gatsby essay thesis

The Great Gatsby F. Scott Fitzgerald

The Great Gatsby essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Great Gatsby by F. Scott Fitzgerald.

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The Great Gatsby Essays

Criticism, sympathy, and encouragement: depicting the american dream in 'the great gatsby' and 'enrique's journey' jessica wu 11th grade, the great gatsby.

The American dream, the belief that one will be able to achieve success through hard work and sacrifice, is an overly romanticized concept that people have been actively pursuing for decades. Many individuals set out in pursuit of their own idea...

Analysis of The Great Gatsby through the feminist theory Anonymous College

The aim of this paper is to write an analysis of The Great Gatsby by Francis Scott Fitzgerald which was published in 1925. The first part of this essay is written based on a close reading. In the second part the feminist theory is applied to the...

The pride displayed by tragic heroes elevates them rather than diminishes them Karol Seroczynski 12th Grade

The idea that the pride displayed by tragic heroes elevates them rather than diminishes them can be proven in relation to Shakespeare’s “Richard II” and Fitzgerald’s “The Great Gatsby.” In both texts the protagonists display a great deal of pride...

The Great Gatsby: The Repercussions of Private Events on Public Lives Alexandra Bayer College

Privacy is defined by the Merriam-Webster Dictionary as being the “quality or state of being apart from company or observation,” or “freedom from unauthorized intrusion.” The Great Gatsby by F. Scott Fitzgerald revolves around the theme of...

Foreshadowing Destiny Olivia Verma

<blockquote>[G]audy ... primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. ... [T]he air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and...

The Eulogy of a Dream James Boo

The central theme of <I>The Great Gatsby</I> is the decay of the American Dream. Through his incisive analysis and condemnation of 1920s high society, Fitzgerald (in the person of the novels narrator, Nick Carraway) argues that the...

Materialism Portrayed By Cars in The Great Gatsby Joanna Cruz

"But as I walked down the steps I saw that the evening was not quite over. Fifty feet from the door a dozen headlights illuminated a bizarre and tumultuous scene (58)."

After the first of Gatsby's parties that Nick attends, Fitzgerald dedicates two...

Role of Narration in The Great Gatsby Steven Rice

Renowned author F. Scott Fitzgerald became "the most famous chronicler of 1920s America, an era that he dubbed 'the Jazz Age.'" (Phillips 1). His fame grew in part from his widely published short stories, and also from the art of his novel, The...

A Great American Dream Jens Shroyer

The Great Gatsby and "Babylon Revisited," both by F. Scott Fitzgerald, are stories about the emptiness and recklessness of the 1920s. Each story has its distinctions, but Fitzgerald's condemnation of the decade reverberates through both....

Restless in West Egg Anonymous

To many Americans, wealth and happiness are inextricably intertwined. After all, the democratic ideals of our country are predicated on the notion of the âself-madeâ? man. Ironically, it is sometimes the striving for wealth or the striving for...

The Death of a Dream Martha E. Andrietti

F. Scott Fitzgerald's The Great Gatsby is regarded as a brilliant piece of literature that offers a vivid peek into American life in the 1920's. The central characteristics of the "Lost Generation" of the 1920's society are shown through the decay...

The Fall of the American Dream Josh Weiss

The figurative as well as literal death of Jay Gatsby in the novel The Great Gatsby symbolizes a conclusion to the principal theme of the novel. With the end of the life of Jay Gatsby comes the end of what Fitzgerald views as the ultimate American...

Jay Gatsby's Representation of America Josh Weiss

It was literary critic Lionel Trilling who quite aptly described the collective entity Jay Gatsby when he wrote, "Jay Gatsby [stands] for America itself." Jay Gatsby lives his life entrenched in unfathomable wealth. His true roots are rather...

Decay of American Greatness Michael Jin

The Great Gatsby by F. Scott Fitzgerald is a shining example of the principle that the most powerful messages are not told but rather shown. Although the novel is written in the form of largely impartial narration by Nick Carraway, Fitzgerald's...

Through A Lens, Darkly: The Use of Eye Imagery to Illustrate the Theme of an Extinct God in The Great Gatsby Anonymous

Throughout history, the eye has always been an emblem of the deities. In the Egyptian pantheon, there is Horus, god of light, who is signified by his famous Eye; in the Roman pantheon, there is Juno, associated with the many-eyed peacock; and in...

Obsession Anonymous

In his book The Great Gatsby, F. Scott Fitzgerald explores the psychology of love's fantasies and realities through the character of Jay Gatsby. During their five-year separation, Gatsby pines for his love, Daisy Buchanan, rearranging his entire...

Daisy and Her Men: Analysis of Character in The Great Gatsby Ashley Smith

Throughout literature, there are countless characters whose only positive attributes seem to be the fact that they are utterly detestable - the reader loves to hate them. From Shakespeare's conniving Iago to Dickens' endlessly cruel Estella, these...

The African American Dream B. L. Fox

Social class plays a dominant role in F. Scott Fitzgerald's The Great Gatsby. In fact the title character is living proof that the American dream really exists. Readers recognize the importance Fitzgerald places on social class throughout the...

The Shift From Realism to Modernism Anonymous

During the modernist era, artists gradually moved away from realism towards themes of illusion, consciousness, and imagination. In the visual arts, realism evolved into cubism and expressionism. This movement is paralleled in literature, as...

Gatsby and Henry: Obsession Viewed in Two Different Lenses Ruth Tangonan

Ernest Hemingway's Farewell to Arms and F. Scott Fitzgerald's The Great Gatsby revolve around one primary character who serves as a vessel that reveals the major theme of the book. The Great Gatsby chronicles Jay Gatsby's pursuit of love, while...

Money! Money! Money! Christopher R. DeConinck

In F. Scott Fitzgerald's The Great Gatsby, as Jay Gatsby delves into his pursuit of wealth and need for materialism, his hopes and aspirations become shattered in a world of unobtainable and unreachable possibilities. While Jay Gatsby confidently...

The Bildungsroman Form in The Great Gatsby Sagar Shah

Maturation and personal evolution of main characters typify the bildungsroman, a distinct novelistic form. The growth of characters Tom Buchanan, George Wilson, Jay Gatsby make F. Scott Fitzgerald’s The Great Gatsby and important example of the...

The significance of the end of Chapter 1 of "The Great Gatsby" Anonymous

Luminosity and spiritual longing for something that had vanished a long ago are probably the two main characteristics of the last two paragraphs in Chapter 1 of “The Great Gatsby”. The scene takes place shortly after Nick's return from dinner at...

The Great Gatsby and the Decline of the American Dream Anonymous

F. Scott Fitzgerald explores the decline of the American Dream in one of his most famous novels, The Great Gatsby. Although this book only takes place over a few months, it represents the entire time period of the 1920s, in which society, mainly...

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Sat / act prep online guides and tips, how to write a compare/contrast essay for the great gatsby.

Book Guides

These compare/contrast essays are an opportunity for you to tie the character similarities and differences to larger observations about society and class, the American Dream , or identity in the novel. They also allow you to practice standard English class skills: close reading, using lines from the text as evidence, and taking a stance and presenting a supporting argument in an essay.

We’ll go over some basic dos and don’ts for writing compare/contrast essays before diving into some analysis of the most asked-about character pairings. Keep reading if you have a Compare/Contrast assignment on the horizon!

Article Roadmap

• The do's of a compare and contrast essay
• The don'ts of a compare contrast essay
• Why some characters are paired for comparison more often than others
• Nick and Gatsby
• Tom and George
• Tom and Gatsby
• Daisy and Jordan
• Daisy and Myrtle

What to Do in a Compare/Contrast Essay

Like anything you write for English class, your essay should be clearly organized, with a thesis statement (a one-sentence summary of your argument), and topic sentences for each body paragraph.

And you should definitely have an overall argument! The point of the compare/contrast essay isn’t for you to just list the differences and similarities between two characters, you need to take those observations and make a larger argument about the novel as a whole . That larger argument allows you to practice writing an essay that contains an argument, which is a skill that nearly all English teachers are focused on building.

To take a quick example, don’t just list the differences between Tom Buchanan and Jay Gatsby. Instead, make an argument like, “Fitzgerald’s portrayal of wealthy New York society through Jay Gatsby and Tom Buchanan allows him to critique both old money and the newly rich, while reserving his most pointed critiques for the old money crowd.” (Obviously, that’s just one example, and there are dozens of potential arguments you could make while comparing and contrasting characters in Gatsby!)

Make sure to address your larger argument in each body paragraph as you draw out the similarities and differences between the two characters. Don’t get caught in the weeds as you tease out the many differences and similarities in each character pair. Always link back to the bigger picture.

Finally, analyze each quote you use – in other words, don’t stick a quote in your essay and do nothing with it. Make sure to explain how and why the quote demonstrates a key similarity or difference, and what that means for your bigger argument.

What to Avoid in a Compare/Contrast Essay

Don’t just list differences and similarities without an overarching argument . Although you can definitely start brainstorming by making a list of similarities and differences, just presenting that list in essay form won’t get you a good grade, since you need to go deeper and explain what the similarities/differences suggest about the novel as a whole.

And, on the other side, don’t make big claims without some evidence from the text to back them up . For example, don’t say “Tom is selfish while Gatsby cares about others.” Prove those two separate claims (Tom is selfish” and “Gatsby cares about others”) with relevant lines from the book. (And if you’re having a hard time locating good quotes, find a digital version of Gatsby you can search using the CTRL-F function. It’s a lifesaver when gathering relevant quotes for an essay!)

Why Are These Characters Paired Most Often?

We will tackle these major pairings in the next sections of this article:

Nick Carraway and Jay Gatsby

Tom buchanan and jay gatsby, tom buchanan and george wilson, daisy buchanan and jordan baker, daisy buchanan and myrtle wilson.

Before we dig into the analysis, you might be wondering: “why are we only comparing characters of the same gender?” or maybe “why not other pairings? Why not Jordan and Myrtle, or Nick and Tom?” We are focusing on these specific pairings because they are by far the most commonly asked about pairs in essay prompts and discussion topics for The Great Gatsby . And we want this guide, first and foremost, to be helpful to students as you work on assignments involving Gatsby!

Furthermore, these pairings help teachers get you to explore some of the novel’s larger themes . For example, comparing Daisy/ Myrtle or Tom/George can help you explore the differences between the wealthy and the working class . Comparing Daisy/Myrtle or Daisy/Jordan can help you explore the changing status of women during the 1920s. Comparing Tom and Gatsby can get at the old money/new money divide. Finally, differences between Nick and Gatsby raise some of the novel’s larger questions about the American Dream , repeating the past, and identity. In short, these pairings have become common because they each allow fairly easy access to one of the novel’s larger issues.

That’s not to say you couldn’t also explore some of those themes by comparing, say, Jordan and George, or Daisy and Gatsby, but cross-gender compare/contrast essays can be challenging because the status of women and men is so different in the novel. If you are interested in seeing how a particular male and female character are paired, you may be better off studying them through the lens of love, desire, and relationships in the novel, or through the way they relate to one of the novel's symbols or motifs.

With those thoughts in mind, let's jump into the top 5 pairings! For each pairing, we will suggest a few possible larger arguments you can either build from or disagree with, but these are far from comprehensive! You should add to our analysis of the characters and come up with an argument you’re excited about.

Quick Note on Our Citations

Our citation format in this guide is (chapter.paragraph). We're using this system since there are many editions of Gatsby, so using page numbers would only work for students with our copy of the book. To find a quotation we cite via chapter and paragraph in your book, you can either eyeball it (Paragraph 1-50: beginning of chapter; 50-100: middle of chapter; 100-on: end of chapter), or use the search function if you're using an online or eReader version of the text.

Although Jay Gatsby and Nick Carraway vary both in outlook and temperament, they are also alike in interesting ways. Despite somewhat similar desires, attitudes, and social positions, Nick and Gatsby make very different choices during the novel.

Love and Romance . Nick and Gatsby both want women that are out of their reach, although in different degrees. Daisy is miles above Gatsby in terms of social class. Jordan and Nick are of the same social status, but Jordan doesn't seem free to make her own decisions since an aunt controls her financial life. There is a significant passion gap between Gatsby and Nick as well. Gatsby obsesses over Daisy - he has thought of nothing else for five years, going as far as to buy a house across the bay from her just in case she notices. Nick, meanwhile, is attracted to Jordan's cool and self-sufficient demeanor, but he is clearly not in love with her, as he himself notes ("I wasn't actually in love, but I felt a sort of tender curiosity" (3.159)). 

Approach to Women.  Both men are not particularly interested in the inner lives of the women they want to be with. Gatsby is devastated when Daisy doesn't want to renounce her relationship with Tom completely. Similarly, Nick cavalierly discounts Jordan's penchant to lie, cheat, and generally be cynically uninterested in other people, and then is deeply disappointed when she acts this way after Myrtle's death.

Class and Social Standing.  Although both Gatsby and Nick are outsiders to the wealthy communities of East and West Egg, Nick is a much more in-between character socially than Gatsby. Nick is familiar with the ways of the old money crowd because of his own family's privilege and the fact that he is related to Daisy. Gatsby is not only self-made, but is a criminal who is desperate to pass as part of the old money elite without knowing its customs or rules of behavior. What isolates Nick from East Egg life is his Midwestern values and the importance he places on morality and decency. Gatsby is isolated from everyone by the fact that he can never actually be himself - he is always playing a role and putting on his "Oxford man" persona. It may be this sense of feeling out of place that connects them.

Outlook and Temperament.  Gatsby is an optimist (almost to a delusional degree) while Nick is a realist who finds Gatsby's idealism inspiring and admirable. Gatsby believes in his ability to shape his own life and future, which makes sense since he has managed to transform himself from a farmer to a successful gangster, to impersonate an "Oxford man," and to accumulate a fantastic amount of wealth in a very short time. This belief in his power translates to Gatsby being sure that he and Daisy can go back to their month of idyllic love ("'Can't repeat the past?', he cried incredulously. 'Why of course you can!'" (6.129). Nick tries his best to be an objective realist and to reign in his tendency to judge others. He is deeply in awe of self-directed men like Gatsby, and even Wolfshiem (Nick is amazed to think that one man could be behind a huge event like the rigged World Series). 

Ambition.  Gatsby dreams of greatness. As a young man his mind “romped like the mind of God,” and so as an adult, he seems to have made good on this promise by buying the most ridiculous mansion and throwing the most extravagant parties (6.134). Nick is much less ambitious in comparison. While he comes to New York seeking excitement, he doesn't want to be the wealthiest bond salesman on Wall Street or to have the biggest house. He is happy to be an observer at the edge of the drama rather than being in its midst.

Nick and Gatsby Essay Ideas

Here are potential arguments to build on or disagree with based our observations. These are certainly not the only possible arguments, so be creative! Make sure your essay considers what the similarities and differences between Nick and Gatsby reveal about the novel as a whole.

• Nick is a passive person and Gatsby is active, which is why Gatsby is the hero and Nick simply the observer.
• Nick has much more in common with Gatsby than he thinks he does, which explains why he becomes so enamored of him.
• Nick serves as a foil (someone who serves as a contrast) to Gatsby, which makes Nick the best possible observer of Gatsby.
• At the end of the novel, Tom says that Gatsby “threw dirt in [Nick’s] eyes, just like Daisy’s,” meaning that both Nick and Daisy were taken in and could never see the true Gatsby: a narcissist and a criminal. Tom is right - the whole novel is Nick trying to spin a negative character into a positive one.

As they battle over Daisy’s love, Tom Buchanan and Jay Gatsby sometimes seem surprisingly similar - particular in their self-centeredness, wealth, and concern with appearances. At the same time, these surface parallels point to major conflicts in their social class, and say a lot about the world of the novel.

Appearance.  Gatsby is driven by his materialism to be very invested having fashionable clothes, a beautiful mansion, and visually overwhelming parties - for him, the outfit is the thing that makes the Oxford man . Meanwhile because Tom doesn't have to dress the part of the moneyed elite to be one, he is instead very attuned to the behavior of others. This is why he immediately sees how fake Gatsby's persona is, both because of Gatsby's overly ostentatious clothes, and because of how much Gatsby misreads the fake invitation from the Sloanes. Tom is never fooled into thinking that Gatsby is anything other than an upstart, and mostly likely a criminal one.

Self-Centeredness.  Tom and Gatsby are both completely selfish, and fully convinced that their desires have to be acquiesced to by those around them. Tom, for example, starts his affair with Myrtle by pressing himself against her on a train platform - basically, his version of flirting is bodily assault. Gatsby, meanwhile, also thinks nothing of starting an affair with a married woman, assuming that his obsessive feelings are enough to justify any behavior.

Wealth.  Despite the fact that both are unimaginably rich, these men come from totally different sides of the big money divide. Tom comes from old money and is forever worried about the encroachment of the nouveau riche, minorities, and others onto what he thinks is his. At the same time, Gatsby is the most successful of the novel's many ambitious social climbers, using his lack of ethical scruples to parlay his criminal activity into a higher social status.

Power.  Tom loves being powerful and wields his power directly. He is physically aggressive and uses his body to threaten and intimidate (Nick, for one, is clearly very cowed by Tom's bulk). He is also quick to violence, whether it's socially sanctioned - like his football accomplishments - or not - like when he breaks Myrtle's nose without a second thought. Gatsby also holds significant power, but his methods are much more indirect. Still, whether he is offering Nick some illegal bond trading action, or showing off his get-out-of-a-ticket-free card to a cop on the highway, Gatsby is clearly happy to be in control of a situation.

Love. Tom and Gatsby both seem to be in love with Daisy. But what does that really mean to each of them? For Tom, Daisy is clearly partly appealing because she completes his horse-riding, East Egg, 350-thousand-dollar pearl necklace lifestyle. He cheats on her because he clearly has never denied himself anything, but he also understands Daisy as a person. He knows that she is too weak to leave him, but he also loves her enough to tolerate her affair with Gatsby and to stay with her after Myrtle's murder. Gatsby's love, on the other hand, is in some ways purer because he so idealizes Daisy and connects her to all of his other hopes and dreams. But this love is overly pure - he doesn't really seem to know Daisy as anything other than an idealized object, and is incapable of accepting that she has led a life apart from him for five years.

Tom and Gatsby Essay Ideas

In a compare/contrast essay, you can’t just present a list of similarities and differences. You also need to have an underlying argument you’re supporting. Feel free to take these at face value or as jumping-off points for your own thoughts.

• Tom loves Daisy as a person, Gatsby loves her as an idea.
• Both Tom and Gatsby’s tendency to control women and see them as prizes reveals the misogyny of the 1920s.
• Although Tom sees Gatsby as someone from an entirely different class than him, what they have in common (selfishness, affairs, obsession with appearances) makes a larger argument for an overall moral hollowness of the rich of any class.
• We see both Gatsby and Tom through the eyes of Nick, who worships one of them and hates the other. In reality, they are both much more similar than different, and their different treatment reveals Nick's insecurities and biases.

At first, most readers see Tom Buchanan and George Wilson  as opposites. But, these markedly different characters face very similar circumstances and offer two takes on masculinity and power in the novel.

Appearance and Presence.  Where Tom is strong and cowering, George is meek and shrinking. Tom exudes power and confidence while George tends to just fade into the background. These differences are borne out in the way these two men interact with the world. Tom is violent towards others, while George’s instinct is to be passive or to try and escape situations, the notable exceptions being his locking up of Myrtle and murder of Gatsby. Tom is confident, privileged, and assured while George is timid; George is “ruled by his wife” where Tom is selfish and acts on his own desires.

Reaction to Adversity. There is a dramatic difference in the way the two men react to the fact that their wives are cheating on them. Tom notices Daisy’s love for Gatsby and immediately starts making power plays. On the other hand, George discovers Myrtle’s affair and is undone by it. Nick compares the two men in a memorable description:

“the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before--and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty--as if he had just got some poor girl with child" (7.160).

In this description, Tom is “well” and George is “sick.” These are certainly arresting ways to describe Tom's more traditional masculinity and George's less overtly masculine character. Tom is self-assured in the face of adversity and immediately takes action to win Daisy back, insisting on driving Gatsby's car, bullying those around him into driving to Manhattan, and using his romance skills to remind Daisy of the pluses of their relationship. Meanwhile, George's weakness makes him look sick and guilty as he contemplates Myrtle's betrayal and is driven to violence to reassert his power over her.

Approach to Women.  Both Tom and George assume they know what’s best for their wives: Tom dismisses Daisy’s professed love for Gatsby despite their obvious closeness, while George is determined to take Myrtle out west once he learns about the affair. But, while it seems that Tom does fundamentally understand Daisy and is right about her unwillingness to leave their marriage, George is unable to hold on to Myrtle either emotionally or physically. She is killed trying to run away from him.

Tom and George Essay Ideas

Differences in attitude and outcome, despite a relatively similar situation, reveal some unexpected truths about the world of the novel. Argue the reverse of any of these topics for a really provocative essay!

• The fact that Tom manipulates George into killing Gatsby and then himself (which allows Tom and Daisy to walk away from the entire affair without consequence) shows the huge privileges of having money in the novel.
• Nick's approach to Tom and George shows his admiration of a physical, brutish, domineering kind of masculinity. 
• The fact that the relatively good guy turns into a murderer while the bad guy lives to cheat another day is a very cynical take on what happens in a world without a moral compass.

Despite Daisy Buchanan and Jordan Baker 's similar “white girlhoods” (1.140) in Louisville, their attitude and motivations are quite distinct, making them really interesting to compare and contrast.

Attitude and Outlook.  Both Daisy and Jordan display an entitled, bored attitude that’s typical of Fitzgerald’s depiction of the old money segment of wealthy New York society. The fact that they are introduced in tandem, both lying on the couches in their white dresses, speaks to their initially similar attitudes. But soon we see how different their takes on this kind of life are. Daisy is increasingly despondent, even nihilistic, asking in Chapter 7 , “what shall we do today, and tomorrow, and for the next thirty years?” (7.74).  Jordan meanwhile is a pragmatic opportunist, who sees possibilities everywhere, arguing that “life starts all over again when it gets crisp in the fall” (7.75). In other words, Daisy’s pessimistic attitude from Chapter 1 comes through again, while Jordan, despite coming across as cynical and sharp, actually still seems excited about the possibilities life has to offer.

Appearance and Personality.  Both Daisy and Jordan very alluring in their own way, though Daisy’s allure comes through her enchanting voice and feminine charms, while Jordan is masculine, “jaunty,” witty, sharp, and physical. Daisy maintains a squeaky-clean reputation despite moving with a fast crowd, while there are plenty of rumors about Jordan’s cheating in golf, and Nick comments on her dishonest attitude. More significantly, Daisy is incredibly self-absorbed while Jordan is very observant.

Role in Society.  Daisy seems caught between what society expects of her and some deeper, more powerful desires she can’t name, resulting in restlessness, depression, and her affair. Daisy is sticking to her prescribed societal role by marrying and having a child, while Jordan plays golf, “runs around town” and doesn’t seem to be in a hurry to marry, at least in the beginning of the novel. Perhaps Jordan is still somewhat optimistic about the possibilities of life since she hasn’t settled down yet, while Daisy realizes that nothing major in her life will change at this point. Jordan, meanwhile, is content to chase after fun and intrigue via other people’s bad behavior. And she doesn’t get dragged down by the tragedy in the book – on the contrary, she is callous in how little Myrtle’s death seems to shake her, coolly calling Nick the next day and asking him to meet like nothing has happened (8.50-61). Perhaps her motivations are a bit less accessible to the reader since her role was significantly downsized between some of Fitzgerald’s earlier drafts. But in any case, as we watch Daisy struggle in her marriage, what we see of Jordan is cool, calm, collected, and rather uncaring.

Daisy and Jordan Essay Ideas

So what are some possible conclusions we can draw from Daisy and Jordan’s characters? One of the most common strategies is to tie the differences between these women onto one of the book’s larger themes, like the role of society and class or the American Dream . Another is to think about an important feature of the novel, like Nick’s narration, and see what these two characters can reveal about it. With those strategies in mind, here are some potential arguments you could argue for or against!

• Jordan and Daisy, because they are generally disempowered, both use their sexuality in different ways to gain power, with different results.
• Despite Jordan’s overt cheating and lying, Daisy is, in fact, the more morally compromised person.
• The way Nick treats Jordan versus the way he describes Daisy reveals the novel’s preoccupation with Gatsby above all, to the detriment of the female characters.

While Daisy Buchanan and Myrtle Wilson obviously come from very different backgrounds and have conflicting motivations, they also have some surprising similarities.

Physical Appearance.  Daisy and Myrtle both derive power from their looks. Myrtle's comfort with her voluptuous body is clearly appealing to Tom, while Daisy's magnetic voice and ethereal presence obsess Gatsby. Throughout the novel, Myrtle is frequently reduced to being just a body - one to be used or violated by those around her. Tom sees little in Myrtle besides someone to either rub up against, have sex with, or punch at will; George resorts to imprisoning Myrtle while she eggs him on to "beat" her (7.314) the way Tom does; and finally, Daisy gruesomely rips Myrtle's body apart with a car. Meanwhile, Daisy's voice also serves to make her less of a person in her own right and more of an idealized, mythic figure from fairy tales. For Gatsby, Daisy's voice is appealing because it is "full of money" (7.105) - he is attracted to her not because of who she is, but because he sees her as a prize.

Social Standing.  Myrtle puts on the airs that Daisy has been born and raised with. This allows Myrtle to wield considerable social power within her group, as seen by how her guests fawn on her at the Manhattan party she throws. Daisy, in contrast, never exerts such overt power over a group – rather, she seems to move with crowds, doing what it expected of her (for instance marrying Tom despite still loving Gatsby). 

Love and Relationships.  Daisy and Myrtle’s marriages are strikingly quite different. Daisy and Tom are able to stay together even through serial affairs and murder. They end up loyal co-conspirators, protected by their wealth. Meanwhile, Myrtle has nothing but disdain for George despite his evident love for her. Still, both women use affairs with other men as a way to escape. Daisy wants to get away from an increasingly unhappy marriage and try to recapture the spontaneity and possibility of her youth, while Myrtle loves the status that her affair with Tom grants her. However, both learn that they can’t escape forever through their affairs. Obviously, their biggest difference is that Daisy gets to walk away from the novel unscathed, while Myrtle gets killed. 

Daisy and Myrtle Essay Ideas

Here are ways to write about these different women who face similar choices with dramatically opposite conclusions.

• Despite their similarities in action and motivation, Daisy is protected from any lasting harm by her wealth and old money status, while Myrtle is punished for the same behavior, revealing how the class system in America protects the wealthy.
• The novel refuses to give any inner life to women, and instead reduces them to their physical qualities no matter what social class they come from. Daisy and Myrtle's similar treatment by the narrator and by the men around them shows that gender trumps class when determining status. 
• Daisy and Myrtle’s similarities reveal how hollow the progress of the women’s movement really was at that point in time. Despite the big gains the movement made in the early twentieth century, including winning the right to vote and pushing for more freedom in how they could dress and act, both of these women’s lives aren’t vastly improved. They’re both trapped in unhappy marriages, they both rely on their looks/charms/sexuality to get what they want, and neither of them has even a chance of pursuing a fulfilling life through a career.

What’s Next?

Now that you’ve gone over the novel’s most popular compare/contrast pairings, check out our analysis of the novel’s romantic pairings in our guide to love, desire, and relationships in The Great Gatsby .

Have an essay about a symbol or motif? Get started with our symbols overview  and motifs overview.

Still a little hazy on some of the plot elements in Gatsby? Not to worry, we have you covered with our complete book summary !

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Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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20 The Great Gatsby Essay Topics

Hailed as one of the greatest novels of the 20th century, The Great Gatsby is a story that explores love, betrayal, and the pursuit of the American dream in the 1920s.

If you have been asked to write an essay on this classic novel, you might be a little nervous trying to figure out what you should include. However, don’t worry! This guide will walk you through the process of writing an excellent Gatsby essay and provide 20 The Great Gatsby essay topic ideas.

Essay Writing Essentials

Before you can write an essay on The Great Gatsby, you need to understand the basics of essay writing. This includes developing a clear thesis, supporting your claims with evidence from the book, and crafting a solid conclusion.

Writing a Thesis

A thesis statement details the overall point or argument you intend to make in the essay. Therefore, a thesis statement must be clear, specific, and arguable. A thesis statement will be best placed at the end of your first paragraph or as a way to wrap up your introduction if it is multiple paragraphs.

Some examples of well-written thesis statements for a The Great Gatsby include:

“While The Great Gatsby appears to be a novel about love, in reality, it is a scathing critique of the American dream.”

“Though Jay Gatsby is wealthy and well-liked, he is ultimately a tragic figure because he cannot escape his past.”

“The relationships in The Great Gatsby are all ultimately doomed because the characters are not honest with each other or themselves.”

Developing Supporting Claims for the Body

To support your thesis statement, you will need to include evidence from the novel in the form of quotes and analysis. It is vital that you choose passages that directly relate to your thesis and that you explain how these quotes support your argument.

One way to find quotes that support your thesis is to look for passages that seem particularly significant or interesting to you. Then, once you have a few potential quotes in mind, try to come up with a sentence or two explaining how the quote supports your argument. This will help you determine if the quote is actually relevant to your essay or if you need to keep looking.

It can also be helpful to go back to your list of potential thesis statements and look for quotes that could support each one. This way, you can get a sense of which quotes will be most beneficial for your essay before writing.

Crafting a Strong Conclusion

Your conclusion should briefly summarize the main points of your essay and reiterate your thesis statement. You might also want to leave the reader with something to think about or a call to action if you feel strongly about the issue you have been discussing.

A strong conclusion might look something like this:

“Though Gatsby’s pursuit of the American dream is ultimately fruitless, his efforts are nonetheless admirable. His willingness to fight for what he wants, even in the face of overwhelming odds, is something that we can all learn from.”

Citing and Formatting Essays About Books

In addition to using evidence from the novel to support your claims, you will also need to cite any sources you use in your essay. This includes any quotes or paraphrases from The Great Gatsby and any outside sources you might have used.

Citing Sources

When citing a quote from The Great Gatsby, you will need to include the page number in parentheses after the quote. For example:

“Daisy’s voice was sad ‘I hope she’ll be a fool – that’s the best thing a girl can be in this world, a beautiful little fool.'” (10).

If you are paraphrasing or summarizing a passage from The Great Gatsby, you will just need to include the page number in parentheses after the paraphrase. For example:

Gatsby’s wealth is often seen as a symbol of his success, but it is also clear that money cannot buy happiness. (21)

If you cite an outside source, you will need to include both the author’s name and the page number (or, for sources that don’t use page numbers, the section or chapter number) in parentheses after the quote. For example:

“The Great Gatsby is widely regarded as a masterpiece of American fiction” (Baldwin 3).

Formatting an Essay About a Book

When formatting your essay, there are a few key things you need to keep in mind. First, all mentions of the book’s title need to be italicized or underlined. Second, your essay should have one-inch margins on all sides.

Your essay should also have a title page that includes the title of your essay, your name, and the name of your class. If you are writing a longer essay (5 or more pages), you may need to also include a header on each page. It’s best to speak with your instructor to clarify any specific formatting requirements for the assignment.

Now that you know how to write an essay on The Great Gatsby, you can start brainstorming potential topics for your paper. If you are having trouble, consider using or adapting one of the following topics.

• How does Gatsby’s wealth (or lack thereof) impact his relationships?
• How does Gatsby’s pursuit of the American dream ultimately fail?
• What role do women play in The Great Gatsby?
• How are the parties that Gatsby throws symbolic of his own emptiness?
• How does Fitzgerald use symbolism to comment on the state of the American dream?
• What role does fate play in The Great Gatsby?
• Is Gatsby a tragic hero? If so, why?
• How is The Great Gatsby an example of the “Lost Generation”?
• What role does the past play in The Great Gatsby?
• How do the relationships between men and women change throughout the novel?
• How is The Great Gatsby a commentary on the class divisions in American society?
• What role does morality play in The Great Gatsby?
• How do the characters in The Great Gatsby represent different aspects of the American dream?
• What role does money play in The Great Gatsby?
• Is Gatsby a sympathetic character? Why or why not?
• How is Nick Carraway’s role as narrator important to the novel?
• How does Fitzgerald use setting to comment on the characters and events in The Great Gatsby?
• What role do secrets play in The Great Gatsby?
• How is The Great Gatsby a commentary on the corruption of the American dream?
• What theme(s) are explored in The Great Gatsby?

These topics should provide any student assigned an essay on The Great Gatsby with plenty to write about. If you need further help, consider using or adapting one of these topics for your own paper.

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Richard Marriott English

English Lecturing and Tutoring

The Great Gatsby Sample Essay

This sample essay demonstrates the full range of A-level skills needed to meet the assessment objectives at the highest level.

“They’re a rotten crowd.” I shouted across the lawn. “You’re worth the whole damn bunch put together.” How does Fitzgerald convey a “rotten crowd” in The Great Gatsby and to what effect?

“Rotten” describes a state of putrefaction. It is a word we apply to decomposing fruit, fruit that is over-ripe, decaying and which, close-up, stinks. What a brilliant word to convey the decaying civilisation of post-war Europe and America that surrounds Gatsby – and repulses his friend, Nick – shocking him into moral awareness.

It is primarily through the moral judgements of his narrator, Nick Carraway, – the character that goes East to make money only to retreat revolted by the moral, cultural and social rottenness that he finds among the moneyed classes he wished to join – that Fitzgerald presents his “rotten crowd.” Through Nick, Fitzgerald exercises his narrative art with extraordinary compression: cultural allusion and symbolic names and images are central to his method – underpinning the actions of his characters – so too a poet’s feel for the sound and connotations of words.

Fitzgerald’s allusive method brilliantly conveys the rottenness of Gatsby’s crowd. Names, and names of books allude to a rotten world. Relationships in the East are rotten and infect the outlying members of the great Carraway dynasty: Nick’s second cousin twice removed is married to a philanderer; already unfaithful on honeymoon, we find him in the second chapter introducing Nick to his mistress. Now, the great Gatsby himself has been no monk (he ‘knew women early’ (82) Nick tells us, momentarily picturing a proud and promiscuous young Gatsby), but in pursuing Daisy, he pursues more than sex: he wishes to attain a higher state of being – to ‘romp with the mind of God,’ to ‘gulp down the milk of wonder.’ Romping and gulping suggests a child’s wide-eyed amoral appetite for unbounded satisfaction. Tom’s rottenness, his sexual corruption, then is apparent by contrast with the sublime, high-minded aspirations of the man who would cuckold him. Taking then, Nick, to the apartment where he conducts his affair, Tom leaves Nick while he and Myrtle both disappear – presumably to the bedroom – before reappearing after Nick has had time to ‘read a chapter’ of Simon Called Peter . A chapter-read is an innovative way to measure the length of a human coupling and perhaps degrades (reveals the rottenness of) Tom’s relationship in its brevity (or in its longevity, reveals the rotter luxuriating in his sin) – but more importantly, it is through the title of the book that Fitzgerald reveals the rottenness of this crowd. Robert Keable’s 1922 best-seller records the career of an earnest young clergyman, Peter Graham who volunteers as an army chaplain in the First World War. His faith fails to sustain him on the path of righteousness and he abandons his nice middle class fiancée, Hilda, for the generous charms of a prostitute and a generation of young women whose sexual freedom is more aligned to the Myrtles of Gatsby than the prim propriety of Hilda and the Edwardian England Peter has left behind. However, Peter is not simply a lost cause to the church, he is disillusioned with its teachings and with human nature, the sexual freedoms and easy pleasures of the war generations seem to him more real, more essentially human than the morality he preached from the bible. The novel, condemned in his review as ‘immoral’ by Fitzgerald, is seriously concerned with what war reveals of essential human nature: its immorality, its pessimism lies in its disillusion with love. Fitzgerald’s Gatsby holds on to his aspirations, his faith in the possibility of transcendence through love, despite the hardships of his (quickly overcome!) poverty. It is perhaps only through the contrast with Keable’s response to war that we can appreciate the extraordinary hope implicit in Fitzgerald’s, in his faith in the higher callings and aspirations of the human heart. It would be interesting to know if Fitzgerald had a particular chapter in mind that “didn’t make any sense to [Nick].”

Thus, almost passing reference to a contemporary novel, is fraught with much meaning. The use of a character’s reading material to shape and create meaning is a familiar part of the novelist’s art: think Austen’s Catherine Morland, gently mocked by her author for her indulgence in The Mysteries of Udolfo and the power it has over her imagination. This allusive method is not surprising in Fitzgerald: it is the foundation of Eliot’s “The Waste Land” –a poem Fitzgerald knew by heart, written in the year he sets his Gatsby . In it, the morality, the spiritual condition, of one generation is measured against representative cultural fragments from earlier civilisations.

Fitzgerald is similarly wide-ranging in his frame of reference to convey his “rotten crowd,” alluding to contemporary novels and events as well as ancient texts. Take the casual naming of just one party-goer for example: Ismay. Ismay is collected up as part of a group: “the Ismays and the Christies.” Perhaps Fitzgerald has in mind Bruce Ismay, Managing Director, of the White Star Line and held to blame for the greatest shipping disaster of all time: the loss of the Titanic in 1912; he was J Brute Ismay to the press at the time. He was rumoured to have put pressure on the Chief Engineer to drive the ship faster for a record time for the Atlantic Crossing and was himself a survivor. Newspaper cartoons showed him watching the ship sink from the safety of a lifeboat whilst the true “women and children first” heroes stood facing death on the doomed ship. So, Ismay comes to represent the selfish, self-serving rottenness of Fitzgerald’s contemporary society and the inversion of its moral values.

Ismay is among the first of the East Eggers on Nick’s famous list that helpfully divides the party guests into two according to the Egg whence they arrive: East Egg is the old money (Jesmond) in our local terms; West Egg is new money (we think Darras Hall). The West Eggers are “all connected with the movies in one way or another.”  So one “controlled films Par Excellence” another is a “promoter” (and at the Chapter VI party we meet “the moving-picture director and his Star” (89)). In contemporary – and non-party political terms we find in West Egg the New Labour celebrity culture of film stars, pop stars, and fashion designers as well as the stalwart Old Labour of the Trade Union movement meeting at Blair’s parties: it would be a mistake to believe either group is any more free from corruption than Gatsby’s guests.  Fitzgerald’s crowd fills up the “empty spaces of a timetable” (52) that is now out of date. And their “gray” names assigns them to the ash heaps of The Valley of the Ashes – where the detritus of a dead civilisation is dumped.

The whole list in its conception is a brilliant tribute to writers of the past: “the Prince of something, whom we called Duke, and whose name, if ever I knew it, I have forgotten” concludes the roll with a wonderful contempt for empty title (“of something”) and undeserved respect (“whom we called”). The forgotten name that concludes his portrait echoes Chaucer’s final valediction on his Merchant:

For sothe (truly) he was a worthy man with alle, in every way But, sooth (truth) to seyn, I noot (= ne woot, don’t know )how men hym calle.

“I noot how men hym calle,” he is in other words unworthy of name or remembering. Of all writers, Chaucer is so especially concerned with a man’s worth, (the word is used ironically in the quotation above) his worthiness, the parity between the inner and the outer man. The choice of the Merchant is apt: he represents financial rottenness, self-serving material greed.

The last line of all in Nick’s guest list, “All these people came to Gatsby’s house in the summer,” in its obvious summing up of what we already knows echoes Homer’s method in the famous muster of the armies at the beginning of The Iliad , (e.g. “These were the men whom Amphimachus and Nastes brought.”). The very idea of remembering each with some anecdote of their deeds is again Homeric – but how unedifying their deeds: fighting with bums, drunk on the gravel, arriving with another’s wife, run over by Mrs. Ulysses Swett. The name Ulysses is enough to point us to our Homer. This “rotten crowd” is mocked in comparison to the Greek Heroes of the great ancient civilization of the past: the one at its heroic zenith, the other at its rotten nadir.

Plenty of food then for scholars wishing to track down all these names and associations. Ulysses Swett is in fact a real person (born 1868) and a member of the famous Swett family of Cape Cod who traced themselves back through thirteen generation. However, the names have an immediate, not just a scholarly impact. Swett (homophone for a squalid bodily function) is allied with Belcher (the, what, shamelessly, insolent expulsion of stomach gas through the mouth?– usually avoided because of the bad smell) and Smirke (the silent mocking laugh) – all aspects of our base corporeal rather than spiritual natures.

Worse are the animal names: Blackbuck, Roebuck, connoting both money (buck=dollar) and animal sexuality (a buck is a male deer – like the word ‘tup’ we make the gender distinction usually to refer to sexual behaviour). The name ‘Blackbuck’ perhaps evokes Tom’s fear of the Rise of the Colored Empires , of the sexual potency of black races according to popular myth and also a fear of the black dollar, of black wealth as a part of rising black supremacy. So the names have a resonance that goes beyond the animals and fish they denote (Beluga, Whitebait, Hammer Head – it is easy fit them into a taxonomical classification). It is fun to learn from Wikipedia that the Beluga whale has a ‘high-pitched twitter.’ Such information adds another dimension to our own imagined constructions of Gatsby’s party crowd. But the name itself seems ugly. Is it because it has the consonants of the word ‘ugly’ in it? Or because, as we search to make sense of an unfamiliar word, our brains try out the word ‘bulge’ through the association of sound and thus evoke some ungainly swollen creature, some ulcerous tumescence of money and immorality. Is there something belchy in the sudden release of air in the second vowel sound, Bel u ga? And that is before we think about the associations with caviar and the untouchable luxuries of the war-time rich.

And then there are the Hammerheads: another wonderfully evocative name. What rottenness does this conjure? A family of boneheads. The Hammerhead Shark has evolved an elongated and flattened skull perhaps for the manipulation of prey – nice associations there. It also contains the idea of the tool after which the shark is named, the hammer, blunt bludgeoning instrument. Picture it here in the hands of one of Gatsby’s bootlegging cronies, crushing the skull of some unfortunate prey. Hear in its sounds, the repeated glottal fricatives, (‘ Ha mmer hea d’) the heavy breathing of the hammer-wielder exerting himself in the act of skull-crushing.

There is a poetry in this carefully constructed mock epic that delights in the cultural allusion, in the connotative capacity and the phonological features of words to express the sheer rottenness of this crowd.

Fitzgerald offers a wide, but not comprehensive, survey of the animal kingdom to convey his rotten crowd: in all this verminous, predatory, bestial crowd there is not one airborne, flying creature. There are fish aplenty as well as the semi-aquatic rodent, Ernest Beaver and the tree dwelling Doctor Webster Civet , who despite his airy habitat “drowned last summer.” James B. (“Rot-Gut”) Ferret take his name from the domesticated earth-burrow dwelling carnivorous mammal. All three (beaver, civet, ferret) are noted for scent glands, genital or anal: in the wild, they pollute the air to mark territory; killed, they are used for perfume. The point is of course that Fitzgerald’s elemental imagery portrays Gatsby’s aspirations to transcend mortal bounds as an aspiration to fly. Daisy is associated with air, floating, fluttering, anchored like a balloon. Gatsby aspires to her airiness which lifts her among other things, ‘above the hot struggles of the poor.” (122) He is condemned, through Fitzgerald’s imagery to death by water: he is shot in a swimming pool, to be buried in “soggy ground” (142). The moment is foreshadowed at Nick’s tea-party reunion: Gatsby stands “in a puddle of water glaring tragically” (72). Fitzgerald’s rotten crowd is an earth-bound water-dwelling crowd and they drag Gatsby down to his watery death and earthy resting place. Their very names make the air he breathes stink.

This crowd perhaps constitutes the ‘funny fruits’ (103) of New York of a civilisation that has, in Spenglerian terms, (Oswald Spengler, The Decline of Civilization – the book Fitzgerald never recovered from when writing Gatsby) organically outgrown itself, lost touch with the nature that feeds it to produce the cities, and city folk, this ‘rotten crowd’ that are its fruit. And Fitzgerald’s judgement reveals Nick’s growth to moral understanding – he too will reject the wealth of the East, its money, machines and rottenness to nurture the reputation and aspirations of Jay Gatsby, seeking his flower, his Daisy Fay, who, in his imagination (according to Nick) represents the green breast of an earlier, rural America. For Nick, in Gatsby, found an incarnation of the Faustian legend (there was indeed a Faustina O’Brien –a diminutive and corrupt mini-Faust on that party-list (53)), of man’s desire to transcend the bounds of his mortality and the rottenness of his world.

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The Great Gatsby Thesis

Gatsby is deserving of pity, however, he becomes undeserving when his relentless pursuit of an idealized past transforms into an obsessive fixation. Gatsby is the complete embodiment of the American Dream. Coming from a background of poverty and craving for a better future, Gatsby successfully built himself into a man possessing seemingly infinite wealth and power. Despite his successes, the divide between East Egg and West Egg remains an invisible barrier to some aspects of his dream. While talking with Tom, Gatsby points out that his house is “right across from [Tom]”, demonstrating how Gatsby believed he could overcome class barriers in hopes of marrying Daisy. Gatsby’s effort to overcome these separations evokes a sense of sympathy from

More about The Great Gatsby Thesis

Women’s Role in “The Great Gatsby” by Fitzgerald Essay

The patriarchal ideology before the 1920s confined women to care for their men and children. Women were always expected to be submissive to their husbands and objectified as sources of pleasure. Fitzgerald’s work, The Great Gatsby, portrays women as people who hold little power, are emotional and fragile, and are only considered valuable when they are used as commodities. Tough the marginalization of women is evident in the novel. It further portrays their ability to take charge and pursue their lives’ desires by leveraging the little power of their beauty. Daisy, Myrtle, and Jordan’s character traits play the role of encouraging women to liberate themselves from patriarchal norms and motivate them to pursue their dreams. However, the tragic end of Myrtle cautions them to be more careful in their pursuit (Fitzgerald 103). Though the women in the novel are depicted as careless, treacherous, and selfish, the author uses them to underscore the power of the will to rebel against societal norms in pursuit of happiness.

Fitzgerald represents Myrtle as a figurative prisoner of social class at the beginning of the novel. Her marriage to George subjected her to abject poverty, misery, and suffering. Though she was depressed about her situation, societal norms of remaining faithful to her husband imprisoned her, and she could not escape. When she finally gets the courage to step out to be a rich man’s mistress, she finds herself in yet another prison. The metaphorical prison she finds herself in is the false hope that Buchanan will divorce his wife in her favor. Buchanan saw Myrtle as an object of pleasure and had no intention of marrying her (Fitzgerald 77). It takes courage and a tough stand against society for people to liberate themselves from such prisons. Myrtle’s decision to cheat on her husband to get a better life shows that people must be ready to bend societal norms to get out of figurative prisons.

Decisions made in life are multidimensional, and whatever decision a person takes, they must face the consequence. Myrtle’s mistake in her pursuit of happiness was believing that Tom Buchanan loved her and expected him to marry her after he divorced Daisy, considering men’s characters in the patriarchal era (Fitzgerald 69). As patriarchy dictated, Tom considered Myrtle an object of pleasure. However, she proved society wrong by choosing a man to marry because he was promising and later ditching him when she felt he was not living up to her expectations. Her willingness to abandon her marriage for posh life is evidence that pursuing happiness can make a person go against societal dictates.

Jordan Baker is a professional golfer whose character and integrity are questionable, and she uses lies and dishonesty to pursue her dream of a wealthy lifestyle. The author uses Jordan to represent ambition and what people can do to achieve them. She rose to be a successful golfer in the middle of a patriarchal regime that did not acknowledge women in professional and leadership positions. She further rebelled against the societal norms of being submissive to men and focused on achieving her dreams. Unlike Myrtle, who viewed men as the source of wealth and success, Jordan does not give a ‘damn’ about men and engages in deceit to achieve what she wants. She openly disregarded the social norms by doing what only men were expected to do, such as smoking and drinking in public, driving cars, and listening to Jazz music (Fitzgerald 46). The American dream is manifested in her pursuit of happiness, equal opportunity for success, and social mobility. Though she used dubious means and went against societal norms to achieve her dream, her persona encouraged women not to be limited by patriarchal norms and to pursue their dreams.

Daisy Buchanan is a beautiful young woman aware of the patriarchal norms limiting women in society. She is upset when she gives birth to a girl because women have no place in society other than becoming beautiful little ‘fool.’ She plays a critical role in teaching women to conform to society and still pursue their dreams. Though Daisy was in love with Gatsby before he went to war, her decision to marry a wealthy man (Buchanan) shows women have the liberty to choose whatever makes them happy. When Gatsby comes back, he is obsessed with winning her love back by getting involved in criminal activities to make money and impress her (Fitzgerald 17). She plays a significant role in teaching women to take advantage of their beauty and men’s desire to improve their lives. Daisy shows that women can reverse the patriarchal norms and control men if they take charge of their beauty. Her principal role in the novel is to show women that despite being despised in society, they can use their beauty to achieve their ambitions of a posh life.

In the 1920s, women were considered objects of pleasure for men and were only confined to domestic roles. The inability of many women to go against societal norms left them imprisoned in social classes and oppressive marriages. Scott Fitzgerald presents three women in the novel who show resilience to pursue their happiness despite being prisoners of different situations. Myrtle, a prisoner of a social class, makes a solemn decision to be a rich man’s mistress to achieve her dream. Daisy uses her beauty to achieve her objectives, while Jordan goes against societal norms and pursues whatever makes her happy regardless of what society thinks of her. Given these points, the role of the women in the novel is to empower others to liberate themselves from the limitations of societal norms.

Fitzgerald, Francis Scott. The Great Gatsby (1925) . na, 1991. pp. 68-103

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IvyPanda. (2023, November 29). Women’s Role in "The Great Gatsby" by Fitzgerald. https://ivypanda.com/essays/womens-role-in-the-great-gatsby-by-fitzgerald/

"Women’s Role in "The Great Gatsby" by Fitzgerald." IvyPanda , 29 Nov. 2023, ivypanda.com/essays/womens-role-in-the-great-gatsby-by-fitzgerald/.

IvyPanda . (2023) 'Women’s Role in "The Great Gatsby" by Fitzgerald'. 29 November.

IvyPanda . 2023. "Women’s Role in "The Great Gatsby" by Fitzgerald." November 29, 2023. https://ivypanda.com/essays/womens-role-in-the-great-gatsby-by-fitzgerald/.

1. IvyPanda . "Women’s Role in "The Great Gatsby" by Fitzgerald." November 29, 2023. https://ivypanda.com/essays/womens-role-in-the-great-gatsby-by-fitzgerald/.

Bibliography

IvyPanda . "Women’s Role in "The Great Gatsby" by Fitzgerald." November 29, 2023. https://ivypanda.com/essays/womens-role-in-the-great-gatsby-by-fitzgerald/.

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