a level literature essay writing

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How to Write an A-Level English Literature Essay

Writing an A-level English Literature essay is like creating a masterpiece. It’s a skill that can make a big difference in your academic adventure. 

In this article, we will explore the world of literary analysis in an easy-to-follow way. We’ll show you how to organise your thoughts, analyse texts, and make strong arguments. 

The Basics of Crafting A-Level English Literature Essays

Understanding the Assignment: Decoding Essay Prompts

Writing begins with understanding. When faced with an essay prompt, dissect it carefully. Identify keywords and phrases to grasp what’s expected. Pay attention to verbs like “analyse,” “discuss,” or “evaluate.” These guide your approach. For instance, if asked to analyse, delve into the how and why of a literary element.

Essay Structure: Building a Solid Foundation

The structure is the backbone of a great essay. Start with a clear introduction that introduces your topic and thesis. The body paragraphs should each focus on a specific aspect, supporting your thesis. Don’t forget topic sentences—they guide readers. Finally, wrap it up with a concise conclusion that reinforces your main points.

Thesis Statements: Crafting Clear and Powerful Arguments

Your thesis is your essay’s compass. Craft a brief statement conveying your main argument. It should be specific, not vague. Use it as a roadmap for your essay, ensuring every paragraph aligns with and supports it. A strong thesis sets the tone for an impactful essay, giving your reader a clear sense of what to expect.

Exploring PEDAL for Better A-Level English Essays

Going beyond PEE to PEDAL ensures a holistic approach, hitting the additional elements crucial for A-Level success. This structure delves into close analysis, explains both the device and the quote, and concludes with a contextual link. 

Below are some examples to illustrate how PEDAL can enhance your essay:

Clearly state your main idea.

Example: “In this paragraph, we explore the central theme of love in Shakespeare’s ‘Romeo and Juliet.'”

Pull relevant quotes from the text.

Example: “Citing Juliet’s line, ‘My only love sprung from my only hate,’ highlights the conflict between love and family loyalty.”

Identify a literary technique in the evidence.

Example: “Analysing the metaphor of ‘love sprung from hate,’ we unveil Shakespeare’s use of contrast to emphasise the intensity of emotions.”

Break down the meaning of the evidence.

Example: “Zooming in on the words ‘love’ and ‘hate,’ we dissect their individual meanings, emphasising the emotional complexity of the characters.”

Link to Context:

Connect your point to broader contexts.

Example: “Linking this theme to the societal norms of the Elizabethan era adds depth, revealing how Shakespeare challenges prevailing beliefs about love and family.”

Navigating the World of Literary Analysis

Breaking Down Literary Elements: Characters, Plot, and Themes

Literary analysis is about dissecting a text’s components. Characters, plot, and themes are key players. Explore how characters develop, influence the narrative, and represent broader ideas. Map out the plot’s structure—introduction, rising action, climax, and resolution. Themes, the underlying messages, offer insight into the author’s intent. Pinpointing these elements enriches your analysis.

Effective Text Analysis: Uncovering Hidden Meanings

Go beyond the surface. Effective analysis uncovers hidden layers. Consider symbolism, metaphors, and imagery. Ask questions: What does a symbol represent? How does a metaphor enhance meaning? Why was a particular image chosen? Context is crucial. Connect these literary devices to the broader narrative, revealing the author’s nuanced intentions.

Incorporating Critical Perspectives: Adding Depth to Your Essays

Elevate your analysis by considering various perspectives. Literary criticism opens new doors. Explore historical, cultural, or feminist viewpoints. Delve into how different critics interpret the text. This depth showcases a nuanced understanding, demonstrating your engagement with broader conversations in the literary realm. Incorporating these perspectives enriches your analysis, setting your essay apart.

Secrets to Compelling Essays

Structuring your ideas: creating coherent and flowing essays.

Structure is the roadmap readers follow. Start with a captivating introduction that sets the stage. Each paragraph should have a clear focus, connected by smooth transitions. Use topic sentences to guide readers through your ideas. Aim for coherence—each sentence should logically follow the previous one. This ensures your essay flows seamlessly, making it engaging and easy to follow.

Presenting Compelling Arguments: Backing Up Your Points

Compelling arguments rest on solid evidence. Support your ideas with examples from the text. Quote relevant passages to reinforce your points. Be specific—show how the evidence directly relates to your argument. Avoid generalisations. Strong arguments convince the reader of your perspective, making your essay persuasive and impactful.

The Power of Language: Writing with Clarity and Precision

Clarity is key in essay writing. Choose words carefully to convey your ideas precisely. Avoid unnecessary complexity—simple language is often more effective. Proofread to eliminate ambiguity and ensure clarity. Precision in language enhances the reader’s understanding and allows your ideas to shine. Crafting your essay with care elevates the overall quality, leaving a lasting impression.

Mastering A-level English Literature essays unlocks academic success. Armed with a solid structure, nuanced literary analysis, and compelling arguments, your essays will stand out. Transform your writing from good to exceptional. 

For personalised guidance, join Study Mind’s A-Level English Literature tutors . Elevate your understanding and excel in your literary pursuits. Enrich your learning journey today!

How long should my A-level English Literature essay be, and does word count matter?

While word count can vary, aim for quality over quantity. Typically, essays range from 1,200 to 1,500 words. Focus on expressing your ideas coherently rather than meeting a specific word count. Ensure each word contributes meaningfully to your analysis for a concise and impactful essay.

Is it acceptable to include personal opinions in my literature essay?

While it’s essential to express your viewpoint, prioritise textual evidence over personal opinions. Support your arguments with examples from the text to maintain objectivity. Balance your insights with the author’s intent, ensuring a nuanced and well-supported analysis.

Can I use quotes from literary critics in my essay, and how do I integrate them effectively?

Yes, incorporating quotes from critics can add depth. Introduce the critic’s perspective and relate it to your argument. Analyse the quote’s relevance and discuss its impact on your interpretation. This demonstrates a broader engagement with literary conversations.

How do I avoid sounding repetitive in my essay?

Vary your language and sentence structure. Instead of repeating phrases, use synonyms and explore different ways to express the same idea. Ensure each paragraph introduces new insights, contributing to the overall development of your analysis. This keeps your essay engaging and avoids monotony.

Is it necessary to memorise quotes, or can I refer to the text during exams?

While memorising key quotes is beneficial for a closed text exam, you can refer to the text during open text exams. However, it’s crucial to be selective. Memorise quotes that align with common themes and characters, allowing you to recall them quickly and use them effectively in your essay under time constraints.

How can I improve my essay writing under time pressure during exams?

Practise timed writing regularly to enhance your speed and efficiency. Prioritise planning—allocate a few minutes to outline your essay before starting. Focus on concise yet impactful analysis. Develop a systematic approach to time management to ensure each section of your essay receives adequate attention within the given timeframe.

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How to Write a Good English Literature Essay

By Dr Oliver Tearle (Loughborough University)

How do you write a good English Literature essay? Although to an extent this depends on the particular subject you’re writing about, and on the nature of the question your essay is attempting to answer, there are a few general guidelines for how to write a convincing essay – just as there are a few guidelines for writing well in any field.

We at Interesting Literature  call them ‘guidelines’ because we hesitate to use the word ‘rules’, which seems too programmatic. And as the writing habits of successful authors demonstrate, there is no  one way to become a good writer – of essays, novels, poems, or whatever it is you’re setting out to write. The French writer Colette liked to begin her writing day by picking the fleas off her cat.

Edith Sitwell, by all accounts, liked to lie in an open coffin before she began her day’s writing. Friedrich von Schiller kept rotten apples in his desk, claiming he needed the scent of their decay to help him write. (For most student essay-writers, such an aroma is probably allowed to arise in the writing-room more organically, over time.)

We will address our suggestions for successful essay-writing to the average student of English Literature, whether at university or school level. There are many ways to approach the task of essay-writing, and these are just a few pointers for how to write a better English essay – and some of these pointers may also work for other disciplines and subjects, too.

Of course, these guidelines are designed to be of interest to the non-essay-writer too – people who have an interest in the craft of writing in general. If this describes you, we hope you enjoy the list as well. Remember, though, everyone can find writing difficult: as Thomas Mann memorably put it, ‘A writer is someone for whom writing is more difficult than it is for other people.’ Nora Ephron was briefer: ‘I think the hardest thing about writing is writing.’ So, the guidelines for successful essay-writing:

1. Planning is important, but don’t spend too long perfecting a structure that might end up changing.

This may seem like odd advice to kick off with, but the truth is that different approaches work for different students and essayists. You need to find out which method works best for you.

It’s not a bad idea, regardless of whether you’re a big planner or not, to sketch out perhaps a few points on a sheet of paper before you start, but don’t be surprised if you end up moving away from it slightly – or considerably – when you start to write.

Often the most extensively planned essays are the most mechanistic and dull in execution, precisely because the writer has drawn up a plan and refused to deviate from it. What  is a more valuable skill is to be able to sense when your argument may be starting to go off-topic, or your point is getting out of hand,  as you write . (For help on this, see point 5 below.)

We might even say that when it comes to knowing how to write a good English Literature essay,  practising  is more important than planning.

2. Make room for close analysis of the text, or texts.

Whilst it’s true that some first-class or A-grade essays will be impressive without containing any close reading as such, most of the highest-scoring and most sophisticated essays tend to zoom in on the text and examine its language and imagery closely in the course of the argument. (Close reading of literary texts arises from theology and the analysis of holy scripture, but really became a ‘thing’ in literary criticism in the early twentieth century, when T. S. Eliot, F. R. Leavis, William Empson, and other influential essayists started to subject the poem or novel to close scrutiny.)

Close reading has two distinct advantages: it increases the specificity of your argument (so you can’t be so easily accused of generalising a point), and it improves your chances of pointing up something about the text which none of the other essays your marker is reading will have said. For instance, take In Memoriam  (1850), which is a long Victorian poem by the poet Alfred, Lord Tennyson about his grief following the death of his close friend, Arthur Hallam, in the early 1830s.

When answering a question about the representation of religious faith in Tennyson’s poem  In Memoriam  (1850), how might you write a particularly brilliant essay about this theme? Anyone can make a general point about the poet’s crisis of faith; but to look closely at the language used gives you the chance to show  how the poet portrays this.

For instance, consider this stanza, which conveys the poet’s doubt:

A solid and perfectly competent essay might cite this stanza in support of the claim that Tennyson is finding it increasingly difficult to have faith in God (following the untimely and senseless death of his friend, Arthur Hallam). But there are several ways of then doing something more with it. For instance, you might get close to the poem’s imagery, and show how Tennyson conveys this idea, through the image of the ‘altar-stairs’ associated with religious worship and the idea of the stairs leading ‘thro’ darkness’ towards God.

In other words, Tennyson sees faith as a matter of groping through the darkness, trusting in God without having evidence that he is there. If you like, it’s a matter of ‘blind faith’. That would be a good reading. Now, here’s how to make a good English essay on this subject even better: one might look at how the word ‘falter’ – which encapsulates Tennyson’s stumbling faith – disperses into ‘falling’ and ‘altar’ in the succeeding lines. The word ‘falter’, we might say, itself falters or falls apart.

That is doing more than just interpreting the words: it’s being a highly careful reader of the poetry and showing how attentive to the language of the poetry you can be – all the while answering the question, about how the poem portrays the idea of faith. So, read and then reread the text you’re writing about – and be sensitive to such nuances of language and style.

The best way to  become attuned to such nuances is revealed in point 5. We might summarise this point as follows: when it comes to knowing how to write a persuasive English Literature essay, it’s one thing to have a broad and overarching argument, but don’t be afraid to use the  microscope as well as the telescope.

3. Provide several pieces of evidence where possible.

Many essays have a point to make and make it, tacking on a single piece of evidence from the text (or from beyond the text, e.g. a critical, historical, or biographical source) in the hope that this will be enough to make the point convincing.

‘State, quote, explain’ is the Holy Trinity of the Paragraph for many. What’s wrong with it? For one thing, this approach is too formulaic and basic for many arguments. Is one quotation enough to support a point? It’s often a matter of degree, and although one piece of evidence is better than none, two or three pieces will be even more persuasive.

After all, in a court of law a single eyewitness account won’t be enough to convict the accused of the crime, and even a confession from the accused would carry more weight if it comes supported by other, objective evidence (e.g. DNA, fingerprints, and so on).

Let’s go back to the example about Tennyson’s faith in his poem  In Memoriam  mentioned above. Perhaps you don’t find the end of the poem convincing – when the poet claims to have rediscovered his Christian faith and to have overcome his grief at the loss of his friend.

You can find examples from the end of the poem to suggest your reading of the poet’s insincerity may have validity, but looking at sources beyond the poem – e.g. a good edition of the text, which will contain biographical and critical information – may help you to find a clinching piece of evidence to support your reading.

And, sure enough, Tennyson is reported to have said of  In Memoriam : ‘It’s too hopeful, this poem, more than I am myself.’ And there we have it: much more convincing than simply positing your reading of the poem with a few ambiguous quotations from the poem itself.

Of course, this rule also works in reverse: if you want to argue, for instance, that T. S. Eliot’s  The Waste Land is overwhelmingly inspired by the poet’s unhappy marriage to his first wife, then using a decent biographical source makes sense – but if you didn’t show evidence for this idea from the poem itself (see point 2), all you’ve got is a vague, general link between the poet’s life and his work.

Show  how the poet’s marriage is reflected in the work, e.g. through men and women’s relationships throughout the poem being shown as empty, soulless, and unhappy. In other words, when setting out to write a good English essay about any text, don’t be afraid to  pile on  the evidence – though be sensible, a handful of quotations or examples should be more than enough to make your point convincing.

4. Avoid tentative or speculative phrasing.

Many essays tend to suffer from the above problem of a lack of evidence, so the point fails to convince. This has a knock-on effect: often the student making the point doesn’t sound especially convinced by it either. This leaks out in the telling use of, and reliance on, certain uncertain  phrases: ‘Tennyson might have’ or ‘perhaps Harper Lee wrote this to portray’ or ‘it can be argued that’.

An English university professor used to write in the margins of an essay which used this last phrase, ‘What  can’t be argued?’

This is a fair criticism: anything can be argued (badly), but it depends on what evidence you can bring to bear on it (point 3) as to whether it will be a persuasive argument. (Arguing that the plays of Shakespeare were written by a Martian who came down to Earth and ingratiated himself with the world of Elizabethan theatre is a theory that can be argued, though few would take it seriously. We wish we could say ‘none’, but that’s a story for another day.)

Many essay-writers, because they’re aware that texts are often open-ended and invite multiple interpretations (as almost all great works of literature invariably do), think that writing ‘it can be argued’ acknowledges the text’s rich layering of meaning and is therefore valid.

Whilst this is certainly a fact – texts are open-ended and can be read in wildly different ways – the phrase ‘it can be argued’ is best used sparingly if at all. It should be taken as true that your interpretation is, at bottom, probably unprovable. What would it mean to ‘prove’ a reading as correct, anyway? Because you found evidence that the author intended the same thing as you’ve argued of their text? Tennyson wrote in a letter, ‘I wrote In Memoriam  because…’?

But the author might have lied about it (e.g. in an attempt to dissuade people from looking too much into their private life), or they might have changed their mind (to go back to the example of  The Waste Land : T. S. Eliot championed the idea of poetic impersonality in an essay of 1919, but years later he described  The Waste Land as ‘only the relief of a personal and wholly insignificant grouse against life’ – hardly impersonal, then).

Texts – and their writers – can often be contradictory, or cagey about their meaning. But we as critics have to act responsibly when writing about literary texts in any good English essay or exam answer. We need to argue honestly, and sincerely – and not use what Wikipedia calls ‘weasel words’ or hedging expressions.

So, if nothing is utterly provable, all that remains is to make the strongest possible case you can with the evidence available. You do this, not only through marshalling the evidence in an effective way, but by writing in a confident voice when making your case. Fundamentally, ‘There is evidence to suggest that’ says more or less the same thing as ‘It can be argued’, but it foregrounds the  evidence rather than the argument, so is preferable as a phrase.

This point might be summarised by saying: the best way to write a good English Literature essay is to be honest about the reading you’re putting forward, so you can be confident in your interpretation and use clear, bold language. (‘Bold’ is good, but don’t get too cocky, of course…)

5. Read the work of other critics.

This might be viewed as the Holy Grail of good essay-writing tips, since it is perhaps the single most effective way to improve your own writing. Even if you’re writing an essay as part of school coursework rather than a university degree, and don’t need to research other critics for your essay, it’s worth finding a good writer of literary criticism and reading their work. Why is this worth doing?

Published criticism has at least one thing in its favour, at least if it’s published by an academic press or has appeared in an academic journal, and that is that it’s most probably been peer-reviewed, meaning that other academics have read it, closely studied its argument, checked it for errors or inaccuracies, and helped to ensure that it is expressed in a fluent, clear, and effective way.

If you’re serious about finding out how to write a better English essay, then you need to study how successful writers in the genre do it. And essay-writing is a genre, the same as novel-writing or poetry. But why will reading criticism help you? Because the critics you read can show you how to do all of the above: how to present a close reading of a poem, how to advance an argument that is not speculative or tentative yet not over-confident, how to use evidence from the text to make your argument more persuasive.

And, the more you read of other critics – a page a night, say, over a few months – the better you’ll get. It’s like textual osmosis: a little bit of their style will rub off on you, and every writer learns by the examples of other writers.

As T. S. Eliot himself said, ‘The poem which is absolutely original is absolutely bad.’ Don’t get precious about your own distinctive writing style and become afraid you’ll lose it. You can’t  gain a truly original style before you’ve looked at other people’s and worked out what you like and what you can ‘steal’ for your own ends.

We say ‘steal’, but this is not the same as saying that plagiarism is okay, of course. But consider this example. You read an accessible book on Shakespeare’s language and the author makes a point about rhymes in Shakespeare. When you’re working on your essay on the poetry of Christina Rossetti, you notice a similar use of rhyme, and remember the point made by the Shakespeare critic.

This is not plagiarising a point but applying it independently to another writer. It shows independent interpretive skills and an ability to understand and apply what you have read. This is another of the advantages of reading critics, so this would be our final piece of advice for learning how to write a good English essay: find a critic whose style you like, and study their craft.

If you’re looking for suggestions, we can recommend a few favourites: Christopher Ricks, whose  The Force of Poetry is a tour de force; Jonathan Bate, whose  The Genius of Shakespeare , although written for a general rather than academic audience, is written by a leading Shakespeare scholar and academic; and Helen Gardner, whose  The Art of T. S. Eliot , whilst dated (it came out in 1949), is a wonderfully lucid and articulate analysis of Eliot’s poetry.

James Wood’s How Fiction Works  is also a fine example of lucid prose and how to close-read literary texts. Doubtless readers of  Interesting Literature will have their own favourites to suggest in the comments, so do check those out, as these are just three personal favourites. What’s your favourite work of literary scholarship/criticism? Suggestions please.

Much of all this may strike you as common sense, but even the most commonsensical advice can go out of your mind when you have a piece of coursework to write, or an exam to revise for. We hope these suggestions help to remind you of some of the key tenets of good essay-writing practice – though remember, these aren’t so much commandments as recommendations. No one can ‘tell’ you how to write a good English Literature essay as such.

But it can be learned. And remember, be interesting – find the things in the poems or plays or novels which really ignite your enthusiasm. As John Mortimer said, ‘The only rule I have found to have any validity in writing is not to bore yourself.’

Finally, good luck – and happy writing!

And if you enjoyed these tips for how to write a persuasive English essay, check out our advice for how to remember things for exams  and our tips for becoming a better close reader of poetry .

30 thoughts on “How to Write a Good English Literature Essay”

You must have taken AP Literature. I’m always saying these same points to my students.

I also think a crucial part of excellent essay writing that too many students do not realize is that not every point or interpretation needs to be addressed. When offered the chance to write your interpretation of a work of literature, it is important to note that there of course are many but your essay should choose one and focus evidence on this one view rather than attempting to include all views and evidence to back up each view.

Reblogged this on SocioTech'nowledge .

Not a bad effort…not at all! (Did you intend “subject” instead of “object” in numbered paragraph two, line seven?”

Oops! I did indeed – many thanks for spotting. Duly corrected ;)

That’s what comes of writing about philosophy and the subject/object for another post at the same time!

Reblogged this on Scribing English .

• Pingback: Recommended Resource: Interesting Literature.com & how to write an essay | Write Out Loud

Great post on essay writing! I’ve shared a post about this and about the blog site in general which you can look at here: http://writeoutloudblog.com/2015/01/13/recommended-resource-interesting-literature-com-how-to-write-an-essay/

All of these are very good points – especially I like 2 and 5. I’d like to read the essay on the Martian who wrote Shakespeare’s plays).

Reblogged this on Uniqely Mustered and commented: Dedicate this to all upcoming writers and lovers of Writing!

I shall take this as my New Year boost in Writing Essays. Please try to visit often for corrections,advise and criticisms.

Reblogged this on Blue Banana Bread .

Reblogged this on worldsinthenet .

All very good points, but numbers 2 and 4 are especially interesting.

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Reblogged this on rainniewu .

Reblogged this on pixcdrinks .

• Pingback: How to Write a Good English Essay? Interesting Literature | EngLL.Com

Great post. Interesting infographic how to write an argumentative essay http://www.essay-profy.com/blog/how-to-write-an-essay-writing-an-argumentative-essay/

Reblogged this on DISTINCT CHARACTER and commented: Good Tips

Reblogged this on quirkywritingcorner and commented: This could be applied to novel or short story writing as well.

Reblogged this on rosetech67 and commented: Useful, albeit maybe a bit late for me :-)

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A well rounded summary on all steps to keep in mind while starting on writing. There are many new avenues available though. Benefit from the writing options of the 21st century from here, i loved it! http://authenticwritingservices.com

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Aptitude tests, higher learning, how to structure an english literature essay, how to structure an english literature essay (as and a-level).

Understanding how to structure an essay can be difficult so we asked Hannah one of our English Literature Tutors to guide you through the process.

1.  Introduction

• Use the opening paragraph to  frame  the project, i.e. what you intend to prove/analyse in this essay to show your individual and original perspective on the text.
• Introduce the text as a  construct  making comments about  why  the text has been written and the  context  in which it has been produced.
• Include, in a succinct manner, the following: names of text and author and dates of publication/performance, some  brief  explanation of text’s reception and its context and a concise consideration of the  relevant  themes of the text.
• The key to a successful introduction is  brevity , establishing the basic facts of the text whilst employing a clear  critical  voice: this will immediately establish an academic register in your writing.

2.   Thesis

• In this section you  outline  your argument in response to the title question, clearly  sign posting  to the reader what you intend to do in the essay.
• Acknowledge the  terms  of the question to discuss what the  implications  of the question are in terms of how you are going to write your response.
• Use this section to introduce your own  interpretation  of the question, adopting an individual critical voice to show your  engagement  with the text by expressing yourself  imaginatively  and  creatively  in your writing.
• As with the introduction, the thesis should be  brief  and  succinct , giving the reader a general but engaging  summary  of what you intend to argue throughout your essay.

3.  Main Body Paragraphs

• This will make up the majority of your essay and is where you explore each point of your argument.  You want to ensure that each paragraph has one significant point which is  supported  with evidence from the text which you then unpack, explain and explore in relation to your  thesis .  Ensure that the point you make in each paragraph is  relevant  to the argument in your thesis and  sustainable  through textual evidence.
• The following outline is a useful guideline for structuring each body paragraph: (a) Point – opening the paragraph by stating the  point  you intend to make. This needs to be one of the  ideas  that is contributing to your overall  thesis . (b) Evidence from text – this can either be an  embedded quotation  that enhances or examples the point you are making about the text OR a brief description of something from the text that  supports  your idea.  Your evidence should be carefully chosen to  clearly  and  efficiently  back up the point that you are trying to prove. (c) Exploration of evidence and idea – this element of the paragraph is crucial as you are trying to  prove  an argument by bringing your point and textual evidence together to  explore  your idea.  Explain  how  your chosen quotation demonstrates your idea and  comment  on the quotation in its context, e.g. relevant remarks about how the language used by the writer shows how they are trying to achieve a particular effect.   Justify  the credibility of your argument through a  convincing  exploration of your ideas. (d)  Refer back to the thesis – having acknowledged the terms of the question and established what your argument will be in the thesis section, you need to show  how  what you have written in the body paragraph is  relevant  to your argument.  A couple of sentences on this is effective for showing how the  analysis  you have just made is  proving  the argument of your essay.
• This section is where you lay out your argument, moving from  observation  to  analysis  to write an intelligent and convincing response to the question. Be  efficient  in your choice of quotations and textual evidence; using only what you  need  shows a succinct and thought-out response.  Within these paragraphs always  signpost  where you are going with your argument to  guide  the reader through your ideas for a clear and concise writing style.

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4.   conclusion.

• The conclusion of an essay is an opportunity for you to give a final,  original  perspective on the text. It should not be a re-iteration of the introduction or a repetition of the points of your argument.  Instead, you should briefly summarise  how  the ideas you have written about overall agree or disagree with the title question and provide your  own  definitive response to the title question.
• The conclusion is where you can demonstrate your  engagement  with the text on a personal, as well as intellectual, level; it is an opportunity to be  creative  and  inventive  in your writing by offering the reader a final  insight  that they might not have thought about.  You should ensure that what you say about the text in the conclusion is something that you haven’t had the opportunity to write about in the rest of the essay.  However, keep the conclusion in  proportion  and avoid tangents that might obscure the positive points you have made previously: be original, yet concise.
• Some ways that you can conclude an essay might be: (a) Commenting on your  personal  reaction to the text. (b) Commenting on  how  the text still holds relevance for readers in the present day. (c) Commenting on  why  the text is successful as a work of literature in terms of its characters, themes or structure.

Overall, excellent essay-writing must be logical, persuasive and creative, teaming your personal engagement with the text with the ability to observe, analyse and argue a series of coherent and concise points.  A well-written essay demonstrates a thorough understanding of the text as well as a unique perspective on a range of ideas presented in the text.  Logical argument, close knowledge of the text and an individual response will make your essay stand out from the crowd.

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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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How to Write an English Literature Essay?

In A-Level , GCSE by Think Student Editor August 26, 2022 Leave a Comment

Writing an English literature essay can be very stressful, especially if you have never had to write an essay for this subject before. The many steps and parts can be hard to understand, making the whole process feel overwhelming before you even start. As an English literature student, I have written many essays before, and remember how hard it felt at the start. However, I can assure you that this gets far easier with practice, and it even becomes fun! In this article, I will give you tips and tricks to write the best essay you can. As well as a simple step-by-step guide to writing one that will simplify the process.

Writing an English literature essay has 3 main parts: planning, writing and editing. Planning is the most important, as it allows you to clearly structure your essay so that it makes logical sense. After you have planned, write the essay, including an introduction, 3-4 main points/paragraphs, and a conclusion. Then check through the spelling and grammar of your essay to ensure it is readable and has hit all of your assessment objectives.

While this short explanation of the process should have given you an idea of how to write your essay, for key tips and tricks specific to English literature please read on!

Table of Contents

How to plan an English literature essay?

The most important thing in any English essay is the structure. The best way to get a logical and clear structure which flows throughout the essay is to plan before you start . A plan should include your thesis statement, 3-4 main paragraph points, key context and quotes to relate to.

A common way of structuring a plan is in the TIPE method. This involves planning each of your main points and sections on a few lines, in the structure of the main essay, making it easy to write out. Always highlight the key word in the question before you start planning, then also annotate any given extracts for ideas. If you have an extract, the main focus of your essay should be on that.

Planning should take around 10-15 minutes of your exam time for essay questions. This sounds like a lot, but it saves you time later on in writing, making it well worth the effort at the start of an exam.

Start each plan with a mind map of your key moments, quotes, context and ideas about the exam question theme, character, or statement. This helps you get all of your ideas down and figure out which are best. It also creates a bank to come back to later if you have extra time and want to write more.

Once you have created your mind map, find a thesis statement related to the question that you have 3-4 main points to support. It can be tempting to write lots of points, but remember, quality is always better than quantity in English Literature essays.

A useful method to help you plan is by creating a TIPE plan. With the following bullet points, you can now begin your own TIPE plan.

• Introduction
• Points – you should have 3-4 key paragraphs in your essay, including relevant quotes with analysis (and techniques the author is using) and context for each point
• Ending – conclusion

How to write an English literature essay introduction?

Depending on what level of literature essay you are writing, you will need different parts and depths of content . However, one thing that stays fairly consistent is the introduction. Introductions should hook the reader , literally “introducing” them to your essay and writing style, while also keeping them interested in reading on.

Some people find it difficult to write introductions, often because they have not already got into the feeling of the essay. For this, leaving space at the top of the page to write the introduction after you finish the rest of the essay is a great way to ensure your introduction is top quality. Writing essays out of order is ok, as long as you can still make them flow in a logical way.

The first line of any introduction should provide the focus for the whole essay. This is called a thesis statement and defines to the examiner exactly what you will “prove” throughout your essay, using quotes and other evidence. This thesis statement should always include the focus word from the question, linked to the view you will be arguing.

For example, “Throughout Macbeth, Power is presented by Shakespeare as a dangerously addictive quality.” This statement includes the play (or book/poem) title, the theme (or other element, such as the name of a character) stated in the question, and the focus (addiction to power). These qualities clearly show the examiner what to expect, as well as helping you structure your essay.

The rest of the introduction should include a brief note on some context related to the theme or character in question, as well as a very brief summary of your main paragraph points, of which there should be 3-4. This is unique to each essay and text and should be brief points that you elaborate on later.

How to structure an English literature essay?

As already discussed, the plan is the most important part of writing an English literature essay. However, once you start writing, the structure of your essay is key to a succinct and successful argument.

All essays should have an introduction with a thesis statement, 3-4 main points, and a conclusion.

The main part of your essay, and the most important, is the 3-4 main points you use to support your thesis. These should each form one paragraph, with an opening and a conclusion, almost like a mini essay within the main one. These paragraphs can be hard to structure, so many students choose to use the PETAL method.

PETAL paragraphs involve all of the key elements you need to get top marks in any English literature essay: Point, Evidence, Techniques, Analysis and Link.

The point should be the opening of the paragraph, stating what you are looking at within that section, related to your thesis, for example, “Shakespeare uses metaphors to show how the pursuit of power makes Macbeth obsessive and tyrannical”. Then, use a key moment in the play to illustrate the point, with a quote.

Choosing quotes is hard, but remember, quotes that are short and directly related to your thesis are best. Once you have chosen a quote, analyse it in relation to your point, then link to the question. You should also include some context and, at A-Level, different viewpoints or critics.

After these points, you should always include a conclusion. Restate your thesis, introduction and each point, but do not introduce new ideas. Explain and link these points by summarising them, then give your overall idea on the question.

If you have time, including a final sentence about wider social impacts or an overarching moral from the book is a good way to show a deep and relevant understanding of the text, impressing the examiner.

How to write an English literature essay for GCSE?

Marking for GCSE English Literature essays is done based on 4 assessment objectives. These are outlined in the table below. These are the same across all exam boards.

If you follow the structure outlined above, you should easily hit all of these AOs. The first two are the most important, and carry the most points in exams, however the others are what will bring your grade up to the best you can, so remember to include them too.

Context, or AO3, should be used whenever it is relevant to your argument. However, it is always better to include less context points on this than to try and add random bits everywhere, as this will break the flow of your essay, removing AO1 marks. For more information about the assessment objectives for GCSE English Literature, check out this governmental guide .

For more information on GCSEs, and whether you have to take English literature, please read this Think Student guide.

How do you write an English literature essay for A-Level?

Similarly, to GCSE, all A-Level papers are marked on a set of assessment objectives which are also set by Ofqual, so are the same for all exam boards. There are more than at GCSE, as A-Level essays must be in greater depth, and as such have more criteria to mark on. The table below shows the assessment objectives.

AO1 and AO2 are very similar to GCSE, however the writing needed to achieve top marks in them is much harder to reach. It must be very detailed and have a clear, distinct style to reach high marks. These skills are developed through practice, so writing lots of essays over your course will help you to gain the highest marks you can here.

AO3 and AO4 often go together, as literary and historical contexts. AO3 is again similar to GCSE, but in more depth. However, AO4 is new, and involves wider reading around your texts. Links to texts from the same author, time period, or genre make good comparisons, and you only need to make one or two to get the marks in this section.

AO5 is also one of the harder sections, which involves considering interpretations of the text that may not have been your first thought, and that you may not agree with. This can elevate your essay to much higher marks if you can achieve them.

One of the best ways to get AO5 marks is to look at critics of the book you are studying. These are academic views, and to remember quotes from them to put in when they are relevant. For more information about the assessment objectives for A-Level English Literature, check out this guide by AQA.

Which GCSE and A-Level English Literature papers have essay questions?

All GCSE and A-Level English Literature papers will have at least one essay question. Essay questions are usually the longest answers in the paper. However, sometimes other questions may require an essay style format but shorter. The exact structure of the exam paper and where essay questions are will depend on which exam board your GCSE or A-Level qualification is with .

GCSE English Literature paper 1 usually requires 2 essays . Each question in this paper is an essay, and each has an extract to be based around, so focussing your analysis on that extract is the easiest way to get marks.

The marks for these essays vary depending on exam board . However, as they are assessed on the objectives above, you don’t need to think too much about the marks, as it does not work in the same way as other subjects with a mark per point made. Instead, essays are marked cumulatively based on the general level of discussion achieved.

GCSE English Literature paper 2 usually requires 3 essays , one in each section. Sections A and B are an essay each, without an extract, then section C involves a shorter essay on unseen poetry and a short answer question. This type of question is harder, as you have to really know the book you are studying in order to get a good mark and include enough quotes.

A-Level English Literature is based entirely on essay questions. The questions are based on poetry, novels and plays, some seen and some unseen. About half of the essays have an accompanying extract, however you are expected to have very good knowledge of your texts even for extract questions, so do not rely on extracts for quotes and marks.

The information above is mainly based of the AQA exam papers, which you can find the specifications to for GCSE and A-Level by clicking here and here respectively. While this is mainly based of AQA, the exam boards all have rather similar structures and so you will still be able to use this information to get a rough idea.

Top tips for writing the best essay you can in English literature

This section will provide you with some tips to help you with your English literature essay writing. I recommend you also check out this Think Student article on how to revise for English literature. Now without further hesitation, lets jump into them.

Focus on the structure of your English literature essay

A logical and clear structure is key to allowing your essay to stand out to an examiner. They read hundreds of essays, so a good structure will let your creative analysis shine in a way that makes sense and is clear, as well as not confusing them.

The arguments you make in the essay should be coherent, directly linked to the question, and to each other. The easiest way to do this is to ensure you properly plan before you start writing , and to use the acronyms above to make the process as easy as possible in the exam.

Always use examples and quotes in your English literature essay

For every paragraph you need to have at least 1, if not more quotes and references to sections of the text . Ensure that every example you use is directly relevant to your point and to the question. For example, if you have a question about a character in the play, you should use quotes from or about them, rather than quotes about other things.

These quotes should always be analysed in detail, however, so do not use more than you can really look at within the time limit. Always aim for quality over quantity.

Leave time to edit and re-read your English literature essay

After you are finished writing, go back and re-read your essay from start to finish as many times as you can within the exam time limit. Focus first on grammar and spelling mistakes, then on general flow and coherency. If you notice that you have gone off topic, remove the sentence if you can, or edit it to be relevant.

Remember, the most important thing in the exam is that your text makes sense to the reader , so use concise, subject specific terminology, but not unnecessarily. You do not need to memorise big technical words to get good marks, as long as you can say what you mean.

Read other people’s English literature essays

One of the least understood tips for getting good marks at GCSE, A-Level and beyond is to read other people’s essays . Some students feel like reading exemplar essays or essays their classmates have written is cheating, or that it would be stealing their ideas to read their essay. However, this is not the case.

Reading someone else’s essay is a great way to begin to evaluate your own writing. By marking essays or reading others and making mental notes about them, you can begin to apply the same principals to your own essays, as well as improving your writing overall.

Look at how they use quotes, their structure, their main points and their thesis, and compare them to how you write, and to the assessment objectives. Look at their analysis and whether their writing makes sense. This sort of analysis does not involve stealing ideas, but instead learning how best to structure your writing and create an individual style , learning from both good and bad essays.

You should also read widely around your texts in general. Read as much as you can, both texts related and unrelated to the ones you read in class, to gain a wide picture of literature. This will help you in unseen prose, but also widen your vocabulary overall, which in turn will improve your essays.

For more information on why reading is so important for students, please read this Think Student guide.

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• How to Write a Great Essay for Different A-Level Subjects

In previous articles, we’ve given you lots of advice on how to write the perfect essay.

You should also read…

• 6 Practical Tips for Writing Better Essays
• How to Do Research for an Excellent Essay

However, the skills we’ve discussed up to now have been generic, and have not taken into account the fact that different subjects require different skills when it comes to writing excellent essays for them. In this article, we look at the particular skills needed to write great essays for individual A-level subjects, so that you can familiarise yourself with what you need to do to excel in whatever A-levels you happen to be studying.

Good English literature essays revolve around intelligent interpretation. The problem many students have with this is organising their interpretations into a tightly structured essay that flows well; many simply let their ideas run wild and flit aimlessly between one point and the next. To combat this problem, you need to consider the writer’s overall aims and then show how they have conveyed those aims, paragraph by paragraph, with each paragraph devoted to a particular technique or focus. A good structure to use is as follows:

• Point – make a statement, such as “Brontë uses the bleakness of the moorland setting to reflect Heathcliff’s temperament.”
• Explanation – elaborate on the statement in more detail. In this example, your explanation would involve explaining the parallels between Heathcliff and the moors – their unpredictability and wildness, for instance, and the violence of the weather mirroring Heathcliff’s violent personality.
• Evidence – now provide quotes from the text to back up what you mean. In the Heathcliff example, you could quote specific words and phrases that show similarities in the way Heathcliff is described and the way in which the moorland landscape and weather are described.
• Reiterate – close off the paragraph by reiterating the point, and perhaps developing it a little further or introducing the idea you’re going to carry into the next paragraph. For example, “This ties in with a wider theme running through the book as a whole, which is that nature parallels human emotions.”

Good English essays pay close attention to detail, noting specific words, phrases and literary devices a writer has used, and to what effect. They quote liberally from the text in order to support each point, deconstructing the writing and analysing the use of language; they look at different interpretations, seeing beyond the surface and picking up on possible deeper meanings and connotations. But they also consider the meaning of the piece as a whole, and the overall effect created by the specific details noted. All this should be considered within the framework of the genre and context of the piece of writing. For instance, a poem by William Wordsworth would be considered within the context of the Romantic poets, and might be compared with work by contemporary poets such as Shelley or Keats; the historical background might also be touched upon where relevant (such as the Industrial Revolution when discussing the poetry of William Blake).

Though it’s also a humanities subject, History requires its own very particular set of skills that differ to an appreciable degree from those expected of you in English. A history essay is unequivocal about its writer’s opinion, but this opinion must be based on a solid analysis of evidence that very often can’t be taken as fact. Evidence must be discussed in terms of its reliability, or lack thereof. The good historian considers what biases may be inherent in a source, what vested interest the source might have, and what viewpoint that source was written from. For instance, you might analyse a source by discussing whether or not the person was present at the events they are describing; how long after the events they were writing (and therefore whether they are remembering it accurately if they were there, or whether they are getting their information second or third hand from someone else; and if so, how reliable the original source is); whether they are trying to show evidence to support a particular political view; and so on. So, each time you make a point, back it up with evidence, and consider the strengths and weaknesses of that evidence. A good history essay makes connections between what’s been written about, considering how issues interrelate, so think about how what you’re writing about ties in with other things; what was the impact of the event you’re discussing, did it happen in isolation, and what were the events that led to it ?

It’s vital to look at both sides of the argument – or, where many possible viewpoints exist, to acknowledge these nuances. It’s fine to contradict yourself, provided you do so consciously; that is, you can build up an argument and then turn it on its head, observing that you are doing so (for example, “So far, so compelling; but what about the less well-known evidence from such and such?”). You can use quotes from historians you’ve read, but use these in the context of discussing scholarly opinion. Don’t quote a historian’s words as evidence of something, because this is only someone’s opinion – it’s not proof. Finally, where possible, use specialist terms to show that you know your stuff (“proletariat” instead of “workers”, for example).

The primary task that lies ahead of you in writing a French essay is, of course, to demonstrate your superior language skills. Keep the content itself very even-handed, sitting on the fence rather than presenting a forceful opinion that could distract attention away from the quality of your use of French. Focus on using as wide a variety of vocabulary and tenses as you can. It will help your essay if you can learn how to say more sophisticated phrases in French, of the sort you would use if you were writing an essay in English. This useful document from RealFrench.net, Writing Essays in French, will give you numerous useful French phrases to help you put together an impressive essay, including the vocabulary you need to present a balanced argument.

Geography is a subject that crosses the divide between the sciences and the humanities , considering both physical processes and human activities (and their effects on the world around us). Essays for Geography may differ depending on which of these focuses the essay is discussing, and the evidence you might include in your essay could vary from phenomena observed and data gathered in the natural world to the results of population censuses. To write a good Geography essay, you’ll need to include both theory and detailed, real-world case studies to support your answer. Mention specific places by name, and communicate the facts accurately. Your teacher will be assessing not just your knowledge, but your ability to support what you say with relevant information that proves it. You shouldn’t just rattle off everything you know about a particular case study; you should deploy relevant facts from the case study to support a specific point you’re trying to make. Keep linking each point back to the question, so that you’re always working towards answering it; this also helps you ensure that everything you include is actually relevant to the question. Showing that you’ve thought about an issue from multiple perspectives, and that you appreciate how they interrelate, is important in Geography. You can do this by organising the content of your essay into categories, considering different factors in turn, such as the scale of the issue, and the timeframe and environment involved. Discuss the various factors involved logically, one by one, such as the environmental impact of climate change or a natural disaster (such as a tsunami or volcanic eruption), followed by its physical, economic, social and political implications. Acknowledging the numerous nuances of the situation will demonstrate your appreciation of its complexity and show that you are thinking at a high level.

Classical Civilisations

As the study of the ancient world (primarily ancient Rome and Greece), Classical Civilisations combines archaeology and history, looking both at what survives materially (from small finds, to art and sculpture, to temples) and what survives in the way of texts by ancient authors. A good essay for this subject analyses, evaluates and interprets. The historical elements of the subject will require the same set of skills we discussed for History earlier, while the archaeological components of this subject require slightly different skills. With your archaeologist hat on, your job becomes similar to that of a detective, piecing together clues. Archaeology crosses over into science, and with that comes scientific considerations such as how archaeological evidence has been gathered – the methods used, their reliability, whether or not they could have been tampered with, how accurately they were recorded, and so on. You’ll look at a variety of different types of evidence, too, from the finds themselves to maps of the local topography. As with Geography, for which you’re required to learn lots of detailed case studies and names, you’ll need to learn plenty of examples of sites and finds to use as sources of evidence in building up a picture of the ancient world. And, as with any subject, looking at both sides of any argument is crucial to good grades. If the evidence you’re discussing could show one thing, but it could also show another, don’t just present one possibility – show that you’ve thought in depth about it and consider all the possible interpretations.

Science subjects

The sciences – Biology, Chemistry, Physics and Mathematics – are generally less essay-focused, so we’re grouping them together here because the essay skills required for each of these subjects are very similar. While the fundamentals of scientific essay writing are the same as any other subject – having a logical structure, well-developed argument, and so on – there are a few subject-specific considerations to bear in mind, and some common pitfalls to watch out for. The first is that there is no room for opinion in a scientific essay; unless you’re specifically asked for it, leave your own thoughts out of it and focus instead on a completely objective discussion of the evidence gathered through scientific research, which will most probably be quantitative data. Avoid vague language such as “it is thought that…”; be as precise as possible. Start with a hypothesis, and then discuss the research that supports or disproves it. Back up every statement you make with solid data; it’s not enough simply to drop in the name of the research, so briefly describe what the findings were and why they prove the statement you’ve just made. Another mistake many students make is to confuse cause and effect; this arises because of the tendency to assume that correlation implies causation, which is a common logical fallacy. Just because two things appear to be related, it doesn’t mean that one caused the other, and committing this error in an essay is a major faux pas that will lose you marks. It’s also a good idea to ensure that you’ve included every piece of research that could be relevant; if you don’t, you could be leaving out a crucial piece of evidence. Finally, mention any limitations there may have been with the methodology used to gather the data you discuss.

Psychology essays are best approached with a scientific mindset, but it’s far more difficult to prove anything in this subject – and this should be acknowledged in your essay. The task becomes one of assessing which theory is the more probable one, based on an analysis of the data from various studies. Make liberal reference to named and dated psychological experiments and research, but acknowledge the fact that there may be more than one theory that could account for the same set of results. When these experiments are quoted as evidence, this should be done with reference to any possible limitations of how the experiment was conducted (such as a small sample size). If you’ve reached the end of this article, you’re now equipped with the knowledge to write fantastic essays guaranteed to impress your teachers. You’re also well on the way to thinking in the right way for university-level essays, so keep working on these skills now and you’ll find it much easier to make the leap from sixth former to undergraduate.

Image credits: banner ; Wuthering Heights ; Diet of Worms ; factory workers ; Charioteer ; Hubble Space Telescope ; Psychology . 

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Essay writing guide: AQA A Level English Literature

Subject: English

Age range: 16+

Resource type: Assessment and revision

Last updated

5 September 2022

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A basic introduction to writing an A Level English Literature essay.

This is aimed at AQA English Literature Specification B, but would fit with the other specification.

It includes basic information, a self-assessment task on experiences of writing essays, pointers for successful essays, pointers for the specific kinds of essays which AQA require in exams, a section on troubleshooting, guidance on the mark scheme and some space to summarise written feedback/set personal targets.

You could include the mark scheme itself alongside this pack.

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Anthony Cockerill

| Writing | The written word | Teaching English |

How to write great English literature essays at university

Essential advice on how to craft a great english literature essay at university – and how to avoid rookie mistakes..

If you’ve just begun to study English literature at university, the prospect of writing that first essay can be daunting. Tutors will likely offer little in the way of assistance in the process of planning and writing, as it’s assumed that students know how to do this already. At A-level, teachers are usually very clear with students about the Assessment Objectives for examination components and centre-assessed work, but it can feel like there’s far less clarity around how essays are marked at university. Furthermore, the process of learning how to properly reference an essay can be a steep learning curve.

But essentially, there are five things you’re being asked to do: show your understanding of the text and its key themes, explore the writer’s methods, consider the influence of contextual factors that might influence the writing and reading of the text, read published critical work about the text and incorporate this discourse into your essay, and finally, write a coherent argument in response to the task.

With advice from English teachers, HE tutors and other people who’ve been there and done it, here are the most crucial things to remember when planning and writing an essay.

Read around the subject and let your argument evolve.

‘One of the big step-ups from A-level, where students might only have had to deal with critical material as part of their coursework, is the move toward engaging with the critical debate around a text.’

Reading around the task and making notes is all important. Get familiar with the reading list. Become adept at searching for critical material in books and articles that’s not on the reading list. Talk with the librarian. Make sure you can find your way around the stacks. Get log-ins for the various databases of online criticism, such as the MLA International Bibliography .

‘Tutors are looking for flair… for students to be nuanced and creative with their ideas as opposed to reproducing the same criticism that others already have.’

When reading, keep notes, make summaries and write down useful quotations. Make sure you keep track of what you’ve read as you go. Note the publication details (author, publisher, year and place of publication). If you write down a quotation, note the page number. This will make dealing with citations and writing your bibliography much easier later on, as there’s nothing more annoying than getting to the end of the first draft of your essay and realising you’ve no idea which book or article a quote came from or which page it was on.

‘The more I read, the sharper my own writing style became because I developed an opinion of the writing style I liked and I had a clear sense of the subject matter that I was discussing.’

‘Don’t wing the reading. Or the thinking. Crap writing emerges from style over substance.’

Get to grips with the question and plan a response.

‘Brain dump at the start in the form of a mind map. This will help you focus and relax. You can add to it as go along and can shape it into a brief plan.’

Before writing a single word, brainstorm. Do some free-thinking. Get your ideas down on paper or sticky notes. Cross things out; refine. Allow your planning to be led by ideas that support your argument.

Use different colour-coded sticky notes for your planning. In the example below, the student has used yellow sticky notes for ideas, blue for language, structure and methods, purple for context and green for literary criticism, which makes planning the sequence of the essay much easier.

Structure and sequence your ideas

‘Make your argument clear in your opening paragraph, and then ensure that every subsequent paragraph is clearly addressing your thesis.’

Plan the essay by working out a sequence of your ideas that you believe to be the most compelling. Allow your ideas to serve as structural signposts. Augment these with relevant criticism, context and focus on language and style.

‘Read wide and look at different pieces of criticism of a particular work and weave that in with your own interpretation of said work.’

Write a great introduction.

‘By the end of the first paragraph, make sure you have established a very clear thesis statement that outlines the main thrust of the essay.’

Your introduction should make your argument very clear. It’s also a chance to establish working definitions of any problematic terms and to engage with key aspects of the wider critical debate.

Get to grips with academic style and draft the essay

‘[Write with] an ‘exploratory’ tone rather than ‘dogmatic’ one.’

Academic writing is characterised by argument, analysis and evaluation. In an earlier post , I explored how students in high school might improve their analytical writing by adopting three maxims. These maxims are just as helpful for undergraduates. Firstly, aim for precise, cogent expression. Secondly, deliver an individual response supported by your reading – and citing – of published literary criticism. Thirdly, work on your personal voice. In formal analytical writing such as the university essay, your personal voice might be constrained rather more than it would be in a blog or a review, but it must nonetheless be exploratory in tone. Tentativity can be an asset as it suggests appreciation of nuances and alternative ways of thinking.

‘I got to grips with what was being asked of me by reading lots of literary criticism and becoming more familiar with academic writing conventions.’

Avoid unnecessary or clunky sign-post phrases such as ‘in this essay, I am going to…’ or ‘a further thing…’ A transition devices that can work really well is the explicit paragraph link, in which a motif or phrase in the last sentence of a paragraph is repeated in the first sentence of the next paragraph.

Write a killer conclusion

‘There is more emphasis on finding your own voice at university, something which in many ways is inhibited by Assessment Objectives at A-Level. I don’t think ‘good’ academic writing is necessarily taught very well in schools — at least from my experience.’

The conclusion is a really important part of your essay. It’s a chance to restate your thesis and to draw conclusions. You might achieve closure or instead, allude to interesting questions or ideas the essay has perhaps raised but not answered. You might synthesise your argument by exploring the key issue. You could zoom-out and explore the issue as part of a bigger picture.

Be meticulous in your referencing.

Having supported your argument with quotations from published critics, it’s important to be meticulous about how you reference these, otherwise you could be accused of plagiarism – passing someone else’s work off as your own. There are three broad ways of referencing: author-date, footnote and endnote. However, within each of these three approaches, there are specific named protocols. Most English literature faculties use either the MLA (Modern Languages Association of America) style or the Harvard style (variants of the author-date approach). It’s important to check what your faculty or department uses, learn how to use it (faculties invariably publish guidance, but ask if you’re unsure) and apply the rules meticulously.

‘Read your work aloud, slowly, sentence by sentence. It’s the best way to spot typos, and it allows you to hear what is awkward and/or ungrammatical. Then read the essay aloud again.’

Write with precision. Use a thesaurus to help you find the right word, but make sure you use it properly and in the right context. Read sentences back and prune unnecessary phrases or redundant words. Similarly, avoid words or phrases which might sound self-important or pompous.

Like those structural signposts that don’t really add anything, some phrases need to be omited, such as ‘many people have argued that…’ or ‘futher to the previous paragraph…’.

Finally, make sure the essay is formatted correctly. University departments are usually clear about their expectations, but font, size, and line spacing are usually stipulated along with any other information you’re expected to include in the essay’s header or footer. And don’t expect the proofing tool to pick up every mistake.

Featured image by Glenn Carstens-Peters on Unsplash

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Derek Walcott — A-Grade A-Level Literature Essay Example

One of my students completed this essay on Walcott recently for the CIE / Cambridge A-Level Literature Exam Board.

It received a borderline A grade (80%, 20/25) — there are some absolutely brilliant parts of it, and also some aspects which have room for improvement, so I’ve put my mark breakdown and suggestions for how to improve next time at the end of the exemplar too for you to read through. Hope it’s useful!

If you find this resource helpful, you can take a look at the full Walcott poetry course .

I have a lot of Derek Walcott’s poetry analysis, so be sure to check it out too by clicking this link .

THE QUESTION:

Walcott has said that the process of poetry is ‘one of excavation and of self-discovery’. How far do you see this process in his work? In your answer, you should refer in detail to three poems.

Much of Walcott’s poetry displays excavation and self-discovery through the exploration of themes such as nature, the environment and politics. By holding up a mirror to the issues surrounding these themes, Walcott arguably recreates the past and present as a form of excavation. Within his examination he is able to ignite an awareness for the reader, around the issues of slavery, post-colonialism and urbanisation. This awareness arguably awakens the reader to self-discovery, through being informed on the aforementioned issues. Likewise, by speaking of these issues, Walcott himself is also examining his own frustrations and expressing these views through his poetry.

With reference to the poem, ‘Ebb’, Walcott sets out to explore the theme of urbanisation and its harmful effects. The environment takes centre stage and is heavily prominent throughout each stanza. For instance, the first verse of the poem describes the endless cycle of how the earth is scorched and ‘fretted’ upon, how the earth resembles a ‘frayed hide’. The verb, ‘fretted’ refers to how the land has been tampered with and spoiled, and the adjective of ‘frayed’ shows the violent extent to which this has happened. Lastly, the noun, ‘hide’ is used as a metaphor for a heavily lashed animal hide. The use of this visual imagery effectively connotes how human greed disrespects nature. This is arguably because Walcott strongly believed that since the Caribbean islands left the federation and became independent islands like Jamaica, and Trinidad and Tobago in 1962, and Walcott’s own native island, Saint Lucia in 1979, they all suffered a lack of unity among the Caribbean as a whole. In turn this led islands to be exploited for commercial greed. Another example of this can be found in the line, ‘rainbow-muck’, which again is a metaphor used to describe oil. Of all of the Caribbean Islands, Trinidad and Tobago is renowned for its copious oil supply, yet the island itself appears not to prosper from it. Rather, the wealth generated from it is passed directly into the pockets of other countries. Walcott further criticises the effects of urbanisation by portraying nature as victim with the image of an ‘oil-crippled gull’. Again ‘oil’ is used a symbol of urbanisation and greed, while the adjective of ‘crippled’ represents the damage caused. Through the use of powerful imagery denoting the destruction of nature, the reader is made to feel informed and aware of the issues raised.

In the poem ‘Veranda’ Walcott reconnects the reader to past and vividly turns his spotlight on the plight of slavery and colonialism, by vividly tying a link from past to present through language featuring ghosts and apparitions. From the second stanza a reference is made to slavery with ‘planters’ whose ‘tears’ are described as ‘marketable gum’. The noun, ‘tears’ laments the pain and suffering endured by the slaves to then be exploited as ‘marketable gum’ The noun, ‘gum’ is used as a triviality, something insignificant to be consumed by the masses, to then be spat out tasteless on the ground. This visual image strongly reflects the facelessness of greed and acknowledges the pain and toil to bring about such a triviality. Another ghost described is that of the ‘colonel’ whose heart is ‘hard’ as the ‘Commonwealth’s greenheart’. The colour ‘green’ with reference to the ‘greenheart’ could connote the colour of money and also represent envy for riches. Also the colonel himself, described as ‘hard’ is a fitting image of colonialism, for they enslaved the ‘planters’ without conscience. With this poem Walcott eerily describes the sins of history’s ugly past, presenting them as ghosts either in despair or still power-hungry. Walcott argued that British colonists took away Africa’s history and the colonisers themselves argued that they had no history before their presence there. This is why Walcott frequently opposes colonialism in his poetry, to raise awareness of the wrongs of the past and show that much African culture and history very much exists. Through painting a portrait of the past, Walcott arguably shows the reader the unflinching truth of what came before. This in-turn recreates the past and educates the reader on the former ills of slavery and colonialism.

With reference to the poem, ‘Parades, Parades, Walcott arguably demonstrates his use of excavation by hovering his lens over the theme of Caribbean politics. Consisting of two lengthy stanzas, the first, written in third-person, offers abstract imagery, such as a ‘wide desert’ that ‘no one marches’ and a vast ‘ocean’ of which ‘keels incise’. The adjective of ‘wide’ arguably paints an image of empty sparseness and the second person pronoun, ‘no one’ refers to loss of identity pertaining to the ills of post-colonialism. The verb, ‘marches’ could also symbolise a stagnant lack of progress for the Caribbean as a whole. The noun, ‘ocean’ refers to beautiful Caribbean beaches, only to then be ‘incise’(d) by the luxury liners filled with indulgent tourists. Walcott also cites the politicians who ‘plod’ devoid of ‘imagination’. Again, the active verb of ‘plod’ connotes the sluggish progress made to better the Caribbean and the abstract noun, ‘imagination’ paints the politician as dull and backward thinking. The second stanza then shifts tonally with a volta, and also to a first person plural, addressing the Caribbean locals, belonging to the parade. Walcott questions why they should have propaganda ‘drummed into their minds’ and why they should be made to feel ‘shy’ and ‘bewildered’. The stative verb of ‘drummed’ portrays the idea that people have been force-fed political ideas which do not hold their best interests in mind. The abstract noun ‘shy’ also connotes that they have been led astray and exploited. Walcott clearly demonstrates his ideas about ineffective politics by confronting the issues and in turn dismantling them in order to present them in a new light. This arguably informs the reader of the political injustice and also offers a sounding board for Walcott himself to air his frustrations.

While it could be argued that Walcott’s poetry doesn’t show evidence of the excavation process or self-discovery, owing to the sometimes abstract and esoteric manner in which he presents his work, there appears to be clear evidence pointing to the opposite. With the cynical and retrospective tone that seems to dominate his poetry, there appears to be compelling evidence that he is shedding light on the themes of politics, slavery and post-colonialism, by confronting the ills they caused, and in turn allowing the audience, and himself to re-discover the toil they have brought about.

GRADING (CIE Cambridge Mark Scheme)

Band 2 20/25 80% Borderline A Grade

Evidence of proficiency in selecting relevant knowledge to address the question with precise and integrated direct references to the text and supporting quotation. There may be evidence of awareness of the contexts in which the literary works studied were written and understood. U Evidence of intelligent understanding of ways in which writers’ choices of structure, form and language shape meanings, with analysis and appreciation of literary methods, effects and contexts.

P Evidence of personal response to the texts, relevant to the question, supported from the text, some originality of thought, straightforward and vigorously articulated, perhaps, rather than penetrating and subtle.

C Expression confident, with some complex ideas expressed with some fluency. Structure is sound. Literary arguments will be coherent, with progression of ideas through clearly linked paragraphs.

O Considers varying views and argues a case with support from the text. – This is the main one you’re lacking in, you don’t argue a case clearly or consider varying views .

HOW TO IMPROVE:

• Make sure to address the question argumentatively or discursively (depending on the type of question) — rather than each paragraph is about a poem, make it about a point that answers the question, all linked together with a clear thesis
• Alternative interpretations / critical theories — use these to develop your analysis further and achieve greater sensitivity of interpretation
• Needs more specific, detailed use of contextual ideas
• More structure/form points — good on language

Thanks for reading! If you found this resource helpful, you can take a look at the full Walcott poetry course .

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A Level English Literature Poetry Essay Example

Exploring a Level English Literature Poetry Essay Example

Writing a poetry essay for English Literature A Level assignments is a complex task that requires a unique set of strategies. Essentially the essay comes down to analysing language, structure and imagery of the poem and then exploring the various readings that can be drawn. For example, you might study a poem through the lens of a culture, gender or historical period. This article highlights important tips and strategies for writing an A-Level English Literature Essay.

Elements of a Poetry Essay

When analysing a poem, the first step should be to break it down into its component elements. These could include looking at the context of the poem, considering the poem’s genre and its figure of speech (metaphor, imagery, simile, etc), as well as its subject matter, form, and tone. It is important to look at how the poet’s craft their words to create a particular effect. Analyse the choice of language and how the meaning is created through puns, allusions and connotations.

Interpreting Poetry

Once you have a thorough understanding of the poem, you can move on to interpreting it. This is where you will determine the ways in which the poem speaks to larger themes of culture, religion, or personal experience. Look for how the poem carries a message or speaks to a particular interpretation of its meaning. Consider the social and historical context of the poem, taking into account any cultural references or allusions the poem might include.

Evaluating an A Level English Literature Poetry Essay Example

When evaluating an A-Level English Literature poetry essay example, consider the purpose of the essay and the techniques used. Does the essay have an argument or point of view? Are the examples provided by the writer relevant and sufficient to invalidate the argument? Is the interpretation of the poem valid? Does the essay include evidence of close reading, providing evidence of the author’s deep understanding of the poem? These are all important elements to consider when evaluating an A-Level English Literature poetry essay example.

Poetic Devices

Poetry is commonly filled with a variety of poetic devices, such as alliteration, assonance and repetition. Alliteration is when a series of words begin with the same sound and can help to create rhythm. Assonance is when two or more words close to each other have the same vowel sound, and repetition is repeating a word or phrase for emphasis. Analyse how the poet has used these devices to create effect and highlight the poem’s meaning.

Exploring Cultural and Historical Context

When writing your essay, it is important to explore the cultural and historical context of the poem. For example, if you are analysing a romantic poem, you will want to look at how it fits within the wider context of the Romanticism period, and how the cultural and historical events of the time may have influenced the poem. Consider how the poem ties into broader themes of culture, and why these connections are important for understanding its meaning.

Time Allocation and Drafting

Time allocation is an important part of the poetry essay writing process. When writing an A-level essay, it is helpful to set aside time for drafting, researching and revising. This will help to ensure that your ideas are well developed and that your essay will be up to the required standard. It is also important to remember to include academic references, to cite the sources that you have used correctly and to proofread your essay before submitting it.

Techniques for Making Analysis Accessible and Engaging

It is important that your essay is accessible and engaging for the reader. To do this, be sure to use a variety of different techniques such as anecdotes, metaphors, diagrams, quotes and analogies. This will help you to create interest and ensure your reader can follow your line of thought and argument. Additionally, use vivid and precise language to ensure that your writing is both precise and accurate.

Using Critical Analysis to Develop Your Argument

When writing your essay, remember to be critical and to offer meaningful arguments. For example, you might look at the role of the narrator in the poem or analyse how certain words have been repeated to have a certain effect. By using critical analysis to develop your argument, you will demonstrate your expertise and also advance your own views beyond what has been addressed previously.

Formattting the Poetry Essay

Formatting an A-Level English Literature Essay is important and is an important part of producing an outstanding essay. Use MLA or APA format to present an organised, clear and efficient essay. Make sure that all the sections of your essay are clearly laid out and use a standardised font and size for each body paragraph. Additionally, ensure that your essay has a clear introduction, body paragraphs and a concluding paragraph.

Maintaining Objectivity and Balance

It is also important to ensure that your essay does not contain unsupported opinions, and that all facts used are properly cited. Maintaining objectivity and balance in your essay is essential to ensure that the argument is able to hold up when put up against external criticism. This will ensure that your essay contains accurate information and that your assessment of the poem is fair.

Quoting and Referencing

Finally, make sure to use various quotations from the poem to demonstrate its distinct features, as well as to support your argument. Whenever quoting directly from the poem, make sure to use MLA or APA referencing. This will help to make your essay look professional and well organised. Quoting and referencing is a crucial part of any A-Level English Literature Essay and should not be ignored.

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

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A Level Literature Ideas – #1: Writing Introductions

Introductions and conclusions always seem like quite abstract things, threatening to book end an essay with vague statements and ‘summing up’. However, done right, an introduction serves as the perfect vanguard of a well crafted argument.

There are tons of different ways to teach introduction writing, but the most successful in my experience is ‘Discuss, Define, Refine’ (DDR). Here is a brief outline:

Discuss: Introduce the key terms of the question, showing that you are fully aware of the given theme/issue/area. Often constitutes a simple re-wording of the question. e.g. “Madness is a topic which clearly fascinates writers across all of literature.”

Define: Define the key terms in the question, showing that you appreciate a range of ways to interpret the topic. e.g. “‘Madness’ could refer to a range of human emotion and conditions, such as the brief madness caused by grief, the intoxicating madness of love, or the tragic madness of severe mental illness.”

Refine: State clearly how YOU are interpreting the question/terms for this particular essay, bringing the question to your specific text(s). Ensure that the final sentence of the introduction firmly establishes your key argument. e.g. “Perhaps the most significant presentation of madness in literature is that of King Lear as he succumbs to old age, confusion, anger and dementia, destroying his family and, for a time, losing his humanity. In Lear, Shakespeare presents a king who loses his mind, his country and his children; this is not a play about greed or evil, but about a frail and vulnerable man in the throes of mental instability.”

This structure effectively ensures that students begin with a very wide concept, and then narrow this concept down to their own specific argument. I use an upside-down triangle to show my students how this works:

Intro Slide

The other very pleasing thing about the triangle shape is that we could see it as an arrow, literally pointing towards the rest of the essay…

line of argument slide

The resource below is a writing frame using the triangle/chevron shape, which students can use to plan their introduction. The shape is really helpful in emphasising the fact that students have to start in general terms, and gradually become more specific, ending in a final, very clear, narrow focus for their argument.

The finished introduction is here:

“How do writers present male dominance in Victorian literature? Consider one prose and one drama text.

Male dominance pervades Victorian literature in everything from plot to setting to characterization. The writing community itself was almost all male, with only a handful of notable female writers to create any sense of balance. Male dominance could refer to depictions of powerful men and domestic hierarchies which were typical of the period. It could also refer to the way in which masculinity and misogyny are ingrained in the very fabric of novels, plays and poetry.  The most potent example of male dominance in these texts is the very real and oppressive way in which characters such as Torvald Helmer and Lord Henry control and manipulate those around them. These writers present their male oppressors as villains who exemplify all that is wrong in a male dominated society.”

I’d be really interested to hear other A Level intro structures you have used or developed @FunkyPedagogy

My next post on the A Level Literature Ideas series will be on essay planning…

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Cambridge international as & a level english - literature (9695).

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Cambridge International AS & A Level Literature in English Student's Book

Endorsed by Cambridge Resources align to the syllabus they support, and have been through a detailed quality assurance process.

Songs of Ourselves (Volumes 1 and 2)

Stories of ourselves (volumes 1 and 2), literature in english for cambridge international as & a level coursebook.

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How to Write an Essay Comparing Poems

This is Revision World’s guide on how to write an essay or answer an exam question that asks you to compare poems within the poetry anthology you are studying.

Understanding the Task:

Identify the Key Components: Ensure you understand the task requirements, including the poems you're comparing, the themes, and the aspects you need to analyse (e.g., structure, language, tone).

Pre-Writing Stage:

Read and Annotate: Read the poems multiple times, annotating key themes, literary devices, and interesting observations.

Identify Similarities and Differences: Note down similarities and differences in themes, imagery, language, structure, and tone between the two poems.

Structuring Your Essay:

 Introduction:

Introduce the poems and poets, providing context if necessary.

Present your thesis statement, outlining the main points of comparison.

Body Paragraphs:

Topic Sentences: Start each paragraph with a clear topic sentence that states the aspect of comparison.

Comparison: Analyse each poem separately, focusing on the chosen aspect (e.g., theme, structure). Then, compare and contrast the same aspect in both poems.

Use of Evidence: Provide evidence from the poems to support your analysis (quotations).

Analysis: Interpret the significance of the similarities and differences, considering their effects on the reader and the overall meaning of the poems.

Conclusion:

Summarise your main points of comparison.

Reflect on the significance of the comparisons and their implications for the reader.

Offer insights into the broader themes or messages conveyed by the poems.

Writing Tips:

Be Specific: Avoid vague statements and ensure your comparisons are specific and well-supported by evidence.

Consider Poetic Devices: Analyse the poets' use of poetic devices (e.g., imagery, symbolism, metaphor) and how they contribute to the overall effect of the poems.

Focus on Key Themes: Choose a few key themes or aspects to compare rather than attempting to cover everything in the poems.

Maintain Coherence: Ensure your essay flows logically, with clear transitions between paragraphs and ideas.

Proofread: Carefully proofread your essay for grammar, spelling, and punctuation errors.

Example Statement:

"In 'Poem A' and 'Poem B,' both poets utilise imagery and symbolism to explore the theme of loss, but while 'Poem A' uses natural imagery to convey a sense of grief and acceptance, 'Poem B' employs religious symbolism to depict a more existential struggle with loss and faith."

Example Topic Sentences:

"In 'Poem A,' the poet employs vivid natural imagery to convey the speaker's emotional response to loss."

"Conversely, 'Poem B' utilises religious symbolism to explore the theme of loss in a more abstract and existential manner."

By following these steps and incorporating these tips, you can effectively write a well-structured and insightful essay comparing two poems in your GCSE English Literature exam.