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• Creative Writing Prompts Activities And Resources For Ks1 And Ks2 English

Creative writing prompts – Best activities and resources for KS1 and KS2 English

Fed up of reading 'and then…', 'and then…' in your children's writing? Try these story starters, structures, worksheets and other fun writing prompt resources for primary pupils…

What is creative writing?

How to develop opportunities for writing with choice and freedom, jump to section:.

• Writing with choice and freedom

Creative writing resources for the classroom

Creative writing prompts.

• Improving creative writing
• Overcoming the fear of creative writing

According to the Cambridge English Dictionary, ‘creative’ is ‘producing or using original and unusual ideas’, yet I would argue that in writing there’s no such thing as an original idea – all stories are reincarnations of ones that have gone before.

As writers we learn to be expert magpies – selecting the shiny words, phrases and ideas from other stories and taking them for our own.  

Interestingly, the primary national curriculum does not mention creative writing or writing for pleasure at all and is focused on the skill of writing.

Therefore, if writing creatively and for pleasure is important in your school, it must be woven into your vision for English.

“Interestingly, the Primary National Curriculum does not mention creative writing or writing for pleasure at all”

Creative writing in primary schools can be broken into two parts:

• writing with choice and freedom
• developing story writing

Writing with choice and freedom allows children to write about what interests and inspires them.  

Developing story writing provides children with the skills they need to write creatively. In primary schools this is often taught in a very structured way and, particularly in the formative years, can lack opportunities for children to be creative.

Children are often told to retell a story in their own words or tweak a detail such as the setting or the main character.  

Below you’ll find plenty of creative writing prompts, suggestions and resources to help develop both writing for choice and freedom and developing story writing in your classroom. 

Here’s an interesting question to consider: if the curriculum disappeared but children still had the skills to write, would they?

I believe so – they’d still have ideas they wanted to convey and stories they wanted to share.

One of my children enjoys writing and the other is more reluctant to mark make when asked to, but both choose to write. They write notes for friends, song lyrics, stories and even business plans.

So how can we develop opportunities to write with choice and freedom in our classrooms?

Early Years classrooms are full of opportunities for children to write about what interests them, but it’s a rarer sight in KS1 and 2.  

Ask children what they want to write about

Reading for pleasure has quite rightly been prioritised in schools and the impact is clear. Many of the wonderful ideas from The Open University’s Reading For Pleasure site can be used and adapted for writing too.

For example, ask children to create a ‘writing river’ where they record the writing they choose to do across a week.

If pupils like writing about a specific thing, consider creating a short burst writing activity linked to this. The below Harry Potter creative writing activity , where children create a new character and write a paragraph about them, is an example of this approach.

If you have a spare 20 minutes, listen to the below conversation with Lucy and Jonathan from HeadteacherChat and Alex from LinkyThinks . They discuss the importance of knowing about children’s interests but also about being a writer yourself.

'The confidence Crisis in Creative Writing.' Lucy and Jonathan chat with Alex from @LinkyThinks https://t.co/VClYxiQhcf — HeadteacherChat (@Headteacherchat) August 9, 2022

Plan in time to pursue personal writing projects 

There are lots of fantastic ideas for developing writing for pleasure in your classrooms on The Writing For Pleasure Centre’s website .

One suggestion is assigning time to pursue personal writing projects. The Meadows Primary School in Madeley Heath, Staffordshire, does this termly and provides scaffolds for children who may find the choice daunting.

Give children a choice about writing implements and paper 

Sometimes the fun is in the novelty. Are there opportunities within your week to give pupils some choices about the materials they use? Ideas could include:

• little notebooks
• a roll of paper
• felt tip pens
• gel pens  

Write for real audiences 

This is a great way to develop children’s motivation to write and is easy to do.

It could be a blog, a class newsletter or pen pals. Look around in your community for opportunities to write – the local supermarket, a nearby nursing home or the library are often all good starting points.

Have a go yourself

The most successful teachers of story writing write fiction themselves.

Many adults do not write creatively and trying to teach something you have not done yourself in a long time can be difficult. By having a go you can identify the areas of difficulty alongside the thought processes required.  

Treat every child as an author

Time is always a premium in the classroom but equally, we’re all fully aware of the impact of verbal feedback.

One-to-one writing conferences have gained in popularity in primary classrooms and it’s well-worth giving these a go if you haven’t already.

Set aside time to speak to each child about the writing they’re currently constructing. Discuss what’s going well and what they could develop.

If possible, timetable these one-to-one discussions with the whole class throughout the year (ideally more often, if possible).  

Free KS2 virtual visit and resources

Bring best-selling children’s authors directly into your classroom with Author In Your Classroom. It’s a brilliant free podcast series made especially for schools, and there’s loads of free resources to download too.

More than 20 authors have recorded episodes so far, including:

• Sir Michael Morpurgo
• Dame Jacqueline Wilson
• Michael Rosen
• Joseph Coelho
• Lauren Child
• Frank Cottrell-Boyce
• Benjamin Zephaniah
• Cressida Cowell
• Robin Stevens

Creative writing exercises

Use these inspiring writing templates from Rachel Clarke to inspire pupils who find it difficult to get their thoughts down on the page. The structured creative writing prompts and activities, which range from writing a ‘ through the portal story ‘ to a character creation activity that involves making your own Top Trumps style cards, will help inexperienced writers to get started.

Storyboard templates and story structures

Whether it’s short stories, comic strips or filmmaking, every tale needs the right structure to be told well. This storyboard template resource will help your children develop the skills required to add that foundation to their creative writing.

Ten-minute activities 

The idea of fitting another thing into the school day can feel overwhelming, so start with small creative writing activities once a fortnight. Below are a few ideas that have endless possibilities.

Character capers

You need a 1-6 dice for this activity. Roll it three to find out who your character is, what their personality is and what job they do, then think about the following:

• Can you draw them?
• What questions would you ask them if you met them?
• What might their answers be?
• If they were the main character in a story, what might happen?

Download our character capers worksheet .

Setting soup

In this activity pupils Look at the four photos and fill in a mind map for one of the settings, focusing on what they’d see, hear, feel, smell and feel in that location. They then write an ingredients list for their setting, such as:

• A dollop of calmness 
• A drizzle of a beautiful sunset 
• A generous helping of a still ocean 
• Copious amounts of smooth sand 
• A spattering of lush, green palm trees 

Download our setting soup worksheet .

Use consequences to generate story ideas

Start with a game of drawing consequences – this is a great way of building a new character.

Next, play a similar game but write a story. Here’s an example . Download our free writing consequences template to get started.

Roll and write a story

For this quick activity, children roll a dice three times to choose a setting and two characters – for example, a theme park, an explorer and a mythical creature. They then use the results to create an outline for a story.

Got more than ten minutes? Use the outline to write a complete story. Alternatively, use the results to create a book cover and blurb or, with a younger group of children, do the activity as a class then draw or write about the outcome.

Download our roll and write a story worksheet .

Scavenger hunt

Give children something to hide and tell them they have to write five clues in pairs, taking another pair from one clue to the next until the 5th clue leads them to the hidden item.

For a challenge, the clues could be riddles.  

Set up pen pals. This might be with children in another country or school, or it could simply be with another class.

What do pupils want to say or share? It might be a letter, but it could be a comic strip, poem or pop-up book.  

You need a log-in to access Authorfy’s content but it’s free. The website is crammed with every children’s author imaginable, talking about their books and inspirations and setting writing challenges. It’s a great tool to inspire and enthuse.  

There are lots of great resources and videos on Oxford Owl which are free to access and will provide children with quick bursts of creativity.  

Creative writing ideas for KS2

This free Pie Corbett Ultimate KS2 fiction collection is packed with original short stories from the man himself, and a selection of teaching resources he’s created to accompany each one.

Each creative writing activity will help every young writer get their creative juices flowing and overcome writer’s block.

WAGOLL text types

​Support pupils when writing across a whole range of text types and genres with these engaging writing packs from Plazoom , differentiated for KS1, LKS2 and UKS2.

They feature:

• model texts (demonstrating WAGOLL for learners)
• planning guides
• writing templates
• themed paper

Each one focuses on a particular kind of text, encouraging children to make appropriate vocabulary, register and layout choices, and produce the very best writing of which they are capable, which can be used for evidence of progress.

If you teach KS2, start off by exploring fairy tales with a twist , or choose from 50+ other options .

Scaffolds and plot types

A great way to support children with planning stories with structures, this creative writing scaffolds and plot types resource pack contains five story summaries, each covering a different plot type, which they can use as a story idea.

It has often been suggested that there are only seven basic plots a story can use, and here you’ll find text summaries for five of these:

• Overcoming the monster
• Rags to riches
• Voyage and return

After familiarising themselves with these texts, children can adapt and change these stories to create tales of their own.

Use story starters

If some children still need a bit of a push in the right direction, check out our 6 superb story starters to develop creative writing skills . This list features a range of free story starter resources, including animations (like the one above) and even the odd iguana…

Use word mats to inspire

Help pupils to write independently by providing them with helpful vocabulary sheets that they can pick and choose from when doing their own creative writing.

Download our free creative writing word mats here , including:

• Create a spooky atmosphere
• Write an adventure story
• Describe a character’s appearance
• Describe a character’s personality
• Describe how a character moves
• Describe how a character speaks
• Describe a mythical beast

Creative writing pictures

Using images as writing prompts is nothing new, but it’s fun and effective.

Pobble 365 has an inspiring photo for every day of the year. These are great inspiration for ten-minute free writing activities. You need to log in to Pobble but access to Pobble 365 (the pictures) is free.  

Choose two pictures as prompts (you can access every picture for the year in the calendar) or provide children with a range of starter prompts.

For example, with the photo above you might ask children to complete one of the following activities: 

• Continue the story using the story starters on Pobble. 
• Write down what your dream day would include. 
• Create a superhero called Dolphin Dude.  
• If you didn’t need to breath when swimming underwater, what would you do? Write about your dream day. It might include rivers, lakes, swimming pools, the seas or oceans.  
• If you had a super power, what would it be and why?  

The Literacy Shed

Website The Literacy Shed has a page dedicated to interesting pictures for creative writing . There are winter scenes, abandoned places, landscapes, woodlands, pathways, statues and even flying houses.

The Literacy Shed also hosts video clips for inspiring writing and is choc-full of ways to use them. The Night Zookeeper Shed is well worth a visit. There are short videos, activities and resources to inspire creative writing.

Once Upon a Picture

Once Upon a Picture is another site packed with creative writing picture prompts , but its focus is more on illustrations than photography, so its offering is great for letting little imaginations soar.

Each one comes with questions for kids to consider, or activities to carry out.

How to improve creative writing

Developing story writing .

If you decided to climb a mountain, in order to be successful you’d need to be well-equipped and you’d need to have practised with smaller climbs first.

The same is true of creative writing: to be successful you need to be well-equipped with the skills of writing and have had plenty of opportunities to practise.  

As a teachers you need to plan with this in mind – develop a writing journey which allows children to learn the art of story writing by studying stories of a similar style, focusing on how effects are created and scaffolding children’s writing activities so they achieve success.  

• Choose a focus When planning, consider what skill you want to embed for children and have that as your focus throughout the sequence of learning. For example, if you teach Y4 you might decide to focus on integrating speech into stories. When your class looks at a similar story, draw their attention to how the author uses speech and discuss how it advances the action and shows you more about the characters. During the sequence, your class can practise the technical side of writing speech (new line/new speaker, end punctuation, etc). When they come to write their own story, your success criteria will be focused on using speech effectively. By doing this, the skill of using speech is embedded. If you chose to focus on ALL the elements of story writing that a Y4 child should be using (fronted adverbials, conjunctions, expanded noun phrases, etc), this might lead to cognitive overload.
• Plan in chances to be creative Often teachers plan three writing opportunities: one where children retell the story, one with a slight difference (eg a different main character) and a final one where children invent their own story. However, in my experience, the third piece of writing often never happens because children have lost interest or time has run out. If we equip children with the skills, we must allow them time to use them.
• Utilise paired writing Children love to collaborate and by working in pairs it actually helps develop independence. Give it a go!  
• Find opportunities for real audiences Nothing is more motivating than knowing you will get to share your story with another class, a parent or the local nursing home.
• Use high-quality stimuli If your focus is speech, find a great novel for kids that uses speech effectively. There are so many excellent children’s stories available that there’s no need to write your own.
• Use magpie books This is somewhere where children can note down any great words or phrases they find from their reading. It will get them reading as a writer. 

Below is a rough outline of a planning format that leads to successful writing opportunities.

This sequence of learning takes around three weeks but may be longer or shorter, depending on the writing type.  

Before planning out the learning, decide on up to three key focuses for the sequence. Think about the potential learning opportunities that the stimuli supports (eg don’t focus on direct speech if you’re writing non-chronological reports ).  

Ways to overcome fear of creative writing

Many children are inhibited in their writing for a variety of reasons. These include the all-too-familiar ‘fear of the blank page’ (“I can’t think of anything to write about!” is a common lament), trying to get all the technical aspects right as they compose their work (a sense of being ‘overwhelmed’), and the fact that much of children’s success in school is underpinned by an ethos of competitiveness and comparison, which can lead to a fear of failure and a lack of desire to try.

Any steps we can take to diminish these anxieties means that children will feel increasingly motivated to write, and so enjoy their writing more. This in turn will lead to the development of skills in all areas of writing, with the broader benefits this brings more generally in children’s education.

Here are some easily applied and simple ideas from author and school workshop provider Steve Bowkett for boosting self-confidence in writing.

• Keep it creative Make creative writing a regular activity. High priority is given to spelling, punctuation and grammar, but these need a context to be properly understood. Teaching the technicalities of language without giving children meaningful opportunities to apply them is like telling people the names of a car engine’s parts without helping them learn to drive.
• Model the behaviour In other words, when you want your class to write a story or poem, have a go yourself and be upfront about the difficulties you encounter in trying to translate your thoughts into words.
• Go easy on the grammar Encourage children to write without them necessarily trying to remember and apply a raft of grammatical rules. An old saying has it that we should ‘learn the rules well and then forget them’. Learning how to use punctuation, for instance, is necessary and valuable, but when children try and apply the rules consciously and laboriously as they go along, the creative flow can be stifled. Consideration of rules should, however, be an important element of the editing process.
• Keep assessment focused Where you do require children to focus on rules during composition, pick just one or two they can bear in mind as they write. Explain that you will mark for these without necessarily correcting other areas of GaPS. Not only will this save you time, but also children will be spared the demotivating sight of their writing covered in corrections (which many are unlikely to read).
• Value effort If a child tries hard but produces work that is technically poor, celebrate his achievement in making an effort and apply the old ‘three stars and a wish’ technique to the work by finding three points you can praise followed by noting one area where improvements can be made.
• Leave room for improvement Make clear that it’s fine for children to change their minds, and that there is no expectation for them to ‘get it all right’ first time. Show the class before and after drafts from the work of well-known poets and extracts from stories. Where these have been hand written, they are often untidy and peppered with crossings out and other annotations as the writers tried to clarify their thoughts. If you have the facilities, invite children to word process their stories using the ‘track changes’ facility. Encourage children to show their workings out, as you would do in maths.
• Don’t strive for perfection Slay the ‘practice makes perfect’ dragon. It’s a glib phrase and also an inaccurate one. Telling children that practice makes better is a sound piece of advice. But how could we ever say that a story or poem is perfect? Even highly experienced authors strive to improve.
• Come back later Leave some time – a couple of days will do – between children writing a piece and editing or redrafting it. This is often known as the ‘cooling off’ period. Many children will find that they come back to their work with fresh eyes that enable them to pick out more errors, and with new ideas for improving the piece structurally.
• Try diamond 9 Use the diamond ranking tool to help children assess their own work. Give each child some scraps of paper or card and have them write on each an aspect of their writing, such as creating strong characters, controlling pace and tension, describing places and things, using ‘punchy’ verbs etc. Supply these elements as necessary, but allow children some leeway to think of examples of their own. Now ask each child to physically arrange these scraps according to how effectively they were used in the latest piece of work. So two writing elements that a child thinks are equally strong will be placed side by side, while an aspect of the work a child is pleased with will be placed above one that he / she is not so happy with.
• Keep it varied Vary the writing tasks. By this I mean it’s not necessary to ask children always to write a complete story. Get them to create just an opening scene for example, or a vivid character description, or an exciting story climax. If more-reluctant writers think they haven’t got to write much they might be more motivated to have a go. Varying the tasks also helps to keep the process of writing fresh, while the results can form resource banks (of characters, scenes, etc) for future use.
• Help each other Highlight the idea that everyone in the class, including yourself, forms a community of writers. Here, difficulties can be aired, advice can be shared and successes can be celebrated as we all strive to ‘dare to do it and do our best’.

Browse more ideas for National Writing Day .

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Narrative Writing: A Complete Guide for Teachers and Students

MASTERING THE CRAFT OF NARRATIVE WRITING

Narratives build on and encourage the development of the fundamentals of writing. They also require developing an additional skill set: the ability to tell a good yarn, and storytelling is as old as humanity.

We see and hear stories everywhere and daily, from having good gossip on the doorstep with a neighbor in the morning to the dramas that fill our screens in the evening.

Good narrative writing skills are hard-won by students even though it is an area of writing that most enjoy due to the creativity and freedom it offers.

Here we will explore some of the main elements of a good story: plot, setting, characters, conflict, climax, and resolution . And we will look too at how best we can help our students understand these elements, both in isolation and how they mesh together as a whole.

WHAT IS A NARRATIVE?

A narrative is a story that shares a sequence of events , characters, and themes. It expresses experiences, ideas, and perspectives that should aspire to engage and inspire an audience.

A narrative can spark emotion, encourage reflection, and convey meaning when done well.

Narratives are a popular genre for students and teachers as they allow the writer to share their imagination, creativity, skill, and understanding of nearly all elements of writing.  We occasionally refer to a narrative as ‘creative writing’ or story writing.

The purpose of a narrative is simple, to tell the audience a story.  It can be written to motivate, educate, or entertain and can be fact or fiction.

A COMPLETE UNIT ON TEACHING NARRATIVE WRITING

Teach your students to become skilled story writers with this HUGE   NARRATIVE & CREATIVE STORY WRITING UNIT . Offering a  COMPLETE SOLUTION  to teaching students how to craft  CREATIVE CHARACTERS, SUPERB SETTINGS, and PERFECT PLOTS .

Over 192 PAGES of materials, including:

TYPES OF NARRATIVE WRITING

There are many narrative writing genres and sub-genres such as these.

We have a complete guide to writing a personal narrative that differs from the traditional story-based narrative covered in this guide. It includes personal narrative writing prompts, resources, and examples and can be found here.

As we can see, narratives are an open-ended form of writing that allows you to showcase creativity in many directions. However, all narratives share a common set of features and structure known as “Story Elements”, which are briefly covered in this guide.

Don’t overlook the importance of understanding story elements and the value this adds to you as a writer who can dissect and create grand narratives. We also have an in-depth guide to understanding story elements here .

CHARACTERISTICS OF NARRATIVE WRITING

Narrative structure.

ORIENTATION (BEGINNING) Set the scene by introducing your characters, setting and time of the story. Establish your who, when and where in this part of your narrative

COMPLICATION AND EVENTS (MIDDLE) In this section activities and events involving your main characters are expanded upon. These events are written in a cohesive and fluent sequence.

RESOLUTION (ENDING) Your complication is resolved in this section. It does not have to be a happy outcome, however.

EXTRAS: Whilst orientation, complication and resolution are the agreed norms for a narrative, there are numerous examples of popular texts that did not explicitly follow this path exactly.

NARRATIVE FEATURES

LANGUAGE: Use descriptive and figurative language to paint images inside your audience’s minds as they read.

PERSPECTIVE Narratives can be written from any perspective but are most commonly written in first or third person.

DIALOGUE Narratives frequently switch from narrator to first-person dialogue. Always use speech marks when writing dialogue.

TENSE If you change tense, make it perfectly clear to your audience what is happening. Flashbacks might work well in your mind but make sure they translate to your audience.

THE PLOT MAP

This graphic is known as a plot map, and nearly all narratives fit this structure in one way or another, whether romance novels, science fiction or otherwise.

It is a simple tool that helps you understand and organise a story’s events. Think of it as a roadmap that outlines the journey of your characters and the events that unfold. It outlines the different stops along the way, such as the introduction, rising action, climax, falling action, and resolution, that help you to see how the story builds and develops.

Using a plot map, you can see how each event fits into the larger picture and how the different parts of the story work together to create meaning. It’s a great way to visualize and analyze a story.

Be sure to refer to a plot map when planning a story, as it has all the essential elements of a great story.

THE 5 KEY STORY ELEMENTS OF A GREAT NARRATIVE (6-MINUTE TUTORIAL VIDEO)

This video we created provides an excellent overview of these elements and demonstrates them in action in stories we all know and love.

HOW TO WRITE A NARRATIVE

Now that we understand the story elements and how they come together to form stories, it’s time to start planning and writing your narrative.

In many cases, the template and guide below will provide enough details on how to craft a great story. However, if you still need assistance with the fundamentals of writing, such as sentence structure, paragraphs and using correct grammar, we have some excellent guides on those here.

USE YOUR WRITING TIME EFFECTIVELY: Maximize your narrative writing sessions by spending approximately 20 per cent of your time planning and preparing.  This ensures greater productivity during your writing time and keeps you focused and on task.

Use tools such as graphic organizers to logically sequence your narrative if you are not a confident story writer.  If you are working with reluctant writers, try using narrative writing prompts to get their creative juices flowing.

Spend most of your writing hour on the task at hand, don’t get too side-tracked editing during this time and leave some time for editing. When editing a  narrative, examine it for these three elements.

• Spelling and grammar ( Is it readable?)
• Story structure and continuity ( Does it make sense, and does it flow? )
• Character and plot analysis. (Are your characters engaging? Does your problem/resolution work? )

1. SETTING THE SCENE: THE WHERE AND THE WHEN

The story’s setting often answers two of the central questions in the story, namely, the where and the when. The answers to these two crucial questions will often be informed by the type of story the student is writing.

The story’s setting can be chosen to quickly orient the reader to the type of story they are reading. For example, a fictional narrative writing piece such as a horror story will often begin with a description of a haunted house on a hill or an abandoned asylum in the middle of the woods. If we start our story on a rocket ship hurtling through the cosmos on its space voyage to the Alpha Centauri star system, we can be reasonably sure that the story we are embarking on is a work of science fiction.

Such conventions are well-worn clichés true, but they can be helpful starting points for our novice novelists to make a start.

Having students choose an appropriate setting for the type of story they wish to write is an excellent exercise for our younger students. It leads naturally onto the next stage of story writing, which is creating suitable characters to populate this fictional world they have created. However, older or more advanced students may wish to play with the expectations of appropriate settings for their story. They may wish to do this for comic effect or in the interest of creating a more original story. For example, opening a story with a children’s birthday party does not usually set up the expectation of a horror story. Indeed, it may even lure the reader into a happy reverie as they remember their own happy birthday parties. This leaves them more vulnerable to the surprise element of the shocking action that lies ahead.

Once the students have chosen a setting for their story, they need to start writing. Little can be more terrifying to English students than the blank page and its bare whiteness stretching before them on the table like a merciless desert they must cross. Give them the kick-start they need by offering support through word banks or writing prompts. If the class is all writing a story based on the same theme, you may wish to compile a common word bank on the whiteboard as a prewriting activity. Write the central theme or genre in the middle of the board. Have students suggest words or phrases related to the theme and list them on the board.

You may wish to provide students with a copy of various writing prompts to get them started. While this may mean that many students’ stories will have the same beginning, they will most likely arrive at dramatically different endings via dramatically different routes.

A bargain is at the centre of the relationship between the writer and the reader. That bargain is that the reader promises to suspend their disbelief as long as the writer creates a consistent and convincing fictional reality. Creating a believable world for the fictional characters to inhabit requires the student to draw on convincing details. The best way of doing this is through writing that appeals to the senses. Have your student reflect deeply on the world that they are creating. What does it look like? Sound like? What does the food taste like there? How does it feel like to walk those imaginary streets, and what aromas beguile the nose as the main character winds their way through that conjured market?

Also, Consider the when; or the time period. Is it a future world where things are cleaner and more antiseptic? Or is it an overcrowded 16th-century London with human waste stinking up the streets? If students can create a multi-sensory installation in the reader’s mind, then they have done this part of their job well.

Popular Settings from Children’s Literature and Storytelling

• Fairytale Kingdom
• Magical Forest
• Village/town
• Underwater world
• Space/Alien planet

2. CASTING THE CHARACTERS: THE WHO

Now that your student has created a believable world, it is time to populate it with believable characters.

In short stories, these worlds mustn’t be overpopulated beyond what the student’s skill level can manage. Short stories usually only require one main character and a few secondary ones. Think of the short story more as a small-scale dramatic production in an intimate local theater than a Hollywood blockbuster on a grand scale. Too many characters will only confuse and become unwieldy with a canvas this size. Keep it simple!

Creating believable characters is often one of the most challenging aspects of narrative writing for students. Fortunately, we can do a few things to help students here. Sometimes it is helpful for students to model their characters on actual people they know. This can make things a little less daunting and taxing on the imagination. However, whether or not this is the case, writing brief background bios or descriptions of characters’ physical personality characteristics can be a beneficial prewriting activity. Students should give some in-depth consideration to the details of who their character is: How do they walk? What do they look like? Do they have any distinguishing features? A crooked nose? A limp? Bad breath? Small details such as these bring life and, therefore, believability to characters. Students can even cut pictures from magazines to put a face to their character and allow their imaginations to fill in the rest of the details.

Younger students will often dictate to the reader the nature of their characters. To improve their writing craft, students must know when to switch from story-telling mode to story-showing mode. This is particularly true when it comes to character. Encourage students to reveal their character’s personality through what they do rather than merely by lecturing the reader on the faults and virtues of the character’s personality. It might be a small relayed detail in the way they walk that reveals a core characteristic. For example, a character who walks with their head hanging low and shoulders hunched while avoiding eye contact has been revealed to be timid without the word once being mentioned. This is a much more artistic and well-crafted way of doing things and is less irritating for the reader. A character who sits down at the family dinner table immediately snatches up his fork and starts stuffing roast potatoes into his mouth before anyone else has even managed to sit down has revealed a tendency towards greed or gluttony.

Understanding Character Traits

Again, there is room here for some fun and profitable prewriting activities. Give students a list of character traits and have them describe a character doing something that reveals that trait without ever employing the word itself.

It is also essential to avoid adjective stuffing here. When looking at students’ early drafts, adjective stuffing is often apparent. To train the student out of this habit, choose an adjective and have the student rewrite the sentence to express this adjective through action rather than telling.

When writing a story, it is vital to consider the character’s traits and how they will impact the story’s events. For example, a character with a strong trait of determination may be more likely to overcome obstacles and persevere. In contrast, a character with a tendency towards laziness may struggle to achieve their goals. In short, character traits add realism, depth, and meaning to a story, making it more engaging and memorable for the reader.

Popular Character Traits in Children’s Stories

• Determination
• Imagination
• Perseverance
• Responsibility

We have an in-depth guide to creating great characters here , but most students should be fine to move on to planning their conflict and resolution.

3. NO PROBLEM? NO STORY! HOW CONFLICT DRIVES A NARRATIVE

This is often the area apprentice writers have the most difficulty with. Students must understand that without a problem or conflict, there is no story. The problem is the driving force of the action. Usually, in a short story, the problem will center around what the primary character wants to happen or, indeed, wants not to happen. It is the hurdle that must be overcome. It is in the struggle to overcome this hurdle that events happen.

Often when a student understands the need for a problem in a story, their completed work will still not be successful. This is because, often in life, problems remain unsolved. Hurdles are not always successfully overcome. Students pick up on this.

We often discuss problems with friends that will never be satisfactorily resolved one way or the other, and we accept this as a part of life. This is not usually the case with writing a story. Whether a character successfully overcomes his or her problem or is decidedly crushed in the process of trying is not as important as the fact that it will finally be resolved one way or the other.

A good practical exercise for students to get to grips with this is to provide copies of stories and have them identify the central problem or conflict in each through discussion. Familiar fables or fairy tales such as Three Little Pigs, The Boy Who Cried Wolf, Cinderella, etc., are great for this.

While it is true that stories often have more than one problem or that the hero or heroine is unsuccessful in their first attempt to solve a central problem, for beginning students and intermediate students, it is best to focus on a single problem, especially given the scope of story writing at this level. Over time students will develop their abilities to handle more complex plots and write accordingly.

Popular Conflicts found in Children’s Storytelling.

• Good vs evil
• Individual vs society
• Nature vs nurture
• Self vs others
• Man vs self
• Man vs nature
• Man vs technology
• Individual vs fate
• Self vs destiny

Conflict is the heart and soul of any good story. It’s what makes a story compelling and drives the plot forward. Without conflict, there is no story. Every great story has a struggle or a problem that needs to be solved, and that’s where conflict comes in. Conflict is what makes a story exciting and keeps the reader engaged. It creates tension and suspense and makes the reader care about the outcome.

Like in real life, conflict in a story is an opportunity for a character’s growth and transformation. It’s a chance for them to learn and evolve, making a story great. So next time stories are written in the classroom, remember that conflict is an essential ingredient, and without it, your story will lack the energy, excitement, and meaning that makes it truly memorable.

4. THE NARRATIVE CLIMAX: HOW THINGS COME TO A HEAD!

The climax of the story is the dramatic high point of the action. It is also when the struggles kicked off by the problem come to a head. The climax will ultimately decide whether the story will have a happy or tragic ending. In the climax, two opposing forces duke things out until the bitter (or sweet!) end. One force ultimately emerges triumphant. As the action builds throughout the story, suspense increases as the reader wonders which of these forces will win out. The climax is the release of this suspense.

Much of the success of the climax depends on how well the other elements of the story have been achieved. If the student has created a well-drawn and believable character that the reader can identify with and feel for, then the climax will be more powerful.

The nature of the problem is also essential as it determines what’s at stake in the climax. The problem must matter dearly to the main character if it matters at all to the reader.

Have students engage in discussions about their favorite movies and books. Have them think about the storyline and decide the most exciting parts. What was at stake at these moments? What happened in your body as you read or watched? Did you breathe faster? Or grip the cushion hard? Did your heart rate increase, or did you start to sweat? This is what a good climax does and what our students should strive to do in their stories.

The climax puts it all on the line and rolls the dice. Let the chips fall where the writer may…

Popular Climax themes in Children’s Stories

• A battle between good and evil
• The character’s bravery saves the day
• Character faces their fears and overcomes them
• The character solves a mystery or puzzle.
• The character stands up for what is right.
• Character reaches their goal or dream.
• The character learns a valuable lesson.
• The character makes a selfless sacrifice.
• The character makes a difficult decision.
• The character reunites with loved ones or finds true friendship.

5. RESOLUTION: TYING UP LOOSE ENDS

After the climactic action, a few questions will often remain unresolved for the reader, even if all the conflict has been resolved. The resolution is where those lingering questions will be answered. The resolution in a short story may only be a brief paragraph or two. But, in most cases, it will still be necessary to include an ending immediately after the climax can feel too abrupt and leave the reader feeling unfulfilled.

An easy way to explain resolution to students struggling to grasp the concept is to point to the traditional resolution of fairy tales, the “And they all lived happily ever after” ending. This weather forecast for the future allows the reader to take their leave. Have the student consider the emotions they want to leave the reader with when crafting their resolution.

While the action is usually complete by the end of the climax, it is in the resolution that if there is a twist to be found, it will appear – think of movies such as The Usual Suspects. Pulling this off convincingly usually requires considerable skill from a student writer. Still, it may well form a challenging extension exercise for those more gifted storytellers among your students.

Popular Resolutions in Children’s Stories

• Our hero achieves their goal
• The character learns a valuable lesson
• A character finds happiness or inner peace.
• The character reunites with loved ones.
• Character restores balance to the world.
• The character discovers their true identity.
• Character changes for the better.
• The character gains wisdom or understanding.
• Character makes amends with others.
• The character learns to appreciate what they have.

Once students have completed their story, they can edit for grammar, vocabulary choice, spelling, etc., but not before!

As mentioned, there is a craft to storytelling, as well as an art. When accurate grammar, perfect spelling, and immaculate sentence structures are pushed at the outset, they can cause storytelling paralysis. For this reason, it is essential that when we encourage the students to write a story, we give them license to make mechanical mistakes in their use of language that they can work on and fix later.

Good narrative writing is a very complex skill to develop and will take the student years to become competent. It challenges not only the student’s technical abilities with language but also her creative faculties. Writing frames, word banks, mind maps, and visual prompts can all give valuable support as students develop the wide-ranging and challenging skills required to produce a successful narrative writing piece. But, at the end of it all, as with any craft, practice and more practice is at the heart of the matter.

TIPS FOR WRITING A GREAT NARRATIVE

• Start your story with a clear purpose: If you can determine the theme or message you want to convey in your narrative before starting it will make the writing process so much simpler.
• Choose a compelling storyline and sell it through great characters, setting and plot: Consider a unique or interesting story that captures the reader’s attention, then build the world and characters around it.
• Develop vivid characters that are not all the same: Make your characters relatable and memorable by giving them distinct personalities and traits you can draw upon in the plot.
• Use descriptive language to hook your audience into your story: Use sensory language to paint vivid images and sequences in the reader’s mind.
• Show, don’t tell your audience: Use actions, thoughts, and dialogue to reveal character motivations and emotions through storytelling.
• Create a vivid setting that is clear to your audience before getting too far into the plot: Describe the time and place of your story to immerse the reader fully.
• Build tension: Refer to the story map earlier in this article and use conflict, obstacles, and suspense to keep the audience engaged and invested in your narrative.
• Use figurative language such as metaphors, similes, and other literary devices to add depth and meaning to your narrative.
• Edit, revise, and refine: Take the time to refine and polish your writing for clarity and impact.
• Stay true to your voice: Maintain your unique perspective and style in your writing to make it your own.

NARRATIVE WRITING EXAMPLES (Student Writing Samples)

Below are a collection of student writing samples of narratives.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to read these creative stories in detail and the teacher and student guides which highlight some of the critical elements of narratives to consider before writing.

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of story writing.

We recommend reading the example either a year above or below, as well as the grade you are currently working with, to gain a broader appreciation of this text type.

NARRATIVE WRITING PROMPTS (Journal Prompts)

When students have a great journal prompt, it can help them focus on the task at hand, so be sure to view our vast collection of visual writing prompts for various text types here or use some of these.

• On a recent European trip, you find your travel group booked into the stunning and mysterious Castle Frankenfurter for a single night…  As night falls, the massive castle of over one hundred rooms seems to creak and groan as a series of unexplained events begin to make you wonder who or what else is spending the evening with you. Write a narrative that tells the story of your evening.
• You are a famous adventurer who has discovered new lands; keep a travel log over a period of time in which you encounter new and exciting adventures and challenges to overcome.  Ensure your travel journal tells a story and has a definite introduction, conflict and resolution.
• You create an incredible piece of technology that has the capacity to change the world.  As you sit back and marvel at your innovation and the endless possibilities ahead of you, it becomes apparent there are a few problems you didn’t really consider. You might not even be able to control them.  Write a narrative in which you ride the highs and lows of your world-changing creation with a clear introduction, conflict and resolution.
• As the final door shuts on the Megamall, you realise you have done it…  You and your best friend have managed to sneak into the largest shopping centre in town and have the entire place to yourselves until 7 am tomorrow.  There is literally everything and anything a child would dream of entertaining themselves for the next 12 hours.  What amazing adventures await you?  What might go wrong?  And how will you get out of there scot-free?
• A stranger walks into town…  Whilst appearing similar to almost all those around you, you get a sense that this person is from another time, space or dimension… Are they friends or foes?  What makes you sense something very strange is going on?   Suddenly they stand up and walk toward you with purpose extending their hand… It’s almost as if they were reading your mind.

NARRATIVE WRITING VIDEO TUTORIAL

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

When teaching narrative writing, it is essential that you have a range of tools, strategies and resources at your disposal to ensure you get the most out of your writing time.  You can find some examples below, which are free and paid premium resources you can use instantly without any preparation.

FREE Narrative Graphic Organizer

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

NARRATIVE WRITING CHECKLIST BUNDLE

OTHER GREAT ARTICLES ABOUT NARRATIVE WRITING

Narrative Writing for Kids: Essential Skills and Strategies

7 Great Narrative Lesson Plans Students and Teachers Love

Top 7 Narrative Writing Exercises for Students

How to Write a Scary Story

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Creative Writing Tasks for KS1 Students

Subject: Creative writing

Age range: 5-7

Resource type: Worksheet/Activity

Last updated

7 March 2016

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Online Stories

This link provides you with a bank of online books linked to a variety of different topics. Each book will help develop independence, sight vocabulary word attack skills and reading for meaning.

Books are split into sub categories to suit different areas of learning and topics. The books have a specified age group to help your decide which is best suited to your class. There are a variety of fiction and non fiction books.

This is a wonderful resource in which there are a bank of animated stories that are read to the child and signed out for children who have a hearing impairment.

Short Stories

Read a range of short stories or allow your class to listen to the stories and answer the questions and complete the activities to assess their understanding.

Stories Around the World

This image links you to a fantastic set of stories. You can choose from stories around the world linked to specific cultures and countries.

This is a great resource to have if you are looking for an introduction to your topic work on countries.

You can download a PDF file of the stories or simply read them online. The stories have pictures and some even have video animations.

The Rainbow Fish

The Rainbow Fish was the most beautiful fish in the ocean…

Literacy ideas:

– Adjectives to describe the fish.

– Adverbs

– Narrative from point of view of fish.

– Hot-seating

– Write narrative about another rainbow animal (land or sea)

KS1 Stories

Choose from a list of stories for your KS1 class to read. You can download a PDF file of the stories or simply read them online. The stories have pictures and some have video animations.

Roy the Zebra (9 Parts)

This is an illustrated story resource that can be read independently or as a whole class activity.

It introduces a lively zebra called Roy who lives in a zoo. The story talks about the things Roy enjoys doing, but when all these things are banned, what does Roy do?  (Read all)

Story Maker

This story-making resource is a great way for children to plan and create a simple story before they begin to write their own. The children can choose the story genre, characters, setting, pets, favourite instrument and prizes. The software then prints a story for the children to read.

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