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Hi! I'm taking AP Lit this year and I need some help with the literary argument essay. Can someone give me some guidance on the key elements I need to include, like thesis statement, evidence, structure, etc., to have a strong essay? Thank you so much!

Hey! Here are some key elements to include in your essay for a strong result:

1. Introduction: Start with a hook to engage the reader. Introduce the work you'll be discussing (including the title and author). Provide any necessary context or background info.

2. Thesis statement: In a clear, concise sentence, state your overall argument or claim. This should appear towards the end of your introduction.

3. Body paragraphs: In each body paragraph, present a specific point that supports your thesis. Begin with a topic sentence, provide textual evidence (like quotes), and then analyze the significance of that evidence. Make sure to connect each point back to your thesis.

4. Structure: Make sure your essay follows a logical structure. Each paragraph should flow smoothly into the next, and your ideas should be organized in a coherent manner.

5. Conclusion: Restate your thesis (in slightly different words) and summarize your main points. Finish your essay with a final thought that connects your argument to a broader context or theme.

Good luck with your essay, and I hope this helps!

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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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Sat / act prep online guides and tips, expert's guide to the ap literature exam.

Advanced Placement (AP)

If you're planning to take the AP English Literature and Composition exam, you'll need to get familiar with what to expect on the test. Whether the 2023 test date of Wednesday, May 3, is near or far, I'm here to help you get serious about preparing for the exam.

In this guide, I'll go over the test's format and question types, how it's graded, best practices for preparation, and test-day tips. You'll be on your way to AP English Lit success in no time!

AP English Literature: Exam Format and Question Types

The AP Literature Exam is a three-hour exam that contains two sections in this order:

• An hour-long, 55-question multiple-choice section
• A two-hour, three-question free-response section

The exam tests your ability to analyze works and excerpts of literature and cogently communicate that analysis in essay form.

Read on for a breakdown of the two different sections and their question types.

Section I: Multiple Choice

The multiple-choice section, or Section I of the AP Literature exam, is 60 minutes long and has 55 questions. It counts for 45% of your overall exam grade .

You can expect to see five excerpts of prose and poetry. You will always get at least two prose passages (fiction or drama) and two poetry passages. In general, you will not be given the author, date, or title for these works, though occasionally the title of a poem will be given. Unusual words are also sometimes defined for you.

The date ranges of these works could fall from the 16th to the 21st century. Most works will be originally written in English, but you might occasionally see a passage in translation.

There are, generally speaking, eight kinds of questions you can expect to see on the AP English Literature and Composition exam. I'll break each of them down here and give you tips on how to identify and approach them.

"Pretty flowers carried by ladies" is not one of the question types.

The 8 Multiple-Choice Question Types on the AP Literature Exam

Without further delay, here are the eight question types you can expect to see on the AP Lit exam. All questions are taken from the sample questions on the AP Course and Exam Description .

#1: Reading Comprehension

These questions test your ability to understand what the passage is saying on a pretty basic level . They don't require you to do a lot of interpretation—you just need to know what's going on.

You can identify this question type from words and phrases such as "according to," "mentioned," "asserting," and so on. You'll succeed on these questions as long as you carefully read the text . Note that you might have to go back and reread parts to make sure you understand what the passage is saying.

#2: Inference

These questions ask you to infer something—a character or narrator's opinion, an author's intention, etc.—based on what is said in the passage . It will be something that isn't stated directly or concretely but that you can assume based on what's clearly written in the passage. You can identify these questions from words such as "infer" and "imply."

The key to these questions is to not get tripped up by the fact that you are making an inference—there will be a best answer, and it will be the choice that is best supported by what is actually found in the passage .

In many ways, inference questions are like second-level reading comprehension questions: you need to know not just what a passage says, but also what it means.

#3: Identifying and Interpreting Figurative Language

These are questions for which you have to either identify what word or phrase is figurative language or provide the meaning of a figurative phrase . You can identify these as they will either explicitly mention figurative language (or a figurative device, such as a simile or metaphor ) or include a figurative phrase in the question itself.

The meaning of figurative phrases can normally be determined by that phrase's context in the passage—what is said around it? What is the phrase referring to?

Example 1: Identifying

Example 2: Interpreting

#4: Literary Technique

These questions involve identifying why an author does what they do , from using a particular phrase to repeating certain words. Basically, what techniques is the author using to construct the passage/poem, and to what effect?

You can identify these questions by words/phrases such as "serves chiefly to," "effect," "evoke," and "in order to." A good way to approach these questions is to ask yourself: so what? Why did the author use these particular words or this particular structure?

#5: Character Analysis

These questions ask you to describe something about a character . You can spot them because they will refer directly to characters' attitudes, opinions, beliefs, or relationships with other characters .

This is, in many ways, a special kind of inference question , since you are inferring the broader personality of the character based on the evidence in a passage. Also, these crop up much more commonly for prose passages than they do for poetry ones.

#6: Overall Passage Questions

Some questions ask you to identify or describe something about the passage or poem as a whole : its purpose, tone, genre, etc. You can identify these by phrases such as "in the passage" and "as a whole."

To answer these questions, you need to think about the excerpt with a bird's-eye view . What is the overall picture created by all the tiny details?

#7: Structure

Some AP Lit questions will ask you about specific structural elements of the passage: a shift in tone, a digression, the specific form of a poem, etc . Often these questions will specify a part of the passage/poem and ask you to identify what that part is accomplishing.

Being able to identify and understand the significance of any shifts —structural, tonal, in genre, and so on—will be of key importance for these questions.

#8: Grammar/Nuts & Bolts

Very occasionally you will be asked a specific grammar question , such as what word an adjective is modifying. I'd also include in this category super-specific questions such as those that ask about the meter of a poem (e.g., iambic pentameter).

These questions are less about literary artistry and more about the fairly dry technique involved in having a fluent command of the English language .

That covers the eight question types on the multiple-choice section. Now, let's take a look at the free-response section of the AP Literature exam.

Keep track of the nuts and bolts of grammar.

Section II: Free Response

The AP Literature Free Response section is two hours long and involves three free-response essay questions , so you'll have about 40 minutes per essay. That's not a lot of time considering this section of the test counts for 55% of your overall exam grade !

Note, though, that no one will prompt you to move from essay to essay, so you can theoretically divide up the time however you want. Just be sure to leave enough time for each essay! Skipping an essay, or running out of time so you have to rush through one, can really impact your final test score.

The first two essays are literary analysis essays of specific passages, with one poem and one prose excerpt. The final essay is an analysis of a given theme in a work selected by you , the student.

Essays 1 & 2: Literary Passage Analysis

For the first two essays, you'll be presented with an excerpt and directed to analyze the excerpt for a given theme, device, or development . One of the passages will be poetry, and one will be prose. You will be provided with the author of the work, the approximate date, and some orienting information (i.e., the plot context of an excerpt from a novel).

Below are some sample questions from the 2022 Free Response Questions .

Essay 3: Thematic Analysis

For the third and final essay, you'll be asked to discuss a particular theme in a work that you select . You will be provided with a list of notable works that address the given theme below the prompt, but you can also choose to discuss any "work of literary merit."

So while you do have the power to choose which work you wish to write an essay about , the key words here are "literary merit." That means no genre fiction! Stick to safe bets like authors in the list on pages 10-11 of the old 2014 AP Lit Course Description .

(I know, I know—lots of genre fiction works do have literary merit and Shakespeare actually began as low culture, and so on and so forth. Indeed, you might find academic designations of "literary merit" elitist and problematic, but the time to rage against the literary establishment is not your AP Lit test! Save it for a really, really good college admissions essay instead .)

Here's a sample question from 2022:

As you can see, the list of works provided spans many time periods and countries : there are ancient Greek plays ( Antigone ), modern literary works (such as Margaret Atwood's The Handmaid's Tale ), Shakespeare plays ( The Tempest ), 19th-century English plays ( The Importance of Being Earnest ), etc. So you have a lot to work with!

Also note that you can choose a work of "comparable literary merit." That means you can select a work not on this list as long as it's as difficult and meaningful as the example titles you've been given. So for example, Jane Eyre or East of Eden would be great choices, but Twilight or The Hunger Games would not.

Our advice? If you're not sure what a work of "comparable literary merit" is, stick to the titles on the provided list .

You might even see something by this guy.

How Is the AP Literature Test Graded?

The multiple-choice section of the exam comprises 45% of your total exam score; the three essays, or free-response section, comprise the other 55%. Each essay, then, is worth about 18% of your grade.

As on other AP exams, your raw score will be converted to a score from 1-5 . You don't have to get every point possible to get a 5 by any means. In 2022, 16.9% of students received 5s on the AP English Literature test, the 14th highest 5 score out of the 38 different AP exams.

So, how do you calculate your raw scores?

Multiple-Choice Scoring

For the multiple-choice section, you receive 1 point for each question you answer correctly . There's no guessing penalty, so you should answer every question—but guess only after you're able to eliminate any answer you know is wrong to up your chances of choosing the right one.

Free-Response Scoring

Scoring for multiple choice is pretty straightforward; however, essay scoring is a little more complicated.

Each of your essays will receive a score from 0 to 6 based on the College Board rubric , which also includes question-specific rubrics. All the rubrics are very similar, with only minor differences between them.

Each essay rubric has three elements you'll be graded on:

• Thesis (0-1 points)
• Evidence and Commentary (0-4 points)
• Sophistication (0-1 points)

We'll be looking at the current rubric for the AP Lit exam , which was released in September 2019, and what every score means for each of the three elements above:

To get a high-scoring essay in the 5-6 point range, you'll need to not only come up with an original and intriguing argument that you thoroughly support with textual evidence, but you’ll also need to stay focused, organized, and clear. And all in just 40 minutes per essay!

If getting a high score on this section sounds like a tall order, that's because it is.

Practice makes perfect!

Skill-Building for Success on the AP Literature Exam

There are several things you can do to hone your skills and best prepare for the AP Lit exam.

Read Some Books, Maybe More Than Once

One of the most important steps you can take to prepare for the AP Literature and Composition exam is to read a lot and read well . You'll be reading a wide variety of notable literary works in your AP English Literature course, but additional reading will help you further develop your analytical reading skills .

I suggest checking out this list of notable authors in the 2014 AP Lit Course Description (pages 10-11).

In addition to reading broadly, you'll want to become especially familiar with the details of four to five books with different themes so you'll be prepared to write a strong student-choice essay. You should know the plot, themes, characters, and structural details of these books inside and out.

See my AP English Literature Reading List for more guidance.

Read (and Interpret) Poetry

One thing students might not do very much on their own time but that will help a lot with AP Lit exam prep is to read poetry. Try to read poems from a lot of eras and authors to get familiar with the language.

We know that poetry can be intimidating. That's why we've put together a bunch of guides to help you crack the poetry code (so to speak). You can learn more about poetic devices —like imagery and i ambic pentameter —in our comprehensive guide. Then you can see those analytical skills in action in our expert analysis of " Do not go gentle into that good night " by Dylan Thomas.

When you think you have a grip on basic comprehension, you can then move on to close reading (see below).

Hone Your Close Reading and Analysis Skills

Your AP class will likely focus heavily on close reading and analysis of prose and poetry, but extra practice won't hurt you. Close reading is the ability to identify which techniques the author is using and why. You'll need to be able to do this both to gather evidence for original arguments on the free-response questions and to answer analytical multiple-choice questions.

Here are some helpful close reading resources for prose :

• University of Wisconsin-Madison Writing Center's guide to close reading
• Harvard College Writing Center's close reading guide
• Purdue OWL's article on steering clear of close reading "pitfalls"

And here are some for poetry :

• University of Wisconsin-Madison's poetry-reading guide
• This guide to reading poetry at Poets.org (complete with two poetry close readings)
• Our own expert analyses of famous poems, such as " Ozymandias ", and the 10 famous sonnets you should know

Learn Literary and Poetic Devices

You'll want to be familiar with literary terms so that any test questions that ask about them will make sense to you. Again, you'll probably learn most of these in class, but it doesn't hurt to brush up on them.

Here are some comprehensive lists of literary terms with definitions :

• The 31 Literary Devices You Must Know
• The 20 Poetic Devices You Must Know
• The 9 Literary Elements You'll Find In Every Story
• What Is Imagery?
• Understanding Assonance
• What Is Iambic Pentameter in Poetry?
• Simile vs Metaphor: The 1 Big Difference
• 10 Personification Examples in Poetry, Literature, and More

Practice Writing Essays

The majority of your grade on the AP English Lit exam comes from essays, so it's critical that you practice your timed essay-writing skills . You of course should use the College Board's released free-response questions to practice writing complete timed essays of each type, but you can also practice quickly outlining thorough essays that are well supported with textual evidence.

Take Practice Tests

Taking practice tests is a great way to prepare for the exam. It will help you get familiar with the exam format and overall experience . You can get sample questions from the Course and Exam Description , the College Board website , and our guide to AP English Lit practice test resources .

Be aware that the released exams don't have complete slates of free-response questions, so you might need to supplement these with released free-response questions .

Since there are three complete released exams, you can take one toward the beginning of your prep time to get familiar with the exam and set a benchmark, and one toward the end to make sure the experience is fresh in your mind and to check your progress.

Don't wander like a lonely cloud through your AP Lit prep.

AP Literature: 6 Critical Test-Day Tips

Before we wrap up, here are my six top tips for AP Lit test day:

• #1: On the multiple-choice section, it's to your advantage to answer every question. If you eliminate all the answers you know are wrong before guessing, you'll raise your chances of guessing the correct one.
• #2: Don't rely on your memory of the passage when answering multiple-choice questions (or when writing essays, for that matter). Look back at the passage!
• #3: Interact with the text : circle, mark, underline, make notes—whatever floats your boat. This will help you retain information and actively engage with the passage.
• #4: This was mentioned above, but it's critical that you know four to five books well for the student-choice essay . You'll want to know all the characters, the plot, the themes, and any major devices or motifs the author uses throughout.
• #5: Be sure to plan out your essays! Organization and focus are critical for high-scoring AP Literature essays. An outline will take you a few minutes, but it will help your writing process go much faster.
• #6: Manage your time on essays closely. One strategy is to start with the essay you think will be the easiest to write. This way you'll be able to get through it while thinking about the other two essays.

And don't forget to eat breakfast! Apron optional.

AP Literature Exam: Key Takeaways

The AP Literature exam is a three-hour test that includes an hour-long multiple-choice section based on five prose and poetry passages and with 55 questions, and a two-hour free-response section with three essays : one analyzing a poetry passage, one analyzing a prose passage, and one analyzing a work chosen by you, the student.

The multiple-choice section is worth 45% of your total score , and the free-response section is worth 55% . The three essays are each scored on a rubric of 0-6, and raw scores are converted to a final scaled score from 1 to 5.

Here are some things you can do to prepare for the exam:

• Read books and be particularly familiar with four to five works for the student-choice essays
• Read poetry
• Work on your close reading and analysis skills
• Learn common literary devices
• Practice writing essays
• Take practice tests!

On test day, be sure to really look closely at all the passages and really interact with them by marking the text in a way that makes sense to you. This will help on both multiple-choice questions and the free-response essays. You should also outline your essays before you write them.

With all this in mind, you're well on your way to AP Lit success!

What's Next?

If you're taking other AP exams this year, you might be interested in our other AP resources: from the Ultimate Guide to the US History Exam , to the Ultimate AP Chemistry Study Guide , to the Best AP Psychology Study Guide , we have tons of articles on AP courses and exams for you !

Looking for practice exams? Here are some tips on how to find the best AP practice tests . We've also got comprehensive lists of practice tests for AP Psychology , AP Biology , AP Chemistry , and AP US History .

Deciding which APs to take? Take a look through the complete list of AP courses and tests , read our analysis of which AP classes are the hardest and easiest , and learn how many AP classes you should take .

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1.6 The basics of literary analysis

7 min read • january 25, 2023

ChristineLing

Introduction

Today, we’ll be looking at literary analysis . Now that you’ve learned “how to read” (see guide 1.5 if you haven’t already), you can learn how to write analytically about what you’ve read. You’ve most likely done this already in English classes of the past, so feel free to view this guide as a refresher on literary analysis writing. If the idea of literary analysis is new to you though, then this is a great time to learn!

What is Literary Analysis?

Literary analysis is a method of close reading that involves identifying and interpreting various elements of a text in order to better understand and evaluate the work as a whole. This includes analyzing the text's themes , characters , symbols , and structure , as well as the author's use of language and literary devices . 

In literary analysis , the goal is to identify details that, when put together, support a claim about an aspect of the text, and then to use this evidence to defend that claim in an argument. This process allows readers to gain a deeper understanding of the text and to make connections between the work and the broader literary tradition or cultural context in which it was written.

In addition to having to do it in English classes for assignments and essays, literary analysis helps in developing critical thinking skills. By analyzing and interpreting a text, readers learn to evaluate arguments, identify biases, and understand different perspectives. You don’t have to limit it to classroom use; you can analyze books you read for leisure too! It can help you develop a personal interpretation of the text and appreciate the beauty of literature.

How to Write Literary Analysis Arguments

Now, let’s look at what makes up a literary analysis . We’ll break it down into two main parts: claim and evidence .

Part 1: Claim

A claim is a defensible/arguable* statement . It asserts something to be true or false about a text. A claim should be specific, clear, and supported by evidence from the text.

In literary analysis , a claim can be made about any aspect of the text. Here’s a list of potential aspects:

Historical context

Author's purpose

After identifying the aspect of the text that you want to focus on, you should state your position on that aspect in a clear and specific statement. For example, "The main character in the novel is struggling with feelings of isolation and loneliness," or "The author uses the structure of the novel to convey the theme of the fragility of memory."

It's important to note that a claim should not be a summary of the text or a general observation, but rather a specific, arguable statement that can be supported by evidence . Additionally, a claim should be written in a way that is open to discussion and debate, not as a statement of fact or truth.

Here are some more examples of claims:

The main character's internal conflict in the novel is a representation of the societal pressure to conform.

The use of imagery in the poem is used to convey the theme of death and loss.

The symbolism of the river in the novel represents the passage of time and the inevitability of change.

The novel's structure is used to convey the theme of the complexity of human relationships.

The Additional Notes section of the AP Lit Exam scoring guidelines provides a solid checklist for you to think about as you craft a claim . See below.

*Note: defensible means it does not describe the obvious (“The sky is blue”) nor does it describe the impossible (“Everyone’s favorite color is red”). Stating something that is obvious/too general or impossible to defend will not earn you the thesis point on the AP exam. In addition, it will be difficult to earn Evidence and Commentary points. How would you provide sound evidence and rationale for an obvious/impossible statement?

Part 2: Evidence

Textual evidence refers to specific details from the text that are used to support a claim made in literary analysis . It is the evidence or proof that supports the claim and helps to make it convincing. To present textual evidence , it is important to quote or paraphrase the relevant passage from the text and to provide context for the quote, explaining how it supports the claim .

For example, if a claim is made that the main character in a novel is struggling with feelings of isolation and loneliness, textual evidence to support this claim might include a passage in which the character says, "I've never felt so alone in my life." This quote provides concrete evidence that the character is experiencing feelings of isolation and loneliness. Additionally, one could also provide the context of the quote, explaining how it relates to the claim , such as "The character's statement highlights their feelings of isolation and loneliness, which is a central theme throughout the novel."

Another example, if the claim is that the novel's structure is used to convey the theme of the fragility of memory, the evidence could be a passage that describes the use of non-linear narrative , such as "The novel jumps between different time periods, highlighting how memories can be fragmented and unreliable." The evidence supports the claim , because the non-linear narrative structure emphasizes the theme of memory's fragility.

Lastly, if the claim is that the symbolism in the novel represents the struggle between tradition and modernity, evidence could be a passage that describes the use of a traditional house as a symbol, such as "The old house in the novel symbolizes the protagonist's struggle to hold on to tradition while facing the pressures of modernity." This passage provides evidence that the house is being used as a symbol to represent the struggle between tradition and modernity.

It's important to note that textual evidence should be carefully selected and used to support the claim , rather than being used to impose an interpretation on the text. Also, it is important to provide more than one piece of textual evidencen (if possible) to strengthen the claim and to avoid overgeneralization.

Tips on Writing Them

To see examples of good claims, I encourage you to look at the scoring guidelines of past AP Lit exams. See all past exam questions here . In the published scoring guidelines, there are a few example theses provided that can give an idea of what is expected. For example, here’s a thesis that earned the thesis point on the 2021 AP Lit Exam

"Winston uses first-person narration , vivid descriptions , and humor to convey the narrator’s greater sense of connection to his friend Loon and his embarrassment on behalf of the woman who feels powerless in the situation.”

Notice the level of detail in the claim . It’s not just “Winston conveys the narrator’s greater sense of connection.” The student provided three reasons right off the bat (“ first-person narration , vivid descriptions , and humor ”), giving the grader a good idea of where the essay is going.

Here’s a list of some other tips to keep in mind:

Read the text closely and critically: Before writing a literary analysis , it is important to read the text multiple times, paying close attention to the author's use of literary devices and techniques, as well as the text's themes , characters , symbols , and structure . Of course, on an exam with limited time, you have to be aware of how much time you spend reading. Make sure you read just enough to get an idea of what your claim will be. You can return to specific parts of the text later to look for textual evidence

Consider the literary and cultural context: The text should be analyzed in the context of the literary tradition and cultural context in which it was written. This will help to deepen the understanding and appreciation of the text, and it will help the writer to make connections between the text and the broader literary and cultural context.

Analyze the text, not the author: A literary analysis should focus on the text itself, rather than on the author's personal life or beliefs. Avoid making assumptions about the author's intentions or beliefs, and instead focus on the text's themes , characters , symbols , and structure .

Literary analysis is a way of closely reading a text to understand and evaluate it. It involves identifying and interpreting elements of the text like themes , characters , symbols , and structure , as well as the author's use of language and literary devices . Your eventual goal is to make a claim about an aspect of the text and use evidence from the text to support that claim . To write a good literary analysis , you should read the text closely, consider the literary and cultural context, and focus on the text, not the author.

That’s everything I’ve got for you for Unit 1! Hope you’ve learned a lot, and I wish you luck on your next Fiveable study guide adventure.

Key Terms to Review ( 15 )

Author's Use of Language

Close Reading

First-Person Narration

Literary Analysis

Literary Devices

Non-linear Narrative

Textual Evidence

Vivid Descriptions

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How to Encourage Students to Master the AP Lit Thesis

• December 1, 2021
• AP Literature , Writing

For years, I have used a Poem of the Week as part of my poetry instruction in AP Literature .  Last year, because the pandemic resulted in hybrid instruction and only 50% (or fewer) of my kids were in class at a time, I wanted to be sure that I put some significant emphasis on AP Lit thesis writing.

As part of our weekly poem study, the Friday prompt became an AP-style poetry essay prompt.  Students only needed to write a thesis.  And early in the year, it became evident that our thesis statements needed work.

AP Literature Thesis Statements and “The Point”

When the College Board came out with the new rubrics in 2019, they set aside a point that is designated for the thesis.  It’s one point and students either get it or they don’t.  And truthfully, it is not that hard to “get” the point.  Students must simply “provide a defensible interpretation in response to the prompt” which could be supported by the text (for more, see AP Central).  So in other words, students must be able to find *something* in the text that they can write about beyond a summary.

Early on, I observed two things: 1. Not all AP Lit thesis statement are created equal (even if they do earn the point) and 2.  Students needed help moving from making a base claim to making a strong claims that lead to better analysis later in the essay.

AP Lit Thesis Starting Points

At the beginning of the year, my kids were writing things like

• The author uses metaphors to reveal that life gives you new, and endless opportunities each and every day. 
• Merriam’s use of her metaphor for a new day in “Metaphor” reveals her positive outlook on life.
• eve marriam’s use of metaphor shows that she feels that every day is new day to write your own story.
• Love can cause pain
• Lowell uses diction and figurative language to show her intimate and spiritual connection to her partner in the poem
• Through Lowell’s uses of poetic elements and techniques, she’s able to carefully convert the speaker’s complex relationship with whoever they’re addressing. 

While indeed some of these would earn the thesis point, they do no convey the depth that a good, strong AP Lit thesis will.  We want students to address the complexity of the text and these just don’t cut it. 

The Issue of Complexity

So the first step in helping students to develop a strong thesis is to get beyond just repeating the topic with a few elements of author’s craft thrown in.  They have to be sure that they are fully addressing the complexity of the topic highlighted by the task.

The first set of thesis statements above go with Eve Merriam’s poem “Metaphor.”   This is my favorite poem to start the school year with because it reflects where we are.  Each school year is also like a “new sheet of paper.”

We spend the week discussing the poem ( My daily prompts are available here. ) Then on Friday, I present students with the following prompt:

In Eve Merriam’s poem “Metaphor” (1986), the speaker portrays the blankness of a new day.  In a well written essay, analyze how Merriam uses poetic elements and techniques to convey the speaker’s complex attitude toward life.

And while all of the above thesis statements DO say something about her attitude toward life, none of them get to how it is complex.  So the first step is to get students thinking about contrasts within the poem and other elements that help add to the depth of the text.  A good way to do this might be through the Interstate, Microscope and Compass Technique from Gina at Lit and More.

AP® Lit Literary Argument

Once students see complexity in a text, they can move into developing a more complex AP® literature thesis statement. 

It is also important to remind them that the College Board calls these essays “literary argument.”  And an argument is by definition something that has two sides.  When we teach argument writing to our English 11 students in preparation for the New York State English Regents we encourage them to include the counterargument in their thesis.  And although a literary argument doesn’t necessarily have a counterargument, it should have two sides.  In other words, complexity.

In these early stages, it is sometimes useful to give the students complexity starters that they can use as the basis of their thesis statements.  This is a list that I provide to my students:

• even though x, y is also true
• not only j, but also k
• although d, also e
• nevertheless
• notwithstanding
• in contrast

This list along with other helpful tips on writing AP Literature Thesis Statements is included in my AP Thesis Anchor charts here .

AP® Lit Thesis Examples

As we work through the year, thesis statements that once read “love can cause pain” become 

“Even though Edith Matilda Thomas’s poem entitled “Winter Sleep” appears to be a simplistic take about growing old she also uses poetic elements such as symbolism, diction, and parallel structure to convey a complex attitude towards aging as she looks back on her life.” 

“Although the speaker is reflecting on the spring-like happiness of her youth, she understands that death is coming as she moves into the metaphorical winter of her life due to her old age.”

Building on Complexity

The key to helping students earn the thesis point on the AP Literature Rubric is to help them understand that they are writing a literary argument and that an argument by its very nature has two sides or two part.  Then include both of those sides in your thesis.

For more help in AP Lit Writing, be sure to check out these other AP Lit Essay Writing Anchor Charts.  

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Is there a way to get working links. Both the link to the poem and the link to the daily prompts are both broken and give an error message when clicked.

Thank you for bringing that to my attention. These links are fixed now.

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How to Write the AP Lit Prose Essay + Example

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What is the ap lit prose essay, how will ap scores affect my college chances.

AP Literature and Composition (AP Lit), not to be confused with AP English Language and Composition (AP Lang), teaches students how to develop the ability to critically read and analyze literary texts. These texts include poetry, prose, and drama. Analysis is an essential component of this course and critical for the educational development of all students when it comes to college preparation. In this course, you can expect to see an added difficulty of texts and concepts, similar to the material one would see in a college literature course.

While not as popular as AP Lang, over 380,136 students took the class in 2019. However, the course is significantly more challenging, with only 49.7% of students receiving a score of three or higher on the exam. A staggeringly low 6.2% of students received a five on the exam. 

The AP Lit exam is similar to the AP Lang exam in format, but covers different subject areas. The first section is multiple-choice questions based on five short passages. There are 55 questions to be answered in 1 hour. The passages will include at least two prose fiction passages and two poetry passages and will account for 45% of your total score. All possible answer choices can be found within the text, so you don’t need to come into the exam with prior knowledge of the passages to understand the work. 

The second section contains three free-response essays to be finished in under two hours. This section accounts for 55% of the final score and includes three essay questions: the poetry analysis essay, the prose analysis essay, and the thematic analysis essay. Typically, a five-paragraph format will suffice for this type of writing. These essays are scored holistically from one to six points.

Today we will take a look at the AP Lit prose essay and discuss tips and tricks to master this section of the exam. We will also provide an example of a well-written essay for review.  

The AP Lit prose essay is the second of the three essays included in the free-response section of the AP Lit exam, lasting around 40 minutes in total. A prose passage of approximately 500 to 700 words and a prompt will be given to guide your analytical essay. Worth about 18% of your total grade, the essay will be graded out of six points depending on the quality of your thesis (0-1 points), evidence and commentary (0-4 points), and sophistication (0-1 points). 

While this exam seems extremely overwhelming, considering there are a total of three free-response essays to complete, with proper time management and practiced skills, this essay is manageable and straightforward. In order to enhance the time management aspect of the test to the best of your ability, it is essential to understand the following six key concepts.

1. Have a Clear Understanding of the Prompt and the Passage

Since the prose essay is testing your ability to analyze literature and construct an evidence-based argument, the most important thing you can do is make sure you understand the passage. That being said, you only have about 40 minutes for the whole essay so you can’t spend too much time reading the passage. Allot yourself 5-7 minutes to read the prompt and the passage and then another 3-5 minutes to plan your response.

As you read through the prompt and text, highlight, circle, and markup anything that stands out to you. Specifically, try to find lines in the passage that could bolster your argument since you will need to include in-text citations from the passage in your essay. Even if you don’t know exactly what your argument might be, it’s still helpful to have a variety of quotes to use depending on what direction you take your essay, so take note of whatever strikes you as important. Taking the time to annotate as you read will save you a lot of time later on because you won’t need to reread the passage to find examples when you are in the middle of writing. 

Once you have a good grasp on the passage and a solid array of quotes to choose from, you should develop a rough outline of your essay. The prompt will provide 4-5 bullets that remind you of what to include in your essay, so you can use these to structure your outline. Start with a thesis, come up with 2-3 concrete claims to support your thesis, back up each claim with 1-2 pieces of evidence from the text, and write a brief explanation of how the evidence supports the claim.

2. Start with a Brief Introduction that Includes a Clear Thesis Statement

Having a strong thesis can help you stay focused and avoid tangents while writing. By deciding the relevant information you want to hit upon in your essay up front, you can prevent wasting precious time later on. Clear theses are also important for the reader because they direct their focus to your essential arguments. 

In other words, it’s important to make the introduction brief and compact so your thesis statement shines through. The introduction should include details from the passage, like the author and title, but don’t waste too much time with extraneous details. Get to the heart of your essay as quick as possible. 

3. Use Clear Examples to Support Your Argument 

One of the requirements AP Lit readers are looking for is your use of evidence. In order to satisfy this aspect of the rubric, you should make sure each body paragraph has at least 1-2 pieces of evidence, directly from the text, that relate to the claim that paragraph is making. Since the prose essay tests your ability to recognize and analyze literary elements and techniques, it’s often better to include smaller quotes. For example, when writing about the author’s use of imagery or diction you might pick out specific words and quote each word separately rather than quoting a large block of text. Smaller quotes clarify exactly what stood out to you so your reader can better understand what are you saying.

Including smaller quotes also allows you to include more evidence in your essay. Be careful though—having more quotes is not necessarily better! You will showcase your strength as a writer not by the number of quotes you manage to jam into a paragraph, but by the relevance of the quotes to your argument and explanation you provide.  If the details don’t connect, they are merely just strings of details.

4. Discussion is Crucial to Connect Your Evidence to Your Argument 

As the previous tip explained, citing phrases and words from the passage won’t get you anywhere if you don’t provide an explanation as to how your examples support the claim you are making. After each new piece of evidence is introduced, you should have a sentence or two that explains the significance of this quote to the piece as a whole.

This part of the paragraph is the “So what?” You’ve already stated the point you are trying to get across in the topic sentence and shared the examples from the text, so now show the reader why or how this quote demonstrates an effective use of a literary technique by the author. Sometimes students can get bogged down by the discussion and lose sight of the point they are trying to make. If this happens to you while writing, take a step back and ask yourself “Why did I include this quote? What does it contribute to the piece as a whole?” Write down your answer and you will be good to go. 

5. Write a Brief Conclusion

While the critical part of the essay is to provide a substantive, organized, and clear argument throughout the body paragraphs, a conclusion provides a satisfying ending to the essay and the last opportunity to drive home your argument. If you run out of time for a conclusion because of extra time spent in the preceding paragraphs, do not worry, as that is not fatal to your score. 

Without repeating your thesis statement word for word, find a way to return to the thesis statement by summing up your main points. This recap reinforces the arguments stated in the previous paragraphs, while all of the preceding paragraphs successfully proved the thesis statement.

6. Don’t Forget About Your Grammar

Though you will undoubtedly be pressed for time, it’s still important your essay is well-written with correct punctuating and spelling. Many students are able to write a strong thesis and include good evidence and commentary, but the final point on the rubric is for sophistication. This criteria is more holistic than the former ones which means you should have elevated thoughts and writing—no grammatical errors. While a lack of grammatical mistakes alone won’t earn you the sophistication point, it will leave the reader with a more favorable impression of you. 

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Here are Nine Must-have Tips and Tricks to Get a Good Score on the Prose Essay:

• Carefully read, review, and underline key instruction s in the prompt.
• Briefly outlin e what you want to cover in your essay.
• Be sure to have a clear thesis that includes the terms mentioned in the instructions, literary devices, tone, and meaning.
• Include the author’s name and title  in your introduction. Refer to characters by name.
• Quality over quantity when it comes to picking quotes! Better to have a smaller number of more detailed quotes than a large amount of vague ones.
• Fully explain how each piece of evidence supports your thesis .  
• Focus on the literary techniques in the passage and avoid summarizing the plot. 
• Use transitions to connect sentences and paragraphs.
• Keep your introduction and conclusion short, and don’t repeat your thesis verbatim in your conclusion.

Here is an example essay from 2020 that received a perfect 6:

[1] In this passage from a 1912 novel, the narrator wistfully details his childhood crush on a girl violinist. Through a motif of the allure of musical instruments, and abundant sensory details that summon a vivid image of the event of their meeting, the reader can infer that the narrator was utterly enraptured by his obsession in the moment, and upon later reflection cannot help but feel a combination of amusement and a resummoning of the moment’s passion. 

[2] The overwhelming abundance of hyper-specific sensory details reveals to the reader that meeting his crush must have been an intensely powerful experience to create such a vivid memory. The narrator can picture the “half-dim church”, can hear the “clear wail” of the girl’s violin, can see “her eyes almost closing”, can smell a “faint but distinct fragrance.” Clearly, this moment of discovery was very impactful on the boy, because even later he can remember the experience in minute detail. However, these details may also not be entirely faithful to the original experience; they all possess a somewhat mysterious quality that shows how the narrator may be employing hyperbole to accentuate the girl’s allure. The church is “half-dim”, the eyes “almost closing” – all the details are held within an ethereal state of halfway, which also serves to emphasize that this is all told through memory. The first paragraph also introduces the central conciet of music. The narrator was drawn to the “tones she called forth” from her violin and wanted desperately to play her “accompaniment.” This serves the double role of sensory imagery (with the added effect of music being a powerful aural image) and metaphor, as the accompaniment stands in for the narrator’s true desire to be coupled with his newfound crush. The musical juxtaposition between the “heaving tremor of the organ” and the “clear wail” of her violin serves to further accentuate how the narrator percieved the girl as above all other things, as high as an angel. Clearly, the memory of his meeting his crush is a powerful one that left an indelible impact on the narrator. 

[3] Upon reflecting on this memory and the period of obsession that followed, the narrator cannot help but feel amused at the lengths to which his younger self would go; this is communicated to the reader with some playful irony and bemused yet earnest tone. The narrator claims to have made his “first and last attempts at poetry” in devotion to his crush, and jokes that he did not know to be “ashamed” at the quality of his poetry. This playful tone pokes fun at his childhood self for being an inexperienced poet, yet also acknowledges the very real passion that the poetry stemmed from. The narrator goes on to mention his “successful” endeavor to conceal his crush from his friends and the girl; this holds an ironic tone because the narrator immediately admits that his attempts to hide it were ill-fated and all parties were very aware of his feelings. The narrator also recalls his younger self jumping to hyperbolic extremes when imagining what he would do if betrayed by his love, calling her a “heartless jade” to ironically play along with the memory. Despite all this irony, the narrator does also truly comprehend the depths of his past self’s infatuation and finds it moving. The narrator begins the second paragraph with a sentence that moves urgently, emphasizing the myriad ways the boy was obsessed. He also remarks, somewhat wistfully, that the experience of having this crush “moved [him] to a degree which now [he] can hardly think of as possible.” Clearly, upon reflection the narrator feels a combination of amusement at the silliness of his former self and wistful respect for the emotion that the crush stirred within him. 

[4] In this passage, the narrator has a multifaceted emotional response while remembering an experience that was very impactful on him. The meaning of the work is that when we look back on our memories (especially those of intense passion), added perspective can modify or augment how those experiences make us feel

More essay examples, score sheets, and commentaries can be found at College Board .

While AP Scores help to boost your weighted GPA, or give you the option to get college credit, AP Scores don’t have a strong effect on your admissions chances . However, colleges can still see your self-reported scores, so you might not want to automatically send scores to colleges if they are lower than a 3. That being said, admissions officers care far more about your grade in an AP class than your score on the exam.

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How to Crush It on the AP® English Literature Exam Essays

by Heather Garcia

Many students are far too familiar with multiple-choice tests and they know, relatively, what to expect when they sit down to take one. Even though the AP ® English Literature Exam has multiple-choice questions that are a little more intense than other tests, it is still, at its core, a multiple-choice test. For many kids, that isn’t too scary. (But seriously, all literature and no non-fiction can be a bit daunting, especially when you hit those sonnets. Phew!)

When taking the AP ® English Literature exam, the part that intimidates many students is the Free-Response section. In other terms, the essay section. The AP ® English Literature exam has an essay section where you get the opportunity to show the readers, AP ® English Literature teachers and college professors from around the nation, what you can do. The readers are looking to see how well you read, how well you think, and how well you write in a timed setting. This is your chance to prove to the world (or to the readers) that you have thoughtfully prepared for this exam and you are ready for college-level literary analysis.

The AP ® readers are not expecting perfection in the essays you write. You are writing under a time constraint and the readers are completely aware of this. However, they do expect you to write three essays in two hours, spending approximately 40 minutes on each essay. The three essays are quite different, so it helps to start preparing early for each type of essay. Timed essay writing can certainly improve, but only with repeated practice and constructive feedback (or intense analysis of previously-scores samples).

The three essay types that you will be asked to write are: poetry analysis , prose analysis , and a literary argument .

For each essay that you write, it is my suggestion that you annotate the prompt. Read the prompt once. Then read it again and annotate how many separate tasks the prompt is asking you to perform. Sometimes you only need to identify the purpose and the devices being used. Sometimes there are four components of the prompt you need to address. Either way, number them so you can be certain when you are writing that you aren’t leaving anything important out.

Beyond that, each of the three essays requires a slightly different approach during the testing period. Below you will find specific suggestions for each one:

Poetry Analysis:

In this essay, you will be given a poem that you most likely have never read. I am surprised every year by which poem the test writers choose. They work diligently to ensure that they find poems that are rich in interpretive opportunities and that are not frequently included in textbook anthologies. They want students to have an interpretation that isn’t filtered through a textbook company or a teacher. They want thought and analysis from you, the student.

When you approach this essay, it is best to read and annotate the prompt, but also to give the poem a solid first read before you try to do any interpretation. On the first read-through, check to see if you can determine the tone, the purpose, and a general gist of what the poem is about. Then go back and re-read the prompt and poem again. In this read-through, you should start underlining and circling, making quick notes about what you notice so that you have fodder to write about. This should take you about 7-8 minutes.

The next step is to complete a quick, and I mean quick , outline. I use the word outline loosely. This could be a scribbled list of topics you want to cover with arrows pointing to the textual evidence you plan to use. It could be a brain map with lines and bubbles and arrows. It could be just placing numbers beside your annotations so you know what order you want to tackle them in. Regardless of the method you choose, it is important that you choose one. So many students think they are beyond pre-planning for an essay, and sadly, it shows. The essays lack the finesse that they could have had if they had taken the three or four minutes to jot down a map of where the essay was headed.

The final step is to write the essay. This part should take about 30 minutes. It may seem like an impossible task, but with a specific direction to head and with the poem already analyzed, the essay should flow smoothly. You aren’t writing a 200 page dissertation. You are writing a 2 to 4 page essay. In pen. In your best handwriting. Saving a few minutes at the end for proofreading. No problem. Right?

This is just the first essay. There are two more. (See why I said preparing early is key?)

Prose Analysis:

This essay is similar to the poetry essay in many respects. You will be given a passage that you most likely have never seen before, and you must respond to a prompt asking you about it. The main difference is that this excerpt will not be a poem. It will be an excerpt from a novel, a short story, or a play. Again, most likely one you haven’t read or even heard of, but that is half the fun.

Similar to the poetry essay, you will begin by reading the prompt and annotating it, but for this essay, you most likely won’t have time to read the passage in its entirety twice.

You will want to annotate and respond to the prompt as you go. Speed is as essential as analysis. You don’t want to spend more than 10 minutes reading and making notes. You need to save 3 or 4 minutes for a pre-write, just like you did with the poetry prompt. Then, you will spend about 25 minutes writing. Quickly. I like that this essay is in the middle of the Free Response section of the test because even though you can write the essays in any order you choose, if you keep this one in the middle, your brain is already in analysis mode, your hands are warmed up, but not yet beyond achy, and this essay can run smoothly.

Literary Argument:

This, by far, is my favorite essay. This essay asks you to respond to an open prompt about a novel you read and analyzed deeply. College Board asks that you write about books that are worthy of college-level analysis and that you only write about a single book, but other than that, the options are open. College Board will provide you a list of book titles that would fit the prompt, but you are certainly not limited to that list.

Even though this essay appears last in the test packet, I always encourage my students to write this essay first. My students usually spend the last couple of weeks prior to the exam reviewing specific scenes from their favorite novels, refreshing themselves on the themes, symbols, and how to spell the characters’ names (you think I am kidding, but some of those names are tricky). When they get to the essay section, they feel like their brains are going to explode with all of the information, so they write this essay first. They get it out of the way before the other passages fill them up with more themes and symbols to contend with.

When writing this essay, it is still important to annotate the prompt and to make a pre-writing plan, but there is no text to cite from. You only have your brain. When you choose the book to write about, ensure that you include the full title and the author’s name in the introductory paragraph. Without that the reader is just guessing at your book. And don’t worry if you choose an obscure book. Your reader will most likely have read it. And if not, they will pass the essay on to someone who has read the book.

DO NOT spend time summarizing the plot of the book you choose. It is a waste of time and space and does nothing to influence your score positively. Instead, assume the reader has read your chosen book, and use a phrase to ground them in the plot before jumping into analysis. Instead of giving three sentences to describe a scene, just say, “in the part where Jane and Rochester kiss under the chestnut tree” or “in the section of the play where King Lear cuts Cordelia out of her inheritance.” Nothing more is needed that that. The readers will jump right into the plot with you.

You have to remember that the readers are there to reward what you do well, not bash you on the moments where you might mess up. On test day, it is important to remember to have fun with each of the essays. If you are enjoying the process of writing them, the readers will enjoy the process of reading them. Find interesting perspectives, make cogent observations, and dazzle the readers with your insight and thought-provoking arguments. But leading up to test day…PRACTICE!

While the AP ® English Literature free-response questions can be challenging, practicing will ease your stress on test day!

Heather Garcia is an English teacher at Charlotte High School, Florida, where she teaches AP English Literature and AP ® English Language. She is a professional development leader in her district, running annual new-teacher trainings and is now the Curriculum and Instructional Specialist for her district for grades 6-12. After 16 years of hands-on experience, Heather has developed a series of strategies to help her students navigate challenging texts. Her favorite book is the Steinbeck classic, East of Eden .

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How to Write the AP Lit Prose Essay with Examples

March 30, 2024

AP Lit Prose Essay Examples – The College Board’s Advanced Placement Literature and Composition Course is one of the most enriching experiences that high school students can have. It exposes you to literature that most people don’t encounter until college , and it helps you develop analytical and critical thinking skills that will enhance the quality of your life, both inside and outside of school. The AP Lit Exam reflects the rigor of the course. The exam uses consistent question types, weighting, and scoring parameters each year . This means that, as you prepare for the exam, you can look at previous questions, responses, score criteria, and scorer commentary to help you practice until your essays are perfect.

What is the AP Lit Free Response testing? 

In AP Literature, you read books, short stories, and poetry, and you learn how to commit the complex act of literary analysis . But what does that mean? Well, “to analyze” literally means breaking a larger idea into smaller and smaller pieces until the pieces are small enough that they can help us to understand the larger idea. When we’re performing literary analysis, we’re breaking down a piece of literature into smaller and smaller pieces until we can use those pieces to better understand the piece of literature itself.

So, for example, let’s say you’re presented with a passage from a short story to analyze. The AP Lit Exam will ask you to write an essay with an essay with a clear, defensible thesis statement that makes an argument about the story, based on some literary elements in the short story. After reading the passage, you might talk about how foreshadowing, allusion, and dialogue work together to demonstrate something essential in the text. Then, you’ll use examples of each of those three literary elements (that you pull directly from the passage) to build your argument. You’ll finish the essay with a conclusion that uses clear reasoning to tell your reader why your argument makes sense.

AP Lit Prose Essay Examples (Continued)

But what’s the point of all of this? Why do they ask you to write these essays?

Well, the essay is, once again, testing your ability to conduct literary analysis. However, the thing that you’re also doing behind that literary analysis is a complex process of both inductive and deductive reasoning. Inductive reasoning takes a series of points of evidence and draws a larger conclusion. Deductive reasoning departs from the point of a broader premise and draws a singular conclusion. In an analytical essay like this one, you’re using small pieces of evidence to draw a larger conclusion (your thesis statement) and then you’re taking your thesis statement as a larger premise from which you derive your ultimate conclusion.

So, the exam scorers are looking at your ability to craft a strong thesis statement (a singular sentence that makes an argument), use evidence and reasoning to support that argument, and then to write the essay well. This is something they call “sophistication,” but they’re looking for well-organized thoughts carried through clear, complete sentences.

This entire process is something you can and will use throughout your life. Law, engineering, medicine—whatever pursuit, you name it—utilizes these forms of reasoning to run experiments, build cases, and persuade audiences. The process of this kind of clear, analytical thinking can be honed, developed, and made easier through repetition.

Practice Makes Perfect

Because the AP Literature Exam maintains continuity across the years, you can pull old exam copies, read the passages, and write responses. A good AP Lit teacher is going to have you do this time and time again in class until you have the formula down. But, it’s also something you can do on your own, if you’re interested in further developing your skills.

AP Lit Prose Essay Examples 

Let’s take a look at some examples of questions, answers and scorer responses that will help you to get a better idea of how to craft your own AP Literature exam essays.

In the exam in 2023, students were asked to read a poem by Alice Cary titled “Autumn,” which was published in 1874. In it, the speaker contemplates the start of autumn. Then, students are asked to craft a well-written essay which uses literary techniques to convey the speaker’s complex response to the changing seasons.

The following is an essay that received a perfect 6 on the exam. There are grammar and usage errors throughout the essay, which is important to note: even though the writer makes some mistakes, the structure and form of their argument was strong enough to merit a 6. This is what your scorers will be looking for when they read your essay.

Example Essay 

Romantic and hyperbolic imagery is used to illustrate the speaker’s unenthusiastic opinion of the coming of autumn, which conveys Cary’s idea that change is difficult to accept but necessary for growth.

Romantic imagery is utilized to demonstrate the speaker’s warm regard for the season of summer and emphasize her regretfulness for autumn’s coming, conveying the uncomfortable change away from idyllic familiarity. Summer, is portrayed in the image of a woman who “from her golden collar slips/and strays through stubble fields/and moans aloud.” Associated with sensuality and wealth, the speaker implies the interconnection between a season and bounty, comfort, and pleasure. Yet, this romantic view is dismantled by autumn, causing Summer to “slip” and “stray through stubble fields.” Thus, the coming of real change dethrones a constructed, romantic personification of summer,  conveying the speaker’s reluctance for her ideal season to be dethroned by something much less decorated and adored.

Summer, “she lies on pillows of the yellow leaves,/ And tries the old tunes for over an hour”, is contrasted with bright imagery of fallen leaves/ The juxtaposition between Summer’s character and the setting provides insight into the positivity of change—the yellow leaves—by its contrast with the failures of attempting to sustain old habits or practices, “old tunes”. “She lies on pillows” creates a sympathetic, passive image of summer in reaction to the coming of Autumn, contrasting her failures to sustain “old tunes.” According to this, it is understood that the speaker recognizes the foolishness of attempting to prevent what is to come, but her wishfulness to counter the natural progression of time.

Hyperbolic imagery displays the discrepancies between unrealistic, exaggerated perceptions of change and the reality of progress, continuing the perpetuation of Cary’s idea that change must be embraced rather than rejected. “Shorter and shorter now the twilight clips/The days, as though the sunset gates they crowd”, syntax and diction are used to literally separate different aspects of the progression of time. In an ironic parallel to the literal language, the action of twilight’s “clip” and the subject, “the days,” are cut off from each other into two different lines, emphasizing a sense of jarring and discomfort. Sunset, and Twilight are named, made into distinct entities from the day, dramatizing the shortening of night-time into fall. The dramatic, sudden implications for the change bring to mind the switch between summer and winter, rather than a transitional season like fall—emphasizing the Speaker’s perspective rather than a factual narration of the experience.

She says “the proud meadow-pink hangs down her head/Against the earth’s chilly bosom, witched with frost”. Implying pride and defeat, and the word “witched,” the speaker brings a sense of conflict, morality, and even good versus evil into the transition between seasons. Rather than a smooth, welcome change, the speaker is practically against the coming of fall. The hyperbole present in the poem serves to illustrate the Speaker’s perspective and ideas on the coming of fall, which are characterized by reluctance and hostility to change from comfort.

The topic of this poem, Fall–a season characterized by change and the deconstruction of the spring and summer landscape—is juxtaposed with the final line which evokes the season of Spring. From this, it is clear that the speaker appreciates beautiful and blossoming change. However, they resent that which destroys familiar paradigms and norms. Fall, seen as the death of summer, is characterized as a regression, though the turning of seasons is a product of the literal passage of time. Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.

Scoring Criteria: Why did this essay do so well? 

When it comes to scoring well, there are some rather formulaic things that the judges are searching for. You might think that it’s important to “stand out” or “be creative” in your writing. However, aside from concerns about “sophistication,” which essentially means you know how to organize thoughts into sentences and you can use language that isn’t entirely elementary, you should really focus on sticking to a form. This will show the scorers that you know how to follow that inductive/deductive reasoning process that we mentioned earlier, and it will help to present your ideas in the most clear, coherent way possible to someone who is reading and scoring hundreds of essays.

So, how did this essay succeed? And how can you do the same thing?

First: The Thesis 

On the exam, you can either get one point or zero points for your thesis statement. The scorers said, “The essay responds to the prompt with a defensible thesis located in the introductory paragraph,” which you can read as the first sentence in the essay. This is important to note: you don’t need a flowery hook to seduce your reader; you can just start this brief essay with some strong, simple, declarative sentences—or go right into your thesis.

What makes a good thesis? A good thesis statement does the following things:

• Makes a claim that will be supported by evidence
• Is specific and precise in its use of language
• Argues for an original thought that goes beyond a simple restating of the facts

If you’re sitting here scratching your head wondering how you come up with a thesis statement off the top of your head, let me give you one piece of advice: don’t.

The AP Lit scoring criteria gives you only one point for the thesis for a reason: they’re just looking for the presence of a defensible claim that can be proven by evidence in the rest of the essay.

Second: Write your essay from the inside out 

While the thesis is given one point, the form and content of the essay can receive anywhere from zero to four points. This is where you should place the bulk of your focus.

My best advice goes like this:

• Choose your evidence first
• Develop your commentary about the evidence
• Then draft your thesis statement based on the evidence that you find and the commentary you can create.

It will seem a little counterintuitive: like you’re writing your essay from the inside out. But this is a fundamental skill that will help you in college and beyond. Don’t come up with an argument out of thin air and then try to find evidence to support your claim. Look for the evidence that exists and then ask yourself what it all means. This will also keep you from feeling stuck or blocked at the beginning of the essay. If you prepare for the exam by reviewing the literary devices that you learned in the course and practice locating them in a text, you can quickly and efficiently read a literary passage and choose two or three literary devices that you can analyze.

Third: Use scratch paper to quickly outline your evidence and commentary 

Once you’ve located two or three literary devices at work in the given passage, use scratch paper to draw up a quick outline. Give each literary device a major bullet point. Then, briefly point to the quotes/evidence you’ll use in the essay. Finally, start to think about what the literary device and evidence are doing together. Try to answer the question: what meaning does this bring to the passage?

A sample outline for one paragraph of the above essay might look like this:

Romantic imagery

Portrayal of summer

• Woman who “from her golden collar… moans aloud”
• Summer as bounty

Contrast with Autumn

• Autumn dismantles Summer
• “Stray through stubble fields”
• Autumn is change; it has the power to dethrone the romance of Summer/make summer a bit meaningless

Recognition of change in a positive light

• Summer “lies on pillows / yellow leaves / tries old tunes”
• Bright imagery/fallen leaves
• Attempt to maintain old practices fails: “old tunes”
• But! There is sympathy: “lies on pillows”

Speaker recognizes: she can’t prevent what is to come; wishes to embrace natural passage of time

By the time the writer gets to the end of the outline for their paragraph, they can easily start to draw conclusions about the paragraph based on the evidence they have pulled out. You can see how that thinking might develop over the course of the outline.

Then, the speaker would take the conclusions they’ve drawn and write a “mini claim” that will start each paragraph. The final bullet point of this outline isn’t the same as the mini claim that comes at the top of the second paragraph of the essay, however, it is the conclusion of the paragraph. You would do well to use the concluding thoughts from your outline as the mini claim to start your body paragraph. This will make your paragraphs clear, concise, and help you to construct a coherent argument.

Repeat this process for the other one or two literary devices that you’ve chosen to analyze, and then: take a step back.

Fourth: Draft your thesis 

Once you quickly sketch out your outline, take a moment to “stand back” and see what you’ve drafted. You’ll be able to see that, among your two or three literary devices, you can draw some commonality. You might be able to say, as the writer did here, that romantic and hyperbolic imagery “illustrate the speaker’s unenthusiastic opinion of the coming of autumn,” ultimately illuminating the poet’s idea “that change is difficult to accept but necessary for growth.”

This is an original argument built on the evidence accumulated by the student. It directly answers the prompt by discussing literary techniques that “convey the speaker’s complex response to the changing seasons.” Remember to go back to the prompt and see what direction they want you to head with your thesis, and craft an argument that directly speaks to that prompt.

Then, move ahead to finish your body paragraphs and conclusion.

Fifth: Give each literary device its own body paragraph 

In this essay, the writer examines the use of two literary devices that are supported by multiple pieces of evidence. The first is “romantic imagery” and the second is “hyperbolic imagery.” The writer dedicates one paragraph to each idea. You should do this, too.

This is why it’s important to choose just two or three literary devices. You really don’t have time to dig into more. Plus, more ideas will simply cloud the essay and confuse your reader.

Using your outline, start each body paragraph with a “mini claim” that makes an argument about what it is you’ll be saying in your paragraph. Lay out your pieces of evidence, then provide commentary for why your evidence proves your point about that literary device.

Move onto the next literary device, rinse, and repeat.

Sixth: Commentary and Conclusion 

Finally, you’ll want to end this brief essay with a concluding paragraph that restates your thesis, briefly touches on your most important points from each body paragraph, and includes a development of the argument that you laid out in the essay.

In this particular example essay, the writer concludes by saying, “Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.” This is a direct restatement of the thesis. At this point, you’ll have reached the end of your essay. Great work!

Seventh: Sophistication 

A final note on scoring criteria: there is one point awarded to what the scoring criteria calls “sophistication.” This is evidenced by the sophistication of thought and providing a nuanced literary analysis, which we’ve already covered in the steps above.

There are some things to avoid, however:

• Sweeping generalizations, such as, “From the beginning of human history, people have always searched for love,” or “Everyone goes through periods of darkness in their lives, much like the writer of this poem.”
• Only hinting at possible interpretations instead of developing your argument
• Oversimplifying your interpretation
• Or, by contrast, using overly flowery or complex language that does not meet your level of preparation or the context of the essay.

Remember to develop your argument with nuance and complexity and to write in a style that is academic but appropriate for the task at hand.

If you want more practice or to check out other exams from the past, go to the College Board’s website .

Brittany Borghi

After earning a BA in Journalism and an MFA in Nonfiction Writing from the University of Iowa, Brittany spent five years as a full-time lecturer in the Rhetoric Department at the University of Iowa. Additionally, she’s held previous roles as a researcher, full-time daily journalist, and book editor. Brittany’s work has been featured in The Iowa Review, The Hopkins Review, and the Pittsburgh City Paper, among others, and she was also a 2021 Pushcart Prize nominee.

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—AP Literary Argument—

When we plan our units at Literary Focus, we begin with the final essay first.  Because our ultimate goal is to prepare students for the rigor and challenge of college-level curricula, we use AP Literary Argument prompts from previous AP Literature exams for our final essays.  Since the AP Literary Argument prompt determines the focus of the entire unit, we need to establish our thematic goals first and then choose a prompt that best aligns with that purpose.  For example, when teaching Toni Morrison's  Beloved , we want students to examine how characters emotionally and psychologically handle traumatic experiences from their past.  To achieve that end, we chose the 2007 AP Literary Argument prompt for the final essay:

The 2007 AP prompt claims that "past events" can affect characters either "positively or negatively."  While it might be tempting to focus solely on the negative aspects of the past in a novel like  Beloved , we encourage students to explore the complexity of the issues raised in every AP prompt and avoid the either/or fallacy by turning the conjunction "or" into an "and."  In other words, how does the past affect characters both positively  and negatively?

In the first section of the novel, the narrator claims that Sethe devotes her days to the "serious work of beating back the past" (86).  One can surmise that Sethe thinks — at a subliminal level, at least — that if she represses her painful memories, she can focus on the present and perhaps find happiness in the future.  While Sethe's rejection of the past might have short-term advantages, Morrison makes clear that repressing the past will have debilitating consequences over time.  When Paul D arrives at 124 Bluestone Road, we find that he has adopted a similar strategy as Sethe.  Paul D has locked his painful thoughts and feelings inside a "tobacco tin buried in his chest where a red heart used to be.  Its lid rusted shut" (86).  By repressing these painful emotions, both Sethe and Paul D think they have given themselves space to focus on the present; however, Morrison suggests that their unwillingness to confront their traumatic pasts has also stunted their emotional and psychological growth.  Despite the "negative" associations that both characters have with the past, Morrison implies that the characters need to find ways to confront their painful memories in a "positive," life-affirming manner.   

We encourage students to explore the complexity embedded in every AP prompt, and when it comes time to write the essay, we have them use the rhetorical framework of Hegel's Dialectic to construct their arguments.  Hegel believed that in order to find the intellectual "truth" in any philosophical pursuit, one must use a thesis/antithesis/synthesis model to guide one's thinking:

In Hegel's terms, the "thesis" is not one's overall argument, but simply an initial claim that is contrasted with a complementary counter-claim, or "antithesis."  The thesis and antithesis are the focus of the first two body paragraphs in a student's essay, which creates complexity and tension that must be resolved in the concluding third body paragraph, or "synthesis."  The overall argument integrates all three elements, with one element leading logically to the next until it comes to a satisfying conclusion that reflects the overall theme of the work — or, to use the AP's terminology, "the meaning of the work as a whole."

Using Hegel's Dialectic prevents students from writing simplistic responses by creating complexity in their arguments.  For instance, when responding to the 2007 AP prompt, a student might argue in the first body paragraph (i.e. thesis) that Sethe and Paul D repress painful memories to help them live more fully in the present.  This argument could then lead to the second body paragraph (i.e. antithesis), where a student could argue that the coming of Beloved represents how the characters cannot live, however, in perpetual denial of the past, especially when it involves traumatic events.  Sethe's eventual embracing of Beloved, who symbolically represents the past, brings its own dire consequences.  One could argue that Sethe overcompensates after Beloved arrives, becoming so absorbed in her past that she cuts herself off from the present and the people around her.  Morrison suggests that there is a natural tension between these two appealing, yet ultimately self-destructive, responses to trauma that needs to be resolved in the student's third body paragraph (i.e. synthesis).  The resolution of this conflict not only becomes the focus of the concluding paragraph, but it also should reveal Morrison's overall theme in the novel, which the AP would call "the meaning of the work as a whole."

Below is what a sample four-paragraph AP Literary Argument essay on  Beloved  might look like using Hegel's Dialectic .  Note that the short introductory paragraph establishes the title, author, and argument by reflecting the focus (i.e. topic sentence) of each succeeding body paragraph.  Also, in the body paragraphs you will see that there are no direct quotes used since students will not have a copy of the text when they write their essays on the exam.  Students will still need to provide evidence to support their claims, however, by using indirect references to the text throughout their three body paragraphs.

The sample essay above is just one possible way to organize an argument on  Beloved  using the 2007 AP Literary Argument prompt.  When reading any prompt, students should examine it closely to consider the various options they may have in organizing their essays.  For instance, the 2007 prompt states that "past events" can affect characters not just "positively or negatively," but can also determine their "present actions, attitudes, and values."  In other words, the prompt wants students to consider what characters do  in the present that has potentially positive and/or negative impacts on the future.  Secondly, the prompt asks how characters  feel about the present based on what has happened in the past.  And, finally, the prompt wants us to examine what characters  believe  is important in the present as they grapple with the burdens of the past.  Since the major characters in Morrison's novel are not static, students should also examine how the characters' "actions, attitudes, and values" potentially  change over the course of the novel.

Another angle that the prompt suggests is how past events affect characters not just from a "personal" standpoint, but also from a "societal" one.  In this regard, students should consider the larger implications of Morrison's novel for our society and country as a whole.  How do the characters' "personal" struggles reflect the larger "societal" struggles that our country still faces in trying to overcome the traumatic legacy of slavery?  Since the novel was written in 1987, Morrison implies that the ghost of Beloved does not just haunt the characters in the novel, but that the specter of slavery continues to haunt our nation to this day.  Ultimately, readers need to consider how Morrison suggests we can potentially exorcise our "ghosts" of the past to move forward as a society and country.

When students conclude their AP Literary Argument essay in the third body paragraph, their essay should move beyond the text itself and consider what the author or playwright is trying to convey to the reader.  The ultimate theme of a novel or play should have relevance to our own lives and change the way we see ourselves, others, and the world around us.    When the AP prompt asks us to explore "the meaning of the work as a whole," we should discuss a universal message that is applicable to all readers — regardless of time, place, or circumstance.

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