how to write ap lit poetry essay

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How to Write the AP Lit Poetry Essay

What’s covered:.

• How to Write the AP Literature Poetry Essay
• Tips for Writing The AP Lit Poetry Essay

To strengthen your AP Literature Poetry Essay essay, make sure you prepare ahead of time by knowing how the test is structured, and how to prepare. In this post, we’ll cover the structure of the test and show you how you can write a great AP Literature Poetry Essay.

What is the AP Lit Poetry Essay? 

The AP Literature exam has two sections. Section I contains 55 multiple choice questions, with 1 hour time allotted. This includes at least two prose fiction passages and two poetry passages. 

Section II, on the other hand, is a free response section. Here, students write essays to 3 prompts. These prompts include a literary analysis of a poem, prose fiction, or in a work selected by the student. Because the AP Literature Exam is structured in a specific, predictable manner, it’s helpful to prepare yourself for the types of questions you’ll encounter on test day. 

The Poetry Essay counts for one-third of the total essay section score, so it’s important to know how to approach this section. You’ll want to plan for about 40 minutes on this question, which is plenty of time to read and dissect the prompt, read and markup the poem, write a brief outline, and write a concise, well-thought out essay with a compelling analysis. 

Tips for Writing the AP Lit Poetry Essay

1. focus on the process.

Writing is a process, and so is literary analysis. Think less about finding the right answer, or uncovering the correct meaning of the poem (there isn’t one, most of the time). Read the prompt over at least twice, asking yourself carefully what you need to look for as you read. Then, read the poem three times. Once, to get an overall sense of the poem. Second, start to get at nuance; circle anything that’s recurring, underline important language and diction , and note important images or metaphors. In your annotations, you want to think about figurative language , and poetic structure and form . Third, pay attention to subtle shifts in the poem: does the form break, is there an interruption of some sort? When analyzing poetry, it’s important to get a sense of the big picture first, and then zoom in on the details. 

2. Craft a Compelling Thesis

No matter the prompt, you will always need to respond with a substantive thesis. A meaty thesis contains complexity rather than broad generalizations , and points to specifics in the poem.

By examining the colloquial language in Gwendolyn Brooks’s poem, “We Real Cool”, we can see the tension of choosing to be “cool”. This raises important ideas about education, structure, and routine, and the consequences of living to be “real cool”.

Notice how the thesis provides a roadmap of what is to follow in the essay , and identifies key ideas that the essay will explore. It is specific, and not vague. The thesis provides a bigger picture of the text, while zooming in the colloquial language the speaker uses. 

A good thesis points out the why as much as the what . Notice how in the above example, the thesis discusses language in the poem as it connects to a bigger message about the poem. For example, it’s not enough to discuss Emily Dickinson’s enjambment and hyphens. A good thesis will make a compelling argument about why those infamous Dickinson hyphens are so widely questioned and examined. Perhaps a good thesis might suggest that this unique literary device is more about self-examination and the lapse in our own judgement. 

3. Use Textual Evidence 

To support your thesis, always use textual evidence . When you are creating an outline, choose a handful of lines in the poem that will help illuminate your argument. Make sure each claim in your essay is followed by textual evidence, either in the form of a paraphrase, or direct quote . Then, explain exactly how the textual evidence supports your argument . Using this structure will help keep you on track as you write, so that your argument follows a clear narrative that a reader will be able to follow. 

Your essay will need to contain both description of the poem, and analysis . Remember that your job isn’t to describe or paraphrase every aspect of the poem. You also need lots of rich analysis, so be sure to balance your writing by moving from explicit description to deeper analysis. 

4. Strong Organization and Grammar

A great essay for the AP Literature Exam will contain an introduction with a thesis (not necessarily always the last sentence of the paragraph), body paragraphs that contain clear topic sentences, and a conclusion . Be sure to spend time thinking about your organization before you write the paper. Once you start writing, you only want to think about content. It’s helpful to write a quick outline before writing your essay. 

There’s nothing worse than a strong argument with awkward sentences, grammatical errors and spelling mistakes. Make sure to proofread your work before submitting it. Carefully edit your work, paying attention to any run-on sentences, subject-verb agreement, commas, and spelling. You’d be surprised how many mistakes you’ll catch just by rereading your work. 

Common Mistakes on the AP Literature Poetry Essay 

It can be helpful to know what not to do when it comes time to prepare for the AP Literature Poetry Essay. Here are some common mistakes students make on the AP Literature Poetry Essay:

1. Thesis is not arguable and is too general 

Your thesis should be arguable, and indicate the central ideas you will discuss in your essay. Read the prompt carefully and craft your thesis in light of what the prompt asks you to do. If the prompt mentions specific literary devices, find a way to tie those into your thesis. In your thesis, you want to connect to the meaning of the poem itself and what you feel the poet intended when using those particular literary devices.

2. Using vague, general statements rather than focusing on analysis of the poem

Always stay close to the text when writing the AP Literature Poetry Essay. Remember that your job is not to paraphrase but to analyze. Keep explicit descriptions of the poem concise, and spend the majority of your time writing strong analysis backed up by textual evidence.

3. Not using transitions to connect between paragraphs

Make sure it’s not jarring to the reader when you switch to a new idea in a new paragraph. Use transitions and strong topic sentences to seamlessly blend your ideas together into a cohesive essay that flows well and is easy to follow. 

4. Textual evidence is lacking or not fully explained 

Always include quotes from the text and reference specifics whenever you can. Introduce your quote briefly, and then explain how the quote connects back to the topic sentence after. Think about why the quotes connect back to the poet’s central ideas. 

5. Not writing an outline

Of course, to write a fully developed essay you’ll need to spend a few minutes planning out your essay. Write a quick outline with a thesis, paragraph topics and a list of quotes that support your central ideas before getting started.

To improve your writing, take a look at these essay samples from the College Board, with scoring guidelines and commentary. 

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Sat / act prep online guides and tips, expert's guide to the ap literature exam.

Advanced Placement (AP)

If you're planning to take the AP English Literature and Composition exam, you'll need to get familiar with what to expect on the test. Whether the 2023 test date of Wednesday, May 3, is near or far, I'm here to help you get serious about preparing for the exam.

In this guide, I'll go over the test's format and question types, how it's graded, best practices for preparation, and test-day tips. You'll be on your way to AP English Lit success in no time!

AP English Literature: Exam Format and Question Types

The AP Literature Exam is a three-hour exam that contains two sections in this order:

• An hour-long, 55-question multiple-choice section
• A two-hour, three-question free-response section

The exam tests your ability to analyze works and excerpts of literature and cogently communicate that analysis in essay form.

Read on for a breakdown of the two different sections and their question types.

Section I: Multiple Choice

The multiple-choice section, or Section I of the AP Literature exam, is 60 minutes long and has 55 questions. It counts for 45% of your overall exam grade .

You can expect to see five excerpts of prose and poetry. You will always get at least two prose passages (fiction or drama) and two poetry passages. In general, you will not be given the author, date, or title for these works, though occasionally the title of a poem will be given. Unusual words are also sometimes defined for you.

The date ranges of these works could fall from the 16th to the 21st century. Most works will be originally written in English, but you might occasionally see a passage in translation.

There are, generally speaking, eight kinds of questions you can expect to see on the AP English Literature and Composition exam. I'll break each of them down here and give you tips on how to identify and approach them.

"Pretty flowers carried by ladies" is not one of the question types.

The 8 Multiple-Choice Question Types on the AP Literature Exam

Without further delay, here are the eight question types you can expect to see on the AP Lit exam. All questions are taken from the sample questions on the AP Course and Exam Description .

#1: Reading Comprehension

These questions test your ability to understand what the passage is saying on a pretty basic level . They don't require you to do a lot of interpretation—you just need to know what's going on.

You can identify this question type from words and phrases such as "according to," "mentioned," "asserting," and so on. You'll succeed on these questions as long as you carefully read the text . Note that you might have to go back and reread parts to make sure you understand what the passage is saying.

#2: Inference

These questions ask you to infer something—a character or narrator's opinion, an author's intention, etc.—based on what is said in the passage . It will be something that isn't stated directly or concretely but that you can assume based on what's clearly written in the passage. You can identify these questions from words such as "infer" and "imply."

The key to these questions is to not get tripped up by the fact that you are making an inference—there will be a best answer, and it will be the choice that is best supported by what is actually found in the passage .

In many ways, inference questions are like second-level reading comprehension questions: you need to know not just what a passage says, but also what it means.

#3: Identifying and Interpreting Figurative Language

These are questions for which you have to either identify what word or phrase is figurative language or provide the meaning of a figurative phrase . You can identify these as they will either explicitly mention figurative language (or a figurative device, such as a simile or metaphor ) or include a figurative phrase in the question itself.

The meaning of figurative phrases can normally be determined by that phrase's context in the passage—what is said around it? What is the phrase referring to?

Example 1: Identifying

Example 2: Interpreting

#4: Literary Technique

These questions involve identifying why an author does what they do , from using a particular phrase to repeating certain words. Basically, what techniques is the author using to construct the passage/poem, and to what effect?

You can identify these questions by words/phrases such as "serves chiefly to," "effect," "evoke," and "in order to." A good way to approach these questions is to ask yourself: so what? Why did the author use these particular words or this particular structure?

#5: Character Analysis

These questions ask you to describe something about a character . You can spot them because they will refer directly to characters' attitudes, opinions, beliefs, or relationships with other characters .

This is, in many ways, a special kind of inference question , since you are inferring the broader personality of the character based on the evidence in a passage. Also, these crop up much more commonly for prose passages than they do for poetry ones.

#6: Overall Passage Questions

Some questions ask you to identify or describe something about the passage or poem as a whole : its purpose, tone, genre, etc. You can identify these by phrases such as "in the passage" and "as a whole."

To answer these questions, you need to think about the excerpt with a bird's-eye view . What is the overall picture created by all the tiny details?

#7: Structure

Some AP Lit questions will ask you about specific structural elements of the passage: a shift in tone, a digression, the specific form of a poem, etc . Often these questions will specify a part of the passage/poem and ask you to identify what that part is accomplishing.

Being able to identify and understand the significance of any shifts —structural, tonal, in genre, and so on—will be of key importance for these questions.

#8: Grammar/Nuts & Bolts

Very occasionally you will be asked a specific grammar question , such as what word an adjective is modifying. I'd also include in this category super-specific questions such as those that ask about the meter of a poem (e.g., iambic pentameter).

These questions are less about literary artistry and more about the fairly dry technique involved in having a fluent command of the English language .

That covers the eight question types on the multiple-choice section. Now, let's take a look at the free-response section of the AP Literature exam.

Keep track of the nuts and bolts of grammar.

Section II: Free Response

The AP Literature Free Response section is two hours long and involves three free-response essay questions , so you'll have about 40 minutes per essay. That's not a lot of time considering this section of the test counts for 55% of your overall exam grade !

Note, though, that no one will prompt you to move from essay to essay, so you can theoretically divide up the time however you want. Just be sure to leave enough time for each essay! Skipping an essay, or running out of time so you have to rush through one, can really impact your final test score.

The first two essays are literary analysis essays of specific passages, with one poem and one prose excerpt. The final essay is an analysis of a given theme in a work selected by you , the student.

Essays 1 & 2: Literary Passage Analysis

For the first two essays, you'll be presented with an excerpt and directed to analyze the excerpt for a given theme, device, or development . One of the passages will be poetry, and one will be prose. You will be provided with the author of the work, the approximate date, and some orienting information (i.e., the plot context of an excerpt from a novel).

Below are some sample questions from the 2022 Free Response Questions .

Essay 3: Thematic Analysis

For the third and final essay, you'll be asked to discuss a particular theme in a work that you select . You will be provided with a list of notable works that address the given theme below the prompt, but you can also choose to discuss any "work of literary merit."

So while you do have the power to choose which work you wish to write an essay about , the key words here are "literary merit." That means no genre fiction! Stick to safe bets like authors in the list on pages 10-11 of the old 2014 AP Lit Course Description .

(I know, I know—lots of genre fiction works do have literary merit and Shakespeare actually began as low culture, and so on and so forth. Indeed, you might find academic designations of "literary merit" elitist and problematic, but the time to rage against the literary establishment is not your AP Lit test! Save it for a really, really good college admissions essay instead .)

Here's a sample question from 2022:

As you can see, the list of works provided spans many time periods and countries : there are ancient Greek plays ( Antigone ), modern literary works (such as Margaret Atwood's The Handmaid's Tale ), Shakespeare plays ( The Tempest ), 19th-century English plays ( The Importance of Being Earnest ), etc. So you have a lot to work with!

Also note that you can choose a work of "comparable literary merit." That means you can select a work not on this list as long as it's as difficult and meaningful as the example titles you've been given. So for example, Jane Eyre or East of Eden would be great choices, but Twilight or The Hunger Games would not.

Our advice? If you're not sure what a work of "comparable literary merit" is, stick to the titles on the provided list .

You might even see something by this guy.

How Is the AP Literature Test Graded?

The multiple-choice section of the exam comprises 45% of your total exam score; the three essays, or free-response section, comprise the other 55%. Each essay, then, is worth about 18% of your grade.

As on other AP exams, your raw score will be converted to a score from 1-5 . You don't have to get every point possible to get a 5 by any means. In 2022, 16.9% of students received 5s on the AP English Literature test, the 14th highest 5 score out of the 38 different AP exams.

So, how do you calculate your raw scores?

Multiple-Choice Scoring

For the multiple-choice section, you receive 1 point for each question you answer correctly . There's no guessing penalty, so you should answer every question—but guess only after you're able to eliminate any answer you know is wrong to up your chances of choosing the right one.

Free-Response Scoring

Scoring for multiple choice is pretty straightforward; however, essay scoring is a little more complicated.

Each of your essays will receive a score from 0 to 6 based on the College Board rubric , which also includes question-specific rubrics. All the rubrics are very similar, with only minor differences between them.

Each essay rubric has three elements you'll be graded on:

• Thesis (0-1 points)
• Evidence and Commentary (0-4 points)
• Sophistication (0-1 points)

We'll be looking at the current rubric for the AP Lit exam , which was released in September 2019, and what every score means for each of the three elements above:

To get a high-scoring essay in the 5-6 point range, you'll need to not only come up with an original and intriguing argument that you thoroughly support with textual evidence, but you’ll also need to stay focused, organized, and clear. And all in just 40 minutes per essay!

If getting a high score on this section sounds like a tall order, that's because it is.

Practice makes perfect!

Skill-Building for Success on the AP Literature Exam

There are several things you can do to hone your skills and best prepare for the AP Lit exam.

Read Some Books, Maybe More Than Once

One of the most important steps you can take to prepare for the AP Literature and Composition exam is to read a lot and read well . You'll be reading a wide variety of notable literary works in your AP English Literature course, but additional reading will help you further develop your analytical reading skills .

I suggest checking out this list of notable authors in the 2014 AP Lit Course Description (pages 10-11).

In addition to reading broadly, you'll want to become especially familiar with the details of four to five books with different themes so you'll be prepared to write a strong student-choice essay. You should know the plot, themes, characters, and structural details of these books inside and out.

See my AP English Literature Reading List for more guidance.

Read (and Interpret) Poetry

One thing students might not do very much on their own time but that will help a lot with AP Lit exam prep is to read poetry. Try to read poems from a lot of eras and authors to get familiar with the language.

We know that poetry can be intimidating. That's why we've put together a bunch of guides to help you crack the poetry code (so to speak). You can learn more about poetic devices —like imagery and i ambic pentameter —in our comprehensive guide. Then you can see those analytical skills in action in our expert analysis of " Do not go gentle into that good night " by Dylan Thomas.

When you think you have a grip on basic comprehension, you can then move on to close reading (see below).

Hone Your Close Reading and Analysis Skills

Your AP class will likely focus heavily on close reading and analysis of prose and poetry, but extra practice won't hurt you. Close reading is the ability to identify which techniques the author is using and why. You'll need to be able to do this both to gather evidence for original arguments on the free-response questions and to answer analytical multiple-choice questions.

Here are some helpful close reading resources for prose :

• University of Wisconsin-Madison Writing Center's guide to close reading
• Harvard College Writing Center's close reading guide
• Purdue OWL's article on steering clear of close reading "pitfalls"

And here are some for poetry :

• University of Wisconsin-Madison's poetry-reading guide
• This guide to reading poetry at Poets.org (complete with two poetry close readings)
• Our own expert analyses of famous poems, such as " Ozymandias ", and the 10 famous sonnets you should know

Learn Literary and Poetic Devices

You'll want to be familiar with literary terms so that any test questions that ask about them will make sense to you. Again, you'll probably learn most of these in class, but it doesn't hurt to brush up on them.

Here are some comprehensive lists of literary terms with definitions :

• The 31 Literary Devices You Must Know
• The 20 Poetic Devices You Must Know
• The 9 Literary Elements You'll Find In Every Story
• What Is Imagery?
• Understanding Assonance
• What Is Iambic Pentameter in Poetry?
• Simile vs Metaphor: The 1 Big Difference
• 10 Personification Examples in Poetry, Literature, and More

Practice Writing Essays

The majority of your grade on the AP English Lit exam comes from essays, so it's critical that you practice your timed essay-writing skills . You of course should use the College Board's released free-response questions to practice writing complete timed essays of each type, but you can also practice quickly outlining thorough essays that are well supported with textual evidence.

Take Practice Tests

Taking practice tests is a great way to prepare for the exam. It will help you get familiar with the exam format and overall experience . You can get sample questions from the Course and Exam Description , the College Board website , and our guide to AP English Lit practice test resources .

Be aware that the released exams don't have complete slates of free-response questions, so you might need to supplement these with released free-response questions .

Since there are three complete released exams, you can take one toward the beginning of your prep time to get familiar with the exam and set a benchmark, and one toward the end to make sure the experience is fresh in your mind and to check your progress.

Don't wander like a lonely cloud through your AP Lit prep.

AP Literature: 6 Critical Test-Day Tips

Before we wrap up, here are my six top tips for AP Lit test day:

• #1: On the multiple-choice section, it's to your advantage to answer every question. If you eliminate all the answers you know are wrong before guessing, you'll raise your chances of guessing the correct one.
• #2: Don't rely on your memory of the passage when answering multiple-choice questions (or when writing essays, for that matter). Look back at the passage!
• #3: Interact with the text : circle, mark, underline, make notes—whatever floats your boat. This will help you retain information and actively engage with the passage.
• #4: This was mentioned above, but it's critical that you know four to five books well for the student-choice essay . You'll want to know all the characters, the plot, the themes, and any major devices or motifs the author uses throughout.
• #5: Be sure to plan out your essays! Organization and focus are critical for high-scoring AP Literature essays. An outline will take you a few minutes, but it will help your writing process go much faster.
• #6: Manage your time on essays closely. One strategy is to start with the essay you think will be the easiest to write. This way you'll be able to get through it while thinking about the other two essays.

And don't forget to eat breakfast! Apron optional.

AP Literature Exam: Key Takeaways

The AP Literature exam is a three-hour test that includes an hour-long multiple-choice section based on five prose and poetry passages and with 55 questions, and a two-hour free-response section with three essays : one analyzing a poetry passage, one analyzing a prose passage, and one analyzing a work chosen by you, the student.

The multiple-choice section is worth 45% of your total score , and the free-response section is worth 55% . The three essays are each scored on a rubric of 0-6, and raw scores are converted to a final scaled score from 1 to 5.

Here are some things you can do to prepare for the exam:

• Read books and be particularly familiar with four to five works for the student-choice essays
• Read poetry
• Work on your close reading and analysis skills
• Learn common literary devices
• Practice writing essays
• Take practice tests!

On test day, be sure to really look closely at all the passages and really interact with them by marking the text in a way that makes sense to you. This will help on both multiple-choice questions and the free-response essays. You should also outline your essays before you write them.

With all this in mind, you're well on your way to AP Lit success!

What's Next?

If you're taking other AP exams this year, you might be interested in our other AP resources: from the Ultimate Guide to the US History Exam , to the Ultimate AP Chemistry Study Guide , to the Best AP Psychology Study Guide , we have tons of articles on AP courses and exams for you !

Looking for practice exams? Here are some tips on how to find the best AP practice tests . We've also got comprehensive lists of practice tests for AP Psychology , AP Biology , AP Chemistry , and AP US History .

Deciding which APs to take? Take a look through the complete list of AP courses and tests , read our analysis of which AP classes are the hardest and easiest , and learn how many AP classes you should take .

Ellen has extensive education mentorship experience and is deeply committed to helping students succeed in all areas of life. She received a BA from Harvard in Folklore and Mythology and is currently pursuing graduate studies at Columbia University.

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Much Ado About Teaching

Ap lit poetry essay review.

Whenever I prepare my students for the AP Literature exam, I don’t really want it to feel like test prep. I want to take the stress out of it all. I want the experience to build confidence. I want the process, starting around February, to have no stakes or very low stakes; it should be practice, not fear mongering. And I want there to be plenty opportunities for improvement.

So what does that look like?

Well, with essay writing we start small — on the sentence-level — at the beginning of the year, working to achieve mastery over thesis statements, evidence, and commentary. Multiple-choice practice is always completed in class, on paper and while scores are recorded, they never go in the grade book. When my students write full-length essays, they have the opportunity to rewrite as long as they conference with me because I learned long ago that a 15 minute conference with a student is far better than anything I could write in the margins.

But this week I was scratching my head trying to figure out how I could make rubric review NOT feel like test prep. My AP Lit classes were reviewing the Q1 essay, which is the poetry prompt. In my experience, rubrics can suck all the life out of a lesson. Students feel like the speaker in the Walt Whitman’s “When I Heard the Learn’d Astronomer.”

When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room, How soon unaccountable I became tired and sick,

The lesson I devised ended up being one of the more memorable ones of the quarter.

Day 1: Rubric Rhymes — I hand out copies of the Q1 rubric and toss highlighters to each student. They have to highlight the key descriptors for each category and point value on the rubric. Once that is done, students have to use their highlights and develop a poem in rhyming couplets that identifies what must be accomplished in order to score a six on this essay.

The poem had to be at least 10 lines long.

I will say, they loved this assignment and it I think its effect will endure.

Here are some samples:

You wants to make a good poetry essay creation? 

That thesis best be full of top notch interpretation 

Don’t just restate or rephrase information 

But rather provide a good explanation 

How many literary elements should you choose?  

Multiple is what you should use

And sprinkle on some good seasoning 

The one that tastes like strong reasoning

The last criterion to make you do well on your examination 

I s make sure the essay demonstrates that advanced type of sophistication

I be writing a thesis 

Just like I be eating reese’s, in pieces 

If you don’t want evidence that’s horrific 

Then you gotta be spec ific 

I could ask Stabz for assistance  

Or I could remember one word: consistence -y  

Unlike my ex,  

You gotta be complex 

If you tryna get to the graduation  

Then you gotta understand sophistication

Student III

You aint got time to waste

But that doesn’t mean that your essay should be written in haste

40 minutes to read and write

And develop ideas with sophistication and insight

First, make sure your thesis isn’t a bore

To develop a sophisticated interpretation really is a chore .

Answer the prompt, be clear and concise ,

Throw in poetic elements and a d evice

That central idea must be developed

Once stated, evidenced and commentary need to envelop

By not just saying what is true, but how and why

With brilliance so bright it would make an AP Reader cry .

S ummarize and your grade will surely suffe r

Articulate the complexity is much tougher

But do it over and over again

Establishing a line of reason, the n

P olish your thoughts like gems

Make those sentences sweet like M&M s

And never forget to discuss what is complex

All these boxes you must chec k

And a six on this essay will be yours

And you will have the wisdom of a thousand Dumbledors .

Day T wo: Performances/The whole-class essay — Class started with an opportunity for students to read their rap/poem in front of the class for extra credit. Some of the performances were epic.

Then I passed out a previous AP prompt and students had seven minutes to complete my four-step pre-writing organizer . Once those seven minutes were up, the fastest typer in class (we had a contest earlier in the year) came to the class computer and we worked together to develop a whole-class essay. This allowed students to think aloud together, wordsmith key phrases, and discuss their insights in a collaborative and non-threatening environment.

Throughout the process, we kept going back to the rubric to check if we were meeting the requirements.

Here are the intros from each class:

Period 1 — In Paul Lawrence Dunbar’s poem “The Mystery”, the speaker discusses navigating through life by himself. Throughout the poem, the speaker exists in a figurative darkness in which he experiences loneliness and questions the benevolence of a higher power; in this frustrated search for meaning and understanding, he illustrates through personification and imagery that whether or not there is a higher power. His conclusion is that he cannot wallow in his dependency and that he must be self reliant.

Period 6 — In Paul Laurence Dunbar’s poem “The Mystery,” the speaker reflects on life. In a state of existential dread, he feels a sense of purposelessness and seeks navigation from a higher being. Paradoxically, in being given no direction, the speaker achieves solace in the inevitability of death and accepts the power of the present. 

Period 8 — In Paul Laurence Dunbar’s poem, “The Mystery”, the speaker is in a lonely place of uncertainty. While reflecting on the inevitability of death and appealing to a higher power, the speaker gains an awareness, not only of his own solitude, but also his powerlessness in the face of destiny. Through the use of personification, juxtaposition, and imagery, an epiphany is achieved in which he accepts the absurdity of life, thus gaining his autonomy.

Day 3: Essay test day — At this point students know the rubric, they did a practice essay the day before as a class, and now they are ready to do it all on their own.

In the comments section below, please share how you prepare students for the poetry essay on the AP exam.

Brian Sztabnik is just a man trying to do good in and out of the classroom. He was a 2018 finalist for NY Teacher of the Year, a former College Board advisor for AP Lit, and an award-winning basketball coach.

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—AP Poetry Analysis—

We choose our AP Poetry Analysis prompts not just to prepare students for the essay on the AP Literature exam, but also to introduce the major themes of the novel or play through a complementary text that addresses the subject matter through a different lens.  Similar to the thought-provoking quotation that we use as the basis of our Journal Discussions, we want to give students another perspective on the issues they will encounter in the novel or play they are about to read.

Oftentimes, the choice of poem is relatively obvious by allusions made in the title or text of the novel or play.  For instance, when reading Chinua Achebe's  Things Fall Apart , it makes sense to analyze William Butler Yeats' "The Second Coming," the poem from which the title of the novel is taken.  Similarly, when reading Kate Chopin's  The Awakening , it is helpful to analyze Charles Swinburne's "A Cameo" since Gouvernail murmurs the first two lines of the poem during Edna's farewell dinner on Esplanade Street. There is a reason that authors and playwrights allude to other literary works, and our job as readers is to determine the thematic connection between the two. 

When there is not an obvious allusion made in the title or text, we have the opportunity to select a poem that relates thematically to the novel or play and is consistent with the AP Literary Analysis prompt already chosen.  For instance, when we teach Sandra Cisneros'  The House on Mango Street , we want students to focus on how Esperanza's feelings towards her neighborhood change over the course of the novel.  To achieve this purpose we chose the 2010 AP Literary Argument prompt for our final essay:

"You can leave home all you want, but home will never leave you."

- Sonsyrea Tate

Sonsyrea Tate's statement suggests that "home" may be conceived as a dwelling, a place, or a state of mind.  It may have positive or negative associations, but in either case, it may have a considerable influence on the individual.

Choose a novel or play in which a central character leaves home yet finds that home remains significant.  Write a well-developed essay in which you analyze the importance of "home" to this character and the reasons for its continuing influence.  Explain how the character's idea of home illuminates the larger meaning of the work.

While there are many poems that focus on the concept of "home," we selected Robert Hayden's "Those Winter Sundays" to compare and contrast with Cisneros' work.  When analyzing any piece of literature, we focus on the four pillars of style analysis:  diction, imagery, language, and syntax.  We go into depth on all four pillars in the Style Analysis Tutorial , so for this section we will focus on what is unique about analyzing poetry in comparison to prose.

When we present a poem to the class, we structure it like an AP Poetry Analysis prompt that students will find on the AP Literature exam so they get more comfortable with the format:

When we first introduce poetry to students, we note that paragraphs and sentences in prose have been replaced with stanzas and lines in poetry.  We emphasize, however, that most poetry is still written in complete thoughts and contains end punctuation.  Our advice to students is to read poetry as if it were prose, pausing and stopping when the punctuation dictates.  We always read poems out loud in class twice — the first time by the teacher to model how it should sound and then a second time by a student reader.  For poems with multiple long stanzas, we might have different students read different stanzas aloud.  

Since every word in poetry is important, we first define any words that students might not know —like "indifferently" or "austere" in Hayden's poem, for example .  We want students to consider the significance of the diction, imagery, and language in a poem —which, again, we discuss in detail in the Style Analysis Tutorial —but in this tutorial we are going to focus on how the specific syntax of poetry, which we call poetic devices, differs from prose and how poets use these poetic devices to establish tone and reveal theme. 

We break poetic devices into three categories based on the repetition of sounds.  The first category identifies the repetition of specific letter-sounds, which takes the form of alliteration, consonance, and assonance.  The second category concentrates on the repetition of syllables, which involves a poem's rhyme, rhythm, and meter.  The third category focuses on the repetition of words or phrases, which we call parallel structure:

I.  Alliteration/Consonance/Assonance

Alliteration is the repetition of consonant sounds at the beginning of words whereas consonance is the repetition of consonant sounds within words.  Assonance is the repetition of vowel sounds.   Poets use repeated sounds not just because they are pleasing to the ear , but also to emphasize certain words  and create connections between words.

Let's look at the opening stanza of Hayden's poem:

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze.  No one ever thanked him.

When introducing poetic devices, we first ask students to find as many repetitions of consonant and vowel sounds as possible within an opening stanza.  For Hayden's poem, students usually notice the repetition of the hard "k" sound that comes at the beginning of words like " cl othes," " c old," and " cr acked"; in the middle of words like "cra ck ed," "a ch ed," "wee k day," "ba nk ed," and "tha nk ed"; and at the end of words like "bluebla ck ."

When we ask students to describe the tone, or feeling, associated with that particular sound, students often say it is harsh and abrupt.  The next question is why Hayden would want to repeat that particular sound in his opening stanza, and how that sound might reflect the feelings that the speaker has internalized when remembering his father and his childhood home.  

Despite the coldness of the relationship he had with his father, it is clear that the speaker's feelings have changed now that he is older.  The adult speaker seems to recognize and appreciate the fact that his father "got up early" during the week, most likely to go to a blue-collar job that produced "cracked hands that ached."  Not only does Hayden alliterate the " w eekday w eather" to emphasize the harsh conditions that his father endured during the week to provide for his family, but he also alliterates the " bl ue bl ack cold" when the speaker's father "made /  b anked fires bl aze" to show how the father also provided comfort for his family in the early morning darkness before any of them had gotten out of bed.

When Hayden stops the opening thought with a caesura in the middle of the fifth line, he uses the period to interrupt the flow of the line to set us up for the devastating final words of the stanza:  "No one ever thanked him."  When reading those words, we sense the guilt and regret the speaker has for failing to appreciate his father when he was a child.

Hayden's use of assonance is also interesting to analyze in the first stanza, specifically with the juxtaposition of long and short "a" sounds.  The long "a" sounds connect the hands that " a ched / from l a bor in the weekd a y weather m a de / banked fires bl a ze."  Those same hands that "ached" from long hours of manual labor outside the home were the same hands that "made" the fires inside the home —on "Sund a ys too"— to provide comfort and warmth for his family.

One could argue that the length of those drawn out "a" sounds  reflects the long thankless days that the father spent providing for his family with no apparent acknowledgment or appreciation of his sacrifice.  Is there bitterness inside the father?  Perhaps those harsh "k" sounds combined with the short "a" sounds in "bluebl a ck," "cr a cked," "b a nked," and "th a nked" reflect not just the speaker's fear of his father as a child, but also the resentment that the speaker imagines the father must have had towards his ungrateful family.

We emphasize with students that any literary interpretation—but especially with an analysis of the subtleties of syntax or poetic devices—is subject to debate.  The role of a literary critic is not necessarily to be "correct," but to make interesting observations based on evidence from the text to make the reader think differently or more deeply about the work.  Some interpretations are more convincing than others based on the evidence to support the claims, and others are more compelling based on the insight and depth of the analysis. 

Our advice to students is to think deeply about the literary work and make as interesting an argument as possible based on the evidence from the text.  An essay does not necessarily have to convince the reader that a certain interpretation is "right," but it should always aspire to be thought-provoking and make the reader think about the work in a new way.

II.  Rhyme/Rhythm/Meter

When we introduce the concept of rhyme, we differentiate between "end rhymes" and "internal rhymes."  When end rhymes create a consistent pattern, we call that a "rhyme scheme" and use letters, such as ABAB,  to represent the repeating pattern.  For Hayden's poem, however, there are no end rhymes, which means there is no rhyme scheme.  The first question that students should ask is why Hayden would choose to write his poem in free verse rather than with a set rhyme scheme.

Just because there are no end rhymes does not mean, however, that there are no internal rhymes.  In the first stanza, we see "blue black " and " cracked " on successive lines and " banked " and " thanked " in the same line.  These internal rhymes are not only aesthetically pleasing to the ear, but they also link those words thematically.  It is up to the reader to make a connection as to why the poet would want to pair those two words.

In the first pairing, the "blue black cold" represents the harsh conditions that the father has to face everyday — "Sundays too"—to provide and care for his family.  His perpetual sacrifice is represented by the " cracked hands that ached," but it seems that the "aching" of his hands does not just reflect a physical hardship; instead, it seems to also imply an internal suffering, one that the speaker is unable to recognize as a child but acknowledges and takes some responsibility for as an adult.  Similarly, the " banked fires" that the father made "blaze" every morning go unacknowledged by his family; despite the fact that he should have been " thanked " for the sacrifices he made, no one ever did.

In the second stanza, Hayden also uses internal rhymes effectively:

I'd wake and hear the cold splintering, breaking.

When the rooms were warm, he'd call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

The first line connects " wake " with the first syllable in " break ing," showing how the father regularly gets up in the early morning to make the house warm for his family by "breaking" the cold.  The tone of the stanza, however, is not one of familial love and warmth.  The present participles at the end of the first line connect with the present participle in the fourth line to create a series of internal rhymes by repeating the "-ing" syllable on "splinter ing ," break ing ," and "fear ing ."  Despite the speaker's understanding at an intellectual level that the father's efforts are "splintering" and "breaking" the cold, they are sublimated by his simultaneously "fearing the chronic angers of that house."  Instead of feeling gratitude for his father's efforts, the speaker only has dread and fear, fully aware that his father's temper is always in threat of "splintering" and "breaking" the peace and tranquility of the house.

When determining rhythm, we have to look at the punctuation and the pattern of stressed and unstressed syllables (i.e. meter) in a line or stanza.  In looking at the punctuation in the second stanza, the first thing we notice is the proliferation of commas.  The comma at the end of the first line creates an asyndeton that takes the place of an "and" that could have easily separated the two present participles in a smoother, more rhythmic way.  Instead, Hayden uses the comma to create a jarring transition between the two participles that abruptly concludes with the period at the end of the line.

One could argue that the punctuation aptly reflects the harsh, abrupt tone that we saw in the consonance of the repeated "k" sounds in the first stanza, which continues in the second stanza with " c old," "brea k ing," " c all," and " chr oni c ."  The commas at the end of each successive line in the second stanza slows the pace and makes us consider each line carefully.  The commas never complete the thought, however, so we carry the tension from one line to the next —and even into the next stanza—understanding implicitly that the "chronic angers of that house" remain unresolved and simmering beneath the surface, which breaks any sense of harmony in the house or rhythm in the poem.

The disruptive punctuation is complemented by the absence of a set meter.   To determine meter, we have to recognize which syllables are stressed and which are not.  The easiest way to do that is to look at the multi-syllable words first to determine where the natural accents lie.  For instance, the word "splintering" in the first line of the second stanza has three syllables, but only one contains the natural accent, which is the first; the final two syllables are unstressed.  Likewise, in "breaking" the first syllable is stressed and the second is not.   In fact, all of the multi-syllable words in the second stanza have the first syllable stressed:

After we find the natural accents, we then look at the single-syllable words, where there is ample room for interpretation.  In general, primary words — like nouns and verbs — are usually stressed whereas secondary words — like articles and prepositions — are not.   This is a guideline but not a rule, however.  When words are stressed, they are emphasized; sometimes it makes sense, based on the context of the line, to stress an adjective, for instance, rather than the noun.  Similarly, stressed and unstressed syllables usually alternate in poetry to create a natural rhythm, but poets will intentionally disrupt the rhythm to call attention to specific words. 

Here is a possible scan of the second stanza in Hayden's poem:

The first line starts off with a series of three rhythmic iambs (two-syllable combinations of unaccented syllables followed by accented syllables) before the pattern is broken with the words "splintering, breaking" at the end of the line.  By analyzing the meter, we can assume that soon after waking—even on Sundays with a fire warming the house—the speaker still feels a sense of tension and unease.  What is interesting is Hayden's decision to end the line with a weak, unaccented syllable, which one could argue conveys a sense of weary resignation, as if the speaker can never escape the constant "splintering, breaking" tension that permeates the house.  

The first syllable of the second line, "When," could certainly be accented, but leaving it unaccented allows that feeling of helplessness to carry over from the previous line and build into another series of rhythmic iambs that runs through the next two lines until it is disrupted once again by a present participle, this time "Fearing," which starts the fourth line and connects to the "splintering, breaking" of the first line.  This rhythmic pattern—and its disruption—repeats itself as if to imply that any sense of harmony within the house cannot remain for long. 

The preposition "of" in the final line of the stanza could also be unstressed, but choosing to accent the preposition creates another series of four straight iambs that is broken once again by a present participle, this time the "Speaking" at the beginning of the final stanza.  What is interesting is that the father is responsible for the "splintering, breaking" of the rhythm in the second stanza, but it is the speaker who is responsible for breaking the rhythm in the final stanza by "Speaking indifferently" to his father, which seems to imply that they both share responsibility for the psychic tension and "chronic angers of that house."  

III.  Parallel Structure

Parallel structure is the repetition of words or phrases within the lines of a poem.  We have already seen how Hayden uses parallel structure in repeating the use of present participles to break the rhythm of the lines in the second stanza and at the beginning of the third.  We also see a key repetition in the penultimate line that, one could argue, unlocks the thematic meaning of the entire poem:

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love's austere and lonely offices?

By repeating "'What did I know, what did I know" the speaker acknowledges his own ignorance as a child of the love and sacrifice that his father demonstrated through his daily actions.  The repetition also implies a sense of guilt and regret that he was unable to understand or appreciate his father when he was younger.  What is obvious is that the speaker has matured over the years —perhaps now having children of his own—and sees his father in a new, more compassionate light.  

To help students identify poetic devices and become more comfortable with the analytical process, we provide five study guide questions on the back of the AP prompt that students should try to answer on their own.  When students return to class, we answer any questions they may have and share our different interpretations of the poem as a whole class.

After we have explicated the poem and answered questions from the study guide, students prepare to write their AP Poetry Analysis essay.  Similar to the other AP essays, we encourage students to use  Hegel's Dialectic to organize their thoughts and outline their arguments:

The AP Poetry Analysis prompt for Hayden's poem asks students to consider how the speaker has "re-assessed" the "strained" relationship he had with his father in childhood.  One possible way to organize the argument would be to have the thesis, or initial claim (i.e. first body paragraph), focus on the "strained" relationship in the speaker's childhood.  The antithesis, or counter-claim (i.e. second body paragraph), could then focus on the speaker's re-assessment of that relationship once he becomes an adult.  The synthesis (i.e. third body paragraph) would focus on what the speaker has learned from the experience, which would also reflect Hayden's overall theme (i.e. "the meaning of the work as a whole").

If this were the first assignment of the year, we would provide a model for what a quality AP Poetry Analysis essay using Hegel's Dialectic might look like: 

When using Hegel's Dialectic for an AP Poetry Analysis essay, it is sometimes helpful to think of the thesis/antithesis/synthesis model in terms of tone and theme instead.  Students should look for competing, yet complementary, tones in the poem, which would then be the focus of their first two body paragraphs.  Students would then resolve the tension between those competing tones by revealing overall theme in the concluding third body paragraph.

Once students have completed the Journal Discussion and written the AP Poetry Analysis essay, they are now ready to begin the novel or play with a solid introduction to the major themes of the work.  Moreover, they will be able to compare and contrast how the author or playwright addresses the Essential Questions with the poet and and the author/speaker of the quotation.  Ultimately, students will have to answer those Essential Questions for themselves, but they now have three different guides to help them along the way.

<<  Style Analysis Tutorial

AP Passage Analysis Tutorial  >>

AP English Literature: Approaches to Poetry Analysis

Mastering the art of poetry analysis is crucial for success in the AP English Literature exam. Here's a comprehensive guide on various approaches to poetry analysis that can enhance your understanding and interpretation of poetic texts:

1. Close Reading:

   - Focus: Examine the language, structure, and literary devices within the poem.

   - Analysis: Pay close attention to individual words, phrases, and images. Consider the impact of sound devices like rhyme, meter, and alliteration.

2. Structural Analysis:

   - Focus: Explore the poem's organization and form.

   - Analysis: Consider the arrangement of stanzas, lines, and the overall structure. Evaluate the impact of the chosen form on the poem's meaning.

3. Figurative Language:

   - Focus: Identify and analyze metaphor, simile, personification, and other figurative elements.

   - Analysis: Explore how figurative language contributes to the poem's themes, tone, and overall impact. Consider the symbolic significance.

4. Imagery:

   - Focus: Examine vivid and sensory language used to create mental images.

   - Analysis: Explore how imagery appeals to the senses and contributes to the poem's emotional or thematic resonance.

5. Theme Exploration:

   - Focus: Identify and interpret the central themes of the poem.

   - Analysis: Consider recurring ideas, motifs, or messages. Reflect on how the poet explores and conveys these themes through language and imagery.

6. Tone and Mood:

   - Focus: Determine the emotional tone and mood of the poem.

   - Analysis: Analyze word choices, diction, and the overall atmosphere created by the poem. Consider how the poet's tone contributes to the reader's emotional response.

7. Character Analysis (Persona):

   - Focus: Consider the speaker or persona of the poem.

   - Analysis: Analyze the characteristics, perspectives, and motivations of the speaker. Consider how the speaker's voice shapes the poem's meaning.

8. Historical and Cultural Context:

   - Focus: Explore the historical and cultural influences on the poem.

   - Analysis: Consider how societal events or cultural movements at the time of writing may impact the poem's themes, perspectives, and language.

9. Allusion and Intertextuality:

   - Focus: Identify references to other works, myths, or historical events.

   - Analysis: Explore how the use of allusion adds layers of meaning to the poem. Consider the impact of intertextuality on interpretation.

10. Sound and Rhythm:

    - Focus: Examine the poem's auditory qualities.

    - Analysis: Consider the rhythm, meter, and sound patterns. Explore how the poet's use of sound enhances the poem's meaning and emotional impact.

11. Symbolism:

    - Focus: Identify symbolic elements within the poem.

    - Analysis: Interpret the significance of symbols and their contribution to the poem's themes or messages. Consider both conventional and unconventional symbols.

12. Comparative Analysis:

    - Focus: Compare the poem with other works or poets.

    - Analysis: Explore similarities and differences in themes, styles, or approaches. Consider how this comparative analysis enriches the understanding of the poem.

13. Biographical Approach:

    - Focus: Consider the poet's life and experiences.

    - Analysis: Explore how the poet's personal experiences or background may influence the themes, perspectives, or emotions conveyed in the poem.

14. Reader Response:

    - Focus: Consider the reader's subjective response to the poem.

    - Analysis: Reflect on your own emotional reactions, interpretations, and connections with the poem. Consider how different readers might respond differently.

15. Contextual Analysis:

    - Focus: Analyze the broader context in which the poem was written.

    - Analysis: Consider historical, cultural, or literary movements that may have influenced the poet. Explore how the poem responds to or challenges the prevailing norms of its time.

By employing these diverse approaches to poetry analysis, you can develop a nuanced understanding of poems and effectively express your interpretations in the AP English Literature exam. Combining these strategies allows for a comprehensive exploration of the multifaceted elements that make poetry a rich and complex form of literary expression.

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AP® English Literature

How to approach ap® english literature free-response questions.

• The Albert Team
• Last Updated On: February 28, 2023

What We Review

What is the Format of AP® English Literature?

What content is covered in the free-response section of ap® english literature.

Return to the Table of Contents

How to Prepare for AP® English Literature Free-Response

Practice Makes Perfect

Focus on critical reading, utilize your syllabus, take notes as you read, carefully consider principal ideas, explore the context, read out loud, reread when necessary, consult your dictionary, thesaurus or encyclopedia, write, review, and rewrite regularly, how to answer ap® english literature free-response questions.

Understand the Subject Matter

Outline your essay, write clearly and eloquently, what are ap® english literature free-response questions like.

How Can I practice AP® English Literature Free-Response?

Looking for ap® english literature practice, interested in a school license​, 2 thoughts on “how to approach ap® english literature free-response questions”.

Are you expected to have read the actual work previously for free response question #1 and #2? (For instance, would the test writers expect you have read Thomas Hardy’s The Mayor of Casterbridge (1886) for 2016 essay?)

Can you still pull out score 5, even if you haven’t read the work before and write your response solely based on the given passage?

Hi Jen, you would not have had to have read the passage before. You’d be expected to be able to interpret from the passage provided — this is how they assess you on your analysis skills.

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2024 AP English Literature Exam Guide

15 min read • august 18, 2023

Your Guide to the 2024 AP English Literature Exam

We know that studying for your AP exams can be stressful, but Fiveable has your back! We created a study plan to help you crush your AP English Literature exam. This guide will continue to update with information about the 2024 exams, as well as helpful resources to help you do your best on test day.  Unlock Cram Mode  for access to our cram events—students who have successfully passed their AP exams will answer your questions and guide your last-minute studying LIVE! And don't miss out on unlimited access to our database of thousands of practice questions. FYI, something cool is coming your way Fall 2023! 👀

Format of the 2024 AP English Literature Exam

Going into test day, this is the exam format to expect:

Multiple Choice | 1 Hour | 45% of Exam Score

55 questions

5 sets of questions with 8–13 questions per set.

Each set is preceded by a passage of prose fiction, drama, or poetry of varying difficulty.

will always include at least 2 prose fiction passages (this may include drama) and at least 2 poetry passages.

Free Response | 2 hours | 55% of your score

3 questions

• A literary analysis of a given poem
• A literary analysis of a given passage of prose fiction (this may include drama)

An analysis that examines a specific concept, issue, or element in a work of literary merit selected by the student

FRQ Scoring Rubric for the 2024 AP Lit Exam

View an example set of questions and the corresponding  scoring guidelines  from the College Board to get an idea of what they look for in your responses!

Check out our study plan below to find resources and tools to prepare for your AP English Literature exam.

When is the 2024 AP exam and How Do I Take It?

How should i prepare for the exam.

First, download the AP English Literature Cheatsheet PDF - a single sheet that covers everything you need to know at a high level. Take note of your strengths and weaknesses!

Review every unit and question type, and focus on the areas that need the most improvement and practice. We’ve put together this plan to help you study between now and May. This will cover all of the units and essay types to prepare you for your exam

Practice essays are your best friends! The more essays you write, the more automatic the process will come, and the easier the AP exam will be!

Try some of the past exam essays here

We've put together the study plan found below to help you study between now and May. This will cover all of the units and essay types to prepare you for your exam. Pay special attention to the units that you need the most improvement in.

Study, practice, and review for test day with other students during our live cram sessions via  Cram Mode . Cram live streams will teach, review, and practice important topics from AP courses, college admission tests, and college admission topics. These streams are hosted by experienced students who know what you need to succeed.

Pre-Work: Set Up Your Study Environment

Before you begin studying, take some time to get organized.

🖥 Create a study space.

Make sure you have a designated place at home to study. Somewhere you can keep all of your materials, where you can focus on learning, and where you are comfortable. Spend some time prepping the space with everything you need and you can even let others in the family know that this is your study space. 

📚 Organize your study materials.

Get your notebook, textbook, prep books, or whatever other physical materials you have. Also, create a space for you to keep track of review. Start a new section in your notebook to take notes or start a Google Doc to keep track of your notes. Get yourself set up!

📅 Plan designated times for studying.

The hardest part about studying from home is sticking to a routine. Decide on one hour every day that you can dedicate to studying. This can be any time of the day, whatever works best for you. Set a timer on your phone for that time and really try to stick to it. The routine will help you stay on track.

🏆 Decide on an accountability plan.

How will you hold yourself accountable to this study plan? You may or may not have a teacher or rules set up to help you stay on track, so you need to set some for yourself. First, set your goal. This could be studying for x number of hours or getting through a unit. Then, create a reward for yourself. If you reach your goal, then x. This will help stay focused!

🤝 Get support from your peers.  

There are thousands of students all over the world who are preparing for their AP exams just like you! Join  Rooms  🤝 to chat, ask questions, and meet other students who are also studying for the spring exams. You can even build study groups and review material together! 

AP English Literature 2024 Study Plan

🌱 unit 1: intro to short fiction, big takeaways:.

Unit 1 is the first prose analysis unit, focusing on short fiction.  It helps to establish your prose analysis vocabulary, focusing on identifying and describing basic literary elements such as plot, narrator, and setting. This unit also gives the foundations for writing analyses of text, beginning with paragraph structuring and claim defense.

Definitely do this:

📚 Read these study guides:

Unit 1 Overview: Introduction to Short Fiction

1.1 Interpreting the role of character in fiction

1.2 Identifying and interpreting setting

1.3 Identifying how a story’s structure affects interpretation

1.4 Understanding and interpreting a narrator’s perspective

1.5 Reading texts literally and figuratively

1.6 The basics of literary analysis

🎥 Watch these videos:

Prose Prompt Deconstruction : An overview of the Prose Analysis prompt and strategies for preparing to respond

What Lit Is : An overview of the course and exam and their expectations

📰 Check out this articles:

12 Classic Short Stories : Short stories of literary merit to stretch your analysis muscles

✍️ Practice

Best Quizlet Decks for AP English Literature : Practice with these quizlets to strengthen your AP Lit vocabulary!

🎭 Unit 2: Intro to Poetry

Unit 2 is the first poetry analysis unit, focusing on everyone's favorite figurative language devices -- metaphor and simile .  Because poems often have a specific form, this unit also begins analysis of form/structure and also looks at contrasts in a text (which create the complexity that the exam expects you to analyze).  All of these poetic elements, though, are being analyzed for their function in the poem -- this unit helps you practice looking for why authors make the choices that they do.  

This unit continues the work of Unit 1 in developing paragraphs that establish a claim and provide evidence to support that claim.  It’s more important that you can write a stable, defensible, claim-based paragraph at this point than it is that you can write an entire essay (that might not be as strong).

Unit 2 Overview: Introduction to Poetry

2.1 Identifying characters in poetry

2.2 Understanding & interpreting meaning in poetic structure

2.3 Analyzing word choice to find meaning

2.4 Identifying techniques in poetry to analyze literary works

Literary Device Review : An overview of some literary devices that you may have forgotten, or an introduction to some new ones that you want in your analysis vocabulary.

Defending a Claim : Before practicing your paragraphs, watch this stream for guidance in building a claim from the passage in response to a prompt.

How to Read a Poem : A stream dedicated to developing poetry reading skills, including a useful acronym (SIFT) for prioritizing important elements of a poem.

Annotating for Understanding: This stream guides you through the annotation process, making sure that you are annotating purposefully, and developing your own library of symbols.

📰 Check out these articles:

Poetry Overview : Our Fiveable guide to the poetry analysis question -- what to expect and what you need to do to respond effectively.

If you have more time or want to dig deeper:

Theme Statements and Thesis Statements : This stream teaches you how to determine and state a theme, and how to establish a claim to defend for poem analysis.

💎 Play Figurative Language Trivia ! It’s not the names that are important, but it’s fun to know them, anyway!

🎭 Unit 3: Intro to Longer fiction or Drama

Here we go with the novels!  Because the exam’s literary argument essay (also affectionately known as Q3 in the Lit circles) asks students to analyze a novel-length text, it’s important to get practice on analyzing novels or plays (did someone say, Shakespeare?). This unit boils down to paying closer attention to character and plot, with a sprinkling of setting analysis.  Because novels are longer than short stories, not only can authors spread out the creation of literary elements and go deeper, but you can see more about how it’s done.  

In terms of composition, this unit starts discussing the development of a thesis statement!  So now we can establish a thesis, and then support it with a paragraph (or two).  This means we’re also starting to create a line of reasoning that is introduced in the thesis statement, and supported in the body of your essay.

Unit 3 Overview: Introduction to Longer Fiction and Drama

3.1 Interpreting character description and perspective

3.2 Character evolution throughout a narrative

3.3 Conflict and plot development

3.4 Interpreting symbolism

3.5 Identifying evidence and supporting literary arguments

Theme Statements and Thesis Statements: This stream distinguishes between these two important statements in a Q3 response, and further discusses thesis statements in general.

Annotating for Analysis, part 2: This stream is more about annotating an exam prompt, and then preparing to respond to it.

Characters and Relationships : All about characterization, with terms and tips for understanding the creation of characters and why they matter.

Fiveable study guide to the Literary Argument prompt

💎 Check out John Green’s YouTube channel Crash Course for help analyzing some English teacher novel favorites.  These don’t substitute for reading, but they help when you’re done.

📖 Read this Ultimate AP Literature Reading List from Albert.io to see what you’ve read, or what you might want to read. You might even find them free online, or you can support your local library.

⚔️ Unit 4: Character, Conflict, & Storytelling in Short Fiction

Because of the way that the AP Lit units are structured, we spiral skills and text types, so this is phase 2 of short fiction analysis.  While the first short fiction unit was focused on identifying and describing elements, now you’re being asked to explain the function (that why again) and describe relationships.  

This unit also asks you to start analyzing how those relationships and elements are created by authors.  That means you are reading more closely for diction and syntax and paying more attention to how a speaker/narrator’s perspective is shown to you.

We’re still working on defensible thesis statements and building commentary to make clear connections between our claim and the evidence.  This is what builds the line of reasoning and earns a 4 in evidence and commentary on the Lit rubric.

Unit 4 Overview: Character, Conflict, and Storytelling

4.1 Protagonists, antagonists, character relationships, and conflict

4.2 Character interactions with setting and its significance

4.3 Archetypes in literature

4.4 Types of narration like stream of consciousness

4.5 Narrative distance, tone, and perspective

Prose Analysis Prompt Deconstruction and Strategies : Before you read the text, make sure that you know the task before you, and you’re ready to read with that in mind.

Q2 Thesis and Introduction :  There are some exam-taking tips in here, from a college freshman who conquered the exam.  She also discusses forming a thesis and an introduction that works. Quickly.

Q2 Evidence and Commentary : Practicing creating commentary to respond to the prompt efficiently.  This stream uses practice prompts to show the process of reading a text with the prompt in mind to select evidence while reading.

Short Fiction Overview : Revisit this guide!  Read the section on “How to Read a Short Story.  Like, Really Read It.”

💎 Check out this stream on creating a "boot camp" that was originally meant for teachers, but gives guidelines and suggestions on how to dive into short fiction.

AP Lit Prose Analysis Practice Prompt Answers & Feedback – Fahrenheit 451 (Diction): The focus of this practice prompt is diction – analyzing it AND using it yourself, with a little syntax thrown in! Try it yourself and compare it with student responses and feedback. 

AP Lit Prose Analysis Practice Prompt Samples & Feedback – The Street : Practicing prose analysis is a great way to prep for the AP exam! Respond to this practice prompt and review practice writing samples and their corresponding feedback.

AP Lit Prose Analysis Practice Essays & Feedback – The Rainbow : Writing essays is a great way to practice prose analysis and prep for the AP exam! Review student responses for an essay prompt and corresponding feedback 

🌈 Unit 5: Structure & Figurative Language in Poetry

We’re going back to poems! This unit asks you to “identify and explain the function” of various poetic elements and devices.  All at the same time. Those literary devices you learned in Poetry I might come in handy here, but the analysis is more about why the author made those choices about repetition, reference, comparison, etc.

In order to select the most significant, “relevant, and sufficient” evidence to support your line of reasoning from your thesis , you have to know the function of the personification or metaphor or imagery.  Ask yourself, “Why would the author write ____ instead of ____?” This helps you analyze the connotations of the choice, and therefore the function in the text.

By now, we’re writing a thesis plus paragraphs.  This is also an opportunity to work on the organization of your essays (hint: organizing by the device is neither efficient nor sophisticated; try to find a shift or two in the poem and use them to develop your paragraph chunks.

Unit 5 Overview: Structure and Figurative Language

5.1 Traits of closed and open structures in poetry

5.2 Use of techniques like imagery and hyperbole

5.3 Types of comparisons in poetry including personification and allusion

5.4 Identifying and interpreting extended metaphors

How Form Creates Meaning: Learn about poetry-specific choices authors make, and what elements of form look like in practice.  Also, explore a couple of common forms and why they might be used.

Open Poetry Study :  An opportunity to practice some of the skills from “How to Read a Poem ”. 

Q1 Evidence and Commentary : Follow the process of reading a poem and selecting evidence in real-time.  You can have an essay before it’s through.

The complexity of Poetry: This is an opportunity to look specifically at how poets create tensions and complexity in their work.  Since this complexity is always a point of analysis on the exam, you can study how it works, and how to write about it

💎 Browse through the Poetry Foundations resources for students , including annotations, poem guides, podcasts, and poet studies.

🛠️ Unit 6: Literary Techniques in Longer Works

Because novels are longer stories, we can look at more elements at a time.  That’s what this unit wants from you -- examining speaker perspective and reliability, the formation and function of literary or contextual symbolism, characterization, character relationships and contrasts, the function of plot events, etc.  All at the same time.  

What you need to know: The bottom line of reading for Q3 is the meaning of the work as a whole or theme .  And you might not fully understand what that is until the novel or play is finished, but you can start to build ideas around what BIG IDEA the author is addressing.  Your job is to keep track of how characters, plot, and setting contribute to the discussion of this big idea (like greed or isolation or jealousy or love or anger or insanity).

Unit 6 Overview: Literary Techniques in Longer Works

6.1 Interpreting foil characters

6.2 Understanding and interpreting character complexity

6.3 Understanding nonlinear narrative structures like flashbacks and foreshadowing

6.4 The effect of narrative tone and bias on reading

6.5 Characters as symbols, metaphors, and archetypes

6.6 Developing literary arguments within a broader context of works

Finding Theme Through Characterization : A discussion of the function of characterization as it applies to the meaning of the work as a whole.

Multiple Choice Questions (MCQs) Resources

Multiple Choice Intro : an introduction to the AP Literature multiple choice -- an overview of the weights, number and types of questions you will encounter, with some tips for practice and preparation.

Prose MC Strategies and Practice: covers all aspects of the Multiple Choice section of the AP Lit Exam, including tips on-time efficiency, annotation, and picking the best answer choice. This is followed by 2 sets of practice passages and questions and explanations for each of the provided answer choices.

English Literature Multiple Choice Study Guide

AP English Literature Multiple Choice Help (MCQ)

AP English Lit MCQ Practice Tests

🏛️ Unit 7: Societal & Historical Context in Short Fiction

The last three units of AP Lit ask you to dig even deeper into what you're reading to analyze it. In Unit 7, you'll focus on how characters fit into the societal and historical context of the work they're in, and how those features can become important facets of stories. Importantly, you'll be asked to analyze how complexity develops over the course of the story.

Unit 7 Overview: Societal and Historical Context

7.1 Sudden and more gradual change in characters

7.2 Epiphany as a driver of plot

7.3 Relationships between characters and groups

7.4 Character interactions with changing and contrasting settings

7.5 The significance of the pacing of a narrative

7.6 Setting as a symbol

7.7 Interpreting texts in their historical and societal contexts

🤾 Unit 8: Advanced Techniques in Poetry

Unit 8 will introduce you to more complicated techniques in poetry that are harder to spot and analyze. You will be asked to identify and analyze devices like punctuation and structural patterns, juxtaposition, paradox, irony, symbols, conceits, and allusions. Although these are a little harder to correctly identify in poetry, if you can master them, they can earn you major points on the exam. Additionally, you'll learn about how to correctly cite and attribute information when writing literary analysis!

Unit 8 Overview

8.1 Looking at punctuation and structural patterns

8.2 Interpreting juxtaposition, paradox, and irony

8.3 How ambiguity can allow for various interpretations

8.4 Identifying symbols, conceits, and allusions

8.5 Learning proper attribution and citation in literary analysis

🚣🏿 Unit 9: Nuanced Analysis in Longer Works

The final unit of AP Lit will task you with creating even more nuanced analyses of longer works and drama. To do this, we'll look at how characters change over the course of the plot and react to the resolution of the narrative, how suspense, resolution, and plot development contribute the meaning of a work, and how inconsistencies and differing perspectives create nuance in longer works.

Unit 9 Overview: Nuanced Analysis

9.1 Looking at a character's response to the resolution of a narrative

9.2 Suspense, resolution, and plot development

9.3 Narrative inconsistencies and contrasting perspectives

Exam Skills 

Breaking Down an Exam Prompt: A discussion of how to break down an AP Literature exam prompt into smaller questions. We end with some do's, don'ts, and common pitfalls for students writing AP Literature essays.

Commentary and Sophistication FAQs: Review the criteria for earning maximum evidence/commentary points and the one sophistication point from the rubric. Next, read scored examples and see what they earned in those two categories.

AP English Literature Free Response Questions (FRQ) – Past Prompts : A sortable list of all the AP English Literature free-response questions.

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5 Tips for Writing a Great AP Lit Essay

Nervous about the 'free response prompt' on AP Lit? Don't be. We broke it down into manageable steps!

This year, if you’re taking the AP English Literature exam, you’ll be responsible for responding to three questions, which the College Board calls “free response prompts.” First , you’ll write a literary analysis of a poem. Second, you’ll write a literary analysis of a piece of fiction, which could be an excerpt from a play. Third , you’ll analyze a major literary aspect—a theme or a literary device, for example—of a literary work of your choosing.

The last of these prompts attracts perhaps the most attention and, by extension, produces the most anxiety among students. Anyone would admit that such a capacious (‘open, roomy’) question is challenging, especially when a year of AP Lit has taught you to focus on the details of the book you’re reading. And it certainly doesn’t help that this question comes at the very end of the essay, and you and your fingers are about as tired as they could possibly be!

But if you approach the prompt with enthusiasm, it can be the cherry on top of your exam, not the straw that breaks the camel’s back (getting creative with metaphors is always important in AP Lit!).

Here are five tips to help you write a great essay response to the third prompt on the AP Lit exam.

1. Select the perfect work.

Wait a minute—you can write about anything under the sun, as long as the College Board defines it as “a work of literary merit?” How is that even possible? In truth, your evaluators are using this prompt as a way to gauge your analytical abilities no matter the text. You’re not going to be judged for the work you select, as long as it’s substantial enough to ensure your analysis can be rich and meaningful. A good rule to live by: if a work pops into your head and you don’t immediately have at least a few different ideas for how to answer the prompt with it, toss it out of your brainstorming process. You want to find a work that is challenging and complex in order to show that you’re capable of effectively analyzing such works.

You have two main options for selecting the perfect work, both equally effective. The first is probably the most common: choose a book, play, or other literary work you read in AP Lit. Because you read it in class, you will almost surely be familiar with its themes and literary devices. Your second option is to pick a work you’ve read on your own, which could be anything from a novel you adored over summer break or the Shakespeare play you starred in at school. We recommend creating a short list of works you’d like to write about before you take your AP Lit exam, just to have your options at hand. As you’ve learned to do in class, consider each work’s rhetorical situation. This way, if you’re on the fence about whether a work is really “of literary merit,” you can ask your teacher or someone else in the know for an expert second opinion!

2. Practice really does make perfect.

You don’t know what the third free-response prompt will be, but you know that it will be! The College Board’s AP Lit exam page is only one of a gazillion easily accessible resources online that compile prompts from past years and devise hypothetical ones, too. These are great places to look. In the weeks leading up to the exam, we recommend selecting three to seven prompts—the more diverse in content, the better—and practicing with your list of works of literary merit. We recommend practicing with a work no more than two or three times—it’s great to know a text inside and out, but you don’t want to be a one-trick pony in case the prompt on the exam doesn’t lend itself to an essay about that text.

3. Outline, outline, outline!

Whether for AP exams , the SAT , or the ACT , you’ve heard the dictum a million times—outlines make better essays, even when your time feels extremely limited! When it’s time for the test, this can feel a little bit trite, but we challenge you to find one soul in the grand history of the AP English Literature exam who hasn’t benefited from creating even a rough outline. This is the place where your reasoning and organization come alive. We recommend devoting 5-7 minutes to your outline—the lower end if you’re confident you know the text inside and out and just need to nail down your claims and evidence, and the higher end if you need to jog your memory and give your thesis a bit more time to gestate.

What should your outline include? Keep it clear and concise. You definitely want to write your thesis; plan the topics of your body paragraphs, including potential topic sentences; and—a helpful, oft-forgotten third part—remind yourself why the work you’ve chosen is the best for the prompt. This last part won’t be formally integrated into your essay, but it’s extremely helpful as you try to stay focused and pointed while writing what can feel like an impossible broad essay.

4. Each paragraph is a new opportunity to be creative

The third free-response prompt, and the AP Lit exam in general, is extremely structured. It can feel downright constricting. The little-known truth about the last essay is that it’s the most creative part of the whole exam. You not only get to choose the prompt, but within the roughly five-paragraph structure of the essay you’re penning, you get to be quite creative with what you say in each paragraph. There are so many ways to explain to your readers how, say, a symbol illuminates an important theme in a text. We find this knowledge incredibly liberating; paired wisely with the organization that the outline and the essay require, this creative approach can lead to a top-notch essay.

5. Proofread, but not just for the sake of proofreading.

We’ve all been there—time is nearly up, you’ve put the period at the end of your conclusion, and now it’s time to make sure you haven’t written an incoherent jumble of nothingness. This is the last, crucial step before handing in your AP Lit exam and never reading again (just kidding!)

Because you’re so exhausted from hours of test-taking, proofreading your third free-response essay can feel like a chore—a hurdle you have to jump to reach the finish line. But it can also be an opportunity to make sure your argument, your analysis, and your claims and evidence are coherent . We don’t mean that you should restructure your thesis—there isn’t time for that, and we’re sure it’s great, anyway!—but we encourage you to make sure that every sentence is as clear, concise, and (reasonably) creative as possible. Proofreading is the time to read every sentence with a fundamental question in the back of your head: What is this sentence doing, and what are the words that form it doing? If something feels like it’s not pulling its weight, don’t hesitate—change or delete it. Now that you’ve nailed the bigger picture, you must demand only the best from the details.

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How to Write the AP Lit Prose Essay with Examples

March 30, 2024

AP Lit Prose Essay Examples – The College Board’s Advanced Placement Literature and Composition Course is one of the most enriching experiences that high school students can have. It exposes you to literature that most people don’t encounter until college , and it helps you develop analytical and critical thinking skills that will enhance the quality of your life, both inside and outside of school. The AP Lit Exam reflects the rigor of the course. The exam uses consistent question types, weighting, and scoring parameters each year . This means that, as you prepare for the exam, you can look at previous questions, responses, score criteria, and scorer commentary to help you practice until your essays are perfect.

What is the AP Lit Free Response testing? 

In AP Literature, you read books, short stories, and poetry, and you learn how to commit the complex act of literary analysis . But what does that mean? Well, “to analyze” literally means breaking a larger idea into smaller and smaller pieces until the pieces are small enough that they can help us to understand the larger idea. When we’re performing literary analysis, we’re breaking down a piece of literature into smaller and smaller pieces until we can use those pieces to better understand the piece of literature itself.

So, for example, let’s say you’re presented with a passage from a short story to analyze. The AP Lit Exam will ask you to write an essay with an essay with a clear, defensible thesis statement that makes an argument about the story, based on some literary elements in the short story. After reading the passage, you might talk about how foreshadowing, allusion, and dialogue work together to demonstrate something essential in the text. Then, you’ll use examples of each of those three literary elements (that you pull directly from the passage) to build your argument. You’ll finish the essay with a conclusion that uses clear reasoning to tell your reader why your argument makes sense.

AP Lit Prose Essay Examples (Continued)

But what’s the point of all of this? Why do they ask you to write these essays?

Well, the essay is, once again, testing your ability to conduct literary analysis. However, the thing that you’re also doing behind that literary analysis is a complex process of both inductive and deductive reasoning. Inductive reasoning takes a series of points of evidence and draws a larger conclusion. Deductive reasoning departs from the point of a broader premise and draws a singular conclusion. In an analytical essay like this one, you’re using small pieces of evidence to draw a larger conclusion (your thesis statement) and then you’re taking your thesis statement as a larger premise from which you derive your ultimate conclusion.

So, the exam scorers are looking at your ability to craft a strong thesis statement (a singular sentence that makes an argument), use evidence and reasoning to support that argument, and then to write the essay well. This is something they call “sophistication,” but they’re looking for well-organized thoughts carried through clear, complete sentences.

This entire process is something you can and will use throughout your life. Law, engineering, medicine—whatever pursuit, you name it—utilizes these forms of reasoning to run experiments, build cases, and persuade audiences. The process of this kind of clear, analytical thinking can be honed, developed, and made easier through repetition.

Practice Makes Perfect

Because the AP Literature Exam maintains continuity across the years, you can pull old exam copies, read the passages, and write responses. A good AP Lit teacher is going to have you do this time and time again in class until you have the formula down. But, it’s also something you can do on your own, if you’re interested in further developing your skills.

AP Lit Prose Essay Examples 

Let’s take a look at some examples of questions, answers and scorer responses that will help you to get a better idea of how to craft your own AP Literature exam essays.

In the exam in 2023, students were asked to read a poem by Alice Cary titled “Autumn,” which was published in 1874. In it, the speaker contemplates the start of autumn. Then, students are asked to craft a well-written essay which uses literary techniques to convey the speaker’s complex response to the changing seasons.

The following is an essay that received a perfect 6 on the exam. There are grammar and usage errors throughout the essay, which is important to note: even though the writer makes some mistakes, the structure and form of their argument was strong enough to merit a 6. This is what your scorers will be looking for when they read your essay.

Example Essay 

Romantic and hyperbolic imagery is used to illustrate the speaker’s unenthusiastic opinion of the coming of autumn, which conveys Cary’s idea that change is difficult to accept but necessary for growth.

Romantic imagery is utilized to demonstrate the speaker’s warm regard for the season of summer and emphasize her regretfulness for autumn’s coming, conveying the uncomfortable change away from idyllic familiarity. Summer, is portrayed in the image of a woman who “from her golden collar slips/and strays through stubble fields/and moans aloud.” Associated with sensuality and wealth, the speaker implies the interconnection between a season and bounty, comfort, and pleasure. Yet, this romantic view is dismantled by autumn, causing Summer to “slip” and “stray through stubble fields.” Thus, the coming of real change dethrones a constructed, romantic personification of summer,  conveying the speaker’s reluctance for her ideal season to be dethroned by something much less decorated and adored.

Summer, “she lies on pillows of the yellow leaves,/ And tries the old tunes for over an hour”, is contrasted with bright imagery of fallen leaves/ The juxtaposition between Summer’s character and the setting provides insight into the positivity of change—the yellow leaves—by its contrast with the failures of attempting to sustain old habits or practices, “old tunes”. “She lies on pillows” creates a sympathetic, passive image of summer in reaction to the coming of Autumn, contrasting her failures to sustain “old tunes.” According to this, it is understood that the speaker recognizes the foolishness of attempting to prevent what is to come, but her wishfulness to counter the natural progression of time.

Hyperbolic imagery displays the discrepancies between unrealistic, exaggerated perceptions of change and the reality of progress, continuing the perpetuation of Cary’s idea that change must be embraced rather than rejected. “Shorter and shorter now the twilight clips/The days, as though the sunset gates they crowd”, syntax and diction are used to literally separate different aspects of the progression of time. In an ironic parallel to the literal language, the action of twilight’s “clip” and the subject, “the days,” are cut off from each other into two different lines, emphasizing a sense of jarring and discomfort. Sunset, and Twilight are named, made into distinct entities from the day, dramatizing the shortening of night-time into fall. The dramatic, sudden implications for the change bring to mind the switch between summer and winter, rather than a transitional season like fall—emphasizing the Speaker’s perspective rather than a factual narration of the experience.

She says “the proud meadow-pink hangs down her head/Against the earth’s chilly bosom, witched with frost”. Implying pride and defeat, and the word “witched,” the speaker brings a sense of conflict, morality, and even good versus evil into the transition between seasons. Rather than a smooth, welcome change, the speaker is practically against the coming of fall. The hyperbole present in the poem serves to illustrate the Speaker’s perspective and ideas on the coming of fall, which are characterized by reluctance and hostility to change from comfort.

The topic of this poem, Fall–a season characterized by change and the deconstruction of the spring and summer landscape—is juxtaposed with the final line which evokes the season of Spring. From this, it is clear that the speaker appreciates beautiful and blossoming change. However, they resent that which destroys familiar paradigms and norms. Fall, seen as the death of summer, is characterized as a regression, though the turning of seasons is a product of the literal passage of time. Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.

Scoring Criteria: Why did this essay do so well? 

When it comes to scoring well, there are some rather formulaic things that the judges are searching for. You might think that it’s important to “stand out” or “be creative” in your writing. However, aside from concerns about “sophistication,” which essentially means you know how to organize thoughts into sentences and you can use language that isn’t entirely elementary, you should really focus on sticking to a form. This will show the scorers that you know how to follow that inductive/deductive reasoning process that we mentioned earlier, and it will help to present your ideas in the most clear, coherent way possible to someone who is reading and scoring hundreds of essays.

So, how did this essay succeed? And how can you do the same thing?

First: The Thesis 

On the exam, you can either get one point or zero points for your thesis statement. The scorers said, “The essay responds to the prompt with a defensible thesis located in the introductory paragraph,” which you can read as the first sentence in the essay. This is important to note: you don’t need a flowery hook to seduce your reader; you can just start this brief essay with some strong, simple, declarative sentences—or go right into your thesis.

What makes a good thesis? A good thesis statement does the following things:

• Makes a claim that will be supported by evidence
• Is specific and precise in its use of language
• Argues for an original thought that goes beyond a simple restating of the facts

If you’re sitting here scratching your head wondering how you come up with a thesis statement off the top of your head, let me give you one piece of advice: don’t.

The AP Lit scoring criteria gives you only one point for the thesis for a reason: they’re just looking for the presence of a defensible claim that can be proven by evidence in the rest of the essay.

Second: Write your essay from the inside out 

While the thesis is given one point, the form and content of the essay can receive anywhere from zero to four points. This is where you should place the bulk of your focus.

My best advice goes like this:

• Choose your evidence first
• Develop your commentary about the evidence
• Then draft your thesis statement based on the evidence that you find and the commentary you can create.

It will seem a little counterintuitive: like you’re writing your essay from the inside out. But this is a fundamental skill that will help you in college and beyond. Don’t come up with an argument out of thin air and then try to find evidence to support your claim. Look for the evidence that exists and then ask yourself what it all means. This will also keep you from feeling stuck or blocked at the beginning of the essay. If you prepare for the exam by reviewing the literary devices that you learned in the course and practice locating them in a text, you can quickly and efficiently read a literary passage and choose two or three literary devices that you can analyze.

Third: Use scratch paper to quickly outline your evidence and commentary 

Once you’ve located two or three literary devices at work in the given passage, use scratch paper to draw up a quick outline. Give each literary device a major bullet point. Then, briefly point to the quotes/evidence you’ll use in the essay. Finally, start to think about what the literary device and evidence are doing together. Try to answer the question: what meaning does this bring to the passage?

A sample outline for one paragraph of the above essay might look like this:

Romantic imagery

Portrayal of summer

• Woman who “from her golden collar… moans aloud”
• Summer as bounty

Contrast with Autumn

• Autumn dismantles Summer
• “Stray through stubble fields”
• Autumn is change; it has the power to dethrone the romance of Summer/make summer a bit meaningless

Recognition of change in a positive light

• Summer “lies on pillows / yellow leaves / tries old tunes”
• Bright imagery/fallen leaves
• Attempt to maintain old practices fails: “old tunes”
• But! There is sympathy: “lies on pillows”

Speaker recognizes: she can’t prevent what is to come; wishes to embrace natural passage of time

By the time the writer gets to the end of the outline for their paragraph, they can easily start to draw conclusions about the paragraph based on the evidence they have pulled out. You can see how that thinking might develop over the course of the outline.

Then, the speaker would take the conclusions they’ve drawn and write a “mini claim” that will start each paragraph. The final bullet point of this outline isn’t the same as the mini claim that comes at the top of the second paragraph of the essay, however, it is the conclusion of the paragraph. You would do well to use the concluding thoughts from your outline as the mini claim to start your body paragraph. This will make your paragraphs clear, concise, and help you to construct a coherent argument.

Repeat this process for the other one or two literary devices that you’ve chosen to analyze, and then: take a step back.

Fourth: Draft your thesis 

Once you quickly sketch out your outline, take a moment to “stand back” and see what you’ve drafted. You’ll be able to see that, among your two or three literary devices, you can draw some commonality. You might be able to say, as the writer did here, that romantic and hyperbolic imagery “illustrate the speaker’s unenthusiastic opinion of the coming of autumn,” ultimately illuminating the poet’s idea “that change is difficult to accept but necessary for growth.”

This is an original argument built on the evidence accumulated by the student. It directly answers the prompt by discussing literary techniques that “convey the speaker’s complex response to the changing seasons.” Remember to go back to the prompt and see what direction they want you to head with your thesis, and craft an argument that directly speaks to that prompt.

Then, move ahead to finish your body paragraphs and conclusion.

Fifth: Give each literary device its own body paragraph 

In this essay, the writer examines the use of two literary devices that are supported by multiple pieces of evidence. The first is “romantic imagery” and the second is “hyperbolic imagery.” The writer dedicates one paragraph to each idea. You should do this, too.

This is why it’s important to choose just two or three literary devices. You really don’t have time to dig into more. Plus, more ideas will simply cloud the essay and confuse your reader.

Using your outline, start each body paragraph with a “mini claim” that makes an argument about what it is you’ll be saying in your paragraph. Lay out your pieces of evidence, then provide commentary for why your evidence proves your point about that literary device.

Move onto the next literary device, rinse, and repeat.

Sixth: Commentary and Conclusion 

Finally, you’ll want to end this brief essay with a concluding paragraph that restates your thesis, briefly touches on your most important points from each body paragraph, and includes a development of the argument that you laid out in the essay.

In this particular example essay, the writer concludes by saying, “Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.” This is a direct restatement of the thesis. At this point, you’ll have reached the end of your essay. Great work!

Seventh: Sophistication 

A final note on scoring criteria: there is one point awarded to what the scoring criteria calls “sophistication.” This is evidenced by the sophistication of thought and providing a nuanced literary analysis, which we’ve already covered in the steps above.

There are some things to avoid, however:

• Sweeping generalizations, such as, “From the beginning of human history, people have always searched for love,” or “Everyone goes through periods of darkness in their lives, much like the writer of this poem.”
• Only hinting at possible interpretations instead of developing your argument
• Oversimplifying your interpretation
• Or, by contrast, using overly flowery or complex language that does not meet your level of preparation or the context of the essay.

Remember to develop your argument with nuance and complexity and to write in a style that is academic but appropriate for the task at hand.

If you want more practice or to check out other exams from the past, go to the College Board’s website .

Brittany Borghi

After earning a BA in Journalism and an MFA in Nonfiction Writing from the University of Iowa, Brittany spent five years as a full-time lecturer in the Rhetoric Department at the University of Iowa. Additionally, she’s held previous roles as a researcher, full-time daily journalist, and book editor. Brittany’s work has been featured in The Iowa Review, The Hopkins Review, and the Pittsburgh City Paper, among others, and she was also a 2021 Pushcart Prize nominee.

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Poetry & Poets

Explore the beauty of poetry – discover the poet within

How To Write Poetry Essay Ap Lit

Familiarising with the Poetry Essay Assignment

One of the most challenging tasks in AP Literature is writing a poetry essay. This type of assignment requires you to look very closely at a poem and explain its meaning in your own words. In order to write a successful poetry essay, a student must understand what the poem is about and be able to transfer the same meaning to a reader. Here are some tips on how to write a poem essay AP Lit.

Understanding the Poem

The first step in writing a poetry essay AP Lit is familiarizing with the poem. To ensure that you have a full understanding of the poem’s meaning, you should read the poem multiple times from beginning to end in order to uncover its message and underlying meanings. During the first few readings, you should focus on the story or narrative of the poem. After the first few readings, you should focus on the structure and form of the poem, looking for patterns and clues as to what the poem really means.

Learning About Poetic Terms and Devices

In order to write a successful poetry essay AP Lit, you should familiarize yourself with common poetic terms and devices. The more familiar you are with these terms and devices, the better you are able to explain and discuss the poem in an essay. Common poetic terms include alliteration, assonance, simile, metaphor, hyperbole, theme, rhyme scheme, and tone.

Analyzing the Poem

Once you are familiar with the poem and with poetic terms and devices, you can begin to analyze the poem. To analyze a poem, first look for patterns in the poem. Look for words that appear repeatedly, as well as symbols and images that are used. Such patterns can provide clues as to what the poem is really about and how it should be interpreted. Additionally, look for the speaker’s attitude and tone. What is the poet’s attitude towards the poem’s subject? What is the tone of the poem? Also, ask yourself what the poem’s overall message is.

Writing the Essay

Now that you have done the work of understanding and analyzing the poem, you can begin to write the essay. To write a successful poetry essay AP Lit, you must be able to explain the poem’s meaning to a reader. Start by carefully restating the poem in your own words, then analyzing how the poem’s structure and literary devices contribute to its overall meaning. Be sure to explain how the poem’s use of poetic terms, structure, and imagery contribute to its overall message.

Drawing Conclusions

Once you have analyzed the poem and explained its meaning, you can draw conclusions about the poem. Your conclusion should provide an overall assessment of the poem’s message and illustrations of how the poem’s themes are relevant to life today. Be sure to explain why the poem matters and why it is important to study and understand its meaning.

Revealing the Poet’s Craftsmanship

The last step in writing a successful poetry essay AP Lit is to look closely at the poem’s craftsmanship. You should explain how the poet uses different devices to convey a certain meaning. This could include discussing the poem’s choice of words, rhythm, imagery, and other devices. By looking closely at the poet’s craftsmanship, you can further explain the poem’s meaning and evaluate the poet’s success in conveying that particular message.

Introducing the Theme

In order to write a successful poetry essay AP Lit, you should introduce the poem’s theme before you begin your analysis. Identify how the poem is structured, how imagery is used, and how the poet ties the theme to other ideas, stories, or feelings. By introducing the poem’s theme first, you can develop a stronger understanding of the poem and be better able to discuss how the poem’s message is expressed.

Avoiding Subjectivity

When writing a poetry essay AP Lit, it is important to remain objective throughout your analysis. While you may have a personal opinion about the poem, focus instead on its meaning and craftsmanship and how those elements contribute to the overall poem. You should not make sweeping judgments about the poem without facts or evidence to support your opinion.

Making Use of Anaphora

Anaphora is a literary device that helps emphasize a certain point or idea by repeating an expression or phrase. An effective use of anaphora can help make your poetry essay AP Lit more interesting and engaging, as well as reinforcing the point you are trying to make.

Unveiling the Poem’s Intentions

Once you have introduced the poem’s theme, discussed its craftsmanship and analyzed its structure and imagery, you should be able to identify the poem’s intentions. How does the poet achieve a certain message or feeling in the poem? What impact does the poem have on the reader? Explain why the poet chose to express the poem’s message the way he or she did.

Defining the Theme

The last step in writing a successful poetry essay AP Lit is to define the poem’s theme. While the poet may not explicitly explain the poem’s theme, it should be clear by the end of your essay what the poem’s overall message is. Explain in your own words the poem’s overall theme and how it contributes to the poem’s meaning.

Choosing Appropriate Examples

When writing a poem essay AP Lit, it is essential that you include examples that support your claims. Choose examples that best illustrate how the poet conveys the poem’s message. Look for words, phrases, or images that indicate the poem’s theme in some way, and then explain how these examples contribute to the overall poem.

Exploring Variations of Meaning

As you analyze the poem, it is important that you explore the variations of meaning in the poem. Does the poem’s meaning change when the poem is read in a different context or with different literary devices? Are there other possible interpretations of the poem’s message? Explain the various ways the poet could be conveying the poem’s message and how these variations in meaning could be interpreted.

Considering Other Perspectives

When writing a poem essay AP Lit, it is important to consider other perspectives. Are there other ways in which the poem’s message could be interpreted? Consider how the poem might be read with a different set of eyes. What might a reader with different experiences, beliefs, or values take away from the poem?

Utilizing References

In order to write a successful poetry essay AP Lit, you should incorporate references from other texts. Consider how the poem’s message might be connected to other pieces of literature, and incorporate those references into your analysis. Doing so will lend authority to your essay and show that you have done a thorough job of researching the poem.

Respecting the Author’s Intention

When writing a poetry essay AP Lit, it is important to respect the author’s intention when analyzing the poem. Do not make assumptions about the poet’s intentions; instead, explain how the poet conveys the poem’s message and draw conclusions from the evidence. By respecting the poet’s intent, you can ensure that your essay accurately reflects the poem’s true meaning.

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

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