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3 Easy Ways to Teach English to Small Children

3 ways to prevent ingrown hairs on your neck, how to eat dungeness crab, how to make a medicine ball: 9 steps, 3 ways to stop verbal abuse, 3 easy ways to clean old paintings on canvas, how to add autotext in word: 12 steps, 3 ways to style chin length hair, how to transfer mineral rights: 8 steps, 10 simple ways to win an aquarius woman back, exploring a sample concept paper for program development.

Introduction:

A concept paper is an essential tool for program developers, organizations, and research teams to provide an outline of the proposed project, define its goals, and specify the method of execution. This document usually serves as a starting point for gathering interest and support from stakeholders and potential collaborators. This article will present a sample concept paper for a program aiming to address the needs of underprivileged youth through access to education, mentorship, and skill development.

Background:

The problem faced by underprivileged youths in various societies is undeniable. Limited access to quality education, the absence of guidance from experienced mentors, and an overall lack of opportunities hinders personal and professional growth. The proposed program aims to eradicate these barriers by providing access to education, mentorship, and skill development opportunities tailored to these individuals’ needs.

Goal and Objectives:

The primary goal of this program is to empower underprivileged youth for successful integration into society by providing them with tools that will support their long-term success. The objectives include:

1.Designing educational modules focused on literacy, numeracy, life skills, and vocational training

2.Initiating mentorship programs led by experts in various fields

3.Developing partnerships with local businesses for job placements with skill-based training

4.Evaluating the program’s effectiveness through regular assessments

Target Population:

The target population consists primarily of underprivileged youths aged 15-24 years who face challenges in completing their basic education or securing jobs. The anticipated beneficiaries would come from low-income families or belong to disadvantaged communities that lack social support systems.

Implementation Strategy:

The program’s implementation is divided into several phases:

1.Research: Identifying the specific needs of the target population through surveys and fieldwork

2.Planning: Devising strategies for curriculum development, mentorship programs, partner collaborations, job placements, skill development activities

3.Execution: Setting up training centers, recruiting and training mentors, coordinating with partner organizations

4.Monitoring: Assessing the progress of each project component and ensuring the program’s successful implementation

5.Evaluation: Analyzing outcomes, reporting results, identifying areas for improvement

Potential Outcomes:

The successful implementation of the program is expected to yield the following outcomes:

1.Improved literacy and numeracy among participants

2.Enhanced life skills and vocational knowledge

3.Increased access to quality mentorship and guidance

4.Greater employability and job placement opportunities for participants

5.Contribution to societal development through educated and skilled youths

Conclusion:

This sample concept paper provides a model for program developers working towards empowering underprivileged youths through education, mentorship, and skill development initiatives. The framework includes clearly defined goals, objectives, target demographics, implementation strategies, and anticipated outcomes. A well-crafted concept paper is essential for garnering support from stakeholders and partners necessary for the successful realization of the program goals and objectives.

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Concept Papers in Research: Deciphering the blueprint of brilliance

Concept papers hold significant importance as a precursor to a full-fledged research proposal in academia and research. Understanding the nuances and significance of a concept paper is essential for any researcher aiming to lay a strong foundation for their investigation.

Table of Contents

What Is Concept Paper

A concept paper can be defined as a concise document which outlines the fundamental aspects of a grant proposal. It outlines the initial ideas, objectives, and theoretical framework of a proposed research project. It is usually two to three-page long overview of the proposal. However, they differ from both research proposal and original research paper in lacking a detailed plan and methodology for a specific study as in research proposal provides and exclusion of the findings and analysis of a completed research project as in an original research paper. A concept paper primarily focuses on introducing the basic idea, intended research question, and the framework that will guide the research.

Purpose of a Concept Paper

A concept paper serves as an initial document, commonly required by private organizations before a formal proposal submission. It offers a preliminary overview of a project or research’s purpose, method, and implementation. It acts as a roadmap, providing clarity and coherence in research direction. Additionally, it also acts as a tool for receiving informal input. The paper is used for internal decision-making, seeking approval from the board, and securing commitment from partners. It promotes cohesive communication and serves as a professional and respectful tool in collaboration.

These papers aid in focusing on the core objectives, theoretical underpinnings, and potential methodology of the research, enabling researchers to gain initial feedback and refine their ideas before delving into detailed research.

Key Elements of a Concept Paper

Key elements of a concept paper include the title page , background , literature review , problem statement , methodology, timeline, and references. It’s crucial for researchers seeking grants as it helps evaluators assess the relevance and feasibility of the proposed research.

Writing an effective concept paper in academic research involves understanding and incorporating essential elements:

How to Write a Concept Paper?

To ensure an effective concept paper, it’s recommended to select a compelling research topic, pose numerous research questions and incorporate data and numbers to support the project’s rationale. The document must be concise (around five pages) after tailoring the content and following the formatting requirements. Additionally, infographics and scientific illustrations can enhance the document’s impact and engagement with the audience. The steps to write a concept paper are as follows:

1. Write a Crisp Title:

Choose a clear, descriptive title that encapsulates the main idea. The title should express the paper’s content. It should serve as a preview for the reader.

2. Provide a Background Information:

Give a background information about the issue or topic. Define the key terminologies or concepts. Review existing literature to identify the gaps your concept paper aims to fill.

3. Outline Contents in the Introduction:

Introduce the concept paper with a brief overview of the problem or idea you’re addressing. Explain its significance. Identify the specific knowledge gaps your research aims to address and mention any contradictory theories related to your research question.

4. Define a Mission Statement:

The mission statement follows a clear problem statement that defines the problem or concept that need to be addressed. Write a concise mission statement that engages your research purpose and explains why gaining the reader’s approval will benefit your field.

5. Explain the Research Aim and Objectives:

Explain why your research is important and the specific questions you aim to answer through your research. State the specific goals and objectives your concept intends to achieve. Provide a detailed explanation of your concept. What is it, how does it work, and what makes it unique?

6. Detail the Methodology:

Discuss the research methods you plan to use, such as surveys, experiments, case studies, interviews, and observations. Mention any ethical concerns related to your research.

7. Outline Proposed Methods and Potential Impact:

Provide detailed information on how you will conduct your research, including any specialized equipment or collaborations. Discuss the expected results or impacts of implementing the concept. Highlight the potential benefits, whether social, economic, or otherwise.

8. Mention the Feasibility

Discuss the resources necessary for the concept’s execution. Mention the expected duration of the research and specific milestones. Outline a proposed timeline for implementing the concept.

9. Include a Support Section:

Include a section that breaks down the project’s budget, explaining the overall cost and individual expenses to demonstrate how the allocated funds will be used.

10. Provide a Conclusion:

Summarize the key points and restate the importance of the concept. If necessary, include a call to action or next steps.

Although the structure and elements of a concept paper may vary depending on the specific requirements, you can tailor your document based on the guidelines or instructions you’ve been given.

Here are some tips to write a concept paper:

Example of a Concept Paper

Here is an example of a concept paper. Please note, this is a generalized example. Your concept paper should align with the specific requirements, guidelines, and objectives you aim to achieve in your proposal. Tailor it accordingly to the needs and context of the initiative you are proposing.

 Download Now!

Importance of a Concept Paper

Concept papers serve various fields, influencing the direction and potential of research in science, social sciences, technology, and more. They contribute to the formulation of groundbreaking studies and novel ideas that can impact societal, economic, and academic spheres.

A concept paper serves several crucial purposes in various fields:

In summary, a well-crafted concept paper is essential in outlining a clear, concise, and structured framework for new ideas or proposals. It helps in assessing the feasibility, viability, and potential impact of the concept before investing significant resources into its implementation.

How well do you understand concept papers? Test your understanding now! 

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Role of AI in Writing Concept Papers

The increasing use of AI, particularly generative models, has facilitated the writing process for concept papers. Responsible use involves leveraging AI to assist in ideation, organization, and language refinement while ensuring that the originality and ethical standards of research are maintained.

AI plays a significant role in aiding the creation and development of concept papers in several ways:

1. Idea Generation and Organization

AI tools can assist in brainstorming initial ideas for concept papers based on key concepts. They can help in organizing information, creating outlines, and structuring the content effectively.

2. Summarizing Research and Data Analysis

AI-powered tools can assist in conducting comprehensive literature reviews, helping writers to gather and synthesize relevant information. AI algorithms can process and analyze vast amounts of data, providing insights and statistics to support the concept presented in the paper.

3. Language and Style Enhancement

AI grammar checker tools can help writers by offering grammar, style, and tone suggestions, ensuring professionalism. It can also facilitate translation, in case a global collaboration.

4. Collaboration and Feedback

AI platforms offer collaborative features that enable multiple authors to work simultaneously on a concept paper, allowing for real-time contributions and edits.

5. Customization and Personalization

AI algorithms can provide personalized recommendations based on the specific requirements or context of the concept paper. They can assist in tailoring the concept paper according to the target audience or specific guidelines.

6. Automation and Efficiency

AI can automate certain tasks, such as citation formatting, bibliography creation, or reference checking, saving time for the writer.

7. Analytics and Prediction

AI models can predict potential outcomes or impacts based on the information provided, helping writers anticipate the possible consequences of the proposed concept.

8. Real-Time Assistance

AI-driven chat-bots can provide real-time support and answers to specific questions related to the concept paper writing process.

AI’s role in writing concept papers significantly streamlines the writing process, enhances the quality of the content, and provides valuable assistance in various stages of development, contributing to the overall effectiveness of the final document.

Concept papers serve as the stepping stone in the research journey, aiding in the crystallization of ideas and the formulation of robust research proposals. It the cornerstone for translating ideas into impactful realities. Their significance spans diverse domains, from academia to business, enabling stakeholders to evaluate, invest, and realize the potential of groundbreaking concepts.

Frequently Asked Questions

A concept paper can be defined as a concise document outlining the fundamental aspects of a grant proposal such as the initial ideas, objectives, and theoretical framework of a proposed research project.

A good concept paper should offer a clear and comprehensive overview of the proposed research. It should demonstrate a strong understanding of the subject matter and outline a structured plan for its execution.

Concept paper is important to develop and clarify ideas, develop and evaluate proposal, inviting collaboration and collecting feedback, presenting proposals for academic and research initiatives and allocating resources.

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We propose a novel architecture and method of explainable classification with Concept Bottleneck Models (CBMs). While SOTA approaches to Image Classification task work as a black box, there is a growing demand for models that would provide interpreted results. Such a models often learn to predict the distribution over class labels using additional description of this target instances, called concepts. However, existing Bottleneck methods have a number of limitations: their accuracy is lower than that of a standard model and CBMs require an additional set of concepts to leverage. We provide a framework for creating Concept Bottleneck Model from pre-trained multi-modal encoder and new CLIP-like architectures. By introducing a new type of layers known as Concept Bottleneck Layers, we outline three methods for training them: with $\ell_1$-loss, contrastive loss and loss function based on Gumbel-Softmax distribution (Sparse-CBM), while final FC layer is still trained with Cross-Entropy. We show a significant increase in accuracy using sparse hidden layers in CLIP-based bottleneck models. Which means that sparse representation of concepts activation vector is meaningful in Concept Bottleneck Models. Moreover, with our Concept Matrix Search algorithm we can improve CLIP predictions on complex datasets without any additional training or fine-tuning. The code is available at: https://github.com/Andron00e/SparseCBM.

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Le Corbusier’s triumphant return to Moscow

The exhibition of French prominent architect Le Corbusier, held in The Pushkin Museum, brings together the different facets of his talent. Source: ITAR-TASS / Stanislav Krasilnikov

The largest Le Corbusier exhibition in a quarter of a century celebrates the modernist architect’s life and his connection with the city.

Given his affinity with Moscow, it is perhaps surprising that the city had never hosted a major examination of Le Corbusier’s work until now. However, the Pushkin Museum and the Le Corbusier Fund have redressed that discrepancy with the comprehensive exhibition “Secrets of Creation: Between Art and Architecture,” which runs until November 18.

Presenting over 400 exhibits, the exhibition charts Le Corbusier’s development from the young man eagerly sketching buildings on a trip around Europe, to his later years as a prolific and influential architect.

The exhibition brings together the different facets of his talent, showing his publications, artwork and furniture design alongside photographs, models and blueprints of his buildings.

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Irina Antonova, director of the Pushkin Museum, said, “It was important for us to also exhibit his art. People know Le Corbusier the architect, but what is less well know is that he was also an artist. Seeing his art and architecture together gives us an insight into his mind and his thought-processes.”

What becomes obvious to visitors of the exhibition is that Le Corbusier was a man driven by a single-minded vision of how form and lines should interact, a vision he was able to express across multiple genres.

The upper wings of the Pushkin Museum are separated by the central stairs and two long balconies. The organizers have exploited this space, allowing comparison of Le Corbusier’s different art forms. On one side there are large paintings in the Purist style he adapted from Cubism, while on the other wall there are panoramic photographs of his famous buildings.

Le Corbusier was a theorist, producing many pamphlets and manifestos which outlined his view that rigorous urban planning could make society more productive and raise the average standard of living.

It was his affinity with constructivism, and its accompanying vision of the way architecture could shape society, which drew him to visit the Soviet Union, where, as he saw it, there existed a “nation that is being organized in accordance with its new spirit.”

The exhibition’s curator Jean-Louis Cohen explains that Le Corbusier saw Moscow as “somewhere he could experiment.” Indeed, when the architect was commissioned to construct the famous Tsentrosoyuz Building, he responded by producing a plan for the entire city, based on his concept of geometric symmetry.

Falling foul of the political climate

He had misread the Soviet appetite for experimentation, and as Cohen relates in his book Le Corbusier, 1887-1965, drew stinging attacks from the likes of El Lissitsky, who called his design “a city on paper, extraneous to living nature, located in a desert through which not even a river must be allowed to pass (since a curve would contradict the style).”

Not to be deterred, Le Corbusier returned to Moscow in 1932 and entered the famous Palace of the Soviets competition, a skyscraper that was planned to be the tallest building in the world.

This time he fell foul of the changing political climate, as Stalin’s growing suspicion of the avant-garde led to the endorsement of neo-classical designs for the construction, which was ultimately never built due to the Second World War.

Situated opposite the proposed site for the Palace of the Soviets, the exhibition offers a tantalizing vision of what might have been, presenting scale models alongside Le Corbusier’s plans, and generating the feeling of an un-built masterpiece.

Despite Le Corbusier’s fluctuating fortunes in Soviet society, there was one architect who never wavered in his support . Constructivist luminary Alexander Vesnin declared that the Tsentrosoyuz building was the "the best building to arise in Moscow for over a century.”

The exhibition sheds light on their professional and personal relationship, showing sketches and letters they exchanged. In a radical break from the abstract nature of most of Le Corbusier’s art, this corner of the exhibition highlights the sometimes volatile architect’s softer side, as shown through nude sketches and classical still-life paintings he sent to Vesnin.

“He was a complex person” says Cohen. “It’s important to show his difficult elements; his connections with the USSR, with Mussolini. Now that relations between Russia and the West have improved, we can examine this. At the moment there is a new season in Le Corbusier interpretation.” To this end, the exhibition includes articles that have never previously been published in Russia, as well as Le Corbusier’s own literature.

Completing Le Corbusier’s triumphant return to Russia is a preview of a forthcoming statue, to be erected outside the Tsentrosoyuz building. Even if she couldn’t quite accept his vision of a planned city, Moscow is certainly welcoming him back.

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Office: Vehicle Technologies Office FOA number:  DE-FOA-0003248 Link to apply:  Apply on EERE Exchange FOA Amount: $45,800,000

Today, the Department of Energy (DOE) announced $45.8 million in new funding for projects that will advance research, development, demonstration, and deployment (RDD&D) critical to achieving net-zero greenhouse gas emissions in the transportation sector. The funding will drive innovation in equitable clean transportation and is aligned with strategies detailed in the U.S. National Blueprint for Transportation Decarbonization . 

The funding is through DOE’s Office of Energy Efficiency and Renewable Energy (EERE). Topic areas in the Vehicle Technologies Office (VTO) Fiscal Year (FY) 2024 R&D funding opportunity include:

• Next-generation phosphate-based cathodes.
• Advancing the state of the art for sodium-ion batteries.
• Developing concepts for decreasing greenhouse gas emissions from off-road vehicles such as construction, agriculture, mining, and forestry vehicles.
• Developing and deploying vehicle-to-everything technologies that can lead to meaningful savings at the vehicle and transportation system level.
• Developing high-performance, domestically produced electrical steels (E-steels) for use in electrified powertrains.
• Addressing critical cybersecurity needs for smart and secure electric vehicle charging.

As part of the Biden-Harris Administration’s commitment to ensuring the benefits of a clean transportation system are shared equally, the funding seeks the participation of underserved communities and underrepresented groups. Applicants are required to describe how diversity, equity, and inclusion objectives will be incorporated into their project. 

VTO provides a series of funding opportunity announcement (FOA) information session videos , which help applicants understand VTO’s FOA process and requirements. The recently released, Session 3: Tips for a Strong FOA Application, includes best practices for incorporating Diversity, Equity, Inclusion, and Accessibility in a project.

Learn more about this and other funding opportunities on VTO’s funding webpage . 

Topic Areas

Topic Area 1: Next-Generation Phosphate-Based Cathodes

This topic area targets the development of phosphate-based cathode materials that surpass the performance of state-of-the-art lithium iron phosphate (LFP) cathode materials, which are currently gaining traction as an alternative low-cost solution. The primary objective of this area of interest is to develop high energy density battery cells containing phosphate-based cathodes at the material and cell level.

Topic Area 2: Na-ion Battery Seedling Projects for Electric Vehicle Applications

While shifting to alternative cathode materials like LFP can alleviate the impact of nickel and cobalt, the impact of lithium has not been adequately addressed. One alternative to lithium is sodium (Na). While there is much promise for Na-ion chemistries, key issues still limit their adoption. This objective of this topic area is to advance the state of the art for Na-ion batteries by solving key challenges for the cathode, anode, or electrolyte through the development of 1 Ah full cells utilizing cell chemistries that are significant advancements over current industry state-of-the-art Na-ion technology.

Topic Area 3: Low-GHG Concepts for Off-Road Vehicles

The objective of this topic area is to develop and validate technology concepts capable of significantly decreasing greenhouse gas emissions, energy use, harmful criteria emissions, and total cost of ownership across the entire off-road vehicle sector, including construction, agriculture, mining, forestry, ports, warehouses, etc. Concepts must demonstrate they can meet the unique requirements for off-road vehicles and gain customer acceptance.

Topic Area 4: Saving Energy with Connectivity

Research has shown that vehicle-to-everything (V2X) communications can lead to meaningful energy savings at the vehicle and transportation system level by integrating interoperable vehicle-to-vehicle (V2V), vehicle-to-infrastructure (V2I), and vehicle-to-pedestrian (V2P) communications. The objective of this topic area is to develop and deploy V2X technologies with a focus on the efficiency and convenience of the mobility ecosystem, while reducing transportation’s environmental impacts. Examples could include but are not limited to eco-driving along connected corridors, transit or freight priority, integrated corridor management, or passenger or freight trip-chaining optimization.

Topic Area 5: Domestically Produced Electrical Steels (E-Steels)

The US transportation sector is in a technology revolution where light-duty vehicles are rapidly transitioning from internal combustion engines to electrified powertrains. Although most of the vehicles are produced in the US, many of the powertrain components rely on imports and foreign supply chains. Of particular interest are traction motors and their components. The objective of this topic are is to develop E-Steels meeting properties including frequency, thickness, ductility, cost, and manufacturability. 

Topic Area 6: Cybersecurity for Smart and Secure Electric Vehicle Charging

This topic area is addressing critical cybersecurity needs to address through two subtopics: 

• Subtopic 6.a: Enabling Wide-scale, Cybersecure EV/EVSE Aggregation for Grid Services :  To support the integration of electric vehicles (EVs) and their charging requirements with the electric grid, both government and the private sector have made significant investments in the development of smart charge management (SCM) systems and technologies for EV charging infrastructure. The objective of this subtopic area is to research, develop, and demonstrate systems, technologies, and tools necessary for the cybersecure aggregation of EVs and charging infrastructure to provide widescale, cybersecure grid services.
• Subtopic 6.b: Tools to Assess EV/EVSE/Charging System Cybersecurity Posture and Compliance with Standards and Protocols for Communications, Controls, and Monitoring :   Testing and evaluation of Electric Vehicle Supply Equipment (EVSE) by DOE national laboratories has clearly indicated a lack of compliance by many vendors with certified and/or regulated EV charging standards and protocols. In addition to creating cybersecurity vulnerabilities, this non-compliance greatly inhibits interoperability, supplier-managed SCM, and right-to-repair. The objective of this subtopic is to research, develop, and validate a suite of tools and associated procedures to comprehensively assess EV/EVSE/charging system compliance with relevant standards and protocols and cybersecurity posture.

Additional Information

• Download the full funding opportunity  on the EERE Exchange website.
• For FOA-specific support, contact  [email protected] . 
• Sign up for the  Office of Energy Efficiency and Renewable Energy (EERE) funding email list  to get notified of new EERE funding opportunities. Also sign up for  VTO’s newsletter to stay current with the latest news.
• Watch the VTO Funding Opportunity Announcement information series webinars.

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Title: robust concept erasure using task vectors.

Abstract: With the rapid growth of text-to-image models, a variety of techniques have been suggested to prevent undesirable image generations. Yet, these methods often only protect against specific user prompts and have been shown to allow unsafe generations with other inputs. Here we focus on unconditionally erasing a concept from a text-to-image model rather than conditioning the erasure on the user's prompt. We first show that compared to input-dependent erasure methods, concept erasure that uses Task Vectors (TV) is more robust to unexpected user inputs, not seen during training. However, TV-based erasure can also affect the core performance of the edited model, particularly when the required edit strength is unknown. To this end, we propose a method called Diverse Inversion, which we use to estimate the required strength of the TV edit. Diverse Inversion finds within the model input space a large set of word embeddings, each of which induces the generation of the target concept. We find that encouraging diversity in the set makes our estimation more robust to unexpected prompts. Finally, we show that Diverse Inversion enables us to apply a TV edit only to a subset of the model weights, enhancing the erasure capabilities while better maintaining the core functionality of the model.

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Reimagining Design with Nature: ecological urbanism in Moscow

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• Volume 1 , pages 233–247, ( 2019 )

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The twenty-first century is the era when populations of cities will exceed rural communities for the first time in human history. The population growth of cities in many countries, including those in transition from planned to market economies, is putting considerable strain on ecological and natural resources. This paper examines four central issues: (a) the challenges and opportunities presented through working in jurisdictions where there are no official or established methods in place to guide regional, ecological and landscape planning and design; (b) the experience of the author’s practice—Gillespies LLP—in addressing these challenges using techniques and methods inspired by McHarg in Design with Nature in the Russian Federation in the first decade of the twenty-first century; (c) the augmentation of methods derived from Design with Nature in reference to innovations in technology since its publication and the contribution that the art of landscape painters can make to landscape analysis and interpretation; and (d) the application of this experience to the international competition and colloquium for the expansion of Moscow. The text concludes with a comment on how the application of this learning and methodological development to landscape and ecological planning and design was judged to be a central tenant of the winning design. Finally, a concluding section reflects on lessons learned and conclusions drawn.

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The landscape team from Gillespies Glasgow Studio (Steve Nelson, Graeme Pert, Joanne Walker, Rory Wilson and Chris Swan) led by the author and all our collaborators in the Capital Cities Planning Group.

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Evans, B.M. Reimagining Design with Nature: ecological urbanism in Moscow. Socio Ecol Pract Res 1 , 233–247 (2019). https://doi.org/10.1007/s42532-019-00031-5

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Published : 10 September 2019

Issue Date : October 2019

DOI : https://doi.org/10.1007/s42532-019-00031-5

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A brief about the founder

The company Paper Concepts was founded by Muffaddal Kagalwala , Graduated in Accounting and finance, started working as a sales manager for a Dubai based company in travel and tourism, And eventually putting all the expertise of that job into the business. There is no such hobby which i pursue but i love playing cricket And travelling.

What is Paper Concepts all about? And why the name?

Paper concepts  was founded in December,2015 

We are into Manufacturing of Customised Paper Bags, Boxes,Hamper boxes, and MDF products

Since we are dealing into all of Paper items,we thought of this name and at the same time trying to keep it simple, you get your concept and we would create it.

What was the idea and concept behind coming up with it?

The idea was to give the complicated line of printing  simple solutions and just to reach out to people who have been getting things done from different vendors

We try to create unusual gift items at the most reasonable rates.

Paperconcepts

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• iCity: the new Moscow high-tech complex of two skyscrapers d...

iCity: the new Moscow high-tech complex of two skyscrapers designed by CPU PRIDE and Helmut Jahn architects

Architect's statement: "iCity" is an important project for CPU PRIDE , in which we act as the general designer. The team of CPU PRIDE worked on the project for the developer MR Group together with one of the most famous architects, the author of the architectural concept "iCity" - Helmut Jan.

iCity is an architectural composition of 2 strict and minimalistic «Space and Time" towers of 34 and 61 floors. At the base  the towers are united by an 8-story stylobate with a trafficable green roof  and an atrium space inside.

Despite the limited site, the team managed to turn the location in the most constrained conditions of the traffic interchange, with many planning restrictions, into an advantage of the accessibility of various modes of transport. It is worth noting that "iCity" is designed taking into account global trends in energy efficiency, including the building divided into several blocks that can operate autonomously.

Working on iCity we developed our own approaches and methodologies for BIM modeling, compiled roadmaps for design and developed BIM standards for this project. We would like to note that the work on development of new approaches and methods for BIM modeling also had a training and educational function for the PRIDE  team.

Building services density is one of the main features of iCity. It prompted us to use new approaches to find and eliminate collisions. These approaches actively used the programming tools "Dynamo" and "Python" under PyRevit. Quite a few scripts and plugins were written to automate routine tasks.  For example: "cutting shafts and holes for utility networks," "autocomplete parameters for the BIM standard of the customer", "model checker, for model validation" and much more.

All this helped to control a huge amount of information coming in and out of related departments, find and correct errors faster, and, as a result, provide the customer with the most detailed model for holding a tender.

The project also involves: MB-Project, Metropolis, Gillespies, Priedemann, Clancy Engineering, Werner Sobek, Jappsen, L-Plan, Arteza.

Creative Production Union PRIDE handles a full line-up of services: from creating concepts to leveraging urban potential; creation of design development and construction documentation of buildings and supervision of the construction phase.

Today, the company employs more than 120  highly qualified specialists, including 70 architects. We not only provide architectural design, but also master plan development, structural and engineering projects, as well as on-site supervision and cost estimation.

By Naser Nader Ibrahim

• Russian Federation
• Helmut Jahn architects
• Helmut Jahn
• Myznikova Elena
• Public and Business Center
• Jahn Architecture
• Creative Production Union PRIDE

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Unesco social media, kremlin and red square, moscow.

• Description

Inextricably linked to all the most important historical and political events in Russia since the 13th century, the Kremlin (built between the 14th and 17th centuries by outstanding Russian and foreign architects) was the residence of the Great Prince and also a religious centre. At the foot of its ramparts, on Red Square, St Basil's Basilica is one of the most beautiful Russian Orthodox monuments.

Description is available under license CC-BY-SA IGO 3.0

Le Kremlin et la place Rouge, Moscou

Indissolublement lié à tous les événements historiques et politiques les plus importants survenus en Russie depuis le XIII e siècle, le Kremlin a été construit entre le XIV e et le XVII e siècle par des architectes russes et étrangers exceptionnels. C'était la résidence du grand-prince ainsi qu'un centre religieux. Au pied de ses remparts, sur la place Rouge, s'élève la basilique Basile-le-Bienheureux, l'un des plus beaux monuments de l'art orthodoxe.

الكرملين والساحة الحمراء، موسكو

يرتبط الكرملين ارتباطاً وثيقاً بجميع الأحداث التاريخيّة والسياسيّة المهمّة التي توالت على روسيا منذ القرن الثالث عشر ولقد جرى تشييده بين القرنين الرابع والسابع عشر على يد مهندسين روس وأجانب استثنائيين. وكان الكرملين مقرّ الأمير الكبير كما كان مركزاً دينيّاً. عند أسفل أسواره في الساحة الحمراء شيدت بازيليك القديس بازيل وهي من أروع تحف الفنّ الأرثوذكسي.

source: UNESCO/CPE Description is available under license CC-BY-SA IGO 3.0

莫斯科克里姆林宫和红场

由俄罗斯和外国建筑家于14世纪至17世纪共同修建的克里姆林宫，作为沙皇的住宅和宗教中心，与13世纪以来俄罗斯所有最重要的历史事件和政治事件密不可分。在红场上防御城墙的脚下坐落的圣瓦西里教堂是俄罗斯传统艺术最漂亮的代表作之一。

El kremlin y la Plaza Roja de Moscú

Indisolublemente vinculado a los más trascendentales acontecimientos históricos y políticos de Rusia desde el siglo XIII, el kremlin de Moscú fue construido entre los siglos XIV y XVII por toda una serie de excelentes arquitectos rusos y extranjeros. Además de ser la residencia del Gran Príncipe, fue un importante centro religioso. Al pie de sus murallas, en la Plaza Roja, se alza la basílica de San Basilio el Bienaventurado, uno de los más hermosos monumentos de arte ortodoxo.

モスクワのクレムリンと赤の広場

source: NFUAJ

Kremlin en Rode Plein, Moskou

Het Kremlin is onlosmakelijk verbonden met alle belangrijke historische en politieke gebeurtenissen in Rusland sinds de 13e eeuw. Het werd door de Grote Prins Yuri van Kiev gesticht als residentie en religieus centrum. De bouw vond plaats tussen de 14e en 17e eeuw en het ontwerp was in handen van uitstekende Russische en buitenlandse architecten. Binnen de muren van het Kremlin vindt men een reeks meesterwerken qua architectuur, maar ook beeldende kunst en religieuze monumenten van uitzonderlijke schoonheid. Aan de voet van de stadsmuren, op het Rode Plein, bevindt zich een van de mooiste Russisch-orthodoxe monumenten, de Pokrovkathedraal ook wel Basiliuskathedraal genoemd.

Source: unesco.nl

Outstanding Universal Value

Brief synthesis

At the geographic and historic centre of Moscow, the Moscow Kremlin is the oldest part of the city. First mentioned in the Hypatian Chronicle in 1147 as a fortification erected on the left bank of the Moskva river by Yuri Dolgoruki, Prince of Suzdal, the Kremlin developed and grew with settlements and suburbs which were further surrounded by new fortifications - Kitaigorodsky Wall, Bely Gorod, Zemlyanoy Gorod and others. This determined a radial and circular plan of the centre of Moscow typical of many other Old Russian cities.

In 13th century the Kremlin was the official residence of supreme power - the center of temporal and spiritual life of the state. The Kremlin of the late 15th – early 16th century is one of the major fortifications of Europe (the stone walls and towers of present day were erected in 1485–1516). It contains an ensemble of monuments of outstanding quality.

The most significant churches of the Moscow Kremlin are situated on the Cathedral Square; they are the Cathedral of the Dormition, Church of the Archangel, Church of the Annunciation and the bell tower of Ivan Veliki. Almost all of them were designed by invited Italian architects which is clearly seen in their architectural style. The five-domed Assumption Cathedral (1475–1479) was built by an Italian architect Aristotele Fiorvanti. Its interior is decorated with frescos and a five-tier iconostasis (15th–17th century). The cathedral became the major Russian Orthodox church; a wedding and coronation place for great princes, tsars and emperors as well as the shrine for metropolitans and patriarchs.

In the same square another Italian architect, Alevisio Novi, erected the five-domed Church of the Archangel in 1505-1508. From the 17th to 19th century, its interior was decorated by wonderful frescos and an iconostasis. In this church many great princes and tsars of Moscow are buried. Among them are Ivan I Kalita, Dmitri Donskoi, Ivan III, Ivan IV the Terrible, Mikhail Fedorovich and Alexei Mikhailovich Romanovs.

The Cathedral of the Dormition was built by Pskov architects in 1484–1489. Inside the cathedral some mural paintings of 16th–19th century have been preserved and the icons of Andrei Rublev and Theophanes the Greek are part of the iconostasis.

In 1505-1508 the bell tower of Ivan Veliki was built. Being 82 metres high it was the highest building in Russia which became the focal point of the Kremlin ensemble.

Among the oldest civil buildings of the Moscow Kremlin, the Palace of the Facets (1487–1491) is the most remarkable. Italian architects Marco Fryazin and Pietro Antonio Solario built it as a great hall for holding state ceremonies, celebrations and for receiving foreign ambassadors. The most noteworthy civil construction of the 17th century built by Russian masters is the Teremnoi Palace.

From the early 18th century, when the capital of Russia moved to St. Petersburg, the Kremlin mainly played a ceremonial role with religious functions. By the end of the century the architectural complex of the Kremlin expanded with the Arsenal reconstructed after the Fire of 1797 by Matvei Kazakov. The Senate was built in 1776–1787 according to the plans of the same architect as the home of the highest agency of State power of the Russian Empire - the Ruling Senate. Today it is the residence of the President of Russia.

From 1839 to 1849 a Russian architect K.A. Thon erected the Great Kremlin Palace as a residence of the imperial family which combined ancient Kremlin buildings such as the Palace of the Facets, the Tsarina’s Golden Chamber, Master Chambers, the Teremnoi Palace and the Teremnoi churches. In the Armory Chamber built by K.A. Thon within the complex of the Great Kremlin Palace, there is a 16th century museum officially established by the order of Alexander I in 1806.

Red Square, closely associated with the Kremlin, lies beneath its east wall. At its south end is the famous Pokrovski Cathedral (Cathedral of St Basil the Blessed), one of the most beautiful monuments of Old Russian church architecture, erected in 1555–1560 to commemorate the victory of Ivan the Terrible over the Kazan Khanate. In the 17th century the cathedral gained its up-to-date appearance thanks to the decorative finishing of the domes and painting both inside and outside the cathedral. The construction of Red Square was finished by the late 19th century together with the erection of the Imperial Historic Museum (today the State Historical Museum), the Upper Trading Rows (GUM) and the Middle Trading Rows. In 1929, , Lenin’s Mausoleum, designed by A.V. Shchusev and an outstanding example of the Soviet monumental architecture, was finished.

Criterion (i) : The Kremlin contains within its walls a unique series of masterpieces of architecture and the plastic arts. There are religious monuments of exceptional beauty such as the Church of the Annunciation, the Cathedral of the Dormition, the Church of the Archangel and the bell tower of Ivan Veliki; there are palaces such as the Great Palace of the Kremlin, which comprises within its walls the Church of the Nativity of the Virgin and the Teremnoi Palace. On Red Square is Saint Basil the Blessed, still a major edifice of Russian Orthodox art.

Criterion (ii) : Throughout its history, Russian architecture has clearly been affected many times by influences emanating from the Kremlin. A particular example was the Italian Renaissance. The influence of the style was clearly felt when Rudolfo Aristotele Fioravanti built the Cathedral of the Dormition (1475-79) and grew stronger with the construction of the Granovitaya Palace (Hall of the Facets, 1487-91) by Marco Fryazin and Pietro Antonio Solario. Italian Renaissance also influenced the towers of the fortified enceinte, built during the same period by Solario, using principles established by Milanese engineers (the Nikolskaya and the Spasskaya Towers both date from 1491). The Renaissance expression was even more present in the classic capitals and shells of the Church of the Archangel, reconstructed from 1505 to 1509 by Alevisio Novi.

Criterion (iv) : With its triangular enceinte pierced by four gates and reinforced with 20 towers, the Moscow Kremlin preserves the memory of the wooden fortifications erected by Yuri Dolgoruki around 1156 on the hill at the confluence of the Moskova and Neglinnaya rivers (the Alexander Garden now covers the latter). By its layout and its history of transformations (in the 14th century Dimitri Donskoi had an enceinte of logs built, then the first stone wall), the Moscow Kremlin is the prototype of a Kremlin - the citadel at the centre of Old Russian towns such as Pskov, Tula, Kazan or Smolensk.

Criterion (vi) : From the 13th century to the founding of St Petersburg, the Moscow Kremlin was directly and tangibly associated with every major event in Russian history. A 200-year period of obscurity ended in 1918 when it became the seat of government again. The Mausoleum of Lenin on Red Square is the Soviet Union’s prime example of symbolic monumental architecture. To proclaim the universal significance of the Russian revolution, the funerary urns of heroes of the revolution were incorporated into the Kremlin’s walls between the Nikolskaya and Spasskaya towers. The site thus combines in an exceptional manner the preserved vestiges of bygone days with present-day signs of one of the greatest events in modern history.

From the date of including the Moscow Kremlin and Red Square on the World Heritage List all the components representing the Outstanding Universal Value of the property are within its boundaries. The territory and the integrity of the World Heritage property have also remained unchanged. Within its boundaries the property still comprises all the elements that it contained at the date of nomination. The biggest threat, however, is unregulated commercial development of the adjacent areas.

Authenticity

The history of the Moscow Kremlin and Red Square is reflected in the archival documents of 12th–19th century, for example in medieval chronicles, cadastral surveys, estimated construction books, painted lists, inventories, foreign notes and in graphic matters such as manuscripts, chronicles, plans, drafts, engravings, lithographs, sketches of foreign travelers, paintings and photographs. These documents are exceptionally valuable information sources. Comparison of the data received from archival documents and those obtained in the process of field study gives the idea of authenticity of  the property and its different elements. This comparison also serves as the basis for project development and for the choice of the appropriate methods of restoration that may preserve the monuments’ authenticity.

On the border of the ensemble a number of monuments destroyed in the 1930s were reconstructed according to measured plans.

Protection and management requirements

The statutory and institutional framework of an effective protection, management and improvement of the World Heritage property “Kremlin and Red Square, Moscow” has been established by laws and regulations of the Russian Federation and the city of Moscow.

According to the decree of the President of RSFSR of 18 December 1991 № 294, the Moscow Kremlin was included among especially protected cultural properties of nations of Russia - the highest conservation status for cultural and historical monuments in Russian legislation.

“Kremlin and Red Square, Moscow” is a Cultural Heritage Site of federal importance. State protection and management of federal sites is provided by Federal Law of 25.06.2002 № 73-FZ “On cultural heritage sites (historical and cultural monuments) of nations of the Russian Federation”. The federal executive body responsible for protection of the cultural property is the Department for Control, Supervision and Licensing in the Cultural Heritage Sphere of the Ministry of Culture of the Russian Federation.It is in charge of all methodological and control functions concerning restoration, usage and support of cultural heritage sites and the territories connected.

The World Heritage property is situated in the urban environment of Moscow. The city policy regarding cultural heritage protection and town-planning regulation is the responsibility of Moscow City Government, represented by the Department of Cultural Heritage, the Department of Urban Development and the Committee for Urban Development and Architecture of Moscow. In 1997 the boundaries of the protective (buffer) zone were approved in order to preserve the property, and to maintain and restore the historical architectural environment as well as the integral visual perception of the property.. There is a need to ensure the creation of an appropriate buffer zone and to develop close liaison between all stakeholders, including the Moscow City authorities, to ensure that constructions around the property do not impact adversely on its Outstanding Universal Value.

The World Heritage property is used by the following organizations: FGBUK (Federal Government Budgetary Institution of Culture), the State Historical and Cultural Museum-preserve “The Moscow Kremlin”, the Administrative Department of the President of the Russian Federation, the Federal Guard Service of the Russian Federation and OJSC “GUM Department Store”.

• Official site of 'The Moscow Kremlin' State Historical and Cultural Museum and Heritage Site
• Moscow Kremlin Museums Telegram Group (in Russian only)
• Moscow Kremlin Museums VKontakte Page (in Russian only)
• Moscow Kremlin Museums Dzen Page (in Russian only)
• State Historical Museum VKontakte Group (in Russian only)
• Msk Guide Page (in Russian only)
• Official site of the State Department Store
• State Historical Museum (in Russian only)

State of Conservation (SOC)