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Critical Analysis – Types, Examples and Writing Guide

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Critical Analysis

Definition:

Critical analysis is a process of examining a piece of work or an idea in a systematic, objective, and analytical way. It involves breaking down complex ideas, concepts, or arguments into smaller, more manageable parts to understand them better.

Types of Critical Analysis

Types of Critical Analysis are as follows:

Literary Analysis

This type of analysis focuses on analyzing and interpreting works of literature , such as novels, poetry, plays, etc. The analysis involves examining the literary devices used in the work, such as symbolism, imagery, and metaphor, and how they contribute to the overall meaning of the work.

Film Analysis

This type of analysis involves examining and interpreting films, including their themes, cinematography, editing, and sound. Film analysis can also include evaluating the director’s style and how it contributes to the overall message of the film.

Art Analysis

This type of analysis involves examining and interpreting works of art , such as paintings, sculptures, and installations. The analysis involves examining the elements of the artwork, such as color, composition, and technique, and how they contribute to the overall meaning of the work.

Cultural Analysis

This type of analysis involves examining and interpreting cultural artifacts , such as advertisements, popular music, and social media posts. The analysis involves examining the cultural context of the artifact and how it reflects and shapes cultural values, beliefs, and norms.

Historical Analysis

This type of analysis involves examining and interpreting historical documents , such as diaries, letters, and government records. The analysis involves examining the historical context of the document and how it reflects the social, political, and cultural attitudes of the time.

Philosophical Analysis

This type of analysis involves examining and interpreting philosophical texts and ideas, such as the works of philosophers and their arguments. The analysis involves evaluating the logical consistency of the arguments and assessing the validity and soundness of the conclusions.

Scientific Analysis

This type of analysis involves examining and interpreting scientific research studies and their findings. The analysis involves evaluating the methods used in the study, the data collected, and the conclusions drawn, and assessing their reliability and validity.

Critical Discourse Analysis

This type of analysis involves examining and interpreting language use in social and political contexts. The analysis involves evaluating the power dynamics and social relationships conveyed through language use and how they shape discourse and social reality.

Comparative Analysis

This type of analysis involves examining and interpreting multiple texts or works of art and comparing them to each other. The analysis involves evaluating the similarities and differences between the texts and how they contribute to understanding the themes and meanings conveyed.

Critical Analysis Format

Critical Analysis Format is as follows:

I. Introduction

• Provide a brief overview of the text, object, or event being analyzed
• Explain the purpose of the analysis and its significance
• Provide background information on the context and relevant historical or cultural factors

II. Description

• Provide a detailed description of the text, object, or event being analyzed
• Identify key themes, ideas, and arguments presented
• Describe the author or creator’s style, tone, and use of language or visual elements

III. Analysis

• Analyze the text, object, or event using critical thinking skills
• Identify the main strengths and weaknesses of the argument or presentation
• Evaluate the reliability and validity of the evidence presented
• Assess any assumptions or biases that may be present in the text, object, or event
• Consider the implications of the argument or presentation for different audiences and contexts

IV. Evaluation

• Provide an overall evaluation of the text, object, or event based on the analysis
• Assess the effectiveness of the argument or presentation in achieving its intended purpose
• Identify any limitations or gaps in the argument or presentation
• Consider any alternative viewpoints or interpretations that could be presented
• Summarize the main points of the analysis and evaluation
• Reiterate the significance of the text, object, or event and its relevance to broader issues or debates
• Provide any recommendations for further research or future developments in the field.

VI. Example

• Provide an example or two to support your analysis and evaluation
• Use quotes or specific details from the text, object, or event to support your claims
• Analyze the example(s) using critical thinking skills and explain how they relate to your overall argument

VII. Conclusion

• Reiterate your thesis statement and summarize your main points
• Provide a final evaluation of the text, object, or event based on your analysis
• Offer recommendations for future research or further developments in the field
• End with a thought-provoking statement or question that encourages the reader to think more deeply about the topic

How to Write Critical Analysis

Writing a critical analysis involves evaluating and interpreting a text, such as a book, article, or film, and expressing your opinion about its quality and significance. Here are some steps you can follow to write a critical analysis:

• Read and re-read the text: Before you begin writing, make sure you have a good understanding of the text. Read it several times and take notes on the key points, themes, and arguments.
• Identify the author’s purpose and audience: Consider why the author wrote the text and who the intended audience is. This can help you evaluate whether the author achieved their goals and whether the text is effective in reaching its audience.
• Analyze the structure and style: Look at the organization of the text and the author’s writing style. Consider how these elements contribute to the overall meaning of the text.
• Evaluate the content : Analyze the author’s arguments, evidence, and conclusions. Consider whether they are logical, convincing, and supported by the evidence presented in the text.
• Consider the context: Think about the historical, cultural, and social context in which the text was written. This can help you understand the author’s perspective and the significance of the text.
• Develop your thesis statement : Based on your analysis, develop a clear and concise thesis statement that summarizes your overall evaluation of the text.
• Support your thesis: Use evidence from the text to support your thesis statement. This can include direct quotes, paraphrases, and examples from the text.
• Write the introduction, body, and conclusion : Organize your analysis into an introduction that provides context and presents your thesis, a body that presents your evidence and analysis, and a conclusion that summarizes your main points and restates your thesis.
• Revise and edit: After you have written your analysis, revise and edit it to ensure that your writing is clear, concise, and well-organized. Check for spelling and grammar errors, and make sure that your analysis is logically sound and supported by evidence.

When to Write Critical Analysis

You may want to write a critical analysis in the following situations:

• Academic Assignments: If you are a student, you may be assigned to write a critical analysis as a part of your coursework. This could include analyzing a piece of literature, a historical event, or a scientific paper.
• Journalism and Media: As a journalist or media person, you may need to write a critical analysis of current events, political speeches, or media coverage.
• Personal Interest: If you are interested in a particular topic, you may want to write a critical analysis to gain a deeper understanding of it. For example, you may want to analyze the themes and motifs in a novel or film that you enjoyed.
• Professional Development : Professionals such as writers, scholars, and researchers often write critical analyses to gain insights into their field of study or work.

Critical Analysis Example

An Example of Critical Analysis Could be as follow:

Research Topic:

The Impact of Online Learning on Student Performance

Introduction:

The introduction of the research topic is clear and provides an overview of the issue. However, it could benefit from providing more background information on the prevalence of online learning and its potential impact on student performance.

Literature Review:

The literature review is comprehensive and well-structured. It covers a broad range of studies that have examined the relationship between online learning and student performance. However, it could benefit from including more recent studies and providing a more critical analysis of the existing literature.

Research Methods:

The research methods are clearly described and appropriate for the research question. The study uses a quasi-experimental design to compare the performance of students who took an online course with those who took the same course in a traditional classroom setting. However, the study may benefit from using a randomized controlled trial design to reduce potential confounding factors.

The results are presented in a clear and concise manner. The study finds that students who took the online course performed similarly to those who took the traditional course. However, the study only measures performance on one course and may not be generalizable to other courses or contexts.

Discussion :

The discussion section provides a thorough analysis of the study’s findings. The authors acknowledge the limitations of the study and provide suggestions for future research. However, they could benefit from discussing potential mechanisms underlying the relationship between online learning and student performance.

Conclusion :

The conclusion summarizes the main findings of the study and provides some implications for future research and practice. However, it could benefit from providing more specific recommendations for implementing online learning programs in educational settings.

Purpose of Critical Analysis

There are several purposes of critical analysis, including:

• To identify and evaluate arguments : Critical analysis helps to identify the main arguments in a piece of writing or speech and evaluate their strengths and weaknesses. This enables the reader to form their own opinion and make informed decisions.
• To assess evidence : Critical analysis involves examining the evidence presented in a text or speech and evaluating its quality and relevance to the argument. This helps to determine the credibility of the claims being made.
• To recognize biases and assumptions : Critical analysis helps to identify any biases or assumptions that may be present in the argument, and evaluate how these affect the credibility of the argument.
• To develop critical thinking skills: Critical analysis helps to develop the ability to think critically, evaluate information objectively, and make reasoned judgments based on evidence.
• To improve communication skills: Critical analysis involves carefully reading and listening to information, evaluating it, and expressing one’s own opinion in a clear and concise manner. This helps to improve communication skills and the ability to express ideas effectively.

Importance of Critical Analysis

Here are some specific reasons why critical analysis is important:

• Helps to identify biases: Critical analysis helps individuals to recognize their own biases and assumptions, as well as the biases of others. By being aware of biases, individuals can better evaluate the credibility and reliability of information.
• Enhances problem-solving skills : Critical analysis encourages individuals to question assumptions and consider multiple perspectives, which can lead to creative problem-solving and innovation.
• Promotes better decision-making: By carefully evaluating evidence and arguments, critical analysis can help individuals make more informed and effective decisions.
• Facilitates understanding: Critical analysis helps individuals to understand complex issues and ideas by breaking them down into smaller parts and evaluating them separately.
• Fosters intellectual growth : Engaging in critical analysis challenges individuals to think deeply and critically, which can lead to intellectual growth and development.

Advantages of Critical Analysis

Some advantages of critical analysis include:

• Improved decision-making: Critical analysis helps individuals make informed decisions by evaluating all available information and considering various perspectives.
• Enhanced problem-solving skills : Critical analysis requires individuals to identify and analyze the root cause of a problem, which can help develop effective solutions.
• Increased creativity : Critical analysis encourages individuals to think outside the box and consider alternative solutions to problems, which can lead to more creative and innovative ideas.
• Improved communication : Critical analysis helps individuals communicate their ideas and opinions more effectively by providing logical and coherent arguments.
• Reduced bias: Critical analysis requires individuals to evaluate information objectively, which can help reduce personal biases and subjective opinions.
• Better understanding of complex issues : Critical analysis helps individuals to understand complex issues by breaking them down into smaller parts, examining each part and understanding how they fit together.
• Greater self-awareness: Critical analysis helps individuals to recognize their own biases, assumptions, and limitations, which can lead to personal growth and development.

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Writing a Critical Analysis

What is in this guide, definitions, putting it together, tips and examples of critques.

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This guide is meant to help you understand the basics of writing a critical analysis. A critical analysis is an argument about a particular piece of media. There are typically two parts: (1) identify and explain the argument the author is making, and (2), provide your own argument about that argument. Your instructor may have very specific requirements on how you are to write your critical analysis, so make sure you read your assignment carefully.

Critical Analysis

A deep approach to your understanding of a piece of media by relating new knowledge to what you already know.

Part 1: Introduction

• Identify the work being criticized.
• Present thesis - argument about the work.
• Preview your argument - what are the steps you will take to prove your argument.

Part 2: Summarize

• Provide a short summary of the work.
• Present only what is needed to know to understand your argument.

Part 3: Your Argument

• This is the bulk of your paper.
• Provide "sub-arguments" to prove your main argument.
• Use scholarly articles to back up your argument(s).

Part 4: Conclusion

• Reflect on  how  you have proven your argument.
• Point out the  importance  of your argument.
• Comment on the potential for further research or analysis.
• Cornell University Library Tips for writing a critical appraisal and analysis of a scholarly article.
• Queen's University Library How to Critique an Article (Psychology)
• University of Illinois, Springfield An example of a summary and an evaluation of a research article. This extended example shows the different ways a student can critique and write about an article
• Next: Background Information >>
• Last Updated: Feb 14, 2024 4:33 PM
• URL: https://libguides.pittcc.edu/critical_analysis

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How to write a successful critical analysis

• How to write a strong literature review
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For further queries or assistance in writing a critical analysis email Bill Wrigley .

What do you critically analyse?

In a critical analysis you do not express your own opinion or views on the topic. You need to develop your thesis, position or stance on the topic from the views and research of others . In academic writing you critically analyse other researchers’:

• concepts, terms
• viewpoints, arguments, positions
• methodologies, approaches
• research results and conclusions

This means weighing up the strength of the arguments or research support on the topic, and deciding who or what has the more or stronger weight of evidence or support.

Therefore, your thesis argues, with evidence, why a particular theory, concept, viewpoint, methodology, or research result(s) is/are stronger, more sound, or more advantageous than others.

What does ‘analysis’ mean?

A critical analysis means analysing or breaking down the parts of the literature and grouping these into themes, patterns or trends.

In an analysis you need to:

1. Identify and separate out the parts of the topic by grouping the various key theories, main concepts, the main arguments or ideas, and the key research results and conclusions on the topic into themes, patterns or trends of agreement , dispute and omission .

2. Discuss each of these parts by explaining:

i. the areas of agreement/consensus, or similarity

ii. the issues or controversies: in dispute or debate, areas of difference

ii. the omissions, gaps, or areas that are under-researched

3. Discuss the relationship between these parts

4. Examine how each contributes to the whole topic

5. Make conclusions about their significance or importance in the topic

What does ‘critical’ mean?

A critical analysis does not mean writing angry, rude or disrespectful comments, or  expressing your views in judgmental terms of black and white, good and bad, or right and wrong.

To be critical, or to critique, means to evaluate . Therefore, to write critically in an academic analysis means to:

• judge the quality, significance or worth of the theories, concepts, viewpoints, methodologies, and research results
• evaluate in a fair and balanced manner
• avoid extreme or emotional language

• strengths, advantages, benefits, gains, or improvements
• disadvantages, weaknesses, shortcomings, limitations, or drawbacks

How to critically analyse a theory, model or framework

The evaluative words used most often to refer to theory, model or framework are a sound theory or a strong theory.

The table below summarizes the criteria for judging the strengths and weaknesses of a theory:

• comprehensive
• empirically supported
• parsimonious

Evaluating a Theory, Model or Framework

The table below lists the criteria for the strengths and their corresponding weaknesses that are usually considered in a theory.

Critical analysis examples of theories

The following sentences are examples of the phrases used to explain strengths and weaknesses.

Smith’s (2005) theory appears up to date, practical and applicable across many divergent settings.

Brown’s (2010) theory, although parsimonious and logical, lacks a sufficient body of evidence to support its propositions and predictions

Little scientific evidence has been presented to support the premises of this theory.

One of the limitations with this theory is that it does not explain why…

A significant strength of this model is that it takes into account …

The propositions of this model appear unambiguous and logical.

A key problem with this framework is the conceptual inconsistency between ….

How to critically analyse a concept

The table below summarizes the criteria for judging the strengths and weaknesses of a concept:

• key variables identified
• clear and well-defined

Evaluating Concepts

Critical analysis examples of concepts

Many researchers have used the concept of control in different ways.

There is little consensus about what constitutes automaticity.

Putting forth a very general definition of motivation means that it is possible that any behaviour could be included.

The concept of global education lacks clarity, is imprecisely defined and is overly complex.

Some have questioned the usefulness of resilience as a concept because it has been used so often and in so many contexts.

Research suggests that the concept of preoperative fasting is an outdated clinical approach.

How to critically analyse arguments, viewpoints or ideas

The table below summarizes the criteria for judging the strengths and weaknesses of an argument, viewpoint or idea:

• reasons support the argument
• argument is substantiated by evidence
• evidence for the argument is relevant
• evidence for the argument is unbiased, sufficient and important
• evidence is reputable

Evaluating Arguments, Views or Ideas

Critical analysis examples of arguments, viewpoints or ideas

The validity of this argument is questionable as there is insufficient evidence to support it.

Many writers have challenged Jones’ claim on the grounds that …….

This argument fails to draw on the evidence of others in the field.

This explanation is incomplete because it does not explain why…

The key problem with this explanation is that ……


The existing accounts fail to resolve the contradiction between …

However, there is an inconsistency with this argument. The inconsistency lies in…

Although this argument has been proposed by some, it lacks justification.

However, the body of evidence showing that… contradicts this argument.

How to critically analyse a methodology

The table below provides the criteria for judging the strengths and weaknesses of methodology.

An evaluation of a methodology usually involves a critical analysis of its main sections:

design; sampling (participants); measurement tools and materials; procedure

• design tests the hypotheses or research questions
• method valid and reliable
• potential bias or measurement error, and confounding variables addressed
• method allows results to be generalized
• representative sampling of cohort and phenomena; sufficient response rate
• valid and reliable measurement tools
• valid and reliable procedure
• method clear and detailed to allow replication

Evaluating a Methodology

Critical analysis examples of a methodology

The unrepresentativeness of the sample makes these results misleading.

The presence of unmeasured variables in this study limits the interpretation of the results.

Other, unmeasured confounding variables may be influencing this association.

The interpretation of the data requires caution because the effect of confounding variables was not taken into account.

The insufficient control of several response biases in this study means the results are likely to be unreliable.

Although this correlational study shows association between the variables, it does not establish a causal relationship.

Taken together, the methodological shortcomings of this study suggest the need for serious caution in the meaningful interpretation of the study’s results.

How to critically analyse research results and conclusions

The table below provides the criteria for judging the strengths and weaknesses of research results and conclusions:

• appropriate choice and use of statistics
• correct interpretation of results
• all results explained
• alternative explanations considered
• significance of all results discussed
• consistency of results with previous research discussed
• results add to existing understanding or knowledge
• limitations discussed
• results clearly explained
• conclusions consistent with results

Evaluating the Results and Conclusions

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Chapter 6: Thinking and Analyzing Rhetorically

6.8 What is Critical Analysis

Julie A. Townsend

What is critical analysis?

Critical analysis is a term that students may hear often, especially as they progress through university courses and move into the twenty-first century workforce. Teachers and future employers want to see critical analysis applied in a variety of ways. Every context will have different ways that are standard for critical analysis of situations, data, and problems. Broadly, critical thinking is a way of looking at a situation that goes beyond first impressions and cliches. This section will describe specific techniques for critical analysis that can be used across different situations, especially for discovering more about writing and topics relevant to writing studies.

How can I do critical analysis?

William Thelin in Writing Without Formulas offers eight concrete ways to perform critical analysis: “interrogating the obvious,” “seeing patterns,” “finding what’s not there,” looking at “race, class, and gender,” “twisting the cliché,” “unearthing agendas,” and asking, “who profits?” (28—47). The following sections are originally derived from Thelin’s categories but are modified to better study writing in context, since many first-year writing classes at CSU following the “writing-about-writing” theme (as described by Downs and Wardle in “Teaching about writing, righting misconceptions”).

This chapter will work from an example scenario in which the writer aims to detail and understand the reading, writing, communication, and education that is taking place in one online asynchronous course. The writer’s originating research question is: What kinds of reading, writing, communication, and education takes place in this one asynchronous course? After the writer has written down their initial thoughts on the course and how communication works in the specific situation, they can use the following guidelines to write more and dig deeper into the context they are studying.

Detailing the Basics

Before the writer can use critical analysis, they need to clearly identify and describe details in the context. Details can help the writer more clearly understand the situation they are studying. Details are also necessary for readers to follow along with the critical analysis that the writer is performing.

Questions to help the writer detail the basics for studying communication in one asynchronous online course

• What did the instructor write?
• What are the students expected to write?
• Where, how, and why are they expected to write?
• How does communication between students occur?
• What about communication with the teacher?
• How is the course organized?
• What kinds of resources are used in the course?
• Are students expected to read every word on the course page? What words are they required to read?
• What kinds of external documents does the teacher expect students to use?

When the writer begins critical analysis with details of the basic situation, nothing is too mundane or obvious to skip over in the writing process. Specific details help the context come to life for both the writer and the readers. Writers should aim to draw a living picture of the situation. Then, from that living picture, the writer can work to analyze the situation in a more complete manner using the following suggestions.

Look for clusters, patterns, and coordination

After the writer has a drawn a clear picture for themselves and for the reader of what kinds of reading, writing, and communication are going on in the context they are describing, they can look for connections and links among these texts, resources, and people.

• A cluster includes technologies, people, texts, or ideas that exist near one another in a situation.
• o Clusters and patterns can help writers see the relationships between different elements and can help the writer see and understand a situation differently.
• o Coordination can help the writer see how separate acts of reading, writing, and communication work together to complete larger tasks.

Questions to help the writer find clusters, patterns, and coordination while studying communication in one asynchronous online course

• How does the student in the course group together texts to perform a task?
• Has the instructor supplied readings that the students need to write about?
• How does the student use assigned texts (possibly with other texts or technologies) in their writing process?
• What about external texts that the student needs to gather? How do those texts work into their writing process?
• Are certain texts often grouped together in the instruction or writing process?
• What kinds of resources do students tie together to complete assignments?
•  How do technologies outside of the course (like using social media or messaging classmates) work in conjunction with other texts and resources when the student is completing course work?

A deeper look at coordination

In writing studies, researchers can look for how texts are used in coordination with one another to learn more about the writing process and to describe how exactly people write and get work done. The concept of textual coordination (Slattery, “Technical writing as textual coordination”; Pigg, “Coordinating constant invention”) helps researchers to better understand how writers use resources (from computer programs to emails to syllabi to dictionaries) to write.

For research writing especially, writers tend to have multiple tabs or windows open on their computers with articles, websites, and the word processor they are using. The tying together of these resources by the writer is textual coordination. According to Shaun Slattery in “Undistributing Work through Writing”, the study of textual coordination emerged from researchers looking into how distributed work takes place in environments that are often mediated by computers (313). Many twenty-first century knowledge-working careers use a model of distributed work and rely on “the ability to identify, rearrange, circulate, abstract, and broker information” (Johnson-Eilola qtd. on Slattery 312). While most first-year writers may not have much career experience in knowledge working, they do have experience tying together resources and technologies. For example: reading a homework assignment and taking notes in a separate document and then using those texts in an essay is an example of textual coordination.

Looking through the lens of intersectionality

This section is borrowed (using Creative Commons Licensing) from “Unit I: An Introduction to Women, Gender, and Sexuality Studies” in the open-education resource textbook An Introduction to Women, Gender, and Sexuality Studies . “Within intersectional frameworks, race, class, gender, sexuality, age, ability, and other aspects of identity are considered mutually constitutive; that is, people experience these multiple aspects of identity simultaneously and the meanings of different aspects of identity are shaped by one another. In other words, notions of gender and the way a person’s gender is interpreted by others are always impacted by notions of race and the way that person’s race is interpreted. For example, a person is never received as just a woman, but how that person is racialized impacts how the person is received as a woman. So, notions of blackness, brownness, and whiteness always influence gendered experience, and there is no experience of gender that is outside of an experience of race. In addition to race, gendered experience is also shaped by age, sexuality, class, and ability; likewise, the experience of race is impacted by gender, age, class, sexuality, and ability.” For more information on intersectionality, read more in their chapter and textbook .

By asking questions about race, class, gender, ability, sexuality, and the intersections between these categories, writers can perform more critical analysis.

Questions to help the writer perform analysis with intersectional lenses while studying communication in one asynchronous online course

• What is the race, class, gender, sexuality, and ability of the authors of the readings we are assigned? How do these categories intersect in the lives of the authors?
• Do the statistics of the authors assigned for students to read match with the demographics of experts in the field?
• How are race, class, gender, ability, and sexuality distributed in the field overall?
• If there are inequalities in the demographics of professionals in the field, are there initiatives that work towards inviting more diversity into the field?
• What kinds of reading, writing, and communication are missing or different from similar contexts?
• Could resources be added to enhance communication, representation, understanding, or ease of access? What would those resources be?

What could be added?

In this stage of analysis, the writer should take a few steps back from the details of the context they are studying so that they might be able to see what could be added to the environment they are studying . The writer could compare the context they are studying to other contexts to help see what might be missing.

Questions to help the writer perform analysis on what could be added?

If the writer is performing critical analysis in a context where the previously discussed categories might not apply, “What is Critical Analysis?” by The University of Bradford offers a broad framework for critical analysis that can be applied beyond topics relevant to writing, reading, and communication. The University of Bradford describes critical analysis as part of the process that includes: “description,” “analysis,” and “evaluation” (2). For description, it suggests that writers focus on answering questions starting with “what”, “where”, “who”, and “when” (2). For the analysis stage, it suggests answering “how”, “why”, and “what if?” (2). Evaluation includes “so what?” and “what next?” Writers can use the categories outlined here to perform critical analysis that adds depth, texture, and details to thoughts and observations.

Works Cited

Downs, Douglas, and Elizabeth Wardle. “Teaching about writing, righting misconceptions:(Re)envisioning” first-year composition” as” Introduction to Writing Studies”.”  College composition and communication  (2007): 552-584.

Kang, Miliann, Donovan Lessard, Laura Heston, and Sonny Nordmarken. Introduction to Women, Gender, and Sexuality Studies . UMassAmherst Libraries, Pressbooks.

Pigg, Stacey. “Coordinating constant invention: Social media’s role in distributed work.” Technical Communication Quarterly 23.2 (2014): 69-87.

Slattery, Shaun. “Technical writing as textual coordination: An argument for the value of writers’ skill with information technology.” Technical Communication 52.3 (2005): 353.

Slattery, Shaun. “Undistributing work through writing: How technical writers manage texts in complex information environments.” Technical Communication Quarterly 16.3 (2007):    311-325.

Thelin, William. Writing Without Formulas. Second edition. Cengage, 2009. “What is Critical Analysis?” Academic Skills Advice. The University of Bradford. Accessed 17 October 2019.

A Guide to Rhetoric, Genre, and Success in First-Year Writing by Julie A. Townsend is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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• Subject Guides

Being critical: a practical guide

• Critical writing
• Being critical
• Critical thinking
• Evaluating information
• Reading academic articles
• Critical reading

This guide contains key resources to introduce you to the features of critical writing.

For more in-depth advice and guidance on critical writing , visit our specialist academic writing guides:

What is critical writing?

Academic writing requires criticality; it's not enough to just describe or summarise evidence, you also need to analyse and evaluate information and use it to build your own arguments. This is where you show your own thoughts based on the evidence available, so critical writing is really important for higher grades.

Explore the key features of critical writing and see it in practice in some examples:

Introduction to critical writing [Google Slides]

While we need criticality in our writing, it's definitely possible to go further than needed. We’re aiming for that Goldilocks ‘just right’ point between not critical enough and too critical. Find out more:

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Please ensure you sign up at least one working day before the start of the session to be sure of receiving joining instructions.

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Quoting, paraphrasing and synthesising

Quoting, paraphrasing and synthesising are different ways that you can use evidence from sources in your writing. As you move from one method to the next, you integrate the evidence further into your argument, showing increasing critical analysis.

Here's a quick introduction to the three methods and how to use them:

Quoting, paraphrasing and synthesising: an introduction [YouTube video]  |  Quoting, paraphrasing and synthesising [Google Doc]

Want to know more? Check out these resources for more examples of paraphrasing and using notes to synthesise information:

Using evidence to build critical arguments

Academic writing integrates evidence from sources to create your own critical arguments.

We're not looking for a list of summaries of individual sources; ideally, the important evidence should be integrated into a cohesive whole. What does the evidence mean altogether?  Of course, a critical argument also needs some critical analysis of this evidence. What does it all mean in terms of your argument?

These resources will help you explore ways to integrate evidence and build critical arguments:

Building a critical argument [YouTube] |  Building a critical argument [Google Doc]

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How to write a critical analysis

Unlike the name implies a critical analysis does not necessarily mean that you are only exploring what is wrong with a piece of work. Instead, the purpose of this type of essay is to interact with and understand a text. Here’s what you need to know to create a well-written critical analysis essay.

What is a critical analysis?

A critical analysis examines and evaluates someone else’s work, such as a book, an essay, or an article. It requires two steps: a careful reading of the work and thoughtful analysis of the information presented in the work.

Although this may sound complicated, all you are doing in a critical essay is closely reading an author’s work and providing your opinion on how well the author accomplished their purpose.

Critical analyses are most frequently done in academic settings (such as a class assignment). Writing a critical analysis demonstrates that you are able to read a text and think deeply about it. However, critical thinking skills are vital outside of an educational context as well. You just don’t always have to demonstrate them in essay form.

How to outline and write a critical analysis essay

Writing a critical analysis essay involves two main chunks of work: reading the text you are going to write about and writing an analysis of that text. Both are equally important when writing a critical analysis essay.

Step one: Reading critically

The first step in writing a critical analysis is to carefully study the source you plan to analyze.

If you are writing for a class assignment, your professor may have already given you the topic to analyze in an article, short story, book, or other work. If so, you can focus your note-taking on that topic while reading.

Other times, you may have to develop your own topic to analyze within a piece of work. In this case, you should focus on a few key areas as you read:

• What is the author’s intended purpose for the work?
• What techniques and language does the author use to achieve this purpose?
• How does the author support the thesis?
• Who is the author writing for?
• Is the author effective at achieving the intended purpose?

Once you have carefully examined the source material, then you are ready to begin planning your critical analysis essay.

Step two: Writing the critical analysis essay

Taking time to organize your ideas before you begin writing can shorten the amount of time that you spend working on your critical analysis essay. As an added bonus, the quality of your essay will likely be higher if you have a plan before writing.

Here’s a rough outline of what should be in your essay. Of course, if your instructor gives you a sample essay or outline, refer to the sample first.

• Background Information

Critical Analysis

Here is some additional information on what needs to go into each section:

Background information

In the first paragraph of your essay, include background information on the material that you are critiquing. Include context that helps the reader understand the piece you are analyzing. Be sure to include the title of the piece, the author’s name, and information about when and where it was published.

“Success is counted sweetest” is a poem by Emily Dickinson published in 1864. Dickinson was not widely known as a poet during her lifetime, and this poem is one of the first published while she was alive.

After you have provided background information, state your thesis. The thesis should be your reaction to the work. It also lets your reader know what to expect from the rest of your essay. The points you make in the critical analysis should support the thesis.

Dickinson’s use of metaphor in the poem is unexpected but works well to convey the paradoxical theme that success is most valued by those who never experience success.

The next section should include a summary of the work that you are analyzing. Do not assume that the reader is familiar with the source material. Your summary should show that you understood the text, but it should not include the arguments that you will discuss later in the essay.

Dickinson introduces the theme of success in the first line of the poem. She begins by comparing success to nectar. Then, she uses the extended metaphor of a battle in order to demonstrate that the winner has less understanding of success than the loser.

The next paragraphs will contain your critical analysis. Use as many paragraphs as necessary to support your thesis.

Discuss the areas that you took notes on as you were reading. While a critical analysis should include your opinion, it needs to have evidence from the source material in order to be credible to readers. Be sure to use textual evidence to support your claims, and remember to explain your reasoning.

Dickinson’s comparison of success to nectar seems strange at first. However the first line “success is counted sweetest” brings to mind that this nectar could be bees searching for nectar to make honey. In this first stanza, Dickinson seems to imply that success requires work because bees are usually considered to be hard-working and industrious.

In the next two stanzas, Dickinson expands on the meaning of success. This time she uses the image of a victorious army and a dying man on the vanquished side. Now the idea of success is more than something you value because you have worked hard for it. Dickinson states that the dying man values success even more than the victors because he has given everything and still has not achieved success.

This last section is where you remind the readers of your thesis and make closing remarks to wrap up your essay. Avoid summarizing the main points of your critical analysis unless your essay is so long that readers might have forgotten parts of it.

In “Success is counted sweetest” Dickinson cleverly upends the reader’s usual thoughts about success through her unexpected use of metaphors. The poem may be short, but Dickinson conveys a serious theme in just a few carefully chosen words.

What type of language should be used in a critical analysis essay?

Because critical analysis papers are written in an academic setting, you should use formal language, which means:

• No contractions
• Avoid first-person pronouns (I, we, me)

Do not include phrases such as “in my opinion” or “I think”. In a critical analysis, the reader already assumes that the claims are your opinions.

Your instructor may have specific guidelines for the writing style to use. If the instructor assigns a style guide for the class, be sure to use the guidelines in the style manual in your writing.

Additional t ips for writing a critical analysis essay

To conclude this article, here are some additional tips for writing a critical analysis essay:

• Give yourself plenty of time to read the source material. If you have time, read through the text once to get the gist and a second time to take notes.
• Outlining your essay can help you save time. You don’t have to stick exactly to the outline though. You can change it as needed once you start writing.
• Spend the bulk of your writing time working on your thesis and critical analysis. The introduction and conclusion are important, but these sections cannot make up for a weak thesis or critical analysis.
• Give yourself time between your first draft and your second draft. A day or two away from your essay can make it easier to see what you need to improve.

Frequently Asked Questions about critical analyses

In the introduction of a critical analysis essay, you should give background information on the source that you are analyzing. Be sure to include the author’s name and the title of the work. Your thesis normally goes in the introduction as well.

A critical analysis has four main parts.

• Introduction

The focus of a critical analysis should be on the work being analyzed rather than on you. This means that you should avoid using first person unless your instructor tells you to do otherwise. Most formal academic writing is written in third person.

How many paragraphs your critical analysis should have depends on the assignment and will most likely be determined by your instructor. However, in general, your critical analysis paper should have three to six paragraphs, unless otherwise stated.

Your critical analysis ends with your conclusion. You should restate the thesis and make closing remarks, but avoid summarizing the main points of your critical analysis unless your essay is so long that readers might have forgotten parts of it.

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How to Write a Critical Analysis Essay?

So, you want to write a critical analysis essay, but it feels a bit overwhelming, right? No worries! We're here to guide you through the process step by step. Whether you're a pro or a newbie, we've got practical tips and insights to help you nail your critical analysis essay. Let's make this academic adventure a bit less scary and a lot more exciting.

Have you ever wondered, "How to write a critical analysis essay?" We get it. It's not as easy as just summarizing stuff. But fear not! In this article, we're going to break down the whole process for you. Whether you're a seasoned thinker or just dipping your toes into critical analysis, we've got your back. Get ready for some straightforward advice to help you tackle that critical analysis essay like a champ. Let's do this together! For additional reading, please consult our guide on how to write an essay in general.

What Is Critical Analysis Essay?

A critical analysis essay is a type of academic writing in which the writer evaluates and interprets a piece of literature, artwork, film, music, or any other work of art. The primary purpose of a critical analysis essay is to assess the effectiveness or merit of the work in question, providing insights into its strengths, weaknesses, and overall impact.

Writing critical analysis essay demands a thoughtful, informed, and evaluative approach to a work, with a focus on details, evidence, and interpretation. It's an exercise in understanding the layers and complexities within creation and expressing your informed perspective on its merits and shortcomings.

• The primary purpose of a critical analysis essay is to assess and evaluate a specific work, such as a piece of literature, art, film, or any other cultural creation. Unlike a summary, where you merely recap the content, a critical analysis delves deeper. It aims to explore the work's meaning, effectiveness, and significance.

Depth of Research

• To conduct a thorough critical analysis, you often need to go beyond surface-level understanding. This might involve researching the background of the author or artist, understanding the historical context, and exploring any relevant cultural influences. The depth of research ensures that your analysis is well-informed and provides a nuanced perspective.
• Learning how to write critical analysis paper involves paying attention to subtle details and nuances within the work. This could include examining the use of literary devices, artistic techniques, symbolism, or the choices made by the creator. Identifying these nuances allows you to offer a more insightful and detailed analysis.

Evidence-Based Insights

• A strong critical analysis is not merely an expression of personal opinion but is supported by evidence from the work itself. This might involve quoting specific lines from a text, describing particular scenes in a film, or pointing to elements within a piece of art. By using evidence, you strengthen your argument and make your analysis more persuasive.

Judgment and Evaluation

• The analysis goes beyond observation; it includes forming a judgment about the work. This involves assessing its strengths and weaknesses. You might discuss what the creator did well and where improvements could be made. This evaluative aspect adds depth to your analysis and demonstrates your engagement with the work.

Insights and Interpretation

• A critical analysis invites interpretation. It's an opportunity to express your unique perspective on the work and offer insights that might not be immediately apparent. This could involve exploring symbolism, thematic connections, or the impact of specific artistic choices.

Critical Analysis Essay Outline

Here's a basic outline for critical analysis essay. Remember, this is a general outline, and you may need to adjust it based on the specific requirements of your assignment or the nature of the work you are analyzing.

Introduction

Introduction to the Work

• Briefly introduce the work being analyzed.
• Provide necessary background information about the author, artist, or creator.

Thesis Statement

• State the main argument or perspective you will present in your analysis.
• Provide a concise summary of the work.
• Ensure that readers have a basic understanding of the content and context.

Introduction to Analysis

• Briefly explain the specific elements you will analyze (e.g., themes, characters, techniques).

Element 1 Analysis

• Discuss the first element in detail.
• Provide evidence from the work to support your analysis.

Element 2 Analysis

• Repeat the process for the second element.
• Again, support your analysis with relevant evidence.

Additional Elements (if needed)

• Include additional elements you plan to analyze.
• Provide analysis and evidence for each.

Introduction to Evaluation

• Briefly explain the criteria you will use to evaluate the work.

Positive Aspects

• Discuss the strengths or positive aspects of the work.
• Support your evaluation with evidence.

Areas for Improvement

• Discuss weaknesses or areas where the work could be improved.
• Again, support your evaluation with evidence.

Summary of Analysis and Evaluation

• Summarize the main points of your analysis.
• Recap your evaluation.

Final Thoughts

• Offer any final insights or reflections.
• Restate the significance of your analysis.

Writing critical analysis essay involves a systematic and thoughtful approach. Remember, the critical analysis essay is an opportunity to showcase your ability to analyze and evaluate a work thoughtfully. It's essential to provide clear reasoning and support your arguments with evidence from the work itself. 

To learn how to start a critical analysis essay, it is crucial to begin with a compelling introduction that captivates the reader's attention and sets the stage for the subsequent analysis. Start by providing contextual information about the work under scrutiny, including the author, artist, or creator, and briefly outlining the overall content. Engage your audience by posing a thought-provoking question, presenting a relevant quote, or offering a striking observation of the subject matter. 

Clearly articulate the main purpose of your analysis and introduce your thesis statement, which succinctly encapsulates the central argument you will be exploring in the essay. By establishing a solid foundation in the introduction, you invite readers to delve into your critical examination with a clear understanding of your perspective and the significance of the work at hand. Here's a step-by-step guide to help you through the entire writing process:

Understand the Assignment

• Read the assignment instructions carefully.
• Identify the specific work (e.g., a book, film, artwork) you need to analyze.
• Note any guidelines or criteria provided by your instructor.

Choose a Literary Work

• If the work is not assigned, select one that interests you and aligns with the assignment requirements.

Read/View/Experience the Work

• Engage with the work attentively.
• Take notes on significant details, themes, characters, and any elements that stand out.

Research Background Information

• Gather information about the author, artist, or creator.
• Understand the historical and cultural context if relevant.

Develop a Thesis Statement

• Formulate a clear thesis statement that presents the main argument or perspective you will explore in your analysis.

Create an Outline

• Structure your essay with an introduction, body paragraphs for analysis, an evaluation section, and a conclusion.
• Use the outline provided earlier as a template.

Write the Introduction

• Introduce the work and provide essential background information.
• Present your thesis statement, outlining the focus of your analysis.

Write the Summary

• Provide a concise summary of the work, ensuring readers have a basic understanding of its content and context.

Analyze Specific Elements

• Follow your outline to analyze specific elements of the work.
• Discuss themes, characters, techniques, or any other relevant aspects.

Evaluate the Work

• Introduce your criteria for evaluation.
• Discuss the positive aspects of the work, supporting your points with evidence.
• Address areas for improvement, again using evidence to support your evaluation.

Write the Conclusion

• Summarize the main points of your analysis and evaluation.
• Restate your thesis and its significance.
• Offer final thoughts or reflections.

Revise and Edit

• Review your essay for clarity, coherence, and consistency.
• Check for grammatical errors, typos, and proper citation if applicable.

Seek Feedback (Optional)

• If possible, get feedback from peers, instructors, or writing centers to refine your essay.

Finalize Your Essay

• Make any necessary revisions based on feedback.
• Ensure your essay meets the assignment requirements.

Cite Sources (If Required)

• If you used external sources for background information, quotes, or references, ensure proper citation according to the specified style guide (e.g., APA, MLA).

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Critical Analysis Essay Topics

Students can explore a myriad of thought-provoking topics for critical analysis essay for their across various disciplines. For example, you might dissect the portrayal of power dynamics in dystopian novels or scrutinize the evolution of a character's identity throughout a classic work. Venturing into the cinematic landscape, students could critically analyze the symbolism and visual storytelling techniques in a renowned film or examine the cultural commentary embedded in a contemporary piece. For those inclined toward the visual arts, delving into the complexities of a particular artwork or artistic movement offers an opportunity to unravel hidden meanings. Moreover, students may consider such critical analysis essay ideas as the representation of gender roles, the impact of technology on human connections, or the exploration of mental health in literature. Consider the following topic examples:

• Identity and self-discovery in 'The Catcher in the Rye.'
• The impact of social media on interpersonal relationships.
• Symbolism in Edgar Allan Poe's 'The Raven.'
• Gender roles in the film 'Wonder Woman.'
• Environmental conservation messages in Nike advertisements.
• Historical accuracy in 'The Crown' TV series.
• Technology's role in shaping modern higher education.
• Cultural significance of traditional Japanese Noh theatre.
• Portrayal of mental health in 'BoJack Horseman.'
• Ethical implications of CRISPR gene editing.
• Metaphor in Martin Luther King Jr.'s 'I Have a Dream' speech.
• Impact of Affordable Care Act on healthcare accessibility.
• Symbolism in Leonardo da Vinci's 'Mona Lisa.'
• Influence of jazz on American society.
• Representation of diversity in 'The Sneetches' by Dr. Seuss.
• Role of humor in addressing social issues in Dave Chappelle's comedy special.
• Effectiveness of anti-smoking public service announcements.
• Portrayal of cultural clashes in 'The Joy Luck Club.'
• Impact of artificial intelligence on daily life.
• Role of education in addressing economic inequality.

Tips for Writing a Critical Analysis Essay

Thoroughly understand the work.

Before diving into a critical analysis essay, ensure a comprehensive understanding of the work. Read a literary piece multiple times, watch a film attentively, or study an artwork closely. Take notes on key elements, themes, and characters to form a solid foundation for your analysis.

Focus on Specific Elements

Instead of attempting to analyze the entire work, narrow down your focus to specific elements. This could include examining the use of symbolism, characterization, narrative structure, or visual techniques. By concentrating on specific aspects, you can provide a more in-depth and focused analysis.

Support Your Analysis with Evidence

A critical analysis is strengthened by providing evidence from the work itself. Quote specific lines from a text, reference particular scenes in a film, or describe elements in an artwork. This evidence supports your interpretation and demonstrates a deep engagement with the work.

Consider the Context

Acknowledge the context in which the work was created. Consider the historical, cultural, and social background that might influence its meaning. Understanding the context allows you to offer a more nuanced analysis, recognizing the creator's intent and the work's relevance within a broader framework.

How to Format a Critical Analysis Essay?

Critical analysis essay format follows general guidelines for academic writing. Always refer to your assignment guidelines and any specific instructions from your instructor, as formatting requirements can vary. Here's a typical structure in terms of formatting:

• Include the title of your essay, your name, the course title, the instructor's name, and the date.
• Follow any specific formatting instructions provided by your instructor.
• Begin with a strong introduction that introduces the work and provides essential background information.
• State your thesis clearly and concisely.

Body Paragraphs

• Organize your analysis into well-structured paragraphs.
• Each paragraph should focus on a specific element or aspect of the work.
• Begin each paragraph with a clear topic sentence that relates to your thesis.

Analysis and Evidence

• Analyze the chosen elements of the work thoroughly.
• Support your analysis with evidence, such as quotes, examples, or specific scenes.
• Ensure that your analysis is logical and well-connected.
• Include a section where you evaluate the strengths and weaknesses of the work.
• Discuss what works well and areas that could be improved.
• Provide thoughtful judgments and support them with evidence.
• Restate your thesis and highlight the significance of your analysis.
• Offer any final thoughts or reflections.

References or Works Cited

• Include a list of all the sources you cited in your essay.
• Follow the citation style (APA, MLA, Chicago, etc.) specified by your instructor.

Formatting Style

• Use a standard font (e.g., Times New Roman, Arial) in 12-point size.
• Double-space the entire essay.
• Set 1-inch margins on all sides.
• Align text to the left; do not justify.

Page Numbers

• Number pages consecutively, starting from the title page (if applicable).
• Place page numbers in the header or footer.

Additional Instructions

• Follow any additional formatting guidelines provided by your instructor.
• Check for any specific requirements regarding headers, footers, or additional elements.

Following a clear and consistent format ensures that your critical analysis essay is well-organized and easy to read.

Critical Analysis Essay Example

We believe that a critical analysis essay sample can help students master the intricacies of a particular assignment. In this article, we’ve decided to give you two different examples that will definitely inspire you to move the needle when tackling this task.

The Symbolism of Light and Dark in Shakespeare's "Macbeth"

William Shakespeare's tragedy "Macbeth" explores the intricate interplay of light and dark imagery as symbols throughout the play. In this critical analysis, we will delve into how Shakespeare employs these symbols to convey complex themes and character motivations. The juxtaposition of light and dark in "Macbeth" serves as a powerful metaphor for the moral and psychological transformations undergone by the characters.

Shakespeare strategically employs light and dark imagery to signify moral clarity and corruption. In the opening scenes, the protagonist – Macbeth – associates darkness with deception and evil intentions. For instance, when contemplating regicide, Macbeth implores the stars to "hide [their] fires; Let not light see my black and deep desires" (1.4.50-51). The contrast between light and dark intensifies as the narrative progresses, underscoring the characters' moral dilemmas.

As Macbeth succumbs to his ambition, the imagery of darkness deepens. The murder of King Duncan occurs under the cover of night, symbolizing the moral obscurity of Macbeth's actions. The once honorable protagonist descends into darkness both metaphorically and literally, as evidenced by Lady Macbeth's plea to "come, thick night, / And pall thee in the dunnest smoke of hell" (1.5.49-50). The darkness that initially masked his ambitions becomes a pervasive element in Macbeth's psyche.

Interestingly, the play also presents a paradoxical relationship between light and darkness. While darkness represents evil, light is not always synonymous with goodness. The false sense of security in the daylight becomes apparent as Macbeth's heinous deeds unfold. Banquo's murder, planned in broad daylight, challenges the traditional association of light with virtue, revealing the deceptive nature of appearances.

In conclusion, Shakespeare's adept use of light and dark imagery in "Macbeth" contributes to the thematic richness of the play. The evolving symbolism underscores the moral complexities the characters face, particularly Macbeth, as they navigate the consequences of their choices. By examining the nuanced interplay of light and dark, we gain profound insights into the psychological and moral dimensions of Shakespeare's tragic narrative.

The Dystopian Mirror: A Critical Analysis of Societal Portrayal in George Orwell's "1984"

George Orwell's "1984" stands as a dystopian masterpiece, a haunting vision of a totalitarian society that raises profound questions about power, control, and individual agency. In this critical analysis, we will delve into how Orwell's portrayal of society in "1984" serves as a reflection of his concerns about government overreach and the erosion of personal freedoms.

Orwell's vision of an omnipresent surveillance state in "1984" serves as a chilling forecast of the erosion of privacy in contemporary society. The ubiquitous presence of telescreens and the Thought Police in the novel underscores the dangers of unchecked governmental power. Through the character of Winston Smith, Orwell illustrates the psychological impact of living under constant surveillance and the pervasive fear of dissent.

Orwell introduces the concept of Newspeak, a language designed to eliminate rebellious thoughts, further illustrating the manipulative power of the state. The controlled language in "1984" becomes a tool for thought control, limiting the ability of individuals to articulate dissenting ideas. This linguistic manipulation echoes Orwell's concerns about the potential distortion of truth and the stifling of independent thought in a society governed by authoritarian rule.

The portrayal of Big Brother in "1984" serves as a powerful commentary on the creation of a cult of personality to consolidate power. The Party's ability to shape and control public perception through the iconic figure of Big Brother reflects Orwell's apprehensions about manipulating truth and the dangers of blind loyalty to charismatic leaders. The relentless propaganda in the novel underscores the potential consequences of unchecked authority on societal values.

To sum up, George Orwell's "1984" remains a poignant critique of societal structures that compromise individual freedoms in the pursuit of unchecked power. Through the vivid portrayal of surveillance, linguistic manipulation, and the cult of personality, Orwell prompts readers to reflect on the fragility of democratic values. As we navigate the complexities of our own society, the warnings embedded in "1984" continue to resonate, urging us to remain vigilant against threats to individual autonomy and the integrity of truth.

Learning how to write critical analysis essays is crucial for students as it cultivates essential skills vital for academic and professional success. Firstly, it hones their analytical thinking abilities, enabling them to dissect complex ideas, texts, or artworks and discern underlying themes, motifs, and messages. This skill is invaluable in academia, where critical analysis forms the cornerstone of scholarly discourse and research. 

Secondly, critical analysis writing fosters effective communication skills as students learn to articulate their thoughts coherently, provide evidence-based arguments, and engage with diverse perspectives. Such proficiency not only enhances their academic writing but also prepares them for future endeavors in fields such as research, journalism, or policymaking. Does that sound interesting, or maybe you would like to do something different today rather than critique literary works? In that case, pay for an essay and have a wonderful evening! 

Frequently asked questions

What is a critical analysis essay structure, what type of language should be used in a critical analysis essay, what are the benefits of writing a critical analysis essay.

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• Online Guide to Writing

Critical Strategies and Writing

Analysis provides the foundation for the other writing strategies. When we analyze, we break down a whole into its parts. Then we observe the relationships between those parts, and we put the whole back together again. This analyzing process provides a better understanding of the parts and the whole.

There are many kinds of analysis, but they generally fall into two categories:

Comparative Analysis

Cause and Effect Analysis

Click on the tabs below to learn more.

• COMPARATIVE
• CAUSE AND EFFECT

When we analyze comparatively, we seek to understand something by comparing or contrasting it with something else. We consider the similarities and differences. Keep in mind, however, that comparisons and contrasts need limits.

A comparative analysis takes place within a larger category or frame of reference. This larger frame of reference is similar to the controlling idea we discussed in our earlier page on thesis statements. It keeps the comparative analysis focused on one overall topic.

For example , imagine you are writing a paper on narrative strategies in the novels of Toni Morrison. “Narrative strategies in Toni Morrison’s fiction” would be your frame of reference. You would look for similarities and differences only between “narrative strategies” and only within “Toni Morrison’s fiction.”

When performing this form of analysis, we determine how change happens. We identify causes and effects, and we distinguish between them. This is a more difficult category of analysis, as few effects have only one cause and few causes have only one effect. For this reason, framing your analysis becomes even more important. Your framing idea should pertain to either causes or effects. 

For example , imagine you are a historian investigating the cause of the U.S. entering World War II. This event, or effect, would be your framing idea or subject. You would limit your search for causal factors that moved the U.S. toward entering the war, and your final work would focus on a set of those causes.

You can also reverse the process above and make your framing idea a cause. Modifying the example above, imagine you are interested in distinguishing between causes for the U.S. entry into World War II. You might, for example, focus on the Lend-Lease Act of 1941. Your work would then consist of demonstrating the extent to which the Lend-Lease Act led to the U.S. entering World War II.

Key Takeaways

• Analysis can include comparing and contrasting, as well as distinguishing between cause and effect.
• When we analyze, we break down the whole into parts, much like building an essay.

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Table of Contents: Online Guide to Writing

Chapter 1: College Writing

How Does College Writing Differ from Workplace Writing?

What Is College Writing?

Why So Much Emphasis on Writing?

Chapter 2: The Writing Process

Doing Exploratory Research

Getting from Notes to Your Draft

Introduction

Prewriting - Techniques to Get Started - Mining Your Intuition

Prewriting: Targeting Your Audience

Prewriting: Techniques to Get Started

Prewriting: Understanding Your Assignment

Rewriting: Being Your Own Critic

Rewriting: Creating a Revision Strategy

Rewriting: Getting Feedback

Rewriting: The Final Draft

Techniques to Get Started - Outlining

Techniques to Get Started - Using Systematic Techniques

Thesis Statement and Controlling Idea

Writing: Getting from Notes to Your Draft - Freewriting

Writing: Getting from Notes to Your Draft - Summarizing Your Ideas

Writing: Outlining What You Will Write

Chapter 3: Thinking Strategies

A Word About Style, Voice, and Tone

A Word About Style, Voice, and Tone: Style Through Vocabulary and Diction

Critical Strategies and Writing: Analysis

Critical Strategies and Writing: Evaluation

Critical Strategies and Writing: Persuasion

Critical Strategies and Writing: Synthesis

Developing a Paper Using Strategies

Kinds of Assignments You Will Write

Patterns for Presenting Information

Patterns for Presenting Information: Critiques

Patterns for Presenting Information: Discussing Raw Data

Patterns for Presenting Information: General-to-Specific Pattern

Patterns for Presenting Information: Problem-Cause-Solution Pattern

Patterns for Presenting Information: Specific-to-General Pattern

Patterns for Presenting Information: Summaries and Abstracts

Supporting with Research and Examples

Writing Essay Examinations

Writing Essay Examinations: Make Your Answer Relevant and Complete

Writing Essay Examinations: Organize Thinking Before Writing

Writing Essay Examinations: Read and Understand the Question

Chapter 4: The Research Process

Planning and Writing a Research Paper

Planning and Writing a Research Paper: Ask a Research Question

Planning and Writing a Research Paper: Cite Sources

Planning and Writing a Research Paper: Collect Evidence

Planning and Writing a Research Paper: Decide Your Point of View, or Role, for Your Research

Planning and Writing a Research Paper: Draw Conclusions

Planning and Writing a Research Paper: Find a Topic and Get an Overview

Planning and Writing a Research Paper: Manage Your Resources

Planning and Writing a Research Paper: Outline

Planning and Writing a Research Paper: Survey the Literature

Planning and Writing a Research Paper: Work Your Sources into Your Research Writing

Research Resources: Where Are Research Resources Found? - Human Resources

Research Resources: What Are Research Resources?

Research Resources: Where Are Research Resources Found?

Research Resources: Where Are Research Resources Found? - Electronic Resources

Research Resources: Where Are Research Resources Found? - Print Resources

Structuring the Research Paper: Formal Research Structure

Structuring the Research Paper: Informal Research Structure

The Nature of Research

The Research Assignment: How Should Research Sources Be Evaluated?

The Research Assignment: When Is Research Needed?

The Research Assignment: Why Perform Research?

Chapter 5: Academic Integrity

Academic Integrity

Giving Credit to Sources

Giving Credit to Sources: Copyright Laws

Giving Credit to Sources: Documentation

Giving Credit to Sources: Style Guides

Integrating Sources

Practicing Academic Integrity

Practicing Academic Integrity: Keeping Accurate Records

Practicing Academic Integrity: Managing Source Material

Practicing Academic Integrity: Managing Source Material - Paraphrasing Your Source

Practicing Academic Integrity: Managing Source Material - Quoting Your Source

Practicing Academic Integrity: Managing Source Material - Summarizing Your Sources

Types of Documentation

Types of Documentation: Bibliographies and Source Lists

Types of Documentation: Citing World Wide Web Sources

Types of Documentation: In-Text or Parenthetical Citations

Types of Documentation: In-Text or Parenthetical Citations - APA Style

Types of Documentation: In-Text or Parenthetical Citations - CSE/CBE Style

Types of Documentation: In-Text or Parenthetical Citations - Chicago Style

Types of Documentation: In-Text or Parenthetical Citations - MLA Style

Types of Documentation: Note Citations

Chapter 6: Using Library Resources

Finding Library Resources

Chapter 7: Assessing Your Writing

How Is Writing Graded?

How Is Writing Graded?: A General Assessment Tool

The Draft Stage

The Draft Stage: The First Draft

The Draft Stage: The Revision Process and the Final Draft

The Draft Stage: Using Feedback

The Research Stage

Using Assessment to Improve Your Writing

Chapter 8: Other Frequently Assigned Papers

Reviews and Reaction Papers: Article and Book Reviews

Reviews and Reaction Papers: Reaction Papers

Writing Arguments

Writing Arguments: Adapting the Argument Structure

Writing Arguments: Purposes of Argument

Writing Arguments: References to Consult for Writing Arguments

Writing Arguments: Steps to Writing an Argument - Anticipate Active Opposition

Writing Arguments: Steps to Writing an Argument - Determine Your Organization

Writing Arguments: Steps to Writing an Argument - Develop Your Argument

Writing Arguments: Steps to Writing an Argument - Introduce Your Argument

Writing Arguments: Steps to Writing an Argument - State Your Thesis or Proposition

Writing Arguments: Steps to Writing an Argument - Write Your Conclusion

Writing Arguments: Types of Argument

Appendix A: Books to Help Improve Your Writing

Dictionaries

General Style Manuals

Researching on the Internet

Special Style Manuals

Writing Handbooks

Appendix B: Collaborative Writing and Peer Reviewing

Collaborative Writing: Assignments to Accompany the Group Project

Collaborative Writing: Informal Progress Report

Collaborative Writing: Issues to Resolve

Collaborative Writing: Methodology

Collaborative Writing: Peer Evaluation

Collaborative Writing: Tasks of Collaborative Writing Group Members

Collaborative Writing: Writing Plan

General Introduction

Peer Reviewing

Appendix C: Developing an Improvement Plan

Working with Your Instructor’s Comments and Grades

Appendix D: Writing Plan and Project Schedule

Devising a Writing Project Plan and Schedule

Reviewing Your Plan with Others

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6.7: What is Critical Analysis

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What is critical analysis?

Critical analysis is a term that students may hear often, especially as they progress through university courses and move into the twenty-first century workforce. Teachers and future employers want to see critical analysis applied in a variety of ways. Every context will have different ways that are standard for critical analysis of situations, data, and problems. Broadly, critical thinking is a way of looking at a situation that goes beyond first impressions and cliches. This section will describe specific techniques for critical analysis that can be used across different situations, especially for discovering more about writing and topics relevant to writing studies.

How can I do critical analysis?

William Thelin in Writing Without Formulas offers eight concrete ways to perform critical analysis: “interrogating the obvious,” “seeing patterns,” “finding what’s not there,” looking at “race, class, and gender,” “twisting the cliché,” “unearthing agendas,” and asking, “who profits?” (28—47). The following sections are originally derived from Thelin’s categories but are modified to better study writing in context, since many first-year writing classes at CSU following the “writing-about-writing” theme (as described by Downs and Wardle in “Teaching about writing, righting misconceptions”).

This chapter will work from an example scenario in which the writer aims to detail and understand the reading, writing, communication, and education that is taking place in one online asynchronous course. The writer’s originating research question is: What kinds of reading, writing, communication, and education takes place in this one asynchronous course? After the writer has written down their initial thoughts on the course and how communication works in the specific situation, they can use the following guidelines to write more and dig deeper into the context they are studying.

Detailing the Basics

Before the writer can use critical analysis, they need to clearly identify and describe details in the context. Details can help the writer more clearly understand the situation they are studying. Details are also necessary for readers to follow along with the critical analysis that the writer is performing.

Questions to help the writer detail the basics for studying communication in one asynchronous online course

• What did the instructor write?
• What are the students expected to write?
• Where, how, and why are they expected to write?
• How does communication between students occur?
• What about communication with the teacher?
• How is the course organized?
• What kinds of resources are used in the course?
• Are students expected to read every word on the course page? What words are they required to read?
• What kinds of external documents does the teacher expect students to use?

When the writer begins critical analysis with details of the basic situation, nothing is too mundane or obvious to skip over in the writing process. Specific details help the context come to life for both the writer and the readers. Writers should aim to draw a living picture of the situation. Then, from that living picture, the writer can work to analyze the situation in a more complete manner using the following suggestions.

Look for clusters, patterns, and coordination

After the writer has a drawn a clear picture for themselves and for the reader of what kinds of reading, writing, and communication are going on in the context they are describing, they can look for connections and links among these texts, resources, and people.

• A cluster includes technologies, people, texts, or ideas that exist near one another in a situation.
• o Clusters and patterns can help writers see the relationships between different elements and can help the writer see and understand a situation differently.
• o Coordination can help the writer see how separate acts of reading, writing, and communication work together to complete larger tasks.

Questions to help the writer find clusters, patterns, and coordination while studying communication in one asynchronous online course

• How does the student in the course group together texts to perform a task?
• Has the instructor supplied readings that the students need to write about?
• How does the student use assigned texts (possibly with other texts or technologies) in their writing process?
• What about external texts that the student needs to gather? How do those texts work into their writing process?
• Are certain texts often grouped together in the instruction or writing process?
• What kinds of resources do students tie together to complete assignments?
• How do technologies outside of the course (like using social media or messaging classmates) work in conjunction with other texts and resources when the student is completing course work?

A deeper look at coordination

In writing studies, researchers can look for how texts are used in coordination with one another to learn more about the writing process and to describe how exactly people write and get work done. The concept of textual coordination (Slattery, “Technical writing as textual coordination”; Pigg, “Coordinating constant invention”) helps researchers to better understand how writers use resources (from computer programs to emails to syllabi to dictionaries) to write.

For research writing especially, writers tend to have multiple tabs or windows open on their computers with articles, websites, and the word processor they are using. The tying together of these resources by the writer is textual coordination. According to Shaun Slattery in “Undistributing Work through Writing”, the study of textual coordination emerged from researchers looking into how distributed work takes place in environments that are often mediated by computers (313). Many twenty-first century knowledge-working careers use a model of distributed work and rely on “the ability to identify, rearrange, circulate, abstract, and broker information” (Johnson-Eilola qtd. on Slattery 312). While most first-year writers may not have much career experience in knowledge working, they do have experience tying together resources and technologies. For example: reading a homework assignment and taking notes in a separate document and then using those texts in an essay is an example of textual coordination.

Looking through the lens of intersectionality

This section is borrowed (using Creative Commons Licensing) from “Unit I: An Introduction to Women, Gender, and Sexuality Studies” in the open-education resource textbook An Introduction to Women, Gender, and Sexuality Studies . “Within intersectional frameworks, race, class, gender, sexuality, age, ability, and other aspects of identity are considered mutually constitutive; that is, people experience these multiple aspects of identity simultaneously and the meanings of different aspects of identity are shaped by one another. In other words, notions of gender and the way a person’s gender is interpreted by others are always impacted by notions of race and the way that person’s race is interpreted. For example, a person is never received as just a woman, but how that person is racialized impacts how the person is received as a woman. So, notions of blackness, brownness, and whiteness always influence gendered experience, and there is no experience of gender that is outside of an experience of race. In addition to race, gendered experience is also shaped by age, sexuality, class, and ability; likewise, the experience of race is impacted by gender, age, class, sexuality, and ability.” For more information on intersectionality, read more in their chapter and textbook .

By asking questions about race, class, gender, ability, sexuality, and the intersections between these categories, writers can perform more critical analysis.

Questions to help the writer perform analysis with intersectional lenses while studying communication in one asynchronous online course

• What is the race, class, gender, sexuality, and ability of the authors of the readings we are assigned? How do these categories intersect in the lives of the authors?
• Do the statistics of the authors assigned for students to read match with the demographics of experts in the field?
• How are race, class, gender, ability, and sexuality distributed in the field overall?
• If there are inequalities in the demographics of professionals in the field, are there initiatives that work towards inviting more diversity into the field?
• What kinds of reading, writing, and communication are missing or different from similar contexts?
• Could resources be added to enhance communication, representation, understanding, or ease of access? What would those resources be?

What could be added?

In this stage of analysis, the writer should take a few steps back from the details of the context they are studying so that they might be able to see what could be added to the environment they are studying . The writer could compare the context they are studying to other contexts to help see what might be missing.

Questions to help the writer perform analysis on what could be added?

If the writer is performing critical analysis in a context where the previously discussed categories might not apply, “What is Critical Analysis?” by The University of Bradford offers a broad framework for critical analysis that can be applied beyond topics relevant to writing, reading, and communication. The University of Bradford describes critical analysis as part of the process that includes: “description,” “analysis,” and “evaluation” (2). For description, it suggests that writers focus on answering questions starting with “what”, “where”, “who”, and “when” (2). For the analysis stage, it suggests answering “how”, “why”, and “what if?” (2). Evaluation includes “so what?” and “what next?” Writers can use the categories outlined here to perform critical analysis that adds depth, texture, and details to thoughts and observations.

Works Cited

Downs, Douglas, and Elizabeth Wardle. “Teaching about writing, righting misconceptions:(Re)envisioning” first-year composition” as” Introduction to Writing Studies”.” College composition and communication (2007): 552-584.

Kang, Miliann, Donovan Lessard, Laura Heston, and Sonny Nordmarken. Introduction to Women, Gender, and Sexuality Studies . UMassAmherst Libraries, Pressbooks.

Pigg, Stacey. “Coordinating constant invention: Social media’s role in distributed work.” Technical Communication Quarterly 23.2 (2014): 69-87.

Slattery, Shaun. “Technical writing as textual coordination: An argument for the value of writers’ skill with information technology.” Technical Communication 52.3 (2005): 353.

Slattery, Shaun. “Undistributing work through writing: How technical writers manage texts in complex information environments.” Technical Communication Quarterly 16.3 (2007): 311-325.

Thelin, William. Writing Without Formulas. Second edition. Cengage, 2009. “What is Critical Analysis?” Academic Skills Advice. The University of Bradford. Accessed 17 October 2019.

Attributions

“6.7 What Is Critical Analysis?” is licensed under CC BY-NC-SA 4.0 / A derivative from the original work by Julie A. Townsend

Academic Writing: Critical Thinking & Writing

• Academic Writing
• Planning your writing
• Structuring your assignment
• Critical Thinking & Writing
• Building an argument
• Reflective Writing
• Summarising, paraphrasing and quoting

Critical Thinking

One of the most important features of studying at university is the expectation that you will engage in thinking critically about your subject area. 

Critical thinking involves asking meaningful questions concerning the information, ideas, beliefs, and arguments that you will encounter. It requires you to approach your studies with a curious, open mind, discard preconceptions, and interrogate received knowledge and established practices.

Critical thinking is key to successfully expressing your individuality as an independent learner and thinker in an academic context. It is also a valuable life skill. 

Critical thinking enables you to:

• Evaluate information, its validity and significance in a particular context.
• Analyse and interpret evidence and data in response to a line of enquiry.
• Weigh-up alternative explanations and arguments.
• Develop your own evidence-based and well-reasoned arguments.
• Develop well-informed viewpoints.
• Formulate your own independent, justifiable ideas.
• Actively engage with the wider scholarship of your academic community.

Writing Critically

Being able to demonstrate and communicate critical thinking in your written assignments through critical writing is key to achieving academic success. 

Critical writing can be distinguished from descriptive writing which is concerned with conveying information rather than interrogating information. Understanding the difference between these two styles of academic writing and when to use them is important.

The balance between descriptive writing and critical writing will vary depending on the nature of the assignment and the level of your studies. Some level of descriptive writing is generally necessary to support critical writing. More sophisticated criticality is generally required at higher levels of study with less descriptive content. You will continue to develop your critical writing skills as you progress through your course.

Descriptive Writing and Critical Writing

• Descriptive Writing
• Critical Writing
• Examples of Critical Writing

Descriptive writing demonstrates the knowledge you have of a subject, and your knowledge of what other people say about that subject.  Descriptive writing often responds to questions framed as ‘what’ , ‘where’ , ‘who’ and ‘when’ .

Descriptive writing might include the following:

• Description of what something is or what it is about (an account, facts, observable features, details): a topic, problem, situation, or context of the subject under discussion.
• Description of where it takes place (setting and context), who is involved and when it occurs. 
• Re-statement or summary of what others say about the topic.
• Background facts and information for a discussion.

Description usually comes before critical content so that the reader can understand the topic you are critically engaging with.

Critical writing requires you to apply interpretation, analysis, and evaluation to the descriptions you have provided. Critical writing often responds to questions framed as ‘how’ or ‘why’ . Often, critical writing will require you to build an argument which is supported by evidence. 

Some indicators of critical writing are:

• Investigation of positive and negative perspectives on ideas
• Supporting ideas and arguments with evidence, which might include authoritative sources, data, statistics, research, theories, and quotations
• Balanced, unbiased appraisal of arguments and counterarguments/alternative viewpoints
• Honest recognition of the limitations of an argument and supporting evidence
• Plausible, rational, convincing, and well-reasoned conclusions 

Critical writing might include the following:

• Applying an idea or theory to different situations or relate theory to practice. Does the idea work/not work in practice? Is there a factor that makes it work/not work? For example: 'Smith's (2008) theory on teamwork is effective in the workplace because it allows a diverse group of people with different skills to work effectively'.
• Justifying why a process or policy exists. For example: 'It was necessary for the nurse to check the patient's handover notes because...'
• Proposing an alternative approach to view and act on situations. For example: 'By adopting a Freirian approach, we could view the student as a collaborator in our teaching and learning'. Or: 'If we had followed the NMC guidelines we could have made the patient feel calm and relaxed during the consultation'.
• Discussion of the strengths and weaknesses of an idea/theory/policy. Why does this idea/theory/policy work? Or why does this idea not work? For example: 'Although Smith's (2008) theory on teamwork is useful for large teams, there are challenges in applying this theory to teams who work remotely'. 
• Discussion of how the idea links to other ideas in the field (synthesis). For example: 'the user experience of parks can be greatly enhanced by examining Donnelly's (2009) customer service model used in retail’.
• Discussion of how the idea compares and contrasts with other ideas/theories. For example: ‘The approach advocated by the NMC differs in comparison because of factor A and factor C’.
• Discussion of the ‘’up-to-datedness” and relevance of an idea/theory/policy (its currency). For example: 'although this approach was successful in supporting the local community, Smith's model does not accommodate the needs of a modern global economy'. 
• Evaluating an idea/theory/policy by providing evidence-informed judgment. For example: 'Therefore, May's delivery model should be discontinued as it has created significant issues for both customers and staff (Ransom, 2018)'.
• Creating new perspectives or arguments based on knowledge. For example: 'to create strong and efficient buildings, we will look to the designs provided by nature. The designs of the Sydney Opera House are based on the segments of an orange (Cook, 2019)'. 

Further Reading

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Critical thinking and writing: critical writing.

• Critical Thinking
• Problem Solving
• Critical Reading
• Critical Writing
• Presenting your Sources

Common feedback from lecturers is that students' writing is too descriptive, not showing enough criticality: "too descriptive", "not supported by enough evidence", "unbalanced", "not enough critical analysis". This guide provides the foundations of critical writing along with some useful techniques to assist you in strengthening this skill. 

Key features of critical writing

Key features in critical writing include:

• Presenting strong supporting evidence and a clear argument that leads to a reasonable conclusion. 
• Presenting a balanced argument that indicates an unbiased view by evaluating both the evidence that supports your argument as well as the counter-arguments that may show an alternative perspective on the subject.
• Refusing to simply accept and agree with other writers - you should show criticality towards other's works and evaluate their arguments, questioning if their supporting evidence holds up, if they show any biases, whether they have considered alternative perspectives, and how their arguments fit into the wider dialogue/debate taking place in their field. 
• Recognizing the limitations of your evidence, argument and conclusion and therefore indicating where further research is needed.

Structuring Your Writing to Express Criticality

In order to be considered critical, academic writing must go beyond being merely descriptive. Whilst you may have some descriptive writing in your assignments to clarify terms or provide background information, it is important for the majority of your assignment to provide analysis and evaluation. 

Description :

Define clearly what you are talking about, introduce a topic.

Analysis literally means to break down an issue into small components to better understand the structure of the problem. However, there is much more to analysis: you may at times need to examine and explain how parts fit into a whole; give reasons; compare and contrast different elements; show your understanding of relationships. Analysis is to much extent context and subject specific.

Here are some possible analytical questions:

• What are the constituent elements of something?
• How do the elements interact?
• What can be grouped together? What does grouping reveal?
• How does this compare and contrast with something else?
• What are the causes (factors) of something?
• What are the implications of something?
• How is this influenced by different external areas, such as the economy, society etc (e.g. SWOT, PESTEL analysis)?
• Does it happen all the time? When? Where?
• What other factors play a role? What is absent/missing?
• What other perspectives should we consider?
• What if? What are the alternatives?
• With analysis you challenge the “received knowledge” and your own your assumptions.

Analysis is different within different disciplines:

• Data analysis (filter, cluster…)
• Compound analysis (chemistry)
• Financial statements analysis
• Market analysis (SWOT analysis)
• Program analysis (computer science) - the process of automatically analysing the behaviour of computer programs
• Policy Analysis (public policy) – The use of statistical data to predict the effects of policy decisions made by governments and agencies
• Content analysis (linguistics, literature)
• Psychoanalysis – study of the unconscious mind.

Evaluation : 

• Identify strengths and weaknesses. 
• Assess the evidence, methodology, argument etc. presented in a source. 
• Judge the success or failure of something, its implications and/or value.
• Draw conclusions from your material, make judgments about it, and relate it to the question asked. 
• Express "mini-arguments" on the issues your raise and analyse throughout your work. (See box Your Argument.)
• Express an overarching argument on the topic of your research. (See Your Argument .)

Tip: Try to include a bit of description, analysis and evaluation in every paragraph. Writing strong paragraphs can help, as it reminds you to conclude each paragraph drawing a conclusion. However, you may also intersperse the analysis with evaluation, within the development of the paragraph. 

Your Argument

What is an argument?

Essentially, the aim of an essay (and other forms of academic writing, including dissertations) is to present and defend, with reasons and evidence, an argument relating to a given topic. In the academic context argument means something specific. It is the main claim/view/position/conclusion on a matter, which can be the  answer to the essay (or research) question . The development of an argument is closely related to criticality , as in your academic writing you are not supposed to merely describe things; you also need to analyse and draw conclusions.

Tips on devising an argument

• Try to think of a clear statement. It may be as simple as trying to prove that a statement in the essay title is right or wrong. 
• Identify rigorous evidence and logical reasons to back up your argument. 
• Consider different perspectives and viewpoints, but show why your argument prevails. 
• Structure your writing in light of your argument: the argument will shape the whole text, which will present a logical and well-structured account of background information, evidence, reasons and discussion to support your argument.
• Link and signpost to your argument throughout your work. 

Argument or arguments?

Both! Ideally, in your essay you will have an overarching argument (claim) and several mini-arguments, which make points and take positions on the issues you discuss within the paragraphs. 

• ACADEMIC ARGUMENTATION This help-sheet highlights the differences between everyday and academic argumentation
• Argument A useful guide developed by The Writing Center, University of North Carolina at Chapel Hill.

Useful resources

Learning Development, University of Plymouth (2010). Critical Thinking. University of Plymouth . Available from  https://www.plymouth.ac.uk/uploads/production/document/path/1/1710/Critical_Thinking.pdf  [Accessed 16 January 2020].

Student Learning Development, University of Leicester (no date). Questions to ask about your level of critical writing. University of Leicester . Available from  https://www2.le.ac.uk/offices/ld/resources/writing/questions-to-ask/questions-to-ask-about-your-level-of-critical-writing  [Accessed 16 January 2020].

Workshop recording

• Critical thinking and writing online workshop Recording of a 45-minute online workshop on critical thinking and writing, delivered by one of our Learning Advisers, Dr Laura Niada.

Workshop Slides

• Critical Thinking and Writing
• << Previous: Critical Reading
• Next: Presenting your Sources >>
• Last Updated: May 5, 2023 10:54 AM
• URL: https://libguides.westminster.ac.uk/critical-thinking-and-writing

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Critical Frameworks for Literary Analysis

There are numerous approaches for developing your engagement with any literary text.

Looking Inside the Text

In the past, literary critics would often focus mainly on evaluating a text’s principle elements and execution. Perhaps you had a class in the past that focused on how an author used literary elements to generate an effect for readers. And, perhaps, your class evaluated whether the messaging of the text was successful or convincing. Such evaluations of the artistry of a work of literature—its use of language, turns of phrases, or poesy; its patterning, imagery, themes, plotting—took on more formal assessments of organizing principles, such as a work’s structure (see, new criticism, semiotics, structuralism, or deconstructive criticism). If you’ve ever had a class assignment ask you to think about how the parts of a literary text made you arrive at an inference or made you generate an emotional or rational reaction, you’ve probably been asked to look inside the text for a cause that created the effect on you, the reader. Yet, even when considering literature as you would any writing using rhetorical moves (ethos, logos, pathos), the stress on readerly responses (see, reader response criticism) or the messaging’s credibility and authority requires an awareness of factors outside the text.

Looking Outside the Text

If you’ve compared an author’s life events to the contents of their literary work, you’ve been thinking about contexts and looking outside the text. There is, however, far more than simply biographical readings of literature. Interdisciplinary approaches from cultural studies, economics, history, philosophy,  psychology, political science, and other sciences (see eco-criticism) produce distinct critical frameworks for analyzing literature differently than only considering the person’s name that is attached to text. An author, not unlike the texts they produce, belongs to particular historical and cultural circumstances—not just their own personal experiences—and might reflect, affirm or challenge the prevailing assumptions of their time. Similarly, the original readership may have participated in a common community as the author or bring their own intersectionality to a text. If you’ve ever thought about an historical event or movement that might have influenced a text, you were historicizing that text by being aware of its historical moment of production. If you’ve ever had a class assignment ask you to try to imagine (or research) the reaction of a past audience, you’ve taken into account that texts elicit different responses as they find new audiences. Furthermore, if you’ve ever compared a director’s cut of a film to its theatrical release, you’ll realize the production of any text involves often unrecognized or uncredited agents influencing a text’s composition or distribution perhaps more directly than, say, the political climate. To effectively perform a critical reading of a text in relation to its contexts requires looking both outside and inside the text.

Critical Frameworks

Critical approaches to a text usually deploy a particular concept or set of concepts derived from literary theory or an interdisciplinary critical approach. Depending on the critical approach(es) or an analysis’s methodology, different aspects of any text become the focus. By using a critical approach readers can ask new questions of what is inside the text by thinking about factors outside the text. The framework of ideas, important literary elements, and how you then synthesize your inquiry will guide you to ask particular questions of the text—and, if researching further, will guide you to locate distinct source material, primary and secondary.

Also see Posing Questions of Literature and Literary Theory .

Writing About Literature Copyright © by Rachael Benavidez and Kimberley Garcia is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Microsoft 365 Life Hacks > Writing > How you can use AI to help you learn more about poetry

How you can use AI to help you learn more about poetry

Whether you’re a beginning writer, a literary award winner, or a curious reader, there’s always something more to learn about poetry—a writing genre that encompasses thousands of cultures and years. See how AI tools can generate writing prompts that can spark creativity, analyze existing works for powerful metaphors and themes, or generate comparable works in different poetic styles.

Ask AI for creative writing prompts

The beauty of creative writing is that anything can be used as a jumping-off point for a beautiful work. Use AI-powered tools to generate creative writing prompts such as a random phrase, a full line of poetry, or a set of words that can be connected into a unified work. All of these can be used as a starting point for writing poetry: you can challenge students to flex their creative muscles and see what kind of interesting and unusual angles that this work can lead to.

AI for poetry analysis

AI can be used for poetry analysis, no matter what style you’re exploring. The lengthy narratives of epic poetry , for example, can seem dense and daunting at first. But by asking AI to analyze a work for theme, tone, imagery, and other literary devices, you can discover meanings and clues to what a line might hold, how effective the work is at conveying its themes, and gain a deeper understanding of the mechanics of poetry.

If you’re looking to analyze your own work, AI tools can provide feedback on areas like grammar, syntax, and the voice of your narrator. This can help you discover hidden or subtle meanings that you may have never thought of before! Once you put another perspective on your own creative work, you might even wind up with a breakthrough in your own themes and message.

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Understand different poetic forms with AI-generated examples

You can easily explore poetic forms with AI by drawing upon it to provide examples of various forms. Many writers know what a haiku is, for example, but do you know what a ghazal or pantoum is?

In a ghazal, each couplet ends on the same word or phrase, and is preceded by the couplet’s rhyming word—notice how the couplets end with the first few lines of Aimee Nezhukumatathil’s “Red Ghazal:”

I’ve noticed after a few sips of tea, the tip of her tongue, thin and red with heat, quickens when she describes her cuts and bruises—deep violets and red.

The little girl I baby-sit, hair orange and wild, sits splayed and upside down on a couch, insists her giant book of dinosaurs is the only one she’ll ever read.

The night before I left him, I could not sleep, my eyes fixed on the freckles of his shoulder, the glow of the clock, my chest heavy with dread.

And in a pantoum, the second and fourth lines of each stanza are used as the first and third lines of the next one, and poems usually have four to five stanzas—such as in A.E. Stallings’ “Another Lullaby for Insomniacs:”

Sleep, she will not linger: She turns her moon-cold shoulder. With no ring on her finger, You cannot hope to hold her. She turns her moon-cold shoulder And tosses off the cover. You cannot hope to hold her: She has another lover. She tosses off the cover And lays the darkness bare. She has another lover. Her heart is otherwhere. She lays the darkness bare. You slowly realize Her heart is otherwhere. There’s distance in her eyes. You slowly realize That she will never linger, With distance in her eyes And no ring on her finger.

Asking AI what either of these forms is, and providing examples, can help you unlock new and unusual poetic forms. And when you ask AI to rewrite an existing work into a new poetic form, you might gain insight into how these phrasings, stanzas, and couplets work. These tools can enhance and supplement your creative writing process.

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Baltimore bridge collapse: a bridge engineer explains what happened, and what needs to change

Associate Professor, Civil Engineering, Monash University

Disclosure statement

Colin Caprani receives funding from the Department of Transport (Victoria) and the Level Crossing Removal Project. He is also Chair of the Confidential Reporting Scheme for Safer Structures - Australasia, Chair of the Australian Regional Group of the Institution of Structural Engineers, and Australian National Delegate for the International Association for Bridge and Structural Engineering.

Monash University provides funding as a founding partner of The Conversation AU.

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When the container ship MV Dali, 300 metres long and massing around 100,000 tonnes, lost power and slammed into one of the support piers of the Francis Scott Key Bridge in Baltimore, the bridge collapsed in moments . Six people are presumed dead, several others injured, and the city and region are expecting a months-long logistical nightmare in the absence of a crucial transport link.

It was a shocking event, not only for the public but for bridge engineers like me. We work very hard to ensure bridges are safe, and overall the probability of being injured or worse in a bridge collapse remains even lower than the chance of being struck by lightning.

However, the images from Baltimore are a reminder that safety can’t be taken for granted. We need to remain vigilant.

So why did this bridge collapse? And, just as importantly, how might we make other bridges more safe against such collapse?

A 20th century bridge meets a 21st century ship

The Francis Scott Key Bridge was built through the mid 1970s and opened in 1977. The main structure over the navigation channel is a “continuous truss bridge” in three sections or spans.

The bridge rests on four supports, two of which sit each side of the navigable waterway. It is these two piers that are critical to protect against ship impacts.

And indeed, there were two layers of protection: a so-called “dolphin” structure made from concrete, and a fender. The dolphins are in the water about 100 metres upstream and downstream of the piers. They are intended to be sacrificed in the event of a wayward ship, absorbing its energy and being deformed in the process but keeping the ship from hitting the bridge itself.

The fender is the last layer of protection. It is a structure made of timber and reinforced concrete placed around the main piers. Again, it is intended to absorb the energy of any impact.

Fenders are not intended to absorb impacts from very large vessels . And so when the MV Dali, weighing more than 100,000 tonnes, made it past the protective dolphins, it was simply far too massive for the fender to withstand.

Read more: I've captained ships into tight ports like Baltimore, and this is how captains like me work with harbor pilots to avoid deadly collisions

Video recordings show a cloud of dust appearing just before the bridge collapsed, which may well have been the fender disintegrating as it was crushed by the ship.

Once the massive ship had made it past both the dolphin and the fender, the pier – one of the bridge’s four main supports – was simply incapable of resisting the impact. Given the size of the vessel and its likely speed of around 8 knots (15 kilometres per hour), the impact force would have been around 20,000 tonnes .

Bridges are getting safer

This was not the first time a ship hit the Francis Scott Bridge. There was another collision in 1980 , damaging a fender badly enough that it had to be replaced.

Around the world, 35 major bridge collapses resulting in fatalities were caused by collisions between 1960 and 2015, according to a 2018 report from the World Association for Waterborne Transport Infrastructure. Collisions between ships and bridges in the 1970s and early 1980s led to a significant improvement in the design rules for protecting bridges from impact.

Further impacts in the 1970s and early 1980s instigated significant improvements in the design rules for impact.

The International Association for Bridge and Structural Engineering’s Ship Collision with Bridges guide, published in 1993, and the American Association of State Highway and Transporation Officials’ Guide Specification and Commentary for Vessel Collision Design of Highway Bridges (1991) changed how bridges were designed.

In Australia, the Australian Standard for Bridge Design (published in 2017) requires designers to think about the biggest vessel likely to come along in the next 100 years, and what would happen if it were heading for any bridge pier at full speed. Designers need to consider the result of both head-on collisions and side-on, glancing blows. As a result, many newer bridges protect their piers with entire human-made islands.

Of course, these improvements came too late to influence the design of the Francis Scott Key Bridge itself.

Lessons from disaster

So what are the lessons apparent at this early stage?

First, it’s clear the protection measures in place for this bridge were not enough to handle this ship impact. Today’s cargo ships are much bigger than those of the 1970s, and it seems likely the Francis Scott Key Bridge was not designed with a collision like this in mind.

So one lesson is that we need to consider how the vessels near our bridges are changing. This means we cannot just accept the structure as it was built, but ensure the protection measures around our bridges are evolving alongside the ships around them.

Second, and more generally, we must remain vigilant in managing our bridges. I’ve written previously about the current level of safety of Australian bridges, but also about how we can do better.

This tragic event only emphasises the need to spend more on maintaining our ageing infrastructure. This is the only way to ensure it remains safe and functional for the demands we put on it today.

• Engineering
• Infrastructure
• Urban infrastructure
• container ships
• Baltimore bridge collapse

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