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W hen we think of movies, we usually think of the actors, plot, and cinematography – but what about the music? The soundtrack and score can be just as important as any other aspect of a film. Enter the film composer.  What does a composer do, and why are they important in filmmaking? In this blog post, we will be delving into the critical role of a film composer in movie production – from their job duties to how to become a film composer to finding film composer jobs online.

Watch: What is a Leitmotif — Storytelling with Music

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What is a Film Composer in Cinema?

First, let’s define film composer.

The film composer is responsible for creating the musical score to the movie. They are responsible for creating music that enhances the emotions, themes , and atmosphere of a movie. This entails a lot of collaboration and musical skill. Let’s look deeper at the film composer definition.

FILM COMPOSER DEFINITION

What is a film composer.

A film composer is a skilled musician responsible for creating the original musical score that accompanies a movie. They work closely with directors and producers to develop a soundtrack that enhances the film's emotional impact and supports its narrative. Their duties include composing, arranging, and conducting recording sessions with musicians or orchestras. 

Film composers draw upon their expertise in music theory, composition, and orchestration to craft memorable and effective scores. In essence, a film composer plays a vital role in shaping the cinematic experience by providing the emotional backbone of a film through their musical creations.

Film Composer Duties:

• Collaborating with directors to develop a concept
• Composing original music tailored to specific scenes 
• Arranging and orchestrating the composed music 
• Conducting recording sessions with musicians

Film Composer Job Description

What does a film composer do.

Music has always been an integral part of the cinematic experience, helping to shape emotions, enhance storytelling, and create unforgettable moments. At the heart of this process is the film composer, a talented artist responsible for crafting the musical landscape that accompanies a movie. 

A film composer's job duties and responsibilities are vast. They work with the director , editor, and sound designer to create music that fits with the film's themes, motifs , and emotional beats. Let’s take a closer look at their role and function within the filmmaking process.

Creative Process

The journey of a film composer begins with understanding the vision of the director and the overall mood and tone of the film. Through initial meetings and discussions, the composer gains valuable insights into the story, characters, and thematic elements. 

In this video, Hans Zimmer discusses how the iconic brass sounds in the score of Inception were written into the screenplay by Christopher Nolan . This collaboration between film composer and director is what results in iconic sounds and stories. 

How 'Dune' Composer Hans Zimmer Created the Oscar-Winning Score

With this information, they create mock-ups or sketches of musical ideas that can range from simple melodies to more complex arrangements. The composer then shares these ideas with the director, incorporating feedback and refining the music to align with the film's emotional arc.

Collaboration

A film composer's work goes beyond just composing music; it involves collaborating with other key members of the production crew, such as sound designers , editors , and producers . This collaboration ensures that the score complements the film's visuals, dialogue , and sound effects while staying true to the overall vision. 

Story informs so much of music (and vice versa) from character to setting to emotional themes. Collaboration is key to this. Check out our video on the leitmotif and how film composers utilize it to make impactful film scores .

4 Ways to Tell a Story With Film Music  •   Subscribe on YouTube

Regular communication and creative exchanges between the composer and the production team are crucial for achieving a seamless integration of the score into the film.

Score Development

Once the creative direction is set, the composer delves deeper into the score development process. This involves composing themes and motifs that represent different characters or situations, as well as background music that sets the mood for specific scenes. The composer meticulously crafts each piece of music, ensuring that it enhances the narrative and captivates the audience's emotions whether this is diegetic music , non-diegetic music , or original songs.

In this video, the legendary film composer Hans Zimmer who is responsible for creating some of the best film scores of all time discusses his process in developing a score and the differences between developing songs and scores.

Writing to picture with Hans Zimmer 

Recording and post-production.

The final stage in a film composer's process is recording the score with musicians or orchestras. This involves conducting the performers, capturing the nuances of each instrument, and creating a rich sonic tapestry. After recording, the composer works with sound engineers to mix and edit the music, ensuring that it blends seamlessly with the film's visuals and sound design . 

The score is then synchronized with the movie, completing the composer's contribution to the cinematic experience. Take a look at our video analysis of legendary composer John Williams to see the impact these scores have on iconic films. 

Mastering the Film Score: John Williams  •   Subscribe on YouTube

The role of a film composer is crucial because they can make or break a movie. The right music can transport the audience into the world of the film and amplify its emotional impact. Without a strong and fitting score, a movie could fall flat or fail to achieve its full potential. Thus, a skilled and talented film composer is an essential element in creating the final product.

Related Posts

• Best Movie Scores of All Time →
• Sound Editing vs Sound Mixing →
• What Does a Sound Designer Do? →

What is a Film Composer Career?

How to become a film composer.

Becoming a film composer is a dream for many musicians. However, it takes a lot of work. First, aspiring film composers need to have excellent music composition skills. They should also have extensive knowledge of music and be able to work with all types of instruments and styles. In this snippet of advice for aspiring film composers from composer Brian Tyler, he talks about the importance of understanding cinematic language.

Exclusive: Brian Tyler’s Advice for Aspiring Film Composers

Attending a formal degree in music composition or related field can help you acquire these skills. It's also important to network with people in the industry and take on as many music and film-related projects as possible.

Breaking into the world of film composition can be challenging. One way to get started is by finding an internship with a studio or with a composer. Other ways include seeking out opportunities with independent filmmakers or student filmmakers. Aspiring composers can also send their portfolios of work to music publishers, market them on social media, and attend industry events to build contacts and relationships.

In terms of future trends in film composition, technology plays an increasingly significant role. New software programs and digital audio workstations have revolutionized the way music is composed for the screen. Aspiring film composers can attend universities and colleges that offer courses in audio engineering and music technology to hone their skills in these areas.

From there, it's all about networking, gaining experience in the industry, and creating a portfolio. Participating in film festivals and competitions can be a great way to get your music heard and connect with industry professionals.

What is a Film Composer Paid?

Film composer salary.

According to Payscale.com, the average salary for a film composer is expected to be around $70,000 per year. Of course, this figure varies depending on experience, demand, and success in the industry. Composers who also perform or conduct their own music tend to earn a higher salary. However, money should not be the sole motivation for pursuing a career in film composition – a deep passion and love for music and film should be the driving force.

How to Become a Film Composer

Find film composer jobs.

Finding film composer jobs online or in life can be challenging, but not impossible. Networking and building relationships in the industry is key. Online communities such as film composer forums, social media groups, and job boards can be great places to find gigs and build your reputation. 

You can also reach out to production companies, music managers, and agencies for potential work opportunities. Attending film festivals, music conferences, or even industry mixers can also increase your visibility and networking potential.

A film composer plays a vital role in the overall impact of a movie by creating the music that enhances the emotional experience. Their work not only provides the perfect accompaniment to the visuals but also leaves a lasting impression on the audience. So next time you watch a film, take a moment to appreciate the composer's artistry and the magic they bring to the big screen.

Discover more filmmaking roles

Film composers are a vital role in using sound and music to tell immersive stories. To continue through our series of the various filmmaking roles and positions, you can explore similar jobs like sound designer , editor , or director . Or you can jump over to our Film Crew Index to browse the entire range of filmmaking roles. Understanding what everyone’s role on a film set is will help make you a better overall filmmaker and a more efficient crew member.

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How To Get Into Film Scoring (An Introduction For Beginners)

By: Author Jack Oberkirsch

Posted on Last updated: 06/06/2023

Categories Careers and Industry

Getting into film scoring is about research, education, developing your composing chops, and building a suitable home studio/composition setup. The best way to become a film composer is to work at it daily and make step-by-step goals that slowly lead to more substantial ones.

Getting Into Film Scoring

With all the different skill sets required for being a film composer, getting into film scoring can seem daunting. 

However, if you can identify what it takes to score a film and make goals to work at, you can become a confident and competent film composer.

Although it takes a serious investment of time, I have followed this process and gotten hired for several film scoring jobs, including a full-length feature film.

Today I will show you some tips, tricks, and strategies for getting into film scoring.

Diving Right In

Without wasting any time, let’s start breaking down the different focus areas in being a film score composer and how you can get started.

All this information may seem a bit overwhelming at first, but remember that the journey to being a great film scorer is about patience and slowly working at your goals day by day. 

Equipment Needed To Be Film Composer

First, let’s look at the gear you will need for your home studio to start learning how to compose for film. 

Thankfully, this list isn’t too long, and you don’t have to have the nicest equipment if you are just getting started. 

Here’s what you will need:

• Laptop/desktop computer
• DAW (Digital Audio Workstation)
• Headphones or studio monitors
• MIDI keyboard
• MIDI control surface 
• A microphone or two
• A few samples/virtual instruments to work with

There will be plenty of other gear you will want to add to your studio setup as you go. Still, the abovementioned kit is all you will need to get started. 

As far as a computer goes, you can use either a laptop or desktop as long as it is compatible with the type of DAW you plan on using. 

For example, you can only use Logic Pro on Apple devices since it is an Apple-exclusive product.

In film composition and music production in general, having a powerful computer is super helpful for running big projects with a bunch of plugins. 

With that said, if you are new to film scoring, you can get by as long as your computer has  at least  8GB of  RAM  (Random Access Memory).

Anything less than this, you will have enormous trouble running your DAW and using VST plugins/virtual instruments. 

Although you can get started with film scoring using a computer with only 8 GB of RAM, I recommend investing in a computer with something more like 16/32 GB. This will allow your computer to smoothly and efficiently run big project files with numerous plugins.

You can begin your film scoring journey with almost any computer, but you will want to think about investing in something with plenty of RAM if you are serious about film composition. 

Check out this complete guide to  building a computer for music production .

The next piece of gear that you will need is a digital audio workstation to compose and produce in. 

There are tons of different DAWs available, but some of the most popular amongst film composers are  Logic Pro ,  Cubase , and  Pro Tools .

Although these DAWs are some of the more industry-standard software film composers use, you can use any DAW with video compatibility to get into film scoring. 

For example, I use REAPER for film composition, although it is not the most popular DAW for film composers; in my opinion, it has all of the features you might need to score to film.

While it is definitely wise to learn an industry-standard DAW to get into film scoring, any DAW with video compatibility that you are comfortable using will be perfect for getting you started.

Headphones/Studio Monitors

Obviously, you won’t be able to write music for a film without hearing it, so the next piece of equipment you will need is a pair of headphones or studio monitors.

You are good to go if you already have means of monitoring music in your DAW. Still, I want to provide a couple of recommendations to those of you who do not. 

Keep in mind that the recommendations I’m giving here are on the low end as far as price goes since this is a beginner’s guide.

AKG Pro Audio K240

These AKG headphones are an excellent low-cost option if you need headphones in a pinch.

Sennheiser HD 280 PRO

The Sennheiser HD PRO series offers a decent pair of headphones for a reasonable price. 

Studio Monitors

KRK Rokit 5s

KRK Rokit 5s are a great option for studio monitors for music production/film composition beginners.

Yamaha HS5s

Yamaha HS5s are a reliable pair of speakers made by a well-known company.

MIDI Keyboard

Another essential piece of gear that you will need is a keyboard with MIDI compatibility to play virtual instruments and sample libraries. 

If you have an old keyboard lying around with a MIDI output jack (either USB or 5-pin MIDI), this will do the trick! If not, you will have to invest in one. 

Serious film composers will want a MIDI keyboard with  88 weighted keys ,  MIDI faders , and other controls. 

Still, a basic MIDI keyboard will be enough to get you going with film scoring if you are a beginner.

Here are a few low-cost recommendations for MIDI keyboards for film scoring beginners:

M-Audio Keystation 49 MK3

This MIDI keyboard from M-Audio has 49 keys and a few modulation controls. It is a great beginner keyboard.

Alesis Q49 

This Alesis MIDI keyboard also has 49 keys and a simple display/setup. Another excellent choice for a music production beginner.

Novation Launchkey 49 

The Novation Launchkey comes in at a bit of a higher price point than the other two options listed above but has quite a few more features such as MIDI pads, faders, etc.

It can be nice to have a top-of-the-line MIDI keyboard, but it is unnecessary; even a simple MIDI keyboard can get the job done!

MIDI Control Surface

The next piece of gear that you will want to invest in is a MIDI control surface. 

A MIDI control surface is a MIDI-compatible device with knobs and faders that you can use to modulate different parameters on virtual instruments such as dynamics, expression, vibrato, or almost anything else you want to control. 

This type of MIDI controller is essential for adding realism to orchestral samples.

Here are some options for a few decent MIDI control surfaces at a low cost:

Btuty Portable MIDI Controller

Although I have not heard much about this manufacturer, this MIDI control surface has decent reviews and a very low price.

Korg Nanokontrol 2

I recommend the Korg Nanokontrol 2 and believe it is an excellent MIDI controller; this is the MIDI control surface I am currently using.

Studiologic SL Mixface

The Studiologic SL Mixface is slightly more pricey than the other MIDI controllers. It does feature a lovely display and all of the features you would expect from a MIDI control surface.

If you do not have much money to invest in your setup, a MIDI control surface is one of the things that you can acquire later on. 

The most critical pieces of gear that you will need are a computer, a DAW, a pair of headphones/studio monitors, and a MIDI keyboard.

Microphones

Something else that you will want to add to your film composition equipment list is a decent microphone or two. 

While sampled/virtual instruments are an important part of the modern composer’s toolkit, microphones are essential for recording your own instruments and sounds which help you build your distinct style as a composer. You don’t want to rely only on other people’s sounds.

My end-all-be-all choice for a beginner instrument microphone is the  Shure SM57 . 

I still use these bad boys all the time in my productions, and they are available to you at a very reasonable price. 

Don’t get stuck only using sample library instruments. Create your own sounds! 

Virtual Instruments/Sample Packs

The last thing you want to acquire as a beginning film composer is a decent collection of virtual instruments and sample packs to use in your compositions.

In my opinion, Spitfire Audio makes the best cinematic sample libraries. 

Spitfire even offers a collection of free sampled instruments called  Spitfire LABS . 

On top of these sampled instruments being available to you for no charge, the LABS collection’s sounds are incredible!

Another source for some fantastic and free sampled instruments is  Native Instruments Komplete Start . 

This collection offers a ton of awesome sounds and samples at no cost.

While it may be necessary at some point to invest in some high-end sample libraries/instruments, these collections of free sounds are more than enough to get you started on scoring to film!

Education/Research

The next thing to focus on in your film scoring journey is some research and education that will help you learn what it takes to write music for film.

Let’s go over the different things you will need to learn to get into film scoring.

Music Theory

You don’t need to be a music theory expert to get into film scoring, but I do think it is essential to learn at least the basics. 

You will have trouble writing quality music and collaborating with other composers/musicians without a rudimentary knowledge of music theory.

You should be careful what information you choose to study, but there are some incredible free resources for music theory on the internet, YouTube especially!

Here is a list of some basic music theory concepts that you might want to know as a film scorer:

• Rhythm and timing
• The musical staff and how to read/write music at a basic level
• The circle of fifths (what it is and how you can use it)
• Musical dynamics
• Chords and building chord progressions
• Basic scales and intervals

Taking some time to learn the music theory fundamentals can do wonders for your composition skills. 

Arrangement

The arrangement is another definite topic of interest when learning about film composition and songwriting in general.

If you are a big movie watcher, you’ve probably noticed that different films feature different arrangements and instruments. 

For example, if you are watching a big Hollywood blockbuster, chances are the score will feature a vast orchestra, pounding percussion, and maybe even some electronic elements.

However, other films will feature a more stripped-down and raw score. 

Sometimes this is an intentional move, and sometimes it just has to do with the film’s budget.

It is important to watch films with different types of scores to study and analyze what other instruments sound like, when a composer might use them, and what they can do for a scene in a movie.

To be a good film composer these days, you must be able to tackle many different styles of music and musical arrangements. 

Of course, everyone has strengths and weaknesses, but it’s best to be adaptable in the film composition industry. 

Film Score Placement

This next topic involves simply watching movies and paying attention to when the score comes in, drops out, and what it does emotionally for the film’s story.

What scenes have music? What scenes did the director and composer decide to scoreless? Why did they make these decisions? 

The best way to learn how to score a film is by studying what the masters have already done and internally applying it to your film composing process. 

Although developing your own composing style and sound is pretty important, there is nothing wrong with learning from the greats.

The Business End

One of the most important things to learn about if you are serious about getting into film scoring is the business end of things. 

This might not come up until you are a few years or longer into your journey of getting into film composition, but it is important to know when the time comes.

Suppose you are starting to get offers to work on projects with big payouts and significant responsibilities on your end. In that case, it might be a good idea to start working with an agent. 

However, if you are just starting or working on small-time projects, you will probably be able to handle your own business as long as you are smart about it.

You must know what you are doing when writing music for someone’s film; you don’t want to lose the rights to your music or end up on the wrong side of an unfair deal. 

Mastering The DAW (Digital Audio Workstation)

Knowing how to compose and produce music using a DAW is almost completely necessary in modern film composition.

A DAW allows us to write music to moving pictures using live and sampled instruments and quickly and easily share scored scenes with the director/production team for review. 

This is much faster than writing a score on staff paper and playing it for your director on piano! 

Regarding what DAW you should use for getting into film scoring, this is  mostly  up to you as long as it supports video files and not just audio. 

Something to keep in mind, though, if you are serious about getting into film composition as more than just a hobby, is that some DAWs are more widely used in the film composition community and are more industry standard. 

For example, Logic Pro, Pro Tools, and Cubase are the most common DAWs used by film composers. 

With that said, you may want to learn one of these DAWs if you’re going to make a career in film composition or try to land a job assisting a composer. 

If you are unwilling to learn how to use a digital audio workstation to compose film music, you will likely fall behind in today’s industry. 

Practicing And Honing Your Composing Chops

Probably the most important thing to focus on when it comes to getting into film scoring/film composition is developing your composing/songwriting skills. 

The best way to do this is to write music and practice composing daily.

Unlike writing music on the side or for your own album, you must follow strict deadlines in film composition. 

Because of this, you need to be able to pump out music for a film score when the time comes; there’s no waiting around for inspiration.

Thankfully, if you take the time each day to practice writing music of different styles and instrumental arrangements, you will develop an ability to come up with musical ideas much easier than other musicians.

This will make it so that you can handle the intense workload that sometimes comes with writing a score for a film.

The only way to become a competent film composer is to practice and hone your composing/songwriting chops.

Film Scoring For Beginners

Here are some of the things to focus on if you are a beginner in film scoring:

• Educating yourself on common film composition tactics and strategies as well as at least a basic level of music theory     
• Researching other film scores by watching/analyzing films and applying this information to your music composition 
• Building up an adequate home studio/music composition setup
• Networking with local filmmakers and film composers to form working relationships
• Developing your composing and songwriting chops by practicing daily
• Mastering the art of working on music in a DAW (Digital Audio Workstation)

There are many aspects to becoming a good film composer, and they all take dedication and time to master. 

You cannot become a successful film composer if you are not patient enough to see it through.

How To Get Film Scoring Jobs

There is no set way to land a film scoring job. It’s part skill, part ambition, and part luck!

Here are some tips and tricks that I have used to land film scoring jobs:

• Use social media to share your music composition journey and build an audience of members of the filmmaking community.
• Attend local film festivals and try to form relationships with filmmakers and directors
• Record and release an album that encompasses your unique composition style to catch the ear of potential collaborators hopefully 
• Be bold and directly reach out to directors that you might like to work with (this is how I landed my first full-length feature film project)
• Get a job assisting an already successful film composer; this will help get you in the industry and on the path to doing your own scores.

Landing a gig scoring a film can take some serious time. Be patient and play your cards right and you will outlast the others and find success!

How Much Do Film Scorers Make?

While there is no standardized rate for scoring a film, the average salary for a full-time film composer ranges from about $20,000 on the low end to up to $500,000 on the top end. 

This is a vast range, and it mostly depends on the frequency and size of projects you work on.

Composers such as Hans Zimmer, Danny Elfman, John Williams, etc., make millions of dollars for a single score depending on the specific film. 

The film industry is competitive, and building up a viable income as a working film composer can take some serious time, development, and networking. 

That said, getting into film scoring is not for the faint of heart.

Do Composers Get Royalties?

Yes, composers receive royalties for their musical pieces in TV shows or films. These royalties are typically split 50/50 between the songwriter and the publisher. 

This has been a standard practice for quite a while and is one of the main ways composers can earn a living. 

Royalties make up a considerable portion of a composer’s income.

However, a recent trend has been reported by composers in which streaming services are trying to buy out musical rights and only pay a one-time fee on the front end with no royalties on the back end for film scoring jobs.

Although streaming services are dismissive about this taking place and argue that these deals are still fair, I believe that giving up the rights to our music is ultimately harmful to the composer community and will hurt our ability to earn a viable living in the long run.  

How Much Do TV Composers Make?

According to music lawyers Jeff and Todd Brabec, a composer can expect to make $277,500 in the first season of a one-hour network show, $330,000 in the second season, and up to $500,000 over three years in royalties if the show is successful.

However, most of this money does not come on the front end and is mainly paid in public performance royalties through a performance rights organization such as ASCAP, BMI, PRS, etc.

This is why we, as film composers and music producers need to retain the rights to our music that plays in film and TV.

How Hard Is It To Become a Film Scorer?

Becoming a film composer is not an easy task. It requires mastering several different skill sets and abilities. 

Not only this, but it also takes quite a lot of time (several years or more) to become a competent full-time film composer.

If you dream of scoring films and are looking into becoming a film composer, get ready to invest a lot of time and energy because it will not happen overnight! 

It will take years and years of hard work.

The most tried and true way to become a fully-fledged and successful film composer is to find a job assisting another film composer; this will sometimes mean re-locating to a hub city like Los Angeles, New York, or London.  

How Long Does It Take To Score a Film?

The short answer is; as long as you have. 

Being a successful film composer is about delivering a quality score for your director on time and budget. 

That said, sometimes you will land a scoring job on a film with a few years to work on it, and sometimes you will have a few weeks. 

This all depends on the specific production and its timeline.

Do You Need a Degree To Score Movies?

Having a degree in music composition can be helpful when it comes to scoring movies, but it is not necessary by any means.

This isn’t to say you can score a film successfully without any education. It’s just that there are other ways to go about learning, such as online resources and masterclasses, books written on the subject, apprenticeships under successful composers, etc. 

There are plenty of very successful film composers who do not have a music degree. For example, Hans Zimmer and Danny Elfman did not attend university for their musical studies. They found other ways to enrich themselves culturally and musically. 

There are huge benefits to attending university for music composition, but it is also not necessary for becoming a successful film composer. The most common way to become a successful and respected film composer is to get an apprenticeship/mentorship under an already successful composer.  

Is There a Demand For Composers?

Because the film industry is so competitive, I can’t say there is a massive demand for composers. 

Thankfully though, because of how many streaming services there are these days pumping out new content, there is more opportunity in film/TV composition these days than there ever has been. 

Although film composition is not an easy industry to tap into, it is possible to find your place in it if you are hardworking, determined, and highly patient. The best way to find success in something is to outlast the others! 

Do Film Composers Have Agents?

This depends on the success level of the film composer.

You might not need to work with an agent at an early stage in your career if negotiations are simple enough and the project isn’t too big.

However, once you reach a certain point, having an agent will definitely be the move. Agents don’t always find you work or propel your career that way, but they will go to bat for you and make sure you get a fair deal on any project offered to you.

How Do I Become a Netflix Composer?

Unfortunately, it’s not quite possible to just ‘become a Netflix composer.’ 

Becoming a successful composer in any regard is not an easy task and takes years of practice, determination, and hard work.

If you want to score a Netflix film, you will need to hone your composer chops, network with directors and filmmakers in the industry, and prove yourself as a competent film composer by getting a few score credits under your belt and maybe even finding an apprenticeship under a successful film composer.

With Netflix being one of the most popular streaming services, getting hired to score a Netflix film is not an easy or overnight task; a director whose movie will be on Netflix isn’t going to hire just anybody to write the score.

Why Is It Called a Film Score?

A musical score refers to a written piece of music. Therefore, a film score is a piece of music written to play in a film.

Film scores work to accompany the moving images of a movie. 

Related Questions

What qualifications do you need to be a film composer.

There are no official qualifications for becoming a film composer. It is much more about who you know and what you can bring to a film production team. 

While a degree in music composition can help one become a film composer, it is certainly not necessary. If you are a savvy and personable musician with a strong work ethic and sense of patience, you can potentially go far as a film composer.  

Is a Film Score Different From a Movie Soundtrack?

A film score refers to the instrumental music written for a film by a film composer specifically for that film. 

A soundtrack refers to the combination of a film’s score and any lyrical songs in the movie. 

Some films are more score-heavy while others feature more lyrical songs; this usually depends on the genre of the film.

Is Scoring a Film a Stressful Process?

There is no point in sugar-coating it. Scoring a film can be very stressful, depending on a few circumstances.

Timeline, workload, client relations, etc., all play a role in whether or not scoring a film will be stressful.

For example, I have worked on stress-free projects where I’ve had a whole year to develop a score. I’ve also worked on seriously stressful projects where I’ve had only a couple of weeks.

Being a good film composer is all about being ready to roll with the punches and get the job done. 

Who Are Some Of The Most Famous Film Composers?

Some of the most famous film composers are John Williams, Hans Zimmer, Danny Elfman, Trent Reznor, and Alan Silvestri.

Although there are countless famous film composers worldwide, these are some of the most renowned. 

Ready for more?! Check out this article discussing is music production hard ?

5 Month Composer Academy/Intensive

Want to make a career as a film composer? Discover our five-month intensive mentorship for composers that will open doors to the film industry. Limited to 20 Students. Our twice weekly training will have you scoring almost 4 times more video than any university program and includes complete business training and business plan. This is for composers that WANT TO WORK! Get off the NO PLAN, PLAN!

Learn from working Film Composers!

You will be training hands on with composers who actually are working. From 20th century harmony, midi mock-ups, and hybrid trailer and game scoring, we will train you in a way universities don’t do.  You will dive into a world of melodies, harmony, technology, and emotions as we guide you through the core of film and digital media composing. We take your success seriously!

Scorecraft Academy Overview From Our Director

5 month intensive begins july 15 (limited to 20 students).

Personalized mentorship and training including post course student business introductions

5 MONTH FILM SCORING INTENSIVE AND MENTORSHIP.

Our most comprehensive, program culminating in real world client pitches and acquisition., advanced film composer course in an encouraging atmosphere.

Discover an innovative  deep-learning program for film composers designed especially for those who live and love the world of music, film, and television, and digital media. If you want to make a professional career and want to do the work, there is no other program like this, and this deep. Many of our composers have gone on to score movies, episodic tv, video games and library music.

Our Highest Priority Is Getting You Trained To A Level Where You Can Work. We Even Start With Your First Introductions

We are the entry point to your ideal job as a film composer. Our 5-month Composer Academy/Intensive is an innovative film scoring course for music and film lovers who want to merge their passions. Our mentors are well-known film composers with decades of expertise who will walk you through their creative processes and strategies. Our program is available to people of various musical backgrounds. Come to us and let your creativity run free. Everyone has a different skill and our hope is to bring “your sound” out through the program and make you a unique voice in the scoring world!

Master Class From Successful Film Composers

Passion and affinity for music and film art.

Take your first steps and make this your profession with  renowned film composers with decades of experience  in the music industry and creators of memorable pieces in film and television.

This program gives you exclusive and  unique access to their creative process . They will teach you their film composition techniques, how they work, and how they create and select the piece to complement and give a touch of life to each scene. 

You will learn what inspires them, how they create harmony and  melody, and how they use notes and chords, so you can develop the necessary  skills and abilities  that will allow you to capture your inspiration and captivate the audience.

TRAINING PROGRAM FOR NEW TALENTS

Learning and breaking down scores from the masters.

It is a unique opportunity that each master class  breaks down one by one famous film  scores to unveil the techniques used by celebrities of the seventh art, such as  John Williams, James Newton Howard, Danny Elfman,  etc., so you can understand how musical pieces are created.

Discover how these greats have made you feel joy, sadness, anguish, panic, surprise, etc. when watching a scene. Then YOU will be using these techniques in your class scoring assignments

A Score to Picture Program

You will be scoring picure EVERY WEEK, with real world Hollywood scoring assignments and feedback.

This is an opportunity to polish and put talent into practice, with personalized advice and step-by-step follow-up so you can apply special techniques and make a career as a film composer.

Classes, advanced mentoring by professional composers, and personalized tutorials that complement online learning aim to train and inspire the next generation of the music, film, and television industry and guide them to follow their passion.

Bring out the full potential of your talent!

Enroll in Our 5-Month Composer Academy/Intensive!

Awaken your passion for music and movies by enrolling in a 5-month composition intensive course/academy that will launch you into the world of film composition. Our film scoring programs provide rare access to expert film composers, reveal the secrets of iconic film scores, and provide hands-on creative exercises. Regardless of musical background, this is your chance to produce remarkable tunes that convey emotion on screen.

UNIQUE HANDS-ON APPROACH

We take 5 months and get you ready.

Through masterclasses, participants gain:

Orchestration Coaching

Multiple weekly assignments to develop their creativity. Working alongside and with fellow classmates

Film Scoring

Business training and pitching.

Students will have the chance to connect with real clients within the industry to apply the knowledge acquired. This program ends with actual pitch sessions to real world clients

Music Composition Program

The training program unveils five months of intensive deep learning so that you can understand film composition techniques correctly and take advantage of the best technological resources and create realistic professional pieces using your computer.

Mastering Technology And Sample Based Scoring

Learn how to create realistic mock-ups and use advanced MIDI control of sample based instruments, including articulation mapping, MIDI CC control and controllers, template building, using the latest sample libraries.

Register Now (Filling Up Quickly)

Starting july. 15, 2024, intensive music composition course and mentorship, why pursue a career as a film composer.

Music lovers often have as their first goal to become singers and stars on stage. However, this is a short and tiring career that involves going from one place to another during long tours, spending hours inside a bus, and with the passing of time, possibly having fewer and fewer gigs. 

There is so much more in the music industry to explore! 

With a range of career options that allow them to develop and exploit their potential long-term, film composing is an ageless career constantly growing and demands new and fresh talent that can bring new ideas. 

Advantages of a Career as a Film Composer

Take Your Passion To The Next Level!

• It helps you tap into your ingenuity and creativity.
• You dont need to stop performing, if you dont want
• It’s a career that never gets old.
• The years serve to demonstrate your experience and gain recognition in the industry.
• The world needs music EVERY YEAR! There is WORK!
• It allows you to work from the comfort of your home.
• The Money is better than gigging and can create long term royalties.

What Will You Find In Each Class Of Our Music Composition Program?

Scoring to pictures, orchestration coaching, fundamentals of film composing, music composition and harmony techniques, practical guidelines for composing on instruments., creation of musical pieces based on film genres., teamwork skills, follow-up and personalized consulting, real work feedback and business training, using computers to create very realistic mockups, who can apply to the film scoring course.

This music composition program is aimed at people with a passion and vocation for music and film who are interested in learning how to create high-impact musical compositions capable of transmitting emotions that transcend the screen.

We are interested in musicians with diverse musical backgrounds not just people with composition degrees. The best digital media composers are usually ones with a creative production or music background. Music reading is not necessary, but we encourage non readers to begin the process.

• Start date: July 15, 2024
• Master class: 2 times per week
• Teaching method: LIVE online courses through Zoom
• Personalized mentoring: throughout program
• Duration: 5 months
• Students: limited to approx. 20

PART ONE - Chordal State Lecture

• Grounded states and examples
• Ungrounded states examples including altered tone degrees or dissonance.
• Lydian Mode “chord” – Root + Major Third + Flatted 5 th
• Augmented triad example
• Suspended triad
• Intervallic triad
• Spotify Listening – Film Score Intensive 1 playlist.
• Homework Session – Thor Love & Thunder cue

PART TWO - Spotting, Dialog, Scoring Devices

• Questions to ask at a Spotting Session
• Writing around dialogue
• Musical Devices – Key, Mode, Register, Tempo, Density, etc
• Review Michael’s Thor cue – introduction to the review process

PART ONE - Animated Scoring and intro to Harmonic textures

• Review of students’ Thor cue
• Can be a solo instrument, doubled in octaves, or unison at same register with different instruments.

Homework – Sonic the Hedgehog cue

PART ONE - Expanded Harmony and intro to comedy writing

• Chordal Harmony – melody is supported by chords, without countermelody or conter-rhythm, in its entirety.
• Onomatopoeia – music sounds like its subject – any musical device you can think of.
• Review of students’ Sonic cue
• Kids’ Music and Comedy – Types of writing – bumper-based shows, rock/pop, cheesy and sparse, short stings or reactionary scoring, electronic/EDM, classic lo-fi, instrumentation, etc.

Homework – Little Margo cue

PART TWO - THURSDAY-SCI FI Music, Chromatic Expansion and Hans Zimmer Music

• “How DUNE Composer Hans Zimmer created the Oscar-winning score l Vanity Fair” YouTube video
• Review of students’ Little Margo cue

PART ONE - Chromatic expansion, polyphonic texture, Sound design drones

• Polyphonic Writing , Orchestration Style – consists of two or more simultaneous melodic lines. Similar to fugues or counterpoint. Maybe side by side to start, then together.
• Spotify listening playlist – Polyphonic Harmony
• Chromatic Expansion – Take the top voice and go up chromatically while chords change underneath.
• Review students’ Little Margo cue
• Making a Drone using a Synth Plugin
• Homework – Mandalorian cue

PART TWO - Live Scoring “star Wars” Speed Writing

• LIVE Scoring session – Star Wars Carbonite – spotting and scoring
• Loopback sample setup

PART ONE - Modulations, secondary harmonic dominants, James Bond Music(SPY)

• “Kobe Bryant’s Greatest Speech – BEST Motivation Ever” YouTube video
• Review of students’ Mandalorian cue
• Secondary Harmonic Dominants (teoria.com) – method of prolongation of the chordal structure and movement to another chord or key, including false cadences.
• Spotting session – Golden Eye cue
• Spotify playlist – Bond Music – Spy music – review instrument palette and playing styles.

WEEK 5 PART TWO - Templates Intro including libraries, MIDI CC

• “John Barry and David Arnold – The Music of James Bond” YouTube video – music review
• MIDI CC’s – 1, 7, & 11 – how to get a quick and dynamic response from brass and strings.
• Michael shares a look at his Template and favorite Libraries.

PART ONE - James Newton Howard, Trailer music,

• “The Pretty Woman soundtrack changed my career / James Howard Newton on Composing” YouTube review.
• Review of students’ Golden Eye cue
• Promo – Station promotes a new show or episode coming up
• Trailer – written in shorter sections, not a lot of modulation or melody, with editable hit points, ostinato, swells, etc.
• Spotting session – Joker Trailer cue

PART TWO - Guest in depth dive of Vienna Ensemble and Midi mapping/articulations

Guest teacher Steve Steele – Creating Articulation Maps, Vienna Ensemble Pro, Babylon Waves Art Conductor, MIDI CC’s, creating a workflow and Aux’s in your Template in detail.

PART 1 - Sound Design,Reharm progressions, Motifs and themes

• Best chance of success in trailer music if you are good at sound design – more important than how good you are at orchestral music.
• Spotify listening playlist – Sound Design
• Incorporating Sound Design alongside Orchestral music in trailers, so you can hardly tell which is which. Strings and Synths made to sound like one thing – together.
• Review of students’ Joker Trailer cue
• Spotting session – Star Wars Return of the Jedi cue.

PART 2 - Reharm discussion including John Williams, Hybrid Brass

• vi-IV-II is a very powerful one, cinematic, gets you out of one key
• vi-IV-VII keeps building and overcoming.
• Variations: I-iv6-II Great for REVEALS with the last chord
• How to make a Hybrid Synth & Orchestral String instrument from scratch, including many FX plugins
• Star Wars Theme Reharmonization ideas

PART 1 - SATB Scoring, Homophonic textures, Musicals

• Homophonic Texture orchestration style – Melody with texture of chords underneath. SATB
• Review of students’ Star Wars Return of the Jedi cue.
• Homework – Lion King cue

PART 2 - Live Satb Scoring, Voice Leading In Film Scores

• LIVE Scoring – SATB
• “How to Get From Chord to Chord – Voice Leading Music Theory by Odd Quartet” YouTube video review
• “The Orchestration Method that ALWAYS Works by Ryan Leach” YouTube video review.

PART ONE - ADVENTURE MUSIC, Advanced Orchestral Devices

• Flying and Adventure music – instrumentation and characteristics
• Review of students’ Lion King cue
• Homework – Jurassic Park cue
• Bi-tonal division – ability to superimpose other modes over/under your melody
• Metric Modulation
• Melodic Counters
• Register Division
• Analysis of 1 minute of John Williams’ Jurassic Park Conductor’s score

PART 2 - Music Business Part 1, Music Libraries, Brand Development

• Analysis of Jurassic Journey to the Island
• Creating your own catalog, brand and unique perspective.
• Write a few paragraphs about your “Brand”.

PART ONE - Westerns And Their Traditional Orchestral Devices

• Review of students’ Jurassic Park cue
• The Good, The Bad and The Ugly
• Aaron Copland Heroic style, such as Billy the Kid
• Spotify listening playlist – Westerns FSS
• Spotting session – Butch Cassidy cue
• Review of Western music sample libraries

PART TWO - Writing Transitions, Vertical And Horizontal Compositional Syles

• Review students’ Jurassic Park cue
• Trumpet Transition sample
• Displaced Entry Transition
• Major 7 on the V chord Transition
• Rhythmic Displacement Transition

PART ONE - Orchestral Reductions, Holst Analysis And Uses

• Review students’ Butch Cassidy cue
• Holst: The Planets listening and review instrumentation and characteristics
• Dovetailing – when you move the melody or something up and down in register and section of the orchestra.
• Major Tetrachords
• Staggered triads in the Harp
• “The Planets: Mercury, the Winged Messenger Score Reduction and Analysis” YouTube video
• HOMEWORK – Spiderman cue

PART TWO - Invervalic Writing,in Class Score

• Two levels to Intervallic writing – Melody and Harmonization

LIVE scoring – write a melody with 2 woodwinds, with 4 changes in the melody, 4 intervals. Harmonize with another instrument underneath. Note change in emotion.

PART ONE - Hybrid Scoring Intro

• Review students’ Spiderman cue
• Hybrid Sound Design Music inspired by Songs
• Favorite plugins and libraries
• Spotting session – The Matrix lobby shootout cue
• Spotify listening playlist – Hybrid Scoring

PART TWO - Advanced Sound Design And Project Pitch Creation

• Stylus RMX and REX files
• Audio Mangling tools and favorite plugins
• LIVE scoring – Record something audio, chip it up, reverse, delays, distortion, glitches, etc. Make an instrument out of it.

PART ONE - Music Of Jerry Goldsmith, Sci Fi, Horror Music

• Review students’ The Matrix cue
• Horror music – instrumentation and characteristics, sample libraries
• Alien soundtrack by Jerry Goldsmith analysis
• Spotify listening playlist – Week 4 FSS Horror
• Spotting session – Prey (Predator 7) Final Battle Predator vs Naru Fight Scene cue

PART TWO - Mixing Part One

• EQ can be built into your Template. Every project may be different, though.
• Make a Bus/Aux Track for each plugin effect.
• Compression, Reverb, EQ etc. concepts and products
• How to Set Up a Master Bus

PART ONE - Atonal Music

• Review students’ Prey cue
• Uses shapes and colors outside key and mode.
• Doesn’t have to be dissonant all the time.
• Two ways to increase emotional intensity – speeding up or down, crescendo/decrescendo
• Homogenous instruments or Non-Homogenous instruments
• Spotting session – Mizimono cue (Hannibal season finale)
• Spotify listening playlist – Atonal Class Music
• 12-tone system of writing
• Use Intervals in dissonant shapes
• Alternate mild consonant interval to a more dissonant interval in succession

PART TWO - Switching States And Emotions Rapidly, Midi Mockup

• LIVE Scoring – Atonal to Tonal – Grounded to Ungrounded
• Adjusting CC’s on instruments, stems, leaving headroom on the master bus

PART ONE - Team Scoring Week, Bernard Hermann

• Spotify listening playlist – Film Score History – Bernhard Herman, Vertigo & Psycho film scores
• Review students’ Mizimono cue
• Some of the best film score composers today have teams – Hans Zimmer, Harry Gregson-Williams, etc.
• Who will write what? Style? Tempo? Key? Who will do the Deliverables to submit to Producer?
• HOMEWORK – Great Wolf Lodge cue

PART TWO - Stacks And Ensemble Writing, Master Business Planning

• LIVE Scoring – Make an Instrument by Stacking instruments – Omnisphere is great for this. Trailer music and music library work, and Pop – these will require that you bring something new to the table. Can turn them into Risers, resample them, add FX plugins, etc.
• Write a Master Plan – Don’t be on the No Plan Plan . Make a list of people, organizations, events, etc that you can access to promote yourself and make connections and relationships.

PART ONE - Computer Technology, Romantic Comedies

• Computer configuration – Tech spec discussion regarding requirements for a good computer or network – size, speed, etc.
• Review students’ Great Wolf Lodge TEAM cue
• Instruments, writing styles, sample libraries
• Woodwinds feature heavily, Pizzicato, Lydian mode, mallets, not super heavily orchestrated, etc
• Write a Romantic Theme for violin. Deliver a chart for just the violin part. Send audio of orchestration or accompaniment with separate click track. Next week, we’ll have a live violinist in the studio to play and record your theme.
• Spotify listening playlist – Romantic Comedy Score review
• HOMEWORK – Titanic cue

THURSDAY - LIVE RECORDING IN CLASS WITH STRING PLAYER

Part one - sync music,promo music, hits slams, drums.

• Review students’ Titanic cue
• Definite format to this style
• Big drum sounds
• Editable hit points
• Original music or Soundalikes
• How to get your music in front of the right people. Who are the right people? How does the business of Sync music work?
• Spotify listening playlist – PROMO Music/Sync playlist.
• HOMEWORK – Back to the Future cue

PART TWO - Trailer Music<,music Pitch Part Two

• BIG ending, fast and frantic
• Rise, Post Hit, then a sparkly thing at the end
• Samples Libraries good for Trailer sounds

PART ONE - Video Game Music And Industry

• Must loop right at the zero point and create a tiny fade at the front and the end. Snap to Zero Crossings.
• Emotional Mapping
• Vertical Resequencing, Horizontal Resequencing
• Cross Fading
• Transitions
• Middleware – Game Audio Engine
• Spotify listening playlist – Video Game Music Mix
• Spotting session – Video game cue “sections”. Deliver loopable audio regions for selected parts of the game.
• Review students’ Back to the Future cue

PART TWO - Advanced Chordal And Tectural Scoring Techniques

• Review students’ Bank to the Future cue
• LIVE Scoring – Leading Shapes, Whole Tone Scale – Go from Lydian shape to resolution, which needs to modulate somewhere else. Use Leading or Common Tone resolutions style.
• Two whole tone scales – one starting on C and one starting on C#. Triads are all Augmented triads. Lots of Lydian Shapes in the Whole Tone Scale.
• Leading Resolution
• Common Tone Resolution
• Alternate Root Notes

PART ONE - Mixing And Mastering

• How the Video Game music business works – special events, etc
• Review students’ Video Game loops
• Think front to back – far to close
• Where to put reverb plugin in the signal chain
• Frequency Masking
• Drum sample mixing
• HOMEWORK – Toy Story cue
• Students screenshare live and “show and tell” their mixing workflow for the Toy Story cue. Have DAW open to show us.

PART TWO - Guest Composer

• References for music given by Producers.
• Are most of your episodes shorter these days?
• Do you get writer’s block?
• What are some good ways to try to get work when you’re just starting out?
• Mixing Drums – Split them out and mix separately – LOTS of detail regarding drum positioning, panning, bleed, overhead mics, EQ ranges for each drum type, etc.

PART ONE - Personal Plan, Business Development, Final Full Episode

• Review students’ Toy Story cue and DAW Mixing/Mastering workflow
• Theme for each character
• ScoreCraft Academy Post Class Action Plan review
• 20 questions to answer in detail about what concrete things you will do within different timeframes to get you further along in your composing career

PART TWO - Speed Write

• Section vs Section of Orchestra contrast. Write one complete section of the orchestra by itself, not across sections, and write it into another section of the orchestra.

PART ONE - Synthesis

• Oscillators, Filters, Envelope Generator, Attack/Decay/Sustain/Release ADSR, Low Frequency Oscillator (LFO’s)
• Favorite analog synth plugins and hardware.

PART TWO - Getting Paid, deliverables, Live Sound Design Session

• Music Library Business format and payment process, royalties & publishing
• LIVE Scoring – Sound Design Synthesis – Learn to use an LFO. Write a 20 second Intro to a trailer.
• Omnisphere’s LFO – How to assign and use LFO’s

PART ONE - Brand Development, director Producer Interviews

• What is your BRAND? It’s more than just music. It’s your journey. Document your journey, and share it! Do it in a way that will inspire people.
• What will you bring to a project?
• Why am I right for the project?
• Michael interviews each student with the questions above.
• I’m an expert, not a jerk about it.
• I have a passion for music.
• I have a passion for the project.

PART TWO - Personal Development, Score Reductions

• Scherzo for Motorcycle and Orchestra score reduction and analysis Indiana Jones (NMK Music)
• Finlandia score reduction and analysis (NMK Music)
• Uncommon Sense for Creative People – Whitty-isms
• Submit “My Strengths and Weaknesses” paragraphs to Michael. Notice how they may have changed since the beginning of the class.
• No Zoom – just hanging together.
• “Alan Silvestri breaks down the composing workflow behind his blockbuster scores” (by Native Instruments) video
• “Watch this every day and change your life – Denzel Washington Motivational Speech 2023” by AlexKaltsMotivation video

Register Now! Our course is a FRACTION of the cost of a university program!!

Early registration discount is available., cost: $5000 normally $6500, secure your spot with a $500 deposit; full payment required by june 15.payment plan available through paypal (6, 12 or 24 month option), the class will start on july. 15, 2024., are you interested.

Register online and complete minimally your tuiton deposit to hold your spot. You will recieeve email confirmation

We get to know you

A friendly chat to tell us about your vocation, what inspires you, and what you hope for, and how to prepare for the program

Finalize tuition and training begins July 15

After the interview, you will be added to our roster and have access to preliminary training and will begin twice a week fomal training via Zoom July 15 

Enroll Now: Begin Your Musical Journey

Take the chance to transform your passion into a career. Enroll now in our 5-month composition intensive course/academy and start on a revolutionary musical adventure. 

Learn from the finest in the business, decode iconic soundtracks, and complete real-world composition assignments to combine your passion for music and movies. Our composer academy is here to cultivate your potential and assist you toward an exciting career in film composing, regardless of your musical background. Make music that transcends the screen by unleashing your creative genius. Your journey begins right now!

What Are You Waiting for to Start This Adventure?

Today is a great day to start making your dreams come true, have more questions.

Feel free to schedule a call with our academic advisor for further information.

• Copyright ©2024 scorecraftacademy.com

Composer (Television)

Also Called Television Composer, Film and TV Composer

Television composers write the themes, background score, and source music used in television shows. 

Career Communities

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• Recording Industry
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• Los Angeles
• New York City
• San Francisco Bay Area

What does a Composer (Television) do?

Like film composers , television composers use the language of music to help tell stories. Whether working on a drama, comedy, sci-fi, documentary, or reality show, the composer's job is to write music that heightens the action playing out on screen and enhances the emotional experience for the viewer.

While a television composer may be responsible for writing a show's theme—a memorable song or instrumental passage played at the beginning of each episode that evokes the show's mood—their primary responsibility is to write the score for each episode, which is made up of a number of short, discrete pieces called "cues." Cues vary in style and tone and are used to highlight specific moments: a car chase, for instance, or a love scene.

Besides the theme and the score, television composers might also create "source music," music that exists in the world of the show. Source music is much less common than background or themes, and often takes the form of original songs that characters hear played on the radio or performed by fictional bands.

Composing for television means being deeply attuned to story and character, and skilled enough to translate emotional and psychological nuances into effective musical soundtracks.

Compared to composing for film, wherein every creative decision is heavily weighed over the course of months, composing for TV is fast-paced and intense. Television shows with hefty production budgets hire composers to write custom scores for each episode, which means creating a tremendous amount of music in a relatively short time span. For half-hour shows a composer might deliver 10–20 minutes of music, while hour-long shows may require 20–40 minutes of music, week in and week out if the show is serialized.  As a result of these quick turnarounds, most television composers have a team, including a number of composer's assistants  and possibly an  orchestrator .  Television composers usually answer to producers and/or showrunners, and may also coordinate heavily with   music editors . In the recording process,  many composers also work as session conductors .

Not all television music is written by a television composer; m any productions opt to license themes and cues from music libraries, which are stocked with music in every style, written by freelance composers . In addition,  music supervisors  work independently to find and license pre-existing songs for use in their shows.

Read about my career

At a Glance

While the rise of streaming and explosion of cable and niche networks have created more demand for television music than ever before, the process for becoming a successful TV composer has remained mostly unchanged: work on lower budget series, demonstrate talent and professionalism, network, get a job on a slightly higher-budget show, and so on and so forth until one makes it to the mainstream.

Although creating the music for a TV show can be quite a different process than composing for film—with distinct budgets, needs, obstacles, and work cycles—the career paths are deeply interlinked. TV composers often write for film and vice versa, although many find that they prefer composing for one medium over the other. TV composers might also work as freelance composers , submitting music to libraries or writing for advertisements, or compose for a different visual medium, such as  video games .

Most TV composers do this job because they want to, not because they're aiming to advance to some other position. That being said,  TV composers who do well can open up a number of new opportunities for themselves outside of television, including film gigs or even touring productions based on their work ( Game of Thrones and Crazy Ex-Girlfriend are recent examples of this).

At the beginning of the career, one should seek to build a portfolio through whatever means necessary. It's common to work for little or no compensation on student films, web series, or similar projects in order to get those initial credits and demonstrate experience with the medium. From there, it's all about chaining together opportunities to maintain momentum. Aspiring composers should aim to create a website with samples of their music; make audio and video demo reels to send to television producers, showrunners, studios, libraries, and music supervisors; and network vigorously. 

While television composers are in-between shows, getting cues in music libraries such as  Killer Tracks ,  APM ,  Omnimusic , and  De Wolfe  can provide an additional source of income. 

• Composing themes and cues
• Music theory
• Orchestration
• General knowledge of instruments
• Experience composing for a visual medium
• Organization

Composing for television means being deeply attuned to story and character, and skilled enough to translate emotional and psychological nuances into effective musical soundtracks. In order to advance in the world of television, composers must be excellent networkers and self-marketers. Finally, it's important to be cool-headed, productive, and consistent under pressing deadlines. After all, even if the music doesn't always come easily, the show must go on.

One of the main benefits of composing for television rather than film is consistency. While a film composer might make a large one-time sum working on a major motion picture, that's no guarantee of future work. In comparison, if a television show does well, then its composer can expect to be employed for a number of years. The flip side is that television production cycles can be grueling; television composers who are composing for broadcast TV spend each season, which typically runs somewhere between 12 and 22 episodes, working very hard under tight, demanding deadlines.

However, even this is changing rapidly. As giants like Netflix and Amazon bankroll and release entire seasons in one go, t elevision composers today might compose music for the show as a whole rather than week to week. And, of course, the popular practice of binge-watching television—rather than viewing week to week—is also changing the medium, with a new emphasis on creating varied, but thematically cohesive scores. All in all, there's never been a better time to jump into this field.

Grow Your Network

The berklee boost.

Employers look for skills learned in the following Berklee programs.

Midi Film Scoring

Tips & Tutorials for Film and Game Composers

Find Film Scoring Jobs Online

See MFS’ affiliate disclosure  here .

Landing film scoring jobs is a lot easier in today’s digital age, even if living in LA isn’t an option. No matter where you are in the world, you can use the Internet as a tool to help you land online film scoring jobs, further your musical education, market yourself, and even transfer audio files to clients or “attend” job interviews via Skype. These days, you can even learn film scoring online from Hans Zimmer .

What’s more, the explosion of online videos, games, and apps has opened up an unlimited quantity of multimedia, sound design, and game audio jobs. (And the pandemic has created additional job opportunities for musicians, like teaching piano on Zoom .)

On the other hand, because the Internet levels the playing field, getting film scoring jobs online has become much more competitive than in days past. Your chances of success will depend largely on your ability to market yourself and keep a steady supply of film scoring gigs coming in.

The following guide offers a bird’s-eye view of some of the online film scoring jobs and opportunities available to film and game composers and how to find them, as well as some marketing tips for film and game composers. We’ll be updating this guide as we learn about new film scoring opportunities, so make sure to bookmark it and check back on occasion. If you have a pointer on how to find film scoring jobs or game composing work, drop it in the comments!

Create a Demo Reel

As a film or game composer, you’re being hired to create incidental music (film) and adaptive or interactive music (games and apps). You should strive to demonstrate this in your portfolio by syncing your cues to games, animations, trailers, or film clips rather than simply directing clients to “standalone” audio files.

It goes without saying that your demos should be your best work and as well-produced as possible. Create a diverse portfolio using the best samples you can afford. Sample libraries are expensive, but nowadays you can use a subscription-based service like Splice Sounds to download individual samples instead of being forced to purchase an entire pack. This is a great way to save money while still getting the exact sounds that you need to finish an arrangement. (Currently you can get a month’s worth of free samples from Splice when you use the promo code *MIDIFILM17*  and sign up here .)

Film Composer Job Boards: A Caveat

There are a few film composer job boards and membership sites floating around the Internet that require you to pay a fee to join. Be very cautious of investing your time and money in these types of sites, and always do some background research. If a simple Google search on the website in question doesn’t turn up any positive feedback, it’s probably best to avoid that site and focus instead on marketing your own website or apply to legitimate gigs elsewhere.

The Berklee Music Network has a quality gigs board, but you have to take an online course with Berklee to be granted access.

Film Scoring Gigs on Job Search Aggregators

Job opportunities for film and game composers and sound designers are sometimes posted on the following sites (you may wish to use keywords such as “telecommute” or “remote”):

• Film Score Jobs on Indeed (job search aggregator)
• Film Composer Jobs on Simply Hired (job search aggregator)
• Ad Hunt’r (search all of Craigslist)

Your search for film scoring jobs can be made easier if you automate the process by setting up Google Alerts for relevant keywords.

Contact the Right People

Contact production music libraries, game developers, indie filmmakers, animators, video production companies, and media agencies via forums, websites, and social media channels — just make sure you comply with CAN-SPAM and other anti-spam legislation. (For instance, don’t send cold emails to Canada or certain parts of the UK!). Be sure to send links to your website and never email attachments. Keep your messages brief and focus on serving the needs of your prospective clients.

Land Your First Film Scoring Job … Here’s How

A freelance bidding site is a platform where clients can post jobs and select from a pool of applicants who apply to the job, and the website takes a cut of the transaction. While nothing beats obtaining private clients through your own website and marketing efforts, freelance sites can be a way to pay the bills in the meantime (or land your very first composing gig).

Don’t let some of the low-paying clients scare you off: There are good gigs available on these sites from time to time, and you can land decent repeat clients if you persevere.

You don’t have to pay anything to create a freelancer account and apply to jobs, though there are premium plans available with more features, such as the ability to apply to more categories, apply to a greater number of jobs per month, and view stats (like how much your competitors are quoting for a job).

You can find a variety of work types on these sites: audio editing, mixing, producing, composing and jingle writing, recording, sound design, and even freelance writing for music-related publications.

I recommend picking just one of the following sites to focus on initially and creating a killer profile before you start applying to jobs:

• Upwork (formerly Elance/oDesk)
• PeoplePerHour

Composing for Production Music Libraries

You can get your music into films, shows, and TV and radio advertisements by licensing your tracks to a production music library. A music library is a company that represents a catalog of music (commonly referred to as production music, stock music, and sometimes “royalty-free” music) and serves as an intermediary between composers and media agencies. Some libraries are exclusive, some are non-exclusive, and others give you a choice.

If the company is exclusive, then that particular library will be the only company allowed to represent your music and pitch it to ad agencies and music supervisors. The advantage of this particular arrangement is that most libraries will pitch exclusive tracks before they pitch non-exclusive ones, because many clients do not want to purchase a cue that was synced to another ad or video.

If a library is non-exclusive, then you can submit the same track to multiple music libraries. This may be beneficial in the long term because you increase the number of outlets and opportunities for your music to be discovered.

Most libraries will not pay money upfront, but you can expect to earn royalties if your music gets placed.

While the topic of music libraries comes up a lot on film composing websites these days, it’s important to keep things in perspective: Library work is spec work, which is by definition a numbers game. It can take years to build up a large-enough portfolio to see any amount of significant results.

In time and with patience, some composers do see a substantial portion of their income come from library sales, but starting out, it’s better to look at it as a way of diversifying your portfolio as a composer while pursuing other (more reliably paying) opportunities.

If you plan to write for production music libraries, start building a catalog of genre-specific music that can be licensed to different media outlets. Create various lengths of your tracks (0:60, 1:30, etc.) and have both vocal (if applicable) and instrumental versions available.

Most-Requested Genres

• Cinematic orchestral cues
• Corporate video soundtracks (check out video production company websites and listen to their demos to get a sense of what sells)
• Upbeat and happy pop/rock
• Feel-good electropop
• Urban and energetic hip hop

Production Music Libraries List

When applying to production music libraries, don’t be afraid to contact the owners directly through the website as opposed to just signing up. Some production music libraries specialize in a specific type of music, such as movie trailers. Some libraries only work with established composers, and others are open to everyone. Also, libraries have different terms of use and licensing agreements, so be sure to review these carefully.

**The following list of production music libraries is intended to give you an idea of the variety that’s available. Be sure to do your own research before signing up!

• Music Dealers
• Killer Tracks
• AudioJungle
• Beatsuite.com
• Jingle Punks
• Audio Network

Score Short Films, Independent Features, and Web Series

Indie film and video creators are always looking for quality music scores to complement their productions. You can work with independent filmmakers who are producing their own features and pitching them to festivals all around the world, offering your music the opportunity for excellent exposure.

Scoring shorts can be a great way to form relationships with upcoming filmmakers (and add credits to your IMBD profile!). If you work with a talented director, there’s a good chance their film will gain some exposure and your name will get out to the industry.

There are lots of online message boards catering to video producers and indie filmmakers, so your best bet is to pick one or two, make a point of posting regularly, and work that forum sig!

Compose Music for Video Games and Apps

If you’re into gaming and your dream is to create the type of music that takes a game to the next level of awesomeness, then you’re in luck: The opportunity here is tremendous for qualified composers.

These days, video games and iOS/Android apps are constantly being developed and are in need of music to complete the developer’s vision. The best way to get started in the game industry is to build relationships with independent game and app developers.

You can use gamer resources like GamesIndustry.biz and Gamasutra to check on the latest games in development and research what kind of music they’re looking for.

Developers often work on a game or app for up to two or three years, and it’s important to approach them at the right time. Find the ones who are approximately a year into development and tell them you’re interested in working with them on their project. Most will employ you in a “work-for-hire” capacity, where you’ll be commissioned to compose for an agreed-upon fee, and the company will retain ownership of the music. Depending on the terms, you may or may not be credited for your work.

As a video game composer, you can either work for yourself as an independent contractor or seek employment with a company as a junior audio designer or something related.

Sound Designer Jobs

Most forms of media are in need of a suite of sound effects in addition to the musical score. While the composer’s job is to provide the music bed, the sound designer’s duty is to provide the unique sounds that complement and complete the project.

A production will have specific needs that require you to generate and manipulate sounds to be used as effects, whether to imply action or serve as an atmospheric soundscape.

You can locate these jobs by contacting post-production companies, game developers, and sound editors. Payment is usually on a work-for-hire, per-project basis.

Develop Samples for Sound Libraries

Composers in the digital age rely heavily upon sample libraries, virtual instruments, and other packaged sounds to enhance their MIDI mockups. Many producers and composers purchase royalty-free samples and use them as inspiration to create their own compositions. These samples are allowed to be used as part of a composition, as long as they aren’t played in isolation.

If you possess the suite of skills and the entrepreneurial spirit required to undertake such an ambitious task, you can build your own business around this insatiable appetite for new sounds (but be aware that this undertaking is not for the faint of heart!).

You can record your own samples, layer sounds, and create loops that match the vision for the library you want to create. Be sure to keep your samples meticulously labeled, with good naming conventions and a logical presentation.

Subsequently, contact the sample library retailers that work in your specific genre and pitch them your sound pack. You’ll be paid each time it’s sold through the sample company. In some cases, the company will want to buy your sound pack outright for a one-time fee.

Miscellaneous Gigs for Working Composers

While the following gigs are a bit more off the beaten path, they’re viable opportunities that the musically minded freelancer can do online. These can be regular side gigs or ways to earn a quick buck while you build up your credits.

Sell Your Sheet Music

You can offer your sheet music for sale on your website or via a publishing program (or both). If this is something you’re interested in, make note of the following tips:

Be the go-to person in your niche: Selling your sheet music can be a good source of extra income if you specialize in an unusual or rare niche, like medieval dance tunes for mandolin or Andean folkloric music for quena (a bit over the top, but you get the idea).

Build a YouTube following for your niche music: If you love to write ambient music or stunningly beautiful minimalistic piano pieces (think Ludovico Einaudi or Michael Nyman), set up a YouTube channel and play your tracks against aesthetically appealing visual backdrops. Build up a following and sell the sheet music or audio directly from your website or through a popular third-party platform like iTunes.

Publish your work on Amazon: You can offer digital and even print editions of your songbooks on Amazon, which offers a non-exclusive self-publishing program and royalties of “up to 80%.”

Join a digital publishing program: Another way to sell your sheet music is to join a digital publishing program with a reputable distributor. SheetMusicPlus.com, the world’s largest digital sheet music retailer, offers its Digital Print Publishing program , where you can self-publish your digital sheet music (and accompanying audio files, if you wish) on their highly popular site. You’re also permitted to submit fresh arrangements of public domain pieces. After you submit a certain number of pieces, they’ll even give you your own publisher page, kind of like an eBay storefront for composers!

This is a great place to put all those seasonal and other types of topical arrangements you’ve been cranking out, like Christmas music for concert band and so forth — the type of stuff that music teachers and grade school band directors would be all over.

The program is free and open to beginners, but each piece undergoes a short review and approval period by their staff to ensure it’s up to snuff. As of this writing, you earn 45% royalties per sale on the price you set for your music. Best of all, it’s a non-exclusive arrangement and you retain all rights to your work.

Of course, to see maximum results from the program, you’ll still need to market your work.

J.W. Pepper also has its My Score program , where you can “promote and sell your compositions through the world’s largest sheet music network.”

Finally, there’s ScoreExchange.com (previously SibeliusMusic.com), a big online marketplace for digital sheet music. This is also a great place to get full scores for free if you’re looking for a bit of fresh study material.

Transcribe or Copy Sheet Music

Music educators and performing artists often need tunes to be notated so they can hand out sheet music during classes, rehearsals, and performances. You can use industry-standard music notation software such as Sibelius or Finale to create professional scores and lead sheets (if you’re transcribing guitar music, use a professional guitar tablature editor ). Most of the time you’ll be paid a work-for-hire fee to transcribe a piece of music from a recording, video, or performance.

One way to get this type of work is to offer it as a service from your own website. For instance, if you have a lot of experience writing big band arrangements, you might offer your services transcribing circa-1930s recordings and tailoring them to the ensembles of your clients, who might be gigging musicians looking to add some rare classics to their repertoire of performances.

You can also find these types of gigs on freelance bidding sites as discussed earlier.

Offer Online Music Lessons

If you have a strong background in theory, harmony, composition, or even production, you can offer online lessons from your website. Lessons can be conducted via Skype with the help of desktop sharing software, and course materials and assignments can be transferred via email or Dropbox.

Write Articles and Blog Posts for Music-related Publications

Web-based publications need content to stay current, and lots of it. The sheer number of online publications creates a huge opportunity for composers and producers to write articles, tutorials, and reviews to be published on music and audio-related websites and blogs. If you’re a musician and a half-decent writer, you’re a prime candidate for these jobs.

With a lot of web-based writing jobs you’ll work as a ghostwriter, which means the client retains full rights to the work (i.e., can claim themselves as the author of the work, modify it, and so forth). In other cases, however, you may be offered a byline (a blurb containing a brief bio and perhaps a link to your website or social media account), which can be an immensely effective way to promote yourself.

Even if you’re already a working composer, you may wish to try out some of the side gigs covered above, such as teaching, writing, etc., to add some variety to your routine and refresh your creativity.

Get Flexible Work on Telecommuting-friendly Job Boards

If you’re interested in writing articles for music and audio publications (either for cash or to promote your own website), the ProBlogger job board has opportunities from time to time, many of which offer decent rates or a byline to promote yourself.

Another useful resource for professionals of all types looking for telecommuting and flexible work arrangements is FlexJobs . The website does charge a nominal membership fee ($14.95/month or $49.95/year) for use of their service, but their satisfaction guarantee means you can get a refund if you’re not satisfied.

FlexJobs has screening criteria that makes it difficult for the average Joe to post a job, so the quality of employers is generally of a higher standard than you sometimes see on these types of sites. Some FlexJobs employers offer full-time positions, benefits, and salaries.

FlexJobs makes it easy to filter for the job criteria you want according to category (e.g. Education & Training Jobs, Entertainment & Media Jobs, Writing Jobs), telecommuting level (e.g. “100% Telecommuting”), schedule (full-time, short-term, etc.), and more.

Alternately, you can use the site’s search feature to bring up listings in multiple job categories that contain your keyword, which might be something general, like “music,” or something more specific, like “theory teacher.”

For example, at the time of this writing I typed “music” into the search field and selected “All Telecommuting” as the telecommute level. Among the jobs listed were several online music teacher positions, a customer service job for an entertainment agency, various writing or copyediting gigs for online music publications, positions for music curriculum creators, and even graphic design and animation jobs for music-related projects.

By the way, if you have other skills that can be done online — say, web design, graphic design, content writing, or anything like that — this is a great place to find work, music-related or not, that allows you to stay flexible in terms of schedule and location so you can continue to pursue composing gigs.

Get More Gigs: Work on Your Web Presence

Make a professional website or blog that features your very best music and demonstrates your versatility as a composer. Use a music player that’s easily accessible from the homepage.

You have a couple of different options when it comes to setting up a website. The fastest and easiest route is to use a reputable free website building service such as Weebly or Wix (you can make a website for free and upgrade to better features as you need them); however, if you’re willing to get a little technical (or hire someone else to do the technical stuff for you), you may wish to consider setting up and hosting your own website for better long-term control of your assets. You’ll need a domain name and a host, and I also recommend installing WordPress and a premium theme.

Self-Hosting Resources

• Hostgator — affordable hosting service with good tech support (at the time of this writing, get 25% off your hosting package when you use the promo code MIDIFILMSC on checkout!)
• Namecheap — domain name registration at an unbeatable price
• WordPress.org — free open-source blogging and content management software to help you get your website up with little or no coding necessary (but you can edit the source code if you so choose)

WordPress Themes

• StudioPress — offers the powerful Genesis framework, which is optimized for ranking in the search engines, and a selection of child themes (my personal choice!)
• Elegant Themes (affiliate link)
• ThemeForest
• Mojo Themes

Marketing Your Film Composer Website

• Set up profiles on social media platforms such as LinkedIn and Twitter (make sure to Tweet regularly!).
• If you’re not on there already, get a SoundCloud account to showcase your work.
• Write guest posts for online music and audio publications in exchange for a link to your website. This is a great way to gain traffic and, in some cases, rankings.
• Keep a regularly updated blog on your website.
• Network in industry forums.
• In some cases cold emailing prospects can be the way to go, but be aware of anti-spam legislation.

Promote Your Music via Niche Internet Radio Stations

A lot of smaller, niche radio stations are on a budget and are constantly in need of fresh, quality music. Plus, they tend to cater to a small group of devoted followers who could become your devoted followers, too. You can either submit your music to these radio stations or purchase advertisements for your website or YouTube channel.

iTunes Radio , for example, has a large selection of Internet radio stations, which makes prospecting easy. You can search for radio stations by keyword. Continuing with our ambient piano music example from before, you could filter results with keywords like “ambient” or “spa,” listen to these radio stations, write down a list of stations to contact, and then navigate to the artist submissions section on their website.

Network at Composer Events, Conferences, and Seminars

Most gigs will come from the relationships you develop; therefore, interpersonal skills are imperative. The music business is in many ways about who you know, so prepare to network on a regular basis, whether it’s through building a presence on social media and relevant online forums, or by getting out there and attending industry events with business cards in hand. Become proficient at establishing genuine connections, and you’ll soon find yourself being called upon to help out with new projects and opportunities that will advance your career to the next level.

The Internet is an amazing way to find work all over the world, but there’s nothing like establishing relationships face to face. Attend music and game conferences and join film composer associations to make personal connections with potential colleagues and executives. These events are also a great way to stay up to speed with changes, trends, and developments in the music industry.

Composer Seminars and Associations (U.S. & Canada)

• ASCAP “I Create Music” Expo
• Billboard & The Hollywood Reporter Film & TV Music Conference
• Screen Composers Guild of Canada
• SOCAN (Society of Composers, Authors and Music Publishers of Canada)

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40 facts about elektrostal.

Written by Lanette Mayes

Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

• Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
• With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes, offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.

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Victor Mukhin

• Scientific Program

Title : Active carbons as nanoporous materials for solving of environmental problems

However, up to now, the main carriers of catalytic additives have been mineral sorbents: silica gels, alumogels. This is obviously due to the fact that they consist of pure homogeneous components SiO2 and Al2O3, respectively. It is generally known that impurities, especially the ash elements, are catalytic poisons that reduce the effectiveness of the catalyst. Therefore, carbon sorbents with 5-15% by weight of ash elements in their composition are not used in the above mentioned technologies. However, in such an important field as a gas-mask technique, carbon sorbents (active carbons) are carriers of catalytic additives, providing effective protection of a person against any types of potent poisonous substances (PPS). In ESPE “JSC "Neorganika" there has been developed the technology of unique ashless spherical carbon carrier-catalysts by the method of liquid forming of furfural copolymers with subsequent gas-vapor activation, brand PAC. Active carbons PAC have 100% qualitative characteristics of the three main properties of carbon sorbents: strength - 100%, the proportion of sorbing pores in the pore space – 100%, purity - 100% (ash content is close to zero). A particularly outstanding feature of active PAC carbons is their uniquely high mechanical compressive strength of 740 ± 40 MPa, which is 3-7 times larger than that of  such materials as granite, quartzite, electric coal, and is comparable to the value for cast iron - 400-1000 MPa. This allows the PAC to operate under severe conditions in moving and fluidized beds.  Obviously, it is time to actively develop catalysts based on PAC sorbents for oil refining, petrochemicals, gas processing and various technologies of organic synthesis.

Victor M. Mukhin was born in 1946 in the town of Orsk, Russia. In 1970 he graduated the Technological Institute in Leningrad. Victor M. Mukhin was directed to work to the scientific-industrial organization "Neorganika" (Elektrostal, Moscow region) where he is working during 47 years, at present as the head of the laboratory of carbon sorbents.     Victor M. Mukhin defended a Ph. D. thesis and a doctoral thesis at the Mendeleev University of Chemical Technology of Russia (in 1979 and 1997 accordingly). Professor of Mendeleev University of Chemical Technology of Russia. Scientific interests: production, investigation and application of active carbons, technological and ecological carbon-adsorptive processes, environmental protection, production of ecologically clean food.   

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