nolan's style. 

In any case, t here’s something pure and powerful about this movie. I can’t recall a science fiction film hard-sold to a director’s fans as multiplex-“awesome” in which so many major characters wept openly in close-up, voices breaking, tears streaming down  their  cheeks. Matthew McConaughey ’s widowed astronaut Cooper and his colleague Amelia Brand ( Anne Hathaway ) pour on the waterworks in multiple scenes, with justification: like everyone on the crew of the Endurance , the starship sent to a black hole near Jupiter that will slingshot the heroes towards colonize-able worlds, they’re separated from everything that defines them: their loved ones, their personal histories, their culture, the planet itself. Other characters—including Amelia's father, an astrophysicist played by Michael Caine , and a space explorer (played by an  un-billed  guest actor) who’s holed up on a forbidding arctic world—express a vulnerability to loneliness and doubt that’s quite raw for this director. The film’s central family (headed by Cooper, grounded after the  dismantling  of NASA) lives on a  corn  farm, for goodness’ sake, like the gentle Iowans in " Field of Dreams " (a film whose daddy-issues-laden story syncs up nicely with the narrative of  " Interstellar"). Granted, they're growing the crop to feed the human race, which is whiling away its twilight hours on a planet so ecologically devastated that at first you mistake it for the American Dust Bowl circa 1930 or so; but there's still something amusingly cheeky about the notion of corn as sustenance, especially in a survival story in which the future of humanity is at stake. ( Ellen Burstyn plays one of many witnesses in a documentary first glimpsed in the movie's opening scene—and which, in classic Nolan style, is a setup for at least two twists.)

The state-of-the-art sci-fi landscapes are deployed in service of Hallmark card homilies about how people should live, and what’s really important. ("We love people who have died—what's the social utility in that?" "Accident is the first step in evolution.") After a certain point it sinks in, or should sink in, that Nolan and his co-screenwriter, brother Jonathan Nolan , aren’t trying to one-up the spectacular rationalism of “2001." The movie's science fiction trappings are just a wrapping for a spiritual/emotional dream about basic human desires (for home, for family, for continuity of bloodline and culture), as well as for a horror film of sorts—one that treats the star voyagers’ and their earthbound loved ones’ separation as spectacular metaphors for what happens when the people we value are taken from us by death, illness, or unbridgeable distance. (“Pray you never learn just how good it can be to see another face,” another astronaut says, after years alone in an interstellar wilderness.) 

While "Interstellar" never entirely commits to the idea of a non-rational, uncanny world, it nevertheless has a mystical strain, one that's unusually pronounced for a director whose storytelling has the right-brained sensibility of an engineer, logician, or accountant. There's a ghost in this film, writing out messages to the living in dust. Characters strain to interpret distant radio messages as if they were ancient texts written in a dead language, and stare through red-rimmed eyes at video messages sent years ago, by people on the other side of the cosmos. "Interstellar" features a family haunted by the memory of a dead mother and then an absent father; a woman haunted by the memory of a missing father, and another woman who's separated from her own dad (and mentor), and driven to reunite with a lover separated from her by so many millions of miles that he might as well be dead. 

With the possible exception of the last act of " Memento"  and the pit sequence in "The Dark Knight Rises"—a knife-twisting hour that was all about suffering and transcendence—I can’t think of a Nolan film that ladles on  misery and  valorizes  gut feeling (faith)  the way this one does; not from start to finish, anyway.  T he  most stirring sequences are less about driving the plot forward than contemplating what the characters' actions mean to them, and to us. The  best of these is the lift-off sequence, which starts with a countdown heard over images of Cooper leaving his family. It continues in space, with Caine reading passages from Dylan Thomas's villanelle "Do Not Go Gentle Into that Good Night": "Old age should burn and rave at close of day; Rage, rage against the dying of the light." (If it wasn't already obvious, this sequence certifies Nolan as the most death-and-control obsessed major American filmmaker, along with Wes Anderson .)

The film's widescreen panoramas feature harsh interplanetary landscapes, shot in cruel Earth locales; some of the largest and most detailed starship miniatures ever built, and space sequences presented in scientifically accurate silence, a la "2001." But for all its high-tech glitz, "Interstellar" has a defiantly old-movie feeling. It's not afraid to switch, even lurch, between modes. At times, the movie's one-stop-shopping storytelling evokes the tough-tender spirit of a John Ford picture, or a Steven Spielberg film made in the spirit of a Ford picture: a movie that would rather try to be eight or nine things than just one. Bruising outer-space action sequences, with astronauts tumbling in zero gravity and striding across forbidding landscapes, give way to snappy comic patter (mostly between Cooper and the ship's robot, TARS, designed in Minecraft-style, pixel-ish boxes, and voiced by Bill Irwin ). There are long explanatory sequences, done with and without dry erase boards, dazzling vistas that are less spaces than mind-spaces, and tearful separations and reconciliations that might as well be played silent, in tinted black-and-white, and scored with a saloon piano. (Spielberg originated "Interstellar" in 2006, but dropped out to direct other projects.)

McConaughey, a super-intense actor who wholeheartedly commits to every line and moment he's given, is the right leading man for this kind of film. Cooper proudly identifies himself as an engineer as well as an astronaut and farmer, but he has the soul of a goofball poet; when he stares at intergalactic vistas, he grins like a kid at an amusement park waiting to ride a new roller coaster. Cooper's farewell to his daughter Murph—who's played by McKenzie Foy as a young girl—is shot very close-in, and lit in warm, cradling tones; it has some of the tenderness of the porch swing scene in " To Kill a Mockingbird ." When Murph grows up into Jessica Chastain —a key member of Caine's NASA crew, and a surrogate for the daughter that the elder Brand "lost' to the Endurance 's mission—we keep thinking about that goodbye scene, and how its anguish drives everything that Murph and Cooper are trying to do, while also realizing that similar feelings drive the other characters—indeed, the rest of the species. (One suspects this is a deeply personal film for Nolan: it's about a man who feels he has been "called" to a particular job, and whose work requires him to spend long periods away from his family.)

The movie's storytelling masterstroke comes from adherence to principles of relativity: the astronauts perceive time differently depending on where Endurance is, which means that when they go down onto a prospective habitable world, a few minutes there equal weeks or months back on the ship. Meanwhile, on Earth, everyone is aging and losing hope. Under such circumstances, even tedious housekeeping-type exchanges become momentous: one has to think twice before arguing about what to do next, because while the argument is happening, people elsewhere are going grey, or suffering depression from being alone, or withering and dying. Here, more so than in any other Nolan film (and that's saying a lot), time is everything. "I'm an old physicist," Brand tells Cooper early in the film. "I'm afraid of time." Time is something we all fear. There's a ticking clock governing every aspect of existence, from the global to the familial. Every act by every character is an act of defiance, born of a wish to not go gently.

Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

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Film credits.

Interstellar (2014)

Rated PG-13 for some intense perilous action and brief strong language

169 minutes

Matthew McConaughey as Cooper

Wes Bentley as Doyle

Anne Hathaway as Brand

Jessica Chastain as Murph

Michael Caine as Dr. Brand

John Lithgow as Donald

Topher Grace

Casey Affleck as Tom

Mackenzie Foy as Young Murph

Ellen Burstyn as Old Murph

Bill Irwin as TARS (voice)

Collette Wolfe as Ms. Kelly

David Oyelowo as Principal

William Devane as Old Tom

• Christopher Nolan
• Jonathan Nolan

Director of Photography

• Hoyte van Hoytema

Original Music Composer

• Hans Zimmer

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