beautiful phrases for essay writing

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• 40 Useful Words and Phrases for Top-Notch Essays

To be truly brilliant, an essay needs to utilise the right language. You could make a great point, but if it’s not intelligently articulated, you almost needn’t have bothered.

Developing the language skills to build an argument and to write persuasively is crucial if you’re to write outstanding essays every time. In this article, we’re going to equip you with the words and phrases you need to write a top-notch essay, along with examples of how to utilise them.

It’s by no means an exhaustive list, and there will often be other ways of using the words and phrases we describe that we won’t have room to include, but there should be more than enough below to help you make an instant improvement to your essay-writing skills.

If you’re interested in developing your language and persuasive skills, Oxford Royale offers summer courses at its Oxford Summer School , Cambridge Summer School , London Summer School , San Francisco Summer School and Yale Summer School . You can study courses to learn english , prepare for careers in law , medicine , business , engineering and leadership.

General explaining

Let’s start by looking at language for general explanations of complex points.

1. In order to

Usage: “In order to” can be used to introduce an explanation for the purpose of an argument. Example: “In order to understand X, we need first to understand Y.”

2. In other words

Usage: Use “in other words” when you want to express something in a different way (more simply), to make it easier to understand, or to emphasise or expand on a point. Example: “Frogs are amphibians. In other words, they live on the land and in the water.”

3. To put it another way

Usage: This phrase is another way of saying “in other words”, and can be used in particularly complex points, when you feel that an alternative way of wording a problem may help the reader achieve a better understanding of its significance. Example: “Plants rely on photosynthesis. To put it another way, they will die without the sun.”

4. That is to say

Usage: “That is” and “that is to say” can be used to add further detail to your explanation, or to be more precise. Example: “Whales are mammals. That is to say, they must breathe air.”

5. To that end

Usage: Use “to that end” or “to this end” in a similar way to “in order to” or “so”. Example: “Zoologists have long sought to understand how animals communicate with each other. To that end, a new study has been launched that looks at elephant sounds and their possible meanings.”

Adding additional information to support a point

Students often make the mistake of using synonyms of “and” each time they want to add further information in support of a point they’re making, or to build an argument . Here are some cleverer ways of doing this.

6. Moreover

Usage: Employ “moreover” at the start of a sentence to add extra information in support of a point you’re making. Example: “Moreover, the results of a recent piece of research provide compelling evidence in support of…”

7. Furthermore

Usage:This is also generally used at the start of a sentence, to add extra information. Example: “Furthermore, there is evidence to suggest that…”

8. What’s more

Usage: This is used in the same way as “moreover” and “furthermore”. Example: “What’s more, this isn’t the only evidence that supports this hypothesis.”

9. Likewise

Usage: Use “likewise” when you want to talk about something that agrees with what you’ve just mentioned. Example: “Scholar A believes X. Likewise, Scholar B argues compellingly in favour of this point of view.”

10. Similarly

Usage: Use “similarly” in the same way as “likewise”. Example: “Audiences at the time reacted with shock to Beethoven’s new work, because it was very different to what they were used to. Similarly, we have a tendency to react with surprise to the unfamiliar.”

11. Another key thing to remember

Usage: Use the phrase “another key point to remember” or “another key fact to remember” to introduce additional facts without using the word “also”. Example: “As a Romantic, Blake was a proponent of a closer relationship between humans and nature. Another key point to remember is that Blake was writing during the Industrial Revolution, which had a major impact on the world around him.”

12. As well as

Usage: Use “as well as” instead of “also” or “and”. Example: “Scholar A argued that this was due to X, as well as Y.”

13. Not only… but also

Usage: This wording is used to add an extra piece of information, often something that’s in some way more surprising or unexpected than the first piece of information. Example: “Not only did Edmund Hillary have the honour of being the first to reach the summit of Everest, but he was also appointed Knight Commander of the Order of the British Empire.”

14. Coupled with

Usage: Used when considering two or more arguments at a time. Example: “Coupled with the literary evidence, the statistics paint a compelling view of…”

15. Firstly, secondly, thirdly…

Usage: This can be used to structure an argument, presenting facts clearly one after the other. Example: “There are many points in support of this view. Firstly, X. Secondly, Y. And thirdly, Z.

16. Not to mention/to say nothing of

Usage: “Not to mention” and “to say nothing of” can be used to add extra information with a bit of emphasis. Example: “The war caused unprecedented suffering to millions of people, not to mention its impact on the country’s economy.”

Words and phrases for demonstrating contrast

When you’re developing an argument, you will often need to present contrasting or opposing opinions or evidence – “it could show this, but it could also show this”, or “X says this, but Y disagrees”. This section covers words you can use instead of the “but” in these examples, to make your writing sound more intelligent and interesting.

17. However

Usage: Use “however” to introduce a point that disagrees with what you’ve just said. Example: “Scholar A thinks this. However, Scholar B reached a different conclusion.”

18. On the other hand

Usage: Usage of this phrase includes introducing a contrasting interpretation of the same piece of evidence, a different piece of evidence that suggests something else, or an opposing opinion. Example: “The historical evidence appears to suggest a clear-cut situation. On the other hand, the archaeological evidence presents a somewhat less straightforward picture of what happened that day.”

19. Having said that

Usage: Used in a similar manner to “on the other hand” or “but”. Example: “The historians are unanimous in telling us X, an agreement that suggests that this version of events must be an accurate account. Having said that, the archaeology tells a different story.”

20. By contrast/in comparison

Usage: Use “by contrast” or “in comparison” when you’re comparing and contrasting pieces of evidence. Example: “Scholar A’s opinion, then, is based on insufficient evidence. By contrast, Scholar B’s opinion seems more plausible.”

21. Then again

Usage: Use this to cast doubt on an assertion. Example: “Writer A asserts that this was the reason for what happened. Then again, it’s possible that he was being paid to say this.”

22. That said

Usage: This is used in the same way as “then again”. Example: “The evidence ostensibly appears to point to this conclusion. That said, much of the evidence is unreliable at best.”

Usage: Use this when you want to introduce a contrasting idea. Example: “Much of scholarship has focused on this evidence. Yet not everyone agrees that this is the most important aspect of the situation.”

Adding a proviso or acknowledging reservations

Sometimes, you may need to acknowledge a shortfalling in a piece of evidence, or add a proviso. Here are some ways of doing so.

24. Despite this

Usage: Use “despite this” or “in spite of this” when you want to outline a point that stands regardless of a shortfalling in the evidence. Example: “The sample size was small, but the results were important despite this.”

25. With this in mind

Usage: Use this when you want your reader to consider a point in the knowledge of something else. Example: “We’ve seen that the methods used in the 19th century study did not always live up to the rigorous standards expected in scientific research today, which makes it difficult to draw definite conclusions. With this in mind, let’s look at a more recent study to see how the results compare.”

26. Provided that

Usage: This means “on condition that”. You can also say “providing that” or just “providing” to mean the same thing. Example: “We may use this as evidence to support our argument, provided that we bear in mind the limitations of the methods used to obtain it.”

27. In view of/in light of

Usage: These phrases are used when something has shed light on something else. Example: “In light of the evidence from the 2013 study, we have a better understanding of…”

28. Nonetheless

Usage: This is similar to “despite this”. Example: “The study had its limitations, but it was nonetheless groundbreaking for its day.”

29. Nevertheless

Usage: This is the same as “nonetheless”. Example: “The study was flawed, but it was important nevertheless.”

30. Notwithstanding

Usage: This is another way of saying “nonetheless”. Example: “Notwithstanding the limitations of the methodology used, it was an important study in the development of how we view the workings of the human mind.”

Giving examples

Good essays always back up points with examples, but it’s going to get boring if you use the expression “for example” every time. Here are a couple of other ways of saying the same thing.

31. For instance

Example: “Some birds migrate to avoid harsher winter climates. Swallows, for instance, leave the UK in early winter and fly south…”

32. To give an illustration

Example: “To give an illustration of what I mean, let’s look at the case of…”

Signifying importance

When you want to demonstrate that a point is particularly important, there are several ways of highlighting it as such.

33. Significantly

Usage: Used to introduce a point that is loaded with meaning that might not be immediately apparent. Example: “Significantly, Tacitus omits to tell us the kind of gossip prevalent in Suetonius’ accounts of the same period.”

34. Notably

Usage: This can be used to mean “significantly” (as above), and it can also be used interchangeably with “in particular” (the example below demonstrates the first of these ways of using it). Example: “Actual figures are notably absent from Scholar A’s analysis.”

35. Importantly

Usage: Use “importantly” interchangeably with “significantly”. Example: “Importantly, Scholar A was being employed by X when he wrote this work, and was presumably therefore under pressure to portray the situation more favourably than he perhaps might otherwise have done.”

Summarising

You’ve almost made it to the end of the essay, but your work isn’t over yet. You need to end by wrapping up everything you’ve talked about, showing that you’ve considered the arguments on both sides and reached the most likely conclusion. Here are some words and phrases to help you.

36. In conclusion

Usage: Typically used to introduce the concluding paragraph or sentence of an essay, summarising what you’ve discussed in a broad overview. Example: “In conclusion, the evidence points almost exclusively to Argument A.”

37. Above all

Usage: Used to signify what you believe to be the most significant point, and the main takeaway from the essay. Example: “Above all, it seems pertinent to remember that…”

38. Persuasive

Usage: This is a useful word to use when summarising which argument you find most convincing. Example: “Scholar A’s point – that Constanze Mozart was motivated by financial gain – seems to me to be the most persuasive argument for her actions following Mozart’s death.”

39. Compelling

Usage: Use in the same way as “persuasive” above. Example: “The most compelling argument is presented by Scholar A.”

40. All things considered

Usage: This means “taking everything into account”. Example: “All things considered, it seems reasonable to assume that…”

How many of these words and phrases will you get into your next essay? And are any of your favourite essay terms missing from our list? Let us know in the comments below, or get in touch here to find out more about courses that can help you with your essays.

At Oxford Royale Academy, we offer a number of  summer school courses for young people who are keen to improve their essay writing skills. Click here to apply for one of our courses today, including law , business , medicine  and engineering .

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100+ Useful Words and Phrases to Write a Great Essay

By: Author Sophia

Posted on Last updated: October 25, 2023

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How to Write a Great Essay in English! This lesson provides 100+ useful words, transition words and expressions used in writing an essay. Let’s take a look!

The secret to a successful essay doesn’t just lie in the clever things you talk about and the way you structure your points.

Useful Words and Phrases to Write a Great Essay

Overview of an essay.

Useful Phrases for Proficiency Essays

Developing the argument

• The first aspect to point out is that…
• Let us start by considering the facts.
• The novel portrays, deals with, revolves around…
• Central to the novel is…
• The character of xxx embodies/ epitomizes…

The other side of the argument

• It would also be interesting to see…
• One should, nevertheless, consider the problem from another angle.
• Equally relevant to the issue are the questions of…
• The arguments we have presented… suggest that…/ prove that…/ would indicate that…
• From these arguments one must…/ could…/ might… conclude that…
• All of this points to the conclusion that…
• To conclude…

Ordering elements

• Firstly,…/ Secondly,…/ Finally,… (note the comma after all these introductory words.)
• As a final point…
• On the one hand, …. on the other hand…
• If on the one hand it can be said that… the same is not true for…
• The first argument suggests that… whilst the second suggests that…
• There are at least xxx points to highlight.

Adding elements

• Furthermore, one should not forget that…
• In addition to…
• Moreover…
• It is important to add that…

Accepting other points of view

• Nevertheless, one should accept that…
• However, we also agree that…

Personal opinion

• We/I personally believe that…
• Our/My own point of view is that…
• It is my contention that…
• I am convinced that…
• My own opinion is…

Others’ opinions

• According to some critics… Critics:
• believe that
• suggest that
• are convinced that
• point out that
• emphasize that
• contend that
• go as far as to say that
• argue for this

Introducing examples

• For example…
• For instance…
• To illustrate this point…

Introducing facts

• It is… true that…/ clear that…/ noticeable that…
• One should note here that…

Saying what you think is true

• This leads us to believe that…
• It is very possible that…
• In view of these facts, it is quite likely that…
• Doubtless,…
• One cannot deny that…
• It is (very) clear from these observations that…
• All the same, it is possible that…
• It is difficult to believe that…

Accepting other points to a certain degree

• One can agree up to a certain point with…
• Certainly,… However,…
• It cannot be denied that…

Emphasizing particular points

• The last example highlights the fact that…
• Not only… but also…
• We would even go so far as to say that…

Moderating, agreeing, disagreeing

• By and large…
• Perhaps we should also point out the fact that…
• It would be unfair not to mention the fact that…
• One must admit that…
• We cannot ignore the fact that…
• One cannot possibly accept the fact that…

Consequences

• From these facts, one may conclude that…
• That is why, in our opinion, …
• Which seems to confirm the idea that…
• Thus,…/ Therefore,…
• Some critics suggest…, whereas others…
• Compared to…
• On the one hand, there is the firm belief that… On the other hand, many people are convinced that…

How to Write a Great Essay | Image 1

How to Write a Great Essay | Image 2

Phrases For Balanced Arguments

Introduction

• It is often said that…
• It is undeniable that…
• It is a well-known fact that…
• One of the most striking features of this text is…
• The first thing that needs to be said is…
• First of all, let us try to analyze…
• One argument in support of…
• We must distinguish carefully between…
• The second reason for…
• An important aspect of the text is…
• It is worth stating at this point that…
• On the other hand, we can observe that…
• The other side of the coin is, however, that…
• Another way of looking at this question is to…
• What conclusions can be drawn from all this?
• The most satisfactory conclusion that we can come to is…
• To sum up… we are convinced that…/ …we believe that…/ …we have to accept that…

How to Write a Great Essay | Image 3

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Using Creative Words and Phrases for Composition Writing & Essays

• Primary School Composition Writing

Using Creative Words and Phrases for Composition Writing & Essays

How to use creative words and phrases for composition writing & essays.

This blog post will teach you how to use creative and inspired phrases for composition writing.  It will also give you examples and ideas of Idioms, Similes, Metaphors or Personification that you can use in your compositions.

But first, here’s a Free Ebook –  80 Awesome Phrases to Wow your Teacher !

(Tip: You can print out the free ebook for your child to read.)

Do You Really Need Good Phrases for Composition Writing?

No, you don’t.  Your child should not use good phrases just for the sake of impressing the reader.  Your child should concentrate on using the RIGHT PHRASE for the RIGHT SITUATION .  (In fact, our collection of Model Compositions for Primary School Students does not contain pompous, bombastic words or phrases.)

And to do so, your child needs to have a broad knowledge of a variety of phrases.  That way, he will be well-equipped with an arsenal of words to express himself fluently and smoothly.

Many parents misunderstand the use of good vocabulary words for essays.  They force their child to memorise bombastic words and phrases.  This should not be the case as memorisation does not equal application.  Students tend to memorise the phrases and then use them in the wrong context when writing.  This causes the students’ writing to become stilted and mechanical.  Some may even become addicted to the use of bombastic vocabulary and end up writing overly-complicated sentences or phrases to look smart.

Now which is smarter – expressing yourself in a short and sweet manner, or, writing a whole bunch of fancy and pompous words just to narrate a simple thought?

Instead of “good phrases”, focus on using – EFFECTIVE PHRASES.

It’s okay to use simple phrases!  Keep your sentences short, concise, and straight to the point.  Use the right words at the right time.  Express your ideas fluently.

Remember – You are writing to let the reader read for the sake of enjoyment.  You are not writing to IMPRESS the reader.

Bonus Video – How To Use Good Expressions in Composition Writing:

Here’s an online lesson I conducted some time back on how to use Good Expressions in your compositions.  It is very similar to what I address in the article later on How to Write Good Phrases.

It’s about 1 hour long so you may want to set aside some time to watch it. (You can also fast forward to 6:09 to skip straight to the introduction and then the lesson.)

Types of Descriptive Phrases

“Good Phrases” can be broken down into:

Personification

An idiom is an expression of words whose meaning is not predictable from the usual meanings of its constituent elements. (Definition taken from dictionary.com )

In other words, an idiom is a quirky series of words combined to form a special meaning.

Idioms should be used sparingly in a composition.  Do not overuse them as it may make your overall composition sound very cheesy or old-fashioned.  Some idioms are also not commonly used in our everyday speech. Hence, over-usage of the less well-known idioms might make reading awkward.

Some Useful Idioms

1. An arm and a leg –  Very expensive or costly.

E.g: Dining at this high-class restaurant cost me an arm and a leg !  I will never return here again.

2. Blessing in disguise – something good that was not recognized at first.

E.g:  Missing that field trip turned out to be a blessing in disguise as the school bus met with an accident.

3. Piece of cake – used to describe something that is very easy to do.

E.g:  This assignment was a piece of cake .  I completed in less that fifteen minutes

4. Not to make head or tail of something – unable to decipher or understand the meaning

E.g:  The teacher was talking so fast that I could not make head or tail of what he was saying.

5. See eye to eye – to agree with someone

E.g:  Jack and Diane kept on quarreling as they could not see eye to eye with each other.

For more useful idioms, you check out  our LIST of 88 AWESOME IDIOMS that you can learn and apply immediately.  Boost your language marks for compo writing and WOW your teacher!

Click the button below to download this free ebook for your child!

• Simple & Easy-to-use
• Minimal Memory Work
• Examples provided
• Learn the meaning of these idioms!

It is a figure of speech where one thing is compared with another thing of a different kind.

It is used to make a description more vivid or to draw out a particular quality of the subject being mentioned.

Similes are used with the words “like” or “as…as”.

Similes are best used when they are original, creative, relevant and logical.  A simile which has been used too many times  – “as fast as a cheetah” or “as fast as lightning” –  will not score you extra points.

Some Useful Similes

1.The students were chattering like monkeys .

2. The winner of the race paraded around the track like a peacock .

3. We tried to carry him but he was as heavy as an elephant .

4.  The signboards were as bright as daylight .

5. When she heard someone call her name in the dark, she turned as pale as a sheet .

6. Filled with rage, the bully charged towards me like a bull .

7. The boys were laughing like hyenas when they pulled off the prank.

8. Don’t worry about her.  She can handle it herself.  She is as tough as nails !

9. When the exams commenced, the classroom became  as silent as a grave .

10. On the last day of school, Jimmy dashed out of the school gates feeling as free as a bird .

A metaphor is a figure of speech in which a term or phrase is applied to something that is not literally applicable to suggest a resemblance.  (definition taken from dictionary.com ).

In other words, it is almost like a simile, except you are not using the words ‘like’ or ‘as…as’.

Simile:  He was as angry as a bull.

Metaphor: He was an angry bull.

Metaphors are slightly more difficult to use than similes.  But when they are used right, they can give an extremely vivid portrayal of a character or a situation in the story.

A metaphor applied correctly can be a very powerful tool in writing.

Some Useful Metaphors

1. She felt a whirlwind of emotions passed through her.  ( overwhelmed by emotions)

2. Don’t believe that fortune-teller.  He is selling you snake oil .  (metaphorical idiom, fake promises, products or services that fail to live up to expectations, something fraudulent)

3. Mr Tan is a teacher with a heart of gold .  ( very kind or generous)

4.  Stay away from him.  He is a loaded gun . (dangerous)

5.  When the basketball team got off the bus, we could smell the stench of defeat on them.  ( they acted in such a way that it was easy to deduce that they have lost)

6. After failing her exams, Shirley wallowed in a sea of self-pity .  ( metaphorical idiom, overwhelmed by self-pity)

7. He was so sad that he was crying rivers . (a lot of tears)

8.  Sean’s stomach was a bottomless pit . ( extremely hungry, describe someone who cannot stop eating.)

9. Completing this assignment was a breeze . ( very easy to complete)

10.  Hearing her laughter was music to my ears .  (a pleasant sound)

Personification is done by attributing human characteristics to something non-human.

This is used to give a clearer picture of whatever that’s being described.  It enables the reader visualise and see the imagery in their minds.

Personification can be done by simple usage of verbs or action words.

Just like metaphors, personification can count as good vocabulary words for essay writing.

Some Useful Ideas for Personification

1. The thunderstorm raged on outside my window.

2. The soft, cool sand caressed my feet.

3. The sun peeked out from behind the clouds.

4. I could hear the faint wail of the ambulance in a distance.

5. The moment I stepped out into the streets, I was greeted by the strong diesel fumes.

6. The trees shadowed the soldiers as they trekked through the forest.

7. The sports car roared  with ferocity as it zoomed past the spectators.

8. The road was treacherous and unforgiving .

9. The expensive handbag seemed to call out to her.  “Buy me!”

10. By the time the firemen arrived, the flames were already dancing on the roof.

How to come up with your own phrases?

The best descriptions are often ones that you come up with on the spot, that can fit the scenario or context that you are describing perfectly.

Coming up with good phrases for composition writing is not that hard.  All you need is an inquisitive mind that is able to draw comparisons between 2 unrelated objects.

You need to be creative –  a trait that is inherent in most children.

You need to be able to come up with fresh ideas and fresh perspectives.

Some questions to ask yourself when coming up with good vocabulary words for essays:

• How can I better depict this character/scene/object by comparing it with something else?
• What’s a better verb I can use to personify this object?
• How can I make this phrase or sentence more interesting for the reader?
• How can I better convey my point across to the reader?
• How can I help the reader to visualise better?

How to write a good essay in English?

DON’T be so preoccupied with employing gargantuan words in your expositions that your sentence ends up reading like this. See what I did there?

Often students pepper their essays with “smart-sounding” words to impress their examiners. This has the opposite effect; readers are left scratching their heads, wondering what message the student is trying to convey.

The best way to resist this impulse is to replace bombastic words with effective ones. “Bombastic”, according to Oxford Languages, means “high-sounding but with little meaning”. When you use bombastic words, you may just end up using words in the wrong context . You also tend to make errors of repetition by force-fitting all the words you know into your compo.

Consider this sentence: “The enraptured onlookers were jolted and entranced by the spine-tingling sight of the sunset.”

Did you spot the errors?

1. “Enraptured” and “entranced” mean the same thing. (Repetition)

2. “Jolted” means “shocked”. (Wrong context. This is a sunset, not a horror movie!)

3. “Spine-tinging” means “scary”. (Again, wrong context.)

Here’s the revised sentence: “The onlookers were left mesmerised by the breathtaking sunset.”

By replacing bombastic words with effective ones, you’re well on your way to writing a good essay in English.

Good vocabulary words for essays

Good vocabulary forms the bedrock of an essay, so it is important to use vocabulary that is appropriate, yet not overused and therefore, cliched. Let’s begin with the introduction.

Introduction

The introduction is where you set the scene for your reader. Use descriptive phrases that vividly describes the setting. Word of caution: do not overdo the setting descriptions, especially when the setting plays no role in your story plot.

• Use vivid vocabulary instead of vague adjectives :

For instance, replace vague adjectives like “beautiful” with more precise vocabulary. If you’re describing places like a quiet beach or park, “ serene ” and “tranquil ” can be used instead.

If you’re describing greenery, “verdant” is more appropriate and paints a more vivid picture in your reader’s mind:

e,g, “My parents and I were at the Bukit Timah Nature Reserve, enjoying a peaceful afternoon amidst the verdant expanse of lush trees and vibrant flower beds, blissfully unaware that things would soon take an unexpected turn.”

• Use creative phrases instead of cliches :

It’s high time we ditch cliched phrases about how “fluffy clouds dotted the azure sky”. This does not impress your reader!

Consider this other cliched phrase: “The smell of buttery popcorn wafted into my nostrils.”

What a yawn! Let’s improve by rewriting it as follows: “The smell of buttery popcorn beckoned to me, tantalising my senses.” You have effectively personified the smell of the popcorn and in doing so, you convey just how tempted you were by it!

Rising Action

Things are heating up here and if you want to keep your readers on their toes, use suspenseful language to plant clues. This is especially useful if your story is about an unfortunate event or something unexpected.

When something seems a little amiss, hint at the impending problem using phrases such as:

1. Something gnawed at the back of my mind, but I brushed it off.

2. I could not shake the feeling of…

3. I could feel it in my bones; something was not right.

4. I felt a tug of apprehension in my gut, subtle but persistent.

5. The birdsong abruptly ceased, as if nature itself were holding its breath.

This is where the main conflict or action occurs and where vocabulary should be impactful . Once again, stand out from the crowd by using high-intensity words (and avoid using “very”) to create excitement!

• Use impactful, highly charged vocabulary instead of dull phrases :
• Use “show, not tell” instead of stating the facts :

This means showing, not telling , the reader what your character is thinking and feeling. In doing so, you engage the reader and make your writing a whole lot more immersive! When the reader can picture your character, you evoke a deeper emotional response.

Consider these two descriptions:

• Jane was devastated but determinedly continued on.
• Hastily wiping her tears away, Jane bit her lip and marched ahead.

Ask yourself: which one is more impactful? Which description draws you in and allows you to feel Jane’s pain?

Falling Action

Here’s the part where the dust settles. Common emotions experienced by characters include relief (usually after negative events) and happiness (for positive outcomes).

• Use body language to convey emotions like relief or joy

Your characters don’t always have to ‘heave/ breathe a sigh of relief”. There are plenty of other “show, not tell” or body language phrases we can use to convey relief:

1. Unclenching my fists, I…

2. Marcus slumped in his chair in relief .

3. She let out a long breath , thankful for the brief reprieve.

4. A soft smile played on her lips as worry washed away.

5. He wiped his brow as anxiety finally ebbed away

• Explore using new idioms and metaphors to convey emotions

While “jumped for joy” and “over the moon” do show happiness, it’s time to retire these and adopt some new lingo! Try these instead:

1. Benjamin was walking on air after winning the championship.

2. The blushing bride graced us with a smile that could light up a room .

3. I was tickled pink after being personally invited to Taylor Swift’s birthday bash.

Belle walked up on stage with a spring in her step .

• Capture complexity of emotions to create round (not flat) characters

More advanced writers might want to play around with describing more nuanced feelings because human emotions are complex! We often experience bittersweet emotions like joy tinged with melancholy.

Consider descriptions that capture this complexity. For instance, if describing a graduation,  you can try: “The valedictorian gave the graduating class a wistful smile as he prepared to throw up his mortarboard for the final hurrah.”

This lends more depth to your characters; this makes your characters three-dimensional, rounded … and real.

Leave the reader with a thought-provoking statement as you wrap up your final scene. You do your essay no favours by ending with crutch phrases about how “this memory will always be etched in his mind”.  

• Use reflective vocabulary and words that convey closure:

1. Mulling over the day’s events, she…

2. Sandra was lost in a pleasant reverie as the jubilant cheers of her teammates faded into the backdrop.

3. Cristopher kept turning things over in his mind until he finally concluded that…

• Use vivid descriptions to end with imagery:

1. Rain pattered against the window, washing away the dust of the day.

2. I stared at my reflection in the gleaming medal and saw, for the first time, a champion.

Remember, the best conclusions should leave the reader satisfied, bring closure, and create a lasting impression. And that’s how you end with a bang. 

See other related articles on Writing Samurai:

• Proverbs are Phrases Commonly Used in Compositions
• 6 Tips On How to Write a Good Composition For Primary School Students
• Great Phrases To Use For Composition Writing & Essays
• Situational Writing For Primary School Students

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60 Useful Words and Phrases for Outstanding Essay Writing

General explaining.

Let’s start by looking at language for general explanations of complex points.

1. In order to

Usage : “In order to” can be used to introduce an explanation for the purpose of an argument.

Example : “In order to understand X, we need first to understand Y.”

2. In other words

Usage : Use “in other words” when you want to express something in a different way (more simply), to make it easier to understand, or to emphasise or expand on a point.

Example : “Frogs are amphibians. In other words, they live on the land and in the water.”

3. To put it another way

Usage : This phrase is another way of saying “in other words”, and can be used in particularly complex points, when you feel that an alternative way of wording a problem may help the reader achieve a better understanding of its significance.

Example : “Plants rely on photosynthesis. To put it another way, they will die without the sun.”

4. That is to say

Usage : “That is” and “that is to say” can be used to add further detail to your explanation, or to be more precise.

Example : “Whales are mammals. That is to say, they must breathe air.”

5. To that end

Usage : Use “to that end” or “to this end” in a similar way to “in order to” or “so”.

Example : “Zoologists have long sought to understand how animals communicate with each other. To that end, a new study has been launched that looks at elephant sounds and their possible meanings.”

Adding additional information to support a point

Students often make the mistake of using synonyms of “and” each time they want to add further information in support of a point they’re making, or to build an argument. Here are some cleverer ways of doing this.

6. Moreover

Usage : Employ “moreover” at the start of a sentence to add extra information in support of a point you’re making.

Example : “Moreover, the results of a recent piece of research provide compelling evidence in support of…”

7. Furthermore

Usage :This is also generally used at the start of a sentence, to add extra information.

Example : “Furthermore, there is evidence to suggest that…”

8. What’s more

Usage : This is used in the same way as “moreover” and “furthermore”.

Example : “What’s more, this isn’t the only evidence that supports this hypothesis.”

9. Likewise

Usage : Use “likewise” when you want to talk about something that agrees with what you’ve just mentioned.

Example : “Scholar A believes X. Likewise, Scholar B argues compellingly in favour of this point of view.”

10. Similarly

Usage : Use “similarly” in the same way as “likewise”.

Example : “Audiences at the time reacted with shock to Beethoven’s new work, because it was very different to what they were used to. Similarly, we have a tendency to react with surprise to the unfamiliar.”

11. Another key thing to remember

Usage : Use the phrase “another key point to remember” or “another key fact to remember” to introduce additional facts without using the word “also”.

Example : “As a Romantic, Blake was a proponent of a closer relationship between humans and nature. Another key point to remember is that Blake was writing during the Industrial Revolution, which had a major impact on the world around him.”

12. As well as

Usage : Use “as well as” instead of “also” or “and”.

Example : “Scholar A argued that this was due to X, as well as Y.”

13. Not only… but also

Usage : This wording is used to add an extra piece of information, often something that’s in some way more surprising or unexpected than the first piece of information.

Example : “Not only did Edmund Hillary have the honour of being the first to reach the summit of Everest, but he was also appointed Knight Commander of the Order of the British Empire.”

14. Coupled with

Usage : Used when considering two or more arguments at a time.

Example : “Coupled with the literary evidence, the statistics paint a compelling view of…”

15. Firstly, secondly, thirdly…

Usage : This can be used to structure an argument, presenting facts clearly one after the other.

Example : “There are many points in support of this view. Firstly, X. Secondly, Y. And thirdly, Z.

16. Not to mention/to say nothing of

Usage : “Not to mention” and “to say nothing of” can be used to add extra information with a bit of emphasis.

Example : “The war caused unprecedented suffering to millions of people, not to mention its impact on the country’s economy.”

Words and phrases for demonstrating contrast

When you’re developing an argument, you will often need to present contrasting or opposing opinions or evidence – “it could show this, but it could also show this”, or “X says this, but Y disagrees”. This section covers words you can use instead of the “but” in these examples, to make your writing sound more intelligent and interesting.

17. However

Usage : Use “however” to introduce a point that disagrees with what you’ve just said.

Example : “Scholar A thinks this. However, Scholar B reached a different conclusion.”

18. On the other hand

Usage : Usage of this phrase includes introducing a contrasting interpretation of the same piece of evidence, a different piece of evidence that suggests something else, or an opposing opinion.

Example: “The historical evidence appears to suggest a clear-cut situation. On the other hand, the archaeological evidence presents a somewhat less straightforward picture of what happened that day.”

19. Having said that

Usage : Used in a similar manner to “on the other hand” or “but”.

Example : “The historians are unanimous in telling us X, an agreement that suggests that this version of events must be an accurate account. Having said that, the archaeology tells a different story.”

20. By contrast/in comparison

Usage : Use “by contrast” or “in comparison” when you’re comparing and contrasting pieces of evidence.

Example : “Scholar A’s opinion, then, is based on insufficient evidence. By contrast, Scholar B’s opinion seems more plausible.”

21. Then again

Usage : Use this to cast doubt on an assertion.

Example : “Writer A asserts that this was the reason for what happened. Then again, it’s possible that he was being paid to say this.”

22. That said

Usage : This is used in the same way as “then again”.

Example : “The evidence ostensibly appears to point to this conclusion. That said, much of the evidence is unreliable at best.”

Usage : Use this when you want to introduce a contrasting idea.

Example : “Much of scholarship has focused on this evidence. Yet not everyone agrees that this is the most important aspect of the situation.”

Adding a proviso or acknowledging reservations

Sometimes, you may need to acknowledge a shortfalling in a piece of evidence, or add a proviso. Here are some ways of doing so.

24. Despite this

Usage : Use “despite this” or “in spite of this” when you want to outline a point that stands regardless of a shortfalling in the evidence.

Example : “The sample size was small, but the results were important despite this.”

25. With this in mind

Usage : Use this when you want your reader to consider a point in the knowledge of something else.

Example : “We’ve seen that the methods used in the 19th century study did not always live up to the rigorous standards expected in scientific research today, which makes it difficult to draw definite conclusions. With this in mind, let’s look at a more recent study to see how the results compare.”

26. Provided that

Usage : This means “on condition that”. You can also say “providing that” or just “providing” to mean the same thing.

Example : “We may use this as evidence to support our argument, provided that we bear in mind the limitations of the methods used to obtain it.”

27. In view of/in light of

Usage : These phrases are used when something has shed light on something else.

Example : “In light of the evidence from the 2013 study, we have a better understanding of…”

28. Nonetheless

Usage : This is similar to “despite this”.

Example : “The study had its limitations, but it was nonetheless groundbreaking for its day.”

29. Nevertheless

Usage : This is the same as “nonetheless”.

Example : “The study was flawed, but it was important nevertheless.”

30. Notwithstanding

Usage : This is another way of saying “nonetheless”.

Example : “Notwithstanding the limitations of the methodology used, it was an important study in the development of how we view the workings of the human mind.”

Giving examples

Good essays always back up points with examples, but it’s going to get boring if you use the expression “for example” every time. Here are a couple of other ways of saying the same thing.

31. For instance

Example : “Some birds migrate to avoid harsher winter climates. Swallows, for instance, leave the UK in early winter and fly south…”

32. To give an illustration

Example : “To give an illustration of what I mean, let’s look at the case of…”

Signifying importance

When you want to demonstrate that a point is particularly important, there are several ways of highlighting it as such.

33. Significantly

Usage : Used to introduce a point that is loaded with meaning that might not be immediately apparent.

Example : “Significantly, Tacitus omits to tell us the kind of gossip prevalent in Suetonius’ accounts of the same period.”

34. Notably

Usage : This can be used to mean “significantly” (as above), and it can also be used interchangeably with “in particular” (the example below demonstrates the first of these ways of using it).

Example : “Actual figures are notably absent from Scholar A’s analysis.”

35. Importantly

Usage : Use “importantly” interchangeably with “significantly”.

Example : “Importantly, Scholar A was being employed by X when he wrote this work, and was presumably therefore under pressure to portray the situation more favourably than he perhaps might otherwise have done.”

Summarising

You’ve almost made it to the end of the essay, but your work isn’t over yet. You need to end by wrapping up everything you’ve talked about, showing that you’ve considered the arguments on both sides and reached the most likely conclusion. Here are some words and phrases to help you.

36. In conclusion

Usage : Typically used to introduce the concluding paragraph or sentence of an essay, summarising what you’ve discussed in a broad overview.

Example : “In conclusion, the evidence points almost exclusively to Argument A.”

37. Above all

Usage : Used to signify what you believe to be the most significant point, and the main takeaway from the essay.

Example : “Above all, it seems pertinent to remember that…”

38. Persuasive

Usage : This is a useful word to use when summarising which argument you find most convincing.

Example : “Scholar A’s point – that Constanze Mozart was motivated by financial gain – seems to me to be the most persuasive argument for her actions following Mozart’s death.”

39. Compelling

Usage : Use in the same way as “persuasive” above.

Example : “The most compelling argument is presented by Scholar A.”

40. All things considered

Usage : This means “taking everything into account”.

Example : “All things considered, it seems reasonable to assume that…”

How many of these words and phrases will you get into your next essay? And are any of your favourite essay terms missing from our list? Let us know in the comments below!

Additional Information ( more examples)

+20 examples of important transition words, additional information.

There are many linking words which can lead us into additional information and while it is useful to vary your vocabulary beyond ‘ and ,’ these words are not mere replacements for ‘ and .’ They have nuanced differences, thus, by these particular meanings, we can offer a more delicate illustration of the relationships between our ideas.

• ‘Furthermore’ is used to add information that expands upon the previous point. It precedes information that expands upon that already given. It usually occurs at the beginning of an independent clause.
• ‘Moreover’ and ‘More so’ are both similar to ‘furthermore’ while giving special emphasis to the greater importance of the following clause.
• “Despite cutting back on other staff, her father gave her a position, furthermore , he gave her an enviable office while still not having a role for her.”
• Writers also sequence additional information. ‘Firstly,’ ‘secondly’ and ‘thirdly’ are obvious options used to achieve this, however, there are others. For example, we can look into the past with ‘previously,’ ‘until the present’ or ‘preceded by.’
• “Present growth in the company was *preceded by several quarters of stagnation”*
• ‘Meanwhile’ and ‘simultaneously’ talk about things which are happening at the same time as another, while ‘concurrently’ does this while emphasising that the two ideas have played out in conjunction with one another.
• Usually, ‘incidentally’ is used to add relevant information while downplaying its significance compared with that of other ideas.
• “The priority of the zoo had been to protect species’ from extinction. The panda breeding program was enjoying some rare success, while simultaneously , other programs to increase the numbers of endangered species were being trialled. Meanwhile , the zoo was being visited by an influx of tourists who were, incidentally , able to enjoy seeing the young animals.”
• ‘Subsequently’ and ‘afterward’ lead into information after the fact.

Compare and Contrast

When writers need to illustrate similarity they can employ words such as ‘in like manner,’ ‘comparatively,’ and ‘correspondingly.’ Whereas , when they wish to highlight difference they have phrases like ‘on the contrary,’ ‘however,’ ‘notwithstanding,’ ‘nevertheless’ and ‘on the other hand.’

Notwithstanding the vehement opposition to online education programs being made available to inmates, considerable improvements were made to the re-employment prospects of many offenders who benefited from the trial. On the contrary, prisoners who were not able to access education while incarcerated were found to be more likely to reoffend and return to prison.

Clarification

When it comes time to clarify an argument or point, some of the transitional phrases which are used are, ‘to reiterate,’ ‘specifically,’ or ‘inasmuch as.’

Consequence and Conclusion

When we have lead our reader through our flow of logic, there might be nothing more rewarding than driving our point home by showing consequence or concluding our arguments. There are a lot of strong phrases such as ‘accordingly,’ ‘hence,’ ‘thus’ and ‘thereupon’ which can do this.

I hope you will feel encouraged, by this article, to continue to further your understanding of how transitional words can work to guide your reader through your flow of logic. When used well, they add power and order to your argument and can add to the result you see from your work.

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Words to Use in an Essay: 300 Essay Words

Hannah Yang

Table of Contents

Words to use in the essay introduction, words to use in the body of the essay, words to use in your essay conclusion, how to improve your essay writing vocabulary.

It’s not easy to write an academic essay .

Many students struggle to word their arguments in a logical and concise way.

To make matters worse, academic essays need to adhere to a certain level of formality, so we can’t always use the same word choices in essay writing that we would use in daily life.

If you’re struggling to choose the right words for your essay, don’t worry—you’ve come to the right place!

In this article, we’ve compiled a list of over 300 words and phrases to use in the introduction, body, and conclusion of your essay.

The introduction is one of the hardest parts of an essay to write.

You have only one chance to make a first impression, and you want to hook your reader. If the introduction isn’t effective, the reader might not even bother to read the rest of the essay.

That’s why it’s important to be thoughtful and deliberate with the words you choose at the beginning of your essay.

Many students use a quote in the introductory paragraph to establish credibility and set the tone for the rest of the essay.

When you’re referencing another author or speaker, try using some of these phrases:

To use the words of X

According to X

As X states

Example: To use the words of Hillary Clinton, “You cannot have maternal health without reproductive health.”

Near the end of the introduction, you should state the thesis to explain the central point of your paper.

If you’re not sure how to introduce your thesis, try using some of these phrases:

In this essay, I will…

The purpose of this essay…

This essay discusses…

In this paper, I put forward the claim that…

There are three main arguments for…

Example: In this essay, I will explain why dress codes in public schools are detrimental to students.

After you’ve stated your thesis, it’s time to start presenting the arguments you’ll use to back up that central idea.

When you’re introducing the first of a series of arguments, you can use the following words:

First and foremost

First of all

To begin with

Example: First , consider the effects that this new social security policy would have on low-income taxpayers.

All these words and phrases will help you create a more successful introduction and convince your audience to read on.

The body of your essay is where you’ll explain your core arguments and present your evidence.

It’s important to choose words and phrases for the body of your essay that will help the reader understand your position and convince them you’ve done your research.

Let’s look at some different types of words and phrases that you can use in the body of your essay, as well as some examples of what these words look like in a sentence.

Transition Words and Phrases

Transitioning from one argument to another is crucial for a good essay.

It’s important to guide your reader from one idea to the next so they don’t get lost or feel like you’re jumping around at random.

Transition phrases and linking words show your reader you’re about to move from one argument to the next, smoothing out their reading experience. They also make your writing look more professional.

The simplest transition involves moving from one idea to a separate one that supports the same overall argument. Try using these phrases when you want to introduce a second correlating idea:

Additionally

In addition

Furthermore

Another key thing to remember

In the same way

Correspondingly

Example: Additionally , public parks increase property value because home buyers prefer houses that are located close to green, open spaces.

Another type of transition involves restating. It’s often useful to restate complex ideas in simpler terms to help the reader digest them. When you’re restating an idea, you can use the following words:

In other words

To put it another way

That is to say

To put it more simply

Example: “The research showed that 53% of students surveyed expressed a mild or strong preference for more on-campus housing. In other words , over half the students wanted more dormitory options.”

Often, you’ll need to provide examples to illustrate your point more clearly for the reader. When you’re about to give an example of something you just said, you can use the following words:

For instance

To give an illustration of

To exemplify

To demonstrate

As evidence

Example: Humans have long tried to exert control over our natural environment. For instance , engineers reversed the Chicago River in 1900, causing it to permanently flow backward.

Sometimes, you’ll need to explain the impact or consequence of something you’ve just said.

When you’re drawing a conclusion from evidence you’ve presented, try using the following words:

As a result

Accordingly

As you can see

This suggests that

It follows that

It can be seen that

For this reason

For all of those reasons

Consequently

Example: “There wasn’t enough government funding to support the rest of the physics experiment. Thus , the team was forced to shut down their experiment in 1996.”

When introducing an idea that bolsters one you’ve already stated, or adds another important aspect to that same argument, you can use the following words:

What’s more

Not only…but also

Not to mention

To say nothing of

Another key point

Example: The volcanic eruption disrupted hundreds of thousands of people. Moreover , it impacted the local flora and fauna as well, causing nearly a hundred species to go extinct.

Often, you'll want to present two sides of the same argument. When you need to compare and contrast ideas, you can use the following words:

On the one hand / on the other hand

Alternatively

In contrast to

On the contrary

By contrast

In comparison

Example: On the one hand , the Black Death was undoubtedly a tragedy because it killed millions of Europeans. On the other hand , it created better living conditions for the peasants who survived.

Finally, when you’re introducing a new angle that contradicts your previous idea, you can use the following phrases:

Having said that

Differing from

In spite of

With this in mind

Provided that

Nevertheless

Nonetheless

Notwithstanding

Example: Shakespearean plays are classic works of literature that have stood the test of time. Having said that , I would argue that Shakespeare isn’t the most accessible form of literature to teach students in the twenty-first century.

Good essays include multiple types of logic. You can use a combination of the transitions above to create a strong, clear structure throughout the body of your essay.

Strong Verbs for Academic Writing

Verbs are especially important for writing clear essays. Often, you can convey a nuanced meaning simply by choosing the right verb.

You should use strong verbs that are precise and dynamic. Whenever possible, you should use an unambiguous verb, rather than a generic verb.

For example, alter and fluctuate are stronger verbs than change , because they give the reader more descriptive detail.

Here are some useful verbs that will help make your essay shine.

Verbs that show change:

Accommodate

Verbs that relate to causing or impacting something:

Verbs that show increase:

Verbs that show decrease:

Deteriorate

Verbs that relate to parts of a whole:

Comprises of

Is composed of

Constitutes

Encompasses

Incorporates

Verbs that show a negative stance:

Misconstrue

Verbs that show a positive stance:

Substantiate

Verbs that relate to drawing conclusions from evidence:

Corroborate

Demonstrate

Verbs that relate to thinking and analysis:

Contemplate

Hypothesize

Investigate

Verbs that relate to showing information in a visual format:

Useful Adjectives and Adverbs for Academic Essays

You should use adjectives and adverbs more sparingly than verbs when writing essays, since they sometimes add unnecessary fluff to sentences.

However, choosing the right adjectives and adverbs can help add detail and sophistication to your essay.

Sometimes you'll need to use an adjective to show that a finding or argument is useful and should be taken seriously. Here are some adjectives that create positive emphasis:

Significant

Other times, you'll need to use an adjective to show that a finding or argument is harmful or ineffective. Here are some adjectives that create a negative emphasis:

Controversial

Insignificant

Questionable

Unnecessary

Unrealistic

Finally, you might need to use an adverb to lend nuance to a sentence, or to express a specific degree of certainty. Here are some examples of adverbs that are often used in essays:

Comprehensively

Exhaustively

Extensively

Respectively

Surprisingly

Using these words will help you successfully convey the key points you want to express. Once you’ve nailed the body of your essay, it’s time to move on to the conclusion.

The conclusion of your paper is important for synthesizing the arguments you’ve laid out and restating your thesis.

In your concluding paragraph, try using some of these essay words:

In conclusion

To summarize

In a nutshell

Given the above

As described

All things considered

Example: In conclusion , it’s imperative that we take action to address climate change before we lose our coral reefs forever.

In addition to simply summarizing the key points from the body of your essay, you should also add some final takeaways. Give the reader your final opinion and a bit of a food for thought.

To place emphasis on a certain point or a key fact, use these essay words:

Unquestionably

Undoubtedly

Particularly

Importantly

Conclusively

It should be noted

On the whole

Example: Ada Lovelace is unquestionably a powerful role model for young girls around the world, and more of our public school curricula should include her as a historical figure.

These concluding phrases will help you finish writing your essay in a strong, confident way.

There are many useful essay words out there that we didn't include in this article, because they are specific to certain topics.

If you're writing about biology, for example, you will need to use different terminology than if you're writing about literature.

So how do you improve your vocabulary skills?

The vocabulary you use in your academic writing is a toolkit you can build up over time, as long as you take the time to learn new words.

One way to increase your vocabulary is by looking up words you don’t know when you’re reading.

Try reading more books and academic articles in the field you’re writing about and jotting down all the new words you find. You can use these words to bolster your own essays.

You can also consult a dictionary or a thesaurus. When you’re using a word you’re not confident about, researching its meaning and common synonyms can help you make sure it belongs in your essay.

Don't be afraid of using simpler words. Good essay writing boils down to choosing the best word to convey what you need to say, not the fanciest word possible.

Finally, you can use ProWritingAid’s synonym tool or essay checker to find more precise and sophisticated vocabulary. Click on weak words in your essay to find stronger alternatives.

There you have it: our compilation of the best words and phrases to use in your next essay . Good luck!

Good writing = better grades

ProWritingAid will help you improve the style, strength, and clarity of all your assignments.

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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100 Beautiful Sentences in Literature

How do you pick the most beautiful sentences in literature?

• Are beautiful sentences full of nice turns of phrase?
• Or are beautiful sentences full of wisdom?
• Must beautiful sentences be full of risk and ambition, or can they be subtle and simple?
• Must beautiful sentences make you  feel  something?

As I was combing through thousands of lovely sentences to make this list, through my library of books and internet lists and polling my writer friends, I decided that the best sentences accomplished a combination of those four criteria. Still, I was swamped with possibilities.

To limit the sheer number of beautiful sentences, I created some artificial boundaries:

• I limited myself to  modern authors , authors writing in the last 50 years or so, because there are many websites that list classic lines of literature and I don’t want to repeat them.
• I’m also limiting the list to  one submission per author .
• I’ve also decided to opt for beautiful  sentences under 100 words,  because anything past that becomes its own beast, and it’s unfair for a 10 word sentence to have to compare to an epic monster sentence (If you want longer sentences, look at the  longest sentences in English ).
• I’m picking virtually all of these from  fiction , not nonfiction (with the exception of one — find it if you can), and I’m not picking first lines of books because those deserve their own list.

Let’s dig deeper into these four criteria:

• I find beautiful language necessary but not sufficient. Few sentences below use prosaic language, but if they do, they acheive beauty by the complexity of their construction, the way the sentence unspools. But if a sentence is only beautiful, and doesn’t stretch for anything more, I feel admiration but not love. After all, there are millions of gorgeous lines of prose, and we only have so much attention.
• By wisdom I mean truth, insight, ideas. A sentence functioning as an aphorism. On many of the lists I found around the internet, such as the Buzzfeed list of 51 Beautiful Sentences and the Esquire list of 70 Sentences, this was their main criteria. The language didn’t have to be lovely or ingenious, but they wanted an idea to hoist its flag. For me, wisdom is a secondary consideration after beauty. I would pick a beautiful sentence over a wise sentence any day, because a wise sentence treats language as a mere vehicle while a beautiful sentence elevates language as the primary goal.
• Ambition isn’t just length, although it often appears that way. Ambitious sentences attempt new forms, rebel against syntax and grammar rules, and innovate with language. I love ambitious sentences, but it’s not essential for a perfect sentence. In this list I’ve tried to find a mix of both formally ambitious sentences and sentences that stay well within the rules but create beauty in orderly and masterful ways.
• No one talks about emotion as a primary consideration for a good sentence. But I look for whether a good sentence elicits sadness or joy, awe or horror. I don’t just want to admire the lines and curves of the prose, I want a string to be plucked deep inside me. An emotionless sentence can look perfectly fine standing on its own, but line them up end to end and they’re the death of a book. One sentiment that is often overlooked in beautiful sentences is humor — a few of the sentences below are quite funny, but I wish I had more.

I’m trying to avoid  one-trick ponies  in my selections below: a sentence that does one good thing is wonderful, but it isn’t the best sentence that could be written.

I’m also not going for what I would call an “ instructional sentence .” I’d compiled hundreds of great sentences in a file of mine, but when I examined, I realized most of them were designed to teach something to the reader. They contained some technique, some trick, some device that could be learned and replicated. The sentences below can be learned from, but that’s not their primary beauty. They are beautiful for the sake of beauty itself.

One last criteria for longer sentences: I want to see a  narrative . By a narrative I mean some kind of turn from the beginning to the end. It doesn’t have to be a surprise, although it’s usually surprising. There needs to be a shift, an evolution, a gradation by the end. If the beautiful sentence ends and I’m still in the same place where I started, that’s a problem.

Check out this first video in my online course “ How to Write a Splendid Sentence “:

Lastly, if you like this list you might like some other lists at Bookfox:

• 16 Ways to Write a Sentence
• Repeated Sentences: How to Harness the Power of Repetition
• 9 Ways to Write Short Sentences

And if you’re looking for how to write a novel , I can definitely help you with that.

Click that link to get the best advice you’ve ever read on starting and finishing your book.

But let’s stop talking about sentences and start looking at them.

100 Beautiful Sentences

1. “Undressing her was an act of recklessness, a kind of vandalism, like releasing a zoo full of animals, or blowing up a dam.”

– Michael Chabon

2. “Jack put his arm out the window, waving his hat like a visiting dignitary, backed into the street, and floated away, gentling the gleaming dirigible through the shadows of arching elm trees, light dropping on it through their leaves like confetti as it made its ceremonious passage.”

– Marilynne Robinson

3. “A sudden warm rainstorm washes down in sweet hyphens.”

– J.M. Ledger

4. “And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it.”

– Paul Harding

5. “Within seconds of that thought, the train entered Washington, where she was to come to her end more than sixty-eight years later, a mother to seven living and two dead, a grandmother to twenty-one living and three dead, a great-grandmother to twelve, a great-great grandmother to twins.”

– Edward P. Jones

6. “We were all a little drunk with spring, like the fat bees reeling from flower to flower, and a strange insurrectionary current ran among us.”

– Tobias Wolff

7. “When she shouted, the gulls hidden by the dune buckshot the low clouds.”

– Lauren Groff

8. “When he was dry, he believed it was alcohol he needed, but when he had a few drinks in him, he knew it was something else, possibly a woman; and when he had it all — cash, booze, and a wife — he couldn’t be distracted from the great emptiness that was always falling through him and never hit the ground.”

– Denis Johnson

9. “Lizards skit like quick beige sticks.”

– Richard Beard

10. “Saint Rufina, a famous woman who had been a very lovely young princess with long black hair who decided to give up her jewelry and become a nun and wear only the roughest clothes, and who died in a terrible way, by being eaten to death by wild dogs that ran through the church in the dead of wintertime, was in a special chapel all to herself, where one arm of her was set aside, that someone had scooped up and saved from the dogs, because everyone had loved her for her kindness and her healing ability.”

– Nicholson Baker

11. “I heard the sonic rip of a military jet, like a giant trowel being dragged through wet concrete, but saw only blue above, a raw and saturated blue that seemed cut from an inner wedge of sky.”

– Rachel Kushner

12. “The sky, at sunset, looked like a carnivorous flower.”

– Roberto Bolano

13. “His voice traveled like a drug dripped down the spiraling canals of their ears until they had forgotten everything, until they had forgotten their own names, until they turned and offered themselves up to him, their bodies sweet and soft as marzipan.”

– Ann Patchett

14. “Men are like armored things, mountainous assemblages of armor and leather, masonry even, which you are told will self-dismantle if you touch the right spot, and out will flow passionate attention.”

– Norman Rush

15. “We waited for the taxi beside the Holderlin pump, and by the faint light that fell from the living-room window into the well I saw, with a shudder that went to the roots of my hair, a beetle rowing across the surface of the water, from one dark shore to the other.”

– W.G. Sebald

16. “On the ground, in the cave, now wrapped in darkness, they found themselves airborne over hills and valleys, floating through blue clouds to the mountaintop of pure ecstasy, from where, suspended in space, they felt the world go round and round, before they descended, sliding down a rainbow, toward the earth, their earth, where the grass, plants, and animals seemed to be singing a lullaby of silence as Nyawira and Kamiti, now locked in each other’s arms, slept the sleep of babies, the dawn of a new day awaiting.”

– Ngugi Wa Thiong’o

17. “Inside us there is something that has no name, that something is what we are.”

– Jose Saramago

18. “The Captain’s wife played the harp; she had very long arms, silver as eels on those nights, and armpits as dark and mysterious as sea urchins; and the sound of the harp was sweet and piercing, so sweet and piercing it was almost unbearable, and we were forced to let out long cries, not so much to accompany the music as to protect our hearing from it.”

– Italo Calvino

19. “Sea and sky were a single ash-gray thing and the sands of the beach, which on March nights glimmered like powdered light, had become a stew of mud and rotten shellfish.”

– Gabriel Garcia Marquez

20. “In your life there are a few places, or maybe only the one place, where something happened, and then there are all the other places.”

– Alice Munro

21. “The circle of an empty day is brutal and at night it tightens around your neck like a noose.”

Elena Ferrante

22. “In any case, at a certain point as she wandered out among the galaxies, among the whirling particles and ineffable numbers, something leaked in her mind, smudging the text of the cosmos, and she was lost.”

– Deborah Eisenberg

23. “And I still have other smothered memories, now unfolding themselves into limbless monsters of pain.”

– Vladimir Nabokov

24. “In our world, that’s the way you live your grown-up life: you must constantly rebuild your identity as an adult, the way it’s been put together is wobbly, ephemeral, and fragile, it cloaks despair and, when you’re alone in front of the mirror, it tells you the lies you need to believe.”

– Muriel Barbery

25. “Over the Tsushima Basin, they could hear the powerful clicks, like punches to the chest, of sperm whales hunting below, and nearing the island of Dogo, granite spires rose sudden from the sea, white up top from bird guano and orange below from great gatherings of starfish.”

– Adam Johnson

27. “His fate had taken him off two trains this morning, had raised him to the surface at Whitehall Street, had shown him the spinning atoms, unraveling, the end of life, all of them people tethered by love, and habit, and work, and meaning, tied into a meaning suddenly exploded, because contrary to all he had imagined, being tied, being known, did not keep you safe.”

– Claire Messud

28. “He knows your name and you know his, and you almost killed him and, because you got so close to doing so but didn’t, you want to fall on him, weeping, because you are so lonely, so lonely always, and all contact is contact, and all contact makes us so grateful we want to cry and dance and cry and cry.”

– Dave Eggers

29. “They were all scarecrows, blown about under the murdering sunball with empty ribcages.”

– Cynthia Ozick

30. “Everything was still bathed and saturated with her presence — higher, wider, deeper than life, a shift in optics that had produced a rainbow edge, and I remember thinking that this must be how people felt after visions of saints — not that my mother was a saint, only that her appearance had been as distinct and startling as a flame leaping up in a dark room.”

– Donna Tartt

31. “We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves.”

– Michael Ondaatje

32. “As she picked up her shoes from the closet and tiptoed from the room, she felt, for a vertiginous moment, an unlawful excitement.”

– Paula Fox

33. “What I saw made me want to fell the highest spruce and watch it tip over and fall with a rush and a crash that echoed through the valley and trim it myself in record time and strip it clean myself without stopping even though that was the hardest thing to do and drag it to the river bank with my bare hands and my own back with neither horse nor man to help me and heave it into the water with the strength I suddenly knew I had, and the splash and the spray would rise as high as a house in Oslo.”

– Per Petterson

34. “He was sensitive to lives that had, beneath their surface, like a huge rock or shadow, a glory that would be discovered, that would rise one day to the light.”

– James Salter

35. “Each of her soothing utterances battered me more grievously than the last—as if I were traveling in a perverse ambulance whose function was to collect a healthy man and steadily damage him in readiness for the hospital at which a final and terrible injury would be inflicted.”

– Joseph O’Neill

36. “And maybe I tried with too much mettle — my lines might have mentioned the “Latin gusto” of her calves and hips in motion, and how the small blond hairs of her nape quelled my fear of becoming a “non crooning castrato” — because not four days after I posted the letter she arrived at the prison wearing an orange autumn dress, the strapless kind that could reverse a vasectomy.”

– William Giraldi

38. “It didn’t matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn’t heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.”

– Jeffrey Eugenides

39. “He’d say “I love you” to every man in the squad before rolling out, say it straight, with no joking or smart-ass lilt and no warbly Christian smarm in it either, just that brisk declaration like he was tightening the seat belts around everyone’s soul.”

– Ben Fountain

40. “I came to hate the complainers, with their dry and crumbly lipsticks and their wrinkled rage and their stupid, flaccid, old-people sun hats with brims the breadth of Saturn’s rings.”

– Karen Russell

41. “Maybe life doesn’t get any better than this, or any worse, and what we get is just what we’re willing to find: small wonders where they grow.”

– Barbara Kingsolver

42. “Around the beginning of this century, the Queen of Thailand was aboard a boat, floating along with her many courtiers, manservants, maids, feet-bathers, and food tasters, when suddenly the stern hit a wave and the queen was thrown overboard into the turquoise waters of the Nippon-Kai, where, despite her pleas for help, she drowned, for not one person on that boat went to her aid.”

– Zadie Smith

43. “Every native everywhere lives a life of overwhelming and crushing banality and boredom and desperation and depression, and every deed, good and bad, is an attempt to forget this.”

– Jamaica Kincaid

44. “As my grandfather went, arm over arm, his heart making sour little shudders against his ribs, he kept listening for a sound, the sound of the tiger, the sound of anything but his own feet and lungs.”

– Tea Obreht

45. “Love is the extremely difficult realization that something other than oneself is real.”

– Iris Murdoch

46. “We all owe death a life.”

– Salman Rushdie

47. “In the deep gloom he could see the electric white gashes where the water boiled over the boulders.”

– Ron Carlson

48. “We are souls shut inside a cage of bones; souls squeezed into a parcel of flesh.”

– Michel Faber

49. “Profound was Gary’s relief the next morning as he bumped and glided, like a storm-battered yacht, into the safe harbor of his work week.”

– Jonathan Franzen

50. “Old lovers go the way of old photographs, bleaching out gradually as in a slow bath of acid: first the moles and pimples, then the shadings.”

– Margaret Atwood

51. “I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty bats and shines not in its imperfections but overwhelmingly in spite of them.”

– Annie Dillard

52. “Coming out into the late night and walking round the building with the secretive grating roll of the stony path beneath his steps, the evening throbbed back through him as blood thumps slowly, reliving effort, after exertion.”

– Nadine Gordimer

53. “Sometimes, when she’s out here alone, she can feel the pulse of something bigger, as if all things animate were beating in unison, a glory and a connection that sweeps her out of herself, out of her consciousness, so that nothing has a name, not in Latin, not in English, not in any known language.”

– T.C. Boyle

54. They were watching, out there past men’s knowing, where stars are drowning and whales ferry their vast souls through the black and seamless sea.”

– Cormac McCarthy

55. “Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air.”

– Anthony Doerr

56. “Two weeks later, the tape arrived of the race and I memorized it, especially those last hundred yards, Wowie alone, heading for the finish line, his body rhythmically stretching and contracting as his four legs reached and folded, reached and folded.”

– Jane Smiley

57. “He had no right to be there, he had already been profoundly changed, he was no good at small talk, she was half naked, it was dawn and he loved her.”

– Mark Helprin

58. “At a certain point in her life, she realises it is not so much that she wants to have a child as that she does not want not to have a child, or not to have had a child.”

– Lydia Davis (have you ever seen such a beautiful sentence that hinges on tense alone?)

59. “Some nights in the midst of this loneliness I swung among the scattered stars at the end of the thin thread of faith alone.”

– Wendell Berry

60. “Home, we drank a little wine, put on some of that sticky saxophone music we used to keep around to drown out the bitter squeaks in our hearts.”

– Sam Lipsyte

61. “And so we stood together like that, at the top of that field for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us from being swept away into the night.”

– Kazuo Ishiguro

62. “I want to sleep in her uterus with my foot hanging out.”

– Barry Hannah

63. “We laughed and laughed, together and separately, out loud and silently, we were determined to ignore whatever needed to be ignored, to build a new world from nothing if nothing in our world could be salvaged, it was one of the best days of my life, a day during which I lived my life and didn’t think about my life at all.”

– Jonathan Safran Foer

64. “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.”

– Jack Kerouac

65. “Heaven opened and the water hammered down, reviving the reluctant old well, greenmossing the pigless pigsty, carpet bombing still, tea-colored puddles the way memory bombs still, tea-colored minds.”

– Arundhati Roy

66. “The torch spit sparks and sent chunks of flaming tar spinning into the air behind her as she bolted across the cosmos — the only body in the heavens who was not held to a strict elliptical path.”

– Elizabeth Gilbert

67. “Figures dark beneath their loads pass down the far bank of the river, rendered immortal by the streak of sunset upon their shoulders.”

– Peter Matthiessen

68. “But it goes from bad to worse, and the moment he sets foot in Black’s room, he feels everything go dark inside him, as though the night were pressing through his pores, sitting on top of him with a tremendous weight, and at the same time his head seems to be growing, filling with air as though about to detach itself from his body and float away.”

– Paul Auster

69. “They were sorry, they were saying with their bodies, they were accepting each other back, and that feeling, that feeling of being accepted back again and again, of someone’s affection for you always expanding to encompass whatever new flawed thing had just manifested in you, that was the deepest, dearest thing he’d ever—”

– George Saunders

70. “Decisions are never really made – at best they manage to emerge, from a chaos of peeves, whims, hallucinations and all around assholery.”

– Thomas Pynchon

72. “The love I felt for her on that train ride had a capital and provinces, parishes and a Vatican, an orange planet and many sullen moons — it was systemic and it was complete.”

– Gary Shteyngart

73. “The week after Halloween had a quality both hungover and ominous, the light pitched, the sky smashed against the rooftops.”

– Jonathan Lethem

74. “Rather he consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same.”

– Colum McCann

75. “For the first time in years, he felt the deep sadness of exile, knowing that he was alone here, an outsider, and too alert to the ironies, the niceties, the manners, and indeed, the morals to be able to participate.”

– Colm Toibin

76. “But these thoughts broke apart in his head and were replaced by strange fragments: This is my soul and the world unwinding, this is my heart in the still winter air.”

– Emily St. John Mandel (a finalist for beautiful sentences, more like poetry than prose)

77. “Life was neither something you defended by hiding nor surrendered calmly on other people’s terms, but something you lived bravely, out in the open, and that if you had to lose it, you should lose it on your own terms.”

– Edwidge Danticat

78. “There are some things that are so unforgivable that they make other things easily forgivable.”

– Chimamanda Ngozi Adichie

79. “But in another city, another valley, another ghetto, another slum, another favela, another township, another intifada, another war, another birth, somebody is singing Redemption Song, as if the Singer wrote it for no other reason but for this sufferah to sing, shout, whisper, weep, bawl, and scream right here, right now.”

– Marlon James

80. “His toe scuffs a soft storm of sand, he kneels and his arms spread in pantomimic celebration, the immigrant, as in every moment of his life, arriving eternally on the shore of his Self.”

– E.L. Doctorow

81. “Sleep is no longer a healing bath, a recuperation of vital forces, but an oblivion, a nightly brush with annihilation.”

– J.M. Coetzee

82. “The only cities were of ice, bergs with cores of beryl, blue gems within white gems, that some said gave off an odor of almonds.”

– Annie Proulx

83. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.”

– Ian McEwan

84. “And even if I recognized her strategy, her sneak attack, I was afraid that some unseen speck of truth would fly into my eye, blur what I was seeing and transform him from the divine man I thought he was into someone quite mundane, mortally wounded with tiresome habits and irritating imperfections.”

– Amy Tan

85. “Every person had a star, every star had a friend, and for every person carrying a star there was someone else who reflected it, and everyone carried this reflection like a secret confidante in the heart.”

– Orhan Pamuk

86. “Memory is a great deceiver, grief and longing cloud the past, and recollections, even vivid ones, fade.”

– Daniel Alarcon

87. “Over the city lies the sweet, rotting odor of yesterday’s unrecollected sins.”

– Hilary Mantel

89. “We need to develop a better descriptive vocabulary for lying, a taxonomy, a way to distinguish intentional lies from unintentional ones, and a way to distinguish the lies that the liar himself believes in – a way to signal those lies that could be more accurately described as dreams.”

– Rivka Galchen

90. “She understood as women often do more easily than men, that the declared meaning of a spoken sentence is only its overcoat, and the real meaning lies underneath its scarves and buttons.”

– Peter Carey

91. “The road ran away westwards in the mist of the early morning, running cunningly through the little hills and going to some trouble to visit tiny towns which were not, strictly speaking, on its way.”

– Flann O’Brien

92. “We had loving beautiful sex just as soon as we could get ourselves to stop talking — loving and beautiful in the expressionist, pathetic-fallacy sense in which you might say a meadow was loving and beautiful even if it was full of hamsters ready to kill each other on sight, but only when they’re awake.”

– Nell Zink

93. “And we know, until they stop their terrible motion, until they cease swooping and darting and banging into the walls, until they alight, come to rest, exhausted, spent, there is nothing at all we can do.”

– Nathan Englander

94. “He was still a handsome man, with a tanned, chiseled face and long, thick, wavy white hair, but his cells had begun to reproduce in a haphazard fashion, destroying the DNA of neighboring cells and secreting toxins into his body.”

– Michel Houellebecq

95. “You’re an insomniac, you tell yourself: there are profound truths revealed only to the insomniac by night like those phosphorescent minerals veined and glimmering in the dark but coarse and ordinary otherwise; you have to examine such minerals in the absence of light to discover their beauty, you tell yourself.”

– Joyce Carol Oates

96. “In fact, this particular memory is one she’ll return to again and again, for the rest of her life, long after Ralph has shot himself in the head in their father’s house at twenty eight: her brother as a boy, hair slicked flat, eyes sparking, shyly learning to dance.”

– Jennifer Egan

97. “Twenty were jammed together on the stoop, tiers of heads made one central head, and the wings rested along the banisters, a raggedy monster of boys studying her approach.”

– Leonard Michaels

98. “It was plain as the stars that time herself moved in grand tidal sweeps rather than the tick-tocks we suffocate within, and that I must reshape myself to fully inhabit the earth rather than dawdle in the sump of my foibles.”

– Jim Harrison

99. “Sometimes I wonder if Junior remembers anything, or if his head is like a colander, and the memories of who bottle-fed him, who licked his tears, who mothered him, squeeze through the metal like water to run down the drain, and only leave the present day, his sand holes, his shirtless bird chest, Randall yelling at him: his present washed clean of memory like vegetables washed clean of the dirt they grow in.”

– Jesmyn Ward

100. “So, as was often the case when he was alone and sober, whatever the surroundings, he saw a boy pushing his entrails back in, holding them in his palms like a fortune-teller’s globe shattering with bad news; or he heard a boy with only the bottom half of his face intact, the lips calling mama.”

– Toni Morrison (it’s suitable to end with Toni Morrison; she could be the queen of beautiful sentences)

If you just finished this list, you’re probably awash in beauty. Soak it up, soak it in, and do one of three things:

• Tell me in the comments which one of the sentences above is your favorite sentence. (I know, right? How do you pick?)
• What beautiful sentences do you consider your all-time favorites? Post them below. (aka: what did I miss?)
• Lastly, consider taking my course in how to write a sentence. If you love sentences, I guarantee you’ll love this course.

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Loved #42. It made me want to know why the queen was so disliked that no one would save her. Or if they all came from a place where no one could swim.

DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.

Edgar Allen Poe

What a first sentence!

This is my all-time favourite sentence: “With the landless gull, that at sunset folds her wings and is rocked to sleep between billows; so at nightfall the Nantucketer, out of sight of land, furls his sails, and lays him to his rest, while under his very pillow rush herds of walruses and whales.” ~ Herman Melville.

The November Frost had starched the city into silent rigidity. -BRIAN FRIEL

“The Marriage Portrait” by Maggie O’Farrell:

“Her husband is sitting down, not in his customary place at the opposite end but next to her, close enough that she could rest her head on his shoulder, should she wish; he is unfolding his napkin and straightening a knife and moving the candle towards them both when it comes to her with a peculiar clarity, as if some coloured glass has been put in front of her eyes, or perhaps removed from them, that he intends to kill her.”

Calm down, mother,’ Dunya replied, taking off her hat and cape. ‘This gentleman has been sent by God himself, even though he’s come straight from a drinking-bout.

Crime and Punishment. I always found it funny that I prefer the themes expressed in small parts of dialogue compared to the full text.

Every writer NEEDS this book.

It’s a guide to writing the pivotal moments of your novel.

Whether writing your book or revising it, this will be the most helpful book you’ll ever buy.

Learn how to:

• Nail chapter endings
• Surprise your reader with plot twists
• Describe a character for the first time
• Write a killer ending

Recommended Pages:

• How to learn English
• A cool trick for memorizing sentences
• Don't just learn. Overlearn.
• The 3 biggest improvements you can make to your English writing
• The key to understanding natural spoken English
• 5 steps to achieving your New Year's resolutions
• 8 reasons why your English isn't improving
• How your brain learns English (and how it doesn't)
• Infographic: How many words do you 'need'?
• The problem with language learning "levels"
• Where do I start?
• Never tell yourself that you "know" an English word or phrase.
• How to memorize the phrases
• Why Memorize? My theory of "hook phrases"

Phrases You Can Use To Make Your Essays More Interesting

Only a brilliant essay can guarantee you a good grade. But, there’s quite a lot to be inserted into a paper aside from relevant data and a crafty introduction. A great essay always contains the right phrases and transition words. This makes it properly articulated and persuasive, two characteristics that are essential for quality writing.

To make an essay outstanding and A-grade worthy, you need to learn some great phrases and where to insert them. Now, without further ado, I’m presenting you with the best phrases to use in an essay to make it brilliant.

Explaining and Introducing Something

1. in order to.

In order to make an essay excellent, you need introductory phrases such as this one. This is one of the most popular paragraph starters and is used to introduce some type of an explanation for an argument.

2. To this end / To that end

If you need another way to say ‘in order to’, this is the perfect alternative. Spice your content up a little. These phrases are used to introduce an idea or an explanation.

3. That is to say/ That is

To introduce further detail to something you’ve said previously, or make your writing more precise – use one of these two phrases. These are used after an idea has been introduced, always at the beginning of a sentence. In most cases, a comma follows this phrase.

4. In other words / To put it another way

When you want to explain something or clarify it further, these are the phrases to use. Once again, these belong to the beginning of the sentence, and are often used as a paragraph starter. They are the perfect addition to essays that explain complex points or give detailed definitions.

Providing Additional Information

5. moreover / furthermore .

Good transition words make an essay look more professional and better researched. Yes, instructors pay attention to such things and the use of transition words can turn a dull essay into one that flows perfectly. Moreover and furthermore are such words. Used at the beginning of sentences, these words allow you to introduce and add extra information to support an idea or point.

6. What is more

As a longer alternative to moreover and furthermore, you can use this phrase. It has the same effect and it increases the word count. Also, it’s three words in a sentence that make your essay look more appealing to the reader.

7. Similarly / Likewise

These two words are used to talk about something that confirms what you’ve said before. This is often used in persuasive and argumentative essays that require a lot of research to support an idea. If you’re having trouble finding enough data or organizing it, you can always turn to a help service and ask them: make an essay for me on this topic. You’re probably going to find one of these words in such papers.

8. Another key thing to remember / Another key point to remember

If you’re trying to write more words, these two phrases will introduce additional facts, same as the word ‘also’. Plus, they give clarity to a piece of content that’s based on a lot of supportive data. 

9. Not only... but also

This is a play with words, type of wording that allows you to add information that’s unexpected and surprising. It’s used to give your writing a more exciting effect. 

10. As well as

Whenever you feel like your essay is filled with the same words such as ‘and’ or ‘also’, use this phrase instead. It carries the same meaning, gives your content some versatility, and has a bigger word count. 

11. Firstly, secondly

There’s no limit as to how far you can get with this, but too much data can be overwhelming. So, you’ll probably get to secondly and thirdly, maybe even finish with the word ‘finally’. This is another play with words that helps you clarify and organize the data. 

12. To say nothing of / Not to mention

For some emphasis and additional information, use these finely tuned phrases. They aren’t so frequently used in essays, so yours will stand out and make you look as an amazing researcher.

Demonstrating Contrast

13. however.

However is a really frequently word used. It’s a transitional word, a word that belongs at the beginning of a sentence, and a tool that allows you to introduce contrast. 

14. On the other hand / Having said that

This particular phrase carries the same meaning as ‘however’, so if you’ve used the first before, it’s time to spice things up with this phrase. Use it to introduce a different piece of evidence, an opposing idea or opinion, or a contrasting interpretation of the thing you’ve presented before it.

15. Then again

Do you perhaps want to cast some doubt on the point of view you are against? If you’re trying to make an argument that proves your point is the right point, or persuade someone to take the action you believe is right, this is the way to introduce some doubt.

There are plenty of phrases you can use to enrich your essay, and these are quite a nice way to start. Remember – practice makes perfect. Learn through reading and writing and you’ll master the writing skill in no time!

Author’s Bio

Susan Wallace is a linguist, a professor, and a video course instructor. She studies grammar and writing, is a proud member of many writing associations, and contributes to many educational magazines online. You can also find a lot of her content on online pages and blogs.

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Blog • Perfecting your Craft

Posted on Mar 29, 2019

170 Writing Quotes by Famous Authors for Every Occasion

When you're feeling stuck on your novel, an important thing to remember is that we've all been there in the past. That's right — even the J.K Rowling's and Ernest Hemingway's of this world. Which is why it's always a great idea to turn to your most famous peers (and their writing quotes) for inspiration.

Without further ado, here are 170 writing quotes  to guide you through every stage of writing. ( Yes! We've added more since we first published this post! )

The number one piece of advice that most authors have for other authors is to read, read, read. Here’s why.

1. “If you don't have time to read, you don't have the time (or the tools ) to write. Simple as that.” — Stephen King

2. “You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.” — Annie Proulx

3. “Indeed, learning to write may be part of learning to read. For all I know, writing comes out of a superior devotion to reading.” — Eudora Welty

4. “Read, read, read. Read everything  —  trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” — William Faulkner

5. “I kept always two books in my pocket: one to read, one to write in.” — Robert Louis Stevenson

6. “The Six Golden Rules of Writing: Read, read, read, and write, write, write.” — Ernest Gaines

7. “The greatest part of a writer’s time is spent in reading, in order to write; a man will turn over half a library to make one book.” — Samuel Johnson

8. “Read a thousand books, and your words will flow like a river.” ― Lisa See

9. “One sure window into a person’s soul is his reading list.” — Mary B. W. Tabor

The well of inspiration, we’re afraid, often does run dry. Here are the writing quotes to replenish it and, hopefully, remind you that there might be a story idea waiting for you just around the corner of life.

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10. "If there's a book that you want to read, but it hasn't been written yet, then you must write it." — Toni Morrison

11. “Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.” — Orson Scott

12. “Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, not your games with language, which will be the most compelling and seductive element in your style.” — Stephen King

13. “Most writers regard the truth as their most valuable possession, and therefore are most economical in its use.” — Mark Twain

14. “When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.” — George Orwell

15. “Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.” — Natalie Goldberg

16. “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” — Madeleine L'Engle

17. “How vain it is to sit down to write when you have not stood up to live.” — Henry David Thoreau

18. “Cheat your landlord if you can and must, but do not try to shortchange the Muse. It cannot be done. You can’t fake quality any more than you can fake a good meal.” — William S. Burroughs

19. “Write what should not be forgotten.” — Isabel Allende

20. “The story must strike a nerve in me. My heart should start pounding when I hear the first line in my head. I start trembling at the risk.” — Susan Sontag

21. “Sometimes the ideas just come to me. Other times I have to sweat and almost bleed to make ideas come. It’s a mysterious process, but I hope I never find out exactly how it works. I like a mystery, as you may have noticed.” — J.K. Rowling

22. “As for ‘Write what you know,’ I was regularly told this as a beginner. I think it’s a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so it’s my duty to testify about them.” — Ursula K. Le Guin

23. “I’m very lucky in that I don’t understand the world yet. If I understood the world, it would be harder for me to write these books.” — Mo Willems

24. “Ideas are cheap. It’s the execution that is all important.” — George R.R. Martin

25. “If you wait for inspiration to write you’re not a writer, you’re a waiter.” — Dan Poynter

Now, finding your "voice" is not as simple as entering a nationally-televised competition on NBC ( nyuk nyuk! ). Yet your voice will define you as a writer, and these famous writers have plenty of tips and writing quotes for you when it comes to finding it.

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26. “To gain your own voice, you have to forget about having it heard.” — Allen Ginsberg

27. “One day I will find the right words, and they will be simple.” — Jack Kerouac

28. “No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” —Robert Frost

29. “It is only by writing, not dreaming about it, that we develop our own style.” — P.D. James

30. “Voice is not just the result of a single sentence or paragraph or page. It’s not even the sum total of a whole story. It’s all your work laid out across the table like the bones and fossils of an unidentified carcass.” — Chuck Wendig

31. “If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative.” — Elmore Leonard

32. “Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.” — Meg Rosoff

33. “I don’t want just words. If that’s all you have for me, you’d better go.” — F. Scott Fitzgerald

34. “Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.” — Virginia Woolf

35. “Everywhere I go, I’m asked if the universities stifle writers. My opinion is that they don’t stifle enough of them.” — Flannery O’Connor

36. “There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn’t because the book is not there and worth being written — it is only because the right form of the story does not present itself. There is only one right form for a story and, if you fail to find that form, the story will not tell itself.” — Mark Twain

37. “Start writing, no matter what. The water does not flow until the faucet is turned on.” — Louis L’Amour

38. “First, find out what your hero wants, then just follow him.” — Ray Bradbury

39. “All you have to do is write one true sentence. Write the truest sentence that you know.” — Ernest Hemingway

40. “Focus more on your desire than on your doubt, and the dream will take care of itself.” — Mark Twain

41. “Being a writer is a very peculiar sort of job: It’s always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.” — Neil Gaiman

42. “It’s none of their business that you have to learn to write. Let them think you were born that way.” — Ernest Hemingway

43. “It doesn’t matter how many book ideas you have if you can’t finish writing your book.” — Joe Bunting

44. “If I waited for perfection, I would never write a word.” — Margaret Atwood

45. “A blank piece of paper is God's way of telling us how hard it is to be God.” — Sidney Sheldon

46. “I am not at all in a humor for writing; I must write on until I am.” — Jane Austen

47. "Get it down. Take chances. It may be bad, but it's the only way you can do anything really good." — William Faulkner

48. “One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing — writing and tearing up five pages would leave me no further behind than if I took the day off.” — Lawrence Block

49. “Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.” — John Steinbeck

50. “You can fix anything but a blank page.” — Nora Roberts

51. “I don’t wait for moods. You accomplish nothing if you do that. Your mind must know it has got to get down to work.” — Pearl S. Buck

52. “There is nothing to writing. All you do is sit down at the typewriter and bleed.” — Ernest Hemingway

Don’t get discouraged if you get this far and you’re thinking that your first draft is rather poor. These writing quotes are reminders that it’s just part of the process.

53. “The first draft is just you telling yourself the story.” — Terry Pratchett

54. “Get through a draft as quickly as possible.” — Joshua Wolf Shenk

55. “I love deadlines. I like the whooshing sound they make as they fly by.” — Douglas Adams

56. “The first draft of everything is shit.” — Ernest Hemingway

57. “There is no real ending. It’s just the place where you stop the story.” — Frank Herbert

58. “I would advise any beginning writer to write the first drafts as if no one else will ever read them — without a thought about publication — and only in the last draft to consider how the work will look from the outside.” — Anne Tyler

59. “I just give myself permission to suck. I delete about 90 percent of my first drafts, so it doesn’t really matter much if on a particular day I write beautiful and brilliant prose that will stick in the minds of my readers forever, because there’s a 90 percent chance I’m just going to delete whatever I write anyway. I find this hugely liberating.” — John Green

60. “Be willing to write really badly.” — Jennifer Egan

61. “On first drafts: It is completely raw, the sort of thing I feel free to do with the door shut — it’s the story undressed, standing up in nothing but its socks and undershorts.” — Stephen King

62. “I do not over-intellectualise the production process. I try to keep it simple: Tell the damned story.” — Tom Clancy

63. “Anyone who says writing is easy isn’t doing it right.” — Amy Joy

64. “You fail only if you stop writing.” — Ray Bradbury

65. “If my doctor told me I had only six minutes to live, I wouldn't brood. I'd type a little faster.” — Isaac Asimov

66. “Just write every day of your life. Read intensely. Then see what happens. Most of my friends who are put on that diet have very pleasant careers.” — Ray Bradbury

67. “You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence.” ― Octavia E. Butler

68. “I believe myself that a good writer doesn’t really need to be told anything except to keep at it.” — Chinua Achebe

69. “The secret to being a writer is that you have to write. It’s not enough to think about writing or to study literature or plan a future life as an author. You really have to lock yourself away, alone, and get to work.” — Augusten Burroughs

70. “It is by sitting down to write every morning that one becomes a writer.” — Gerald Brenan

71. “Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all, endurance.” — James Baldwin

72. “You just have to go on when it is worst and most helpless — there is only one thing to do with a novel and that is go straight on through to the end of the damn thing.” — Ernest Hemingway

73. “We have to continually be jumping off cliffs and developing our wings on the way down.” — Kurt Vonnegut

74. “The nearest I have to a rule is a Post-it on the wall in front of my desk saying ‘Faire et se taire’ from Flaubert. Which I translate for myself as ‘Shut up and get on with it.’” — Helen Simpson

75. “I’ve been writing since I was six. It is a compulsion, so I can’t really say where the desire came from; I’ve always had it. My breakthrough with the first book came through persistence, because a lot of publishers turned it down.” — J.K. Rowling

76. “Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as a writer.” — Ray Bradbury

77. “It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.” — Virginia Woolf

78. “A professional writer is an amateur who didn’t quit.” — Richard Bach

“Write drunk, edit sober” might be one of the most famous writing quotes about editing, but we can’t all outdrink Ernest Hemingway. Which is why these other words of wisdom and writing quotes exist!

79. “You can always edit a bad page. You can’t edit a blank page.” ― Jodi Picoult

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80. “When your story is ready for a rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.” — Stephen King

81. “The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. 'Finish your first draft and then we'll talk,' he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.” — Dominick Dunne

82. “Editing might be a bloody trade, but knives aren’t the exclusive property of butchers. Surgeons use them too.” — Blake Morrison

83. “The main thing I try to do is write as clearly as I can. I rewrite a good deal to make it clear.” — E.B. White

84. “You write to communicate to the hearts and minds of others what's burning inside you, and we edit to let the fire show through the smoke.” — Arthur Plotnik

85. “Half my life is an act of revision.” — John Irving

86. “I'm all for the scissors. I believe more in the scissors than I do in the pencil.” — Truman Capote

87. “It is perfectly okay to write garbage — as long as you edit brilliantly.” — C. J. Cherryh

88. “I've found the best way to revise your own work is to pretend that somebody else wrote it and then to rip the living shit out of it.” ― Don Roff

89. “Only kings, presidents, editors, and people with tapeworms have the right to use the editorial 'we'.” — Mark Twain

90. “So the writer who breeds more words than he needs, is making a chore for the reader who reads.” ― Dr. Seuss

91. “Not that the story need be long, but it will take a long while to make it short.” — Henry David Thoreau

92. “I would write a book, or a short story, at least three times — once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say. Somewhere I put it this way: first drafts are for learning what one's fiction wants him to say. Revision works with that knowledge to enlarge and enhance an idea, to reform it. Revision is one of the exquisite pleasures of writing.” — Bernard Malamud

93. “No author dislikes to be edited as much as he dislikes not to be published.” — Russell Lynes

94. “Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.” — Annie Dillard

95. “No passion in the world is equal to the passion to alter someone else's draft.” — H.G. Wells

96. “A writer is a world trapped in a person.” — Victor Hugo

97. “A writer is someone for whom writing is more difficult than it is for other people.” — Thomas Mann

98. “People say, ‘What advice do you have for people who want to be writers?’ I say, they don’t really need advice, they know they want to be writers, and they’re gonna do it. Those people who know that they really want to do this and are cut out for it, they know it.” — R.L. Stine

99. “As a writer, you should not judge, you should understand.” ― Ernest Hemingway

100. “I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.” — Gustave Flaubert

101. “Let me live, love, and say it well in good sentences.” — Sylvia Plath

102. “I go out to my little office, where I’ve got a manuscript, and the last page I was happy with is on top. I read that, and it’s like getting on a taxiway. I’m able to go through and revise it and put myself — click — back into that world.” — Stephen King

103. “I think all writing is a disease. You can’t stop it.” — William Carlos Williams

104. “Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. I have 10 or so, and that’s a lot. As you get older, you become more skillful at casting them.” — Gore Vidal

105. “For your born writer, nothing is so healing as the realization that he has come upon the right word.” — Catherine Drinker Bowen

106. “The task of a writer consists of being able to make something out of an idea.” — Thomas Mann

107. “Some editors are failed writers, but so are most writers.” — T.S. Eliot

108. “Many people hear voices when no one is there. Some of them are called mad and are shut up in rooms where they stare at the walls all day. Others are called writers and they do pretty much the same thing.” — Margaret Chittenden

109. “A writer never has a vacation. For a writer life consists of either writing or thinking about writing.” — Eugene Ionesco

110. “Either write something worth reading or do something worth writing.” — Benjamin Franklin

111. “A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.” — Roald Dahl

112. “Writing is the only thing that, when I do it, I don’t feel I should be doing something else.” — Gloria Steinem

From cavemen to our modern day in the 21st-century, we have written our joys and sorrows throughout history. What compels us to write? Here’s what some of the most beloved writers we know have to say.

113. “I can shake off everything as I write; my sorrows disappear, my courage is reborn.” — Anne Frank

114. “We write to taste life twice, in the moment and in retrospect.” — Anais Nin

115. “There is no greater agony than bearing an untold story inside you.” ― Maya Angelou

116. “The very reason I write is so that I might not sleepwalk through my entire life.” — Zadie Smith

117. “The good writing of any age has always been the product of someone’s neurosis.” — William Styron

118. “No matter what people tell you, words and ideas can change the world.” — Robin Williams

119. “Words can be like X-rays if you use them properly — they'll go through anything. You read and you're pierced.” — Aldous Huxley

120. “You can make anything by writing.” — C.S. Lewis

121. “Writers live twice.” —  Natalie Goldberg

122. “History will be kind to me for I intend to write it.” — Winston Churchill

123. “Anybody can make history. Only a great man can write it.” — Oscar Wilde

124. “You must stay drunk on writing so reality cannot destroy you.” — Ray Bradbury

125. “Don’t tell me the moon is shining; show me the glint of light on broken glass .” ― Anton Chekhov

126. “My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.” — Anton Chekhov

127. “There are three rules for writing a novel. Unfortunately, no one knows what they are.” — Somerset Maugham

128. “Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.” — Stephen King

129. “Substitute 'damn' every time you're inclined to write 'very;' your editor will delete it and the writing will be just as it should be.” — Mark Twain

130. “Find your best time of the day for writing and write. Don’t let anything else interfere. Afterwards it won’t matter to you that the kitchen is a mess.” — Esther Freud

131. “Here is a lesson in creative writing. First rule: Do not use semicolons. [...] All they do is show you've been to college.” — Kurt Vonnegut

132. “To produce a mighty book, you must choose a mighty theme.” — Herman Melville

133. “Write drunk, edit sober.” — Ernest Hemingway

134. “The difference between the almost right word and the right word is the difference between the lightning bug and the lightning.” — Mark Twain

135. “The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.” — Neil Gaiman

136. “Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers, like athletes. Without that exercise, the muscles seize up.” — Jane Yolen

137. “Style means the right word. The rest matters little.” — Jules Renard

138. “My aim in constructing sentences is to make the sentence utterly easy to understand, writing what I call transparent prose. I’ve failed dreadfully if you have to read a sentence twice to figure out what I meant.” — Ken Follett

139. “And one of [the things you learn as you get older] is, you really need less… My model for this is late Beethoven. He moves so strangely and quite suddenly sometimes from place to place in his music, in the late quartets. He knows where he’s going and he just doesn’t want to waste all that time getting there… One is aware of this as one gets older. You can’t waste time.” — Ursula K. Le Guin

140. “ Part 1. I notice that you use plain, simple language, short words and brief sentences. That is the way to write English — it is the modern way and the best way. Stick to it; don’t let fluff and flowers and verbosity creep in . Part 2. When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them – then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. Part 3. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.” — Mark Twain

“You miss 100% of the shots that you never take — Wayne Gretsky,” as Michael Scott once said. In tribute to this sentiment, these writing quotes help show why it’s important not to let failure or rejection get you down.

141. “You can’t let praise or criticism get to you. It’s a weakness to get caught up in either one.” — John Wooden

142. “Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil — but there is no way around them.” — Isaac Asimov

143. “Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn’t feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That’s my favorite part. It drives me, feeds me, and makes one hell of a story.” — Jennifer Salaiz

144. “I love my rejection slips. They show me I try.” — Sylvia Plath

145. “I would advise anyone who aspires to a writing career that before developing his talent, he would be wise to develop a thick hide.” — Harper Lee

147. “I used to save all my rejection slips because I told myself, one day I’m going to autograph these and auction them. And then I lost the box.” — James Lee Burke

148. “This manuscript of yours that has just come back from another editor is a precious package. Don’t consider it rejected. Consider that you’ve addressed it ‘to the editor who can appreciate my work’ and it has simply come back stamped ‘Not at this address’. Just keep looking for the right address.” — Barbara Kingsolver

149. “To ward off a feeling of failure, she joked that she could wallpaper her bathroom with rejection slips, which she chose not to see as messages to stop, but rather as tickets to the game.” — Anita Shreve

150. “Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” — Neil Gaiman

151. “The artist doesn’t have time to listen to the critics. The ones who want to be writers read the reviews, the ones who want to write don’t have the time to read reviews.” — William Faulkner

152. “I think that you have to believe in your destiny; that you will succeed, you will meet a lot of rejection and it is not always a straight path, there will be detours — so enjoy the view.” — Michael York

153. “I went for years not finishing anything. Because, of course, when you finish something you can be judged.” — Erica Jong

154. “I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.” — Anita Diamant

155. “I could write an entertaining novel about rejection slips, but I fear it would be overly long.” — Louise Brown

156. “I had immediate success in the sense that I sold something right off the bat. I thought it was going to be a piece of cake and it really wasn’t. I have drawers full of — or I did have — drawers full of rejection slips.” — Fred Saberhagen

157. “An absolutely necessary part of a writer’s equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.” — Irwin Shaw

158. “Failures are finger posts on the road to achievement.” — C. S. Lewis

Why does writing matter? If there’s anyone who might know the answer, it’s the people who write — and continue to write, despite adverse circumstances. Here are a few pennies for their thoughts.

159. “Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” — Virginia Woolf

160. “If the book is true, it will find an audience that is meant to read it.” — Wally Lamb

161. “A word after a word after a word is power.” — Margaret Atwood

162. “If you want to change the world, pick up your pen and write.” — Martin Luther

163. “The purpose of a writer is to keep civilization from destroying itself.” — Albert Camus

164. “Good fiction’s job is to comfort the disturbed and disturb the comfortable.” — David Foster Wallace

165. “After nourishment, shelter and companionship, stories are the thing we need most in the world.” — Philip Pullman

166. “All stories have to at least try to explain some small portion of the meaning of life.” — Gene Weingarten

167. “If a nation loses its storytellers, it loses its childhood.” — Peter Handke

168. “The difference between fiction and reality? Fiction has to make sense.” — Tom Clancy

169. “If I had to give young writers advice, I would say don’t listen to writers talking about writing or themselves.” — Lillian Hellman

170. “Don’t take anyone’s writing advice too seriously.” — Lev Grossman

Of course, writing quotes by themselves won't write the book for you — you alone have that power. However, we hope that this post has helped inspire you in some way! If you're looking for more in-depth resources, you can check out these guides:

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Author and ghostwriter Tom Bromley will guide you from page 1 to the finish line.

• How to Develop a Strong Theme
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Have a favorite quote that we missed? If you know of more cool quotes by writers, write them in the comments!

2 responses

Brian Welte says:

08/05/2019 – 12:28

Here's a quote I absolutely adore: "The author, in his work, must be like God in the Universe, present everywhere and visible nowhere" [Quote from Gustave Flaubert]

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31 Of The Most Beautiful And Profound Passages In Literature You’ll Want To Read Over And Over Again

• https://thoughtcatalog.com/?p=493373

Whenever I’m feeling uninspired I look to a collection of my favorite literary quotes I keep in a document on my computer. Today was one of those days. As I was re-reading some of these and remembering why I love writing, reading, and the power of words and a good story, I thought perhaps someone somewhere out there might be feeling the same as me this morning. Here are 31 of the most beautiful passages in literature .

“Atticus said to Jem one day, “I’d rather you shot at tin cans in the backyard, but I know you’ll go after birds. Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.” That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. “Your father’s right,” she said. “Mockingbirds don’t do one thing except make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corn cribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.” – Harper Lee, To Kill a Mockingbird

“i took a deep breath and listened to the old brag of my heart. i am, i am, i am.” – sylvia plath, the bell jar, “we believe that we can change the things around us in accordance with our desires—we believe it because otherwise we can see no favourable outcome. we do not think of the outcome which generally comes to pass and is also favourable: we do not succeed in changing things in accordance with our desires, but gradually our desires change. the situation that we hoped to change because it was intolerable becomes unimportant to us. we have failed to surmount the obstacle, as we were absolutely determined to do, but life has taken us round it, led us beyond it, and then if we turn round to gaze into the distance of the past, we can barely see it, so imperceptible has it become.” – marcel proust, in search of lost time, “the most beautiful things in the world cannot be seen or touched, they are felt with the heart.” – antoine de saint-exupéry, the little prince, “hello babies. welcome to earth. it’s hot in the summer and cold in the winter. it’s round and wet and crowded. on the outside, babies, you’ve got a hundred years here. there’s only one rule that i know of, babies-“god damn it, you’ve got to be kind.” – kurt vonnegut, god bless you, mr. rosewater, “why, sometimes i’ve believed as many as six impossible things before breakfast.” – lewis carroll, alice in wonderland, “we are all in the gutter, but some of us are looking at the stars.” – oscar wilde, lady windermere’s fan, “i must not fear. fear is the mind-killer. fear is the little-death that brings total obliteration. i will face my fear. i will permit it to pass over me and through me. and when it has gone past i will turn the inner eye to see its path. where the fear has gone there will be nothing. only i will remain.” – frank herbert, dune, “nolite te bastardes carborundorum.” (don’t let the bastards grind you down) – margaret atwood, the handmaid’s tale, “just remember that the things you put into your head are there forever, he said. you might want to think about that. you forget some things, dont you yes. you forget what you want to remember and you remember what you want to forget.” – cormac mccarthy,  the road, “you can tell yourself that you would be willing to lose everything you have in order to get something you want. but it’s a catch-22: all of those things you’re willing to lose are what make you recognizable. lose them, and you’ve lost yourself.” – jodi picoult, handle with care, “the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.” – jack kerouac, on the road, “he allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves.” ― gabriel garcí­a márquez, love in the time of cholera, “there is an idea of a patrick bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though i can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: i simply am not there.” – bret easton ellis, american psycho, “sometimes fate is like a small sandstorm that keeps changing directions. you change direction but the sandstorm chases you. you turn again, but the storm adjusts. over and over you play this out, like some ominous dance with death just before dawn. why because this storm isn’t something that blew in from far away, something that has nothing to do with you. this storm is you. something inside of you. so all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step. there’s no sun there, no moon, no direction, no sense of time. just fine white sand swirling up into the sky like pulverized bones. that’s the kind of sandstorm you need to imagine., and you really will have to make it through that violent, metaphysical, symbolic storm. no matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. people will bleed there, and you will bleed too. hot, red blood. you’ll catch that blood in your hands, your own blood and the blood of others., and once the storm is over you won’t remember how you made it through, how you managed to survive. you won’t even be sure, in fact, whether the storm is really over. but one thing is certain. when you come out of the storm you won’t be the same person who walked in. that’s what this storm’s all about.” – haruki murakami, kafka on the shore, “a heart is not judged by how much you love; but by how much you are loved by others” – l. frank baum, the wonderful wizard of oz, “sometimes i can hear my bones straining under the weight of all the lives i’m not living.”- jonathan safran foer, extremely loud and incredibly close, “the most important things are the hardest to say. they are the things you get ashamed of, because words diminish them — words shrink things that seemed limitless when they were in your head to no more than living size when they’re brought out. but it’s more than that, isn’t it the most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. and you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you’ve said at all, or why you thought it was so important that you almost cried while you were saying it. that’s the worst, i think. when the secret stays locked within not for want of a teller but for want of an understanding ear.” stephen king, different seasons, “i don’t have any problem understanding why people flunk out of college or quit their jobs or cheat on each other or break the law or spray-paint walls. a little bit outside of things is where some people feel each other. we do it to replace the frame of family. we do it to erase and remake our origins in their own images. to say, i too was here.” – lidia yuknavitch, the chronology of water, “i never believed in santa claus. none of us kids did. mom and dad refused to let us. they couldn’t afford expensive presents and they didn’t want us to think we weren’t as good as other kids who, on christmas morning, found all sorts of fancy toys under the tree that were supposedly left by santa claus. dad had lost his job at the gypsum, and when christmas came that year, we had no money at all. on christmas eve, dad took each one of us kids out into the desert night one by one., “pick out your favorite star”, dad said., “i like that one” i said., dad grinned, “that’s venus”, he said. he explained to me that planets glowed because reflected light was constant and stars twinkled because their light pulsed., “i like it anyway” i said., “what the hell,” dad said. “it’s christmas. you can have a planet if you want.” and he gave me venus., venus didn’t have any moons or satellites or even a magnetic field, but it did have an atmosphere sort of similar to earth’s, except it was super hot-about 500 degrees or more. “so,” dad said, “when the sun starts to burn out and earth turns cold, everyone might want to move to venus to get warm. and they’ll have to get permission from your descendants first., we laughed about all the kids who believed in the santa myth and got nothing for christmas but a bunch of cheap plastic toys. “years from now, when all the junk they got is broken and long forgotten,” dad said, “you’ll still have your stars.” – jeannette walls, the glass castle, “lolita, light of my life, fire of my loins. my sin, my soul. lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. lo. lee. ta. she was lo, plain lo, in the morning, standing four feet ten in one sock. she was lola in slacks. she was dolly at school. she was dolores on the dotted line. but in my arms she was always lolita. did she have a precursor she did, indeed she did. in point of fact, there might have been no lolita at all had i not loved, one summer, an initial girl-child. in a princedom by the sea. oh when about as many years before lolita was born as my age was that summer. you can always count on a murderer for a fancy prose style. ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. look at this tangle of thorns.” vladimir nabokov, lolita, “you think because he doesn’t love you that you are worthless. you think that because he doesn’t want you anymore that he is right — that his judgement and opinion of you are correct. if he throws you out, then you are garbage. you think he belongs to you because you want to belong to him. don’t. it’s a bad word, ‘belong.’ especially when you put it with somebody you love. love shouldn’t be like that. did you ever see the way the clouds love a mountain they circle all around it; sometimes you can’t even see the mountain for the clouds. but you know what you go up top and what do you see his head. the clouds never cover the head. his head pokes through, beacuse the clouds let him; they don’t wrap him up. they let him keep his head up high, free, with nothing to hide him or bind him. you can’t own a human being. you can’t lose what you don’t own. suppose you did own him. could you really love somebody who was absolutely nobody without you you really want somebody like that somebody who falls apart when you walk out the door you don’t, do you and neither does he. you’re turning over your whole life to him. your whole life, girl. and if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him he can’t value you more than you value yourself.” – toni morrison, song of solomon, “…i think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. we forget all too soon the things we thought we could never forget. we forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.” ― joan didion, slouching towards bethlehem, “i don’t let anyone touch me,” i finally said. why not” why not because i was tired of men. hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. men who didn’t come to the emergency room with you, men who left on christmas eve. men who slammed the security gates, who made you love them then changed their minds. forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (…) it was a play and i knew how it ended, i didn’t want to audition for any of the roles. it was no game, no casual thrill. it was three-bullet russian roulette.” – janet fitch, white oleander, “i wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. not fuck, like in those movies. not even have sex. just sleep together in the most innocent sense of the phrase. but i lacked the courage and she had a boyfriend and i was gawky and she was gorgeous and i was hopelessly boring and she was endlessly fascinating. so i walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, i was drizzle and she was hurricane.” ― john green, looking for alaska, “but i tried, didn’t i goddamnit, at least i did that.” – ken kesey, one flew over the cuckoo’s nest, “if you’re going to try, go all the way. otherwise, don’t even start. this could mean losing girlfriends, wives, relatives and maybe even your mind. it could mean not eating for three or four days. it could mean freezing on a park bench. it could mean jail. it could mean derision. it could mean mockery–isolation. isolation is the gift. all the others are a test of your endurance, of how much you really want to do it. and, you’ll do it, despite rejection and the worst odds. and it will be better than anything else you can imagine. if you’re going to try, go all the way. there is no other feeling like that. you will be alone with the gods, and the nights will flame with fire. you will ride life straight to perfect laughter. it’s the only good fight there is.” ― charles bukowski, factotum, “i will be very careful the next time i fall in love, she told herself. also, she had made a promise to herself that she intended on keeping. she was never going to go out with another writer: no matter how charming, sensitive, inventive or fun they could be. they weren’t worth it in the long run. they were emotionally too expensive and the upkeep was complicated. they were like having a vacuum cleaner around the house that broke all the time and only einstein could fix it. she wanted her next lover to be a broom.” ― richard brautigan, sombrero fallout, “usually we walk around constantly believing ourselves. “i’m okay” we say. “i’m alright”. but sometimes the truth arrives on you and you can’t get it off. that’s when you realize that sometimes it isn’t even an answer–it’s a question. even now, i wonder how much of my life is convinced.” ― markus zusak, the book thief, “i love you without knowing how, or when, or from where. i love you simply, without problems or pride: i love you in this way because i do not know any other way of loving but this, in which there is no i or you, so intimate that your hand upon my chest is my hand, so intimate that when i fall asleep your eyes close.” ― pablo neruda, 100 love sonnets, “it doesn’t interest me what you do for a living. i want to know what you ache for, and if you dare to dream of meeting your heart’s longing., it doesn’t interest me how old you are. i want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive., it doesn’t interest me what planets are squaring your moon. i want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further paini want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it., i want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human., it doesn’t interest me if the story you are telling me is true. i want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy., i want to know if you can see beauty even when it’s not pretty, every day,and if you can source your own life from its presence., i want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “yes”, it doesn’t interest me to know where you live or how much money you have. i want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children., it doesn’t interest me who you know or how you came to be here. i want to know if you will stand in the center of the fire with me and not shrink back., it doesn’t interest me where or what or with whom you have studied. i want to know what sustains you, from the inside, when all else falls away., i want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.”, ― oriah mountain dreamer, the invitation, koty neelis.

Former senior staff writer and producer at Thought Catalog.

Keep up with Koty on Twitter

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Top 100 Phrases for IELTS Writing Test

If you are taking the IELTS Writing Test, it is beneficial to have some key phrases in handy to assist you in getting a high band score. 

Expanding your IELTS Writing vocabulary is a good idea, but it is even more crucial to write naturally and articulately to get the best results. 

Phrases like ‘It can extend a person’s horizon,’ ‘The essence of the debate is, and ‘very debatable’ is now regarded as ‘ scripted phrases,’ and using them in your IELTS Writing Test will only result in you losing marks.

To ace the IELTS Writing Test, you will need to use essential words and phrases to convey the points you want to make in an articulate, intelligent, and compelling manner. 

While we do not encourage you to memorize phrases, having a better comprehension of the terms that should be used in an academic writing test will help you build the vocabulary that will quickly improve your marks in the IELTS Writing Test. 

Continue reading and learn the most effective and common phrases in IELTS Writing to give you the band score that will be your ultimate ticket to achieving your dreams of studying, working, or living abroad. 

What is the IELTS Writing Task?

Linking structures and cohesive devices, connecting words for both ielts tasks, vocabulary to use in writing task 1, general training test: vocabulary to write letters, vocabulary to use in ielts writing task 2 (both academic and general training), ielts writing sample responses, ielts academic writing test : word lists, commonly confused words in the english language, tricks to learn and remember english vocabulary, additional faqs on ielts writing test.

The IELTS Writing Test is one of the four sections in the IELTS Test , the other three being Speaking , Listening , and Reading Tests. 

It is different for the IELTS Academic and IELTS General Training modules, but both tests have two tasks to be completed. It lasts about 60 minutes, and you are advised to spend only 20 minutes on the first task because the second task has more weight. 

The first task in the IELTS Academic Writing Test requires you to describe and explain the information given in either a graph, chart, map, table, or diagram. 

On the other hand, Task 1 of the IELTS General Training Writing Test asks you to compose a letter responding to a situation and requesting information and explanation. You should write at least 150 words in IELTS Writing Task 1 . 

Moreover, the second task in the IELTS Academic Writing and IELTS General Training Writing is the same. You need to respond to a point of view, problem, or argument by writing an essay. You need at least 250 words in IELTS Writing Task 2 . 

The IELTS Writing Task will be marked on the following criteria: grammar and sentence structure, vocabulary utilization, task response, and coherence and cohesion. 

Each contributes 25% to the overall score. Over the years, examiners have been impressed by candidates’ vocabulary and mastery of syntax but frustrated by how incoherently one sentence flows into the next.

Learn how to use linking structures and cohesive devices below:

How to Use Linking Words for IELTS Writing Task 1?

Academic test:.

You can use the different linking words in the IELTS Academic Writing Task 1 for:

• transitioning from a description of one visual to the next
• comparing and contrasting the key features of the visuals
• pointing out and emphasizing details of the visuals 

General Training Test:

You can use the different linking words in the IELTS General Training Writing Task 1 for:

• describing the problem or situation 
• transitioning from one viewpoint to the next
• explaining your requests

How to Use Linking Words for IELTS Writing Task 2?

Academic and general training:.

You can use the different linking words in the IELTS Writing Task 2 for:

• presenting your opinion
• transitioning from one paragraph to the next
• providing reasons
• giving examples
• explaining conditions and consequences of different scenarios 

To get higher marks in the IELTS Writing Test, more linking words are required. To achieve coherence and cohesion, you must employ a variety of phrases to connect one thought to the next, allowing the reader to follow your reasoning. 

Here are the most effective and common phrases in the IELTS Writing Test:

Transitional Words

• In addition…
• Furthermore…
• Additionally…
• On top of that…

Cause and effect

• As a result…
• Accordingly…
• Consequently…
• On that account…
• For that reason…

Comparison/Contrast

• In contrast…
• Alternatively…
• Nevertheless…
• On the other hand…
• In the end…
• To sum up… 
• To conclude…
• To summarize…
• In conclusion…
• As long as…
• Provided that…
• Supposing that…
• On the condition that…
• Especially…
• In particular…
• Particularly…
• Importantly…
• Without a doubt…
• To illustrate…
• For instance…
• For example…
• The best example is…
• A very good example is…
• I concur that…
• I agree that….
• I think/feel/believe that…
• Personally, I feel that…
• As far as I am concerned…
• From my point of view…
• In spite of…
• Admittedly…
• Even though…
• First of all…
• To start with…
• Thirdly/fourthly/etc…

Academic Test:  Vocabulary to Describe Graphs

Introducing the graph

The graph/table/pie chart/bar chart/diagram…

• illustrates …
• explains why …
• describes …
• gives information about/on …
• provides information about/on …

Changes in the graph

• a growth of…
• a surge of…
• a decrease in…
• a decline in…
• a fluctuation in…
• a variation in…
• dramatically
• significantly
• considerably
• significant
• considerable
• substantial

1. Introduction of the Letter

• I am writing to inform you that …
• I am writing to ask/inquire …
• I am writing with regard to …
• I am writing in connection with …
• I am writing with reference to …
• It’s been a long time. I am writing to…
• I’m simply writing to inform you that…
• I haven’t seen you in a long time.
• Please accept my apologies for not writing in such a long time. I’ve been quite busy…

2. Body of the Letter

Asking for information.

• I’d like for you to…
• Could let me know if…
• I’d appreciate it if you could…
• I’m hoping you could inform me…
• I’d like to seek your opinion on…

Complaining

• This letter is to express my dissatisfaction…
• I’m writing to express my displeasure with…
• I’m writing to voice my disappointment with…
• I’m writing to tell you that I am disappointed… 

Expressing Gratitude

• I am thankful for…
• I’m very grateful for…
• I very much appreciated…
• I’d like to thank you very much for…

Apologizing

• I really regret that/about…
• Please accept my apologies for…
• I’d like to express my regret for…
• Please accept my sincere apologies for…

Giving Advice

• You should…
• You ought to…
• Why don’t you…
• If I were you, I’d…

Giving Suggestion

• If you like, I can…
• Do you want me to…
• What do you think about…
• I believe it would be fantastic if you…

3. Closing of the Letter

• I eagerly await your response.
• Thank you so much for your assistance.
• Thank you so much for taking the time to read this.
• I’m hoping for a quick resolution to the matter.
• Please do not hesitate to call me if you need any additional information.
• Please stay in contact!
• I look forward to hearing from you as soon as possible.
• Thanks a lot for your assistance, send me a message soon.
• Anyway, I have to leave now. If you need additional details, please write again.

Vocabulary to Write Essays

Expressing Opinions

• I’d argue that… 
• In my opinion…
• Personally, I believe…
• It appears to me that… 
• I have to admit that…
• As far as I can tell…
• As for me, I believe…
• That is something I cannot deny…
• I’d like to emphasize that…
• In my personal experience…

Proving Arguments

• This is testified by…
• This is evidenced by…
• This establishes that…
• This is attested/proven by…

Expressing General Point of View

• It is commonly stated that…
• According to popular belief…
• It is commonly assumed that…
• It is generally assumed that…
• It is largely agreed upon that…
• It’s a widely held assumption that…

Outlining Facts

• It is evident that …
• The truth is that …
• It is obvious that …
• This shows that …
• There is no doubt that …

Giving Examples

• As an example…
• Take for instance…
• We can see this in…
• A good illustration of this is…
• Evidence for this is manifested in…
• To summarize… 
• In conclusion… 
• In general…
• On balance… 
• Taking everything into account…

Additional Reading: IELTS Grammar

• Top 100 IELTS Phrasal Verbs
• Grammar for IELTS Exam: Complete Guide
• 50 Useful Phrases for the IELTS Speaking Test

The IELTS Writing Test is by no means easy. Most candidates would agree that this part of the test made them anxious. 

To impress the examiners and get a high band score , it is advised that you read and study different sample and model responses and learn the different writing techniques to help you achieve your desired band score. 

Here are some of them. Take note of the transition words and vocabulary used. 

You were supposed to start a new job next week, but you won’t be able to because of certain issues. Send a letter to your new boss. In your letter, 

• give an explanation of your circumstances
• state your issues
• inform him/her when you think you’ll be able to begin.

How much do you agree or disagree with the claim that e-books and modern technology will completely replace conventional newspapers and magazines?

Example 4: 

Some argue that children should be educated to compete, while others argue that they should be taught to cooperate. What are your thoughts on the matter?

The IELTS Writing Test requires an extensive vocabulary. Having a diverse vocabulary is one of the secrets to writing an effective essay. However, it is not enough to memorize the words; you also need to know how to use them in your writing.

We have listed a set of word lists to help you with your IELTS Writing Test.

Do not be worried if you will not memorize all the word lists: quality trumps quantity! It is far preferable to learn 1 word-lists well rather than 5 word-lists poorly.

Word List 1

Word list 2, word list 3, word list 4.

English is a complicated language. Some words look the same, and some sound the same.

Recognizing the difference between these similar words could be tricky. 

We want to help you succeed on your IELTS journey, so we are providing you with some of the most commonly confused words in the English language. Pay close attention to these words and avoid the past mistakes most candidates have committed. 

Affect vs. Effect

Meaning: To have an influence or effect on something/someone

Example Sentence:

Meaning: To cause something to happen

Loose vs. Lose

Meaning : Not fitting tightly or closely

Meaning : (1) To fail to win or

(2) to misplace something

Lay vs. Lie

Meaning : To put down gently or carefully

Meaning : To assume a horizontal position on a resting surface

Accept vs. Except

Meaning : To consent to receive

Meaning : Not included

Complement vs. Compliment

Meaning : Something that fills up, completes, or makes better

Meaning : A polite expression of praise

Farther vs. Further

Meaning : Over a large expanse of physical distance

Meaning : Over a large expanse figurative distance

Passed vs. Past

Meaning : Simple past tense of ‘pass’

Meaning : Gone by in time and no longer existing

Elicit vs. Illicit

Meaning : Draw out a response from someone

Meaning : Forbidden by law

Any way vs. Anyway

Meaning: A phrase that means in any manner or method

Meaning : Used to confirm an idea just mentioned 

Than vs. Then

Meaning : Used before the second element in a comparison 

Meaning : An adverb indicating time or sequence.

Its vs. It’s

Meaning : Belonging to or associated with a thing previously mentioned

Meaning : Contraction of ‘it is’

Their vs. There vs. They’re

Meaning : Belonging to or associated with people or things previously mentioned 

Meaning : An adverb of place (in, at, to)

Meaning : Contraction of ‘they are’

Your vs. You’re

Meaning : Belonging to or associated with the person or people the speaker is talking to

Meaning : Contraction of ‘you are’

Who vs. Whom

Meaning : A pronoun used as a subject refers to a person or people

Meaning :   A pronoun used as an object referring to a person or people

That vs. Which

Meaning : Used when the phrase after it is essential in the sentence

Meaning : Used when the phrase after it is not essential in the sentence

Meaning : A preposition that indicates the direction

Meaning : An adverb that means in addition or also

You will not get very far with your language skills, no matter how brilliant your grammar is if you do not know any words to use it with. Vocabulary brings up new worlds while also making studying enjoyable and rewarding.

However, extending your vocabulary is like going on a diet. You need to exert effort, and there is no magic trick, no secret, and no one-size-fits-all method for doing so. You must identify what works best for you. Nevertheless, being patient, setting reasonable objectives, and rewarding yourself when you achieve them are sound strategies that can be supplemented with the following suggestions.

• Make Use of Memory Tricks : Mnemonics are mental shortcuts that will help you remember more complicated concepts or words. It is a popular approach to memorizing a language. You can make associations between words. For example, when you need to buy Spaghetti, Tomatoes, Olives, Rice , and Eggs from the STORE . Furthermore, the more you think about acronyms or associations, the better you will remember the phrases that go with them.
• Create an Environment Conducive to Learning : When you study abroad, you will hear and read the language everywhere, allowing you to acquire the language far more quickly through immersion. Luckily, you do not need to travel overseas to enhance your vocabulary gradually. You may create an inspirational and study-friendly environment wherever you are. Purchase publications or books in the new language, watch movies and prepare (or simply eat) local cuisine.
• Make Use of a Notebook : Writing new words in a tangible notebook has a romantic quality to it. Just add a new word to a running vocabulary list when you come across a new word that you do not recognize. Then, a few times a week, go over the list, obliterating the English definitions and attempting to recall what each term meant. The more you read through the notebook, the easier it will be to recall the words. You can eventually cross off the words you know, so you do not have to go over them again.
• Put the Words in Their Proper Context : Putting words in context is a fantastic way to learn more vocabulary faster. Consider putting them together in phrases rather than composing lists of random words. That way, you will understand how the word is utilized in everyday situations. It will also be easier to remember if you come up with entertaining sentences. You can also generate drawings or discover visuals that will complement the sentences and place the words in their natural home, depending on how you learn.
• Take it a Step Further : Allow adequate space for mind maps with connected words, synonyms, and antonyms if you want to take your learning a step higher. If you’re going to make the most of your learning, try explaining and describing the word in English rather than translating it into your original tongue.
• Put in The Effort : The most crucial thing you will need to recall English words is the appropriate attitude and the willingness to put in the effort. However, there is no such thing as a magical system. None of the approaches listed above are “correct” or “incorrect.” Find something that works for you and utilize it regularly. Experiment with a few to find which produces the greatest results.

Additional Reading: How to Improve Your English Speaking Skills

• How to Speak English Without an Accent
• How to Learn English By Watching the FRIENDS TV Series
• Best Youtube Channels to Learn English
• Top 40 Instagram Accounts to Help You Learn English
• 30+ Tips to Speak English Without Grammar Mistakes

Is it Okay to Write 400 Words in IELTS Writing?

Candidates should write words that are slightly above the word limit. That is 170 – 190 words in the IELTS Writing Task 1 and 270 – 290 words in the IELTS Writing Task 2.

However, note that there is no word limit, and you will not lose marks for exceeding the word limit.

Keep in mind that the examiners will mark your IELTS Writing not based on the number of words you write but on the quality of your work. 

Is a 7 in IELTS Writing Good?

Yes, a band score of 7 in the IELTS Writing Test is good. It means that you are a ‘good user’ and that you have impressed the examiner enough to give you a 7.

Most candidates have not been able to achieve this as the IELTS Writing Test is arguably the most challenging.

So if you get a 7 (or higher) band score, be proud.

How is the IELTS Writing Marked?

The examiner will focus on four primary areas: 

(1) how you were able to answer the question well;  (2) how well you connect an idea to the text;  (3) your vocabulary range and accuracy; and  (4) your grammatical forms range and accuracy. Each criterion contributes 25 percent of your overall marks in the IELTS Writing Test. 

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170 cool, unique, and beautiful English words to spark a little joy

Karolina Assi

Have you ever experienced serendipity? Do you have a nemesis? Are you a flibbertigibbet? Unless you know what these words mean, you won’t know the answer to these questions!

And if you don’t know what these words mean - don’t worry! It’s estimated that there are 171,146 words in use in the English language, plus around 47,156 obsolete words. That’s a lot of words! No wonder you don’t know all of them, especially if you’re not a native speaker.

However, if you’re as passionate about learning languages as we are (and if you’re reading our blog, then you must be), you know how fun it can be to learn new words in a foreign language. Having a vast vocabulary can not only help you express yourself better, but it’ll also make you sound more eloquent.

So, in this list, we’ve gathered over 170 unique, cool, and beautiful English words that you will love.

Beautiful English words and their meanings

While it’s often said that French and Spanish are the most romantic and beautiful languages, English also has its fair share of beautiful words. You may already know a couple, such as solitude , euphoria , or labyrinth .

If you want to expand your vocabulary with beautifully-sounding words, below you’ll find a list of what we believe to be the most beautiful English words, accompanied by their meanings.

Beautiful English words

While the beauty of a word is subjective and may differ for each of us, many English words are undeniably mellifluous (yes, that’s one of them). This list is the quintessence of the most beautiful English words.

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Beautiful English phrases, sayings, and idioms

Beautiful words lead to beautiful phrases and expressions. English is full of literal and metaphorical expressions that inspire us, bring us joy, or make us wonder about the meaning of life.

Below is a list of some of the most beautiful English phrases, sayings, and expressions.

Cool English words that will make you chuckle

The English language is full of strange, funny words. Some of them are so odd that you can’t help but wonder how they became part of the language! Others sound so funny that they’ll certainly make you chuckle. Love a bit of gibberish? You might enjoy being flabbergasted when you discover the longest words in English here !

Popular slang words in English you need to know

If you’re an internet person who scrolls through Instagram and watches TikTok, you might have seen some words you thought you knew used in a completely different context. While some vocabulary may seem like some sort of a Gen Z code to you, it’s actually quite fun to play around with once you understand it.

With this list of the most popular slang words in English, you’ll be fluent in the TikTok lingo in no time. You can also find 321 more fun American slang expressions here .

And even more unique English words…

Did you know that English has a word for throwing someone out of the window? You’ll be surprised to find out that there are lots of English words that even native speakers aren’t always aware of!

From clinomania to petrichor , you’re about to discover a whole new world of unique words in English that you had no idea existed.

Feeling effervescent?

Learning English words can leave you feeling light-headed!  But there’s no need to be lackadaisical or woebegone about it. Everyone can learn new beautiful words in English with a bit of practice, even if it’s a lot of gobbledygook.

We hope that this list of the weirdest, funniest, and most beautiful English words will turn you into a true logophile with an ineffable epeolatry.

Keep up the free English vocabulary fun here.

Expand your knowledge of English

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10 Beautiful Words You Can Use in Narrative / Descriptive Writing | Secondary School

• Posted By blog-user

Have you ever asked yourself: what makes a word beautiful? Is it because of what it means or the way it sounds? According to British linguist David Crystal in his article titled, “Phonaesthetically Speaking”, we tend to love words that have three or more syllables and include letters that we enjoy enunciating like “ m ” and “ l ”. Simply put, beautiful words are lovely to read and sound pleasant to our ears.

For Secondary English students, such charming words with positive connotations can be used to bedazzle your reader. Let’s explore ten beautiful words which not only sound great but will also be useful in painting vivid pictures for your examiners (especially for narrative and descriptive writing). With the examples provided below, try coming up with your own sentences to use these words! (:

1. Compelling (adj.)

Meaning: (something e.g. a reason, argument) that makes you pay attention to it because it is interesting and exciting

Synonym: enthralling, captivating, gripping

Sentence examples:

I found it hard to look away from his compelling eyes that seemed to ask me to inch closer. It was such a compelling story that I ended up reading the entire book in one sitting.

2. Effervescent (adj.)

Meaning: (of people and their behaviour) excited, enthusiastic and full of energy

Synonym: vivacious, animated, bubbly

She has a warm effervescent personality that made her easy to get along with. The effervescent host spoke with infectious energy and was able to bring a smile to not only the contestants on the show, but also the audience at home.

3. Euphonious (adj.)

Meaning: (of a sound, especially speech) pleasing to the ear

Synonym: pleasant-sounding, sweet-sounding, honeyed

The euphonious chimes of the bell lulled the baby to sleep. Her euphonious tone made her sound like an angel and I was immediately all ears to what she was explaining.

4. Evocative (adj.)

Meaning: bringing strong images, memories, or feelings to mind

Synonym: reminiscent, suggestive

The writer uses descriptive vocabulary to paint evocative images, moving his readers to tears. The evocative music that she often heard as a child in her grandparents’ house made her miss them dearly.

5. Halcyon (adj.)

Meaning: denoting a period of time in the past that was idyllically happy and peaceful

Synonym: happy, carefree, blissful

My grandmother would often recall the halcyon days of the past when her grocery store business boomed and she was healthy and free to do what she liked. The halcyon summer holidays where we could play outdoors freely in groups without our masks are long gone.

6. Lissom (adj.)

Meaning: (of a person or their body) thin, supple, and graceful

Synonym: lithe, elegant, svelte

The lissom dancer mesmerised the audience as she swayed to the music. Perry grew up with horses and always admired how graceful they looked trotting around the stables with their lissom bodies.

7. Resplendent (adj.)

Meaning: very bright, attractive and impressive in appearance

Synonym: splendid, magnificent, brilliant

Dressed in resplendent costumes, the children created a beautiful rainbow of colours on the stage. During the Singapore Night Festival in 2019, a resplendent underwater scene full of marine animals was projected onto the building of the National Museum of Singapore.

8. Redolent (adj.)

Meaning: having a strong pleasant smell

Synonym: aromatic, perfumed

Although my mother had left for work, the entire house was redolent with the fragrance of her perfume. The kitchen was redolent with the aroma of freshly baked bread, making my mouth water.

9. Serendipitous (adj.)

Meaning: occurring or discovered by chance in a happy or beneficial way

Synonym: coincidental, lucky

The serendipitous encounter with my primary school classmate after not seeing him for two years led to an enjoyable chat about our shared experience. The scientists made a serendipitous discovery which could lead them to the cure for cancer.

10. Sublime (adj.)

Meaning: of great excellence or beauty

Synonym: outstanding, grand, majestic, stellar

The Great Barrier Reef is known for its sublime natural seascape full of unique marine life and vibrantly coloured corals. Having devoured the delectable food, we complimented the chef for the sublime meal.

Were you able to come up with your own examples to use the beautiful words in your narrative writing as you were reading this post? Feel free to look them up in a dictionary to familiarise yourself with more contexts where you can use these charming words appropriately.

I hope you would use these beautiful words in your narrative writing. Go forth and apply the new knowledge you have acquired to impress your readers. See you in future posts!

Ms. Hui Jun

As a teacher, Ms Hui Jun is driven to create a safe conducive space for learning in her classroom. To achieve this, she makes an effort to build rapport with her students so that they are unafraid to ask questions when in doubt. With an aim for her students to grow from every lesson, she encourages them to reflect on their learning and find ways to connect them to real life application. With this, she hopes to stretch the young minds of all her pupils and to equip them with the language skills necessary in our world today.

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Writer’s Guide: Words to Vividly Describe a Flower Garden

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A flower garden can be a source of inspiration, relaxation, and beauty. Whether you’re a writer looking to add more descriptive language to your work or simply someone who appreciates the natural world, learning how to vividly describe a flower garden can help you capture its essence. In this writer’s guide, you’ll find over 400 words and phrases to help you paint a picture of a flower garden with words.

From the vibrant colors of blooming flowers to the delicate textures of petals and leaves, a flower garden is a sensory experience that can be difficult to capture in words. This guide aims to provide you with the tools to do just that.

Whether you’re writing a novel, a poem, or simply a descriptive paragraph, the words and phrases in this guide can help you bring a flower garden to life on the page. So, whether you’re a seasoned writer or just starting, read on to learn how to describe a flower garden in all its beauty and complexity.

Understanding Descriptive Writing

Descriptive writing is a form of writing that aims to create a vivid image of a person, place, thing, or event in the reader’s mind. It is a powerful tool that writers use to engage their readers and make their stories come to life . In this section, we will discuss the role of descriptive writing in storytelling, the elements of descriptive writing, and the importance of sensory details.

The Role of Descriptive Writing in Storytelling

Descriptive writing plays a crucial role in storytelling. It helps to create a detailed and immersive world that readers can visualize and connect with. A well-written description can transport readers to another place and time, allowing them to experience the story in a more meaningful way. It also helps to establish the tone and mood of the story and to build suspense and anticipation.

Elements of Descriptive Writing

Effective descriptive writing requires attention to detail and a careful selection of words. The following elements are essential to creating a vivid and engaging description:

• Word choice: The words chosen should be specific and detailed, helping to create a clear mental image in the reader’s mind.
• Imagery: The use of descriptive language and sensory details helps to create a visual image of the scene.
• Structure: The description should be well-organized and easy to follow, with a logical flow of ideas.
• Action: Descriptions should not be static, but should convey movement and activity.
• Narrative: The description should be integrated into the narrative, rather than feeling like a separate entity.

The Importance of Sensory Details

Sensory details are an essential component of descriptive writing . They help to engage the reader’s senses, making the description more immersive and memorable. By including details about what the scene looks, sounds, feels, and smells like, the writer can create a more complete and vivid picture in the reader’s mind. This helps to draw the reader into the story and create a deeper emotional connection.

In conclusion, descriptive writing is a powerful tool that writers can use to create a vivid and engaging story. By paying attention to word choice, imagery, structure, action, and sensory details, writers can transport their readers to another world and make their stories come to life.

Crafting Vivid Descriptions

Crafting vivid descriptions of a flower garden requires the use of descriptive language and figurative language to paint a detailed mental picture for the reader. Here are some tips on how to create vivid descriptions:

Utilizing Strong Adjectives and Verbs

One of the keys to crafting vivid descriptions is to utilize strong adjectives and verbs. Using adjectives like “vibrant,” “lush,” “fragrant,” and “colorful” can help create a more vivid picture in the reader’s mind. Verbs like “sway,” “dance,” “bloom,” and “flutter” can also help create a more dynamic and engaging description.

Incorporating Similes and Metaphors

Similes and metaphors are powerful tools in creating vivid descriptions. Comparing the flower garden to something else can help the reader better understand and visualize the scene. For example, “the flowers swayed in the breeze like dancers on a stage” or “the garden was a kaleidoscope of colors, like a painting come to life.”

Building Detailed Mental Pictures

To create a truly vivid description, it is important to build a detailed mental picture for the reader. This can be achieved by describing the garden in a way that engages all the senses. For example, “the scent of the roses wafted through the air, mingling with the sweet fragrance of the lilies” or “the sound of bees buzzing around the blooming flowers filled the garden with life.”

By utilizing strong adjectives and verbs, incorporating similes and metaphors, and building detailed mental pictures, writers can create vivid descriptions of a flower garden that transport the reader to the scene.

Describing a Flower Garden

A flower garden is a visual feast for the eyes, a place where nature’s beauty is on full display. To vividly describe a flower garden, one must use specific language and sensory details that bring the garden to life. Here are some tips on how to convey the visual splendor, evoke scents and textures, and capture the essence of a flower garden.

Conveying the Visual Splendor

To convey the visual splendor of a flower garden, one must use descriptive language that captures the colors, shapes, and patterns of the flowers. Words like vibrant, bold, and delicate can be used to describe the different hues of the flowers. One can also use similes and metaphors to compare the flowers to other objects, such as “the tulips were like bright red flames dancing in the wind.”

Evoking Scents and Textures

A flower garden is not just a visual experience, but a sensory one as well. To evoke the scents and textures of a flower garden, one must use sensory language that appeals to the sense of smell and touch. Words like fragrant, sweet, and spicy can be used to describe the different scents of the flowers. One can also use tactile language to describe the textures of the petals, such as “the velvety softness of the rose petals.”

Capturing the Essence of the Garden

Finally, to capture the essence of a flower garden, one must use language that conveys the mood and atmosphere of the garden. Words like peaceful, serene, and joyful can be used to describe the overall feeling of the garden. One can also use descriptive language to bring the garden to life, such as “the gentle swaying of the daisies in the breeze.”

In conclusion, describing a flower garden requires the use of specific language and sensory details that bring the garden to life. By using descriptive language to capture the visual splendor, evoke scents and textures, and capture the essence of the garden, one can create a vivid and engaging description that transports the reader to the heart of the garden.

Enhancing Narrative with Descriptive Techniques

Descriptive writing is a powerful tool for enhancing the narrative of a novel or fictional story. It allows the reader to visualize the characters, settings, and actions in their mind’s eye, creating a more immersive reading experience. In this section, we will explore how to use descriptive techniques to create vivid character and setting descriptions, bring action scenes to life, and integrate descriptive writing into dialogue.

Character and Setting Descriptions

When introducing characters and settings, it’s important to use descriptive language that is both memorable and accurate. By painting a vivid picture of the characters and their surroundings, the reader is more likely to become emotionally invested in the story.

One effective technique is to use sensory details such as sight, sound, touch, taste, and smell. For example, instead of simply stating that a character has blue eyes, the writer could describe them as “piercing blue eyes that sparkle like sapphires in the sunlight.” Similarly, instead of saying a garden is beautiful, the writer could describe “the lush, fragrant garden bursting with colorful blooms and the sweet scent of fresh herbs.”

Using Descriptive Language in Action

Action scenes are a crucial part of any narrative, and descriptive writing can help bring them to life. By using vivid language that conveys the intensity and emotion of the scene, the reader can feel as if they are right there with the characters.

One effective technique is to use short, punchy sentences that convey a sense of urgency and excitement. For example, instead of saying “The hero fought bravely,” the writer could describe “The hero’s heart pounded as he swung his sword, each blow striking with the force of a thunderbolt.”

Integrating Descriptive Writing in Dialogue

Dialogue is an important part of any narrative, and descriptive writing can be used to enhance it as well. By using descriptive language to convey the emotions and body language of the characters, the reader can better understand their motivations and reactions.

One effective technique is to use action tags that describe the character’s movements and expressions. For example, instead of saying “she said angrily,” the writer could describe “she clenched her fists and glared at him, her voice rising with each word.”

In conclusion, descriptive writing is a powerful tool for enhancing the narrative of a novel or fictional story. By using descriptive techniques to create vivid character and setting descriptions, bring action scenes to life, and integrate descriptive writing into dialogue, the writer can create a more immersive and memorable reading experience for the reader.

The Power of Specificity in Writing

When it comes to describing a flower garden, the power of specificity cannot be overstated. By using precise and engaging language, a writer can transport their readers to the garden and make them feel as though they are experiencing it firsthand. The following subsections will explore the significance of nouns and verbs, as well as choosing the right adjectives and adverbs to create a detailed and vivid description.

The Significance of Nouns and Verbs

In writing, nouns and verbs are the backbone of any sentence. They provide the necessary information for readers to understand what is happening and what objects are being referred to. When it comes to describing a flower garden, it’s important to choose nouns and verbs that are as precise as possible. Instead of saying “There are many flowers in the garden,” a writer could say “the garden is overflowing with vibrant tulips, daffodils, and roses.” This not only paints a more detailed picture for the reader but also creates a more engaging and active sentence.

Choosing the Right Adjectives and Adverbs

While nouns and verbs provide the foundation for a sentence, adjectives, and adverbs add color and depth to the description. However, it’s important to choose these words carefully to avoid overusing them or using them incorrectly. For example, instead of saying “The garden is beautiful,” a writer could say “The garden is a stunning display of vibrant colors and delicate fragrances.” This not only provides a more detailed and engaging description but also avoids using a generic and overused adjective.

In conclusion, the power of specificity in writing cannot be understated, especially when it comes to describing a flower garden. By using precise and engaging language, a writer can transport their readers to the garden and make them feel as though they are experiencing it firsthand. By choosing the right nouns, verbs, adjectives, and adverbs, a writer can create a detailed and vivid description that will captivate their readers.

Writing Exercises and Practice

Developing your descriptive writing skills.

One of the best ways to improve your descriptive writing skills is through practice. Writing exercises can help you develop a keen eye for detail and improve your ability to vividly describe a flower garden. Here are a few exercises to get you started:

Observation Exercise: Go to a flower garden and observe the different types of flowers, their colors, shapes, and textures. Take notes on what you see and try to capture the essence of the garden in your writing.

Sensory Exercise: Close your eyes and imagine yourself in a flower garden. Use your senses to describe what you see, hear, smell, taste, and feel. Write down your observations and try to make them as vivid as possible.

Word Choice Exercise: Choose a few flowers from a garden and write a descriptive essay about each one. Focus on using interesting and unique words to describe the flowers, such as “velvety” or “fragrant.”

Masterclass and Workshops

Attending a masterclass or workshop can be a great way to learn new techniques and improve your descriptive writing skills. Here are a few tips to help you choose the right masterclass or workshop:

Research: Do your research and find a masterclass or workshop that is focused on descriptive writing or creative writing in general.

Instructor: Look for an instructor who is experienced and knowledgeable in the field of descriptive writing. Read reviews and ask for recommendations from other writers.

Format: Consider the format of the masterclass or workshop. Some may be online, while others may be in-person. Choose a format that works best for you and your schedule.

By practicing your descriptive writing skills and attending masterclasses or workshops, you can improve your ability to describe a flower garden in a vivid and interesting way.

Applying Descriptive Writing in Various Genres

Descriptive writing is an essential skill for any writer. It helps the reader to visualize and connect with the story, and it is crucial in creating a vivid and immersive experience for the audience. This section explores how descriptive writing can be applied in various genres.

Fiction vs. Nonfiction

Descriptive writing is equally important in both fiction and nonfiction. In fiction, it helps to create a setting and mood, and it can also help to develop characters and their emotions. In nonfiction, descriptive writing can help to explain a concept or idea, and it can also help to create a sense of place.

Short Stories and Novels

In short stories and novels, descriptive writing is crucial in creating a vivid and immersive experience for the reader. It can help to set the scene, establish the mood, and create a sense of place. Descriptive writing can also help to develop characters and their emotions, making them more relatable to the reader.

Journalism and Media Writing

In journalism and media writing, descriptive writing is used to create a sense of place and to help the reader understand the story. It can also be used to create a sense of urgency or to convey a particular emotion. Descriptive writing is particularly important in travel writing, where it helps to create a sense of the destination and its culture.

Overall, descriptive writing is a valuable tool for any writer, regardless of the genre. It helps to create a vivid and immersive experience for the reader, and it can also help to develop characters, explain concepts, and create a sense of place. By mastering descriptive writing, writers can create stories that are engaging, emotional, and memorable.

Recap of Descriptive Writing Techniques

In this guide, the writer has covered over 400 words to vividly describe a flower garden. Descriptive writing is an essential aspect of storytelling and essay writing. It helps the reader to visualize the scene and connect with the story emotionally. Some of the techniques covered in this guide include the use of sensory details, figurative language, and vivid verbs.

By using sensory details, the writer can appeal to the reader’s senses, making the scene more realistic. Figurative language, on the other hand, helps to create a vivid image in the reader’s mind. Vivid verbs, in combination with sensory details and figurative language, help to bring the scene to life.

Encouragement to Continue Practicing

Writing is a skill that requires practice to perfect. The more a writer practices, the better they become. The techniques covered in this guide are just a starting point. The writer should continue to experiment with different words and phrases to create unique and vivid descriptions.

It is also essential to keep the reader in mind when writing. The reader should be able to connect with the story emotionally and visualize the scene. To achieve this, the writer should use descriptive writing techniques to create a vivid image in the reader’s mind.

In conclusion, descriptive writing is an essential aspect of storytelling and essay writing. By using sensory details, figurative language, and vivid verbs, the writer can create a vivid image in the reader’s mind. With practice, the writer can perfect their skills and create unique and captivating descriptions that will engage readers.

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