high school memoir essay

18 Essay-Length Short Memoirs to Read Online on Your Lunch Break

Emily Polson

Emily Polson is a freelance writer and publishing assistant at Simon & Schuster. Originally from central Iowa, she studied English and creative writing at Belhaven University in Jackson, Mississippi, before moving to a small Basque village to teach English to trilingual teenagers. Now living in Brooklyn, she can often be found meandering through Prospect Park listening to a good audiobook. Twitter: @emilycpolson | https://emilycpolson.wordpress.com/

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I love memoirs and essays, so the genre of essay-length short memoirs is one of my favorites. I love delving into the details of other people’s lives. The length allows me to read broadly on a whim with minimal commitment. In roughly 5–30 minutes, I can consume a complete morsel of literature, which always leaves me happier than the same amount of time spent doom-scrolling through my various social news feeds.

What are short memoirs? 

What exactly are short memoirs? I define them as essay-length works that weave together life experiences around a central theme. You see examples of short memoirs all the time on sites like Buzzfeed and The New York Times . Others are stand-alone pieces published in essay collections.

Memoir essays were my gateway into reading full-length memoirs. It was not until I took a college class on creative nonfiction that I realized memoirs were not just autobiographies of people with exciting lives. Anyone with any amount of life experience can write a memoir—no dramatic childhood or odd-defying life accomplishments required. A short memoir might be an account of a single, life-changing event, or it may be reflection on a period of growth or transition.

Of course, when a young adult tells people she likes writing creative nonfiction—not journalism or technical writing—she hears a lot of, “You’re too young to write a memoir!” and “What could someone your age possibly have to write about?!” As Flannery O’Connor put it, however, “The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can’t make something out of a little experience, you probably won’t be able to make it out of a lot. The writer’s business is to contemplate experience, not to be merged in it.”

Memoir essay examples

As the lit magazine Creative Nonfiction puts it, personal essays are just “True stories, well told.” And everyone has life stories worth telling.

Here are a few of my favorite memoir examples that are essay length.

SHORT MEMOIRS ABOUT GROWING UP

Scaachi koul, “there’s no recipe for growing up”.

In this delightful essay, Koul talks about trying to learn the secrets of her mother’s Kashmiri cooking after growing up a first-generation American. The story is full of vivid descriptions and anecdotal details that capture something so specific it transcends to the realm of universal. It’s smart, it’s funny, and it’ll break your heart a little as Koul describes “trying to find my mom at the bottom of a 20-quart pot.”

ASHLEY C. FORD, “THE YEAR I GREW WILDLY WHILE MEN LOOKED ON”

This memoir essay is for all the girls who went through puberty early in a world that sexualizes children’s bodies. Ford weaves together her experiences of feeling at odds with her body, of being seen as a “distraction” to adult men, of being Black and fatherless and hungry for love. She writes, “It was evident that who I was inside, who I wanted to be, didn’t match the intentions of my body. Outside, there was no little girl to be loved innocently. My body was a barrier.”

Kaveh Akbar, “How I Found Poetry in Childhood Prayer”

Akbar writes intense, searing poetry, but this personal essay contextualizes one of his sweetest poems, “Learning to Pray,” which is cradled in the middle of it. He describes how he fell in love with the movement, the language, and the ceremony of his Muslim family’s nightly prayers. Even though he didn’t (and doesn’t) speak Arabic, Akbar points to the musicality of these phonetically-learned hymns as “the bedrock upon which I’ve built my understanding of poetry as a craft and as a meditative practice.” Reading this essay made me want to reread his debut poetry collection, Calling a Wolf a Wolf , all over again.

JIA TOLENTINO, “LOSING RELIGION AND FINDING ECSTASY IN HOUSTON”

New Yorker staff writer Jia Tolentino grew up attending a Houston megachurch she referred to as “the Repentagon.” In this personal essay, she describes vivid childhood memories of her time there, discussing how some of the very things she learned from the church contributed to her growing ambivalence toward it and its often hypocritical congregants. “Christianity formed my deepest instincts,” she writes, “and I have been walking away from it for half my life.” As the essay title suggests, this walking away coincided with her early experiences taking MDMA, which offered an uncanny similarity to her experience of religious devotion.

funny short memoirs

Patricia lockwood, “insane after coronavirus”.

Author Patricia Lockwood caught COVID-19 in early March 2020. In addition to her physical symptoms, she chronicled the bizarre delusions she experienced while society also collectively operated under the delusion that this whole thing would blow over quickly. Lockwood has a preternatural ability to inject humor into any situation, even the dire ones, by highlighting choice absurdities. This is a rare piece of pandemic writing that will make you laugh instead of cry–unless it makes you cry from laughing.

Harrison Scott Key,  “My Dad Tried to Kill Me with an Alligator”

This personal essay is a tongue-in-cheek story about the author’s run-in with an alligator on the Pearl River in Mississippi. Looking back on the event as an adult, Key considers his father’s tendencies in light of his own, now that he himself is a dad. He explores this relationship further in his book-length memoir, The World’s Largest Man , but this humorous essay stands on its own. (I also had the pleasure of hearing him read this aloud during my school’s homecoming weekend, as Key is an alumnus of my alma mater.)

David Sedaris, “Me Talk Pretty One Day”

Sedaris’s humor is in a league of its own, and he’s at his best in the title essay from Me Talk Pretty One Day . In it, he manages to capture the linguistic hilarities that ensue when you combine a sarcastic, middle-aged French student with a snarky French teacher.

SAMANTHA IRBY, “THE WORST FRIEND DATE I EVER HAD”

Samantha Irby is one of my favorite humorists writing today, and this short memoir essay about the difficulty of making friends as an adult is a great introduction to her. Be prepared for secondhand cringe when you reach the infamous moment she asks a waiter, “Are you familiar with my work?” After reading this essay, you’ll want to be, so check out Wow, No Thank You . next.

Bill Bryson, “Coming Home”

Bryson has the sly, subtle humor that only comes from Americans who have spent considerable time living among dry-humored Brits. In “Coming Home,” he talks about the strange sensation of returning to America after spending his first twenty years of adulthood in England. This personal essay is the first in a book-length work called I’m a Stranger Here Myself , in which Bryson revisits American things that feel like novelties to outsiders and the odd former expat like himself.

Thought-provoking Short memoirs

Tommy orange, “how native american is native american enough”.

Many people claim some percentage of Indigenous ancestry, but how much is enough to “count”? Novelist Tommy Orange–author of There There –deconstructs this concept, discussing his relationship to his Native father, his Certificate of Degree of Indian Blood, and his son, who will not be considered “Native enough” to join him as an enrolled member of the Cheyenne and Arapaho Tribes. “ How come math isn’t taught with stakes?” he asks in this short memoir full of lingering questions that will challenge the way you think about heritage. 

Christine Hyung-Oak Lee, “I Had a Stroke at 33”

Lee’s story is interesting not just because she had a stroke at such a young age, but because of how she recounts an experience that was characterized by forgetting. She says that after her stroke, “For a month, every moment of the day was like the moment upon wakening before you figure out where you are, what time it is.” With this personal essay, she draws readers into that fragmented headspace, then weaves something coherent and beautiful from it.

Kyoko Mori, “A Difficult Balance: Am I a Writer or a Teacher?”

In this refreshing essay, Mori discusses balancing “the double calling” of being a writer and a teacher. She admits that teaching felt antithetical to her sense of self when she started out in a classroom of apathetic college freshmen. When she found her way into teaching an MFA program, however, she discovered that fostering a sanctuary for others’ words and ideas felt closer to a “calling.” While in some ways this makes the balance of shifting personas easier, she says it creates a different kind of dread: “Teaching, if it becomes more than a job, might swallow me whole and leave nothing for my life as a writer.” This memoir essay is honest, well-structured, and layered with plenty of anecdotal details to draw in the reader.

Alex Tizon, “My Family’s Slave”

In this heartbreaking essay, Tizon pays tribute to the memory of Lola, the domestic slave who raised him and his siblings. His family brought her with them when they emigrated to America from the Philippines. He talks about the circumstances that led to Lola’s enslavement, the injustice she endured throughout her life, and his own horror at realizing the truth about her role in his family as he grew up. While the story is sad enough to make you cry, there are small moments of hope and redemption. Alex discusses what he tried to do for Lola as an adult and how, upon her death, he traveled to her family’s village to return her ashes.

Classic short memoirs

James baldwin, “notes of a native son”.

This memoir essay comes from Baldwin’s collection of the same name. In it, he focuses on his relationship with his father, who died when Baldwin was 19. He also wrestles with growing up black in a time of segregation, touching on the historical treatment of black soldiers and the Harlem Riot of 1943. His vivid descriptions and honest narration draw you into his transition between frustration, hatred, confusion, despair, and resilience.

JOAN DIDION,  “GOODBYE TO ALL THAT”

Didion is one of the foremost literary memoirists of the twentieth century, combining journalistic precision with self-aware introspection. In “Goodbye to All That,” Didion recounts moving to New York as a naïve 20-year-old and leaving as a disillusioned 28-year-old. She captures the mystical awe with which outsiders view the Big Apple, reflecting on her youthful perspective that life was still limitless, “that something extraordinary would happen any minute, any day, any month.”  This essay concludes her masterful collection,   Slouching Towards Bethlehem .

Tim O’Brien, “The Things They Carried”

This is the title essay from O’Brien’s collection, The Things They Carried . It’s technically labeled a work of fiction, but because the themes and anecdotes are pulled from O’Brien’s own experience in the Vietnam War, it blurs the lines between fact and fiction enough to be included here. (I’m admittedly predisposed to this classification because a college writing professor of mine included it on our creative nonfiction syllabus.) The essay paints an intimate portrait of a group of soldiers by listing the things they each carry with them, both physical and metaphorical. It contains one of my favorite lines in all of literature: “They all carried ghosts.”

Multi-Media Short Memoirs

Allie brosh, “richard”.

In this blog post/webcomic, Allie Brosh tells the hilarious story about the time as a child that she, 1) realized neighbors exist, and 2) repeatedly snuck into her neighbor’s house, took his things, and ultimately kidnapped his cat. Her signature comic style drives home the humor in a way that will split your sides. The essay is an excerpt from Brosh’s second book, Solutions and Other Problems , but the web version includes bonus photos and backstory. For even more Allie classics, check out “Adventures in Depression” and “Depression Part Two.”

George Watsky, “Ask Me What I’m Doing Tonight”

Watsky is a rapper and spoken word poet who built his following on YouTube. Before he made it big, however, he spent five years performing for groups of college students across the Midwest. “Ask Me What I’m Doing Tonight!” traces that soul-crushing monotony while telling a compelling story about trying to connect with people despite such transience. It’s the most interesting essay about boredom you’ll ever read, or in this case watch—he filmed a short film version of the essay for his YouTube channel. Like his music, Watsky’s personal essays are vulnerable, honest, and crude, and the whole collection, How to Ruin Everything , is worth reading.

If you’re looking for even more short memoirs, keep an eye on these pages from Literary Hub , Buzzfeed , and Creative Nonfiction . You can also delve into these 25 nonfiction essays you can read online and these 100 must-read essay collections . Also be sure to check out the “Our Reading Lives” tag right here on Book Riot, where you’ll find short memoirs like “Searching for Little Free Libraries as a Way to Say Goodbye” and “How I Overcame My Fear of Reading Contemporary Poets.”

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If you’ve thought about putting your life to the page, you may have wondered how to write a memoir. We start the road to writing a memoir when we realize that a story in our lives demands to be told. As Maya Angelou once wrote, “There is no greater agony than bearing an untold story inside you.”

How to write a memoir? At first glance, it looks easy enough—easier, in any case, than writing fiction. After all, there is no need to make up a story or characters, and the protagonist is none other than you.

Still, memoir writing carries its own unique challenges, as well as unique possibilities that only come from telling your own true story. Let’s dive into how to write a memoir by looking closely at the craft of memoir writing, starting with a key question: exactly what is a memoir?

How to Write a Memoir: Contents

What is a Memoir?

• Memoir vs Autobiography

Memoir Examples

Short memoir examples.

• How to Write a Memoir: A Step-by-Step Guide

A memoir is a branch of creative nonfiction , a genre defined by the writer Lee Gutkind as “true stories, well told.” The etymology of the word “memoir,” which comes to us from the French, tells us of the human urge to put experience to paper, to remember. Indeed, a memoir is “ something written to be kept in mind .”

A memoir is defined by Lee Gutkind as “true stories, well told.”

For a piece of writing to be called a memoir, it has to be:

• Nonfictional
• Based on the raw material of your life and your memories
• Written from your personal perspective

At this point, memoirs are beginning to sound an awful lot like autobiographies. However, a quick comparison of Elizabeth Gilbert’s Eat, Pray, Love , and The Autobiography of Benjamin Franklin , for example, tells us that memoirs and autobiographies could not be more distinct.

Next, let’s look at the characteristics of a memoir and what sets memoirs and autobiographies apart. Discussing memoir vs. autobiography will not only reveal crucial insights into the process of writing a memoir, but also help us to refine our answer to the question, “What is a memoir?”

Memoir vs. Autobiography

While both use personal life as writing material, there are five key differences between memoir and autobiography:

1. Structure

Since autobiographies tell the comprehensive story of one’s life, they are more or less chronological. writing a memoir, however, involves carefully curating a list of personal experiences to serve a larger idea or story, such as grief, coming-of-age, and self-discovery. As such, memoirs do not have to unfold in chronological order.

While autobiographies attempt to provide a comprehensive account, memoirs focus only on specific periods in the writer’s life. The difference between autobiographies and memoirs can be likened to that between a CV and a one-page resume, which includes only select experiences.

The difference between autobiographies and memoirs can be likened to that between a CV and a one-page resume, which includes only select experiences.

Autobiographies prioritize events; memoirs prioritize the writer’s personal experience of those events. Experience includes not just the event you might have undergone, but also your feelings, thoughts, and reflections. Memoir’s insistence on experience allows the writer to go beyond the expectations of formal writing. This means that memoirists can also use fiction-writing techniques , such as scene-setting and dialogue , to capture their stories with flair.

4. Philosophy

Another key difference between the two genres stems from the autobiography’s emphasis on facts and the memoir’s reliance on memory. Due to memory’s unreliability, memoirs ask the reader to focus less on facts and more on emotional truth. In addition, memoir writers often work the fallibility of memory into the narrative itself by directly questioning the accuracy of their own memories.

Memoirs ask the reader to focus less on facts and more on emotional truth.

5. Audience

While readers pick up autobiographies to learn about prominent individuals, they read memoirs to experience a story built around specific themes . Memoirs, as such, tend to be more relatable, personal, and intimate. Really, what this means is that memoirs can be written by anybody!

Ready to be inspired yet? Let’s now turn to some memoir examples that have received widespread recognition and captured our imaginations!

If you’re looking to lose yourself in a book, the following memoir examples are great places to begin:

• The Year of Magical Thinking , which chronicles Joan Didion’s year of mourning her husband’s death, is certainly one of the most powerful books on grief. Written in two short months, Didion’s prose is urgent yet lucid, compelling from the first page to the last. A few years later, the writer would publish Blue Nights , another devastating account of grief, only this time she would be mourning her daughter.
• Patti Smith’s Just Kids is a classic coming-of-age memoir that follows the author’s move to New York and her romance and friendship with the artist Robert Maplethorpe. In its pages, Smith captures the energy of downtown New York in the late sixties and seventies effortlessly.
• When Breath Becomes Air begins when Paul Kalanithi, a young neurosurgeon, is diagnosed with terminal cancer. Exquisite and poignant, this memoir grapples with some of the most difficult human experiences, including fatherhood, mortality, and the search for meaning.
• A memoir of relationship abuse, Carmen Maria Machado’s In the Dream House is candid and innovative in form. Machado writes about thorny and turbulent subjects with clarity, even wit. While intensely personal, In the Dream House is also one of most insightful pieces of cultural criticism.
• Twenty-five years after leaving for Canada, Michael Ondaatje returns to his native Sri Lanka to sort out his family’s past. The result is Running in the Family , the writer’s dazzling attempt to reconstruct fragments of experiences and family legends into a portrait of his parents’ and grandparents’ lives. (Importantly, Running in the Family was sold to readers as a fictional memoir; its explicit acknowledgement of fictionalization prevented it from encountering the kind of backlash that James Frey would receive for fabricating key facts in A Million Little Pieces , which he had sold as a memoir . )
• Of the many memoirs published in recent years, Tara Westover’s Educated is perhaps one of the most internationally-recognized. A story about the struggle for self-determination, Educated recounts the writer’s childhood in a survivalist family and her subsequent attempts to make a life for herself. All in all, powerful, thought-provoking, and near impossible to put down.

While book-length memoirs are engaging reads, the prospect of writing a whole book can be intimidating. Fortunately, there are plenty of short, essay-length memoir examples that are just as compelling.

While memoirists often write book-length works, you might also consider writing a memoir that’s essay-length. Here are some short memoir examples that tell complete, lived stories, in far fewer words:

• “ The Book of My Life ” offers a portrait of a professor that the writer, Aleksandar Hemon, once had as a child in communist Sarajevo. This memoir was collected into Hemon’s The Book of My Lives , a collection of essays about the writer’s personal history in wartime Yugoslavia and subsequent move to the US.
• “The first time I cheated on my husband, my mother had been dead for exactly one week.” So begins Cheryl Strayed’s “ The Love of My Life ,” an essay that the writer eventually expanded into the best-selling memoir, Wild: From Lost to Found on the Pacific Crest Trail .
• In “ What We Hunger For ,” Roxane Gay weaves personal experience and a discussion of The Hunger Games into a powerful meditation on strength, trauma, and hope. “What We Hunger For” can also be found in Gay’s essay collection, Bad Feminist .
• A humorous memoir structured around David Sedaris and his family’s memories of pets, “ The Youth in Asia ” is ultimately a story about grief, mortality and loss. This essay is excerpted from the memoir Me Talk Pretty One Day , and a recorded version can be found here .

So far, we’ve 1) answered the question “What is a memoir?” 2) discussed differences between memoirs vs. autobiographies, 3) taken a closer look at book- and essay-length memoir examples. Next, we’ll turn the question of how to write a memoir.

How to Write a Memoir: A-Step-by-Step Guide

1. how to write a memoir: generate memoir ideas.

how to start a memoir? As with anything, starting is the hardest. If you’ve yet to decide what to write about, check out the “ I Remember ” writing prompt. Inspired by Joe Brainard’s memoir I Remember , this prompt is a great way to generate a list of memories. From there, choose one memory that feels the most emotionally charged and begin writing your memoir. It’s that simple! If you’re in need of more prompts, our Facebook group is also a great resource.

2. How to Write a Memoir: Begin drafting

My most effective advice is to resist the urge to start from “the beginning.” Instead, begin with the event that you can’t stop thinking about, or with the detail that, for some reason, just sticks. The key to drafting is gaining momentum . Beginning with an emotionally charged event or detail gives us the drive we need to start writing.

3. How to Write a Memoir: Aim for a “ shitty first draft ”

Now that you have momentum, maintain it. Attempting to perfect your language as you draft makes it difficult to maintain our impulses to write. It can also create self-doubt and writers’ block. Remember that most, if not all, writers, no matter how famous, write shitty first drafts.

Attempting to perfect your language as you draft makes it difficult to maintain our impulses to write.

4. How to Write a Memoir: Set your draft aside

Once you have a first draft, set it aside and fight the urge to read it for at least a week. Stephen King recommends sticking first drafts in your drawer for at least six weeks. This period allows writers to develop the critical distance we need to revise and edit the draft that we’ve worked so hard to write.

5. How to Write a Memoir: Reread your draft

While reading your draft, note what works and what doesn’t, then make a revision plan. While rereading, ask yourself:

• What’s underdeveloped, and what’s superfluous.
• Does the structure work?
• What story are you telling?

6. How to Write a Memoir: Revise your memoir and repeat steps 4 & 5 until satisfied

Every piece of good writing is the product of a series of rigorous revisions. Depending on what kind of writer you are and how you define a draft,” you may need three, seven, or perhaps even ten drafts. There’s no “magic number” of drafts to aim for, so trust your intuition. Many writers say that a story is never, truly done; there only comes a point when they’re finished with it. If you find yourself stuck in the revision process, get a fresh pair of eyes to look at your writing.

7. How to Write a Memoir: Edit, edit, edit!

Once you’re satisfied with the story, begin to edit the finer things (e.g. language, metaphor , and details). Clean up your word choice and omit needless words , and check to make sure you haven’t made any of these common writing mistakes . Be sure to also know the difference between revising and editing —you’ll be doing both. Then, once your memoir is ready, send it out !

Learn How to Write a Memoir at Writers.com

Writing a memoir for the first time can be intimidating. But, keep in mind that anyone can learn how to write a memoir. Trust the value of your own experiences: it’s not about the stories you tell, but how you tell them. Most importantly, don’t give up!

Anyone can learn how to write a memoir.

If you’re looking for additional feedback, as well as additional instruction on how to write a memoir, check out our schedule of nonfiction classes . Now, get started writing your memoir!

25 Comments

Thank you for this website. It’s very engaging. I have been writing a memoir for over three years, somewhat haphazardly, based on the first half of my life and its encounters with ignorance (religious restrictions, alcohol, and inability to reach out for help). Three cities were involved: Boston as a youngster growing up and going to college, then Washington DC and Chicago North Shore as a married woman with four children. I am satisfied with some chapters and not with others. Editing exposes repetition and hopefully discards boring excess. Reaching for something better is always worth the struggle. I am 90, continue to be a recital pianist, a portrait painter, and a writer. Hubby has been dead for nine years. Together we lept a few of life’s chasms and I still miss him. But so far, my occupations keep my brain working fairly well, especially since I don’t smoke or drink (for the past 50 years).

Hi Mary Ellen,

It sounds like a fantastic life for a memoir! Thank you for sharing, and best of luck finishing your book. Let us know when it’s published!

Best, The writers.com Team

Hello Mary Ellen,

I am contacting you because your last name (Lavelle) is my middle name!

Being interested in genealogy I have learned that this was my great grandfathers wife’s name (Mary Lavelle), and that her family emigrated here about 1850 from County Mayo, Ireland. That is also where my fathers family came from.

Is your family background similar?

Hope to hear back from you.

Richard Lavelle Bourke

Hi Mary Ellen: Have you finished your memoir yet? I just came across your post and am seriously impressed that you are still writing. I discovered it again at age 77 and don’t know what I would do with myself if I couldn’t write. All the best to you!! Sharon [email protected]

I am up to my eyeballs with a research project and report for a non-profit. And some paid research for an international organization. But as today is my 90th birthday, it is time to retire and write a memoir.

So I would like to join a list to keep track of future courses related to memoir / creative non-fiction writing.

Hi Frederick,

Happy birthday! And happy retirement as well. I’ve added your name and email to our reminder list for memoir courses–when we post one on our calendar, we’ll send you an email.

We’ll be posting more memoir courses in the near future, likely for the months of January and February 2022. We hope to see you in one!

Very interesting and informative, I am writing memoirs from my long often adventurous and well travelled life, have had one very short story published. Your advice on several topics will be extremely helpful. I write under my schoolboy nickname Barnaby Rudge.

[…] How to Write a Memoir: Examples and a Step-by-Step Guide […]

I am writing my memoir from my memory when I was 5 years old and now having left my birthplace I left after graduation as a doctor I moved to UK where I have been living. In between I have spent 1 year in Canada during my training year as paediatrician. I also spent nearly 2 years with British Army in the hospital as paediatrician in Germany. I moved back to UK to work as specialist paediatrician in a very busy general hospital outside London for the next 22 years. Then I retired from NHS in 2012. I worked another 5 years in Canada until 2018. I am fully retired now

I have the whole convoluted story of my loss and horrid aftermath in my head (and heart) but have no clue WHERE, in my story to begin. In the middle of the tragedy? What led up to it? Where my life is now, post-loss, and then write back and forth? Any suggestions?

My friend Laura who referred me to this site said “Start”! I say to you “Start”!

Hi Dee, that has been a challenge for me.i dont know where to start?

What was the most painful? Embarrassing? Delicious? Unexpected? Who helped you? Who hurt you? Pick one story and let that lead you to others.

I really enjoyed this writing about memoir. I ve just finished my own about my journey out of my city then out of my country to Egypt to study, Never Say Can’t, God Can Do It. Infact memoir writing helps to live the life you are writing about again and to appreciate good people you came across during the journey. Many thanks for sharing what memoir is about.

I am a survivor of gun violence, having witnessed my adult son being shot 13 times by police in 2014. I have struggled with writing my memoir because I have a grandson who was 18-months old at the time of the tragedy and was also present, as was his biological mother and other family members. We all struggle with PTSD because of this atrocity. My grandson’s biological mother was instrumental in what happened and I am struggling to write the story in such a way as to not cast blame – thus my dilemma in writing the memoir. My grandson was later adopted by a local family in an open adoption and is still a big part of my life. I have considered just writing it and waiting until my grandson is old enough to understand all the family dynamics that were involved. Any advice on how I might handle this challenge in writing would be much appreciated.

I decided to use a ghost writer, and I’m only part way in the process and it’s worth every penny!

Hi. I am 44 years old and have had a roller coaster life .. right as a young kid seeing his father struggle to financial hassles, facing legal battles at a young age and then health issues leading to a recent kidney transplant. I have been working on writing a memoir sharing my life story and titled it “A memoir of growth and gratitude” Is it a good idea to write a memoir and share my story with the world?

Thank you… this was very helpful. I’m writing about the troubling issues of my mental health, and how my life was seriously impacted by that. I am 68 years old.

[…] Writers.com: How to Write a Memoir […]

[…] Writers.com: “How to Write a Memoir” […]

I am so grateful that I found this site! I am inspired and encouraged to start my memoir because of the site’s content and the brave people that have posted in the comments.

Finding this site is going into my gratitude journey 🙂

We’re grateful you found us too, Nichol! 🙂

Firstly, I would like to thank you for all the info pertaining to memoirs. I believe am on the right track, am at the editing stage and really have to use an extra pair of eyes. I’m more motivated now to push it out and complete it. Thanks for the tips it was very helpful, I have a little more confidence it seeing the completion.

Well, I’m super excited to begin my memoir. It’s hard trying to rely on memories alone, but I’m going to give it a shot!

Thanks to everyone who posted comments, all of which have inspired me to get on it.

Best of luck to everyone! Jody V.

I was thrilled to find this material on How to Write A Memoir. When I briefly told someone about some of my past experiences and how I came to the United States in the company of my younger brother in a program with a curious name, I was encouraged by that person and others to write my life history.

Based on the name of that curious program through which our parents sent us to the United States so we could leave the place of our birth, and be away from potentially difficult situations in our country.

As I began to write my history I took as much time as possible to describe all the different steps that were taken. At this time – I have been working on this project for 5 years and am still moving ahead. The information I received through your material has further encouraged me to move along. I am very pleased to have found this important material. Thank you!

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Some Good Memoirs For High Schoolers To Read

Please Note : This post may contain  affiliate links. Please read my disclosure  (link)  for more info.

Attention high school students, get ready to embark on an adventure through the world of memoirs! But before we dive into the pages of these captivating stories, let me ask you a question: have you ever wondered what it’s like to walk in someone else’s shoes? Well, that’s exactly what a memoir allows you to do. You can experience life in a different time, place, and perspective through the eyes of the author. 

But don’t think for a second that these are your typical boring, dusty, textbook reads. No, no, these memoirs are full of adventure, humor, and heart. They’ll take you on a wild ride through the ups and downs of life, making you laugh, cry, and question everything in between. So, buckle up and get ready to be transported to a whole new world with some of the best memoirs out there.

Life lessons beyond the classroom: 10 must-read Memoirs for high school students that will inspire, educate, and empower

Memoirs are a powerful genre of writing that provides a glimpse into the lived experiences of an individual. Through personal anecdotes, reflections, and insights, high school students can explore their own identities and share their unique stories and short stories with others.

1. I Know Why the Caged Bird Sings by Maya Angelou

This classic memoir is a powerful account of Maya Angelou’s childhood in the South during the 1930s and 1940s. The book explores issues of race, identity, and trauma in a powerful and poetic way. Angelou’s writing is both lyrical and honest, and her story is a poignant reminder of the struggles faced by African Americans during the Jim Crow era.

The book is a great choice for high school students who are interested in exploring themes of social justice and self-discovery and can spark important discussions about race and inequality in America.

2. The Glass Castle by Jeannette Walls

“The Glass Castle” is a coming-of-age memoir that follows the author’s unconventional upbringing with her bohemian parents. Walls’ story is a poignant and often humorous account of resilience and the power of the human spirit.

The book explores themes of family, identity, and the importance of overcoming adversity. It is a great choice for high school students who are trying to navigate their own challenges and find inspiration in the stories of others.

3. Persepolis by Marjane Satrapi

This graphic novel memoir tells the story of Marjane Satrapi’s childhood in Iran during the Islamic Revolution. Satrapi’s story is a unique and powerful perspective on Iranian history and explores the challenges faced by those growing up during a time of political turmoil.

The graphic novel format is a visually engaging way for high school students to engage with the material, and the story is both entertaining and educational. The book is also a great way to introduce students to the medium of graphic novels, which are increasingly recognized as an important form of literature.

4. Born a Crime by Trevor Noah

“Born a Crime” is a humorous and insightful account of Trevor Noah’s childhood in South Africa during apartheid. The book explores issues of race, identity, and family in a way that is both entertaining and thought-provoking.

Noah’s writing is engaging and accessible, making this memoir a great choice for high school students who are looking to learn more about apartheid and its impact on South African society.

5. Hillbilly Elegy by J.D. Vance

“Hillbilly Elegy” is a memoir that explores the author’s experiences growing up in a working-class family in Ohio and the challenges faced by many working-class Americans. The book is a timely and important look at the socio-economic issues facing America today and explores themes of poverty, addiction, and the importance of community.

Vance’s writing is honest and insightful, and the book can spark important conversations about social and economic inequality.

6. The Immortal Life of Henrietta Lacks by Rebecca Skloot

This nonfiction memoir tells the story of a woman whose cancer cells were used without her consent to create the first immortal human cell line. The book explores issues of ethics, scientific progress, and the human cost of medical research.

Skloot’s writing is engaging and accessible, and the book is a great choice for high school students who are interested in science and medical ethics.

7. The Diary of a Young Girl by Anne Frank

The Diary of a Young Girl is a classic memoir that is a firsthand account of life in hiding during the Nazi occupation of the Netherlands. The book is a powerful and haunting reminder of the human cost of war and intolerance and explores themes of resilience, hope, and the importance of bearing witness to history.

The book is a great choice for high school students who are interested in history and social justice.

8. Educated by Tara Westover

Educated is a memoir that tells the story of Tara Westover’s journey from a rural Idaho upbringing to earning a Ph.D. from Cambridge University. The book explores themes of education, family, and the power of self-discovery.

Westover’s writing is powerful and evocative, and the book is a great choice for high school students who are grappling with questions about their own future and the role of education in their lives.

9. Night by Elie Wiesel

The night is a memoir that is a firsthand account of the author’s experiences during the Holocaust. The book is a haunting and powerful reminder of the human cost of war and intolerance and explores themes of resilience, hope, and the importance of bearing witness to history.

Wiesel’s writing is spare and powerful, and the book is a great choice for high school students who are interested in history and social justice.

10. Angela’s Ashes by Frank McCourt 

Angela’s Ashes is a memoir that tells the story of the author’s childhood in poverty-stricken Ireland. The book explores themes of family, identity, and the importance of perseverance in the face of adversity.

McCourt’s writing is engaging and poignant, and the book is a great choice for high school students who are interested in exploring themes of social justice and the power of the human spirit.

What to look out for in a memoir for high schoolers?

When selecting a memoir for high schoolers, it’s important to consider a few key factors to ensure that the book is engaging and appropriate for this age group. Here are some things to look out for:

• Relatable and relevant themes: High schoolers will be more likely to connect with a memoir if it covers themes that are relevant to their own lives, such as friendship, family, identity, and coming of age.
• Engaging writing style: The memoir should be well-written and engaging, with a narrative that keeps the reader interested from beginning to end. It should also be accessible to high school students in terms of vocabulary and complexity.
• Appropriate content: Make sure the memoir doesn’t contain content that may be too mature or graphic for high schoolers.
• Cultural or historical significance: A memoir that provides insight into a specific culture or period in history can be a great way to expose high schoolers to new ideas and perspectives.
• Diversity: Look for memoirs written by authors from diverse backgrounds and with diverse experiences, as this can broaden high schoolers’ understanding of the world and promote empathy and understanding.

Overall, selecting a memoir that is relevant, engaging, and appropriate for high schoolers can help foster a love of reading and encourage students to explore new ideas and perspectives.

Writing a memoir can be a transformative experience for high school students. Through the process of reflecting on their experiences and sharing their stories, students can gain a deeper understanding of themselves and the world around them. By developing their writing skills and cultivating their creativity, they can express themselves authentically and leave a lasting impression through their words.

Memoirs offer a valuable opportunity for high school students to connect with others and build empathy, as readers can relate to and learn from their personal anecdotes and insights. Ultimately, memoirs are a powerful genre of writing that can help students discover and share their unique voices.

Having a 10+ years of experience in teaching little budding learners, I am now working as a soft skills and IELTS trainers. Having spent my share of time with high schoolers, I understand their fears about the future. At the same time, my experience has helped me foster plenty of strategies that can make their 4 years of high school blissful. Furthermore, I have worked intensely on helping these young adults bloom into successful adults by training them for their dream colleges. Through my blogs, I intend to help parents, educators and students in making these years joyful and prosperous.

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Memoir coach and author Marion Roach

Welcome to The Memoir Project, the portal to your writing life.

How to Write A Memoir in Essays

Sorting the Stories — Memoir as Essay Collection

by Linda Styles Berkery

When I told a friend that I was taking a memoir-writing class, she replied, “Your life just isn’t that interesting.” Obviously she was thinking autobiography , not understanding memoir . I ignored her comment and continued to write about the small threads of wisdom I’ve learned.

After many edits, additions, and subtractions, I had built a wardrobe. I had a collection of fourteen personal essays—each one told through the lens of a dress. A Little Black Dress —learning compassion as illustrated by growing up in a funeral home. Memory Gown —naming mistakes as illustrated by a trip to the ER. Red Mini —seeing individuals as illustrated by teaching third grade. Ordinary dresses can bring out profound lessons.

Since all the writing pieces were in essay format, I adjusted Marion Roach Smith’s famous writing math, It’s about X as illustrated by Y to be told in a Z , and made a chart. To my Z factor, (essays) I added color and noted the dress: a turquoise paisley print, a navy maternity dress, an orange Hawaiian muumuu, a yellow sundress from 1941, a blue velvet jumper.

Each essay could stand alone, yet a book kept coming to mind. It was not enough to say I have a collection of “dress stories” of different length and various moods. I had more work to do. Although my structure would not be typical of a book length memoir (Act 1, Act 2, Act 3), even memoir as an essay collection must have an overall arc—a roof overhead, not just dress threads running through. Yes, memoir can be an essay collection, but it still needs structure and order.

I printed each story individually and laid them across my living room carpet. I knew which essay to put first and which would be last, but the other twelve? Originally I was tempted to group them. These three relate to my father’s WWII stories—put them together. Two had childhood dresses. My husband was mentioned in this group. But nothing really worked until my wonderful editor, Robyn Ringler, passed along tips she had learned from her own writing coach.

“Mix them up,” Robyn suggested. “Vary the word count. Don’t try to force the order, but pay attention to the emotions and lessons in the stories. Then, after you collect everything in the order you think might work, read the last paragraph of one story and the first paragraph of the following story and see if that works. You might need to do that process a few times.”

Robyn was right. I did arrange the essays a few times. But since these were, after all, dress stories, I got creative. If I had a photo of the dress, or a scrap of material from the dress, I stapled it to the printed page. Clearing a closet rod, I hung each essay from fourteen skirt hangers and started arranging them for a book. (Don’t try this at home.) I moved them and moved them until I could see a lovely rainbow arc for the entire collection.

When I was finally comfortable with the flow, I released my dress stories from their hangers and returned to the computer to cut and paste the individual essays into one long document. More edits. Moving paragraphs. Breaking up stories into parts. Adding just a bit more here and there. Writing an introduction and a final note to the reader. Two years after I wrote the first “dress story” for a memoir class, the book was published as Reflections: A Wardrobe of Life Lessons. Memoir, like a classic great dress, never goes out of style.

From the Introduction:

The hardest years in life are those between ten and seventy.

—Helen Hayes

At ten, I wasn’t the moody middle child wanting to be noticed, as much as the one who always seemed to notice. I was the sorter of stories, the keeper of traditions. Reaching up, or out, or down, I saw invisible threads that joined people together. I still do. Now, at seventy, I’m connecting more strands. And dresses are coaching my memory.

Three hard white suitcases live under my bed. I yank out the middle one and plop it on the blue star quilt. I’m not loading it up for a trip; it’s already full. I know what’s inside: dresses, scraps of fabric from dresses, and old photos. Clicking on the double locks feels like opening a black box of flight recordings. Messages vibrate from crinkles and creases, stains and frills. Memories rise from cotton, velvet, and silk—fibers from my journey through life.

Wisdom remains on the fold of one dress. I smooth a wrinkle and kindness appears. When I trace my pinky over white lace, I remember letting go. Hope is in there too, along with judgment, loss, compassion, forgiveness…a wardrobe of memories just waiting to be unpacked. Ralph Waldo Emerson said, “Life is a succession of lessons which must be lived to be understood.” I agree. But sometimes a life lesson can also be worn as a dress.

  Excerpt from a middle essay:  Navy Maternity

My first maternity outfit was a long-sleeved navy blue dress from Sears that I bought for my father’s wake and funeral. I wore it again on Father’s Day and then buried it under the lilac bush in my childhood backyard, watering the ground with my tears. The words from a homily echoed in my head. Ritualize where you are now . That’s what I was doing—dressing a wound by burying a dress…

The moment I stepped out of that dress, I felt different. Lighter. Aware. I was carrying a new life—had been all along—but now I could finally breathe. I glanced in the mirror and saw myself as a mother-to-be. I shoved the dress in the bag and tossed it in the car. The dress was easy to remove, but not the grief. Shifting my focus to new life, I decided to take one small step.

The following week, on my final day of teaching elementary school, I drove to my childhood home only two blocks away. I pulled the navy maternity dress from the white plastic bag. My mother was at work. But I didn’t need her. I knew where my father’s garden tools were kept. I grabbed a shovel and began digging in the dirt near the lilac bush—Dad’s favorite bush. It didn’t take long to scoop a hole big enough to bury a death dress…

Excerpt from the final essay: Dressing for a Reunion

At the Hyatt Regency Hotel near Dulles Airport, I’m wearing the same tri-colored dress that I wore for my 50 th  high school reunion in 2016—it’s mostly blue, with bands of black and white. I call it my past-present-future dress. The dress is making an encore appearance in 2017 at a different reunion tonight.  Can it really be called a reunion if we’ve never met?  My husband tells me to hurry. We exit the elevator and enter a full dining room. The celebration begins.

Arms reach across the table to shake my hand. A shoulder nudges close. I feel a tap on my back. Legs move toward me. Fingers clasp. Another arm extends around my waist. Then hugs, so many embraces and tears. I am aware of my middle-ness. I am a quiet middle child, in the middle of a loud story. I am in the middle of history, in the middle of generations, in the middle of Danish fishermen and American flyers. I’m standing in the middle of memory and expectation because I did what middle children do best—I made connections…

Author’s bio: Linda Styles Berkery holds an M.A. from Russell Sage College. Linda taught third grade, led retreats and worked in parish ministry. Her writings on faith/life have been published in various magazines, blogs and books. Her new book is Reflections: A Wardrobe of Life Lessons. 

HOW TO WIN A COPY OF THE BOOK I hope you enjoy Writing Lessons. Featuring well-published writers of our favorite genre, each installment takes on one short topic addressing how to write memoir. It’s my way of saying thanks for coming by. Love the author featured above? Did you learn something in the how-to? Then you’ve got to read the book. And you can. I am giving away one copy, and all you have to do to win is leave a comment below about something you learned from the writing lesson or the excerpt. I’ll draw winners at random (using the tool at random dot org) after entries close at midnight on May 15, 2019. Good luck!

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Related posts:

• Writing Lessons: Picking Small Topics To Write About
• Writing Lessons: Finding Time to Write
• Writing Lessons: How to Write About A Difficult Subject, by Bette Lynch Husted

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Reader interactions.

Amy Laundrie says

April 14, 2019 at 7:37 am

I found this extremely helpful. I’m a columnist for “The Wisconsin Dells Events” and am searching for a way to connect my “Slice of Life” columns into a second memoir. My first, “Laugh, Cry, Reflect: Stories From a Joyful Heart” includes pieces on nature, my pet ducklings, antidotes about my teaching career, and family stories. I appreciate the tips on how memoirists should make sure the last paragraph of one piece ties in with the first paragraph of the next and I think using dresses as a uniting metaphor was brilliant. I’m eager to read your book.

April 14, 2019 at 10:50 am

Dear Amy, I appreciate your kind words. I had a lot of fun using dresses as a thread through the essays. I would love to read your own slices of life columns. Marion has helped all of us go small. Linda

Susan Davies says

April 14, 2019 at 8:05 am

I love this concept! I have been so stuck in my writing, feeling overwhelmed. I had contemplated this approach but was so unsure….this lesson just gave me that push! Wish me luck! Thank you for your lessons! I enjoy them so much!

April 14, 2019 at 10:54 am

Susan, This is great news. I found all the writing lessons to be so helpful in my own work and I am honored that sharing my experience can help nudge you today. It is so good to give back. My editor, Robyn Ringler shared these tips from her own writing teacher so we are helping each other to gain movement. Linda

Laura McKowen says

April 14, 2019 at 8:09 am

Your content is so very helpful, Marion. About nine months ago, I read your book, and then I was on one of your calls. What I learned helped me focus, organize, and finish my manuscript for my first book, a memoir about sobriety. I sent it to my publisher last week. :) Thank you!

April 14, 2019 at 10:57 am

Marion’s content has always been so helpful to me too. Congratulations on completing your story.

David Sofi says

April 14, 2019 at 8:10 am

Excellent lesson and piece by Ms. Berkery. Especially resonating was the bit about Robyn’s advice from her writing coach. I will have that posted on my Writing Wall. I also tingled with her modification of The Algorithm (That is my personal emphasis of Marion’s lesson, it is so insightful and meaningful.)

Linda Berkery says

April 14, 2019 at 8:31 am

Marion’s writing math made each essay possible and I held it in mind throughout the entire book. Robyn RIngler’s advice pulled the entire collection together. Thank you for your comments.

Careen says

April 14, 2019 at 8:14 am

I want this book! Not only for its content, but because it illustrates the principles Marion puts forth.

April 14, 2019 at 11:34 am

Careen, I hope you continue to find help from the writing lessons and the wisdom from Marion. I surely did. Linda

Ginger Hudock says

April 14, 2019 at 8:16 am

This was wonderful post! The book would be something I could relate to because my age (61) and the metaphor of dresses. This is a great and doable way to structure a book as a series of essays. It seems much more doable for me. I am comfortable writing blog posts and magazine articles, but the thought of a long book is overwhelming sometimes.

April 14, 2019 at 11:01 am

Ginger, I am with you on the thoughts of a long book. It seemed too much for me. I was so happy to find that a series of essays was a reachable goal and Marion gave good feedback when I shared that I was attempting to do just that – she reminded me that I still needed an overall arc in order to print them together as a book. I hope you continue.

April 14, 2019 at 8:30 am

Breaking up the writing into smaller, more manageable pieces seems to tame the bigger writing project, sticking to the algorithm in each section. I loved seeing the process of finding the structure of the book, which is my biggest challenge.

April 14, 2019 at 11:40 am

Dear Beth, Smaller pieces worked so well for this collection. And yes, with each essay I made sure to follow the writing math. I kept asking myself what is this about ? Although told through the lens of a dress, it wasn’t about the dress… it was about a universal theme. Thank you for your thoughts. Linda

April 14, 2019 at 8:35 am

I can’t tell you how often I used Marion’s book and notes from her course as I was completing this book. Such good advice.

Elizabeth says

April 14, 2019 at 8:38 am

I flipped through my closet in my mind – many ideas there for essays, including the ban on trousers for women in my high school in the sixties, and the godawful bloomers for gym class. Thank you!

April 14, 2019 at 11:09 am

Oh Elizabeth, Our minds must run similar. There is a story about those gym “dresses” from my first P E class at Russell Sage College. And oh yes, a mini dress from my teaching days, when women were not allowed to wear pants, but COULD wear a mini dress three inches above the knees. Keep flipping through your closet in your mind. Clothing is so rich to draw out the memoir essays. Thank you for your post. Linda

Ruth Crates says

April 14, 2019 at 8:59 am

I continue to look for a way to write my memoirs. Essays might be a good fit for me. I love how Linda used an unlikely subject…. dresses – to relate her life experiences. If I don’t win the book, I will buy it…I loved the exerpt about burying her grief. We can all relate to that.

April 14, 2019 at 4:30 pm

Dear Ruth, I do hope that you will continue to write memoir. I found that essays were a perfect length. Mine ranged from about 800 to 1200 words in the book. Some had several parts but each one could be read alone which helped me continue. I am happy whenever someone considers the book, the proceeds are going to assist a local thrift store, called ReStyle, from Unity House in Troy. When we have some book signings we are also inviting readers to donate a gently used dress. So my unlikely thread of dresses is really being put to good use. Linda

April 14, 2019 at 4:34 pm

Isn’t it amazing how an idea can take off in so many directions! A wonderful way to help others.

April 14, 2019 at 4:40 pm

If you are in the Albany-Troy area look for several benefit book signings on the Facebook page: Reflections: A Wardrobe of Life Lessons

Cynthia C says

April 14, 2019 at 9:04 am

Incredibly helpful hearing about the writing process! I love reading how these authors make decisions about how the final product will look.

April 14, 2019 at 4:36 pm

Cynthia, I always loved reading the writing lessons from Marion’s posts. I was fascinated with the whole process of structure. Linda

Cassandra Hamilton says

April 14, 2019 at 9:41 am

Great post. I appreciate Linda Styles Berkery sharing her process. By breaking her subject into essays she was able to work ideas in smaller sections. I like how when she focused on the larger piece, the book, she turned to a visceral and visual method: hanging up her essays, each represented by a dress, to sort and rearrange until she felt they were right. I would think the photos of the dresses also evoked in her thoughts and feelings and helped her to pack her writing with vivid descriptions. I’m inspired with her process and how she cleverly teased us with snippets of her new work. Thank you!

April 14, 2019 at 4:44 pm

Dear Cassandra, Thanks for your comments. You are right about the visual part. It really helped me to organize the flow of the essays and the overall arc of the book. (And at one point when I realized that I didn’t have a green dress – it brought up a life lesson from an old memoir of a green gym dress!) Linda

Cheryl Hilderbrand says

April 14, 2019 at 10:08 am

Since the excerpts offered here resonated so strongly, I can’t wait to read the rest of the book. Is it just women our age who grew up with dresses who are so emotionally connected to fabric, and tucks, and gathers? A quilt made from childhood dresses keeps me warm, but I worry that I should put it away so that it’s scrapbook, memory-spurring nature can be preserved. The advice from Ms. Berkery’s editor was something I needed to hear . Thank you Marion, Linda, and Robyn.

April 14, 2019 at 4:49 pm

Dear Cheryl, I do think that dresses meant a lot more to us than they do to the next generation. My own adult daughters rarely wear dresses, but they still have emotional and memories attached to clothing. My husband saved his race t-shirts and had them made into a quilt! He no longer runs, only walks due to an injury, but that quilt hangs over his couch reminding him of all those races. Robyn Ringler’s insights (my editor for the book) were so valuable in getting this collection to print. I am glad to pass her advice along. Linda

Jen Chambers says

April 14, 2019 at 10:17 am

I find this very helpful- it solidifies a concept that I’ve been working on for some time of using essays as memoir in my own work. Using a literal thread to hold the narrative together made a great metaphor here. I am intrigued by the structural ideas and hope to get the book!

April 14, 2019 at 5:18 pm

Dear Jen, Thank you for your comments. I hope you continue to use essays as memoir. It really helped me to keep going.. I could focus on one essay at a time. Indeed I kept them in separate folders on my computer until I recognized how to make “dress stories” into a literary closet collection. Best regards,’ Linda

Debbie Morris says

April 14, 2019 at 10:28 am

I’ve had an idea brewing for years now, and this style has opened up a completely new way to join them yet keep them separate. I thoroughly enjoy the teachings here as well as that wonderfully inspiring sampling of essays. I feel energized, thank you!

April 14, 2019 at 6:03 pm

Dear Debbie, Thanks for the comments. I hope this idea keeps brewing and maybe finds a similar outlet. Linda

Barbara Womack says

April 14, 2019 at 10:38 am

I love this concept and have been inspired to use a similar approach in my own (somewhat stalled) writing.

I can’t wait to read this book!

April 14, 2019 at 6:06 pm

Dear Barbara, I am glad to hear about your writing. I wish you well on the journey and am happy that you found this approach to be helpful. Linda

Ann Hutton says

April 14, 2019 at 10:44 am

Excellent! I’m sharing this with a memoir writing group I facilitate. Meanwhile, I call out a “Yes!” to visually laying out your pages to really SEE what you’ve got and how it might fit together. Once I taped 260 pages to three walls in an empty office in order to look at the structure of a memoir manuscript. That’s when I realized that I did indeed have a beginning, middle, and ending! And looking for repetitions or other glaring mistakes was easier this way, rather than trying to read through pages on a computer screen.

Many thanks!

LInda Berkery says

April 14, 2019 at 6:11 pm

Dear Ann, Wow that must have been some wall sight! Yes, I think we sometimes need a visual way to keep us moving forward. Glad that worked for you and thank you for the comments. Best to your writing group. If you send me a personal message on Facebook page for the book. I will send you my “chart” with all the essays. My editor used that page for a talk she was giving on memoir writing. Linda

Merrie Skaggs says

April 14, 2019 at 10:49 am

Linda’s wardrobe structure is brilliant. I learned that I might be able to include an essay I wrote about my dad in my memoir. Also, Linda’s words spoke to me on several levels, or with various threads as she might say. I am still in the unraveling stage of my memoir writing and relish the connections since I am a Marion disciple, have seen my 70th birthday, and taught third grade. I learned much from your charming writing and the lessons you shared. Thank you, Linda, and thank you to our guru Marion. I’m not going to wait to win your book; I plan to buy it, read it, and learn from it now. “. . .bury a death dress. . .” My heart strings are still vibrating.

Linda Styles Berkery says

April 14, 2019 at 11:13 am

Dear Merrie, I am so happy to meet another over 70 writer of memoir. My father’s journey through his WWII experience rescued in the North Sea by Danish fishermen and as a POW is another thread through the collection. The proceeds from this book are also being used to help ReStyle, the thrift store run by Unity House in Troy, NY – my hometown. So buying the book supports a great cause. Thank you. Linda

Carol Gyzander says

April 14, 2019 at 11:00 am

I love the connecting device of the dresses! The first essay excerpt was interesting, but then I found myself curious about how it would be used in the next…and the next…

April 14, 2019 at 4:53 pm

Carol, I am so glad that you found yourself curious about the dresses used and the lessons they told. Sometimes I found myself pondering how a certain dress or saved piece of fabric could bring out so many memoires. What was going on? – You start writing and then you find more and more life experiences coloring the page. Linda

Jan Duffy says

April 14, 2019 at 11:15 am

Thank you Marion for another excellent post. The idea of basing a series of personal essays on a collection of dresses is so good. As I was reading the excerpts I felt as though I was Linda’s alter ego, experiencing every emotion that she did. Good work, I hope I can be as successful in my writing endeavors.

marion says

April 14, 2019 at 2:31 pm

Dear Jan, You are most welcome. Isn’t this a lovely, helpful post? Linda did an excellent job with this and with the book. I am delighted to see you here. Please come back soon. Best, Marion

Thank you Jan and Marion for your kind remarks. Several readers have commented that they felt they were standing right with me as they read. So we touched universal topics – close to our hearts. Linda

Karen Elizabeth Lee says

April 14, 2019 at 11:42 am

Thank you for writing this piece. I have been struggling with structure for my memoir for almost a year! writing short pieces as that is how it seems to be unfolding but then questioning myself – “Is this the right or acceptable format?” “Can I do it this way?” Your insight gives me the courage to follow this path – the essay path – to see where it will lead me! thank you.

April 14, 2019 at 4:57 pm

Dear Karen, I never started out to write a book or a collection. I just began with one essay of a brown plaid dress – a short piece for a writing assignment. I casually remarked, “I could probably write a lot more essays through the lens of a dress…” and I received such encouragement to continue. See where the short pieces lead you. Perhaps you have a collection rather than a traditional memoir book. Blessings for your good work. I am happy that this piece could encourage you. Linda

Cheryl A Kesling says

April 14, 2019 at 2:19 pm

Thank you, Linda, for sharing your story. I’m a 72-year-old struggling writer working on a memoir since 2014. It seems life keeps flying in front of me to the point of building a wall too high to see over. I’ve journaled, keeping track of unimaginable tragic moments and survival. I’ve written words on paper for a critique group but never seems to hit the mark, or at least to my satisfaction. Maybe I’m too hard on myself. Your memoir essay structure is something I’ve been thinking about for a long time but I know that each essay needs a reason or a lesson learned, and that is been my problem. Knowing what lessons I’ve learned is hard to put on paper when one holds back emotions. I’m sure reading your book would be helpful. Maybe making a chart as you did from Marion’s math and color coding for different periods ( as told in a Z- the essay) and using one metaphorical object to push the essays along is the answer for me as well. Thank you again.

April 14, 2019 at 5:06 pm

Dear Cheryl, Thank you for your heartfelt comments. Some essays (lessons) needed space and time before I could write about them. We all tend to be hard on ourselves. Keep writing. and Keep journaling. I found that going back to journals and circling some key memoires allowed me to move toward an essay. But journal writing is different than writing for print and I had to allow some pieces to stay in a journal and not try to force them to be an essay. But making the chart using X, Y, and Z was the most important formula I learned from Marion.

Etty Indriati says

April 14, 2019 at 3:11 pm

I love the excerpt of Linda’s book as it reflects the “what it is about” in Marion’s online course The Memoir Project that I took; and Linda cleverly wrote her book into chapters of personal essays. It makes me want to read the whole book! It is also inspires me to not giving up writing a memoir.

April 14, 2019 at 5:09 pm

Dear Etty, Marion’s outline is a wonderful way to start. I hope you can read the whole book and please don’t give up writing memoir in whatever form it takes. I think reflecting through writing is a blessing. Thank you for the comments. Linda

iliana says

April 14, 2019 at 7:23 pm

Linda, thanks so much for sharing aspects of your writing process! Cut and paste, and I really mean printing the pages, cutting where needed and rearranging, gluing them on another blank page, was my graduate advisor’s way of writing and editing articles, reports and proposals. That’s how I wrote my thesis too, hands on, feeling it. Looking at a dress as a metaphor, so clever! Looking forward to reading your book :)

April 14, 2019 at 7:36 pm

Seems like I did something like that old fashioned cut and paste on my TYPED thesis back in the day. Thanks for your kind remarks. Linda

KRISTA L RUSKIN says

April 14, 2019 at 7:28 pm

OMG. I’ve been struggling with not having lived “an important life” and yet wanting to write a memoir for my kids. My father died when I was 31. I often wished I had received more lessons from him and had them for my kids. In recording my own, 20 years later, on the upside of my life lessons, I’m hoping they see the possibilities for their lives even in The dark days. The idea of writing bits and and pieces of varying length and letting them tell me how to structure the book is liberating. Thank you!

April 15, 2019 at 9:00 pm

Dear Krista, I am happy that you can see your life as memoir worthy as it surely is. My father died when I was 26 and yet his influence is strongly felt in this collection. I wish you all the best for your writing. Linda

Lisa Sonora says

April 15, 2019 at 8:43 am

So many take aways here!

I haven’t read all of the comments, but skimmed, so hope to offer something not shared yet.

First, that you ignored your friends comment about writing about your life.

Then… using Marion’s algorithm for each of the essays (described in the second paragraph) —brilliant!

I too, am a student of Marion, and have been so STUCK on trying to figure out the algorithm for my memoir.

Your piece gave me the idea to look closer at the individual pieces within the book and trying to name what those are really about.

I just love the image of you hanging up your essays like dressed in the wardrobe, and laughed out loud at “don’t try this at home”. Because, yeah, I would try that at home — it make sense to give the writing some physical form that relates to the subject to help see it differently.

Congrats on the publication of your book, Lynda — I cannot wait to read it!

April 15, 2019 at 9:07 pm

Dear Lisa, Thank you for such great comments. Yes, hanging up those dress stories was crazy but a fun way to really see them in place. And it was wonderfully refreshing too. We often need to trust our own instincts sometimes more than the voices of dear but sometimes bossy friends! Best to you for your own writing. Linda

Cathy Baker says

April 15, 2019 at 8:47 am

I love everything about this post as I’m working on a book with mini-memoirs on our building my future writing studio, Tiny House on the Hill. After reading this post, I might consider having fewer chapters with a higher word count. I always learn so much from you, Marion, as well as those you coach. Thank you!

April 15, 2019 at 9:09 pm

I love the idea of mini-memoirs! Great! Thanks for your comments. I have also learned so much from Marion and her writing posts. Linda

Tammy Roth says

April 15, 2019 at 11:51 am

I’m always looking for clever ideas of arranging memoir topics and this is just brilliant. Thank you for sharing the process.

April 15, 2019 at 9:14 pm

Dear Tammy, Arranging those memoir essays was made easier using Robyn’s advice along with Marion’s wisdom. I was honored to share the process with so many interesting writers. Thank you for your comments. Linda

April 16, 2019 at 8:35 pm

Oh my! This came at the most perfect time. I am trying to write a memoir and it keeps running through my mind that I should try doing it in essays. I lost my son to suicide, so it’s about grief, hope, and faith. I loved what Robyn shared with you about connecting the last paragraph of one to the beginning of the next. The excerpts are wonderful. I can’t wait to read the book. Thank you for sharing your wisdom.

April 16, 2019 at 9:01 pm

Dear Faith, I am glad that Robyn ‘s idea might help you find your way through a collection of essays. She suggested the last paragraph and the first one should flow for the reader but they can still stand alone as individual essays. I wish you blessings in your writing. Linda

Naomi Johnson says

April 16, 2019 at 10:51 pm

I LOVED the wonderful advice from her editor, while she was still working out the overarching structure: “pay attention to the emotions and lessons in the stories . . .. Then . . . read the last paragraph of one story and the first paragraph of the following story and see if that works.”

Lovely, indeed!

April 17, 2019 at 7:00 pm

Thank you for your comments. Robyn Ringler and Marion offer such valuable suggestions. And I am grateful. Linda

Melanie says

April 17, 2019 at 2:49 pm

I’m in the process of structuring my next book now. I was right there, with descriptions of white suitcases containing “…fabrics from my journey through life.” I could hear the crinkle of crinoline, and I was reminded of one of my absolute favorite couplets by Joni Mitchell: “Everything comes and goes, marked by lovers and styles of clothes…” As I enjoyed all the other places the piece had taken me, I asked myself, “Do I have milestones (like these dresses) that mark the milestones of my life?” And I realized, I DO! I am a songwriter, so of COURSE, every milestone has a song! Thanks, Marion & Linda for such beautiful and inspiring work.

April 17, 2019 at 5:23 pm

You are most welcome, Melanie. Please come back soon. Best, Marion

April 17, 2019 at 7:06 pm

Thank you for your comments and the great quote! Love it. And nice for me too as my maiden name was Styles. I am glad that you found yourself asking questions about your own milestones.

Teresa Reimer says

April 20, 2019 at 9:12 pm

What a wonderful idea to hang each story and it’s inspiration on a clothes hanger. Organization and expanding on the theme! Can’t get much better than that.

April 22, 2019 at 6:15 pm

Teresa Thanks for your comments. Yes it was definitely different but fun! Linda

Donna P says

April 29, 2019 at 11:36 am

Dear Linda,

Your ideas, along with Marion’s brilliant advice, strike a real chord with me. I, too, have been struggling with the concept of essays within a memoir. Due to health issues, I have not given my book as much attention lately. I’m going to paste this article to my forehead to keep it top of mind! Truly inspirational at a time when I really needed it. Thanks to you and to Marion. I will definitely buy the book.

April 29, 2019 at 12:34 pm

Dear Donna, Thank you for sharing your thoughts. Marion’s advice really helped me stay focused on each individual essay. And I am so happy to know that sharing my experience making a collection of essays could help you move your own writing along. Best to you for your writing. Linda

Gail Gaspar says

Essays in the form of a wardrobe of dresses, yes. I am wondering if my memoir will take the form of essays unified by a theme (I adore metaphors) and you have illustrated how it can done. As a coach, I am happy you listened to your inner voice and not to the friend who remarked, “Your life just isn’t that interesting.” I appreciate how you show, don’t tell, about what each dress represents. The image of your dress stories hanging in your closet is an excellent reminder of how creative and expansive the writing process can be – when we allow it.

Laurie says

May 1, 2019 at 3:10 pm

Marion – This is my first visit to your blog and site. So much info! Thank you! I too am working on a memoir that right now is a collection of stories. This truly resonated with me as I am stuck as to how to pull them together into a book. Linda – your insights and suggestions couldn’t have been more on target. I have already printed them out and moved them about – but I think I need to write a few more – and then piece them together – reading the last para / first para – and adding bits as you suggested. I LOVED reading the excerpt of the book – what a wonderful way to tie the stories together by the dresses. As a writer – I loved that creative idea to tie it all together – and as a reader – each except you shared – I could apply to my own life and my own past closet of dresses! Well done! I would be tickled to win the book and read more!

May 1, 2019 at 5:47 pm

Dear Laurie, Thank you for your thoughtful remarks. Finding Marion’s blog and site is certainly a real gift. I was fortunate to take a class when she was teaching in Troy before everything went online. But look how many more people can be reached. I am delighted that you could relate to the dress stories and find memories arriving from your own closet. I loved making the book a collection/ wardrobe of stories. All the best to you with your own memoir. Linda

May 2, 2019 at 11:52 am

What a lovely way to seamlessly piece together a book! I’m in awe of your process and inspired by the concept! I’ve always struggled to let go of certain garments because of the memories associated with them. Now I understand why: Not only does each one offer a memory, but you’ve proven each one tells a story. I can’t wait to visit your story-closet and read more!

May 2, 2019 at 8:59 pm

Dear Susan, Thank you for your kind remarks. I hope you do visit my “story-closet” as well as peek at some life lessons from your own wardrobe. Linda

Maggie Yoest says

May 3, 2019 at 10:57 am

I am new to memoir writing and have been encouraged by Susan and Marion. Hopefully, as I stay with this, some of the fear will dissipate and the courage to share myself and my view will grow. Thank you both!

May 3, 2019 at 4:00 pm

Maggie, I hope you continue with memoir. Marion is a wonderful guide. Linda

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30+ Memoir Topic Ideas + Tips for Choosing One

Updated 11/19/2021

Published 06/26/2020

Sam Tetrault, BA in English

Contributing writer

Cake values integrity and transparency. We follow a strict editorial process to provide you with the best content possible. We also may earn commission from purchases made through affiliate links. As an Amazon Associate, we earn from qualifying purchases. Learn more in our affiliate disclosure .

A memoir is a personal account of your life, an experience, or anything that shapes you into the person you are today. There are a lot of examples of some of the best memoirs out there, but have you ever considered writing your own?

Jump ahead to these sections: 

Personal memoir topic ideas, tips for choosing the best memoir topic, tips for starting your memoir.

There are no rules when it comes to writing your own memoir. You can choose any topic you’d like, and there are no restrictions on how you write your life story . This is a great writing exercise for students, older adults, and everyone in between. 

By taking the time to write about an experience that matters to you, you also do a lot of self-reflection. This could shine a light on how you want to be remembered, your legacy, and any changes you’d like to make in your life. 

There are so many important things you’ll recognize only once you begin writing. Instead of waiting for inspiration to strike, here are 30+ memoir topic ideas and tips for choosing the right one for you. 

If you're interested in unique ways to continue the legacy of a loved one, you can consider a custom urn from a store like Foreverence  or even have a memorial diamond made from ashes with a company like  Eterneva .

A personal memoir is something that’s meaningful for you. This could be an interesting event, a life-changing moment, or even just a bit of internal reflection. Again, there are no rules. Let these ideas be your guide. 

Ideas for middle school and high school students

A memoir is an excellent writing exercise for students in middle school and high school. Though these students might not have a lot of life experience, they still have unique perspectives on the world. Capturing these ideas in writing is worth its weight in gold. 

1. A major life event

We all experience major life events, even as children. What major life event defines your life, and how can you grow from it? It could be a transition from middle school to high school, a parent’s divorce, or even a vacation. These are the memories that define who we are. 

2. Your favorite place

Where do you find the most comfort? Is it at home in your bedroom or outside somewhere special? Why does this space have so much meaning for you, and how do you spend your time here? Share an experience you’ve had here.

3. Your best day

Best days might not come around all that often, but they sure are memorable when they do. Share one of the best days you’ve ever had, who you were with, and what you did. What made this moment so special?

4. Favorite food

Food is one of the things that bind people together. What food speaks the most to you, and why does it have such an important place in your heart? What does food mean within your family?

5. Favorite teacher

Teachers impact the way we think, and their role transcends the classroom. Who was your most memorable teacher? What stood out about them, and how do you work hard to make them proud?

6. Favorite book

Everyone has a book they’ve read that stuck with them. Humans share who they are through stories. Like the memoir itself, this book plays a role in who you’ve become. What book is your favorite, and what does it mean to you?

7. Most prized possession

This topic is like show-and-tell in written form. What item do you hold in the highest esteem? Is it a beloved shirt or a prize from a sporting event? Where do you keep this item, what does it look like, and what place does it hold in your heart?

8. Your favorite class or subject

No matter your feelings about school, there are bound to be some classes or subjects that stood out to you. What inspired you about these lessons? What have you learned, and how will you use these teachings moving forward?

Who are your closest friends? When did you become friends, and what keeps you close? Exploring these relationships in a memoir is a wonderful tribute to those who matter the most. 

10. Favorite holiday

Holidays have a lot of meaning around the world. Which holidays matter the most to you? What do these say about your family, culture, and personality? What is your favorite way to celebrate?

Ideas for college students

College students are at a defining moment in their lives. They have a lot of responsibility, but they’re not quite on their own in the “real world” just yet. This is the perfect transition point for some reflection through a memoir. 

11. Major or focus

In college, most students define a major or area of study. What major did you choose, and what significance does this have for you? Where do you see yourself in a few years using this major?

12. First love or friendship

We’ll never forget our earliest relationships. Share a time when you fell in love or had a close friendship. What did this relationship mean to you? How did you feel in the moment, and how do you feel now?

13. Obituary

While this might sound odd, a common writing exercise is to write your own obituary. An obituary or death announcement is a way to share your legacy on the world. Though you hope to have many happy years ahead, what do you want to include in your obituary ?

What is your most memorable travel experience? From spring break with friends to family holidays in nearby cities, the places we experience often define us. What have you learned from your journeys both near and far?

15. Hometown

If you’re no longer in your hometown, reflect on what this means to you. Was your hometown somewhere to escape from or to? How has moving away for college affected your relationship with this place?

Describe an experience of loss. Whether you lost someone you love, a pet, or even just a favorite sweater, we all experience these feelings in our own ways. What does loss mean to you?

17. Grandparents

Talking to our grandparents is one of the best ways to bridge gaps between generations. Talk to your grandparents about their experience in college or at your age. How does this compare to your own experience?

18. First job

What was your first job like? When did you receive your first paycheck, and what did this experience mean to you? If you’ve never worked a “real” job, what do you imagine it will be like? Describe a volunteer, academic, or professional experience. 

19. Future you

Write a memoir from the perspective of your future self. Where do you see yourself in 10 years? 20 years? How will this version of yourself look different? What will they have accomplished?

20. Failure

Though difficult to write about, it’s important to reflect on our weaknesses just as much as our strengths. Have you ever failed in your life? How did you move on from this, and what did you learn along the way?

Ideas for older adults

As someone with more life experience, there’s a lot of room to reflect as an older adult. Here are some ideas to get those creative juices flowing as you drift down memory lane. 

How exactly do you want to be remembered by friends and family? What have you accomplished that you’re most proud of, and how will this affect your legacy?

What is your favorite hobby? Describe your experience learning this hobby and becoming a part of the culture. How does it affect your day-to-day life?

23. Life’s passion

While most people have a variety of passions, try to define a single, key passion that defines your life. Limiting it to one helps you focus on what matters most. 

24. Historical event

Have you witnessed any historical events? Things like national disasters, wars, rights movements, and so on are all once-in-a-lifetime experiences. How did they affect you, and what is your perspective on these happenings?

25. Paradigm shift

Was there ever a moment where your point of view changed drastically? Did it stem from someone, something, or a single experience? Describe this moment. 

26. Trip abroad

If you’ve traveled abroad, write about your experience in a new place and surrounded by an unfamiliar culture. What do you remember the most? What lessons did you take with you back home?

What is your relationship with change? Is it something you welcome with open arms or run from? Evaluate how your relationship with change has adapted over time. 

28. Built a home

What does “home” mean to you? Is it the place you grew up or somewhere you built for yourself? Define what home means to you and how you’ve built your own home life. 

While your career isn’t everything, it does say something about you and the life you lead. How has your career affected your life, and what doors has it opened or closed?

30. Life story

Finally, consider sharing your entire life story. If you’re not sure where to start, try the beginning. Each of us has a story to tell, no matter how big or small. 

There are no one-size-fits-all questions for sparking your memoir topic. Follow these tips below to find the right fit for you. 

Writing time and experience

Before you begin, consider how much time you have to dedicate to writing. While writing your life story might be a great goal, this should only be attempted if you have the time to follow through. Otherwise, choose something with shorter writing requirements like sharing an experience. 

Brainstorm before you begin

If you’re not sure where to start, simply start brainstorming or journaling. Often you’ll find the answer in what you write here. What are you drawn to most naturally? Where do your thoughts focus the most? This is where your story lies. 

Choose multiple topics

There are no rules that you only have to stick to one memoir topic. You could write a series of essays that discuss many of the topics above. There is no need to worry about them fitting together perfectly. Life isn’t a highlight’s reel. It’s raw and imperfect, and that’s okay.

Sometimes, the hardest part about starting a memoir is just that: getting started. While you need to have a solid overarching story, you also need to make a strong impression on readers early on. Like all forms of writing and craftsmanship, this process can be intimidating. 

The good news is it’s okay to be messy, to make mistakes, and to figure it out as you go. For inspiration, follow these tips for starting your memoir. 

Start with action

While it’s tempting to start your memoir off with backstory or context, this doesn’t necessarily draw readers into the story. Instead, begin in the middle of the action. There will always be time for context and further explanations later. 

Engage your audience in the work from the first moment, grabbing the reader’s attention. Whether you begin at an important decision-making moment, on a trip abroad, or wrapped in a moment of passion, make every inch of the page count. 

Treat your reader like a friend

Spilling your truth on the page is no easy feat. Because a memoir is your own story, it’s normal to feel anxiety about letting these feelings out from deep inside. One helpful tip for starting your memoir is to treat the reader like a trusted friend. 

This is someone you confide in regularly, and you know you can trust them. They won’t meet you with judgment or confusion. They’re just present in the moment, listening to what you have to share. When you place your trust in the reader, they feel that trust as well. 

Borrow from fiction writers

While you don’t want to borrow elements of stories, borrow writing techniques from your favorite fiction writers. Who said nonfiction had to read like a textbook? The best memoirs all tell a story creatively, relying on traditional fiction techniques to paint the narrative. 

Just like with fiction, create a structure for your story. This includes a strong opening, middle, climax, and resolution. Even a truthful memoir needs a clear course for readers to follow. Take inspiration from other memoirs, fictional stories, and the tales that inspire you. What can you learn from other authors?

Write for yourself

Most importantly, write for yourself. Writing your own memoir can be a healing process. When you write your own stories, even if they’re never shared, you let go of this weight inside ourselves. 

While you shouldn’t look exclusively inward, don’t focus so much on the reader that you lose sight of yourself. Invite your reader into these real-life moments. Let them exist inside them for a little while, even if it’s only on borrowed time.

Above all, write the story you have to tell. Everyone has something inside of them that wants to be let out. Your memoir is an opportunity to share that truth with a blank page, even if this is something you don’t share with others. 

Start Writing Your Memoir

There’s nothing holding you back from writing your memoir. As long as you’re willing to put the words to paper, you can get started today. You don’t need any formal training or writing experience to get started. Memoirs are written by people from all backgrounds and walks of life. 

You don’t need to worry about your story being “good enough” or “exciting enough.” A true story is a worthy story, no matter how it’s told. Let these 30+ topics above be your guide. From there, the page is yours to explore.

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How to Teach Memoir Writing in High School: 3 Tips for Teaching Memoir Writing

A great way to get students writing in middle school or high school English class is by assigning a memoir project. In this blog post, you will learn how to teach memoir writing to your secondary ELA students.

When thinking about writing a memoir, people get nervous, especially students, as they will have to let down their walls and share a portion of their lives. Also, it is hard to remember fragments of memories because it will be a challenge to recall significant moments in their lives.

Though it is important to remind students that they do not have to share memories that will be uncomfortable to write, they can choose mundane memories like a walk to school. By writing about these small moments, students will learn how to remember and become comfortable writing the critical ones.

But before writing, teachers will need to explain the importance of senses and interviewing skills since students will need to interview various people to help them recall a memory. This post may contain affiliate links.

How to Teach Memoir Writing: 3 Tips for Teaching Memoir Writing

Teaching memoir writing: use a memoir as a mentor text.

Another discussion to bring up to students is about traumatic experiences, and it is best to take a cautious approach. The reason to talk about this is to show students that memoir writing might be tough, especially if a student chooses to write about a traumatic event. However, it is of the utmost importance that students feel safe in your classroom while writing their memoirs.

If a student isn’t comfortable opening up and sharing, it is vitally important not to push for details. Students will write and share about trauma on their own terms. That is why it is essential for teachers also to encourage students to write memoirs that don’t include any trauma.

Students must know that adult writers had difficulty writing about their experiences, like Gerda Weissmann Klein wrote about her survival in the holocaust in her memoir, All But My Life . Also, Reyna Grande wrote about her struggles of immigration in her memoir, The Distance Between Us . Grande and Klein had distinct experiences, and each experienced trauma through their experience. Writing these stories was most likely not an easy and light-hearted task.

Reminding students of that will make them feel better, for they will not feel alone. Also, tell your class that your classroom is a safe space for their writing if students choose to write about a mature theme. Another key element to consider is that students know that teachers are court-mandated reporters.

Teaching Memoir Writing: Interview Relatives

Have your students ask relatives and themselves about events with these questions:

• What day was it?
• What was the weather?
• What was I wearing?
• What was I doing, and why?

These questions will help them to make the sight of vague memories and add details about them. Besides asking questions, students can bring photos to recreate whatever happened in that picture since the images can show trips to Europe, to the beach, or parties. However, sketch notes will benefit students more, for they can draw what is in the photograph, and the image will help them recollect other details that were not in a photo. For instance, if a student had a picture of a day at the beach and remembered there was a dolphin in the water, even though it was not in the photograph, they will draw it and other images. After the students finished sketching, tell them to add a title to the top of the page.

Teaching Memoir Writing: One Sentences At A Time!

Now the students will be ready to write since they have answers to their questions, photos, and sketch notes. It is time for them to write one paragraph; however, they will add details to it. For example, one of your students may write, ‘I went to the carnival last night. It was fun even when my friends had a popcorn fight. We went on a lot of rides. My friend Claudia tried to make me eat chocolate ice cream, but I do not like that flavor.’

Then the student would add a description to their paragraphs. It will look like this with details: ‘last night, I went to the carnival, and the moon was our night light. There were many rides, and my favorite was the white one roller coaster with the rainbow lights, it made me dizzy. I never felt the wind rush towards us so fast, and heard kids shriek so loudly before. After, I watched in amusement as my friends tossed the buttery popcorn onto each other. But I had to run away from Susan, who tried to make me eat chocolate ice cream, which she knows I hate.’

Notice how adding details make a difference? Students can capture the reader! Hopefully, your students will enjoy it and will find comfort in writing their memories down.

One Comment

Am just giving my students their personal narrative assignment today. We have been using The Color of Water as a kind of mentor text–it's been great. Perfect text for teaching personal narrative. Has all the hallmarks of good narrative writing and showing vs telling, which is something we've been working on. Thanks for your suggestions; they are helpful. When it comes to memoir, yes, being cautious about trauma is especially important. High schoolers often think everything has to be intense drama, when you're right–a memoir about walking to school could be fantastic. Thanks.

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A Memoir of a High School Student

Favorite Quote: I want to live and feel all the shades, tones, and variations of mental and physical experience possible in life. And I am horribly limited. -Sylvia Path

It was Christmas break the last time I walked out of the old, soot streaked building that was my high school. I remember that day well, for it was probably one the most momentous moments of my life. The other students had streamed gleefully out the door to jumpstart their holidays, their unavoidable return in the following two weeks seeming distant. Unlike them, I wasn’t ever coming back. I had taken a second to look back at the school and let myself take in the significance of that moment. I was moving, in the very middle of my freshman year, and I had felt as if my life would never be the same. During the Christmas break, my family and I loaded up our stuff and left that itty-bitty town in south-west Virginia. For most of the time, I distracted myself from my longing for my old town with the challenging task of unpacking boxes and getting my room just so. That was fine for a while, but then my cat went missing. Earlier I had locked her in a bathroom because I was afraid she would get outside with the doors being opened and closed as furniture was brought in. I checked on her later only to find her gone. Immediately thinking the worst, I had run outside and frantically called out her name until I was hoarse. In that moment, the exasperating cat that keeps me up at night was the very quintessence of my being. I had started crying for her, for the people I left behind, and the change yet to come. Losing her made me realize how much I had just lost in my life. That story, however, ends well. She wasn’t running wild through the neighborhood like I had thought. Instead, she was still in the bathroom; I neglected to see her hiding behind the cabinet. Then came the daunting, the inevitable, new school. My moving affected me greatest in this way. Thinking back about the first day, it’s like I’m looking at it through someone else’s eyes; I see a girl standing by the door of the office and clutching a small silver necklace strung around her neck. If one was to look, they would see it held an engraving – Close to the heart, together from the start, best friends will never part. That meant everything to me that very uncertain day. As I sat in classes where everyone had a face and a name that was unknown to me, I would touch the cool metal and be reminded of the best friend that missed me just as much as I missed her. Not only did I not know anyone, but I also was in a class with only upperclassman. The academics were different in Virginia where some students took geometry in their freshman year, which I had been in the middle of when I moved. Those first few days definitely weren’t easy for me, but they did bring out a strength in me that I didn’t realize I possessed. It’s been almost a year now since I unpacked the first of the boxes. I’ve discovered all the nooks and crannies of my new house. I have finally begun accepting that I am a rebel, and that it’s not just my school’s mascot. Also, I’ve made friends that I cherish just as much as the ones from Abingdon. However, I do miss things from before I moved. The memories I have there will always be a part of me, but my future lies here in Kingsport. I’ll get my first job and maybe buy my first car here. In the spring of 2016, I’ll even graduate wearing that light blue robe. Beyond that, I don’t know how much my move will affect me, for life is uncertain. I will just take it as it comes.

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Favorite Quote: “Our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.” -- David Mitchell, Cloud Atlas

Favorite Quote: All of us fave failed to match our dream of perfection. I rate us on the basis of our splendid failure to do the impossible. -William Faulkner

Favorite Quote: If you don't like someone's story, write your own. -Chinua Achebe

Favorite Quote: "Nothing is impossible; the word itself says 'I'm possible'!" -Audrey Hepburn

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Amy Ettinger, who inspired readers with her life-affirming essays on dying, succumbs to cancer at 49

( JTA ) — Amy Ettinger,  an author and creative writing instructor who chronicled the last months of her life in articles for the Washington Post , died March 20 from cancer at her home in Santa Cruz, California. She was 49.

Ettinger’s essays focused on the things she was able to do and cherish despite her diagnosis with a rare, incurable cancer called leiomyosarcoma : seeing a live performance of “Mamma Mia!” with her 14-year-old daughter, Julianna; eating her favorite pastry from a San Francisco bakery.

“ I’ve learned that life is all about a series of moments, and I plan to spend as much remaining time as I can savoring each one, surrounded by the beauty of nature and my family and friends,”she wrote.

Ettinger was an occasional contributor to Kveller, the Jewish family website that is a Jewish Telegraphic Agency partner. There she wrote about her mother’s kugel recipe (“light brown on its crispy top, and the color of milky coffee in the middle”) , and how she, as a “non-observant Jew,” marked Yom Kippur — which in 2013 happened to fall on her 10th wedding anniversary .

“Like Yom Kippur, a wedding anniversary is a time to take a step back from your daily life — to weigh the good and bad, to contemplate your triumphs and missteps, to make a vow to do better individually and as a couple,” she wrote.

Ettinger was born in Rochester, New York, and grew up in Cupertino, California. She discovered her calling as a journalist in high school. She majored in American literature at UC Santa Cruz and earned a master’s degree in journalism from Northwestern University in 1999.

Her writing appeared in the New York Times, the Washington Post, New York Magazine, Salon, CNN and Newsweek. In a 2021 article for AARP, she wrote how her mother’s death inspired her to learn Sheila Ettinger’s favorite game: mahjong. She taught writing classes at Stanford Continuing Studies.

In 2017,  Penguin Random House published her memoir-cum-travelogue “Sweet Spot: An Ice Cream Binge Across America.” In it she wrote how she keeps “between fifteen and thirty dollars’ worth of ice cream in my freezer at all times” — not to eat, but as an “emergency backup system” in case one of her favorite shops or stores runs out.

Her follow-up story to her Washington Post article, titled  “I Have Little Time Left. I Hope My Goodbye Inspires You,” appeared on the newspaper’s homepage less than two weeks before she died.

“I am choosing to focus my limited time and energy on doing the things I love with the people I care most about. It’s a formula that works, I think, no matter where you are in your life,” she wrote.

In an article written after she died , her husband, the writer Dan White, wrote that she had dictated her last essay to him from a reading room at UC Santa Cruz with a view of a redwood forest. He said she had gotten hundreds of personal responses: A handful “unwelcome, including missives from ultrareligious people wanting my proudly Jewish wife to get saved to spare herself from hellfire,” but the vast majority said Ettinger had said inspired them to make the most of their lives, however long they are dealt.

“Amy had no way of predicting that the lines she composed on the spot would be calls to action for readers from all over the United States, as well as Canada, Poland, France and Greece,” White wrote.

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These Were the Most Challenged Books in America Last Year

Titles with LGBTQ themes dominated the American Library Association’s newly released list

Ella Feldman

Daily Correspondent

In 2023, the most challenged books across the country were about LGBTQ individuals and people of color, according to a report released today by the American Library Association (ALA). The news follows last month’s announcement that book-banning attempts have reached record highs .

“More and more, we’re seeing challenges that say, simply, ‘This book has a gay character,’ or, ‘This book deals with LGBTQ themes,’ even if it has no sexuality in it,” Deborah Caldwell-Stone, the director of the ALA’s office for intellectual freedom, tells the New York Times ’ Elizabeth A. Harris. “We’re seeing those naked attacks on simply the visibility of and knowledge about LGBTQ lives and experiences.”

According to the ALA, 4,240 unique titles were targeted for censorship in schools and libraries nationwide last year. That’s a 65 percent increase from 2022—and the highest number ever recorded by the organization.

The newly published report includes a list of the most targeted books across the United States. For the third year in a row, Maia Kobabe’s Gender Queer: A Memoir took the top spot. Published in 2019, the graphic novel traces Kobabe’s experience navigating gender identity and sexuality in adolescence and adulthood.

The author has spoken in the past about how strongly readers have responded to the text. As Kobabe told NBC News ’ Matt Lavietes in 2021, “I’ve been receiving almost weekly, and sometimes more than weekly, emails from readers thanking me for writing it, telling me how much it meant to them, saying it helped them understand themselves.”

Gender Queer has been controversial ever since its publication, inspiring numerous political and legal battles. However, the controversy has only increased interest in the title, which is “selling better than ever,” as the author told Slate ’s Dan Kois in 2022.

“A book being challenged or banned does not hurt the book and does not hurt the author,” Kobabe said. “The people who are hurt in a challenge are the marginalized readers in the community where the challenge takes place.”

According to the ALA, the second most challenged book in 2023 was George M. Johnson’s All Boys Aren’t Blue (2020), an essay collection describing the author’s experience growing up as a queer Black man in New Jersey and ​​Virginia.

Next on the list is Juno Dawson’s This Book Is Gay (2014), a nonfiction title intended to help young people navigate queer identity, followed by Stephen Chbosky’s The Perks of Being a Wallflower (1999), a novel touching on themes including sexuality, mental health and abuse. Following the premiere of a film adaptation in 2012, the book became a New York Times bestseller .

The list also includes Toni Morrison ’s The Bluest Eye , which is frequently taught in high school English classes. Published in 1970, Morrison’s first novel follows Pecola, a young Black girl growing up during the Great Depression, and explores topics such as racism and sexual abuse.

The ALA’s publication of the report coincides with the beginning of the organization’s National Library Week , a celebration of America’s library systems.

“Each challenge, each demand to censor these books is an attack on our freedom to read, our right to live the life we choose, and an attack on libraries as community institutions that reflect the rich diversity of our nation,” says Caldwell-Stone in a statement . “When we tolerate censorship, we risk losing all of this.”

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Ella Malena Feldman is a writer and editor based in Washington, D.C. She examines art, culture and gender in her work, which has appeared in Washington City Paper , DCist and the Austin American-Statesman .

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Here Are the Most Targeted Books of 2023

Amid a nationwide surge in book bans, memoirs and novels that deal with the experiences of L.G.B.T.Q. people or explore race received the most challenges.

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By Elizabeth A. Harris

The most challenged books in the United States in 2023 continued to focus on the experiences of L.G.B.T.Q. people or explore themes of race, according to a report released Monday by the American Library Association.

Amid an explosion of books bans across the country, the association counted more than 4,200 challenged titles , which is the most in a single year since it began tracking this information more than two decades ago. In the years leading up 2021, when the increase really took off, the average number of titles challenged in a given year was about 275, according to the library association.

“More and more, we’re seeing challenges that say, simply, This book has a gay character, or, This book deals with L.G.B.T.Q. themes, even if it has no sexuality in it,” said Deborah Caldwell-Stone, the director of the American Library Association’s office for intellectual freedom. “We’re seeing those naked attacks on simply the visibility of and knowledge about L.G.B.T.Q. lives and experiences.”

Traditionally, books were challenged when individual parents raised concerns about a specific book their child had encountered in school, and libraries have long had processes in place so that parents could prevent their children from borrowing books they consider inappropriate.

But organized groups have led the charge in this escalation, challenging large batches of titles and circulating lists online — sometimes including dozens or even hundreds of books — to encourage parents and others to seek them out at their local libraries en masse.

Parents and organizers who have pushed to remove certain titles say they are trying to protect children from stumbling on books that are explicit or inappropriate for their age.

Increasingly, Caldwell-Stone said, these challenges are taking place not only in school libraries but in public libraries as well. According to the library association’s report, 54 percent of the challenges they tracked took place in public libraries.

The report also highlighted efforts to counter book challenges. Some local elections and initiatives have come out against those trying to restrict access to books, federal legislators have held hearings on the subject and those who oppose restricting access to certain books have had some legal victories.

Here are the 10 most challenged books of 2023, along with the reasons they were targeted. Several, including “Gender Queer,” “The Bluest Eye” and “All Boys Aren’t Blue,” have been among the most frequently challenged in previous years.

1. “Gender Queer,” by Maia Kobabe

An illustrated memoir by Kobabe, who is nonbinary, was challenged because it contained L.G.B.T.Q. content and was called sexually explicit.

2. “All Boys Aren’t Blue,” by George M. Johnson

This memoir about the joys and challenges of growing up Black and queer was challenged because of L.G.B.T.Q. content and because it was considered sexually explicit.

3. “The Book is Gay,” by Juno Dawson

A nonfiction book that explores growing as an L.G.B.T.Q. person and includes topics like sex and stereotypes, this was challenged because it included L.G.B.T.Q. content, which was considered sexually explicit.

4. “The Perks of Being a Wallflower,” by Stephen Chbosky

This best-selling book for young adults is about a high school freshman in the suburbs in the 1990s. It was challenged for its L.G.B.T.Q. content, as well as its inclusion of profanity, drugs and rape.

5. “Flamer,” by Mike Curato

“Flamer,” a graphic novel for young adults that draws on the author’s own experience, is about a child at Boy Scout camp who is coming to terms with being gay. It was challenged for L.G.B.T.Q. content and for being sexually explicit.

6. “The Bluest Eye,” by Toni Morrison

This was Morrison’s 1970 debut, and follows a Black girl who wishes for blue eyes so she will fit the standards of conventional white beauty. The book also address racism and sexual abuse. It was challenged for its inclusion of rape and incest and because its content was seen as promoting equity, diversity and inclusion.

Tie: “Me and Earl and the Dying Girl,” by Jesse Andrews

A best seller about high school students, this novel was challenged because of profanity and because it was deemed sexually explicit.

Tie: “Tricks,” by Ellen Hopkins

This novel, about teenagers who fall into prostitution, was challenged for being sexually explicit and including drugs, rape and L.G.B.T.Q. content.

9. “Let’s Talk About It,” by Erika Moen and Matthew Nolan

A graphic novel about sex and relationships, this was challenged for being sexually explicit and including L.G.B.T.Q. content.

10. “Sold,” by Patricia McCormick

This National Book Award finalist is about a 13-year-old girl who is sold into prostitution. It was challenged because it was considered sexually explicit and included depictions of rape.

  More about Elizabeth A. Harris

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Home — Essay Samples — Geography & Travel — Travel and Tourism Industry — The History of Moscow City

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Why Pauline Kael’s fight over ‘Citizen Kane’ still matters, whichever side you’re on

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Did Orson Welles get too much glory for “Citizen Kane”? Absolutely, New Yorker film critic Pauline Kael insists in this novella-length fire-starter about the making of the greatest movie of all time. (We can save that skirmish for another day.) As Charles Foster Kane, a sendup of newspaper tycoon William Randolph Hearst, Welles embodied the image of a vainglorious Great Man. But Welles’ success, according to Kael, meant he also needed to be taken down a peg.

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“Raising Kane” ranks No. 40 on our list of the best Hollywood books of all time.

“Orson Welles wasn’t around when ‘Citizen Kane’ was written,” Kael chided. The 25-year-old prodigy was busy doing radio plays with the Mercury Theatre and promoting his forthcoming film debut with a studio that wanted only one name — by Orson Welles! — on the posters. RKO’s advertising campaign lauded “Citizen Kane” as the creation of “a one-man band.” Meanwhile, the actual author of the masterpiece — the movie’s co-screenwriter, Herman J. Mankiewicz — was tucked away in a rest home in Victorville, dictating the script to his secretary.

Kael’s Mankiewicz was a pitiable figure, a self-destructive alcoholic nursing a broken leg and an injured ego. She hoisted him up as one of Hollywood’s unheralded heroes, a brilliant quipster who quietly contributed his wit to everything from “Duck Soup” to “The Wizard of Oz.” Mankiewicz’s work often went unacknowledged, but he’d helped give the 1930s comedies the rat-a-tat rhythm of he and his friends ping-ponging jokes around the Algonquin Round Table. Much of the New York literary clique followed Mankiewicz to California when the industry shifted from silents to sound and filmmakers suddenly needed to hand their beautiful faces brilliant things to say. Together, this band of bohemians molded the modern movie business into what Kael hails as “wisecracking, fast-talking, cynical-sentimental entertainment.”

Decades later, David Fincher’s biopic “Mank” would back up Kael’s sympathetic sketch of Mankiewicz as the forgotten man. But pretty much everyone else considers her essay a hit job, a ferocious attack on a cinematic Goliath. “Raising Kane” took down Welles as handily as if she’d slipped a grenade in her slingshot. After the piece’s publication, Welles’ reputation tumbled — although the height from which he fell was his own fault. “Cinema is the work of one single person,” Kael quotes Welles as boasting, adding that he’d also bragged of making an easy transition from theater to film, as “there was nothing about camerawork that any intelligent man couldn’t learn in half a day.”

Such hubris put Welles in Kael’s crosshairs. (On his slighting of cinematographer Gregg Toland, she snarked, “Welles, like Hearst, and like most very big men, is capable of some very small gestures.”) Yet Kael’s real target was Village Voice film critic Andrew Sarris , her longtime rival who had staked his reputation on the auteur theory — the exaltation of the director über alles . To pull off her thesis, she refused to interview anyone who might have disagreed with her, including Welles himself. Anyone reading “Raising Kane” for the first time should remember that it’s merely one side in an intellectual tug-of-war.

Subsequent counter-essays flung darts at Kael’s biased research. (“How the hell do you call out a lady movie critic at dawn?” Welles groaned in a letter quoted in Peter Bogdanovich’s rebuttal, “The Kane Mutiny.”) But “Raising Kane’s” value transcends the question of whether Kael was correct. (She kinda was, she kinda wasn’t.) What matters is she started a fight that forced all film fans to consider, and defend, their definition of a great director: Is it a big boss enforcing their will upon a set, or a humble collaborator who brings out the best in their team?

For the peacemakers, it’s possible to twist “Raising Kane” into a defense of Welles’ later career, often waved off as not living up to the promise of his first film. If the boy genius puffed himself up too much, then it’s a kindness to forgive him for not measuring up to artificially inflated expectations. And despite the outrage, it’s clear that Kael admired “Citizen Kane” and the man who marshaled it into existence. “Orson Welles brought forth a miracle,” she wrote. Bless his heart.

Nicholson is a film critic and the host of the podcast “Unspooled.” Her first book, “Tom Cruise: Anatomy of an Actor” was published by Cahiers du Cinema, and her second, “Extra Girls,” will be published by Simon & Schuster.

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