famous personal narrative essays

• lol Badge Feed
• win Badge Feed
• trending Badge Feed

Browse links

• © 2024 BuzzFeed, Inc
• Consent Preferences
• Accessibility Statement

17 Personal Essays That Will Change Your Life

Think essays are just something boring you write for class? These masterpieces will make you totally reconsider.

BuzzFeed News Reporter

1. "Goodbye To All That" – Joan Didion

The final piece in one of her two most beloved collections, Slouching Towards Bethlehem , this essay contains everything there is to love about Didion — her sharp eye, her unbelievable concision, her expression of emotions that are real and contradictory. It follows her arrival in New York and her departure eight years later, and in so doing discusses the city and youth — and the romantic lies that both are. She writes: "... I was in love with New York. I do not mean 'love' in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and never love anyone quite that way again."

2. "Mr. Lytle, an Essay" – John Jeremiah Sullivan

Sullivan has become one of the most talked about magazine writers of the last few years. This piece, which you can read online at the Paris Review , and was collected in his highly recommended book, Pulphead , is one of his best. It discusses, with such grace, being mentored in his twenties by once-famous Southern Renaissance writer Andrew Lytle. It's a meditation on art and futility, the Old South, and the sheer strangeness that can be relationships between men.

3. "Once More to the Lake" – E.B. White

Recognized for his children's literature (including Stuart Little and Charlotte's Web ) and popularizing Strunk's The Elements of Style , White was also an accomplished essayist. "Once More to the Lake" follows White and his son to Maine, where they spend a week along the same lake White visited with his father as a boy. It is one of the most moving reflections upon fatherhood, summertime, America, and mortality ever crafted. You can find it in many anthologies and in The Collected Essays of E.B. White .

4. "Ticket to the Fair" – David Foster Wallace

Those who knock Wallace for his verbosity — or associate him merely with a liberal use of footnotes — haven't read one of his classic essays through to the end. This one, which you can read online at Harper's or in his collection A Supposedly Fun Thing I'll Never Do Again , follows him home to Illinois, specifically to the state fair there. Laugh-out-loud hilarious and almost ridiculous in its level of detail, it explores the author's fractured identity, the Midwest versus the East Coast, and the American experience at large.

5. "A Few Words About Breasts" – Nora Ephron

Published in Esquire in 1975, this is the best-known essay by the late, great screenwriter and essayist. While she renders the experience of being flat-chested in the '50s with incredible humor and pathos, it is the essay's ending — the shock of it — that makes this unforgettable.

6. "Self-Reliance" — Ralph Waldo Emerson

One of Emerson's most influential essays, you can read it online or in nearly every collection of his works. While his prose's formality may be a shock at first, what he says he says with great clarity and to the great empowerment of his reader. It is a declaration of the fact that true happiness, in oneself and all relationships, must spurn from self-love and honest expression: "I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should."

7. "Here Is a Lesson in Creative Writing" – Kurt Vonnegut

Though it's collected in his great and final collection of essays, Man Without a Country , you can read an adaptation online at Lapham's Quarterly . While it's a must-read for aspiring creative writers, it's about more than writing — much, much more — despite its brevity and characteristic Vonnegut wit. It opens with the best slam of the semicolon ever.

8. "Notes of a Native Son" – James Baldwin

The titular essay from this collection — which honestly you should just read — is an ambitious and candid discussion of the passing of his father during a time of great racial turmoil. It opens: "On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father's funeral, while he lay in state in the undertaker's chapel, a race riot broke out in Harlem. In the morning of the third of August, we drove my father through the graveyard through a wilderness of smashed glass."

9. "The Invisible Made Visible" – David Rakoff

David Rakoff died a little over a year ago at the too-early age of 47. Just a few months prior, he read this essay about his cancer, his imminent death, and dancing, aloud as part of This American Life 's live show. As always with Rakoff's work, it was funny, painful, and revealed the author's intense love of the English language. Warning: When you watch this video , you will laugh audibly, several times, and you might cry.

10. "The Death of a Moth" – Virginia Woolf

The briefest — and perhaps densest — essay on this list, "The Death of the Moth," on its face, is about exactly that: Woolf notices a moth caught in her window and witnesses its death. Read it online and then read it again, and again.

11. "Total Eclipse " – Annie Dillard

This much-anthologized meditation follows Dillard and her husband as they drive to a mountaintop in Washington to witness a total eclipse — that rare event when the sun becomes entirely obscured, turning day briefly into night. Dillard's rendering of this experience showcases her enviable abilities to both observe and describe. It's collected in Teaching a Stone to Talk .

12. "Sliver of Sky" – Barry Lopez

Well-known nature writer Barry Lopez shocked many when he published this essay in January, in which he confessed being raped throughout his adolescence by his mother's sometime boyfriend. It is an affecting and horrifying portrait of what it is to be a victim of sexual abuse. Unfortunately you do have to be a Harper's subscriber to read it (for now).

13. "Shooting an Elephant" — George Orwell

Prior to penning 1984 and Animal Farm , Orwell was posted as a policeman in Burma, where he once had to shoot a rampaging elephant. The resultant essay, published in 1936, is a condemnation of imperialism — and his own selfish desire to not be implicated by it. Read it online or find it in the collection of the same title .

14. "Shipping Out" — David Foster Wallace

Yes, Wallace deserves two on this list. Also collected in A Supposedly Fun Thing I'll Never Do Again and originally published in Harper's , this is another travelogue turned existential rumination that shows unabashedly and hilariously the horrors of society (this time via a cruise ship) and really says more about the author himself.

15. "The Braindead Megaphone" – George Saunders

Saunders is more famous for his fiction (like many of the folks on this list) but that doesn't mean his essays are not fantastic. The first in the eponymous collection , "The Braindead Megaphone" takes on the current political and media climate in America that will make you shake your head in a I've-always-thought-that-but-never-really-put-it-that-way-myself way.

16. "We Do Abortions Here" — Sallie Tisdale

Tisdale was a nurse at an abortion clinic when she published this essay in 1987. She writes honestly and movingly about something she knows few want to think let alone read about. "There is a numbing sameness lurking in this job," she says, "the same questions, the same answers, even the same trembling tone in the voices. The worst is the sameness of human failure, of inadequacy in the face of each day’s dull demands." Read it for free online .

17. "The White Album" — Joan Didion

Of course Didion also gets two on this list. If you have not read this classic, do so now. It tracks our culture's — and the author's — transition out of the cataclysmic era that was the late '60s into something else much darker. It also contains an unforgettable image of Jim Morrison wearing black vinyl pants. Find it in the collection of the same name.

Share This Article

Looking to publish? Meet your dream editor, designer and marketer on Reedsy.

Find the perfect editor for your next book

1 million authors trust the professionals on Reedsy. Come meet them.

Blog • Perfecting your Craft

Last updated on Oct 31, 2022

10 Personal Narrative Examples to Inspire Your Writing

Personal narratives are short pieces of creative nonfiction that recount a story from someone’s own experiences. They can be a memoir, a thinkpiece, or even a polemic — so long as the piece is grounded in the writer's beliefs and experiences, it can be considered a personal narrative.

Despite the nonfiction element, there’s no single way to approach this topic, and you can be as creative as you would be writing fiction. To inspire your writing and reveal the sheer diversity of this type of essay, here are ten great examples personal narratives from recent years: 

1. “Only Disconnect” by Gary Shteyngart

Personal narratives don’t have to be long to be effective, as this thousand-word gem from the NYT book review proves. Published in 2010, just as smartphones were becoming a ubiquitous part of modern life, this piece echoes many of our fears surrounding technology and how it often distances us from reality.

In this narrative, Shteyngart navigates Manhattan using his new iPhone—or more accurately, is led by his iPhone, completely oblivious to the world around him. He’s completely lost to the magical happenstance of the city as he “follow[s] the arrow taco-ward”. But once he leaves for the country, and abandons the convenience of a cell phone connection, the real world comes rushing back in and he remembers what he’s been missing out on. 

The downfalls of technology is hardly a new topic, but Shteyngart’s story remains evergreen because of how our culture has only spiraled further down the rabbit hole of technology addiction in the intervening years.

What can you learn from this piece?

Just because a piece of writing is technically nonfiction, that doesn’t mean that the narrative needs to be literal. Shteyngart imagines a Manhattan that physically changes around him when he’s using his iPhone, becoming an almost unrecognizable world. From this, we can see how a certain amount of dramatization can increase the impact of your message—even if that wasn’t exactly the way something happened. 

FREE COURSE

How to Craft a Killer Short Story

From pacing to character development, master the elements of short fiction.

2. “Why I Hate Mother's Day” by Anne Lamott

The author of the classic writing text Bird by Bird digs into her views on motherhood in this piece from Salon. At once a personal narrative and a cultural commentary, Lamott explores the harmful effects that Mother’s Day may have on society —how its blind reverence to the concept of motherhood erases women’s agency and freedom to be flawed human beings. 

Lamott points out that not all mothers are good, not everyone has a living mother to celebrate, and some mothers have lost their children, so have no one to celebrate with them. More importantly, she notes how this Hallmark holiday erases all the people who helped raise a woman, a long chain of mothers and fathers, friends and found family, who enable her to become a mother. While it isn’t anchored to a single story or event (like many classic personal narratives), Lamott’s exploration of her opinions creates a story about a culture that puts mothers on an impossible pedestal. 

In a personal narrative essay, lived experience can be almost as valid as peer-reviewed research—so long as you avoid making unfounded assumptions. While some might point out that this is merely an opinion piece, Lamott cannily starts the essay by grounding it in the personal, revealing how she did not raise her son to celebrate Mother’s Day. This detail, however small, invites the reader into her private life and frames this essay as a story about her —and not just an exercise in being contrary.

3. “The Crane Wife” by CJ Hauser 

Days after breaking off her engagement with her fiance, CJ Hauser joins a scientific expedition on the Texas coast r esearching whooping cranes . In this new environment, she reflects on the toxic relationship she left and how she found herself in this situation. She pulls together many seemingly disparate threads, using the expedition and the Japanese myth of the crane wife as a metaphor for her struggles. 

Hauser’s interactions with the other volunteer researchers expand the scope of the narrative from her own mind, reminding her of the compassion she lacked in her relationship. In her attempts to make herself smaller, less needy, to please her fiance, she lost sight of herself and almost signed up to live someone else’s life, but among the whooping cranes of Texas, she takes the first step in reconnecting with herself.

With short personal narratives, there isn’t as much room to develop characters as you might have in a memoir so the details you do provide need to be clear and specific. Each of the volunteer researchers on Hauser’s expedition are distinct and recognizable though Hauser is economical in her descriptions. 

For example, Hauser describes one researcher as “an eighty-four-year-old bachelor from Minnesota. He could not do most of the physical activities required by the trip, but had been on ninety-five Earthwatch expeditions, including this one once before. Warren liked birds okay. What Warren really loved was cocktail hour.” 

In a few sentences, we get a clear picture of Warren's fun-loving, gregarious personality and how he fits in with the rest of the group.

How to Develop Characters

In 10 days, learn to develop complex characters readers will love.

4. “The Trash Heap Has Spoken” by Carmen Maria Machado

The films and TV shows of the 80s and 90s—cultural touchstones that practically raised a generation—hardly ever featured larger women on screen. And if they did, it was either as a villain or a literal trash heap. Carmen Maria Machado grew up watching these cartoons, and the absence of fat women didn’t faze her. Not until puberty hit and she went from a skinny kid to a fuller-figured teen. Suddenly uncomfortable in her skin, she struggled to find any positive representation in her favorite media.

As she gets older and more comfortable in her own body, Machado finds inspiration in Marjory the Trash Heap from Fraggle Rock and Ursula, everyone’s favorite sea witch from The Little Mermaid —characters with endless power in the unapologetic ways they inhabit their bodies. As Machado considers her own body through the years, it’s these characters she returns to as she faces society’s unkind, dismissive attitudes towards fat women.

Stories shape the world, even if they’re fictional. Some writers strive for realism, reflecting the world back on itself in all its ugliness, but Carmen Maria Machado makes a different point. There is power in being imaginative and writing the world as it could be, imagining something bigger, better, and more beautiful. So, write the story you want to see, change the narrative, look at it sideways, and show your readers how the world could look. 

5. “Am I Disabled?” by Joanne Limburg 

The titular question frames the narrative of Joanne Limburg’s essay as she considers the implications of disclosing her autism. What to some might seem a mundane occurrence—ticking ‘yes’, ‘no’, or ‘prefer not to say’ on a bureaucratic form—elicits both philosophical and practical questions for Limburg about what it means to be disabled and how disability is viewed by the majority of society. 

Is the labor of disclosing her autism worth the insensitive questions she has to answer? What definition are people seeking, exactly? Will anyone believe her if she says yes? As she dissects the question of what disability is, she explores the very real personal effects this has on her life and those of other disabled people. 

Limburg’s essay is written in a style known as the hermit crab essay , when an author uses an existing document form to contain their story. You can format your writing as a recipe, a job application, a resume, an email, or a to-do list – the possibilities are as endless as your creativity. The format you choose is important, though. It should connect in some way to the story you’re telling and add something to the reader’s experience as well as your overall theme. 

FREE RESOURCE

Literary Devices Cheatsheet

Master these 40+ devices to level up your writing skills.

6. “Living Like Weasels” by Annie Dillard

While out on a walk in the woods behind her house, Annie Dillard encounters a wild weasel. In the short moment when they make eye contact, Dillard takes an imaginary journey through the weasel’s mind and wonders if the weasel’s approach to life is better than her own. 

The weasel, as Dillard sees it, is a wild creature with jaws so powerful that when it clamps on to something, it won’t let go, even into death. Necessity drives it to be like this, and humanity, obsessed with choice, might think this kind of life is limiting, but the writer believes otherwise. The weasel’s necessity is the ultimate freedom, as long as you can find the right sort, the kind that will have you holding on for dear life and refusing to let go. 

Make yourself the National Geographic explorer of your backyard or neighborhood and see what you can learn about yourself from what you discover. Annie Dillard, queen of the natural personal essay, discovers a lot about herself and her beliefs when meeting a weasel.

What insight can you glean from a blade of grass, for example? Does it remind you that despite how similar people might be, we are all unique? Do the flights of migrating birds give you perspective on the changes in your own life? Nature is a potent and never-ending spring of inspiration if you only think to look. 

Show, Don't Tell

Master the golden rule of writing in 10 five-minute lessons.

7. “Love In Our Seventies” by Ellery Akers

“ And sometimes, when I lift the gray hair at the back of your neck and kiss your shoulder, I think, This is it.”

In under 400 words, poet Ellery Akers captures the joy she has found in discovering romance as a 75-year-old . The language is romantic, but her imagery is far from saccharine as she describes their daily life and the various states in which they’ve seen each other: in their pajamas, after cataract surgeries, while meditating. In each singular moment, Akers sees something she loves, underscoring an oft-forgotten truth. Love is most potent in its smallest gestures.  

Personal narrative isn’t a defined genre with rigid rules, so your essay doesn’t have to be an essay. It can be a poem, as Akers’ is. The limitations of this form can lead to greater creativity as you’re trying to find a short yet evocative way to tell a story. It allows you to focus deeply on the emotions behind an idea and create an intimate connection with your reader. 

8. “What a Black Woman Wishes Her Adoptive White Parents Knew” by Mariama Lockington

Mariama Lockington was adopted by her white parents in the early 80s, long before it was “trendy” for white people to adopt black children. Starting with a family photograph, the writer explores her complex feelings about her upbringing , the many ways her parents ignored her race for their own comfort, and how she came to feel like an outsider in her own home. In describing her childhood snapshots, she takes the reader from infancy to adulthood as she navigates trying to live as a black woman in a white family. 

Lockington takes us on a journey through her life through a series of vignettes. These small, important moments serve as a framing device, intertwining to create a larger narrative about race, family, and belonging. 

With this framing device, it’s easy to imagine Lockington poring over a photo album, each picture conjuring a different memory and infusing her story with equal parts sadness, regret, and nostalgia. You can create a similar effect by separating your narrative into different songs to create an album or episodes in a TV show. A unique structure can add an extra layer to your narrative and enhance the overall story.

9. “Drinking Chai to Savannah” by Anjali Enjeti

On a trip to Savannah with her friends, Anjali Enjeti is reminded of a racist incident she experienced as a teenager . The memory is prompted by her discomfort of traveling in Georgia as a South Asian woman and her friends’ seeming obliviousness to how others view them. As she recalls the tense and traumatic encounter she had in line at a Wendy’s and the worry she experiences in Savannah, Enjeti reflects on her understanding of otherness and race in America. 

Enjeti paints the scene in Wendy’s with a deft hand. Using descriptive language, she invokes the five senses to capture the stress and fear she felt when the men in line behind her were hurling racist sentiments. 

She writes, “He moves closer. His shadow eclipses mine. His hot, tobacco-tinged breath seeps over the collar of my dress.” The strong, evocative language she uses brings the reader into the scene and has them experience the same anxiety she does, understanding why this incident deeply impacted her. 

10. “Siri Tells A Joke” by Debra Gwartney

One day, Debra Gwartney asks Siri—her iPhone’s digital assistant—to tell her a joke. In reply, Siri recites a joke with a familiar setup about three men stuck on a desert island. When the punchline comes, Gwartney reacts not with laughter, but with a memory of her husband , who had died less than six months prior.

In a short period, Gwartney goes through a series of losses—first, her house and her husband’s writing archives to a wildfire, and only a month after, her husband. As she reflects on death and the grief of those left behind in the wake of it, she recounts the months leading up to her husband’s passing and the interminable stretch after as she tries to find a way to live without him even as she longs for him. 

A joke about three men on a deserted island seems like an odd setup for an essay about grief. However, Gwartney uses it to great effect, coming back to it later in the story and giving it greater meaning. By the end of her piece, she recontextualizes the joke, the original punchline suddenly becoming deeply sad. In taking something seemingly unrelated and calling back to it later, the essay’s message about grief and love becomes even more powerful.

Continue reading

Recommended posts from the Reedsy Blog

How Many Sentences Are in a Paragraph?

From fiction to nonfiction works, the length of a paragraph varies depending on its purpose. Here's everything you need to know.

Narrative Structure: Definition, Examples, and Writing Tips

What's the difference between story structure and narrative structure? And how do you choose the right narrative structure for you novel?

What is the Proust Questionnaire? 22 Questions to Write Better Characters

Inspired by Marcel Proust, check out the questionnaire that will help your characters remember things past.

What is Pathos? Definition and Examples in Literature

Pathos is a literary device that uses language to evoke an emotional response, typically to connect readers with the characters in a story.

How to Start a Children’s Book: Coming Up with Your Big Idea

If you've ever dreamed of writing a children's book but aren't sure where to start, check out this post to learn more about how you can create the perfect story for kids.

How to Become a Travel Writer in 5 Steps: A Guide for Travel Bugs

If you want to get paid to share your adventures, learn how to become a travel writer with these five tips.

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

Bring your stories to life

Our free writing app lets you set writing goals and track your progress, so you can finally write that book!

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

Choose Your Test

Sat / act prep online guides and tips, 3 great narrative essay examples + tips for writing.

General Education

A narrative essay is one of the most intimidating assignments you can be handed at any level of your education. Where you've previously written argumentative essays that make a point or analytic essays that dissect meaning, a narrative essay asks you to write what is effectively a story .

But unlike a simple work of creative fiction, your narrative essay must have a clear and concrete motif —a recurring theme or idea that you’ll explore throughout. Narrative essays are less rigid, more creative in expression, and therefore pretty different from most other essays you’ll be writing.

But not to fear—in this article, we’ll be covering what a narrative essay is, how to write a good one, and also analyzing some personal narrative essay examples to show you what a great one looks like.

What Is a Narrative Essay?

At first glance, a narrative essay might sound like you’re just writing a story. Like the stories you're used to reading, a narrative essay is generally (but not always) chronological, following a clear throughline from beginning to end. Even if the story jumps around in time, all the details will come back to one specific theme, demonstrated through your choice in motifs.

Unlike many creative stories, however, your narrative essay should be based in fact. That doesn’t mean that every detail needs to be pure and untainted by imagination, but rather that you shouldn’t wholly invent the events of your narrative essay. There’s nothing wrong with inventing a person’s words if you can’t remember them exactly, but you shouldn’t say they said something they weren’t even close to saying.

Another big difference between narrative essays and creative fiction—as well as other kinds of essays—is that narrative essays are based on motifs. A motif is a dominant idea or theme, one that you establish before writing the essay. As you’re crafting the narrative, it’ll feed back into your motif to create a comprehensive picture of whatever that motif is.

For example, say you want to write a narrative essay about how your first day in high school helped you establish your identity. You might discuss events like trying to figure out where to sit in the cafeteria, having to describe yourself in five words as an icebreaker in your math class, or being unsure what to do during your lunch break because it’s no longer acceptable to go outside and play during lunch. All of those ideas feed back into the central motif of establishing your identity.

The important thing to remember is that while a narrative essay is typically told chronologically and intended to read like a story, it is not purely for entertainment value. A narrative essay delivers its theme by deliberately weaving the motifs through the events, scenes, and details. While a narrative essay may be entertaining, its primary purpose is to tell a complete story based on a central meaning.

Unlike other essay forms, it is totally okay—even expected—to use first-person narration in narrative essays. If you’re writing a story about yourself, it’s natural to refer to yourself within the essay. It’s also okay to use other perspectives, such as third- or even second-person, but that should only be done if it better serves your motif. Generally speaking, your narrative essay should be in first-person perspective.

Though your motif choices may feel at times like you’re making a point the way you would in an argumentative essay, a narrative essay’s goal is to tell a story, not convince the reader of anything. Your reader should be able to tell what your motif is from reading, but you don’t have to change their mind about anything. If they don’t understand the point you are making, you should consider strengthening the delivery of the events and descriptions that support your motif.

Narrative essays also share some features with analytical essays, in which you derive meaning from a book, film, or other media. But narrative essays work differently—you’re not trying to draw meaning from an existing text, but rather using an event you’ve experienced to convey meaning. In an analytical essay, you examine narrative, whereas in a narrative essay you create narrative.

The structure of a narrative essay is also a bit different than other essays. You’ll generally be getting your point across chronologically as opposed to grouping together specific arguments in paragraphs or sections. To return to the example of an essay discussing your first day of high school and how it impacted the shaping of your identity, it would be weird to put the events out of order, even if not knowing what to do after lunch feels like a stronger idea than choosing where to sit. Instead of organizing to deliver your information based on maximum impact, you’ll be telling your story as it happened, using concrete details to reinforce your theme.

3 Great Narrative Essay Examples

One of the best ways to learn how to write a narrative essay is to look at a great narrative essay sample. Let’s take a look at some truly stellar narrative essay examples and dive into what exactly makes them work so well.

A Ticket to the Fair by David Foster Wallace

Today is Press Day at the Illinois State Fair in Springfield, and I’m supposed to be at the fairgrounds by 9:00 A.M. to get my credentials. I imagine credentials to be a small white card in the band of a fedora. I’ve never been considered press before. My real interest in credentials is getting into rides and shows for free. I’m fresh in from the East Coast, for an East Coast magazine. Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish. I think they asked me to do this because I grew up here, just a couple hours’ drive from downstate Springfield. I never did go to the state fair, though—I pretty much topped out at the county fair level. Actually, I haven’t been back to Illinois for a long time, and I can’t say I’ve missed it.

Throughout this essay, David Foster Wallace recounts his experience as press at the Illinois State Fair. But it’s clear from this opening that he’s not just reporting on the events exactly as they happened—though that’s also true— but rather making a point about how the East Coast, where he lives and works, thinks about the Midwest.

In his opening paragraph, Wallace states that outright: “Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish.”

Not every motif needs to be stated this clearly , but in an essay as long as Wallace’s, particularly since the audience for such a piece may feel similarly and forget that such a large portion of the country exists, it’s important to make that point clear.

But Wallace doesn’t just rest on introducing his motif and telling the events exactly as they occurred from there. It’s clear that he selects events that remind us of that idea of East Coast cynicism , such as when he realizes that the Help Me Grow tent is standing on top of fake grass that is killing the real grass beneath, when he realizes the hypocrisy of craving a corn dog when faced with a real, suffering pig, when he’s upset for his friend even though he’s not the one being sexually harassed, and when he witnesses another East Coast person doing something he wouldn’t dare to do.

Wallace is literally telling the audience exactly what happened, complete with dates and timestamps for when each event occurred. But he’s also choosing those events with a purpose—he doesn’t focus on details that don’t serve his motif. That’s why he discusses the experiences of people, how the smells are unappealing to him, and how all the people he meets, in cowboy hats, overalls, or “black spandex that looks like cheesecake leotards,” feel almost alien to him.

All of these details feed back into the throughline of East Coast thinking that Wallace introduces in the first paragraph. He also refers back to it in the essay’s final paragraph, stating:

At last, an overarching theory blooms inside my head: megalopolitan East Coasters’ summer treats and breaks and literally ‘getaways,’ flights-from—from crowds, noise, heat, dirt, the stress of too many sensory choices….The East Coast existential treat is escape from confines and stimuli—quiet, rustic vistas that hold still, turn inward, turn away. Not so in the rural Midwest. Here you’re pretty much away all the time….Something in a Midwesterner sort of actuates , deep down, at a public event….The real spectacle that draws us here is us.

Throughout this journey, Wallace has tried to demonstrate how the East Coast thinks about the Midwest, ultimately concluding that they are captivated by the Midwest’s less stimuli-filled life, but that the real reason they are interested in events like the Illinois State Fair is that they are, in some ways, a means of looking at the East Coast in a new, estranging way.

The reason this works so well is that Wallace has carefully chosen his examples, outlined his motif and themes in the first paragraph, and eventually circled back to the original motif with a clearer understanding of his original point.

When outlining your own narrative essay, try to do the same. Start with a theme, build upon it with examples, and return to it in the end with an even deeper understanding of the original issue. You don’t need this much space to explore a theme, either—as we’ll see in the next example, a strong narrative essay can also be very short.

Death of a Moth by Virginia Woolf

After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.

In this essay, Virginia Woolf explains her encounter with a dying moth. On surface level, this essay is just a recounting of an afternoon in which she watched a moth die—it’s even established in the title. But there’s more to it than that. Though Woolf does not begin her essay with as clear a motif as Wallace, it’s not hard to pick out the evidence she uses to support her point, which is that the experience of this moth is also the human experience.

In the title, Woolf tells us this essay is about death. But in the first paragraph, she seems to mostly be discussing life—the moth is “content with life,” people are working in the fields, and birds are flying. However, she mentions that it is mid-September and that the fields were being plowed. It’s autumn and it’s time for the harvest; the time of year in which many things die.

In this short essay, she chronicles the experience of watching a moth seemingly embody life, then die. Though this essay is literally about a moth, it’s also about a whole lot more than that. After all, moths aren’t the only things that die—Woolf is also reflecting on her own mortality, as well as the mortality of everything around her.

At its core, the essay discusses the push and pull of life and death, not in a way that’s necessarily sad, but in a way that is accepting of both. Woolf begins by setting up the transitional fall season, often associated with things coming to an end, and raises the ideas of pleasure, vitality, and pity.

At one point, Woolf tries to help the dying moth, but reconsiders, as it would interfere with the natural order of the world. The moth’s death is part of the natural order of the world, just like fall, just like her own eventual death.

All these themes are set up in the beginning and explored throughout the essay’s narrative. Though Woolf doesn’t directly state her theme, she reinforces it by choosing a small, isolated event—watching a moth die—and illustrating her point through details.

With this essay, we can see that you don’t need a big, weird, exciting event to discuss an important meaning. Woolf is able to explore complicated ideas in a short essay by being deliberate about what details she includes, just as you can be in your own essays.

Notes of a Native Son by James Baldwin

On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father’s funeral, while he lay in state in the undertaker’s chapel, a race riot broke out in Harlem. On the morning of the third of August, we drove my father to the graveyard through a wilderness of smashed plate glass.

Like Woolf, Baldwin does not lay out his themes in concrete terms—unlike Wallace, there’s no clear sentence that explains what he’ll be talking about. However, you can see the motifs quite clearly: death, fatherhood, struggle, and race.

Throughout the narrative essay, Baldwin discusses the circumstances of his father’s death, including his complicated relationship with his father. By introducing those motifs in the first paragraph, the reader understands that everything discussed in the essay will come back to those core ideas. When Baldwin talks about his experience with a white teacher taking an interest in him and his father’s resistance to that, he is also talking about race and his father’s death. When he talks about his father’s death, he is also talking about his views on race. When he talks about his encounters with segregation and racism, he is talking, in part, about his father.

Because his father was a hard, uncompromising man, Baldwin struggles to reconcile the knowledge that his father was right about many things with his desire to not let that hardness consume him, as well.

Baldwin doesn’t explicitly state any of this, but his writing so often touches on the same motifs that it becomes clear he wants us to think about all these ideas in conversation with one another.

At the end of the essay, Baldwin makes it more clear:

This fight begins, however, in the heart and it had now been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Here, Baldwin ties together the themes and motifs into one clear statement: that he must continue to fight and recognize injustice, especially racial injustice, just as his father did. But unlike his father, he must do it beginning with himself—he must not let himself be closed off to the world as his father was. And yet, he still wishes he had his father for guidance, even as he establishes that he hopes to be a different man than his father.

In this essay, Baldwin loads the front of the essay with his motifs, and, through his narrative, weaves them together into a theme. In the end, he comes to a conclusion that connects all of those things together and leaves the reader with a lasting impression of completion—though the elements may have been initially disparate, in the end everything makes sense.

You can replicate this tactic of introducing seemingly unattached ideas and weaving them together in your own essays. By introducing those motifs, developing them throughout, and bringing them together in the end, you can demonstrate to your reader how all of them are related. However, it’s especially important to be sure that your motifs and clear and consistent throughout your essay so that the conclusion feels earned and consistent—if not, readers may feel mislead.

5 Key Tips for Writing Narrative Essays

Narrative essays can be a lot of fun to write since they’re so heavily based on creativity. But that can also feel intimidating—sometimes it’s easier to have strict guidelines than to have to make it all up yourself. Here are a few tips to keep your narrative essay feeling strong and fresh.

Develop Strong Motifs

Motifs are the foundation of a narrative essay . What are you trying to say? How can you say that using specific symbols or events? Those are your motifs.

In the same way that an argumentative essay’s body should support its thesis, the body of your narrative essay should include motifs that support your theme.

Try to avoid cliches, as these will feel tired to your readers. Instead of roses to symbolize love, try succulents. Instead of the ocean representing some vast, unknowable truth, try the depths of your brother’s bedroom. Keep your language and motifs fresh and your essay will be even stronger!

Use First-Person Perspective

In many essays, you’re expected to remove yourself so that your points stand on their own. Not so in a narrative essay—in this case, you want to make use of your own perspective.

Sometimes a different perspective can make your point even stronger. If you want someone to identify with your point of view, it may be tempting to choose a second-person perspective. However, be sure you really understand the function of second-person; it’s very easy to put a reader off if the narration isn’t expertly deployed.

If you want a little bit of distance, third-person perspective may be okay. But be careful—too much distance and your reader may feel like the narrative lacks truth.

That’s why first-person perspective is the standard. It keeps you, the writer, close to the narrative, reminding the reader that it really happened. And because you really know what happened and how, you’re free to inject your own opinion into the story without it detracting from your point, as it would in a different type of essay.

Stick to the Truth

Your essay should be true. However, this is a creative essay, and it’s okay to embellish a little. Rarely in life do we experience anything with a clear, concrete meaning the way somebody in a book might. If you flub the details a little, it’s okay—just don’t make them up entirely.

Also, nobody expects you to perfectly recall details that may have happened years ago. You may have to reconstruct dialog from your memory and your imagination. That’s okay, again, as long as you aren’t making it up entirely and assigning made-up statements to somebody.

Dialog is a powerful tool. A good conversation can add flavor and interest to a story, as we saw demonstrated in David Foster Wallace’s essay. As previously mentioned, it’s okay to flub it a little, especially because you’re likely writing about an experience you had without knowing that you’d be writing about it later.

However, don’t rely too much on it. Your narrative essay shouldn’t be told through people explaining things to one another; the motif comes through in the details. Dialog can be one of those details, but it shouldn’t be the only one.

Use Sensory Descriptions

Because a narrative essay is a story, you can use sensory details to make your writing more interesting. If you’re describing a particular experience, you can go into detail about things like taste, smell, and hearing in a way that you probably wouldn’t do in any other essay style.

These details can tie into your overall motifs and further your point. Woolf describes in great detail what she sees while watching the moth, giving us the sense that we, too, are watching the moth. In Wallace’s essay, he discusses the sights, sounds, and smells of the Illinois State Fair to help emphasize his point about its strangeness. And in Baldwin’s essay, he describes shattered glass as a “wilderness,” and uses the feelings of his body to describe his mental state.

All these descriptions anchor us not only in the story, but in the motifs and themes as well. One of the tools of a writer is making the reader feel as you felt, and sensory details help you achieve that.

What’s Next?

Looking to brush up on your essay-writing capabilities before the ACT? This guide to ACT English will walk you through some of the best strategies and practice questions to get you prepared!

Part of practicing for the ACT is ensuring your word choice and diction are on point. Check out this guide to some of the most common errors on the ACT English section to be sure that you're not making these common mistakes!

A solid understanding of English principles will help you make an effective point in a narrative essay, and you can get that understanding through taking a rigorous assortment of high school English classes !

Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

Student and Parent Forum

Our new student and parent forum, at ExpertHub.PrepScholar.com , allow you to interact with your peers and the PrepScholar staff. See how other students and parents are navigating high school, college, and the college admissions process. Ask questions; get answers.

Ask a Question Below

Have any questions about this article or other topics? Ask below and we'll reply!

Improve With Our Famous Guides

• For All Students

The 5 Strategies You Must Be Using to Improve 160+ SAT Points

How to Get a Perfect 1600, by a Perfect Scorer

Series: How to Get 800 on Each SAT Section:

Score 800 on SAT Math

Score 800 on SAT Reading

Score 800 on SAT Writing

Series: How to Get to 600 on Each SAT Section:

Score 600 on SAT Math

Score 600 on SAT Reading

Score 600 on SAT Writing

Free Complete Official SAT Practice Tests

What SAT Target Score Should You Be Aiming For?

15 Strategies to Improve Your SAT Essay

The 5 Strategies You Must Be Using to Improve 4+ ACT Points

How to Get a Perfect 36 ACT, by a Perfect Scorer

Series: How to Get 36 on Each ACT Section:

36 on ACT English

36 on ACT Math

36 on ACT Reading

36 on ACT Science

Series: How to Get to 24 on Each ACT Section:

24 on ACT English

24 on ACT Math

24 on ACT Reading

24 on ACT Science

What ACT target score should you be aiming for?

ACT Vocabulary You Must Know

ACT Writing: 15 Tips to Raise Your Essay Score

How to Get Into Harvard and the Ivy League

How to Get a Perfect 4.0 GPA

How to Write an Amazing College Essay

What Exactly Are Colleges Looking For?

Is the ACT easier than the SAT? A Comprehensive Guide

Should you retake your SAT or ACT?

When should you take the SAT or ACT?

Stay Informed

Get the latest articles and test prep tips!

Looking for Graduate School Test Prep?

Check out our top-rated graduate blogs here:

GRE Online Prep Blog

GMAT Online Prep Blog

TOEFL Online Prep Blog

Holly R. "I am absolutely overjoyed and cannot thank you enough for helping me!”

Longreads : The best longform stories on the web

Best of 2022: Personal Essays

Share this:.

• Click to share on Twitter (Opens in new window)
• Click to share on Facebook (Opens in new window)
• Click to share on Tumblr (Opens in new window)
• Click to share on Pocket (Opens in new window)
• Click to email a link to a friend (Opens in new window)
• Click to share on Mastodon (Opens in new window)

Today’s list compiles our editors’ picks for personal essays. While our team is small, we have a wide range of interests and are drawn to very different types of personal writing. It’s often hard for each of us to select a single “favorite” for these lists, but we enjoy coming together each December to look back on all the stories we’ve picked to create these year-end lists.

Similar to last year , we asked our writers, featured authors, and readers to share their favorite stories across categories. You’ll see their recommendations alongside ours in this list and others to come this month . Enjoy!

Does My Son Know You?

Jonathan Tjarks | The Ringer | March 3, 2022 | 2,738 words

Jonathan Tjarks was 33 years old when he learned he had cancer. Thirty-three. He had a wife and a baby son and a sportswriting career that was humming along, and then he had cancer. What he didn’t have was the willingness to go gently into that good night. So he wrote about his fear, and he wrote about his faith and his friendships; how difficult those things were, how important they were. He’d lost his own father when he was young, and he wanted more than anything for his son to avoid the slow erosion of community that he had known in the wake of his dad’s death. “I don’t want Jackson to have the same childhood that I did,” he wrote. “I want him to wonder why his dad’s friends always come over and shoot hoops with him. Why they always invite him to their houses. Why there are so many of them at his games. I hope that he gets sick of them.” Jonathan Tjarks was 34 years old when he died of cancer just a few short months after this essay was published. He’d done what he could to fight, and he’d done what he could to make sure that the friends he’d made would help his son navigate the world. To the rest of us, he left this spare, frank, moving essay. — Peter Rubin

On Metaphors and Snow Boots

Annie Sand | Guernica | May 23, 2022 | 2,821 words

“Only sometimes will the ice hold my weight,” writes Annie Sand in this powerful essay at  Guernica , in which she considers the meteorological metaphors she uses to understand and cope with mental illness. “Metaphor rushes in to fill gaps, to make meaning, and to conceal,” she says, as she attempts to assess the cost of a bout of anxiety in “hours of writing lost, hours of grading lost, hours of exercise lost, hours of sleep lost, hours of joy lost.” While metaphor can be a convenient way for us to attempt to understand the pain of others, language in all its power often comes up short, diminishing the complexities of human perception and experience with inadequate comparisons. “When we use metaphor to conceal the unknowable, we make symbols out of human beings and allegory out of experience. We reduce our own pain to a precursor, a line item, a weather report,” she says. The key, Sand suggests, is to define pain and suffering for yourself: “I wonder instead if the answer is not to abstain from metaphor, but rather, each time society tries to wheat-paste an ill-fitting metaphor over our lives, to offer one of our own.” If you’ve ever tried to explain how you really feel — mentally or physically — to someone, you’ll appreciate Sand’s thinking. — Krista Stevens

Annie Sand on the most impactful longform story she read this year:

For me it has to be “ Final Girl, Terrible Place ” by Lesley Finn. She talks about the concept of the final girl in horror: the young woman who makes it to the end of the movie, but is nonetheless objectified within the story. Her body is put on the line so the male psyche can experience threat from a distance. Reading the essay, I felt a flash of desperate recognition I hadn’t experienced since Leslie Jamison’s “ Grand Unified Theory of Female Pain .” Finn captures so much of the uncertainty of being a teenage (and even preteen) girl: the way you feel the noose of culture and power closing in on you but have no name for it. Now in my early 30s, I’m helping to raise a teenage girl who is obsessed with horror, I suspect for similar reasons as Finn. I think she sees herself in the final girl. Maybe over Christmas break we’ll read it together.

20 Days in Mariupol

Mstyslav Chernov | Associated Press | March 21, 2022 | 2,400 words

We tend to think of personal essays as marathons rather than sprints, feats of the written word that require time, training, and endurance to complete. But sometimes a brilliant essay is a mad dash because it has to be. Case in point, this harrowing piece that begins, “The Russians were hunting us down. They had a list of names, including ours, and they were closing in.” Video journalist Mstyslav Chernov’s account of witnessing and escaping the siege of Mariupol, Ukraine, is an essential first draft of history, penned in collaboration with Lori Hinnant, an AP colleague, and punctuated by photographer Evgeniy Maloletka’s chilling images. In spare, unflinching language, Chernov describes Russia’s campaign to suppress the truth about its brutal assault on civilians. What lingers most vividly in my memory, though, are the essay’s interior parts, where Chernov conveys a raw mix of shock, fear, anger, and guilt about what, as a journalist, he saw, did, and couldn’t do. These moments are what make such an otherwise immediate piece timeless: Chernov captures the essence of both conflict reporting and what it means to be the person doing it. — Seyward Darby

To Live in the Ending

Alyssa Harad | Kenyon Review | July 29, 2022 | 6,113 words

When it was time to select an essay for this category, I immediately knew the type of piece I wanted to highlight. Week after week, it’s so easy to get lost in #sadreads, especially about the state of the planet. I’ve found some comfort in writing about the Earth and the climate crisis that, while urgent and often dismal, ultimately challenges me to think in new ways — and which helps me see a path toward a better future. I count Alyssa Harad’s gorgeous braided essay about the end of the world and the language of the apocalypse as one of this kind of piece — I’ve kept thinking about it for months. Instead of relying on catastrophe narratives or thinking of the end as a singular event, Harad considers life as a series of “nested crises,” and explains that “worlds end all the time.” I love the way she artfully weaves her observations about the world with musings that trace her own thinking since she was a child, and reflects on how she’s come to make sense of the uncertain times in which we live. It’s an essay, but it’s also a journey, and it deeply inspired me, as both a writer and a human. — Cheri Lucas Rowlands

Alyssa Harad recommends a piece that made her smile this year:

“ Unconditional Death Is a Good Title ,” a selection in The Paris Review from the pandemic journal kept by the late-but-always-and-forever-great poet Bernadette Mayer, surges with the life and joy typical of Mayer’s work: “not growing old gracefully,” Mayer writes, “i’ve chosen to grow old awkwardly, like a teenager.”

14 Hours in the Queue to See Queen Elizabeth’s Coffin

Laurie Penny | British GQ | September 18, 2022 | 3,415 words

The Queue to see Queen Elizabeth’s coffin seems particularly bizarre now that the moment has passed. Looking back at it is akin to waking up after too many beers and analyzing the deep connection you thought you shared with the bartender. Laurie Penny found it awkward even at the emotional height of the time, and she approaches the Queue with a healthy amount of cynicism (and snacks). However, within the Queue, she finds incredible camaraderie and a shared sense of loss, not just for the Queen, for, as Penny states, “almost everyone I speak to turns out to have recently lost someone, or something important.” The loss from COVID-19 is also apparent as the Queue shuffles past the National COVID Memorial, naming the people who succumbed to the pandemic, and Penny realizes, “about as many people queued past that wall as there are names on it.” The passing of Elizabeth II created something that, for a brief moment, allowed people to come together and mourn and grieve in solidarity. Mourn and grieve for many things after some difficult years. With barriers down — for whatever reason — there can be tremendous release in shared emotion. This essay made me think about many things beyond the Queen: community, loss, and loneliness, to name a few. It also made me laugh, which is the splendid thing about Laurie Penny’s writing — she can make you ponder through a chuckle. — Carolyn Wells

You can also browse all of our year-end collections since 2011  in one place .

Support Longreads

By clicking submit, you agree to share your email address with the site owner and Mailchimp to receive marketing, updates, and other emails from the site owner. Use the unsubscribe link in those emails to opt out at any time.

Subscribe to our newsletter

100 short memoir examples - narrative personal essays, scars by david owen, these precious days by ann patchett, the same river twice by david quammen, 50 more great articles about life, after life by joan didion, now we are five by david sedaris, feet in smoke by john jeremiah sullivan, when things go missing by kathryn schulz, 25 more great articles about death.

Love and Relationships

True love by haruki murakami, dating online by emily witt, no labels, no drama by jordana narin, the worst friend date i ever had by samantha irby, 50 more great articles about love and relationships, my first time, twice by ariel levy, tragedy averted. minimal gagging. by lidia yuknavitch, a girl's guide to sexual purity by carmen maria machado, deeply, truly (but not physically) in love by lauren slater, 50 more great articles about sex, peculiar benefits by roxane gay, thanksgiving in mongolia by ariel levy, long day's journey by elizabeth gilbert, trapped by aron ralston, the kingdom of the lotus by patrick symmes, 50 more great articles about travel, ultimate glory by dave gessner, skating home backward by bill vaughn, off diamond head by william finnegan, tennis, trigonometry, tornadoes by david foster wallace, 50 more great articles about sport.

Notes of a Native Son by James Baldwin

How to slowly kill yourself and others in america by kiese laymon, the price of black ambition by roxane gay, 25 more great essays about race, the comfort zone by jonathan franzen, on being an only child by geoff dyer, a raccoon of my own by lauren slater, my dad tried to kill me with an alligator by harrison scott key, difficult girl by lena dunham, seventeen by steve edwards, age appropriate by jen doll, richard by allie brosh, 50 more great articles about growing up, lost in the meritocracy by walter kirn, dumb kids' class by mark bowden, fragments from an education by christopher hitchens, 20 more great articles about education, having children, joy by zadie smith, channel b by megan stielstra, a birth story by meaghan o'connell, i was pregnant, and then i wasn't by laura turner, 10 more great articles about having children.

Patient by Rachel Riederer

The empathy exams by leslie jamison, 50 more great articles about health, mental illness, adventures in depression by allie brosh, darkness visible by william styron, insane after coronavirus by patricia lockwood, 20 more great articles about mental health, explicit violence by lidia yuknavitch, heroin/e by cheryl strayed, me & my monkey by anonymous, me and my girls by david carr, my addicted son by david sheff, how i let drinking take over my life by william leith, 10 more great articles about addiction, autobiography of a body by lucy grealy, a few words about breasts by nora ephron, a thin line between mother and daughter by jennifer egan, the broken country by molly mccully, the trash heap has spoken by carmen maria machado, saying goodbye to my chest by naomi gordon-loebl, the onset by my ngoc to, 20 more great articles about body image, see also..., 150 great articles and essays.

The Unspeakable Things Between Our Bellies by Lidia Yuknavitch

Woven by lidia yuknavitch, girl by alexander chee, pause by mary ruefle, lost cat by mary gaitskill, three by david sedaris, my life as an undocumented immigrant by jose antonio vargas, been down so long it looks like debt to me by m.h. miller, lucky girl by bridget potter, goodbye to all that by joan didion, my misspent youth by meghan daum, lost and found by colson whitehead, night-shifting for the hip fleet by mark jacobson, 25 more great articles about new york, the muse of coyote ugly saloon by elizabeth gilbert, quitting the paint factory by mark slouka, the loading dock manifesto by john hyduk, 40 more great articles about work, the real heroes are dead by james b. stewart, remains of the day by mary lee hannell, 10 more great articles about 9/11.

Book-Length Memoirs

Slouching towards bethlehem by joan didion, me talk pretty one day by david sedaris, just kids by patti smith, the chronology of water by lidia yuknavitch, a heartbreaking work of staggering genius by dave eggers, the glass castle by jeannette walls, brain on fire by susannah cahalan, irritable hearts by mac mcclelland, hunger by roxane gay, a sliver of light by shane bauer, joshua fattal and sarah shourd, 100 more great nonfiction books.

About The Electric Typewriter We search the net to bring you the best nonfiction, articles, essays and journalism

Personal Narrative Essay: Inspiring Personal Narrative Examples for Your Essay

Personal narrative essays are a unique form of writing that allows you to share your personal experiences with your audience. These essays are often used in academic settings, such as college admissions essays, but can also be used in creative writing or for personal reflection. In this article, we will explore the basics of personal narrative essays and provide you with some personal narrative examples to inspire your writing.

How to Write a Personal Narrative Essay

Understanding Personal Narrative Essay

If you are looking to write a personal narrative essay, it is important to understand what it is and how it differs from other types of essays. A personal narrative essay is a type of essay that tells a story about a personal experience. It is usually written in the first person and provides a detailed account of the experience, including the thoughts and feelings of the writer.

The purpose of a personal narrative essay is to share a personal experience with the reader in a way that is engaging and meaningful. It can be used to explore a particular theme or idea, or simply to share a story that is important to the writer.

When writing a personal narrative essay, it is important to choose a topic that is meaningful to you. This will help you to write with passion and authenticity, and will also make the essay more interesting for the reader. Some tips for choosing a topic include:

• Choosing a topic that is personal to you
• Choosing a topic that is interesting and engaging
• Choosing a topic that has a clear beginning, middle, and end

Once you have chosen a topic, it is important to create an outline for your essay. This will help you to organize your thoughts and ensure that your essay flows logically and cohesively. Some tips for creating an outline include:

• Starting with an introduction that sets the scene and introduces the main characters
• Including a clear thesis statement that summarizes the main point of your essay
• Including body paragraphs that provide details about the experience, including sensory details and emotional reactions
• Concluding with a summary of the experience and a reflection on its significance

In summary, a personal narrative essay is a type of essay that tells a story about a personal experience. It is important to choose a meaningful topic, create an outline, and write with passion and authenticity in order to create an engaging and meaningful essay.

Structure of Personal Narrative Essay

A personal narrative essay is a type of essay that tells a story from the author’s personal experience. It is a way for the author to reflect on their experiences and share their insights with the reader. The structure of a personal narrative essay is similar to that of other types of essays, with an introduction, body, and conclusion.

Introduction Section

The introduction section of a personal narrative essay should capture the reader’s attention and provide some background information about the story. It should also present the thesis statement, which is the main point that the author is trying to make in the essay. The thesis statement should be clear and concise, and it should reflect the author’s personal experience.

Body of the Essay

The body of the essay is where the author tells the story. This section should be organized chronologically, with events presented in the order in which they occurred. The author should use descriptive language to help the reader visualize the events and characters in the story. It is important to remember that the story should be told from the author’s perspective, with their thoughts and feelings about the events included.

The body of the essay should also include reflections on the events that occurred. The author should analyze their experience and provide insights that can be applied to other situations. This reflection should be related back to the thesis statement and should help the reader understand the significance of the story.

Ending the Essay

The conclusion of the essay should summarize the main points of the story and provide a final reflection on the experience. The author should restate the thesis statement and provide some final thoughts on the story. It is important to end the essay on a strong note, leaving the reader with a lasting impression of the author’s experience.

Choosing a Topic for a Personal Narrative Essay

When it comes to writing a personal narrative essay, choosing the right topic is crucial. Your topic should be something that you are comfortable discussing and that will allow you to tell a compelling story. Here are some tips to help you choose the perfect topic for your personal narrative essay:

Consider Your Experiences

The best personal narrative essays are often based on personal experiences. Think about events in your life that have had a significant impact on you. These could be positive or negative experiences, but they should be something that you feel comfortable sharing with others.

Brainstorm Ideas

Take some time to brainstorm ideas for your personal narrative essay. Write down anything that comes to mind, even if it seems insignificant at first. You can always narrow down your ideas later.

Focus on a Specific Moment

Instead of trying to cover a broad topic, focus on a specific moment in time. This will help you to tell a more detailed and engaging story. For example, instead of writing about your entire childhood, you could focus on a specific memory from your childhood.

Choose a Topic that Resonates with You

Choose a topic that is meaningful to you. If you are passionate about your topic, it will come through in your writing. Your readers will be able to feel your emotions and connect with your story on a deeper level.

Consider Your Audience

Think about who your audience is and what they might be interested in reading. While your personal narrative essay is about your experiences, you still want to make sure that your audience will find it engaging and relatable.

Writing Style for Personal Narrative Essay

Your writing style should be engaging and descriptive, allowing the reader to feel as though they are experiencing the events alongside you. Here are some tips for developing a strong writing style for your personal narrative essay:

Use Vivid Language

Using vivid language is essential when writing a personal narrative essay. This means using descriptive words and phrases that create a clear picture in the reader’s mind. For example, instead of saying “I walked to the store,” you could say “I strolled down the sun-drenched street, my feet sinking into the warm pavement with each step.” This kind of language helps the reader feel as though they are experiencing the events alongside you.

Show, Don’t Tell

Another important aspect of writing a personal narrative essay is showing, not telling. This means using descriptive details and actions to convey emotions and events, rather than simply stating them outright. For example, instead of saying “I was sad,” you could describe how your shoulders slumped, your eyes filled with tears, and your breath caught in your throat. This allows the reader to experience the emotions alongside you, rather than simply being told about them.

Use Dialogue

Using dialogue is another effective way to bring your personal narrative essay to life. Dialogue allows the reader to hear the voices of the people involved in the events, making them feel more real and immediate. When using dialogue, be sure to use proper punctuation and formatting to make it clear who is speaking and when.

Be Honest and Reflective

Finally, it is important to be honest and reflective when writing a personal narrative essay. This means being truthful about your experiences and emotions, even if they are difficult to share. It also means reflecting on the events and their impact on you, and sharing those reflections with the reader. This kind of honesty and reflection can help the reader connect with you on a deeper level, and understand the significance of the events you are describing.

Examples of Personal Narrative Essay

In this personal narrative essay, the author tells a story about a time when they overcame a fear. The author starts by describing the fear and how it affected their life. They then go on to explain how they decided to face their fear and what steps they took to do so. Finally, the author describes how they felt after overcoming their fear and how it changed their life.

This personal narrative essay tells the story of a significant event in the author’s life. The author starts by setting the scene and describing the lead-up to the event. They then go on to describe the event itself and how it affected them. Finally, the author reflects on the event and what they learned from it.

In this personal narrative essay, the author tells the story of a difficult decision they had to make. The author describes the situation and the various factors they had to consider when making the decision. They then explain how they ultimately made their decision and what the outcome was. Finally, the author reflects on the decision and what they learned from the experience.

Reading personal narrative essay examples can help you understand how to structure your own essay and what elements to include. Keep in mind that personal narrative essays are often focused on a particular event or experience, so it’s important to choose a topic that is meaningful to you.

Common Mistakes in Personal Narrative Essay

Focusing too much on the plot

While the plot is an essential part of a personal narrative essay, it’s not the only thing that matters. You should also focus on the characters, the setting, and the emotions that you experienced. Don’t just describe what happened; try to convey how you felt and why it was important to you.

Not including enough reflection

Reflection is a crucial part of a personal narrative essay. It’s not enough to just describe what happened; you also need to reflect on why it happened and what it means to you. This reflection can help your readers understand your perspective and connect with your story on a deeper level.

Being too vague or general

When writing a personal narrative essay, it’s important to be specific and detailed. Don’t just say that something was “interesting” or “exciting.” Instead, use vivid language to describe the sights, sounds, and sensations that you experienced. This will help your readers feel like they were there with you.

Failing to edit and revise

Finally, one of the biggest mistakes that you can make when writing a personal narrative essay is failing to edit and revise your work. Even if you think that your first draft is perfect, there’s always room for improvement. Take the time to read through your essay carefully, looking for errors in grammar, spelling, and punctuation. You should also ask a friend or family member to read it and give you feedback. With some careful editing and revision, you can turn a good essay into a great one.

Improving Your Personal Narrative Essay

When writing a personal narrative essay, it is important to keep in mind that the purpose of the essay is to tell a story about yourself. To make your essay more engaging and interesting, there are several things you can do to improve it.

First, make sure that your essay has a clear and concise thesis statement. This statement should tell the reader what the essay is about and what you hope to achieve by writing it. Your thesis statement should be included in the introduction of your essay.

Second, use descriptive language to help paint a picture for the reader. Use vivid details and sensory language to help the reader feel like they are a part of the story. This will help to make your essay more engaging and interesting.

Third, use dialogue to help bring your story to life. Dialogue can help to break up the narrative and make it more interesting to read. It can also help to reveal character traits and motivations.

Fourth, use transitions to help move the reader from one part of the story to the next. Transitions can help to keep the reader engaged and interested in the story. They can also help to make the essay flow more smoothly.

Finally, make sure that your essay has a clear and concise conclusion. The conclusion should wrap up the story and provide closure for the reader. It should also leave the reader with a sense of what you learned from the experience.

By following these tips, you can improve your personal narrative essay and make it more engaging and interesting for the reader.

Frequently Asked Questions

How do you structure a personal narrative essay?

To structure a personal narrative essay, you need to have a clear beginning, middle, and end. The beginning should introduce the main character and the setting, and provide some background information. The middle should describe the events and experiences that the character goes through, and the end should provide a conclusion or resolution. It’s important to use descriptive language and sensory details to make the story come alive.

What are some tips for writing a compelling personal narrative?

Some tips for writing a compelling personal narrative include choosing a topic that is meaningful to you, using descriptive language and sensory details, and focusing on a single theme or message. It’s also important to be honest and authentic, and to avoid exaggerating or embellishing the story. Finally, it’s important to revise and edit your work carefully to ensure that it is well-written and engaging.

What are some common themes in personal narrative writing?

Common themes in personal narrative writing include personal growth, overcoming adversity, and self-discovery. Other themes might include family relationships, cultural identity, or social justice issues. The key is to choose a theme that is meaningful to you and that you can explore in depth.

Can personal narratives be fictional or do they have to be true?

Personal narratives can be either true or fictional, but they should always feel authentic and true to life. If you choose to write a fictional personal narrative, it’s important to create a believable and engaging story that still reflects your own experiences and emotions.

What are some famous examples of personal narratives?

Some famous examples of personal narratives include “ The Glass Castle ” by Jeannette Walls, “Wild” by Cheryl Strayed, and “The Color of Water” by James McBride. These books all tell powerful stories of personal growth and self-discovery, and have resonated with readers around the world.

How do personal narratives differ from other forms of writing, such as memoirs or autobiographies?

Personal narratives are typically shorter and more focused than memoirs or autobiographies, and they often focus on a single event or experience rather than a person’s entire life. Personal narratives also tend to be more subjective and emotional, and may include more descriptive language and sensory details. Memoirs and autobiographies, on the other hand, are usually more objective and factual, and may include more historical or cultural context.

Last Updated on August 29, 2023

Leave a Comment Cancel reply

Personal Narrative Examples: 10 Top Examples

These personal narrative examples show some of the best of what you can accomplish in this literary genre.

A personal narrative isn’t a recitation of facts. Rather, it is a nonfiction story told from a first-person point of view. It uses the tools of creative writing but is based on fact and personal experiences. Many people’s first time writing this sort of essay is for a college application. However, many writers also choose this sort of essay writing to hone their literary skills.

Reading the top personal narrative examples can help you get a better understanding of what works and why. You might also be interested in these 5 subjunctive mood examples from famous works of literature .

• 1. Me Talk Pretty One Day – David Sedaris
• 2.  Mother Rage: Theory and Practice by Anne Lamott
• 3. Stalking a Rustically Hip Family on Instagram by Emily Flake

4. My Wife Is the Breadwinner (and I Still Haven’t Told My Father) by Mike Harvkey

• 5. Your Brain’s Response to Your Ex According to Neuroscience by Amy Paturel

6. Let’s Meet Again in Five Years by Karen B. Kaplan

7. goodbye to all that by joan didion.

• 8. Here Is a Lesson in Creative Writing by Kurt Vonnegut

9. The Death of the Moth by Virginia Woolf

10. shooting an elephant by george orwell, the final word on personal narrative examples, how do you write a personal narrative, what are some ideas for a personal narrative, 1.  me talk pretty one day  – david sedaris.

David Sedaris has entranced audiences with his personal narrative essays for decades. The subject matter of his essays includes everything from stories about growing up in Raleigh, North Carolina, exploring his heritage, his youthful rampant drug use and other experiences that many people would have a hard time disclosing so openly and humorously. 

“Me Talk Pretty One Day” is both the title of one of his collections and one of the essays presented in it. In the essay, he relates his experience taking French language classes. In between recounting events, he discusses the insecurity that he felt being in a new place at the beginning of the learning curve for a new skill:

When called upon, I delivered an effortless list of things I detest: blood sausage, intestinal pâté, brain pudding. I’d learned these words the hard way. Having given it some thought, I then declared my love for IBM typewriters, the French word for “bruise,” and my electric floor waxer.

It was a shortlist, but still, I managed to mispronounce IBM and afford the wrong gender to both the floor waxer and the typewriter. Her reaction led me to believe that these mistakes were capital crimes in the country of France.

2.   Mother Rage: Theory and Practice  by Anne Lamott

Anne Lamott’s work runs the gamut from short stories, to essays, to novels, to books on writing. In “Mother Rage,” she recounts experiences of losing her temper at her son and saying awful things to him. Her word choice is often playful and ironic, but the issues she raises are deep and personal ones regarding our relationships with our children and our responsibilities to them. 

So: I woke up one recent morning and lay in bed trying to remember if the night before I had actually threatened to have my son’s pets put to sleep, or whether I had only insinuated that I would no longer intercede to keep them alive when, due to his neglect, they began starving to death. I’m pretty sure I only threatened to not intercede.

3.  Stalking a Rustically Hip Family on Instagram  by Emily Flake

In this essay, Emily Flake muses on the parasocial relationship with have with the people we hate-follow on social media. She recounts her obsession with a particular family of influencers and how looking at them made her more aware of her own insecurities and feelings of inadequacy:

The woman in the photograph looks out at me with a face full of exhaustion and bliss. In her hands, she cradles the purplish, bloody bundle of a just-born child. It’s a beautiful, celebratory image of human existence, as raw and pure and joyful as anything seen through the orderly square of an Instagram post can be. I peer at it in the dark, and hiss-whisper, “How dare you.”

This essay is a great example of how life experiences can be parlayed into a discussion about a cultural shift or another phenomenon. Here, the author discusses his decision with his wife to move for her career while he stayed home and tried his hand at becoming a full-time freelance writer . In addition to the struggles with his new endeavor, he ponders our assumptions about masculinity and what it means to be a provider:

A couple of years back, I quit my job. When I first got this job, my father relaxed. After years of drifting, the boy he’d raised had finally accepted that, like most men, he needed a career so he could support his family. He was proud. And now I was leaving this job because I wanted to write full time and my wife had found a new job that could support us both. I was quitting, and we were moving, so she could become the breadwinner. I couldn’t tell my father this; I still haven’t.

5.  Your Brain’s Response to Your Ex According to Neuroscience  by Amy Paturel

Paturel buries her thesis statement under several paragraphs of narrative writing and sensory details. This is a personal narrative that functions as the framework for a reported article on the science of what happens in your brain when you are young and fall in love:

He was the first to make me dinner, teach me to surf in ice-cold waters, and unlock the seemingly impenetrable fortress of my body. Together, we formed our identities and defined what love meant. In the process, he ingrained himself into my psyche.

For nearly 20 years, New York Times readers have been able to see a range of personal narrative essay examples on the theme of love and relationships in the paper’s Modern Love column. In this essay, a woman recounts what happened when she and a guy who she’d been dating a few months decided that they were too young for commitment. Rather than making a mistake, they decided to meet again in five years and see if they were ready:

Howard agreed. We settled on meeting at the New York Public Library, near the uptown lion, at 4 p.m. on the first Sunday in April, five years from that spring. We wrote our pledge on a dollar bill, tore it in half, and gave each other the half we’d written on.

Joan Didion writes about her arrival in New York City and her departure eight years later. She talks about her relationship with the city and the ways that we romanticize our youthful experiences:

I was in love with New York. I do not mean ‘love’ in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and never loves anyone quite that way again.

8. Here Is a Lesson in Creative Writing  by Kurt Vonnegut

This short Vonnegut essay is one part writing lesson, one part marketing lesson, one part memoir of the life of a professional writer. You’ve probably seen it quoted before:

Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

During her life, Virginia Woolf struggled with poor mental health and the difficulty of balancing demands on her as a woman with her efforts to write. In this essay, she muses over a small moth in her living room in a way that connects it to her larger struggles:

Yet, because he was so small, and so simple a form of the energy that was rolling in at the open window and driving its way through so many narrow and intricate corridors in my own brain and in those of other human beings, there was something marvelous as well as pathetic about him.

George Orwell is remembered as a political novelist who often worked in allegory. We see an early example of him honing his writing skills in this essay about being forced to shoot a rampaging elephant while stationed in Burma. He links his personal experience to the problem on imperialism and his desire not to be a part of it:

In Moulmein, in Lower Burma, I was hated by large numbers of people — the only time in my life that I have been important enough for this to happen to me. I was a sub-divisional police officer of the town, and in an aimless, petty kind of way anti-European feeling was very bitter. No one had the guts to raise a riot, but if a European woman went through the bazaars alone somebody would probably spit betel juice over her dress. As a police officer, I was an obvious target and was baited whenever it seemed safe to do so.

A personal narrative can be a powerful tool for getting your ideas onto the page. When you begin with highly relatable life experiences, you can segue into any type of essay, from a short memoir to an argumentative essay . Read these and other personal narrative examples to learn more about the form and the best ways to approach it. You might also find our alliteration examples from culture and literature guide helpful.

FAQ About Personal Narrative Examples

The ideal personal narrative draws the reader in with relatable anecdotes and universal observations.

Think about topics that you would want to read about. You can focus on anything from high school from your first time driving as a 16-year-old, to how you met your best friend.

Bryan Collins is the owner of Become a Writer Today. He's an author from Ireland who helps writers build authority and earn a living from their creative work. He's also a former Forbes columnist and his work has appeared in publications like Lifehacker and Fast Company.

View all posts

• Features for Creative Writers
• Features for Work
• Features for Higher Education
• Features for Teachers
• Features for Non-Native Speakers
• Learn Blog Grammar Guide Community Events FAQ
• Grammar Guide

Telling the Story of Yourself: 6 Steps to Writing Personal Narratives

Jennifer Xue

Table of Contents

Why do we write personal narratives, 6 guidelines for writing personal narrative essays, inspiring personal narratives, examples of personal narrative essays, tell your story.

First off, you might be wondering: what is a personal narrative? In short, personal narratives are stories we tell about ourselves that focus on our growth, lessons learned, and reflections on our experiences.

From stories about inspirational figures we heard as children to any essay, article, or exercise where we're asked to express opinions on a situation, thing, or individual—personal narratives are everywhere.

According to Psychology Today, personal narratives allow authors to feel and release pains, while savouring moments of strength and resilience. Such emotions provide an avenue for both authors and readers to connect while supporting healing in the process.

That all sounds great. But when it comes to putting the words down on paper, we often end up with a list of experiences and no real structure to tie them together.

In this article, we'll discuss what a personal narrative essay is further, learn the 6 steps to writing one, and look at some examples of great personal narratives.

As readers, we're fascinated by memoirs, autobiographies, and long-form personal narrative articles, as they provide a glimpse into the authors' thought processes, ideas, and feelings. But you don't have to be writing your whole life story to create a personal narrative.

You might be a student writing an admissions essay , or be trying to tell your professional story in a cover letter. Regardless of your purpose, your narrative will focus on personal growth, reflections, and lessons.

Personal narratives help us connect with other people's stories due to their easy-to-digest format and because humans are empathising creatures.

We can better understand how others feel and think when we were told stories that allow us to see the world from their perspectives. The author's "I think" and "I feel" instantaneously become ours, as the brain doesn't know whether what we read is real or imaginary.

In her best-selling book Wired for Story, Lisa Cron explains that the human brain craves tales as it's hard-wired through evolution to learn what happens next. Since the brain doesn't know whether what you are reading is actual or not, we can register the moral of the story cognitively and affectively.

In academia, a narrative essay tells a story which is experiential, anecdotal, or personal. It allows the author to creatively express their thoughts, feelings, ideas, and opinions. Its length can be anywhere from a few paragraphs to hundreds of pages.

Outside of academia, personal narratives are known as a form of journalism or non-fiction works called "narrative journalism." Even highly prestigious publications like the New York Times and Time magazine have sections dedicated to personal narratives. The New Yorke is a magazine dedicated solely to this genre.

The New York Times holds personal narrative essay contests. The winners are selected because they:

had a clear narrative arc with a conflict and a main character who changed in some way. They artfully balanced the action of the story with reflection on what it meant to the writer. They took risks, like including dialogue or playing with punctuation, sentence structure and word choice to develop a strong voice. And, perhaps most important, they focused on a specific moment or theme – a conversation, a trip to the mall, a speech tournament, a hospital visit – instead of trying to sum up the writer’s life in 600 words.

In a nutshell, a personal narrative can cover any reflective and contemplative subject with a strong voice and a unique perspective, including uncommon private values. It's written in first person and the story encompasses a specific moment in time worthy of a discussion.

Writing a personal narrative essay involves both objectivity and subjectivity. You'll need to be objective enough to recognise the importance of an event or a situation to explore and write about. On the other hand, you must be subjective enough to inject private thoughts and feelings to make your point.

With personal narratives, you are both the muse and the creator – you have control over how your story is told. However, like any other type of writing, it comes with guidelines.

1. Write Your Personal Narrative as a Story

As a story, it must include an introduction, characters, plot, setting, climax, anti-climax (if any), and conclusion. Another way to approach it is by structuring it with an introduction, body, and conclusion. The introduction should set the tone, while the body should focus on the key point(s) you want to get across. The conclusion can tell the reader what lessons you have learned from the story you've just told.

2. Give Your Personal Narrative a Clear Purpose

Your narrative essay should reflect your unique perspective on life. This is a lot harder than it sounds. You need to establish your perspective, the key things you want your reader to take away, and your tone of voice. It's a good idea to have a set purpose in mind for the narrative before you start writing.

Let's say you want to write about how you manage depression without taking any medicine. This could go in any number of ways, but isolating a purpose will help you focus your writing and choose which stories to tell. Are you advocating for a holistic approach, or do you want to describe your emotional experience for people thinking of trying it?

Having this focus will allow you to put your own unique take on what you did (and didn't do, if applicable), what changed you, and the lessons learned along the way.

3. Show, Don't Tell

It's a narration, so the narrative should show readers what happened, instead of telling them. As well as being a storyteller, the author should take part as one of the characters. Keep this in mind when writing, as the way you shape your perspective can have a big impact on how your reader sees your overarching plot. Don't slip into just explaining everything that happened because it happened to you. Show your reader with action.

You can check for instances of telling rather than showing with ProWritingAid. For example, instead of:

"You never let me do anything!" I cried disdainfully.

"You never let me do anything!" To this day, my mother swears that the glare I levelled at her as I spat those words out could have soured milk.

Using ProWritingAid will help you find these instances in your manuscript and edit them without spending hours trawling through your work yourself.

4. Use "I," But Don't Overuse It

You, the author, take ownership of the story, so the first person pronoun "I" is used throughout. However, you shouldn't overuse it, as it'd make it sound too self-centred and redundant.

ProWritingAid can also help you here – the Style Report will tell you if you've started too many sentences with "I", and show you how to introduce more variation in your writing.

5. Pay Attention to Tenses

Tense is key to understanding. Personal narratives mostly tell the story of events that happened in the past, so many authors choose to use the past tense. This helps separate out your current, narrating voice and your past self who you are narrating. If you're writing in the present tense, make sure that you keep it consistent throughout.

6. Make Your Conclusion Satisfying

Satisfy your readers by giving them an unforgettable closing scene. The body of the narration should build up the plot to climax. This doesn't have to be something incredible or shocking, just something that helps give an interesting take on your story.

The takeaways or the lessons learned should be written without lecturing. Whenever possible, continue to show rather than tell. Don't say what you learned, narrate what you do differently now. This will help the moral of your story shine through without being too preachy.

GoodReads is a great starting point for selecting read-worthy personal narrative books. Here are five of my favourites.

Owl Moon by Jane Yolen

Jane Yolen, the author of 386 books, wrote this poetic story about a daughter and her father who went owling. Instead of learning about owls, Yolen invites readers to contemplate the meaning of gentleness and hope.

Night by Elie Wiesel

Elie Wiesel was a teenager when he and his family were sent to Auschwitz concentration camp in 1944. This Holocaust memoir has a strong message that such horrific events should never be repeated.

The Diary of a Young Girl by Anne Frank

This classic is a must-read by young and old alike. It's a remarkable diary by a 13-year-old Jewish girl who hid inside a secret annexe of an old building during the Nazi occupation of the Netherlands in 1942.

The Year of Magical Thinking by Joan Didion

This is a personal narrative written by a brave author renowned for her clarity, passion, and honesty. Didion shares how in December 2003, she lost her husband of 40 years to a massive heart attack and dealt with the acute illness of her only daughter. She speaks about grief, memories, illness, and hope.

Educated by Tara Westover

Author Tara Westover was raised by survivalist parents. She didn't go to school until 17 years of age, which later took her to Harvard and Cambridge. It's a story about the struggle for quest for knowledge and self-reinvention.

Narrative and personal narrative journalism are gaining more popularity these days. You can find distinguished personal narratives all over the web.

Curating the best of the best of personal narratives and narrative essays from all over the web. Some are award-winning articles.

Narratively

Long-form writing to celebrate humanity through storytelling. It publishes personal narrative essays written to provoke, inspire, and reflect, touching lesser-known and overlooked subjects.

Narrative Magazine

It publishes non,fiction narratives, poetry, and fiction. Among its contributors is Frank Conroy, the author of Stop-Time , a memoir that has never been out of print since 1967.

Thought Catalog

Aimed at Generation Z, it publishes personal narrative essays on self-improvement, family, friendship, romance, and others.

Personal narratives will continue to be popular as our brains are wired for stories. We love reading about others and telling stories of ourselves, as they bring satisfaction and a better understanding of the world around us.

Personal narratives make us better humans. Enjoy telling yours!

Write like a bestselling author

Love writing? ProWritingAid will help you improve the style, strength, and clarity of your stories.

Jennifer Xue is an award-winning e-book author with 2,500+ articles and 100+ e-books/reports published under her belt. She also taught 50+ college-level essay and paper writing classes. Her byline has appeared in Forbes, Fortune, Cosmopolitan, Esquire, Business.com, Business2Community, Addicted2Success, Good Men Project, and others. Her blog is JenniferXue.com. Follow her on Twitter @jenxuewrites].

Get started with ProWritingAid

Drop us a line or let's stay in touch via :

Personal Narrative | Definition, Ideas & Examples

• February 19, 2024

Table of Contents:

What is a personal narrative, how to write a personal narrative, 1- choose a topic, 2- ideas for your story:, 3- create an outline:, 4- write your first draft:, 5- revise your draft:, ideas for a personal narrative, examples of a personal narrative, 1- born a crime by trevor noah:, 2- eat, pray, love by elizabeth gilbert:, 3- i am malala by malala yousafzai:, why is creating an outline an important step in writing a personal narrative, what is the purpose of a personal narrative, how long should a personal narrative be, what is one technique an author can use to create an engaging personal narrative, how do i generate ideas for a personal narrative, can anyone write a personal narrative, conclusion:.

A personal narrative is a special kind of writing where you tell your story. It’s like sharing a piece of your life with others through words. When you write a narrative, you’re not just writing about what happened but sharing your feelings, thoughts, and unique perspective on life. It’s a creative way to express yourself and let others see the world through your eyes. So, let’s explore how you can make your narrative not just a story but a reflection of who you are.

A personal narrative is a form of creative nonfiction that uses the first-person point of view to recount a personal experience. It differs from a biography or an autobiography in that it focuses on a specific event or a series of events that shaped your identity, values, or worldview. A personal narrative is not a factual report of what happened, but a subjective interpretation of how you felt, what you learned, and what you want to convey to the readers.

Writing a personal narrative can be a rewarding and enjoyable process, but it also requires some planning and preparation. If needed, you can hire a narrative writer . Here are some steps to help you write a personal narrative:

Choose a topic that interests you and that you want to share with others. Think about why this topic is important to you and what message you want to convey.

Brainstorm some ideas for your story. You can use a mind map, a list, or a journal to jot down some details, such as the setting, the characters, the plot, the conflict, and the resolution.

Create an outline for your narrative. You can use a traditional structure of introduction, body, and conclusion, or you can experiment with different formats, such as flashbacks, dialogue, or descriptive scenes.

Use the first-person point of view and vivid language to engage the readers and make them feel like they are part of your story. Don’t worry about grammar, spelling, or word count at this stage. Just focus on expressing your thoughts and emotions.

Read your strong narrative writing aloud and check for clarity, coherence, and consistency. Make sure your story has a clear beginning, middle, and end, and that it flows smoothly from one paragraph to another. You can also ask someone else to read your draft and give you feedback.

6- Edit and Proofread:

Edit and proofread your final draft. Check for any errors in grammar, spelling, punctuation, or formatting. You can also use a tool like VanillaHeartBookandAuthors to help you improve your writing style and readability. Finally, make sure your narrative meets the requirements of your assignment or purpose.

There are many possible topics for a personal narrative, as long as they are meaningful and relevant to you. Some common ideas are:

• A memorable moment from your childhood, such as your first day of school, a family vacation, or a birthday party.
• A significant challenge or achievement in your life, such as overcoming a fear, winning a competition, or graduating from college.
• A life-changing event or decision, such as moving to a new place, changing your career, or getting married.
• A relationship or encounter with someone who influenced you, such as a friend, a teacher, a mentor, or a stranger.
• A reflection on a personal value or belief, such as your faith, your philosophy, or your political views.

To give you some inspiration, here are some excerpts from famous personal narratives:

“I grew up in South Africa during apartheid, which was awkward because I was raised in a mixed family, with me being the mixed one. My mother, Patricia Nombuyiselo Noah, is black. My father, Robert, is white. Swiss/German, to be precise, which Swiss/Germans invariably are.”

“I wish Giovanni would kiss me. Oh, but there are so many reasons why this would be a terrible idea. To begin with, Giovanni is ten years younger than I am, and — like most Italian guys in their twenties — he still lives with his mother.”

“When I was born, people in our village commiserated with my mother and nobody congratulated my father. I arrived at dawn as the last star blinked in the morning sky. Although I was a girl in a patriarchal culture, I was also the first child and my parents had taken a risk.”

Creating an outline is an important step in writing a personal narrative because it helps you organize your ideas, structure your story, and avoid missing or irrelevant details. An outline also makes it easier to revise and edit your draft later.

The purpose of a personal narrative is to share your personal experience, thoughts, and feelings with the readers, and to convey a message or a lesson that you learned from it. A personal narrative can also entertain, inform, or persuade the readers, depending on your goal.

A personal narrative typically ranges from 1 to 5 pages. However, its length ultimately depends on the depth of the story and the writer’s ability to maintain reader engagement.

One technique for creating an engaging personal narrative is to employ vivid descriptive language, painting a detailed picture of experiences and emotions to captivate readers and immerse them in the story.

Ideas for your narrative can spring from any impactful life event. Reflect on moments that stirred strong emotions or led to significant changes. These can be milestones, challenges, or simple yet memorable experiences.

Absolutely! Writing a Personal narrative is something anyone can do. It involves narrating your own experiences in your own narrative voice . What makes it unique is the personal flavor and perspective you bring to the story, making it exclusively yours.

A personal narrative is a powerful way to tell your story and connect with your audience. By following the steps above, you can write a personal narrative that is captivating, meaningful, and original. Remember, a personal narrative is not just about what happened, but about how you felt, what you learned, and what you want to say.

limited Time offer

50% off on all services.

REDEEM YOUR COUPON: VHBA50

Recommended Blogs

How to write a book with no experience: 12 simple steps, what is the main purpose of a thought bubble in a graphic novel, translation vs transcription – what are core differences, hire book authors & publishers at discounted rates looking for a book author or publisher contact us for a free consultation and get 30% off your first project..

Automated page speed optimizations for fast site performance

• Online Course

40 Best Essays of All Time (Including Links & Writing Tips)

I wanted to improve my writing skills. I thought that reading the forty best essays of all time would bring me closer to my goal.

I had little money (buying forty collections of essays was out of the question) so I’ve found them online instead. I’ve hacked through piles of them, and finally, I’ve found the great ones. Now I want to share the whole list with you (with the addition of my notes about writing). Each item on the list has a direct link to the essay, so please click away and indulge yourself. Also, next to each essay, there’s an image of the book that contains the original work.

About this essay list:

Reading essays is like indulging in candy; once you start, it’s hard to stop. I sought out essays that were not only well-crafted but also impactful. These pieces genuinely shifted my perspective. Whether you’re diving in for enjoyment or to hone your writing, these essays promise to leave an imprint. It’s fascinating how an essay can resonate with you, and even if details fade, its essence remains. I haven’t ranked them in any way; they’re all stellar. Skim through, explore the summaries, and pick up some writing tips along the way. For more essay gems, consider “Best American Essays” by Joyce Carol Oates or “101 Essays That Will Change The Way You Think” curated by Brianna Wiest.

40 Best Essays of All Time (With Links And Writing Tips)

1. david sedaris – laugh, kookaburra.

A great family drama takes place against the backdrop of the Australian wilderness. And the Kookaburra laughs… This is one of the top essays of the lot. It’s a great mixture of family reminiscences, travel writing, and advice on what’s most important in life. You’ll also learn an awful lot about the curious culture of the Aussies.

Writing tips from the essay:

• Use analogies (you can make it funny or dramatic to achieve a better effect): “Don’t be afraid,” the waiter said, and he talked to the kookaburra in a soothing, respectful voice, the way you might to a child with a switchblade in his hand”.
• You can touch a few cognate stories in one piece of writing . Reveal the layers gradually. Intertwine them and arrange for a grand finale where everything is finally clear.
• Be on the side of the reader. Become their friend and tell the story naturally, like around the dinner table.
• Use short, punchy sentences. Tell only as much as is required to make your point vivid.
• Conjure sentences that create actual feelings: “I had on a sweater and a jacket, but they weren’t quite enough, and I shivered as we walked toward the body, and saw that it was a . . . what, exactly?”
• You may ask a few tough questions in a row to provoke interest and let the reader think.

2. Charles D’Ambrosio – Documents

Do you think your life punches you in the face all too often? After reading this essay, you will change your mind. Reading about loss and hardships often makes us sad at first, but then enables us to feel grateful for our lives . D’Ambrosio shares his documents (poems, letters) that had a major impact on his life, and brilliantly shows how not to let go of the past.

• The most powerful stories are about your family and the childhood moments that shaped your life.
• You don’t need to build up tension and pussyfoot around the crux of the matter. Instead, surprise the reader by telling it like it is: “The poem was an allegory about his desire to leave our family.” Or: “My father had three sons. I’m the eldest; Danny, the youngest, killed himself sixteen years ago”.
• You can use real documents and quotes from your family and friends. It makes it so much more personal and relatable.
• Don’t cringe before the long sentence if you know it’s a strong one.
• At the end of the essay, you may come back to the first theme to close the circuit.
• Using slightly poetic language is acceptable, as long as it improves the story.

3. E. B. White – Once more to the lake

What does it mean to be a father? Can you see your younger self, reflected in your child? This beautiful essay tells the story of the author, his son, and their traditional stay at a placid lake hidden within the forests of Maine. This place of nature is filled with sunshine and childhood memories. It also provides for one of the greatest meditations on nature and the passing of time.

• Use sophisticated language, but not at the expense of readability.
• Use vivid language to trigger the mirror neurons in the reader’s brain: “I took along my son, who had never had any fresh water up his nose and who had seen lily pads only from train windows”.
• It’s important to mention universal feelings that are rarely talked about (it helps to create a bond between two minds): “You remember one thing, and that suddenly reminds you of another thing. I guess I remembered clearest of all the early mornings when the lake was cool and motionless”.
• Animate the inanimate: “this constant and trustworthy body of water”.
• Mentioning tales of yore is a good way to add some mystery and timelessness to your piece.
• Using double, or even triple “and” in one sentence is fine. It can make the sentence sing.

4. Zadie Smith – Fail Better

Aspiring writers feel tremendous pressure to perform. The daily quota of words often turns out to be nothing more than gibberish. What then? Also, should the writer please the reader or should she be fully independent? What does it mean to be a writer, anyway? This essay is an attempt to answer these questions, but its contents are not only meant for scribblers. Within it, you’ll find some great notes about literary criticism, how we treat art , and the responsibility of the reader.

• A perfect novel ? There’s no such thing.
• The novel always reflects the inner world of the writer. That’s why we’re fascinated with writers.
• Writing is not simply about craftsmanship, but about taking your reader to the unknown lands. In the words of Christopher Hitchens: “Your ideal authors ought to pull you from the foundering of your previous existence, not smilingly guide you into a friendly and peaceable harbor.”
• Style comes from your unique personality and the perception of the world. It takes time to develop it.
• Never try to tell it all. “All” can never be put into language. Take a part of it and tell it the best you can.
• Avoid being cliché. Try to infuse new life into your writing .
• Writing is about your way of being. It’s your game. Paradoxically, if you try to please everyone, your writing will become less appealing. You’ll lose the interest of the readers. This rule doesn’t apply in the business world where you have to write for a specific person (a target audience).
• As a reader, you have responsibilities too. According to the critics, every thirty years, there’s just a handful of great novels. Maybe it’s true. But there’s also an element of personal connection between the reader and the writer. That’s why for one person a novel is a marvel, while for the other, nothing special at all. That’s why you have to search and find the author who will touch you.

5. Virginia Woolf – Death of the Moth

Amid an ordinary day, sitting in a room of her own, Virginia Woolf tells about the epic struggle for survival and the evanescence of life. This short essay is truly powerful. In the beginning, the atmosphere is happy. Life is in full force. And then, suddenly, it fades away. This sense of melancholy would mark the last years of Woolf’s life.

• The melody of language… A good sentence is like music: “Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow- underwing asleep in the shadow of the curtain never fails to rouse in us”.
• You can show the grandest in the mundane (for example, the moth at your window and the drama of life and death).
• Using simple comparisons makes the style more lucid: “Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure”.

6. Meghan Daum – My Misspent Youth

Many of us, at some point or another, dream about living in New York. Meghan Daum’s take on the subject differs slightly from what you might expect. There’s no glamour, no Broadway shows, and no fancy restaurants. Instead, there’s the sullen reality of living in one of the most expensive cities in the world. You’ll get all the juicy details about credit cards, overdue payments, and scrambling for survival. It’s a word of warning. But it’s also a great story about shattered fantasies of living in a big city. Word on the street is: “You ain’t promised mañana in the rotten manzana.”

• You can paint a picture of your former self. What did that person believe in? What kind of world did he or she live in?
• “The day that turned your life around” is a good theme you may use in a story. Memories of a special day are filled with emotions. Strong emotions often breed strong writing.
• Use cultural references and relevant slang to create a context for your story.
• You can tell all the details of the story, even if in some people’s eyes you’ll look like the dumbest motherfucker that ever lived. It adds to the originality.
• Say it in a new way: “In this mindset, the dollars spent, like the mechanics of a machine no one bothers to understand, become an abstraction, an intangible avenue toward self-expression, a mere vehicle of style”.
• You can mix your personal story with the zeitgeist or the ethos of the time.

7. Roger Ebert – Go Gentle Into That Good Night

Probably the greatest film critic of all time, Roger Ebert, tells us not to rage against the dying of the light. This essay is full of courage, erudition, and humanism. From it, we learn about what it means to be dying (Hitchens’ “Mortality” is another great work on that theme). But there’s so much more. It’s a great celebration of life too. It’s about not giving up, and sticking to your principles until the very end. It brings to mind the famous scene from Dead Poets Society where John Keating (Robin Williams) tells his students: “Carpe, carpe diem, seize the day boys, make your lives extraordinary”.

• Start with a powerful sentence: “I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear.”
• Use quotes to prove your point -”‘Ask someone how they feel about death’, he said, ‘and they’ll tell you everyone’s gonna die’. Ask them, ‘In the next 30 seconds?’ No, no, no, that’s not gonna happen”.
• Admit the basic truths about reality in a childlike way (especially after pondering quantum physics) – “I believe my wristwatch exists, and even when I am unconscious, it is ticking all the same. You have to start somewhere”.
• Let other thinkers prove your point. Use quotes and ideas from your favorite authors and friends.

8. George Orwell – Shooting an Elephant

Even after one reading, you’ll remember this one for years. The story, set in British Burma, is about shooting an elephant (it’s not for the squeamish). It’s also the most powerful denunciation of colonialism ever put into writing. Orwell, apparently a free representative of British rule, feels to be nothing more than a puppet succumbing to the whim of the mob.

• The first sentence is the most important one: “In Moulmein, in Lower Burma, I was hated by large numbers of people — the only time in my life that I have been important enough for this to happen to me”.
• You can use just the first paragraph to set the stage for the whole piece of prose.
• Use beautiful language that stirs the imagination: “I remember that it was a cloudy, stuffy morning at the beginning of the rains.” Or: “I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly air that elephants have.”
• If you’ve ever been to war, you will have a story to tell: “(Never tell me, by the way, that the dead look peaceful. Most of the corpses I have seen looked devilish.)”
• Use simple words, and admit the sad truth only you can perceive: “They did not like me, but with the magical rifle in my hands I was momentarily worth watching”.
• Share words of wisdom to add texture to the writing: “I perceived at this moment that when the white man turns tyrant it is his freedom that he destroys.”
• I highly recommend reading everything written by Orwell, especially if you’re looking for the best essay collections on Amazon or Goodreads.

9. George Orwell – A Hanging

It’s just another day in Burma – time to hang a man. Without much ado, Orwell recounts the grim reality of taking another person’s life. A man is taken from his cage and in a few minutes, he’s going to be hanged. The most horrible thing is the normality of it. It’s a powerful story about human nature. Also, there’s an extraordinary incident with the dog, but I won’t get ahead of myself.

• Create brilliant, yet short descriptions of characters: “He was a Hindu, a puny wisp of a man, with a shaven head and vague liquid eyes. He had a thick, sprouting mustache, absurdly too big for his body, rather like the mustache of a comic man on the films”.
• Understand and share the felt presence of a unique experience: “It is curious, but till that moment I had never realized what it means to destroy a healthy, conscious man”.
• Make your readers hear the sound that will stay with them forever: “And then when the noose was fixed, the prisoner began crying out on his god. It was a high, reiterated cry of “Ram! Ram! Ram! Ram!”
• Make the ending original by refusing the tendency to seek closure or summing it up.

10. Christopher Hitchens – Assassins of The Mind

In one of the greatest essays written in defense of free speech, Christopher Hitchens shares many examples of how modern media kneel to the explicit threats of violence posed by Islamic extremists. He recounts the story of his friend, Salman Rushdie, author of Satanic Verses who, for many years, had to watch over his shoulder because of the fatwa of Ayatollah Khomeini. With his usual wit, Hitchens shares various examples of people who died because of their opinions and of editors who refuse to publish anything related to Islam because of fear (and it was written long before the Charlie Hebdo massacre). After reading the essay, you realize that freedom of expression is one of the most precious things we have and that we have to fight for it. I highly recommend all essay collections penned by Hitchens, especially the ones written for Vanity Fair.

• Assume that the readers will know the cultural references. When they do, their self-esteem goes up – they are a part of an insider group.
• When proving your point, give a variety of real-life examples from eclectic sources. Leave no room for ambiguity or vagueness. Research and overall knowledge are essential here.
• Use italics to emphasize a specific word or phrase (here I use the underlining): “We live now in a climate where every publisher and editor and politician has to weigh in advance the possibility of violent Muslim reprisal. In consequence, several things have not happened.”
• Think about how to make it sound more original: “So there is now a hidden partner in our cultural and academic and publishing and the broadcasting world: a shadowy figure that has, uninvited, drawn up a chair to the table.”

11. Christopher Hitchens – The New Commandments

It’s high time to shatter the tablets and amend the biblical rules of conduct. Watch, as Christopher Hitchens slays one commandment after the other on moral, as well as historical grounds. For example, did you know that there are many versions of the divine law dictated by God to Moses which you can find in the Bible? Aren’t we thus empowered to write our version of a proper moral code? If you approach it with an open mind, this essay may change the way you think about the Bible and religion.

• Take the iconoclastic approach. Have a party on the hallowed soil.
• Use humor to undermine orthodox ideas (it seems to be the best way to deal with an established authority).
• Use sarcasm and irony when appropriate (or not): “Nobody is opposed to a day of rest. The international Communist movement got its start by proclaiming a strike for an eight-hour day on May 1, 1886, against Christian employers who used child labor seven days a week”.
• Defeat God on legal grounds: “Wise lawmakers know that it is a mistake to promulgate legislation that is impossible to obey”.
• Be ruthless in the logic of your argument. Provide evidence.

12. Phillip Lopate – Against Joie de Vivre

While reading this fantastic essay, this quote from Slavoj Žižek kept coming back to me: “I think that the only life of deep satisfaction is a life of eternal struggle, especially struggle with oneself. If you want to remain happy, just remain stupid. Authentic masters are never happy; happiness is a category of slaves”. I can bear the onus of happiness or joie de vivre for some time. But this force enables me to get free and wallow in the sweet feelings of melancholy and nostalgia. By reading this work of Lopate, you’ll enter into the world of an intelligent man who finds most social rituals a drag. It’s worth exploring.

• Go against the grain. Be flamboyant and controversial (if you can handle it).
• Treat the paragraph like a group of thoughts on one theme. Next paragraph, next theme.
• Use references to other artists to set the context and enrich the prose: “These sunny little canvases with their talented innocence, the third-generation spirit of Montmartre, bore testimony to a love of life so unbending as to leave an impression of rigid narrow-mindedness as extreme as any Savonarola. Their rejection of sorrow was total”.
• Capture the emotions in life that are universal, yet remain unspoken.
• Don’t be afraid to share your intimate experiences.

13. Philip Larkin – The Pleasure Principle

This piece comes from the Required Writing collection of personal essays. Larkin argues that reading in verse should be a source of intimate pleasure – not a medley of unintelligible thoughts that only the author can (or can’t?) decipher. It’s a sobering take on modern poetry and a great call to action for all those involved in it. Well worth a read.

• Write about complicated ideas (such as poetry) simply. You can change how people look at things if you express yourself enough.
• Go boldly. The reader wants a bold writer: “We seem to be producing a new kind of bad poetry, not the old kind that tries to move the reader and fails, but one that does not even try”.
• Play with words and sentence length. Create music: “It is time some of you playboys realized, says the judge, that reading a poem is hard work. Fourteen days in stir. Next case”.
• Persuade the reader to take action. Here, direct language is the most effective.

14. Sigmund Freud – Thoughts for the Times on War and Death

This essay reveals Freud’s disillusionment with the whole project of Western civilization. How the peaceful European countries could engage in a war that would eventually cost over 17 million lives? What stirs people to kill each other? Is it their nature, or are they puppets of imperial forces with agendas of their own? From the perspective of time, this work by Freud doesn’t seem to be fully accurate. Even so, it’s well worth your time.

• Commence with long words derived from Latin. Get grandiloquent, make your argument incontrovertible, and leave your audience discombobulated.
• Use unending sentences, so that the reader feels confused, yet impressed.
• Say it well: “In this way, he enjoyed the blue sea and the grey; the beauty of snow-covered mountains and green meadowlands; the magic of northern forests and the splendor of southern vegetation; the mood evoked by landscapes that recall great historical events, and the silence of untouched nature”.
• Human nature is a subject that never gets dry.

15. Zadie Smith – Some Notes on Attunement

“You are privy to a great becoming, but you recognize nothing” – Francis Dolarhyde. This one is about the elusiveness of change occurring within you. For Zadie, it was hard to attune to the vibes of Joni Mitchell – especially her Blue album. But eventually, she grew up to appreciate her genius, and all the other things changed as well. This top essay is all about the relationship between humans, and art. We shouldn’t like art because we’re supposed to. We should like it because it has an instantaneous, emotional effect on us. Although, according to Stansfield (Gary Oldman) in Léon, liking Beethoven is rather mandatory.

• Build an expectation of what’s coming: “The first time I heard her I didn’t hear her at all”.
• Don’t be afraid of repetition if it feels good.
• Psychedelic drugs let you appreciate things you never appreciated.
• Intertwine a personal journey with philosophical musings.
• Show rather than tell: “My friends pitied their eyes. The same look the faithful give you as you hand them back their “literature” and close the door in their faces”.
• Let the poets speak for you: “That time is past, / And all its aching joys are now no
• more, / And all its dizzy raptures”.
• By voicing your anxieties, you can heal the anxieties of the reader. In that way, you say: “I’m just like you. I’m your friend in this struggle”.
• Admit your flaws to make your persona more relatable.

16. Annie Dillard – Total Eclipse

My imagination was always stirred by the scene of the solar eclipse in Pharaoh, by Boleslaw Prus. I wondered about the shock of the disoriented crowd when they saw how their ruler could switch off the light. Getting immersed in this essay by Annie Dillard has a similar effect. It produces amazement and some kind of primeval fear. It’s not only the environment that changes; it’s your mind and the perception of the world. After the eclipse, nothing is going to be the same again.

• Yet again, the power of the first sentence draws you in: “It had been like dying, that sliding down the mountain pass”.
• Don’t miss the extraordinary scene. Then describe it: “Up in the sky, like a crater from some distant cataclysm, was a hollow ring”.
• Use colloquial language. Write as you talk. Short sentences often win.
• Contrast the numinous with the mundane to enthrall the reader.

17. Édouard Levé – When I Look at a Strawberry, I Think of a Tongue

This suicidally beautiful essay will teach you a lot about the appreciation of life and the struggle with mental illness. It’s a collection of personal, apparently unrelated thoughts that show us the rich interior of the author. You look at the real-time thoughts of another person, and then recognize the same patterns within yourself… It sounds like a confession of a person who’s about to take their life, and it’s striking in its originality.

• Use the stream-of-consciousness technique and put random thoughts on paper. Then, polish them: “I have attempted suicide once, I’ve been tempted four times to attempt it”.
• Place the treasure deep within the story: “When I look at a strawberry, I think of a tongue, when I lick one, of a kiss”.
• Don’t worry about what people might think. The more you expose, the more powerful the writing. Readers also take part in the great drama. They experience universal emotions that mostly stay inside.  You can translate them into writing.

18. Gloria E. Anzaldúa – How to Tame a Wild Tongue

Anzaldúa, who was born in south Texas, had to struggle to find her true identity. She was American, but her culture was grounded in Mexico. In this way, she and her people were not fully respected in either of the countries. This essay is an account of her journey of becoming the ambassador of the Chicano (Mexican-American) culture. It’s full of anecdotes, interesting references, and different shades of Spanish. It’s a window into a new cultural dimension that you’ve never experienced before.

• If your mother tongue is not English, but you write in English, use some of your unique homeland vocabulary.
• You come from a rich cultural heritage. You can share it with people who never heard about it, and are not even looking for it, but it is of immense value to them when they discover it.
• Never forget about your identity. It is precious. It is a part of who you are. Even if you migrate, try to preserve it. Use it to your best advantage and become the voice of other people in the same situation.
• Tell them what’s really on your mind: “So if you want to hurt me, talk badly about my language. Ethnic identity is twin skin to linguistic identity – I am my language”.

19. Kurt Vonnegut – Dispatch From A Man Without a Country

In terms of style, this essay is flawless. It’s simple, conversational, humorous, and yet, full of wisdom. And when Vonnegut becomes a teacher and draws an axis of “beginning – end”, and, “good fortune – bad fortune” to explain literature, it becomes outright hilarious. It’s hard to find an author with such a down-to-earth approach. He doesn’t need to get intellectual to prove a point. And the point could be summed up by the quote from Great Expectations – “On the Rampage, Pip, and off the Rampage, Pip – such is Life!”

• Start with a curious question: “Do you know what a twerp is?”
• Surprise your readers with uncanny analogies: “I am from a family of artists. Here I am, making a living in the arts. It has not been a rebellion. It’s as though I had taken over the family Esso station.”
• Use your natural language without too many special effects. In time, the style will crystalize.
• An amusing lesson in writing from Mr. Vonnegut: “Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college”.
• You can put actual images or vignettes between the paragraphs to illustrate something.

20. Mary Ruefle – On Fear

Most psychologists and gurus agree that fear is the greatest enemy of success or any creative activity. It’s programmed into our minds to keep us away from imaginary harm. Mary Ruefle takes on this basic human emotion with flair. She explores fear from so many angles (especially in the world of poetry-writing) that at the end of this personal essay, you will look at it, dissect it, untangle it, and hopefully be able to say “f**k you” the next time your brain is trying to stop you.

• Research your subject thoroughly. Ask people, have interviews, get expert opinions, and gather as much information as possible. Then scavenge through the fields of data, and pull out the golden bits that will let your prose shine.
• Use powerful quotes to add color to your story: “The poet who embarks on the creation of the poem (as I know by experience), begins with the aimless sensation of a hunter about to embark on a night hunt through the remotest of forests. Unaccountable dread stirs in his heart”. – Lorca.
• Writing advice from the essay: “One of the fears a young writer has is not being able to write as well as he or she wants to, the fear of not being able to sound like X or Y, a favorite author. But out of fear, hopefully, is born a young writer’s voice”.

21. Susan Sontag – Against Interpretation

In this highly intellectual essay, Sontag fights for art and its interpretation. It’s a great lesson, especially for critics and interpreters who endlessly chew on works that simply defy interpretation. Why don’t we just leave the art alone? I always hated it when at school they asked me: “What did the author have in mind when he did X or Y?” Iēsous Pantocrator! Hell if I know! I will judge it through my subjective experience!

• Leave the art alone: “Today is such a time, when the project of interpretation is reactionary, stifling. Like the fumes of the automobile and heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities”.
• When you have something really important to say, style matters less.
• There’s no use in creating a second meaning or inviting interpretation of our art. Just leave it be and let it speak for itself.

22. Nora Ephron – A Few Words About Breasts

This is a heartwarming, coming-of-age story about a young girl who waits in vain for her breasts to grow. It’s simply a humorous and pleasurable read. The size of breasts is a big deal for women. If you’re a man, you may peek into the mind of a woman and learn many interesting things. If you’re a woman, maybe you’ll be able to relate and at last, be at peace with your bosom.

• Touch an interesting subject and establish a strong connection with the readers (in that case, women with small breasts). Let your personality shine through the written piece. If you are lighthearted, show it.
• Use hyphens to create an impression of real talk: “My house was full of apples and peaches and milk and homemade chocolate chip cookies – which were nice, and good for you, but-not-right-before-dinner-or-you’ll-spoil-your-appetite.”
• Use present tense when you tell a story to add more life to it.
• Share the pronounced, memorable traits of characters: “A previous girlfriend named Solange, who was famous throughout Beverly Hills High School for having no pigment in her right eyebrow, had knitted them for him (angora dice)”.

23. Carl Sagan – Does Truth Matter – Science, Pseudoscience, and Civilization

Carl Sagan was one of the greatest proponents of skepticism, and an author of numerous books, including one of my all-time favorites – The Demon-Haunted World . He was also a renowned physicist and the host of the fantastic Cosmos: A Personal Voyage series, which inspired a whole generation to uncover the mysteries of the cosmos. He was also a dedicated weed smoker – clearly ahead of his time. The essay that you’re about to read is a crystallization of his views about true science, and why you should check the evidence before believing in UFOs or similar sorts of crap.

• Tell people the brutal truth they need to hear. Be the one who spells it out for them.
• Give a multitude of examples to prove your point. Giving hard facts helps to establish trust with the readers and show the veracity of your arguments.
• Recommend a good book that will change your reader’s minds – How We Know What Isn’t So: The Fallibility of Human Reason in Everyday Life

24. Paul Graham – How To Do What You Love

How To Do What You Love should be read by every college student and young adult. The Internet is flooded with a large number of articles and videos that are supposed to tell you what to do with your life. Most of them are worthless, but this one is different. It’s sincere, and there’s no hidden agenda behind it. There’s so much we take for granted – what we study, where we work, what we do in our free time… Surely we have another two hundred years to figure it out, right? Life’s too short to be so naïve. Please, read the essay and let it help you gain fulfillment from your work.

• Ask simple, yet thought-provoking questions (especially at the beginning of the paragraph) to engage the reader: “How much are you supposed to like what you do?”
• Let the readers question their basic assumptions: “Prestige is like a powerful magnet that warps even your beliefs about what you enjoy. It causes you to work not on what you like, but what you’d like to like”.
• If you’re writing for a younger audience, you can act as a mentor. It’s beneficial for younger people to read a few words of advice from a person with experience.

25. John Jeremiah Sullivan – Mister Lytle

A young, aspiring writer is about to become a nurse of a fading writer – Mister Lytle (Andrew Nelson Lytle), and there will be trouble. This essay by Sullivan is probably my favorite one from the whole list. The amount of beautiful sentences it contains is just overwhelming. But that’s just a part of its charm. It also takes you to the Old South which has an incredible atmosphere. It’s grim and tawny but you want to stay there for a while.

• Short, distinct sentences are often the most powerful ones: “He had a deathbed, in other words. He didn’t go suddenly”.
• Stay consistent with the mood of the story. When reading Mister Lytle you are immersed in that southern, forsaken, gloomy world, and it’s a pleasure.
• The spectacular language that captures it all: “His French was superb, but his accent in English was best—that extinct mid-Southern, land-grant pioneer speech, with its tinges of the abandoned Celtic urban Northeast (“boned” for burned) and its raw gentility”.
• This essay is just too good. You have to read it.

26. Joan Didion – On Self Respect

Normally, with that title, you would expect some straightforward advice about how to improve your character and get on with your goddamn life – but not from Joan Didion. From the very beginning, you can feel the depth of her thinking, and the unmistakable style of a true woman who’s been hurt. You can learn more from this essay than from whole books about self-improvement . It reminds me of the scene from True Detective, where Frank Semyon tells Ray Velcoro to “own it” after he realizes he killed the wrong man all these years ago. I guess we all have to “own it”, recognize our mistakes, and move forward sometimes.

• Share your moral advice: “Character — the willingness to accept responsibility for one’s own life — is the source from which self-respect springs”.
• It’s worth exploring the subject further from a different angle. It doesn’t matter how many people have already written on self-respect or self-reliance – you can still write passionately about it.
• Whatever happens, you must take responsibility for it. Brave the storms of discontent.

27. Susan Sontag – Notes on Camp

I’ve never read anything so thorough and lucid about an artistic current. After reading this essay, you will know what camp is. But not only that – you will learn about so many artists you’ve never heard of. You will follow their traces and go to places where you’ve never been before. You will vastly increase your appreciation of art. It’s interesting how something written as a list could be so amazing. All the listicles we usually see on the web simply cannot compare with it.

• Talking about artistic sensibilities is a tough job. When you read the essay, you will see how much research, thought and raw intellect came into it. But that’s one of the reasons why people still read it today, even though it was written in 1964.
• You can choose an unorthodox way of expression in the medium for which you produce. For example, Notes on Camp is a listicle – one of the most popular content formats on the web. But in the olden days, it was uncommon to see it in print form.
• Just think about what is camp: “And third among the great creative sensibilities is Camp: the sensibility of failed seriousness, of the theatricalization of experience. Camp refuses both the harmonies of traditional seriousness and the risks of fully identifying with extreme states of feeling”.

28. Ralph Waldo Emerson – Self-Reliance

That’s the oldest one from the lot. Written in 1841, it still inspires generations of people. It will let you understand what it means to be self-made. It contains some of the most memorable quotes of all time. I don’t know why, but this one especially touched me: “Every true man is a cause, a country, and an age; requires infinite spaces and numbers and time fully to accomplish his design, and posterity seems to follow his steps as a train of clients”. Now isn’t it purely individualistic, American thought? Emerson told me (and he will tell you) to do something amazing with my life. The language it contains is a bit archaic, but that just adds to the weight of the argument. You can consider it to be a meeting with a great philosopher who shaped the ethos of the modern United States.

• You can start with a powerful poem that will set the stage for your work.
• Be free in your creative flow. Do not wait for the approval of others: “What I must do is all that concerns me, not what the people think. This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness”.
• Use rhetorical questions to strengthen your argument: “I hear a preacher announce for his text and topic the expediency of one of the institutions of his church. Do I not know beforehand that not possibly say a new and spontaneous word?”

29. David Foster Wallace – Consider The Lobster

When you want simple field notes about a food festival, you needn’t send there the formidable David Foster Wallace. He sees right through the hypocrisy and cruelty behind killing hundreds of thousands of innocent lobsters – by boiling them alive. This essay uncovers some of the worst traits of modern American people. There are no apologies or hedging one’s bets. There’s just plain truth that stabs you in the eye like a lobster claw. After reading this essay, you may reconsider the whole animal-eating business.

• When it’s important, say it plainly and stagger the reader: “[Lobsters] survive right up until they’re boiled. Most of us have been in supermarkets or restaurants that feature tanks of live lobster, from which you can pick out your supper while it watches you point”.
• In your writing, put exact quotes of the people you’ve been interviewing (including slang and grammatical errors). It makes it more vivid, and interesting.
• You can use humor in serious situations to make your story grotesque.
• Use captions to expound on interesting points of your essay.

30. David Foster Wallace – The Nature of the Fun

The famous novelist and author of the most powerful commencement speech ever done is going to tell you about the joys and sorrows of writing a work of fiction. It’s like taking care of a mutant child that constantly oozes smelly liquids. But you love that child and you want others to love it too. It’s a very humorous account of what it means to be an author. If you ever plan to write a novel, you should read that one. And the story about the Chinese farmer is just priceless.

• Base your point on a chimerical analogy. Here, the writer’s unfinished work is a “hideously damaged infant”.
• Even in expository writing, you may share an interesting story to keep things lively.
• Share your true emotions (even when you think they won’t interest anyone). Often, that’s exactly what will interest the reader.
• Read the whole essay for marvelous advice on writing fiction.

31. Margaret Atwood – Attitude

This is not an essay per se, but I included it on the list for the sake of variety. It was delivered as a commencement speech at The University of Toronto, and it’s about keeping the right attitude. Soon after leaving university, most graduates have to forget about safety, parties, and travel and start a new life – one filled with a painful routine that will last until they drop. Atwood says that you don’t have to accept that. You can choose how you react to everything that happens to you (and you don’t have to stay in that dead-end job for the rest of your days).

• At times, we are all too eager to persuade, but the strongest persuasion is not forceful. It’s subtle. It speaks to the heart. It affects you gradually.
• You may be tempted to talk about a subject by first stating what it is not, rather than what it is. Try to avoid that.
• Simple advice for writers (and life in general): “When faced with the inevitable, you always have a choice. You may not be able to alter reality, but you can alter your attitude towards it”.

32. Jo Ann Beard – The Fourth State of Matter

Read that one as soon as possible. It’s one of the most masterful and impactful essays you’ll ever read. It’s like a good horror – a slow build-up, and then your jaw drops to the ground. To summarize the story would be to spoil it, so I recommend that you just dig in and devour this essay in one sitting. It’s a perfect example of “show, don’t tell” writing, where the actions of characters are enough to create the right effect. No need for flowery adjectives here.

• The best story you will tell is going to come from your personal experience.
• Use mysteries that will nag the reader. For example, at the beginning of the essay, we learn about the “vanished husband” but there’s no explanation. We have to keep reading to get the answer.
• Explain it in simple terms: “You’ve got your solid, your liquid, your gas, and then your plasma”. Why complicate?

33. Terence McKenna – Tryptamine Hallucinogens and Consciousness

To me, Terence McKenna was one of the most interesting thinkers of the twentieth century. His many lectures (now available on YouTube) attracted millions of people who suspect that consciousness holds secrets yet to be unveiled. McKenna consumed psychedelic drugs for most of his life and it shows (in a positive way). Many people consider him a looney, and a hippie, but he was so much more than that. He dared to go into the abyss of his psyche and come back to tell the tale. He also wrote many books (the most famous being Food Of The Gods ), built a huge botanical garden in Hawaii , lived with shamans, and was a connoisseur of all things enigmatic and obscure. Take a look at this essay, and learn more about the explorations of the subconscious mind.

• Become the original thinker, but remember that it may require extraordinary measures: “I call myself an explorer rather than a scientist because the area that I’m looking at contains insufficient data to support even the dream of being a science”.
• Learn new words every day to make your thoughts lucid.
• Come up with the most outlandish ideas to push the envelope of what’s possible. Don’t take things for granted or become intellectually lazy. Question everything.

34. Eudora Welty – The Little Store

By reading this little-known essay, you will be transported into the world of the old American South. It’s a remembrance of trips to the little store in a little town. It’s warm and straightforward, and when you read it, you feel like a child once more. All these beautiful memories live inside of us. They lay somewhere deep in our minds, hidden from sight. The work by Eudora Welty is an attempt to uncover some of them and let you get reacquainted with some smells and tastes of the past.

• When you’re from the South, flaunt it. It’s still good old English but sometimes it sounds so foreign. I can hear the Southern accent too: “There were almost tangible smells – licorice recently sucked in a child’s cheek, dill-pickle brine that had leaked through a paper sack in a fresh trail across the wooden floor, ammonia-loaded ice that had been hoisted from wet Croker sacks and slammed into the icebox with its sweet butter at the door, and perhaps the smell of still-untrapped mice”.
• Yet again, never forget your roots.
• Childhood stories can be the most powerful ones. You can write about how they shaped you.

35. John McPhee – The Search for Marvin Gardens

The Search for Marvin Gardens contains many layers of meaning. It’s a story about a Monopoly championship, but also, it’s the author’s search for the lost streets visible on the board of the famous board game. It also presents a historical perspective on the rise and fall of civilizations, and on Atlantic City, which once was a lively place, and then, slowly declined, the streets filled with dirt and broken windows.

• There’s nothing like irony: “A sign- ‘Slow, Children at Play’- has been bent backward by an automobile”.
• Telling the story in apparently unrelated fragments is sometimes better than telling the whole thing in a logical order.
• Creativity is everything. The best writing may come just from connecting two ideas and mixing them to achieve a great effect. Shush! The muse is whispering.

36. Maxine Hong Kingston – No Name Woman

A dead body at the bottom of the well makes for a beautiful literary device. The first line of Orhan Pamuk’s novel My Name Is Red delivers it perfectly: “I am nothing but a corpse now, a body at the bottom of a well”. There’s something creepy about the idea of the well. Just think about the “It puts the lotion in the basket” scene from The Silence of the Lambs. In the first paragraph of Kingston’s essay, we learn about a suicide committed by uncommon means of jumping into the well. But this time it’s a real story. Who was this woman? Why did she do it? Read the essay.

• Mysterious death always gets attention. The macabre details are like daiquiris on a hot day – you savor them – you don’t let them spill.
• One sentence can speak volumes: “But the rare urge west had fixed upon our family, and so my aunt crossed boundaries not delineated in space”.
• It’s interesting to write about cultural differences – especially if you have the relevant experience. Something normal for us is unthinkable for others. Show this different world.
• The subject of sex is never boring.

37. Joan Didion – On Keeping A Notebook

Slouching Towards Bethlehem is one of the most famous collections of essays of all time. In it, you will find a curious piece called On Keeping A Notebook. It’s not only a meditation about keeping a journal. It’s also Didion’s reconciliation with her past self. After reading it, you will seriously reconsider your life’s choices and look at your life from a wider perspective.

• When you write things down in your journal, be more specific – unless you want to write a deep essay about it years later.
• Use the beauty of the language to relate to the past: “I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing ‘How High the Moon’ on the car radio”.
• Drop some brand names if you want to feel posh.

38. Joan Didion – Goodbye To All That

This one touched me because I also lived in New York City for a while. I don’t know why, but stories about life in NYC are so often full of charm and this eerie-melancholy-jazz feeling. They are powerful. They go like this: “There was a hard blizzard in NYC. As the sound of sirens faded, Tony descended into the dark world of hustlers and pimps.” That’s pulp literature but in the context of NYC, it always sounds cool. Anyway, this essay is amazing in too many ways. You just have to read it.

• Talk about New York City. They will read it.
• Talk about the human experience: “It did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young?”
• Look back at your life and reexamine it. Draw lessons from it.

39. George Orwell – Reflections on Gandhi

George Orwell could see things as they were. No exaggeration, no romanticism – just facts. He recognized totalitarianism and communism for what they were and shared his worries through books like 1984 and Animal Farm . He took the same sober approach when dealing with saints and sages. Today, we regard Gandhi as one of the greatest political leaders of the twentieth century – and rightfully so. But did you know that when asked about the Jews during World War II, Gandhi said that they should commit collective suicide and that it: “would have aroused the world and the people of Germany to Hitler’s violence.” He also recommended utter pacifism in 1942, during the Japanese invasion, even though he knew it would cost millions of lives. But overall he was a good guy. Read the essay and broaden your perspective on the Bapu of the Indian Nation.

• Share a philosophical thought that stops the reader for a moment: “No doubt alcohol, tobacco, and so forth are things that a saint must avoid, but sainthood is also a thing that human beings must avoid”.
• Be straightforward in your writing – no mannerisms, no attempts to create ‘style’, and no invocations of the numinous – unless you feel the mystical vibe.

40. George Orwell – Politics and the English Language

Let Mr. Orwell give you some writing tips. Written in 1946, this essay is still one of the most helpful documents on writing in English. Orwell was probably the first person who exposed the deliberate vagueness of political language. He was very serious about it and I admire his efforts to slay all unclear sentences (including ones written by distinguished professors). But it’s good to make it humorous too from time to time. My favorite examples of that would be the immortal Soft Language sketch by George Carlin or the “Romans Go Home” scene from Monty Python’s Life of Brian. Overall, it’s a great essay filled with examples from many written materials. It’s a must-read for any writer.

• Listen to the master: “This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose.” Do something about it.
• This essay is all about writing better, so go to the source if you want the goodies.

Other Essays You May Find Interesting

The list that I’ve prepared is by no means complete. The literary world is full of exciting essays and you’ll never know which one is going to change your life. I’ve found reading essays very rewarding because sometimes, a single one means more than reading a whole book. It’s almost like wandering around and peeking into the minds of the greatest writers and thinkers that ever lived. To make this list more comprehensive, below I included more essays you may find interesting.

Oliver Sacks – On Libraries

One of the greatest contributors to the knowledge about the human mind, Oliver Sacks meditates on the value of libraries and his love of books.

Noam Chomsky – The Responsibility of Intellectuals

Chomsky did probably more than anyone else to define the role of the intelligentsia in the modern world . There is a war of ideas over there – good and bad – intellectuals are going to be those who ought to be fighting for the former.

Sam Harris – The Riddle of The Gun

Sam Harris, now a famous philosopher and neuroscientist, takes on the problem of gun control in the United States. His thoughts are clear of prejudice. After reading this, you’ll appreciate the value of logical discourse overheated, irrational debate that more often than not has real implications on policy.

Tim Ferriss – Some Practical Thoughts on Suicide

This piece was written as a blog post , but it’s worth your time. The author of the NYT bestseller The 4-Hour Workweek shares an emotional story about how he almost killed himself, and what can you do to save yourself or your friends from suicide.

Edward Said – Reflections on Exile

The life of Edward Said was a truly fascinating one. Born in Jerusalem, he lived between Palestine and Egypt and finally settled down in the United States, where he completed his most famous work – Orientalism. In this essay, he shares his thoughts about what it means to be in exile.

Richard Feynman – It’s as Simple as One, Two, Three…

Richard Feynman is one of the most interesting minds of the twentieth century. He was a brilliant physicist, but also an undeniably great communicator of science, an artist, and a traveler. By reading this essay, you can observe his thought process when he tries to figure out what affects our perception of time. It’s a truly fascinating read.

Rabindranath Tagore – The Religion of The Forest

I like to think about Tagore as my spiritual Friend. His poems are just marvelous. They are like some of the Persian verses that praise love, nature, and the unity of all things. By reading this short essay, you will learn a lot about Indian philosophy and its relation to its Western counterpart.

Richard Dawkins – Letter To His 10-Year-Old Daughter

Every father should be able to articulate his philosophy of life to his children. With this letter that’s similar to what you find in the Paris Review essays , the famed atheist and defender of reason, Richard Dawkins, does exactly that. It’s beautifully written and stresses the importance of looking at evidence when we’re trying to make sense of the world.

Albert Camus – The Minotaur (or, The Stop In Oran)

Each person requires a period of solitude – a period when one’s able to gather thoughts and make sense of life. There are many places where you may attempt to find quietude. Albert Camus tells about his favorite one.

Koty Neelis – 21 Incredible Life Lessons From Anthony Bourdain

I included it as the last one because it’s not really an essay, but I just had to put it somewhere. In this listicle, you’ll find the 21 most original thoughts of the high-profile cook, writer, and TV host, Anthony Bourdain. Some of them are shocking, others are funny, but they’re all worth checking out.

Lucius Annaeus Seneca – On the Shortness of Life

It’s similar to the Rubaiyat of Omar Khayyam because it praises life. Seneca shares some of his stoic philosophy and tells you not to waste your time on stupidities. Drink! – for once dead you shall never return.

Bertrand Russell – In Praise of Idleness

This old essay is a must-read for modern humans. We are so preoccupied with our work, our phones, and all the media input we drown in our business. Bertrand Russell tells you to chill out a bit – maybe it will do you some good.

James Baldwin – Stranger in the Village

It’s an essay on the author’s experiences as an African-American in a Swiss village, exploring race, identity, and alienation while highlighting the complexities of racial dynamics and the quest for belonging.

Bonus – More writing tips from two great books

The mission to improve my writing skills took me further than just going through the essays. I’ve come across some great books on writing too. I highly recommend you read them in their entirety. They’re written beautifully and contain lots of useful knowledge. Below you’ll find random (but useful) notes that I took from The Sense of Style and On Writing.

The Sense of Style – By Steven Pinker

• Style manuals are full of inconsistencies. Following their advice might not be the best idea. They might make your prose boring.
• Grammarians from all eras condemn students for not knowing grammar. But it just evolves. It cannot be rigid.
• “Nothing worth learning can be taught” – Oscar Wilde. It’s hard to learn to write from a manual – you have to read, write, and analyze.
• Good writing makes you imagine things and feel them for yourself – use word pictures.
• Don’t fear using voluptuous words.
• Phonesthetics – or how the words sound.
• Use parallel language (consistency of tense).
• Good writing finishes strong.
• Write to someone. Never write for no one in mind. Try to show people your view of the world.
• Don’t tell everything you are going to say in summary (signposting) – be logical, but be conversational.
• Don’t be pompous.
• Don’t use quotation marks where they don’t “belong”. Be confident about your style.
• Don’t hedge your claims (research first, and then tell it like it is).
• Avoid clichés and meta-concepts (concepts about concepts). Be more straightforward!
• Not prevention – but prevents or prevented – don’t use dead nouns.
• Be more vivid while using your mother tongue – don’t use passive where it’s not needed. Direct the reader’s gaze to something in the world.
• The curse of knowledge – the reader doesn’t know what you know – beware of that.
• Explain technical terms.
• Use examples when you explain a difficult term.
• If you ever say “I think I understand this” it probably means you don’t.
• It’s better to underestimate the lingo of your readers than to overestimate it.
• Functional fixedness – if we know some object (or idea) well, we tend to see it in terms of usage, not just as an object.
• Use concrete language instead of an abstraction.
• Show your work to people before you publish (get feedback!).
• Wait for a few days and then revise, revise, revise. Think about clarity and the sound of sentences. Then show it to someone. Then revise one more time. Then publish (if it’s to be serious work).
• Look at it from the perspective of other people.
• Omit needless words.
• Put the heaviest words at the end of the sentence.
• It’s good to use the passive, but only when appropriate.
• Check all text for cohesion. Make sure that the sentences flow gently.
• In expository work, go from general to more specific. But in journalism start from the big news and then give more details.
• Use the paragraph break to give the reader a moment to take a breath.
• Use the verb instead of a noun (make it more active) – not “cancellation”, but “canceled”. But after you introduce the action, you can refer to it with a noun.
• Avoid too many negations.
• If you write about why something is so, don’t spend too much time writing about why it is not.

On Writing Well – By William Zinsser

• Writing is a craft. You need to sit down every day and practice your craft.
• You should re-write and polish your prose a lot.
• Throw out all the clutter. Don’t keep it because you like it. Aim for readability.
• Look at the best examples of English literature . There’s hardly any needless garbage there.
• Use shorter expressions. Don’t add extra words that don’t bring any value to your work.
• Don’t use pompous language. Use simple language and say plainly what’s going on (“because” equals “because”).
• The media and politics are full of cluttered prose (because it helps them to cover up for their mistakes).
• You can’t add style to your work (and especially, don’t add fancy words to create an illusion of style). That will look fake. You need to develop a style.
• Write in the “I” mode. Write to a friend or just for yourself. Show your personality. There is a person behind the writing.
• Choose your words carefully. Use the dictionary to learn different shades of meaning.
• Remember about phonology. Make music with words .
• The lead is essential. Pull the reader in. Otherwise, your article is dead.
• You don’t have to make the final judgment on any topic. Just pick the right angle.
• Do your research. Not just obvious research, but a deep one.
• When it’s time to stop, stop. And finish strong. Think about the last sentence. Surprise them.
• Use quotations. Ask people. Get them talking.
• If you write about travel, it must be significant to the reader. Don’t bother with the obvious. Choose your words with special care. Avoid travel clichés at all costs. Don’t tell that the sand was white and there were rocks on the beach. Look for the right detail.
• If you want to learn how to write about art, travel, science, etc. – read the best examples available. Learn from the masters.
• Concentrate on one big idea (“Let’s not go peeing down both legs”).
• “The reader has to feel that the writer is feeling good.”
• One very helpful question: “What is the piece really about?” (Not just “What the piece is about?”)

Now immerse yourself in the world of essays

By reading the essays from the list above, you’ll become a better writer , a better reader, but also a better person. An essay is a special form of writing. It is the only literary form that I know of that is an absolute requirement for career or educational advancement. Nowadays, you can use an AI essay writer or an AI essay generator that will get the writing done for you, but if you have personal integrity and strong moral principles, avoid doing this at all costs. For me as a writer, the effect of these authors’ masterpieces is often deeply personal. You won’t be able to find the beautiful thoughts they contain in any other literary form. I hope you enjoy the read and that it will inspire you to do your writing. This list is only an attempt to share some of the best essays available online. Next up, you may want to check the list of magazines and websites that accept personal essays .

Digital marketing course: Join my full AI Marketing course, with over 6h and 30 minutes of video lessons and 5 bonuses and learn the skills necessary to thrive as a marketer in the digital era.

Rafal Reyzer

Hey there, welcome to my blog! I'm a full-time entrepreneur building two companies, a digital marketer, and a content creator with 10+ years of experience. I started RafalReyzer.com to provide you with great tools and strategies you can use to become a proficient digital marketer and achieve freedom through online creativity. My site is a one-stop shop for digital marketers, and content enthusiasts who want to be independent, earn more money, and create beautiful things. Explore my journey here , and don't miss out on my AI Marketing Mastery online course.

Find anything you save across the site in your account

Personal Essays

The Hair Does the Talking

By Hanif Abdurraqib

How I Proposed to My Girlfriend

By Kathryn Schulz

When Williamsburg Was on the Wrong Side of the River

By Jami Attenberg

Mayfield, Before and After

By Bobbie Ann Mason

Sunday Reading: Personal Reflections

By Erin Overbey

My Failed Attempts to Hoard Anything at All

By David Sedaris

Stalking a Rustically Hip Family on Instagram

By Emily Flake

A Dark Ride

By James Marcus

Julius: The Story of a Premature Birth

By Jon Michaud

The Nick Cave Song That Changed My Life

Nearby and Familiar: A Strategy for Picking Restaurants

By Calvin Trillin

Two Sister-Poets Gone Too Soon: Ntozake Shange and My Sister

By Hilton Als

The Sordid Necessity of Living for Others

By Justin Torres

Memories of V. S. Naipaul

By Paul Theroux

I’ve Quit Writing Personal Essays About Quitting Things: A Personal Essay

By Jake Tuck

My Father and Sandy Koufax

By David Sipress

The Personal-Essay Boom Is Over

By Jia Tolentino

One Child’s Life

• Share full article

Advertisement

Supported by

The Winners of Our 2nd Annual Personal Narrative Contest

A parent’s illness. A first love. A new friend. Seven short, powerful essays from teenagers about meaningful life moments.

By The Learning Network

In October, we invited students to submit short, powerful stories about meaningful life experiences for our second annual personal narrative writing contest . Three months, 60 judges and nearly 9,000 entries later, we have selected seven winners, as well as 130 additional finalists, that stood out for their superb storytelling, moving messages and artistic use of language.

These 600-word essays offer us a peek into the lives of teenagers and the moments that have shaped them: a meal from a mother’s home country; a father’s terminal illness; a sexual assault; an unexpected first love.

And while these essays struck us because of their uniqueness, underneath they were stories that almost anyone, anywhere could relate to — stories about family and belonging, about claiming one’s identity, about seeing the world (and oneself) anew, about cherishing life in the face of death.

Below, we are publishing the seven winning narratives in full. We hope that, like our judges, you’ll admire the way they capture the reader’s attention with vivid details and voice and how they teach us something not only about the teenagers who wrote them, but also about the moments, big and small, that bring meaning to our lives.

Scroll to the bottom of this post to see the names of all the students we are honoring — seven winners, 13 runners-up, 22 honorable mentions and 95 more Round 4 finalists. Congratulations to all of our finalists, and thank you to everyone who participated!

(Note to students: We have published the names, ages and schools of students from whom we have received permission to do so. If you would like yours published, please write to us at [email protected] .)

Student Narrative Contest Winners

The winning narratives, honorable mentions, round 4 finalists.

“Contraband” by Yana Johnson age 14, Heathwood Hall Episcopal School, Columbia, S.C.

Seated in opposing rows, we faced each other like child soldiers, armed only with well-prepared notes and hastily scribbled marginalia. I recalled my teacher’s debate tips: no straw man arguments, no logical fallacies. Mrs. Hutchinson’s gray acrylics drummed the metal of her Yeti as she gave instructions that hardly anyone heard.

“Be respectful, don’t go over your time. As you all know, the topic is immigration …”

With determination like ours, there was no chance of defeat. At least, that’s the mantra my team lived by; I was less certain.

A boy who barely stood four feet tall spoke first, using words bigger than his body. Statistically speaking … hypothetically … nevertheless. Staring into an imaginary camera above Mrs. Hutchinson’s bun, he held his hands over his stomach with the feigned grandeur of a TV anchor.

Soon after his opening argument, I took the floor. Although my opponent smiled as she shook my hand, her parting palm squeeze felt vaguely threatening. Brushing it off, I banished all fear of embarrassment and spoke. I was a pied piper, enticing listeners with a melody of facts and statistics.

“Emma, your response?” Mrs. Hutchinson prompted.

“Look.” She clenched and unclenched her hands before finally holding them behind her back. “We can argue about this forever, but America is for Americans. There can be good immigrants, but they’re the exception, not the rule.”

Her words were a blanket of thorns. Worse than her words was the absolute conviction she spoke with; not a drop of uncertainty, nor an ounce of regret. I had never spoken with such certitude in my life.

“You have 20 seconds for a response,” Mrs. Hutchinson reminded me, leaning in with anticipation as if expecting me to lunge at Emma in a burst of outrage.

As a first-generation American, what Emma said simply wasn’t true. I wanted to make her re-evaluate her understanding of “American” because my Kittitian family members were just as American as my Southern family. I just wanted to say something. Anything. But that would have been an act of desperation, inviting a fate worse than death — humiliation.

I had spent my life dissociating myself from my lineage whenever convenient. With friends and peers, I blended in as an all-American Southerner who liked sweet tea and Chick-fil-A. With family, I pretended to understand sentences spoken through incomprehensible Caribbean accents and dug my nails into my palms trying not to cough up ginger beer. A cultural chameleon, I lived by way of camouflaging myself to my environment. But when one of my masquerades came under attack, which hat did I wear to speak? Would I even speak at all?

Being first-generation was something I was proud of, but as I returned to my seat having said nothing in my defense, I realized that was just a lie I told myself. I treated my heritage like contraband, to be hidden and hopefully never revealed at the wrong moment. For that, I was ashamed not of my identity, but of myself.

Buried beneath self-pity, I didn’t hear Mrs. Hutchinson declare my team the winner, and was only alerted by my teammates shaking my shoulders and chanting in celebration. Deepening my state of melancholy, I realized no one else was thinking what I was. To them, Emma’s words were a decent, albeit forgettable, argument. To me, they were salt in a wound.

We stepped in front of the desks to shake the hands of the other team. My opponent shook my hand for the second time that afternoon, just as energetically as before.

“Fun, right?” She smiled.

Wryly, I smiled back.

“Peach Pie” by Elisabeth Stewart age 15, College Station High School, College Station, Tex.

When the phone finally stopped ringing and the house lay still with grief, I filled my home with the aroma of flaky pie crust and sweet peaches to mask the scent of worry that still lingered.

The weekend after the diagnosis, Mom had copied and pasted the same text to each concerned relative, old friend and college roommate: Jay was diagnosed with a type of early-onset dementia in April. We had an appointment with a neurologist in Houston last week. His condition is called Pick’s disease. We are going back in a few weeks for more information.

Then Mom put down the phone, rubbed her forehead, and suggested that we go for a drive.

I grabbed my newly-minted learner’s permit and started the Nissan Pathfinder we bought from our neighbors after Dad’s company confiscated his truck. On the interstate, we passed a fluttering banner with bold red letters: “Fredericksburg peaches, the best fruit you can find in Central Texas.” Mom slipped on a medical mask and went to negotiate with the vendor.

Now in our kitchen, peach juice seeped through the cardboard box onto the counter. I rinsed a ripe peach under the sink and lifted the fruit to my lips. Juice dribbled down my chin to my arm. The sweet smell diffused into the living room and pulled Dad away from the football reruns on TV.

“Oh! You got peaches?” His large stomach pressed into the counter as he eyed the fruit with childish glee.

“Here,” I handed him a green serrated knife. “We’re making peach cobbler.”

I showed him how to peel the skin off the fleshy fruit, run the blade around the seed, and loosen the peach halves to cut the juicy fruit. As I made pie dough, he asked questions: How long does it take to bake? How much sugar? Are you adding almond extract? How many peaches? What should I do with the seeds? I combined our efforts with a lattice topping over the bed of peaches, and then signaled Dad to open the oven.

Standing there at the counter, showing him how to slice and measure and mix in a calm, firm voice, I suddenly felt grown up. The summer had reversed our roles; now, I was the adult, wincing as the blade neared his fingers. Mom worked through quarantine, so I stayed home and cooked his dinner, washed his T-shirts and helped him make phone calls. When Dad asked the same question every night — “Are we eating inside or outside?” — I always gave him the same answer, unless the August heat decided to scorch the patio. I stayed up late thinking about him and anxiously monitored him like an overbearing caretaker.

That same day, long before the afternoon drive and peach cobbler, I had held my tears as I read the prognosis for Pick’s disease: four to 10 years, depending on how fast the damaged proteins overpower Dad’s brain. I decided then that I would be grateful for just four more years with Dad, enough for him to see me become an adult for real.

Once the pie crust shone golden through the tinted oven door, we gathered on the patio to eat and watch the birds. I savored the moment and the warm dessert before either of us aged further: silver spoons clinking in fiesta bowls, vanilla ice cream melting over the cobbler, both warm and cold and perfectly sweet, a memory to cherish in the coming weeks when we wouldn’t have the time for baking or long evening drives.

“The Bottom of a Swimming Pool” by Annie Johnson age 15, Dublin Coffman High School, Dublin, Ohio

There’s solace in the bottom of a swimming pool, that’s what I used to believe. To me, there was nothing better than feeling the water fill my ears and fold over my head until my feet scraped the concrete bottom. The feeling of disappearing.

Through the lenses of my pink-tinted goggles, underwater was magical. The cracks in the tiling lining the walls, the disembodied legs kicking for stable ground, the sun overhead reduced to a few weak rays barely shattering the water’s surface — it all created such a sublime kind of picture. When it got dark, the lights on the sides of the pool would turn on, dim yellow circles to guide swimmers to the walls. They always reminded me of the glowing eyes of deadly sea dragons, able to devour anyone (even grown-up fourth-grade teachers) in one bite.

Even better, though, was the sound. In the open air, sound was too insistent. The noises of the pool all demanded your attention: the lifeguard’s shrill whistle, the smacking of tiny feet across the ground, the hundreds of voices demanding different things. “Can I get a —” “Owww! Quit —” “Stop splashing!” It reminded me of the school cafeteria, packed full of vicious kids: no rhyme, no reason, too loud to read a book in. But beneath the surface, things were quiet. The sounds that used to overwhelm me lost all their power, garbled and muffled. They intermingled with the sloshing of the water and the gentle blub-blub of air bubbles escaping my nose. It was not random, all the noises worked together to create a symphony. Harmony.

Perhaps the best thing about the bottom of a swimming pool, though, was that at the bottom of a swimming pool, I was alone. I didn’t have to worry about anyone splashing or kicking or shoving me aside. I didn’t have to worry about anyone making fun of my dumb bathing suit or my bug-eyed goggles. I didn’t have to worry about Mrs. Mills pretending not to see me when my hand was raised, or Sasha Grey’s friends giggling when I was the first to finish my times tables. They were all far, far away up on the surface. It was only me. Just me.

I used to wish I could live underwater. Mermaids didn’t have to go to school. Mermaids didn’t call other mermaids nerds or freaks.

But once, when I came up for air, I spotted a girl my age at the other side of the pool. We locked eyes before I went back under, just for a second. I didn’t think anything of it — girls like her usually didn’t want to be seen around me — until I felt a soft tug on my ankle, and I spied her next to me. She actually wanted to talk to me. She wanted to be friends.

So we talked. And I found out that she liked Pokémon and Warrior Cats just like I did. And we begged out parents to give us $3 so we could buy Popsicles, and we competed to see who could make the biggest splash, and when it got dark and the lights came on, we explored the depths of the pool together. She never once mentioned the scabs on my knees or the gaps between my teeth. She just laughed and said that she liked spending time with me. I liked spending time with her, too. I really did.

I didn’t spend so much time at the bottom of a swimming pool after that. How could I when there was so much waiting for me on the surface?

“Pink Paper Gowns” by Katin Sarner age 18, Palos Verdes Peninsula High School, Rolling Hills Estates, Calif.

I grasp my underwear and pull them down, watching the white fabric land around my feet. I am naked; exposed. I look across the room at the Pink Paper Gown, walk over, and unfold its perfect symmetry. I wrap it around my cold body and tie the plastic string around my waist. I sit on the side of the chair with two stirrups extending from the end, my feet resting on the cold wooden floor. For a moment, I wonder: How many other women have had to wear the Pink Paper Gown?

The short, kind doctor comes in and asks me to lay down. Though hesitant, I follow her directions; she is, in fact, the first person I ever saw in this world. She delivered me 17 years before. The last time she saw me, I was pure, innocent, unaware; my blue, childish eyes never having seen the harsh truths of this world. Now, I am her patient, for reasons I am horrified to admit.

The doctor walks to the end of the chair. One blue glove at a time, she prepares. My feet are in the stirrups, but I remain with my knees together. I know she is safe. I know she is just doing her job, but still, I don’t want to spread them.

“I’m just going to check around and make sure everything is OK. Just spread your legs …”

She lifts the Pink Paper Gown. I am scared; not of her, but of the memories I know will flood my mind when the blue gloves land on my skin. However, I do as she says. For the first time since Him, I am being touched. I know she is a doctor. I know she is safe. The Woman in the Blue Chair and I talked about this. Yet, I can’t stand it. I close my eyes, tight. The memories come, and I lay there, trying not to cry. All I picture in my mind is Him. His terrifying brown eyes, His grotesque pink sweatshirt, His dangerous hands. I look down to remind myself that it is the doctor down there, not Him.

“I have to insert one of my fingers to feel for any tearing, OK?”

She feels around. I want to cry. I might throw up. I can’t do this.

I see him on top of me … my head banging against the side of the car … my hands on his chest …

I try to remember what The Woman in The Blue Chair would tell me to do. Breathe in for five, hold for five, exhale for five. This isn’t working …

Right as I feel as if I can’t handle it any longer, she is done. She said He probably tore some things, but it’s been long enough for the damage to heal. Even my own body fails to provide evidence to prove that I’m the real victim, not Him. My body may have fixed itself, but my mind cannot repair on its own. I should have come six months ago. I should have told my mom back in May about the spots of blood I kept finding in my underwear all month long.

We talked more about what happened.

“And you still go to school with Him?”

She says that she should do an STD test just in case.

I lay back down. I put my feet back up. I spread my knees. The cotton swab enters. I hold my breath once more.

Again, I wonder: How many other women have had to wear the Pink Paper Gown?

“A Friday Afternoon in Spring” by Madeleine Luntley age 17, Webber Academy, Calgary, Alberta

We went to see a movie one Friday afternoon. It was spring; there was no snow on the ground, but I was still cold. I don’t remember many other details. Whether the movie was good or bad, whether the theater was crowded or not, I couldn’t say — I only remember that it was a Friday because we had a half-day at school, and we only ever get half-days on Fridays.

When I’m nervous, unlike most people, my hands don’t get sweaty; they just get cold, clammy, and a chill spreads throughout my entire body until I can scarcely draw a breath, engulfed in frigid paralysis. We were walking a knife’s edge that day, on either side of the knife unspoken emotions, the air between us tense with timorous anticipation. One wrong word, one misstep, and we were liable to tumble into the vast unknown. I was freezing.

I don’t remember the movie because I was focused on a hand, inches from mine, occasionally moving to dip into the popcorn we were sharing, salt and butter coating pale fingertips. I longed to take that hand in my own, but I didn’t; I kept rubbing my palms against my dark-wash jeans, trying to heat up my hands, my arms, my chest, with some small morsel of friction.

We sat in the car a while after the movie. The late day sun fell through the windshield, striking her skin and bathing it in white-wine light, and she was radiant. An old ballad filtered through the speakers, a fifties star singing about a woman in a velvet voice existing in stark dichotomy to what was happening between us.

In the end, it was her who grabbed my hand and jumped off that precarious edge we had been tiptoeing along for what felt like an eternity, throwing caution into Zephyrus’s hands. With those juvenile words everyone longs to hear in their melodramatic adolescence, when they are an insecure, doe-eyed high-school student, we fell.

“I like you.”

She whispered it like one would whisper a secret under the cover of darkness, tenebrous night making the speaker confident. The words fell heavy onto my ears, the weight of their implication pressing onto my chest, combining with the ice in my body, stealing the air from my lungs.

I was terrified.

I was terrified because I was abnormal, because no one really told me as a kid that girls can like girls and boys can like boys, and because my first kiss was followed with a slap to the face after the girl realized that I wasn’t joking, and God, what were people going to say? What would my parents say? I was terrified, so I didn’t reply. We sat in silence, listening to that balladeer croon about being rejected once again. I got out of her car after the song finished and went home.

Whenever I spoke to her after that, my hands were cold.

Her vulnerability that day was a double-edged sword, and we both ended up bloody. Leaving her words unacknowledged felt like leaving an open wound to fester. Neither of us, however, were willing to speak. We acted like nothing had happened at all, making snide remarks about everyday happenings, gossiping innocently about school goings-on. But, it was a kind of breathless normalcy — we were just waiting, waiting for a time when we were old enough, brave enough, to meet her confession head-on.

If she were a boy, I might have kissed her that spring Friday in her car. My hands might have been warm as I drove home.

“Perfectly Pan-Fried Tofu” by Charis June Lee age 16, West Springfield High School, Springfield, Va.

The familiar smell of garlic, soy sauce, and onion permeated through the air as I opened my lunch bag to see what my mom had packed for me. On any other occasion, I would have been delighted to eat my mom’s braised pan-fried tofu: a Korean dish that I often ate for dinner. But not today, the day a nice girl had invited me, the new girl at school, to sit with her friends during lunch.

“Charis, over here!” My new friend was waving her arms, trying to get my attention.

As I prepared to walk over to the table, memories of elementary and middle school lunch times resurfaced. I remembered my embarrassment as my friends would hold their noses, or not-so-subtly scoot away from me when I brought homemade Korean food. I remembered how my embarrassment shifted to anger when I complained about the smell to my mom.

I had argued with my mom that I wanted “normal” food for lunch. I remembered the look on my mom’s face, a mix between disappointment and confusion. But I was adamant and she relented because she worried about my making new friends every time we moved. So for the remainder of middle school, my mom packed odorless, non-Korean fare like ham and cheese sandwiches. However, that day, she was in a rush to get to her new job and packed me leftovers from dinner.

As soon as I got to my new lunch table, I tried to sneak my bright lunch bag down under my seat before anyone noticed the strong smell. I looked up to see the other girls at the table, opening their normal American lunches. I sat meekly, trying not to be noticed when Katrina, a new acquaintance, asked where my food was.

“I’m not really hungry,” I replied in an insecure voice. But Katrina had already seen me carry my lunch so she spurted out, “Then, I’ll eat it!” The other girls laughed — apparently Katrina was known to be the lunch scavenger.

I didn’t want to be rude to a potentially new friend, so I reluctantly dragged out my lunch bag and unzipped it. The moment I partially lifted the lid, I could practically taste the garlic and soy sauce. The girls, piqued by the smell wafting through the air, all curiously peered at the oval-shaped Pyrex container. I expected an “Ew” or a “What is that?”

I expected them to turn away — and turn me away. What I did not expect was for Katrina to instantly grab a small piece of tofu and eat it ravenously. And I most certainly did not expect for her to encourage the rest of the table to try my lunch.

It took me a second to recognize that my foreign, Korean food was not being rejected; in fact, it had become a source of personal pride. My new friends were going on about how lucky I was that my mom took the time to prepare a cooked meal for me. They were enchanted by the fact that tofu could actually taste good. While I didn’t get to eat any of my mom’s pan-fried tofu, I was full — of pride and gratitude.

When I arrived home, my mom asked how my day went. Answering with a simple “Good,” I pulled out my Pyrex container from my lunch bag.

“I’m sorry. I didn’t have time to buy bread or ham yesterday.” But when she noticed that the container was empty, she hesitated before asking, “How was the food?”

I paused a moment before I replied, “Perfect.”

“Love at First Offhand Compliment” by Leah Gomez age 17, Saint Mary’s Hall, San Antonio, Tex.

When I turned 16, I cut off all my hair. Those long, spiraling locks whose crispy ends fell to my hips represented the days when I hid my face behind a curtain of curls, the days when I had social anxiety (how embarrassing!), something I had decided not to have anymore. My cosmetic transformation proved to be a righteous decision. I arrived at school a changed woman, and that day, the heavens split wide open as an angelic chorus descended from swirling clouds and God Himself smiled on me with the warmth of a thousand suns.

That day, a boy told me he liked my hair.

I immediately understood this boy to be The One. He flirted with me more than he flirted with other girls, and sometimes even looked at me while I spoke. I wrote him love letters in the form of homework questions that could easily have been answered by any sentient rock, and my affections were reciprocated in late night Snapchats of his forehead, or, if he was being particularly bold, his forehead and one eye. Our playful back-and-forth persisted in this manner and maybe even developed into a friendship. Ultimately, I learned that if you ruin your sleep schedule in order to text a boy at night for 10 solid months, he may just ask you out.

In the shimmering light of the summer evening sky, I ate a few bites of overpriced ramen across a tiny table from a real live guy who had actually asked me out on a date. When he reached for the bill to signify that it was, in fact, a date, his hand briefly grazed mine, and I felt my cheeks flush with the distinct rosy tinge of heteronormativity. As we left the restaurant, it began to rain, and we took refuge in an ice cream shop where he once more paid for me to pretend to eat while dutifully sucking in my stomach. Summoning all my skills of seduction, I flaunted sophistication in my sultriest tone:

“This ice cream is so good that I’m, like, literally having an aneurysm,” I observed.

“Actually, I think it’s ‘burst’ an aneurysm,” he said.

My heart fluttered. He had such a way with words.

Based on every movie I had ever seen in my life, I anticipated that our intense flirtation would culminate in a kiss good night before I sped away in my dad’s visibly deteriorating 2001 Honda Civic. In our final moments together, I stared deeply into his gleaming, enigmatic gaze and, as I leaned one shoulder toward him, received a one-armed side hug and a “Bye, Leah!” that lingered uncomfortably in the air. Whether the unease in my gut stemmed from this disappointing departure or my severe IBS, I could never know. But one thing was for sure — I had done everything right. Right?

A true gentleman, he ended things a few weeks later in a two-sentence Snapchat. In a response riddled with exclamation points, I let my concern for his feelings eclipse my own. Painfully embarrassed, I dismissed myself as idiotic for believing a boy could ever like me. I knew I was to blame for equating the slightest amount of male approval with the highest standard of human decency.

I couldn’t remember where I learned to do that.

Stuck between guilt and confusion, I once again took scissors to the braid that reached halfway down my back. It’s strange; even though I consider feminism to be the most essential tenet of my existence, the whispers of the patriarchy are sometimes so soft that they sound like my own thoughts.

In alphabetical order by the writer’s last name.

“Mourning Dirt” by Yuan Gao age 17, Nanjing Foreign Language School, Nanjing, China

“Crows by the Beach” by Huda Haque age 17, Panther Creek High School, Cary, N.C.

“Potato Salad” by Connie Jiang age 15, Palo Alto High School, Palo Alto, Calif.

“Trembling Confidence” by Aarti Kalamangalam age 16, Eastside High School, Gainesville, Fla.

“What’s My Name?” by Yeheun Kim age 17, Penn Foster High School, Scranton, Penn.

“Fish Eyes” by Naomi Ling age 15, River Hill High School, Clarksville, Md.

“Abigail Adams: The Second First Lady of America and the First Lady of My Heart” by Elly Pickette age 17, Winsor School, Boston

“That’s the Thing — I Don’t Remember” by Anna Popnikolova age 13, Nantucket High School, Nantucket, Mass.

“Self-Reliance” by K.R. age 17, Mount Desert Island High School, Mount Desert, Me.

“Homecoming” by Charlotte Rediker age 16, Phillips Academy, Andover, Mass.

“Blame It on Me” by Daphne Wang age 14, Dougherty Valley High School, San Ramon, Calif.

“BLOOM” by Paxton Woodard age 15, Jasper Place High School, Edmonton, Alberta

“Don’t Apologize”

“شكرا — Thank You” by Sarah Alamir age 16, Hinsdale Central High School, Hinsdale, Ill.

“Authentically Korean” by Lucy Alejandro age 17, Thomas Jefferson High School for Science and Technology, Alexandria, Va.

“Cows and Bullets” by Aylin Miranda age 17, Granite Hills High School, El Cajon, Calif.

“Autumn in New York” by Emeline Blohm age 17, Brooklyn Technical High School, New York, N.Y.

“ The New Normal” by Peyton Burton age 16, Windermere High School, Windermere, Fla.

“Three Strikes And You’re Out” by Hannah Chen Age 16, Singapore American School, Singapore

“Connection Found” by Sonia Cherian Age 15, Castilleja School, Palo Alto, Calif.

“Child’s Play” by Maggie Craig Age 16, South Forsyth High School, Cumming, Ga.

“My New Shoes” by Said El Kadi Age 16, American Community School At Beirut, Beirut, Lebanon

“Roadkill” by Isabella Fan Age 17, Montgomery Blair High School, Silver Spring, Md.

“How to Eat Lunch at School (Except You Have No Friends)” by Finley

“A Funeral to Remember” by Korbin Kane age 17, Northern Utah Academy for Math, Engineering and Science, Layton, Utah

“I Just Wanted Some Tea” by Sujin Kim age 16, Loomis Chaffee School, Windsor, Conn.

“Chocolate Towers” by Niko Malouf age 15, Grover Cleveland Charter High School, Reseda, Calif.

“Growth” by Asher Mehr age 16, de Toledo High School, Los Angeles

“Do Not Underestimate a Jellyfish” by Eleanor Mills age 18, Pioneer High School, Ann Arbor, Mich.

“June” by Jacqueline Munis age 17, Lower Merion High School, Ardmore, Penn.

“Jump Roping” by Cloris Shi age 13, Jeffrey Trail Middle School, Irvine, Calif.

“Up There in the Sky” by Olivia Theaker age 16, Arroyo Grande High School, Arroyo Grande, Calif.

“The Young Boy And The Sea” by Gabriel Thomas age 14, Brookline High School, Brookline, Mass.

“Perpetual Worry and Other Afflictions” by Sakshi Umrotkar age 16, Mission San Jose High School, Fremont, Calif.

“Flash” by Qi Wu age 18, Nanjing Foreign Language School, Nanjing, China

A PDF of all the winners and 95 more great narratives that made it to Round 4.

Thank you to all of our contest judges!

Eria Ayisi, Edward Bohan, Elda Cantú, Julia Carmel, Elaine Chen, Nancy Coleman, Nicole Daniels, Sarah Deming, Shannon Doyne, Alexandra Eaton, Jeremy Engle, Tracy Evans, Arden Evers, Kyelee Fitts, Vivian Giang, Caroline Crosson Gilpin, Michael Gonchar, Emma Grillo, Jenny Gross, Kari Haskell, Julia Heavey, Michaella Heavey, Kimberly Hintz, Callie Holterman, Sharilyn Hufford, Jeremy Hyler, Lauren Jackson, Susan Josephs, Sophia June, Shira Katz, Megan Leder, Miya Lee, Lisa Letostak, Alice Liang, Emmett Lindner, Kathleen Massara, Keith Meatto, Sue Mermelstein, Claire Miller, Tara Murphy, Amelia Nierenberg, John Otis, Rene Panozzo, Tara Parker-Pope, Ken Paul, Anna Pendleton, Raegen Pietrucha, Natalie Proulx, Steven Rocker, Kristina Samulewski, Juliettte Seive, Jesica Severson, Josh Smith, Matt Twomey, Matt Vigil, Tanya Wadhwani, Jacqueline Weitzman, Kim Wiedmeyer, Sara Wortinger and Stephanie Yemm

Narrative Essay Writing

Personal Narrative Essay

Personal Narrative Essay - Easy Guide & Examples

16 min read

Published on: Apr 18, 2020

Last updated on: Mar 24, 2024

People also read

How to Write a Narrative Essay in Simple Steps

Interesting Narrative Essay Topics and Ideas

20+ Top Narrative Essay Examples by Experts

Share this article

A personal narrative essay can be a fun way to share your life story with friends and family. However, most students have no idea how to write a personal narrative essay. 

This can be a challenge. On top of that, it's one of the most common assignments in school.

Is this something that you are also dealing with? Fortunately, you don't have to worry anymore! We are here to simplify the process for you.

This guide will walk you through the process of writing a personal narrative essay step by step. Plus, you can find plenty of examples here to help you get started and avoid common writing mistakes. 

So what are you waiting for, take a step forward to make your essay shine!

On This Page On This Page -->

Personal Narrative Essay Definition

What is a Personal Narrative Essay? 

A personal narrative essay is also referred to as short storytelling. It depends on the writer's type of story they want to tell the readers. This type of essay can be composed of the personal experience of the writer. 

A personal narrative essay is usually written in the first person participle. It helps to depict a clear narrative that’s focused on a specific moment.

Usually, high school students are usually assigned to write such essays. Writing these essays helps them to enhance creative writing skills. Also, they help to provide insight into a student’s personal life. 

To write a personal narrative essay, the writer specifies a plot around which the entire essay revolves. Moreover, the plot should also discuss the characters that have played some part in the story.

Sample Personal Narrative Essay (PDF)

How to Start a Personal Narrative Essay?  

The personal narrative essay requires a balance between objectivity and subjectivity. To write about an event or situation with significance, you must first identify what's important to share with the readers.

As with other types of writing - there are some guidelines you need to follow some guidelines. These are;

1. Choose the Right Topic 

A good topic can not just make your essay look good, but also it will make the writing process much easier. Since personal narrative essays are written on personal experiences and thoughts, make sure you choose your most interesting experience. 

Keep in mind that the topic you choose matches the intended audience. It is the reader who decides the scope and success of your essay.

2. Choose a Theme 

You can also choose a theme for your essay. This will help you focus on what you want to say. You can use your personal experiences to explore the theme in depth.  For example, if you choose the theme of love, you could talk about your experience of love with your sister(s).  Alternatively, you can start writing out the story and see if any ideas might relate to a bigger theme. When you are writing, pay attention to any ideas that keep coming up. See if they might be related to a bigger topic.

3. Create a Thesis Statement 

The thesis statement is the most important sentence and tells the reader what your essay will be about.  

In a personal narrative essay, the thesis statement can briefly explore the story's events. Or it can tell the reader about the moral or lesson learned through personal experience. The thesis statement can also present the main theme of the essay. 

For example, if you are writing an essay about your personal experience as a refugee. You may have a thesis statement that presents the theme of freedom.

Check out more thesis statement examples to learn how to write one!

4. Create an Outline 

Once you have your topic, it is time that you create an outline for your essay. The essay outline is an essential element of an essay. It keeps the whole composition in an organized order. 

Also, it helps the reader through the essay. With the help of an outline, a writer can provide logic for the essay. 

Personal Narrative Essay Outline

Being a student, you must know how important an outline is for an essay. It provides an organization with the whole content.

To create an outline for a personal narrative essay, you need to follow the following traditional method.

Introduction

These three major elements of a  narrative essay  are further elaborated down below.

The introduction is the most important part of essay writing. It is the first impression on the reader; by reading this part, the reader decides the quality of the essay. This part should be the most attention-grabbing part. 

It should have an attention-grabbing hook and some background information about the topic. Moreover, it should include the thesis statement, which explains the main idea of your essay.

Keep in mind that the essay introduction should always end with a transition sentence. This will make a logical connection with the rest of the essay. 

Personal Narrative Introduction Example

Body Paragraphs 

After the introduction, the body paragraphs are written. These paragraphs help you to explain the key elements of your personal narrative essay. 

In a standard personal narrative essay, there are usually three body paragraphs. These paragraphs help the writer to describe the subject of the essay in all possible aspects. 

With the help of these paragraphs, the writer describes their point of view to the readers. To support the essay, the time and place of the event happening are also mentioned. Moreover, these paragraphs have all the information about the characters. 

Keep in mind that a body starts with a topic sentence . This sentence is a kind of introductory sentence for that particular paragraph.

Another important thing you need to keep in mind is the order in which you will present the details. Make sure that you use chronological order for this purpose. 

Personal Narrative Body Example

In conclusion, you need to provide the climax of the story. 

In this section of a personal narrative essay, you should wrap up the whole story. Do it in such a way that you provide a summary of the entire essay. 

Your conclusion should be just as impactful as your introduction. End with a memorable sentence or thought that leaves the reader with a lasting impression. You can summarize the main points of your essay or reflect on the significance of the experience in your life.

Make sure that you do not add any new points in this part. It will not give the reader a sense of accomplishment and will leave them in confusion. 

Personal Narrative Conclusion Example

How to Write a Personal Narrative Essay

A personal narrative essay is considered very good when it is expressive, and the reader enjoys your personal narrative. The key to writing an amazing personal narrative is to use sensory details as much as possible.

An excellent narrative essay doesn't tell what happened. Instead, it shows what happened precisely and how you have felt at that moment.

Here is how you can write a personal narrative essay:

• Start With a Good Hook 

For any type of essay , a hook statement can be a game-changer. But, particularly for a personal narrative essay, hook sentences are very important. 

Usually, the introduction of the essay starts with this sentence. You may use a famous quotation, verse, or an interesting fact for this purpose. This sentence helps to attain the reader’s attention and persuade the reader to read the entire essay. 

• Vivid Description 

For a narrative essay, it is a must to be vivid enough to let the reader imagine the whole scene. This is why it is necessary that the writer uses as much descriptive language as possible. 

For instance, if you are writing about a visit to the beach, you can describe how the sun felt on your face. On top of that, making use of strong verbs and adjectives will also help to provide an engaging experience for readers.  

• Use Transition Words 

For any essay, be it an argumentative essay , descriptive essay , or personal narrative essay. It is very important to have some transition sentences and words. These transition words help to make a logical connection in all parts of the essay. 

In other words, the transition words help to make links between the storyline. You may use transition words like this, however, whereas, therefore, moreover, etc.

• Add Emotions 

The purpose of a personal narrative essay is to show the reader what and how you have felt. Hence don't forget to add the emotions, as you have to make the reader know about the feelings. 

Describe all of the emotions and feelings using very descriptive words. 

• Be Consistent 

Consistency is the key to writing an essay in a professional way. Make sure that you don't get distracted by any irrelevant details. 

Stay focused on one single point, and add details related to your specific idea.  Make sure that you inter-link all the events of the story in a regular manner. This will help the reader to relate all the events. Also, use first-person impressions as you are writing a personal narrative. 

You also want to show the reader that you are telling your own story. Make sure that you follow the same participle in the entire essay. 

• Prove the Significance of Your Experience 

You know that behind every event, there is a reason. Similarly, let your readers know the reason behind your essay and its significance. 

Also, mention that the story you just told was important to share. 

As it is a personal narrative, you don't have to provide evidence to prove the significance of your story. Rather, you have to convey a broader message through your story. 

• Use Dialogue

Dialogue is an excellent way to bring life to your story and make it more engaging. It can reveal the character’s personalities and add a touch of realism to the essay. 

When you use dialogue, make sure to punctuate it correctly and indicate who is speaking.

• Show, Don't Tell

When writing a personal narrative essay, avoid summarizing events and simply telling the story. Instead, use sensory details to help the reader experience the story with you. 

Describe what you saw, heard, felt, tasted, and smelled to bring the story to life.

• Reflect on the Experience

Reflection is an important part of any personal narrative essay. It is an opportunity for you to reflect on the experience you are writing about and what it means to you. Take the time to think about what you learned from the experience and how it has shaped you as a person.

Once you are done with writing your personal narrative essay. It's time that you put a little effort into making it error-free. Proofread the essay more than once and look for minor spelling mistakes and other grammatical mistakes. 

This will ensure that you have written an essay like a pro. You can do this yourself or you may ask a friend to do it for you.

To understand better how to write a personal narrative essay, take a few moments to watch the video below!

Tough Essay Due? Hire a Writer!

Free Personal Narrative Essay Examples

Examples help you to understand things better; here are a few well-written  narrative essay examples . Read them thoroughly and use them as a guide to writing a good essay yourself.

Personal Narrative Essay 750 words

Personal narrative essays can be long or short. It depends on the writer how they want to elaborate things.

750 Words Personal Narrative Essay (PDF)

Personal Narrative Essay Examples for High School Students

Personal narrative essays are often assigned to high school students. If you are a high school student and looking for some good examples, you are exactly where you should be.

Best Summer Memory of My Childhood (PDF)

Near-Death Experience (PDF)

Personal Narrative Essay Examples for College Students

Being a college student, you will often get to write personal narrative essays. Here are a few examples of well-written personal narrative essays to guide college students.

Climbing a Mountain (PDF)

My First Job (PDF)

Want to get a better understanding? Dive into the wide collection of our narrative essay examples !

Personal Narrative Essay Topics

It is important to choose a good topic before you start writing. Here are some interesting  narrative essay topics  you can choose from for your essay.

• My worst childhood memory
• My favorite summer activities during vacation.
• The first time I had a serious argument with my best friend
• The first time someone broke my heart.
• Things I could tell myself.
• How I balance my family life and my professional life.
• The most important rule in life
• Teachers who inspired me in my college.
• Why I love to write a diary
• My favorite New York Times Article.
• My favorite movie.
• Personal advice for the youth of today.
• How I overcame my stage fear.
• The toughest decision I have ever made.
• What I regret most

Need some inspiration to craft your essay? Our expansive list of narrative essay topics will provide you with plenty of ideas!

Personal Narrative Essay Writing Tips

You need to follow a few things in order to start your personal narrative essay in a proper way. Those significant things are as follows:

• Think of a memorable event, an unforgettable experience, or any that you want to tell the readers.
• Plan your narrative essay. Make yourself clear on the order in which you want to mention all the details.
• Start your personal essay with a hook sentence. This will help you to grab the attention of the readers.
• Use vivid language so that the reader can imagine the whole scene in mind. Describe the actions, mood, theme, and overall plot.
• Make sure that you use descriptive language.
• Use proper sentence structure.

In conclusion,

writing a personal narrative essay can be daunting for many students.

So, step into the world of professional essay writing with our specialized narrative essay writing service . We're committed to crafting compelling stories that capture and engage.

For added convenience and innovation, don't forget to check out our essay writer online , an AI tool designed to refine and elevate your writing experience. Join us today and transform your writing journey!

Cathy A. (Literature, Marketing)

For more than five years now, Cathy has been one of our most hardworking authors on the platform. With a Masters degree in mass communication, she knows the ins and outs of professional writing. Clients often leave her glowing reviews for being an amazing writer who takes her work very seriously.

Paper Due? Why Suffer? That’s our Job!

Keep reading

• Privacy Policy
• Cookies Policy
• Terms of Use
• Refunds & Cancellations
• Our Writers
• Success Stories
• Our Guarantees
• Affiliate Program
• Referral Program
• AI Essay Writer

Disclaimer: All client orders are completed by our team of highly qualified human writers. The essays and papers provided by us are not to be used for submission but rather as learning models only.

click here to read it now

Read this week's magazine

The Top 10 Essays Since 1950

Robert Atwan, the founder of The Best American Essays series, picks the 10 best essays of the postwar period. Links to the essays are provided when available.

Fortunately, when I worked with Joyce Carol Oates on The Best American Essays of the Century (that’s the last century, by the way), we weren’t restricted to ten selections. So to make my list of the top ten essays since 1950 less impossible, I decided to exclude all the great examples of New Journalism--Tom Wolfe, Gay Talese, Michael Herr, and many others can be reserved for another list. I also decided to include only American writers, so such outstanding English-language essayists as Chris Arthur and Tim Robinson are missing, though they have appeared in The Best American Essays series. And I selected essays , not essayists . A list of the top ten essayists since 1950 would feature some different writers.

To my mind, the best essays are deeply personal (that doesn’t necessarily mean autobiographical) and deeply engaged with issues and ideas. And the best essays show that the name of the genre is also a verb, so they demonstrate a mind in process--reflecting, trying-out, essaying.

James Baldwin, "Notes of a Native Son" (originally appeared in Harper’s , 1955)

“I had never thought of myself as an essayist,” wrote James Baldwin, who was finishing his novel Giovanni’s Room while he worked on what would become one of the great American essays. Against a violent historical background, Baldwin recalls his deeply troubled relationship with his father and explores his growing awareness of himself as a black American. Some today may question the relevance of the essay in our brave new “post-racial” world, though Baldwin considered the essay still relevant in 1984 and, had he lived to see it, the election of Barak Obama may not have changed his mind. However you view the racial politics, the prose is undeniably hypnotic, beautifully modulated and yet full of urgency. Langston Hughes nailed it when he described Baldwin’s “illuminating intensity.” The essay was collected in Notes of a Native Son courageously (at the time) published by Beacon Press in 1955.

Norman Mailer, "The White Negro" (originally appeared in Dissent , 1957)

An essay that packed an enormous wallop at the time may make some of us cringe today with its hyperbolic dialectics and hyperventilated metaphysics. But Mailer’s attempt to define the “hipster”–in what reads in part like a prose version of Ginsberg’s “Howl”–is suddenly relevant again, as new essays keep appearing with a similar definitional purpose, though no one would mistake Mailer’s hipster (“a philosophical psychopath”) for the ones we now find in Mailer’s old Brooklyn neighborhoods. Odd, how terms can bounce back into life with an entirely different set of connotations. What might Mailer call the new hipsters? Squares?

Read the essay here .

Susan Sontag, "Notes on 'Camp'" (originally appeared in Partisan Review , 1964)

Like Mailer’s “White Negro,” Sontag’s groundbreaking essay was an ambitious attempt to define a modern sensibility, in this case “camp,” a word that was then almost exclusively associated with the gay world. I was familiar with it as an undergraduate, hearing it used often by a set of friends, department store window decorators in Manhattan. Before I heard Sontag—thirty-one, glamorous, dressed entirely in black-- read the essay on publication at a Partisan Review gathering, I had simply interpreted “campy” as an exaggerated style or over-the-top behavior. But after Sontag unpacked the concept, with the help of Oscar Wilde, I began to see the cultural world in a different light. “The whole point of camp,” she writes, “is to dethrone the serious.” Her essay, collected in Against Interpretation (1966), is not in itself an example of camp.

John McPhee, "The Search for Marvin Gardens" (originally appeared in The New Yorker , 1972)

“Go. I roll the dice—a six and a two. Through the air I move my token, the flatiron, to Vermont Avenue, where dog packs range.” And so we move, in this brilliantly conceived essay, from a series of Monopoly games to a decaying Atlantic City, the once renowned resort town that inspired America’s most popular board game. As the games progress and as properties are rapidly snapped up, McPhee juxtaposes the well-known sites on the board—Atlantic Avenue, Park Place—with actual visits to their crumbling locations. He goes to jail, not just in the game but in fact, portraying what life has now become in a city that in better days was a Boardwalk Empire. At essay’s end, he finds the elusive Marvin Gardens. The essay was collected in Pieces of the Frame (1975).

Read the essay here (subscription required).

Joan Didion, "The White Album" (originally appeared in New West , 1979)

Huey Newton, Eldridge Cleaver, and the Black Panthers, a recording session with Jim Morrison and the Doors, the San Francisco State riots, the Manson murders—all of these, and much more, figure prominently in Didion’s brilliant mosaic distillation (or phantasmagoric album) of California life in the late 1960s. Yet despite a cast of characters larger than most Hollywood epics, “The White Album” is a highly personal essay, right down to Didion’s report of her psychiatric tests as an outpatient in a Santa Monica hospital in the summer of 1968. “We tell ourselves stories in order to live,” the essay famously begins, and as it progresses nervously through cuts and flashes of reportage, with transcripts, interviews, and testimonies, we realize that all of our stories are questionable, “the imposition of a narrative line upon disparate images.” Portions of the essay appeared in installments in 1968-69 but it wasn’t until 1979 that Didion published the complete essay in New West magazine; it then became the lead essay of her book, The White Album (1979).

Annie Dillard, "Total Eclipse" (originally appeared in Antaeus , 1982)

In her introduction to The Best American Essays 1988 , Annie Dillard claims that “The essay can do everything a poem can do, and everything a short story can do—everything but fake it.” Her essay “Total Eclipse” easily makes her case for the imaginative power of a genre that is still undervalued as a branch of imaginative literature. “Total Eclipse” has it all—the climactic intensity of short fiction, the interwoven imagery of poetry, and the meditative dynamics of the personal essay: “This was the universe about which we have read so much and never before felt: the universe as a clockwork of loose spheres flung at stupefying, unauthorized speeds.” The essay, which first appeared in Antaeus in 1982 was collected in Teaching a Stone to Talk (1982), a slim volume that ranks among the best essay collections of the past fifty years.

Phillip Lopate, "Against Joie de Vivre" (originally appeared in Ploughshares , 1986)

This is an essay that made me glad I’d started The Best American Essays the year before. I’d been looking for essays that grew out of a vibrant Montaignean spirit—personal essays that were witty, conversational, reflective, confessional, and yet always about something worth discussing. And here was exactly what I’d been looking for. I might have found such writing several decades earlier but in the 80s it was relatively rare; Lopate had found a creative way to insert the old familiar essay into the contemporary world: “Over the years,” Lopate begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” He goes on to dissect in comic yet astute detail the rituals of the modern dinner party. The essay was selected by Gay Talese for The Best American Essays 1987 and collected in Against Joie de Vivre in 1989 .

Edward Hoagland, "Heaven and Nature" (originally appeared in Harper’s, 1988)

“The best essayist of my generation,” is how John Updike described Edward Hoagland, who must be one of the most prolific essayists of our time as well. “Essays,” Hoagland wrote, “are how we speak to one another in print—caroming thoughts not merely in order to convey a certain packet of information, but with a special edge or bounce of personal character in a kind of public letter.” I could easily have selected many other Hoagland essays for this list (such as “The Courage of Turtles”), but I’m especially fond of “Heaven and Nature,” which shows Hoagland at his best, balancing the public and private, the well-crafted general observation with the clinching vivid example. The essay, selected by Geoffrey Wolff for The Best American Essays 1989 and collected in Heart’s Desire (1988), is an unforgettable meditation not so much on suicide as on how we remarkably manage to stay alive.

Jo Ann Beard, "The Fourth State of Matter" (originally appeared in The New Yorker , 1996)

A question for nonfiction writing students: When writing a true story based on actual events, how does the narrator create dramatic tension when most readers can be expected to know what happens in the end? To see how skillfully this can be done turn to Jo Ann Beard’s astonishing personal story about a graduate student’s murderous rampage on the University of Iowa campus in 1991. “Plasma is the fourth state of matter,” writes Beard, who worked in the U of I’s physics department at the time of the incident, “You’ve got your solid, your liquid, your gas, and there’s your plasma. In outer space there’s the plasmasphere and the plasmapause.” Besides plasma, in this emotion-packed essay you will find entangled in all the tension a lovable, dying collie, invasive squirrels, an estranged husband, the seriously disturbed gunman, and his victims, one of them among the author’s dearest friends. Selected by Ian Frazier for The Best American Essays 1997 , the essay was collected in Beard’s award-winning volume, The Boys of My Youth (1998).

David Foster Wallace, "Consider the Lobster" (originally appeared in Gourmet , 2004)

They may at first look like magazine articles—those factually-driven, expansive pieces on the Illinois State Fair, a luxury cruise ship, the adult video awards, or John McCain’s 2000 presidential campaign—but once you uncover the disguise and get inside them you are in the midst of essayistic genius. One of David Foster Wallace’s shortest and most essayistic is his “coverage” of the annual Maine Lobster Festival, “Consider the Lobster.” The Festival becomes much more than an occasion to observe “the World’s Largest Lobster Cooker” in action as Wallace poses an uncomfortable question to readers of the upscale food magazine: “Is it all right to boil a sentient creature alive just for our gustatory pleasure?” Don’t gloss over the footnotes. Susan Orlean selected the essay for The Best American Essays 2004 and Wallace collected it in Consider the Lobster and Other Essays (2005).

Read the essay here . (Note: the electronic version from Gourmet magazine’s archives differs from the essay that appears in The Best American Essays and in his book, Consider the Lobster. )

I wish I could include twenty more essays but these ten in themselves comprise a wonderful and wide-ranging mini-anthology, one that showcases some of the most outstanding literary voices of our time. Readers who’d like to see more of the best essays since 1950 should take a look at The Best American Essays of the Century (2000).

• You are a subscriber but you have not yet set up your account for premium online access. Contact customer service (see details below) to add your preferred email address and password to your account.
• You forgot your password and you need to retrieve it. Click here to retrieve reset your password.
• Your company has a site license, use our easy login. Enter your work email address in the Site License Portal.

• Skip to main content
• Skip to primary sidebar

EveryWriter

A New Community of Writers

100 Greatest Narrative Essay Topics

January 5, 2024 by Richard Leave a Comment

Welcome to our 100 Greatest Narrative Essay topics of all time list. These topics are written about over and over again by students and writers all over the world, and they are made new every time someone tells their story. Sharing personal stories can be a powerful way to connect with others. Whether it’s a humorous anecdote or an impactful life event, narrative essays give readers a glimpse into someone else’s world while reminding them of our shared humanity.

So, if you are having a hard time coming up with a topic to write about, try these 100. We seek to provide inspiration for your personal narrative essay. It compiles a list of 100 narrative essay topics ranging from lighthearted tales about childhood memories to profound life-changing events. With so many options, readers are sure to find an experience in their own lives that they can transform into an engaging first-person story.

Some of these narrative essay ideas evoke positive emotions – like achieving a major accomplishment, traveling somewhere new, or meeting someone influential. Other prompts allow reflection on challenging experiences – like encountering failure, coping with loss or illness, or facing down fears. The list also includes topics perfect for humor pieces – because the best personal narratives often share smiles and laughter too.

Readers can take a look at the list and see which topic speaks to them. Then they can start drafting their own unique story. Because each person’s tale offers its own dose of wisdom, inspiration, and connection. The stories readers craft based on these ideas will surely impact others.

Here are 100 potential narrative essay topics:

• A time I overcame a fear
• The day I met my best friend
• A family vacation that went wrong
• The experience of learning to ride a bike
• Attending my first concert
• My most difficult class in school so far
• My proudest accomplishment
• A time I failed at something
• My experience learning a new language
• Meeting someone famous
• My experience as a camp counselor
• My favorite family holiday tradition
• The first time I traveled alone
• A challenging hike I went on
• Moving to a new place
• Getting my first pet
• Being bullied as a child
• My first day of high school
• My experience playing on a sports team
• The day I got my driver’s license
• Something funny my parent or sibling did
• Working an unpleasant job as a teenager
• Volunteering in my community
• The day I became an older sibling
• A parenting lesson my parents taught me
• Attending my first homecoming dance
• My favorite birthday celebration
• A cooking disaster story
• My experience getting stitches or breaking a bone
• A mentor who impacted my life
• My most memorable act of kindness from a stranger
• The adoption of my pet
• My experience being homeschooled
• Starting a new hobby as an adult
• My fondest childhood memory
• My first heartbreak
• My experience with online school
• My journey recovering from an injury
• Being a working student
• Writing my first poem or short story
• My scariest nightmare
• Making a move to live on my own
• Coping with my parents’ divorce
• My adventure backpacking overseas
• My most memorable day playing childhood games
• The time I performed on stage
• A cherished family tradition
• My proudest moment as a parent
• Meeting my grandparents for the first time
• My experience being an older sibling
• My fondest memory of a family pet
• My most memorable birthday
• My most humbling moment
• My first experience with snow
• A difficult goodbye
• My favorite place to spend time as a child
• Winning an award
• My favorite holiday gathering
• Studying abroad in college
• Moving to a new city after graduation
• My experience voting for the first time
• A favorite item from my childhood
• My experience overcoming sickness or surgery
• My favorite family vacation
• A memorable weekend road trip
• My first paying job
• My experience on the first day of a new school
• Celebrating a cultural holiday
• How I learned to overcome a bad habit
• Staying up all night with friends
• Attending prom
• My experience being home alone
• Getting elected as a group leader
• Preparing for a major storm
• Learning a lesson about honesty
• The day I rescued an animal
• My first impression of a famous landmark
• My most memorable celebrity encounter
• My experience with online dating
• My first car buying experience
• Deciding my college major
• Changing career paths
• My experience with unrequited love
• Meeting an idol or someone I admire
• My experience dealing with loss
• My biggest regret
• My proudest problem solving moment
• My favorite concert experience
• My experience with an act of heroism
• My first time trying an extreme sport
• How I overcame my biggest fear
• My experience with an ethical dilemma
• My most spiritual experience
• My most terrifying moment
• A major turning point in my life
• My best day ever
• My worst day ever
• My experience immigrating to a new country
• My experience parenting multiples (twins, triplets etc)
• My funniest travel mishap

As evident, there is no shortage of engaging topics for personal narrative essays. The experiences humans accumulate throughout their lives – whether they make one laugh, cry, or change who one is – are what connects people at one’s core. Hopefully this list has provided some inspiration. Now one can take a chosen story and make it shine by adding rich details, thoughtful reflection, a meaningful central message, and a unique voice. After all, the magic manifests through the telling, and every individual has a one-of-a-kind tale only they can share. So embrace the memories and truths to craft an essay that resonates. Who knows which lives one’s words might touch or perspectives they may broaden? When more narratives are exchanged, perhaps we will begin to see that while specific adventures may differ, at heart most seek similar things – joy, purpose, wisdom, catharsis. And by reading others’ stories, people expand their wells of compassion. So take up the pen and start composing the next great personal narrative. Those words cannot wait to be read!

Related posts:

• 1000 Writing Prompts
• Writing Prompts for High School Students
• Daily Writing Prompts
• Daily writing prompts for high school 
• 31 Creepy Writing Prompts for Every Day of October

About Richard

Richard Everywriter (pen name) has worked for literary magazines and literary websites for the last 25 years. He holds degrees in Writing, Journalism, Technology and Education. Richard has headed many writing workshops and courses, and he has taught writing and literature for the last 20 years.  

In writing and publishing he has worked with independent, small, medium and large publishers for years connecting publishers to authors. He has also worked as a journalist and editor in both magazine, newspaper and trade publications as well as in the medical publishing industry.   Follow him on Twitter, and check out our Submissions page .

Reader Interactions

Leave a reply cancel reply.

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Privacy Overview

• Advertising & Partnerships
• Give Back 💞

• Movie Night Ideas
• Games & Tech
• Home & DIY
• Themed Parties
• Pop Culture & Nostalgia
• Brain Snacks
• Art & Design
• Health & Self-Care
• Destinations & Travel Guides
• Themed Hotels
• Glamping / Camping
• Responsible Travel
• World Snacks
• Foodie Recipes
• Foodie Travel Guides
• Unique Restaurants
• Fun Gift Lists

Select Page

Famous Personal Narrative Essays About Life

Posted by Jella Erhard | Books & Comics , Brain Snacks , GEEK OUT , Health & Self-Care | 0

Sharing is caring!

Last Updated on May 13, 2022 by Jella Erhard

Read some of the most thought-provoking personal narrative essays about life experiences that will change the way you think. You’ll find here some of the most popular best short narrative essays to read if you want to challenge yourself and the way you think about the world.

PIN ME for later

Thought-Provoking Short Narrative Essays About Life

*Disclaimer: Some links on AsianaCircus.com are affiliate links. If you click through and make a purchase we may receive a small commission (at no additional cost to you).

If you’ve been looking for some of the most famous essays about life, home, identity, love, death, and everything in between then you’re at the right place. We created this narrative essay list to help you explore some of the most celebrated and thought-provoking personal narrative essays of all time.

You’ll find here some of the most beloved novelists of all time who wrote essays on a wide variety of vital topics. These brilliant and inspiring narrative essays will not only make you think deeper about yourself and the world around you but will help you understand your favorite author’s thought process and worldview better.

RELATED: Thought-Provoking Books About Good & Evil

Thanks to these short narrative essays you’ll be able to explore larger than life themes in inspiring and creative ways that’ll give you comfort and can answer some of your biggest questions and doubts. You’ll not only find her some of the best personal narrative essays of all time but also lesser-known gems that’ll surprise you.

So get ready to find answers to some of the biggest philosophical questions about life, relationships, and our existence through classic and modern stories about war, feminism, racial injustice, class conflicts, everyday life, and even gaming.

10| Why I Write By Joan Didion – 1976

Buy It Here

If you’re looking for personal narrative essays about life and writing then you should check out Didion’s works. ‘ Why I Write ‘ is one of her most famous essays about writing and you’ll get an insider look into her creative process, the reasons she became a writer, as well learn about her fascinating journey as a writer.

You can read her personal narrative essay ‘ Why I Write ‘ for free online here . or you can get one of her many brilliant essay collections to get to know her work and life better. Probably her most popular book is her memoir; ‘ The Year Of Magical Thinking ‘ but her essays are just as illuminating and entertaining to read so give it a try.

9| It’s Silly To Be Frightened Of Being Dead by Diana Athill – 2014

If you’ve been looking for essays about war and the meaning of life and death then Diana Athill’s personal narrative essay ‘ It’s Silly To Be Frightened Of Being Dead ‘ is a great choice for you. Athill discusses her life from childhood and what was it like to be a kid in the 1920s, during World War 2, and until the present day.

Athill was 96 when she wrote her absorbing short essay and its focus is death, killing, and dying and her shifting attitude towards it all. You can read her essay online for free here but we also recommend checking out her other works and essay collections.

8| Bad Feminist by Roxane Gay – 2012

Roxane Gay is one of the most influential and beloved essay writers of our time and for a good reason. Her writing is not only relatable but insightful, sharp, and it’ll also surely make you laugh. You can read her essay online for free here .

However, if you’re interested in reading more personal narrative essays about feminism and what it’s really like to be a woman in today’s society then you should check out her bestselling essay collection too.

7| Mother Tongue by Amy Tan – 1990

Amy Tan’s beautiful personal narrative essay is about her life as a second-generation Chinese-American and her relationship with her Chinese mom. It’s a brilliantly written short essay that explores language, culture, and how loving but difficult mother/daughter relationships can be.

You can read her essay for free online here . You should read her other works too if you’re interested in diverse writers and cultural topics and especially if you’re also into thought-provoking fiction books. Her novel most famous novel ‘ The Joy Luck Club ‘ spent 40 weeks on the New York Times best seller list and it explores the same fascinating and thought-provoking subjects.

6| Self-Reliance by Ralph Waldo Emerson – 1841

If you’re here because you’re looking for inspirational personal narrative essays about life that will make you think differently and most likely change your life for the better then you should read ‘ Self-Reliance ‘.

Ralph Waldo Emerson became the most widely known essayist and ‘man of letters’ in America during his lifetime and he is still one of the most influential essayists of all time. His thought-provoking personal narrative essay is about life and how to live it with integrity and will help you understand why it’s important to live fully authentically as yourself.

You can read the essay online for free here . or you can check out his other essays, poetry, and other writings on a wide variety of topics that will surely make you think differently about life, relationships, self-acceptance, and self-love.

5| Destroy All Monsters by Paul La Farge – 2006

La Farge’s fascinating personal narrative essay about gaming life and how kids and adult gamers escape into the game and often damage their family relationships is certainly not just for Dungeons & Dragons fans. It is an especially interesting read if you do play D&D or are into role-playing games in general but it can be illuminating for you if you’re trying to understand better why your friends, partner, or kids love so much getting lost in role-playing games.

He also explores some of the darker sides of D&D and how it can become toxic and damaging.

If you enjoy LitRPG books and gaming books this essay will probably spark many conversations with your gaming pals or within your book club. You can read La Farge’s essay online for free here and if you like his style and thought process you should also check out his other brilliant works.

4| Total Eclipse by Annie Dillard -1982

Dillard’s work quickly became one of the most celebrated personal nonfiction essays of all time. In her masterpiece ‘ Total Eclipse ‘ she tells her personal story of a solar eclipse she and her husband watched in Washington State. Dillard explores themes like the comfort of familiarity, the feeling of isolation, as well as the connections between humans and the world surrounding them.

Her essay first appeared in her essay collection ‘ Teaching a Stone to Talk ‘ but now you can also read her essay for free online here .

3| The Death Of The Moth by Virginia Woolf – 1942

One of Virginia Woolf’s most famous personal narrative essays ‘ The Death Of The Moth ‘ was first published only a year after she eventually committed suicide by drowning after a lifetime of battling mental illness.

Woolf describes hows a moth died on her window plane and uses it as a metaphor to explore ideas surrounding the meaning of life and how death is inevitable .

You can read her essay for free online here and if you only read her novels so far you might want to also check out her essay collection.

2| Such, Such Were the Joys by George Orwell – 1952

Orwell’s autobiographical essay ‘ Such, Such Were The Joys ‘ describes his experiences as a young kid and his early teens (ages of eight and thirteen) in graphic detail and explores the topic of the psychology of children and how it was affected by class prejudice, oppression and class conflicts between the widely different world-views of the Edwardian middle and upper class.

You’re probably already familiar with Orwell’s fascinating and thought-provoking novels that still feel contemporary and vital to this day so you might want to give his essays a try. You can get started with  ‘ Such, Such Were The Joys’ which you can read online for free here .

1| Notes of a Native Son by James Baldwin – 1955

James Baldwin’s famous and widely celebrated personal narrative essay ‘Notes of a Native Son’ explores themes of racism, whiteness, and Blackness by tackling issues of race in America and Europe. With his work, he wants readers not only to be aware of racial injustice but to look at prejudice, analyze it, understand where it comes from, and find ways to deal with it.

You can read his essay for free online here but if you’re interested in inspiring and thought-provoking novels, poetry, and plays you should check out his other works too.

THANK YOU FOR READING!

About The Author

Jella Erhard

Jella Via Erhard is the Brain (and the Pinky) behind AsianaCircus . You can choose to call her by whichever name is easier for you to pronounce. She still creates content and loves to gush about her favorite books, movies, games, travel spots, and, frankly, all her million other hobbies. She's also written for other sites like GameRant and CBR . Thanks for being here and have fun! =)

Related Posts

23 Scary Escape Room Games For Horror Fans

Best New Reverse Harem Books For Adults In 2024

Traditional Japanese Hobbies To Pick Up

Glamping At Camp Katur In Yorkshire, UK

Leave a reply cancel reply.

Your email address will not be published. Required fields are marked *

Notify me of follow-up comments by email.

Notify me of new posts by email.

What’s New

• Best Books About Overthinking (Non-Fiction & Fiction)
• 19 Stunning Fantasy Books by Black Authors
• Best New Sci-Fi Books To Read
• Ultimate Guide To The Best Japanese Snacks You Can Buy Online
• 18 Best Gifts For Puzzle Lovers – For Adults & Kids
• Fun & Difficult Wooden Puzzle Boxes For Adults

Join Our Community

Join the coolest club this side of the internet & get fun guides to the best books, movies, games, gifts, unique travel destinations, & foodie experiences from around the world.

You're in! Thank you for joining!

We respect your privacy. More info on our Disclosure & Privacy Policy page.