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Father of English Essay – Francis Bacon!

Last updated on February 14th, 2023 at 01:27 am

The “father of the English essay” is often considered to be Francis Bacon. He was an English philosopher, statesman, and writer who lived in the 16th and 17th centuries. Bacon is best known for his essays, which are considered to be some of the earliest examples of the form in English literature. In his essays, Bacon explored a wide range of topics, including love, death, truth, anger, friendship, and more. He was known for his concise, direct writing style and his ability to convey complex ideas in simple, easy-to-understand language. Through his essays, Bacon helped establish the essay as a literary form, and he remains an important figure in the history of English literature.

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Francis Bacon

During the transition from the Renaissance to the early modern era, Sir Francis Bacon (1561–1626) was one of the most influential people in natural philosophy and the study of scientific methods.  Bacon is regarded as the father of English essay. He introduced this genre into the English language and literature by importing it from French writer Michel de Montaigne. No less important than the innovative act of importing this form was his own personal contribution to its enrichment and development. He is additionally referred to as the Father of Modern English Prose. In addition to these two very outstanding accomplishments, Bacon was a diligent classical scholar with an encyclopedic breadth of knowledge. He was a distinguished empirical scientist, a distinguished lawyer, and a significant statesman. He was a member of parliament and a superb orator. Bacon’s intellect was not entirely lofty and magnificent despite his diversity.

Francis Bacon – Notable Work & Contributions

Francis Bacon is widely considered the father of the English essay. He was a prolific writer and his essays, which were first published in 1597, are considered to be some of the earliest examples of the form in English literature. Bacon’s essays are characterized by their conciseness, directness, and their ability to convey complex ideas in simple language. He explored a wide range of topics in his essays, including love, death, truth, anger, friendship, and more.

Bacon’s essays helped establish the essay as a literary form, and his writing style and approach to essay writing influenced subsequent generations of writers. He is often credited with popularizing the essay as a form of writing and making it accessible to a wider audience.

Bacon’s essays remain widely read and studied to this day, and his contributions to the development of the English essay continue to be recognized and celebrated. He remains an important figure in the history of English literature and his essays are considered to be classic examples of the form.

Major Works-

Francis Bacon was a prolific writer and produced a number of important works in a variety of fields. Some of his major works include:

• Essays: Bacon’s essays were first published in 1597 and are considered some of the earliest examples of the essay form in English literature. He wrote about a wide range of topics, including love, death, truth, anger, friendship, and more.
• The Advancement of Learning: This work was published in 1605 and is considered one of Bacon’s most important philosophical works. In it, he outlines his views on the importance of learning and the role of science in the advancement of knowledge.
• Novum Organum: This work was published in 1620 and is considered one of Bacon’s most important scientific works. It lays the foundation for the scientific method and argues for the importance of observation and experimentation in the pursuit of knowledge.
• The New Atlantis: This work was published in 1627 and is considered one of Bacon’s most important works of fiction. It is a utopian novel that explores Bacon’s vision of a perfect society based on the principles of science and reason.
• The History of the Reign of King Henry VII: This work was published in 1622 and is considered one of Bacon’s most important works of history. It is a comprehensive history of the reign of King Henry VII and is noted for its balanced and impartial approach to its subject.

These work, which are still read and studied worldwide, show Bacon’s enormous intellectual range and his enduring influence on philosophy, science, and literature.

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Francis Bacon as Father of English Essay

Francis Bacon is regarded as the “Father of English Essay” for several reasons:

• Pioneering work: Bacon wrote some of the earliest examples of the essay form in English literature, and his essays helped establish the essay as a recognized literary genre.
• Writing style: Bacon’s essays are characterized by their conciseness, directness, and clear expression of complex ideas. He was known for his ability to convey his thoughts in simple and easily understandable language.
• Range of topics: Bacon wrote about a wide range of topics in his essays, from love and death to truth and anger. This broad scope helped to popularize the essay as a form of writing that could be used to address a variety of subjects.
• Influence: Bacon’s essays had a profound impact on subsequent generations of writers, who were inspired by his writing style and approach to essay writing. His work continues to be widely read and studied to this day, and his contributions to the development of the English essay are widely recognized.
• Legacy: Bacon’s essays remain classic examples of the essay form, and he remains an important figure in the history of English literature. His contributions to the development of the essay have been widely celebrated, and he is regarded as the “Father of the English Essay” for his pioneering work in this field.

FAQs on the Father of English Essay

Francis Bacon is widely considered to be the “Father of the English Essay.”

Bacon’s prose is distinguished by its brevity, vividness, and terseness. Concreteness, vividness, clarity, control, and force are all present in plenty. His essays are advice pieces written in short, oppositional, and epigrammatic phrases. His essays were dubbed “separated meditations” by him.

Bacon’s essays are known for their conciseness, directness, and their ability to convey complex ideas in simple language.

Bacon wrote about a wide range of topics in his essays, including love, death, truth, anger, friendship, and more.

Bacon is considered the “Father of the English Essay” because he wrote some of the earliest examples of the essay form in English literature and helped establish the essay as a recognized literary genre. He was known for his concise and direct writing style and his ability to convey complex ideas in simple language. His contributions to the development of the English essay continue to be widely recognized and celebrated.

By Gauri Malik

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Francis Bacon as an Essayist

Francis Bacon is the first great English essayist who enjoys a glorious reputation and considered to be the father of English essay . He remains for the sheer mass and weight of genius. His essays introduce a new form of composition into English literature.

Three Editions of Bacon’s Essays

Bacon sponsored this new literary form in English with the publication of his ten essays in 1597. It grew to thirty-eight in the edition of 1612. The number reached fifty-eight in the final issue of 1625. These essays are the results of his direct observations of men and matters.

Dispersed Meditations

Bacon charged his essays with the serious spirit and stately manners of Seneca. For him his essays were dispersed meditations and receptacle for detached thoughts. He is practical under the influence of Machiavelli. Utilitarianism is obvious in his essays. He shrewdly instructs how to lead a successful life. That’s why his essays are called counsels civil and moral .

Bacon and Montaigne

Bacon borrowed the form of essay from Montaigne, the French essayist. Bacon and Montaigne share the form of essay but not its spirit. Montaigne is personal, familiar and prolific. But Bacon is formal, curt and impersonal. Montaigne appeals to the heart but Bacon to the head. Thus these two great essayists present a very sharp and interesting contrast .

Impersonal and Objective

Bacon’s essays are capsules of impersonal wisdom. They may not give immediate pleasure but give lasting guidance. They are objective and logically constructed. Thus as an essayist Bacon is not friendly, confidential, intimate and familiar with the reader. His essays are for the most part detached and impersonal. This conclusion demands reconsideration. In fact, Bacon’s essays bear a close imprint of his personality, though he is not disposed to unbend himself in his works. On this basis Pope’s following statement is appreciated:

If parts allure thee, think, how Bacon shined, The wisest, the brightest and the meanest of mankind.

Wide Range of Topics

Bacon wrote on a wide range of topics. He passes from religion and empire to gardens and buildings. In Montaigne and Lamb, the subject is unimportant but in Bacon subject always is important. He may be unsystematic in his treatment but he never wanders beyond his bounds. He surpassed all his contemporaries in the capacity to utter pregnant thoughts on almost any theme .

Themes of Bacon’s Essays

The themes of Bacon’s essays are various. They range from Goodness to Gardens and from Envy to Masques and Triumphs. The essay ‘Of Studies’ is about books and reading. Here Bacon explains reasons and purpose of study. At the same time he suggests the modes of selecting the books and manner of study. In ‘Of Truth’ he says that some men do not care for truth. He mentions its reasons also.

Bacon’s Style

Bacon employed a unique style . This is important for lucidity, clarity, economy, precision, directness, masculinity and mathematical plainness. His essays seem like a collection of short and pithy maxims with tremendous compression. Each sentence can convey a deep and concentrated meaning. Due to this, Bacon’s style is called aphoristic. Bacon considered this style suitable for the spirit of enquiry.

In his early essays the sentences are short, crisp and sententious. There are few connectives. Though there is no continuity, there is a strong sense of rapid movement. As Bacon’s essays are argumentative in nature, his style becomes antithetical. With an impartial air, he balances the opposing arguments. There are number of quotations and allusions in his essays.

Bacon’s style changed in the later editions. It became more elaborate. Connectives were used frequently and the style became less formal. His images and figures of speech are simple. They clearly state the ideas. Flexibility, wit and fun are also some important features of his style .

In short, Bacon is a very great essayist. To English literature his essays are priceless acquisitions. Legouis has rightly remarked’ These essays are the classics of English prose ’.

Bacon as an Essayist | Bacon’s Prose Style | Bacon as a father of English Prose

Francis Bacon was a famous Essayist of the 16th century and also known as the father of English prose. The collection of his essays was also titled “Essays” which was first published in 1597 and later its second edition was published in 1812 and 1625 respectively.

Bacon as an essayist penned in a methodical way, taking their subject-matter from a collection of perspectives, analyzing them, and writing in distinct prose style, using aphorisms to clearly make a point. He enclosed such subjects as study, love, health, work, truth, travel, friendship, beauty, anger, and so on.

Read more: Renaissance in English Literature

Francis Bacon believed that a person’s mind and personality are expressed through his writing. Therefore if a person had a muddled, unclear and cryptic writing style, then that was an indication that his mind was also disordered and confused. Furthermore if a person’s writing skill was clear, simple and straightforward then that was an indication that his mind was also transparent and uncomplicated. This is very much evident in Bacon’s writings too as he employs short, concise, and aphoristic writing technique in his essays. 

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Bacon’s aphoristic style as an essayist

An aphoristic technique signifies the close-packed and concise style of writing. An aphorism is a terse sentence, conveying the idea in the least possible words. Certainly, Bacon’s essays are replete with such aphorism. His essays amalgamate knowledge with utmost conciseness. The brief, epigrammatic pearl of wisdom in his essays has turned into well-liked mottoes and household verbalism. There are numerous aphoristic lines that we find in his essays. For example in the essay “Of Truth”: “A mixture of lie doth ever add pleasure.” (Francis Bacon, Of Truth).

Through this sentence Bacon wishes to forward the concept that the truth gets more appealing when mingled with a lie in it. Therefore, most of the times, when we wish to protect a lie; we use this pronouncement of Bacon. 

Bacon’s essay “Of Friendship” reveals Bacon’s pithy and laconic style: “For a crowd is not a company and faces are but a gallery of pictures.” (Francis Bacon, Of Friendship).

Read more: Humanism renaissance in English Literature

All the aphorisms of Bacon’s essays amazed us by their freshness and novelty. Every aphoristic sentence seizes us. His laconic style grabs our attention. Basically, they all gratify, excite and delight us because they all consist of priceless ideas, advice, and lessons. 

Bacon’s use of allusions and quotations in his essays:

The learning spirit of renaissance is very much evident in Bacon’s writings. Bacon employs allusions and references carried from varied origins, chronicles, past records, ancient Greek and Roman writers, classical tales, and the Bible. Bacon employs the references of Montaigne and Pilate in his essay “Of Truth” . Similarly in “Of Friendship” Bacon mentions Aristotle. Bacon uses references and allusions so as to elucidate his purpose more distinctly and this also makes Bacon’s prose style more erudite and enriching.

Bacon as a philosopher and a moralist:

As Bacon’s essays show, Bacon is not only a philosopher but also a moralist . A Philosopher is a person who is intensely focused on seeking truth, on the other hand, a moralist is a person who educates human beings on the difference between what is virtuous and what is evil, and encourages them to go in the right direction only. Bacon comes out in this twofold role in numerous essays that he has penned. In his essay “Of Truth,” Bacon states that truth is the ultimate virtue for mankind. In the context of the Bible, Bacon claims that in the first place God made light and the last thing that God made was rational faculty that God gave to mankind. First God passed off light upon substance; then he passed off light upon man, and subsequently, God has been always giving light into the faces of people whom he selects for his unique favor. After explaining all these, we can conclude that these are the investigations of a philosopher-cum-moralist . The main purpose of writing all these essays was that Bacon wanted to teach the importance of truth to his readers.

Bacon’s essays are a storehouse of practical knowledge:

Bacon is regarded as one of the earliest empiricists, building his concepts on investigation of actual life not from prejudices or received facts. Bacon’s essays are a storehouse of practical knowledge. Practical knowledge is a type of knowledge that is compulsory for attaining worldly success. Bacon instructs us on how to advance in this world. Bacon also explains to us how to flourish in life and become wealthy. For example, Bacon writes his “Of Friendship” clearly from a utilitarian point of view. Bacon makes us aware of the “uses” of friendship. A friend simplifies our apprehension and his counsel is most dependable. A friend can take necessary action for us in such circumstances in which we personally cannot take action. Bacon hints to indicate that we require friends only for our worldly contentment and success. It is also noteworthy that he illustrated his essays as “Counsels, civil and moral” which suggests that he wanted his essays to give such instruction to his readers as could assist them in achieving prosperity in civil life while concurrently recognizing certain primary moral values. 

Conclusion:

Francis Bacon also wrote a philosophical work called “Novum Organum” which was his commentary on logic and syllogism. In this work Bacon proposes a new method of logic: he feels to be better to the old method of syllogism.  Bacon was a genuine Renaissance man as he shared his wisdom and knowledge in many different fields like philosophy, science, logic and politics. His technique of essay writing is not adamant and authoritative but willingly he’s own and amiable. For instance in one of his essays “Of Envy” , Bacon does not start with an announcement of envy being dangerous and damaging of pleasure. His style permits him to investigate such topics with an experimental eye that connects experiences to meaning and then only finally unveils his insight and judgment on the topic. To conclude we can say that Bacon was the acute observer of life. Bacon’s essays reflect his vast experience and understanding of men and situations and also of the universe. 

Justify the title Pride and Prejudice The use of irony in Austen’s Pride and Prejudice Women Characters in Pride and Prejudice The Monk in “The Canterbury Tales” Charles Lamb as an essayist

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51 Francis Bacon: Essays

Introduction.

by Mary Larivee and Rithvik Saravanan

Francis Bacon (1561-1626), the English philosopher, was instrumental in the development of the Scientific Revolution in the late 18th century even though he had passed away centuries before.  The “Scientific Revolution” was an important movement that emphasized Europe’s shift toward modernized science in fields such as mathematics, physics, astronomy, biology, and chemistry (Grant). It was an extension of the Renaissance period, which then led to the Enlightenment which brought advances across all areas of human endeavor. Francis Bacon, in particular, is remembered today primarily for the “scientific method” as a way of establishing what is true from what is false perception (a method that still lies at the heart of modern science). Bacon’s primary focus in his writings revolved around the practice of inductive reasoning, which he believed to be a complement to practical observation (Grant). Most people before this period followed the Aristotelian methodology for scientific arguments. This idea maintained that “if sufficiently clever men discussed a subject long enough, the truth would eventually be discovered” (“History – Francis Bacon.”). However irrational this sounds, the Scientific Revolution helped replace this outdated system of thinking with Bacon’s scientific method. Bacon argued that any proper argument required “evidence from the real world” (“History – Francis Bacon.”). His revolutionary ideas about empirical information helped propel him toward political and societal importance and fame.

Literary Context

Francis Bacon had a passion for metaphors, analogies, and vivid imagery. He was a rhetorical writer and his essays highlight his wisdom and incisive mind. His first book was released in 1597 followed by later editions with added essays that were released in 1612 and 1625. Each essay that Bacon wrote reveals his knowledge of Latin and draws on ancient Roman wisdom through axioms and proverbs. Additionally, Bacon uses wit as a way of getting his point across to his audience and this indeed causes the reader to reflect on his or her own beliefs and values. A key aspect of Bacon’s literature is its “terseness and epigrammatic force” (De). By managing to pack all of his thoughts and ideas into quick, brief statements, Bacon deepens the reach and impact of his work. His writing deviated from the typical Ciceronian style of the time, which was characterized by “melodious language, clarity, and forcefulness of presentation” (“Ciceronian.”). His statements are meaningful particularly because they are straight and to the point. The brevity of his ideas also facilitates the communication of his arguments, which is significant because, at the time, a solid, meaningful education was hard to come by. As such, Bacon’s work helped spread the notions that would eventually bear fruit with the discoveries of the Scientific Revolution.

Historical Context

Francis Bacon’s Essays cover a wide variety of topics and styles, ranging from individual to societal issues and from commonplace to existential. Another important aspect of the appeal of Bacon’s essays are that they weigh the argument at hand with multiple points of view. Bacon’s essays were received at the time with great praise, adoration, and reverence (Potter). He was noted for borrowing ideas from the works of historical writers such as Aristotle (Harmon), and, as such, he represents a continuation of this philosophical school of thought. Another important impact of the Scientific Revolution and Bacon’s literature is that it allowed common people of the era to question old, traditional beliefs. They began to consider everything with reason, which led to a greater sense of self as well as moral and ethical standards. By having the opportunity to judge for themselves, the people were able to advance society a step closer to a form of democracy.

Francis Bacon Essays is a collection of eight of the famous philosopher’s many essays. Each dissertation contains words of wisdom that have proven to be enlightening for many generations that followed. From “Truth” to “Of Superstition” and “Marriage and Single Life”, Bacon covers a wide range of intriguing topics in order to challenge the human mind to think deeply; as he himself writes: “Read not to contradict and confute, nor to believe and take for granted, nor to find talk and discourse, but to weigh and consider” (Bacon). The philosopher not only provides a framework for the genre of the modern essay but also provides his readers a code to live by.

Works Cited

“Ciceronian.” Dictionary.com , n.d., www.dictionary.com/browse/ciceronian. 23 Oct. 2020.

De, Ardhendu. “Rhetorical Devices as Used by Francis Bacon in His Essays.” A.D.’s English Literature: Notes and Guide , 07 Apr. 2011, ardhendude.blogspot.com/2011/04/rhetorical-devices-used-by-francis.html. Accessed 23 Oct. 2020.

Grant, Edward. The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional, and Intellectual Contexts . Cambridge University Press, 1996.

Harmon, William. The Oxford Book of American Light Verse. Oxford University Press, 1979.

“History – Francis Bacon.” History , British Broadcasting Corporation, 2014, www.bbc.co.uk/history/historic_figures/bacon_francis.shtml. Accessed 24 Oct. 2020.

Potter, Vincent G. Readings in Epistemology: from Aquinas, Bacon, Galileo, Descartes, Locke, Berkeley, Hume, Kant. Fordham University Press, 1993.

Discussion Questions

• Why do you think Francis Bacon chose to enlighten and inspire his readers as opposed to other writers of his time who focused more on classic folklore tales?
• Why do you think Francis Bacon choose the topics that he did? Who or what do you think had a major influence on his writings?
• What are the goals and intentions behind Bacon’s use of rhetorical questioning?
• What are some common themes and ideas from Francis Bacon’s Essays that can be applied to general situations and contemporary society?
• From the ideas presented in this reading, how do you think Francis Bacon’s work affected government policies throughout history, including modern day governmental standards?

Further Resources

• Detailed biography of Franics Bacon’s life
• Analytical article of Francis Bacon’s impact on the Scientific Revolution
• List of Francis Bacon’s most significant accomplishments
• Compilation of Francis Bacon’s literature
• Stanford Encyclopedia of Philosophy entry on Francis Bacon
• Discussion video of Francis Bacon’s “Of Studies”

Reading: From Essayes

I. of truth..

What is truth? said jesting Pilate; and would not stay for an answer. Certainly there be that delight in giddiness; and count it a bondage to fix a belief; affecting free-will in thinking, as well as in acting. And though the sects of philosophers of that kind be gone, yet there remain certain discoursive wits, which are of the same veins, though there be not so much blood in them as was in those of the ancients. But it is not only the difficulty and labour which men take in finding out of truth, nor again, that when it is found, it imposeth upon men’s thoughts, that doth bring lies in favour, but a natural though corrupt love of the lie itself. One of the later schools of the Grecians examineth the matter, and is at a stand to think what should be in it, that men should love lies; where neither they make for pleasure, as with poet; nor for advantage, as with the mer chant, but for the lie’s sake. But I cannot tell: this same truth is a naked and open daylight, that doth not show the masks, and mummeries, and triumphs of the world, half so stately and daintily as candlelights. Truth may perhaps come to the price of a pearl, that showeth best by day, but it will not rise to the price of a diamond or carbuncle, that showeth best in varied lights. A mixture of a lie doth ever add pleasure. Doth any man doubt, that if there were taken out of men’s minds, vain opinions, flattering hopes, false valuations, imaginations as one would, and the like, but it would leave the minds of a number of men, poor shrunken things, full of melancholy and indisposition, and unpleasing to themselves? One of the fathers, in great severity, called poesy “vinum dæmonum,”; because it filleth the imagination, and yet it is but with the shadow of a lie. But it is not the lie that passeth through the mind, but the lie that sinketh in, and settleth in it, that doth the hurt, such as we spake of before. But howsoever these things are thus in men’s depraved judgments and affections, yet truth, which only doth judge itself, teacheth, that the inquiry of truth, which is the love-making, or wooing of it, the knowledge of truth, which is the presence of it, and the belief of truth, which is the enjoying of it, is the sovereign good of human nature. The first creature of God, in the works of the days, was the light of the sense: the last was the light of reason; and his Sabbath work ever since, is the illumination of his Spirit. First, he breathed light upon the face of the matter, or chaos; then he breathed light into the face of man; and still he breatheth and inspireth light into the face of his chosen. The poet that beautified the sect, that was otherwise inferior to the rest, saith yet excellently well: “It is a pleasure to stand upon the shore, and to see ships tossed upon the sea: a pleasure to stand in the window of a castle, and to see a battle, and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth, (a hill not to be commanded, and where the air is always clear and serene,) and to see the errors, and wanderings, and mists, and tempests in the vale below:” so always that this prospect be with pity, and not with swelling or pride. Certainly, it is heaven upon earth, to have a man’s mind move in charity, rest in providence, and turn upon the poles of truth.

To pass from theological and philosophical truth, to the truth of civil business; it will be acknowledged even by those that practise it not, that clean and round dealing is the honour of man’s nature, and that mixture of falsehood is like alloy in coin of gold and silver, which may make the metal work the better, but it embaseth it. For these winding and crooked courses are the goings of the serpent; which goeth basely upon the belly, and not upon the feet. There is no vice that doth so cover a man with shame as to be found false and perfidious; and therefore Montaigne saith prettily, when he inquired the reason, why the word of the lie should be such a disgrace, and such an odious charge, saith he, “If it be well weighed, to say that a man lieth, is as much as to say, that he is brave towards God, and a coward towards men. For a lie faces God, and shrinks from man.” Surely the wickedness of falsehood and breach of faith cannot possibly be so highly expressed, as in that it shall be the last peal to call the judgments of God upon the generations of men: it being foretold, that when “Christ cometh,” he shall not “find faith upon the earth.”

VIII. OF MARRIAGE AND SINGLE LIFE.

He that hath wife and children hath given hostages to fortune; for they are impediments to great enterprises, either of virtue or mischief. Certainly the best works, and of greatest merit for the public, have proceeded from the unmarried or childless men; which, both in affection and means, have married and endowed the public. Yet it were great reason that those that have children should have greatest care of future times, unto which they know they must transmit their dearest pledges. Some there are, who, though they lead a single life, yet their thoughts do end with themselves, and account future times impertinences; nay, there are some other that account wife and children but as bills of charges; nay more, there are some foolish rich covetous men, that take a pride in having no children, because they may be thought so much the richer; for, perhaps, they have heard some talk, “Such an one’s a great rich man” and another except to it. “Yea, but he hath a great charge of children;” as if it were an abatement to his riches: but the most ordinary cause of a single life is liberty, especially in certain self-pleasing and humorous minds, which are so sensible of every restraint, as they will go near to think heir girdles and garters to be bonds and shackles. Unmarried men are best friends, best masters, best servants; but not always best subjects; for they are light to run away; and almost all fugitives are of that condition. A single life doth well with churchmen, for charity will hardly water the ground where it must first fill a pool. It is indifferent for judges and magistrates; for if they be facile and corrupt, you shall have a servant five times worse than a wife. For soldiers, I find the generals commonly, in their hortatives, put men in mind of their wives and children; and I think the despising of marriage among the Turks maketh the vulgar soldier more base. Certainly wife and children are a kind of discipline of humanity; and single men, though they may be many times more charitable, because their means are less exhaust, yet, on the other side, they are more cruel and hardhearted, (good to make severe inquisitors,) because their tenderness is not so oft called upon. Grave natures, led by custom, and therefore constant, are commonly loving husbands, as was said of Ulysses, “vetulam suam prætulit immortalitati.” Chaste women are often proud and froward, as presuming upon the merit of their chastity. It is one of the best bonds, both of chastity and obedience, in the wife, if she think her husband wise; which she will never do if she find him jealous. Wives are young men’s mistresses, companions for middle age, and old men’s nurses; so as a man may have a quarrel to marry when he will: but yet he was reputed one of the wise men, that made answer to the question when a man should marry:—”A young man not yet, an elder man not at all.” It is often seen, that bad husbands have very good wives; whether it be that it raiseth the price of their husband’s kindness when it comes, or that the wives take a pride in their patience; but this never fails, if the bad husbands were of their own choosing, against their friends consent, for then they will be sure to make good their own folly.

XI. OF GREAT PLACE.

Men in great place are thrice servants; servants of the sovereign or state, servants of fame, and servants of business; so as they have no freedom, neither in their persons, nor in their actions, nor in their times. It is a strange desire to seek power and to lose liberty; or to seek power over others, and to lose power over a man’s self. The rising unto place is laborious, and by pains men come to greater pains; and it is sometimes base, and by indignities men come to dignities. The standing is slippery, and the regress is either a downfall, or at least an eclipse, which is a melancholy thing: “Cum non sis qui fueris, non esse cur velis vivere.” Nay, retire men cannot when they would, neither will they when it were reason; but are impatient of privateness even in age and sickness, which require the shadow: like old townsmen, that will be still sitting at their street door, though thereby they offer age to scorn. Certainly great persons had need to borrow other men’s opinions to think themselves happy; for if they judge by their own feeling, they cannot find it: but if they think with themselves what other men think of them, and that other men would fain be as they are, then they are happy as it were by report, when, perhaps, they find the contrary within; for they are the first that find their own griefs, though they be the last that find their own faults. Certainly men in great fortunes are strangers to themselves, and while they are in the puzzle of business they have no time to tend their health either of body or mind: “Illi mors gravis incubat, qui notus nimis omnibus, ignotus moritur sibi.” In place there is license to do good and evil; whereof the latter is a curse: for in evil the best condition is not to will; the second not to can. But power to do good is the true and lawful end of aspiring; for good thoughts (though God accept them,) yet towards men are little better than good dreams, except they be put in act; and that cannot be without power and place, as the vantage and commanding ground. Merit and good works is the end of man’s motion; and conscience of the same is the accomplishment of man’s rest; for if a man can be partaker of God’s theatre, he shall likewise be partaker of God’s rest: “Et conversus Deus, ut aspiceret opera, quaæ fecerunt manus suæ, vidit quod omnia essent bona nimis;” and then the sabbath. In the discharge of the place set before thee the best examples; for imitation is a globe of precepts; and after a time set before thine own example; and examine thyself strictly whether thou didst not best at first. Neglect not also the examples of those that have carried themselves ill in the same place; not to set off thyself by taxing their memory, but to direct thyself what to avoid. Reform, therefore, without bravery or scandal of former times and persons; but yet set it down to thyself, as well to create good precedents as to follow them. Reduce things to the first institution, and observe wherein and how they have degenerated; but yet ask counsel of both times; of the ancienter time what is best; and of the latter time what is fittest. Seek to make thy course regular, that men may know be forehand what they may expect; but be not too positive and peremptory; and express thyself well when thou digressest from thy lure. Preserve the right of thy place, but stir not questions of jurisdiction; and rather assume thy right in silence, and “de facto,” than voice it with claims and challenges. Preserve likewise the rights of inferior places; and think it more honour to direct in chief than to be busy in all. Embrace and invite helps and advices touching the execution of thy place; and do not drive away such as bring thee information as meddlers, but accept of them in good part. The vices of authority are chiefly four; delays, corruption, roughness, and facility. For delays give easy access: keep times appointed; go through with that which is in hand, and interlace not business but of necessity. For corruption, do not only bind thine own hands or thy servant’s hands from taking, but bind the hands of suitors also from offering; for integrity used doth the one; but integrity professed, and with a manifest detestation of bribery, doth the other; and avoid not only the fault, but the suspicion. Whosoever is found variable, and changeth manifestly without manifest cause, giveth suspicion of corruption; therefore, always when thou changest thine opinion or course, profess it plainly, and declare it, together with the reasons that move thee to change, and do not think to steal it. A servant or a favourite, if he be inward, and no other apparent cause of esteem, is commonly thought but a by-way to close corruption. For roughness, it is a needless cause of discontent; severity breedeth fear, but roughness breedeth hate. Even reproofs from authority ought to be grave, and not taunting. As for facility, it is worse than bribery; for bribes come but now and then; but if importunity or idle respects lead a man, he shall never be without; as Solomon saith, “To respect persons is not good, for such a man will transgress for a piece of bread.” It is most true that was anciently spoken, “A place showeth the man; and it showeth some to the better and some to the worse;” “omnium consensu capax imperii, nisi imperasset,” saith Tacitus of Galba; but of Vespasian he saith, “solus imperantium, Vespasianus mutatus in melius;” though the one was meant of sufficiency, the other of manners and affection. It is an assured sign of a worthy and generous spirit, whom honour amends; for honour is, or should be, the place of virtue; and as in nature things move violently to their place and calmly in their place, so virtue in ambition is violent, in authority settled and calm. All rising to great place is by a winding stair; and if there be factions, it is good to side a man’s self whilst he is in the rising, and to balance himself when he is placed. Use the memory of thy predecessor fairly and tenderly; for if thou dost not, it is a debt will sure be paid when thou art gone. If thou have colleagues, respect them; and rather call them when they looked not for it, than exclude them when they have reason to look to be called. Be not too sensible or too remembering of thy place in conversation and private answers to suitors; but let it rather be said, “When he sits in place he is another man.”

XVII. OF SUPERSTITION.

It were better to have no opinion of God at all than such an opinion as is unworthy of him; for the one is unbelief, the other is contumely; and certainly superstition is the reproach of the Deity. Plutarch saith well to that purpose: “Surely,” saith he, “I had rather a great deal men should say there was no such man at all as Plutarch, than that they should say that there was one Plutarch, that would eat his children as soon as they were born:” as the poets speak of Saturn: and, as the contumely is greater towards God, so the danger is greater towards men. Atheism leaves a man to sense, to philosophy, to natural piety, to laws, to reputation: all which may be guides to an outward moral virtue, though religion were not; but superstition dismounts all these, and erecteth an absolute monarchy in the minds of men: therefore atheism did never perturb states; for it makes men wary of themselves, as looking no further, and we see the times inclined to atheism (as the time of Augustus Cæsar) were civil times: but superstition hath been the confusion of many states, and bringeth in a new “primum mobile,” that ravisheth all the spheres of government. The master of superstition is the people, and in all superstition wise men follow fools; and arguments are fitted to practice, in a reversed order. It was gravely said, by some of the prelates in the council of Trent, where the doctrine of the schoolmen bare great sway, that the schoolmen were like astronomers, which did feign eccentrics and epicycles, and such engines of orbs to save phenomena, though they knew there were no such things; and, in like manner, that the schoolmen had framed a number of subtle and intricate axioms and theorems, to save the practice of the church. The causes of superstition are, pleasing and sensual rites and ceremonies; excess of outward and pharisaical holiness; over great reverence of traditions, which cannot but load the church; the stratagems of prelates for their own ambition and lucre; the favouring too much of good intentions, which openeth the gate to conceits and novelties; the taking an aim at divine matters by human, which cannot but breed mixture of imaginations; and, lastly, barbarous times, especially joined with calamities and disasters. Superstition, without a veil, is a deformed thing: for as it addeth deformity to an ape to be so like a man, so the similitude of superstition to religion makes it the more deformed: and, as wholesome meat corrupteth to little worms, so good forms and  orders corrupt into a number of petty observances. There is a superstition in avoiding superstition, when men think to do best if they go furthest from the superstition formerly received; therefore care would be had that (as it fareth in ill purgings) the good be not taken away with the bad, which commonly is done when the people is the reformer.

XXXIII. OF PLANTATIONS.

Plantations are amongst ancient, primitive, and heroical works. When the world was young, it begat more children; but now it is old, it begets fewer; for I may justly account new plantations to be the children of former kingdoms. I like a plantation in a pure soil; that is, where people are not displanted to the end to plant in others; for else it is rather an extirpation than a plantation. Planting of countries is like planting of woods; for you must make account to lose almost twenty years profit, and expect your recompense in the end: for the principal thing that hath been the destruction of most plantations, hath been the base and hasty drawing of profit in the first years. It is true, speedy profit is not to be neglected, as far as may stand with the good of the plantation, but no further. It is a shameful and unblessed thing to take the scum of people and wicked condemned men, to be the people with whom you plant; and not only so, but it spoileth the plantation; for they will ever live like rogues, and not fall to work, but be lazy, and do mischief, and spend victuals, and be quickly weary, and then certify over to their country to the discredit of the plantation. The people wherewith you plant ought to be gardeners, ploughmen, labourers, smiths, carpenters, joiners, fishermen, fowlers, with some few apothecaries, surgeons, cooks, and bakers. In a country of plantation, first look about what kind of victual the country yields of itself to hand; as chestnuts, walnuts, pineapples, olives, dates, plums, cherries, wild honey, and the like, and make use of them. Then consider what victual, or esculent things there are which grow speedily and within the year: as parsnips, carrots, turnips, onions, radish, artichokes of Jerusalem, maize, and the like: for wheat, barley, and oats, they ask too much labour; but with pease and beans you may begin, both because they ask less labour, and because they serve for meat as well as for bread; and of rice likewise cometh a great increase, and it is a kind of meat. Above all, there ought to be brought store biscuit, oatmeal, flour, meal, and the like, in the beginning, till bread may be had. For beasts, or birds, take chiefly such as are least subject to diseases, and multiply fastest; as swine, goats, cocks, hens, turkeys, geese, house-doves, and the like. The victual in plantations ought to be expended almost as in a besieged town; that is, with certain allowance: and let the main part of the ground employed to gardens or corn, be to a common stock; and to be laid in, and stored up, and then delivered out in proportion; besides some spots of ground that any particular person will manure for his own private use. Consider, likewise, what commodities the soil where the plantation is doth naturally yield, that they may some way help to defray the charge of the plantation; so it be not, as was said, to the untimely prejudice of the main business, as it hath fared with tobacco in Virginia. Wood commonly aboundeth but too much: and therefore timber is fit to be one. If there be iron ore, and streams whereupon to set the mills, iron is a brave commodity where wood aboundeth. Making of bay-salt, if the climate be proper for it, would be put in experience: growing silk likewise, if any be, is a likely commodity: pitch and tar, where store of firs and pines are, will not fail; so drugs and sweet woods, where they are, cannot but yield great profit; soap-ashes likewise, and other things that may be thought of; but moil not too much under ground, for the hope of mines is very uncertain and useth to make the planters lazy in other things. For government, let it be in the hands of one, assisted with some counsel; and let them have commission to exercise martial laws, with some limitation; and, above all, let men make that profit of being in the wilderness, as they have God always, and his service before their eyes; let not the government of the plantation depend upon too many counsellors and undertakers in the country that planteth, but upon a temperate number; and let those be rather noblemen and gentle men, than merchants; for they look ever to the present gain: let there be freedoms from custom, till the plantation be of strength; and not only freedom from custom, but freedom to carry their commodities where they may make their best of them, except there be some special cause of caution. Cram not in people, by sending too fast, company after company; but rather hearken how they waste, and send supplies proportionably; but so as the number may live well in the plantation, and not by surcharge be in penury. It hath been a great endangering to the health of some plantations, that they have built along the sea and rivers in marish and unwholesome grounds: therefore, though you begin there, to avoid carriage and other like discommodities, yet build still rather upwards from the stream, than along. It concerneth likewise the health of the plantation that they have good store of salt with them, that they may use it in their victuals when it shall be necessary. If you plant where savages are, do not only entertain them with trifles and gingles, but use them justly and graciously, with sufficient guard nevertheless; and do not win their favour by helping them to invade their enemies, but for their defence it is not amiss: and send oft of them over to the country that plants, that they may see a better condition than their own, and commend it when they return. When the plantation grows to strength, then  it is time to plant with women as well as with men; that the plantation may spread into generations, and not be ever pieced from without. It is the sinfullest thing in the world to forsake or destitute a plantation once in forwardness; for, besides the dishonour, it is the guiltiness of blood of many commiserable persons.

XLVII. OF NEGOTIATING.

It is generally better to deal by speech than by letter; and by the mediation of a third than by a man’s self. Letters are good when a man would draw an answer by letter back again; or when it may serve for a man’s justification afterwards to produce his own letter; or where it may be danger to be interrupted, or heard by pieces. To deal in person is good, when a man’s face breedeth regard, as commonly with inferiors; or in tender cases, where a man’s eye upon the countenance of him with whom he speaketh, may give him a direction how far to go; and generally, where a man will reserve to himself liberty either to disavow or to expound. In choice of instruments, it is better to choose men of a plainer sort, that are like to do that that is committed to them, and to report back again faithfully the success, than those that are cunning to contrive out of ether men’s business somewhat to grace themselves, and will help the matter in report, for satisfaction sake. Use also such persons as affect the business wherein they are employed, for that quickeneth much; and such as are fit for the matter, as bold men for expostulation, fair-spoken men for persuasion, crafty men for inquiry and observation, froward and absurd men for business that doth not well bear out itself. Use also such as have been lucky and prevailed before in things wherein you have employed them; for that breeds confidence, and they will strive to maintain their prescription. It is better to sound a person with whom one deals afar off, than to fall upon the point at first; except you mean to surprise him by some short question. It is better dealing with men in appetite, than with those that are where they would be. If a man deal with another upon conditions, the start of first performance is all; which a man can reasonably demand, except either the nature of the thing be such, which must go before: or else a man can persuade the other party, that he shall still need him in some other thing; or else that he be counted the honester man. All practice is to discover, or to work. Men discover themselves in trust, in passion, at unawares; and of necessity, when they would have somewhat done, and cannot find an apt pretext, if you would work any man, you must either know his nature and fashions, and so lead him; or his ends, and so persuade him; or his weakness and disadvantages, and so awe him; or these that have interest in him, and so govern him. In dealing with cunning persons, we must ever consider their ends, to interpret their speeches; and it is good to say little to them, and that which they least look for. In all negotiations of difficulty, a man may not look to sow and reap at once; but must prepare business, and so ripen it by degrees.

XXXVII. OF MASQUES AND TRIUMPHS.

These things are but toys to come amongst such serious observations; but yet, since princes will have such things, it is better they should be graced with elegancy, than daubed with cost. Dancing to song, is a thing of great state and pleasure. I understand it that the song be inquire, placed aloft, and accompanied by some broken music; and the ditty fitted to the device. Acting in song, especially in dialogues, hath an extreme good grace; I say acting, not dancing, (for that is a mean and vulgar thing;) and the voices of the dialogue would be strong and manly, (a base and a tenor, no treble,) and the ditty high and tragical, not nice or dainty. Several quires placed one over against another, and taking the voice by catches anthem-wise, give great pleasure. Turning dances into figure is a childish curiosity; and generally let it be noted, that those things which  I here set down are such as do naturally take the sense, and not respect petty wonderments. It is true, the alterations of scenes, so it be quietly and without noise, are things of great beauty and pleasure; for they feed and relieve the eye before it be full of the same object. Let the scenes abound with light, especially coloured and varied; and let the masquers, or any other that are to come down from the scene, have some motions upon the scene it self before their coining down; for it draws the eye strangely, and makes it with great pleasure to desire to see that it cannot perfectly discern. Let the songs be loud and cheerful, and not chirpings or pulings: let the music likewise be sharp and loud, and well placed. The colours that show best by candle-light, are white, carnation, and a kind of sea-water green and ouches, or spangs, as they are of no great cost, so they are of most glory. As for rich embroidery, it is lost and not discerned. Let the suits of the masquers be graceful, and such as become the person when the vizards are off; not after examples of known attires; Turks, soldiers, mariners, and the like. Let anti-masques not be long; they have been commonly of fools, satyrs, baboons, wild men antics, beasts, spirits, witches, Ethiopes, pigmies turquets, nymphs, rustics, Cupids, statues moving and the like. As for angels, it is not comical enough to put them in anti-masques; and any thing that is hideous, as devils, giants, is, on the other side as unfit; but chiefly, let the music of them be recreative, and with some strange changes. Some sweet odours suddenly coming forth, without any drops falling, are, in such a company as there is steam and heat, things of great pleasure and refreshment. Double masques, one of men another of ladies, addeth state and variety; but all is nothing except the room be kept clean and neat.

For jousts, and tourneys, and barriers, the glories of them are chiefly in the chariots, wherein the challengers make their entry; especially if they be drawn with strange beasts; as lions, bears camels, and the like; or in the devices of their entrance, or in bravery of their liveries, or in the goodly furniture of their horses and armour. But enough of these toys.

L. OF STUDIES.

Studies serve for delight, for ornament and for ability. Their chief use for delight, is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment and disposition of business; for expert men can execute, and perhaps judge of particulars, one by one: but the general counsels, and the plots and marshalling of affairs come best from those that are learned. To spend too much time in studies, is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humour of a scholar: they perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need pruning by study; and studies themselves do give forth directions too much at large, except they be bounded in by experience. Crafty men contemn studies, simple men admire them, and wise men use them; for they teach not their own use; but that is a wisdom without them, and above them, won by observation. Read not to contradict and confute, nor to believe and take for granted, nor to find talk and discourse, but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that would be only in the less important arguments, and the meaner sort of books; else distilled books are, like common distilled waters, flashy things. Reading maketh a full man; conference a ready man; and writing an exact man; and, therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit: and if he read little, he had need have much cunning, to seem to know that he doth not. Histories make men wise; poets witty; the mathematics subtile; natural philosophy deep; moral, grave; logic and rhetoric, able to contend “Abeunt studia in mores;” nay, there is no stond or impediment in the wit, but may be wrought out by fit studies: like as diseases of the body may have appropriate exercises; bowling is good for the stone and reins, shooting for the lungs and breast, gentle walking for the stomach, riding for the head, and the like; so, if a man’s wit be wandering, let him study the mathematics; for in demonstrations, if his wit be called away never so little, he must begin again; if his wit be no apt to distinguish or find differences, let him study the schoolmen, for they are “Cymini sectores;” if he be not apt to beat over matters, and to call upon one thing to prove and illustrate another, let him study the lawyer’s cases: so every defect of the mind may have a special receipt.

Source Text:

Bacon, Francis. Bacon’s Essays and Wisdom of the Ancients . Little, Brown, and Company, 1884, is licensed under no known copyright.

An Open Companion to Early British Literature Copyright © 2019 by Allegra Villarreal is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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Home › History of English Literature › A Brief History of English Literature

A Brief History of English Literature

By NASRULLAH MAMBROL on July 18, 2018 • ( 14 )

OLD ENGLISH LITERATURE

The Old English language or Anglo-Saxon is the earliest form of English. The period is a long one and it is generally considered that Old English was spoken from about A.D. 600 to about 1100. Many of the poems of the period are pagan, in particular Widsith and Beowulf.

The greatest English poem, Beowulf is the first English epic. The author of Beowulf is anonymous. It is a story of a brave young man Beowulf in 3182 lines.  In this epic poem, Beowulf sails to Denmark with a band of warriors to save the King of Denmark, Hrothgar.  Beowulf saves Danish King Hrothgar from a terrible monster called Grendel. The mother of Grendel who sought vengeance for the death of her son was also killed by Beowulf. Beowulf was rewarded and became King. After a prosperous reign of some forty years, Beowulf slays a dragon but in the fight he himself receives a mortal wound and dies. The poem concludes with the funeral ceremonies in honour of the dead hero. Though the poem Beowulf is little interesting to contemporary readers, it is a very important poem in the Old English period because it gives an interesting picture of the life and practices of old days.

The difficulty encountered in reading Old English Literature lies in the fact that the language is very different from that of today. There was no rhyme in Old English poems. Instead they used alliteration.

Besides Beowulf , there are many other Old English poems. Widsith, Genesis A, Genesis B, Exodus, The Wanderer, The Seafarer, Wife’s Lament, Husband’s Message, Christ and Satan, Daniel, Andreas, Guthlac, The Dream of the Rood, The Battle of Maldon etc. are some of the examples.

Two important figures in Old English poetry are Cynewulf and Caedmon. Cynewulf wrote religious poems and the four poems, Juliana, The Fates of the Apostles, Christ and Elene are always credited with him. Caedmon is famous for his Hymn.

Alfred enriched Old English prose with his translations especially Bede’s Ecclesiastical History. Aelfric is another important prose writer during Old English period. He is famous for his Grammar, Homilies and Lives of the Saints. Aelfric’s prose is natural and easy and is very often alliterative.

Middle English Literature

Geoffrey Chaucer Poet Geoffrey Chaucer was born circa 1340 in London, England. In 1357 he became a public servant to Countess Elizabeth of Ulster and continued in that capacity with the British court throughout his lifetime.  The Canterbury Tales became his best known and most acclaimed work. He died in 1400 and was the first to be buried in Westminster Abbey’s Poet’s Corner.

Chaucer’s first major work was ‘The Book of the Duchess’, an elegy for the first wife of his patron John of Gaunt. Other works include ‘Parlement of Foules’, ‘The Legend of Good Women’ and ‘Troilus and Criseyde’. In 1387, he began his most famous work, ‘The Canterbury Tales’, in which a diverse group of people recount stories to pass the time on a pilgrimage to Canterbury.

William Langland ,   (born  c.  1330—died  c.  1400), presumed author of one of the greatest examples of Middle English alliterative poetry, generally known as  Piers Plowman,  an allegorical work with a complex variety of religious themes. One of the major achievements of  Piers Plowman  is that it translates the language and conceptions of the cloister into symbols and images that could be understood by the layman. In general, the language of the poem is simple and colloquial, but some of the author’s imagery is powerful and direct.

PERIODS IN THE DEVELOPMENT OF THE DRAMA

In Europe, as in Greece, the drama had a distinctly religious origin. The first characters were drawn from the New Testament, and the object of the first plays was to make the church service more impressive, or to emphasize moral lessons by showing the reward of the good and the punishment of the evil doer. In the latter days of the Roman Empire the Church found the stage possessed by frightful plays, which debased the morals of a people already fallen too low. Reform seemed impossible; the corrupt drama was driven from the stage, and plays of every kind were forbidden. But mankind loves a spectacle, and soon the Church itself provided a substitute for the forbidden plays in the famous Mysteries and Miracles.

MIRACLE AND MYSTERY PLAYS

In France the name miracle was given to any play representing the lives of the saints, while the mystère represented scenes from the life of Christ or stories from the Old Testament associated with the coming of Messiah. In England this distinction was almost unknown; the name Miracle was used indiscriminately for all plays having their origin in the Bible or in the lives of the saints; and the name Mystery, to distinguish a certain class of plays, was not used until long after the religious drama had passed away.

The earliest Miracle of which we have any record in England is the Ludus de Sancta Katharina, which was performed in Dunstable about the year 1110. It is not known who wrote the original play of St. Catherine, but our first version was prepared by Geoffrey of St. Albans, a French schoolteacher of Dunstable. Whether or not the play was given in English is not known, but it was customary in the earliest plays for the chief actors to speak in Latin or French, to show their importance, while minor and comic parts of the same play were given in English.

For four centuries after this first recorded play the Miracles increased steadily in number and popularity in England. They were given first very simply and impressively in the churches; then, as the actors increased in number and the plays in liveliness, they overflowed to the churchyards; but when fun and hilarity began to predominate even in the most sacred representations, the scandalized priests forbade plays altogether on church grounds. By the year 1300 the Miracles were out of ecclesiastical hands and adopted eagerly by the town guilds; and in the following two centuries we find the Church preaching against the abuse of the religious drama which it had itself introduced, and which at first had served a purely religious purpose. But by this time the Miracles had taken strong hold upon the English people, and they continued to be immensely popular until, in the sixteenth century, they were replaced by the Elizabethan drama.

The early Miracle plays of England were divided into two classes: the first, given at Christmas, included all plays connected with the birth of Christ; the second, at Easter, included the plays relating to his death and triumph. By the beginning of the fourteenth century all these plays were, in various localities, united in single cycles beginning with the Creation and ending with the Final Judgment. The complete cycle was presented every spring, beginning on Corpus Christi day; and as the presentation of so many plays meant a continuous outdoor festival of a week or more, this day was looked forward to as the happiest of the whole year.

Probably every important town in England had its own cycle of plays for its own guilds to perform, but nearly all have been lost. At the present day only four cycles exist (except in the most fragmentary condition), and these, though they furnish an interesting commentary on the times, add very little to our literature. The four cycles are the Chester and York plays, so called from the towns in which they were given; the Towneley or Wakefield plays, named for the Towneley family, which for a long time owned the manuscript; and the Coventry plays, which on doubtful evidence have been associated with the Grey Friars (Franciscans) of Coventry. The Chester cycle has 25 plays, the Wakefield 30, the Coventry 42, and the York 48. It is impossible to fix either the date or the authorship of any of these plays; we only know certainly that they were in great favor from the twelfth to the sixteenth century. The York plays are generally considered to be the best; but those of Wakefield show more humor and variety, and better workmanship. The former cycle especially shows a certain unity resulting from its aim to represent the whole of man’s life from birth to death. The same thing is noticeable in Cursor Mundi , which, with the York and Wakefield cycles, belongs to the fourteenth century.

After these plays were written according to the general outline of the Bible stories, no change was tolerated, the audience insisting, like children at “Punch and Judy,” upon seeing the same things year after year. No originality in plot or treatment was possible, therefore; the only variety was in new songs and jokes, and in the pranks of the devil. Childish as such plays seem to us, they are part of the religious development of all uneducated people. Even now the Persian play of the “Martyrdom of Ali” is celebrated yearly, and the famous “Passion Play,” a true Miracle, is given every ten years at Oberammergau.

THE MORAL PERIOD OF THE DRAMA

The second or moral period of the drama is shown by the increasing prevalence of the Morality plays. In these the characters were allegorical personages,–Life, Death, Repentance, Goodness, Love, Greed, and other virtues and vices. The Moralities may be regarded, therefore, as the dramatic counterpart of the once popular allegorical poetry exemplified by the Romance of the Rose . It did not occur to our first, unknown dramatists to portray men and women as they are until they had first made characters of abstract human qualities. Nevertheless, the Morality marks a distinct advance over the Miracle in that it gave free scope to the imagination for new plots and incidents. In Spain and Portugal these plays, under the name auto , were wonderfully developed by the genius of Calderon and Gil Vicente; but in England the Morality was a dreary kind of performance, like the allegorical poetry which preceded it.

To enliven the audience the devil of the Miracle plays was introduced; and another lively personage called the Vice was the predecessor of our modern clown and jester. His business was to torment the “virtues” by mischievous pranks, and especially to make the devil’s life a burden by beating him with a bladder or a wooden sword at every opportunity. The Morality generally ended in the triumph of virtue, the devil leaping into hell-mouth with Vice on his back.

The best known of the Moralities is “Everyman,” which has recently been revived in England and America. The subject of the play is the summoning of every man by Death; and the moral is that nothing can take away the terror of the inevitable summons but an honest life and the comforts of religion. In its dramatic unity it suggests the pure Greek drama; there is no change of time or scene, and the stage is never empty from the beginning to the end of the performance. Other well-known Moralities are the “Pride of Life,” “Hyckescorner,” and “Castell of Perseverance.” In the latter, man is represented as shut up in a castle garrisoned by the virtues and besieged by the vices.

Like the Miracle plays, most of the old Moralities are of unknown date and origin. Of the known authors of Moralities, two of the best are John Skelton, who wrote “Magnificence,” and probably also “The Necromancer”; and Sir David Lindsay (1490-1555), “the poet of the Scotch Reformation,” whose religious business it was to make rulers uncomfortable by telling them unpleasant truths in the form of poetry. With these men a new element enters into the Moralities. They satirize or denounce abuses of Church and State, and introduce living personages thinly disguised as allegories; so that the stage first becomes a power in shaping events and correcting abuses.

THE INTERLUDES

It is impossible to draw any accurate line of distinction between the Moralities and Interludes. In general we may think of the latter as dramatic scenes, sometimes given by themselves (usually with music and singing) at banquets and entertainments where a little fun was wanted; and again slipped into a Miracle play to enliven the audience after a solemn scene. Thus on the margin of a page of one of the old Chester plays we read, “The boye and pigge when the kinges are gone.” Certainly this was no part of the original scene between Herod and the three kings. So also the quarrel between Noah and his wife is probably a late addition to an old play. The Interludes originated, undoubtedly, in a sense of humor; and to John Heywood (1497?-1580?), a favorite retainer and jester at the court of Mary, is due the credit for raising the Interlude to the distinct dramatic form known as comedy.

Heywood’s Interludes were written between 1520 and 1540. His most famous is “The Four P’s,” a contest of wit between a “Pardoner, a Palmer, a Pedlar and a Poticary.” The characters here strongly suggest those of Chaucer.  Another interesting Interlude is called “The Play of the Weather.” In this Jupiter and the gods assemble to listen to complaints about the weather and to reform abuses. Naturally everybody wants his own kind of weather. The climax is reached by a boy who announces that a boy’s pleasure consists in two things, catching birds and throwing snowballs, and begs for the weather to be such that he can always do both. Jupiter decides that he will do just as he pleases about the weather, and everybody goes home satisfied.

All these early plays were written, for the most part, in a mingling of prose and wretched doggerel, and add nothing to our literature. Their great work was to train actors, to keep alive the dramatic spirit, and to prepare the way for the true drama.

ELIZABEHAN POETRY AND PROSE

After the death of Geoffrey Chaucer in 1400, a century has gone without great literary outputs. This period is known as Barren Age of literature.

Even though there are many differences in their work, Sir Thomas Wyatt and the Earl of Surrey are often mentioned together. Sir Thomas Wyatt introduced the Sonnet in England whereas Surrey wrote the first blank verse in English.

Thomas Wyatt followed the Italian poet Petrarch to compose sonnets. In this form, the 14 lines rhyme abbaabba (8) + 2 or 3 rhymes in the last six lines.

The Earl of Surrey’s blank verse is remarkable. Christopher Marlow, Shakespeare, Milton and many other writers made use of it.

Tottel’s Songs and Sonnets (1557) is the first printed anthology of English poetry. It contained 40 poems by Surrey and 96 by Wyatt. There were 135 by other authors. Some of these poems were fine, some childish.

In 1609, a collection of Shakespeare’s 154 sonnets was printed. These sonnets were addressed to one “Mr. W.H.”. The most probable explanation of the identity of “W.H.” is that he was William Herbert, Earl of Pembroke.

Other people mentioned in the sonnets are a girl, a rival poet, and a dark-eyed beauty.  Shakespeare’s two long poems, Venus and Adonis, The Rape of Lucrece are notable.

One of the most important poets of Elizabethan period is Edmund Spenser (1552-1599). He has been addressed “the poets’ poet”. His pastoral poem, The Shepeard’s Calendar (1579) is in 12 books, one for each month of the year. Spenser’s Amoretti, 88 Petrarchan sonnets clebrates his progress of love. The joy of his marriage with Elizabeth Boyle is expressed in his ode Epithalamion. His Prothalamion is written in honour of the double marriage of the daughters of the Earl of Worester. Spenser’s allegorical poem, The Faerie Queene is his greatest achievement.  Spenser invented a special metre for The Faerie Queene . The verse has nine lines and the rhyme plan is ababbcbcc. This verse is known as the ‘Spenserian Stanza’.

Sir Philip Sidney is remembered for his prose romance, Arcadia . His critical essay Apology for Poetry, sonnet collection Astrophel and Stella are elegant.

Michael Drayton and Sir Walter Raleigh are other important poets of Elizabethan England. Famous Elizabethan dramatist Ben Jonson produced fine poems also.

The University Wits John Lyly, Thomas Kyd, George Peele, Thomas Lodge, Robert Green, Christopher Marlow, and Thomas Nash also wrote good number of poems. John Lyly is most widely known as the author of prose romance entitled Euphues. The style Lyly used in his Euphues is known as Euphuism. The sentences are long and complicated. It is filled with tricks and alliteration. Large number of similes are brought in.

John Donne’s works add the beauty of Elizabethan literature. He was the chief figure of Metaphysical Poetry. Donne’s poems are noted for its originality and striking images and conceits. Satires, Songs and Sonnets, Elegies, The Flea, A Valediction: forbidding mourning, A Valediction: of weeping etc. are his famous works.

Sir Francis Bacon is a versatile genius of Elizabethan England. He is considered as the father of English essays. His Essays first appeared in 1597, the second edition in 1612 and the third edition in 1625. Besides essays, he wrote The Advancement of Learning, New Atlantis and History of Henry VII.

Bacon’s popular essays are Of Truth, Of Friendship, Of Love, Of Travel, Of Parents and Children, Of Marriage and Single Life, Of Anger, Of Revenge, Of Death, etc.

Ben Jonson’s essays are compiled in The Timber or Discoveries. His essays are aphoristic like those of Bacon. Jonson is considered as the father of English literary criticism.

Many attempts were carried out to translate Bible into English. After the death of John Wycliff, William Tyndale tried on this project. Coverdale carried on the work of Tyndale. The Authorized Version of Bible was published in 1611.

ELIZABETHAN DRAMA

The English dramas have gone through great transformation in Elizabethan period. The chief literary glory of the Elizabethan age was its drama. The first regular English comedy was Ralph Roister Doister written by Nicholas Udall. Another comedy Gammar Gurton’s Needle is about the loss and the finding of a needle with which the old woman Gammar Gurton mends clothes.

The first English tragedy was Gorboduc , in blank verse. The first three acts of Gorboduc writtern by Thomas Norton and the other two by Thomas Sackville.

The University Wits contributed hugely for the growth of Elizabethan drama. The University Wits were young men associated with Oxford and Cambridge. They were fond of heroic themes. The most notable figures are Christopher Marlow, Thomas Kyd, Thomas Nash, Thomas Lodge, Robert Greene, and George Peele.

Christopher Marlow was the greatest of pre-Shakespearean dramatist. Marlow wrote only tragedies. His most famous works are  Edward II, Tamburlaine the Great, The Jew of Malta, The Massacre at Paris, and Doctor Faustus. Marlow popularized the blank verse. Ben Jonson called it “the mighty line of Marlow”.

Thomas Kyd’s The Spanish Tragedy is a Senecan play. It resembles Shakespeare’s Hamlet. Its horrific plot gave the play a great and lasting popularity.

The greatest literary figure of English, William Shakespeare was born at Stratford-on-Avon on April 26, 1564. He did odd jobs and left to London for a career. In London, he wrote plays for Lord Chamberlain’s company. Shakespeare’s plays can be classified as the following

1.The Early Comedies: in these immature plays the plots are not original. The characters are less finished and the style lacks the genius of Shakespeare. They are full of wit and word play. Of this type are The Comedy of Errors, Love’s Labour’s Lost, and The Two Gentlemen of Verona.

2.The English Histories: These plays show a rapid maturing of Shakespeare’s technique. His characterization has improved. The plays in this group are Richard II, Henry IV and Henry V.

3. The Mature Comedies: The jovial good humour of Sir Toby Belch in Twelfth Night, the urban worldywise comedy of Touchstone in As You Like It, and the comic scenes in The Merchant of Venice, Much Ado About Nothing etc. are full of vitality. They contain many comic situations.

4.The  Sombre Plays: In this group are All’s Well that Ends Well, Measure for Measure, and Trolius and Cressida . These plays show a cynical attitude to life and are realistic in plot.

5. The Great Tragedies : Hamlet, Othello, Macbeth , and King Lear are the climax of Shakespeare’s art. These plays stand supreme in intensity of emotion, depth of psychological insight, and power of style.

6. The Roman Plays: Julius Caesar, Antony and Cleopatra, Coriolanus etc. follow the great tragic period. Unlike Marlow, Shakespeare is relaxed in the intensity of tragedy.

7. The Last Plays: The notable last plays of Shakespeare are Cymbeline, The Winter’s Tale, and The Tempest.

The immense power and variety of Shakespeare’s work have led to the idea that one man cannot have written it all; yet it must be true that one man did. Thus Shakespeare remains as the greatest English dramatist even after four centuries of his death.

Other dramatist who flourished during the Elizabethan period is Ben Jonson. He introduced the “comedy of humours’’, which portrays the individual as dominated by one marked characteristic. He is best known for his Every Man  in his Humour. Other important plays of Jonson are Every Man out of his Humour, Volpone or the Fox, and The Alchemist,

John Webster’s The White Devil and The Duchess of Malfi are important Elizabethan dramas. Thomas Dekker, Thomas Middleton, Thomas Heywood, Beaumont and Fletcher etc. are other noted Elizabethan playwrights.  

John Milton and His Time

John Milton (1608- 1674) was born in London and educated at Christ’s College, Cambridge. After leaving university, he studied at home. Milton was a great poet, polemic, pamphleteer, theologian, and parliamentarian. In 1643, Milton married a woman much younger than himself. She left Milton and did not return for two years. This unfortunate incident led Milton to write two strong pamphlets on divorce. The greatest of all his political writings is Areopagitica, a notable and impassioned plea for the liberty of the press.

Milton’s early poems include On Shakespeare, and On Arriving at the Age of Twenty-three. L’Allegro( the happy man and Il Penseroso (the sad man) two long narrative poems.  Comus is a masque written by Milton when he was at Cambridge.

His pastoral elegy Lycidas is on his friend, Edward King who drowned to death on a voyage to Ireland. Milton’s one of the sonnets deals with the theme of his blindness.

Milton is remembered for his greatest epic poem Paradise Lost. Paradise Lost contained twelve books and published in 1677. Milton composed it in blank verse. Paradise Lost covers the rebellion of Satan(Lucifer) in heaven and his expulsion. Paradise Lost contains hundreds of remarkable lines. Milton coined many words in this poem.

Paradise Regained and Samson Agonistes are other two major poems of Milton.

Milton occupies a central position in English literature. He was a great Puritan and supported Oliver Cromwell in the Civil War. He wrote many pamphlet in support of parliament.

LYRIC POETS DURING MILTON’S PERIOD (THE CAVALIER POETS)

Milton’s period produced immense lyric poetry. These lyrical poets dealt chiefly with love and war.

Richard Lovelace’s Lucasta contains the best of his shorter pieces. His best known lyrics, such as To Althea, from Prison and To Lucasta, going in the Wars, are simple and sincere.

Sir John Suckling was a famous wit at court. His poems are generous and witty. His famous poem is  Ballad upon a Wedding.

Robert Herrick wrote some fresh and passionate lyrics. Among his best known shorter poems are To Althea, To Julia, and Cherry Ripe.

Philip Massinger and John Ford produced some notable in this period.

Many prose writers flourished during Milton’s age. Sir Thomas Browne is the best prose writer of the period. His ReligioMedici is a curious mixture of religious faith and scientific skepticism. Pseudodoxia Epidemica, or Vulgar Errors is another important work.

Thomas Hobbes’s Leviathan, Thomas Fuller’s The History of the Holy War are other important prose works during this period. Izaac Walton’s biography of John Donne is a very famous work of Milton’s period. His Compleat Angler discusses the art of river fishing.

RESTORATION DRAMA AND PROSE

The Restoration of Charles II (1660) brought about a revolution in English literature. With the collapse of the Puritan Government there sprang up activities that had been so long suppressed. The Restoration encouraged levity in rules that often resulted in immoral and indecent plays.

John Dryden (1631-1700)

Dryden is the greatest literary figure of the Restoration. In his works, we have an excellent reflection of both the good and the bad tendencies of the age in which he lived. Before the Restoration, Dryden supported Oliver Cromwell. At the Restoration, Dryden changed his views and became loyal to Charles II. His poem Astrea Redux (1660) celebrated Charles II’s return.

Dryden’s Annus Mirabilis( Miracle Year) describes the terrors of Great Fire in London in 1666. Dryden appeared as the chief literary champion of the monarchy in his famous satirical allegory, Abasalom and Achitophel. John Dryden is now remembered for his greatest mock-heroic poem, Mac Flecknoe. Mac Flecknoe is a personal attack on his rival poet Thomas Shadwell.

Dryden’s other important poems are Religio Laici, and The Hind and the Panther.

John Dryden popularized heroic couplets in his dramas. Aurengaxebe, The Rival Ladies, The Conquest of Granada, Don Sebastian etc. are some of his famous plays.

His dramatic masterpiece is All for Love. Dryden polished the plot of Shakespeare’s Antony and Cleopatra in his All for Love.

As a prose writer, Dryden’s work, An Essay on Dramatic Poesie is worth mentioning.

John Bunyan’s greatest allegory, The Pilgrim’s Progress, The Holy War, 

Comedy of Manners

Restoration period produced a brilliant group of dramatists who made this age immortal in the history of English literature. These plays are hard and witty, comic and immoral. It was George Etheredge who introduced Comedy of Manners. His famous plays are She Would if She Could, The Man of Mode and Love in a Tub.

William Congreve is the greatest of Restoration comedy writers. His Love for Love, The Old Bachelor, The Way of the World and The Double Dealer are very popular.

William Wycherley is another important Restoration comedy playwright. His Country Wife, and Love in a Wood are notable plays.

Sir John Vanbrugh’s best three comedies are The Provoked Wife, The Relapse and The Confederacy.

ENGLISH POETS, 1660-1798

ALEXANDER POPE (1688-1744)

Alexander Pope was the undisputed master of both prose and verse. Pope wrote many poems and mock-epics attacking his rival poets and social condition of England. His Dunciad is an attack on dullness. He wrote An Essay on Criticism ( 1711) in heroic couplets. In 1712, Pope pubished The Rape of the Lock,  one of the most brilliant poems in English language. It is a mock-heroic poem dealing with the fight of two noble families.

An Essay on Man, Of the Characters of Women, and the translation of Illiad and Odyssey are his other major works.

Oliver Goldsmith wrote two popular poems in heroic couplets. They are The Traveller and The Deserted Village.

James Thompson is remembered for his long series of descriptive passages dealing with natural scenes in his poem The Seasons. He wrote another important poem The Castle of Indolence.

Edward Young produced a large amount of literary work of variable quality. The Last Day, The Love of Fame, and The Force of Religion are some of them.

Robert Blair ’s fame is chiefly dependent on his poem The Grave. It is a long blank verse poem of meditation on man’s morality.

Thomas Gray (1716-1771) is one of the greatest poets of English literature. His first poem was the Ode on a Distant Prospect of Eton College. Then after years of revision, he published his famous Elegy Written in a Country Churchyard. Its popularity had been maintained to the present day. Other important poems of Thomas Gray are Ode on a Favourite Cat, The Bard and The Progress of Poesy.

William Blake (1757-1827) is both a great poet and artist. His two collections of short lyrics are Songs of Innocence and Songs of Experience. His finest lyric is The Tiger.

Robert Burns is known as the national poet of Scotland. A Winter Night, O My Love is like a Red Red Rose, The Holy Fair etc. are some of his major poems.

William Cowper, William Collins, and William Shenstone are other notable poets before the Romanticism.

EIGHTEENTH CENTURY PROSE

DANIEL DEFOE (1659-1731)

Daniel Defoe wrote in bulk. His greatest work is the novel Robinson Crusoe. It is based on an actual event which took place during his time. Robinson Crusoe is considered to be one of the most popular novels in English language. He started a journal named The Review. His A Journal of the Plague Year deals with the Plague in London in 1665.

Sir Richard Steele and Joseph Addison worked together for many years. Richard Steele started the periodicals The Tatler, The Spectator, The Guardian, The English Man, and The Reader. Joseph Addison contributed in these periodicals and wrote columns. The imaginary character of Sir Roger de Coverley was very popular during the eighteenth century.

Jonathan Swift (1667-1745) is one of the greatest satirists of English literature. His first noteworthy book was The Battle of the Books . A Tale of a Tub is a religious allegory like Bunyan’s Pilgrim’s Progress. His longest and most famous work is Gulliver’s Travels. Another important work of Jonathan Swift is A Modest Proposal.

Dr. Samuel Johnson (1709-1784) is very much famous for his Dictionary (1755). The Vanity of Human Wishes is a longish poem by him. Johnson started a paper named The Rambler. His The Lives of the Poets introduces fifty-two poets including Donne, Dryden, Pope, Milton, and Gray. Most of the information about Johnson is taken from his friend James Boswell’s biography Life of Samuel Johnson.

Edward Gibbon is famous for the great historical work, The Decline and Fall of the Roman Empire. His Autobiography contains valuable material concerning his life.

Edmund Burke is one of the masters of English prose. He was a great orator also. His speech On American Taxation is very famous.  Revolution in France and A Letter to a Noble Lord are his notable pamphlets.

The letters of Lady Mary Wortley Montagu, Earl of Chesterfield, Thomas Gray and Cowper are good prose works in Eighteenth century literature.

The Birth of English Novel

The English novel proper was born about the middle of the eighteenth century. Samuel Richardson (1689-1761) is considered as the father of English novel. He published his first novel Pamela, or Virtue Rewarded in 1740. This novel is written in the form of letters. Thus Pamela is an ‘epistolary novel’. The character Pamela is a poor and virtuous woman who marries a wicked man and afterwards reforms her husband. Richardson’s next novel Clarissa Harlowe was also constructed in the form of letters. Many critics consider Clarissa as Richardson’s masterpiece. Clarissa is the beautiful daughter of a severe father who wants her to marry against her will. Clarissa is a very long novel.

Henry Fielding (1707-1754) is another important novelist. He published Joseph Andrews in 1742. Joseph Andrews laughs at Samuel Richardson’s Pamela. His greatest novel is Tom Jones . Henry Fielding’s last novel is Amelia.

Tobias Smollett wrote a ‘picaresque novel’ titled The Adventures of Roderick Random. His other novels are The Adventures of Ferdinand and Humphry Clinker.

Laurence Sterne is now remembered for his masterpiece Tristram Shandy which was published in 1760. Another important work of Laurence Sterne is A Sentimental journey through France and Italy. These novels are unique in English literature. Sterne blends humour and pathos in his works.

Horace Walpole is famous both as a letter writer and novelist. His one and only novel The Castle of Otranto deals with the horrific and supernatural theme.

Other ‘terror novelists’ include William Beckford and Mrs Ann Radcliffe.

EARLY NINTEENTH CENTURY POETS (THE ROMANTICS)

The main stream of poetry in the eighteenth century had been orderly and polished, without much feeling for nature. The publication of the first edition of the Lyrical Ballads in 1798 came as a shock. The publication of Lyrical Ballads by William Wordsworth and Samuel Taylor Coleridge was the beginning of the romantic age. They together with Southey are known as the Lake Poets, because they liked the Lake district in England and lived in it.

William Wordsworth ((1770-1850) was the poet of nature. In the preface to the second edition of the Lyrical Ballads, Wordsworth set out his theory of poetry. He defined poetry as “the spontaneous overflow of powerful feelings and emotions”. His views on poetical style are the most revolutionary.

In his early career as a poet, Wordsworth wrote poems like An Evening Walk and Descriptive Sketches. The Prelude is the record of his development as a poet. It is a philosophical poem. He wrote some of the best lyric poems in the English language like The Solitary Reaper, I Wandered Lonely as a Cloud, Ode on the Itimations of Immorality, Resolution and Independence etc. Tintern Abbey is one of the greatest poems of Wordsworth.

Samuel Tylor Coleridge (1772-1814) wrote four poems for The Lyrical Ballads. The Rime of the Ancient Mariner is the most noteworthy. Kubla Khan, Christabel, Dejection an Ode, Frost at Midnight etc. are other important poems. Biographia Literaria is his most valuable prose work. Coleridge’s lectures on Shakespeare are equally important.

Lord Byron’s Childe Harold’s Pilgrimage was based on his travels. Don Juan ranks as one of the greatest of satirical poems. The Vision of Judgment is a fine political satire in English.

PB Shelley (1792-1822) was a revolutionary figure of Romantic period. When Shelley was studying at Oxford, he wrote the pamphlet The Necessity of Atheism which caused his expulsion from the university. Queen Mab, The Revolt of Islam and Alastor are his early poems. Prometheus Unbound is a combination of the lyric and the drama. Shelley wrote some of the sweetest English lyrics like To a Skylark, The Cloud, To Night etc. Of his many odes, the most remarkable is  Ode to the West Wind. Adonais is an elegy on the death of John Keats.

John Keats (1795-1821) is another great Romantic poet who wrote some excellent poems in his short period of life. His Isabella deals with the murder of a lady’s lover by her two wicked brothers. The unfinished epic poem Hyperion is modelled on Milton’s Paradise Lost. The Eve of St Agnes is regarded as his finest narrative poem. The story of Lamia is taken from Burton’s Anatomy of Melancholy. Endymion, Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, Ode on Melancholy and Ode to Autumn are very famous . His Letters give give a clear insight into his mind and artistic development.

Robert Southey is a minor Romantic poet. His poems, which are of great bulk, include Joan of Arc, Thalaba, and The Holly-tree. 4

LATER NINETEENTH CENTURY POETS (Victorian Poets)

Alfred Lord Tennyson (1809-92) is a chief figure of later nineteenth century poetry. His volume of Poems contain notable poems like The Lady of Shalott, The Lotos-Eaters, Ulysses, Morte d’ Arthur. The story of Morte d’ Arthur is based on Thomas Malory’s poem Morte d’ Arthur. In Memoriam(1850) caused a great stir when it first appeared. It is a very long series of meditations upon the death of Arthur Henry Hallam, Tennyson’s college friend, who died at Vienna in 1833. In Memoriam is the most deeply emotional, and probably the greatest poetry he ever produced. Maud and Other Poems was received with amazement by the public. Idylls of the King, Enoch Arden, Harold etc. are his other works.

Robert Browning (1812-89) is an English poet and playwright whose mastery of dramatic monologues made him one of the foremost Victorian poets.  He popularized ‘dramatic monologue’. The Ring and the Book  is an epic-length poem in which he justifies the ways of God to humanity  Browning is popularly known by his shorter poems, such as  Porphyria’s Lover ,  Rabbi Ben Ezra ,  How They Brought the Good News from Ghent to Aix , and  The Pied Piper of Hamelin . He married Elizabeth Barrett, another famous poet during the Victorian period. Fra Lippo Lippi Andrea Del Sarto and My Last Duchess are famous dramatic monologues.

Matthew Arnold  (1822-1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School. Arnold is sometimes called the third great Victorian poet, along with Alfred Lord Tennyson and Robert Browning. Arnold valued natural scenery for its peace and permanence in contrast with the ceaseless change of human things. His descriptions are often picturesque, and marked by striking similes. Thyrsis, Dover Beach and The Scholar Gipsy are his notable poems.

Dante Gabriel Rossetti was an English poet, illustrator, painter and translator in the late nineteenth century England. Rossotti’s poems were criticized as belonging to the ‘Fleshy School’ of poetry. Rossetti wrote about nature with his eyes on it.

Elizabeth Barrett Browning, wife of Robert Browning wrote some excellent poems in her volume of Sonnets from the Portuguese.

AC Swinburne followed the style of Dante Gabriel Rossetti. Swinburne’s famous poems works are Poems and Ballads and tristram of Lyonesse.

Edward Fitzgerald translated the Rubaiyat of the Persian poet Omar Khayyam. Fitzgerald’s translation is loose and did not stick too closely to the original.

Rudyard Kipling and Francis Thompson also wrote some good poems during the later nineteenth century.

Nineteenth Century Novelists  (Victorian Novelists)

Jane Austen 1775-1817 is one of the greatest novelists of nineteenth century English literature. Her first novel Pride and Prejudice (1813) deals with the life of middle class people. The style is smooth and charming. Her second novel Sense and Sensibility followed the same general lines of Pride and Prejudice. Northanger Abbey, Emma, Mansfield Park, and Persuasion are some of the other famous works. Jane Austen’s plots are skillfully constructed. Her characters are developed with minuteness and accuracy.

Charles Dickens (1812-1870) is considered as one of the greatest English novelists. Dickens has contributed some evergreen characters to English literature. He was a busy successful novelist during his lifetime. The Pickwick Papers and Sketches by Boz are two early novels. Oliver Twist, Nicholas Nickleby , David Copperfield, Hard Times, A Tale of Two Cities and Great Expectations are some of the most famous novels of Charles Dickens. No English novelists excel Dickens in the multiplicity of his characters and situations. He creates a whole world people for the readers. He sketched both lower and middle class people in London.

William Makepeace Thackeray was born in Calcutta and sent to England for education. William Thackeray is now chiefly remembered for his novel The Vanity Fair. While Dickens was in full tide of his success, Thackeray was struggling through neglect and contempt to recognition. Thackeray’s genius blossomed slowly. Thackeray’s characters are fearless and rough. He protested against the feeble characters of his time. The Rose and the Ring, Rebecca and Rowena, and The Four Georges are some of his works.

The Bront ë s Charlotte, Emily, and Anne were the daughters of an Irish clergy man Patrick Bront ë, who held a living in Yorkshire. Charlotte Bront ë ’ s first novel, The Professor failed to find a publisher and only appeared after her death. Jane Eyre is her greatest novel. the plot is weak and melodramatic. This was followed by Shirley and Villette. Her plots are overcharged and she is largely restricted to her own experiments.

Emily Brontë wrote less than Charlottë. Her one and only novel Wuthering Heights (1847) is unique in English literature. It is the passionate love story of Heathcliff and Catherine.

Anne Bronte ’s two novels, Agnes Grey and The Tenant of Wildfell Hall are much inferior to those of her sisters, for she lacks nearly all their power and intensity.

George Eliot (1819-1880) is the pen-name of Mary Ann Evans. Adam Bede was her first novel. Her next novel, The Mill on the Floss is partly autobiographical. Silas Marner is a shorter novel which gives excellent pictures of village life. Romola, Middle March and Daniel Deronda are other works of George Eliot.

Thomas Hardy (1840-1928) published his first work Desperate Remedies anonymously. Under the Greenwood Tree, one of the lightest and most appealing of his novels established him as a writer. It was set in the rural area he was soon to make famous as Wessex. Far From the Madding Crowd is a tragi-comedy set in Wessex. The rural background of the story is an integral part of the novel, which reveals the emotional depths which underlie rustic life. The novel, The Return of the Native is a study of man’s helplessness before the mighty Fate. The Mayor of Casterbridge also deals with the theme of Man versus Destiny. Tess of the D’Urbervilles and Jude the Obscure aroused the hostility of conventional readers due to their frank handling of sex and religion. At the beginning Tess of the D’Urbervilles was rejected by the publishers. The outcry with the publication of Jude the Obscure led Hardy in disgust to abandon novel writing. Thomas Hardy’s characters are mostly men and women living close to the soil.

Mary Shelley , the wife of Romantic poet PB Shelley is now remembered as a writer of her famous novel of terror, Frankestein. Frankestein can be regarded as the first attempt at science fiction. The Last Man is Mary Shelley’s another work.

Edgar Allan Poe was a master of Mystery stories. Poe’s powerful description of astonishing and unusual events has the attraction of terrible things. Some of his major works are The Mystery of Marie Roget, The Murders in the Rue Morgue, The Fall of the House of Usher and The Mystery of Red Death.

Besides poetry collections like The Lady of the Last Ministrel, Marmion, The Lady of the Lake, and The Lord of the Isles, Sir Walter Scott produced enormous number of novels. Waverly, Old Mortality, The Black Dwarf, The Pirate, and Kenilworth are some of them. He was too haste in writing novels and this led to the careless, imperfect stories. He has a great place in the field of historical novels.

Frederick Marryat ’s sea novels were popular in the nineteenth century. His earliest novel was The Naval Officer. All his best books deal with the sea. Marryat has a considerable gift for plain narrative and his humour is entertaining. Peter Simple, Jacob Faithful and Japhet in Search of His Father are some of his famous works.

R.L. Stevenson ’s The Tr easure Island, George Meredith ’s The Egoist, Edward Lytton ’s The Last Days of Pompeii, Charles Reade ’s Mask and Faces, Anthony Trollope ’s The Warden, Wilkie Collins ’s The Moonstone, Joseph Conard ’s Lord Jim, Nathaniel Hawthrone ’s The Scarlet Letter etc. are some of other famous works of nineteenth century English literature.

Other Nineteenth Century Prose

Charles Lamb is one of the greatest essayists of nineteenth century. Lamb started his career as a poet but is now remembered for his well-known Essays of Elia. His essays are unequal in English. He is so sensitive and so strong. Besides Essays of Elia, other famous essays are Dream Children and Tales from Shakespeare. His sister, Mary Lamb also wrote some significant essays.

William Hazlitt ’s reputation chiefly  rests on his lectures and essays on literary and general subjects. His lectures, Characters of Shakespeare’s Plays, The English Poets and The English Comic Writers are important.

Thomas De Quincey ’s famous work is Confessions of an English Opium Eater. It is written in the manner of dreams. His Reminiscences of the English Lake Poets contain some good chapters on Wordsworth and Coleridge.

Thomas Carlyle is another prose writer of nineteenth century. His works consisted of translations, essays, and biographies. Of these the best are his translation of Goethe’s Wilhelm Meister’s Apprenticeship, his The Life of Schiller, and his essays on Robert Burns and Walter Scott.

Thomas Macaulay (Lord Macaulay) wrote extensively. He contributed for The Encyclopedia of Britannica and The Edinburgh Review. His History of England is filled with numerous and picturesque details.

Charles Darwin is one of the greatest names in modern science. He devoted almost wholly to biological and allied studies. His chief works are The Voyage of the Beagle, Origin of Species, and The Descent of Man.

John Ruskin ’s works are of immense volume and complexity. His longest book is Modern Painters. The Seven Lamps of Architecture, and The Stones of Venice expound his views on artistic matters. Unto this Last is a series of articles on political economy.

Samuel Butler , the grandson of Dr. Samuel Butler was inspired by the Darwinian theory of evolution. Evolution Old and New, Unconcious Memory, Essays on Life, Art and Science, The Way of All Flesh etc. rank him as one of the greatest prose writers of ninteenth century. He was an acute and original thinker. He exposed all kinds of reliogious, political, and social shams and hypocrisies of his period.

Besides being a great poet, Mathew Arnold also excelled as an essayist. His prose works are large in bulk and wide in range. Of them all his critical essays are probably of the greatest value. Essays in Criticism, Culture and Anarchy, and Literature and Dogma have permanent value.

Lewis Carroll , another prose writer of ninteenth century is now remembered for her immortal work, Alice’s Adventures in Wonderland. Ever since its publication, this novel continues to be popular among both the children and adult readers.

Chapter 13 Twentieth-century novels and other prose

The long reign of Queen Victoria ended in 1901. There was a sweeping social reform and unprecedented progress. The reawakening of a social conscience was found its expression in the literature produced during this period.

Rudyard Kipling was born in Bombay but soon moved to Lahore. He worked as a news reporter in Lahore. Kipling was a prolific and versatile writer. His insistent proclamation of the superiority of the white races, his support for colonization, his belief in the progress and the value of the machine etc. found an echo on the hearts of many of his readers. His best-known prose works include Kim, Life’s Handicap, Debits and Credits, and Rewards and Fairies. He is now chiefly remembered for his greatest work, The Jungle Book.

E.M Forster wrote five novels in his life time. Where Angels Fear to Tread has well-drawn characters. Other novels are The Longest Journey, A Room with a View, Howards End, and A Passage to India. A Passage to India is unequal in English in its presentation of the complex problems which were to be found in the relationship between English and native people in India. E.M Forster portrayed the Indian scene in all its magic and all its wretchedness.

H.G Wells began his career as a journalist. He started his scientific romances with the publication of The Time Machine. The Invisible Man, The War of the Worlds, The First Men in the Moon and The Food of the Gods are some of his important science romances. Ann Veronica, Kipps and The History of Mr Polly are numbered among his sociological novels.

D.H Lawrence was a striking figure in the twentieth century literary world. He produced over forty volumes of fiction during his period. The White Peacock is his earliest novel. The largely autobiographical and extremely powerful novel was Sons and Lovers. It studies with great insight the relationship between a son and mother. By many, it is considered the best of all his works. Then came The Rainbow, suppressed as obscene, which treats again the conflict between man and woman. Women in Love is another important work. Lady Chatterley’s Lover is a novel in which sexual experience is handled with a wealth of physical detail and uninhibited language.  Lawrence also excelled both as a poet and short story writer.

James Joyce is a serious novelist, whose concern is chiefly with human relationships- man in relation to himself, to society, and to the whole race. He was born in Dublin, Ireland. His first work, Dubliners, is followed by a largely autobiographical novel A Portrait of the Artist as a Young Man. It is an intense account of a developing writer. The protagonist of the story, Stephen Dedalus is James Joyce himself. The character Stephen Dedalus appears again in his highly complex novel, Ulysses published in 1922. Joyce’s mastery of language, his integrity, brilliance, and power is noticeable in his novel titled Finnefan’s Wake.

Virginia Woolf famed both as a literary critic and novelist. Her first novel, The Voyage Out is told in the conventional narrative manner. A deeper study of characters can be found in her later works such as Night and Day, Jacob’s Room, To the Lighthouse, Mrs. Dalloway and Orlando. In addition to her novels, Virginia Woolf wrote a number of essays on cultural subjects. Woolf rejected the conventional concepts of novel. She replaced emphasis on incident, external description, and straight forward narration by using the technique “ Stream of Consciousness ”. James Joyce and Virginia Woolf popularized this writing technique.

George Orwell became a figure of outstanding importance because of Animal Farm. It is a political allegory on the degeneration of communist ideals into dictatorship. Utterly different was Nineteen Eighty-Four on the surveillance of state over its citizen. Burmese Days and The Road to Wigan Pier are other works.

William Golding deals with man’s instinct to destroy what is good, whether it is material or spiritual.  His best known novel is Lord of the Flies . The Scorpion God, The Inheritors and Free Fall are other notable works.

Somerset Maugham was a realist who sketched the cosmopolitan life through his characters. The Moon and Sixpence, Mrs. Craddock and The Painted Veil are some of his novels. His best novel is Of Human Bondage. It is a study in frustration, which had a strong autobiographical element.

Kingsly Amis ’s Lucky Jim, Take a Girl like You, One Fat Englishman , and Girl are notable works in the twentieth century.

Twentieth Century Drama

After a hundred years of insignificance, drama again appeared as an important form in the twentieth century. Like the novelists in the 20 th century, most of the important dramatists were chiefly concerned with the contemporary social scene. Many playwrights experimented in the theatres. There were revolutionary changes in both the theme and presentation.

John Galsworthy was a social reformer who showed both sides of the problems in his plays. He had a warm sympathy for the victims of social injustice. Of his best-known plays The Silver Box deals with the inequality of justice, Strife with the struggle between Capital and Labour, Justice with the meaninglessness of judiciary system.

George Bernard Shaw is one of the greatest dramatists of 20 th century. The first Shavian play is considered to be Arms and the Man. It is an excellent and amusing stage piece which pokes fun at the romantic conception of the soldier. The Devil’s Disciple, Caesar and Cleopatra, and The Man of Destiny are also noteworthy. Man and Superman is Shaw’s most important play which deals the theme half seriously and half comically. Religion and social problems are again the main topics in Major Barbara. The Doctor’s Dilemma is an amusing satire. Social conventions and social weaknesses were treated again in Pygmalion , a witty and highly entertaining study of the class distinction. St Joan deals with the problems in Christianity. The Apple Cart, Geneva, The Millionaire, Too True to be Good and On the Rocks are Shaw’s minor plays.

J M Synge was the greatest dramatist in the rebirth of the Irish theatre. His plays are few in number but they are of a stature to place him among the greatest playwrights in the English language. Synge was inspired by the beauty of his surroundings, the humour, tragedy, and poetry of the life of the simple fisher-folk in the Isles of Aran. The Shadow of the Glen is a comedy based on an old folktale, which gives a good romantic picture of Irish peasant life. It was followed by Riders to the Sea, a powerful, deeply moving tragedy which deals with the toll taken by the sea in the lives of the fisher-folk of the Ireland. The Winker’s Wedding and The Well of the Saints are other notable works.

Samuel Beckett, the greatest proponent of Absurd Theatre is most famous for his play, Waiting for Godot. It is a static representation without structure or development, using only meandering, seemingly incoherent dialogue to suggest despair of a society in the post-World War period. Another famous play by Beckett is Endgame.

Harold Pinter was influenced by Samuel Beckett. His plays are quite short and set in an enclosed space. His characters are always in doubt about their function, and in fear of something or someone ‘outside’. The Birthday Party, The Dumb Waiter, A Night Out, The Homecoming and Silence are his most notable plays.

James Osborne’ s Look Back in Anger gave the strongest tonic to the concept of Angry Young Man . Watch it Come Down, A Portrait of Me, Inadmissible Evidence etc. are his other major works.

T.S Eliot wrote seven dramas. They are Sweeney Agonistes, The Rock, Murder in the Cathedral, The Family Reunion, The Cocktail Party, The Confidential Clerk and The Elder Statesman.

Juno and the Paycock, The Plough and the Stars, and The Silver Tassie marked Sean O’Casey out as the greatest new figure in the inter-War years. His own experience enabled him to study the life of the Dublin slums with the warm understanding.

Another leading playwright of 20 th century was Arnold Wesker. Wesker narrated the lives of working class people in his plays. Roots, Chicken Soup with Barley and I’m Talking about Jerusalem are his famous works.

Bertolt Brecht, J.B Priestley, Somerset Maugham, Christopher Fry, Peter Usinov, Tom Stoppard, Bernard Kops, Henry Livings, Alan Bennett et al are other important playwrights of twentieth century English literature.

Chapter 15 Twentieth Century Poetry

The greatest figure in the poetry of the early part of the Twentieth century was the Irish poet William Butler Yeats. Like so many of his contemporaries, Yeats was acutely conscious of the spiritual barrenness of his age. W.B Yeats sought to escape into the land of ‘faery’ and looked for his themes in Irish legend. He is one of the most difficult of modern poets. His trust was in the imagination and intuition of man rather than in scientific reasoning. Yeats believed in fairies, magic, and other forms of superstition. He studied Indian philosophy and Vedas. An Irish Seaman Foresees His Death, The Tower, The Green Helmet etc. are his major poems.

With possible excepion of Yeats, no twentieth century poet has been held in such esteem by his fellow-poets as T.S Eliot. Eliot’s first volume of verse, Prufrock and Other Observations portrays the boredom, emptiness, and pessimism of its days. His much discussed poem The Waste Land(1922) made a tremendous impact on the post-War generation, and it is considered one of the important documents of its age. The poem is difficult to understand in detail, but its general aim is clear. The poem is built round the symbols of drought and flood, representing death and rebirth. The poem progresses in five movements, “The Burial of the Dead”, “The Game of the Chess”, “The Fire Sermon”, “Death by Water”, and “What the Thunder Said”.  Eliot’s poem Ash Wednesday is probably his most difficult. Obscure images and symbols and the lack of a clear, logical structure make the poem difficult.

W.H Auden was an artist of great virtuosity, a ceaseless experimenter in verse form, with a fine ear for the rhythm and music of words. He was modern in tone and selection of themes. Auden’s later poems revealed a new note of mysticism in his approach to human problems. He was outspokingly anti-Romantic and stressed the objective attitude.

Thomas Hardy began his career as a poet. Though he was not able to find a publisher, he continued to write poetry. Hardy’s verses consist of short lyrics describing nature and natural beauty. Like his novels, the poems reveal concern with man’s unequal struggle against the mighty fate. Wessex Poems, Winter Words, and Collected Poems are his major poetry works.

G.M Hopkins is a unique figure in the history of English poetry. No modern poet has been the centre of more controversy or the cause of more misunderstanding. He was very unconventional in writing technique. He used Sprung-rhythm, counterpoint rhythm, internal rhythms, alliteration, assonance, and coinages in his poems.

Dylan Thomas was an enemy of intellectualism in verse. He drew upon the human body, sex, and the Old Testament for much of his imagery and complex word-play. His verses are splendidly colourful and musical. Appreciation of landscape, religious and mystical association, sadness and quietness were very often selected as themes for his verses.

Sylvia Plath and her husband Ted Hughes composed some brilliant poems in the 20 th century. Plath’s mental imbalance which brought  her to suicide can be seen in her poetry collections titled Ariel, The Colossus, and Crossing the Water. Ted Hughes was a poet of animal and nature. His major collection of poetry are The Hawk in the Rain, Woodwo, Crow, Crow Wakes and Eat Crow.

R.S Thomas, Philip Larkin, Kingsley Amis, Peter Porter, Seamus Heaney et al are also added the beauty of 20 th century English poetry.

The First World War brought to public notice many poets, particularly among the young men of armed forces, while it provided a new source of inspiration for writers of established reputation. Rupert Brooke, Slegfried Sassoon, and Wilfred Owen are the major War poets. Rupert Brooke ’s famous sonnet “If I should die, think only this of me” has appeared in so many anthologies of twentieth century verse. Brooke turned to nature and simple pleasures for inspiration. Sassoon wrote violent and embittered poems. Sassoon painted the horrors of life and death in the trenches and hospitals. Wilfred Owen was the greatest of the war poets. In the beginning of his literary career, Owen wrote in the romantic tradition of John Keats and Lord Tennyson. Owen was a gifted artist with a fine feeling for words. He greatly experimented in verse techniques.

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Categories: History of English Literature , Literature

Tags: A Brief History of English Literature , Comedy of Manners , EARLY NINTEENTH CENTURY POETS , EIGHTEENTH CENTURY PROSE , ELIZABEHAN POETRY AND PROSE , ELIZABETHAN DRAMA , Geoffrey Chaucer , Interlude , John Milton and His Time , LATER NINETEENTH CENTURY POETS , Literary Criticism , Literary Theory , Middle English Literature , Miracle plays , Morality plays , Nineteenth Century Novelists , Nineteenth Century Prose , OLD ENGLISH LITERATURE , POETS DURING MILTON’S PERIOD , RESTORATION DRAMA AND PROSE , Romanticism , The Birth of English Novel , THE CAVALIER POETS , Twentieth Century Drama , Twentieth Century Poetry , Victorian Literature , Victorian Novelists , War Poets , William Langland

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so nice thank you so much

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Infinite thanks to you for this exhaustive and simplified presentation of the history of English literature. So grateful for the efforts you invest in this site!

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u are made it said brief about English literature not a whole documentary on it

hi there, this is brief, if you want to read the original lengthy version please read David Daiches’ book the critical history of English Literature.

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Who was Francis Bacon and what was his contribution to English Literature?

Francis Bacon was a busy man of affairs. Known popularly as “The father of English Essays”, his essays have an evergreen freshness and an intellectual power.

Biography of Bacon

At the age of 12, he went to Cambridge, but left the university early, declaring the whole plan of education to be irrational. He demanded 3 things: The free investigation of nature, the discovery of facts instead of theories, and the verification of results by experiments rather by argument. Today we call it science, but at that time it was revolutionary.

Contribution In English Literature

Bacon used to write in the Elizabethan Era. He has given us a true picture of the English society of his time. We remain indebted for the aphorisms his essays carry. They are filled with sensuousness and wit. He does not talk plainly about what he favors, rather he presents a balance sheet of advantages and disadvantages.

Best of His Quotes

“If a man will begin with certainties, he shall end in doubts; but if he will be content, to begin with, doubts, he shall end in certainties.”

“Reading maketh a full man, writing an exact man".

“Age appears best in four things:   old wood to burn, old wine to drink, old friends to trust and old authors to read.”

Such wisdom packed quotes can come out of essays of a famous philosopher and essayist like Bacon. Where else would you get such treasures of knowledge?

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Geoffrey chaucer: the father of modern english.

Touted as the father of modern English by his contemporaries and later (even modern) critics, Geoffrey Chaucer (1343-1400) remains one of the essential medieval writers that still has prevalence in our literary culture today. Most well known as a poet, Chaucer worked as a bureaucrat, courtier, and diplomat, which exposed him to the courtly style of life that he explores, questions, and mocks in his works. Most notably, Chaucer wrote in his vernacular English, as opposed to Latin or French, and also translated many important Continental works, such as Boccacio's The Decameron and Boethius's Consolation of Philosophy into English . The popularity of Chaucer's works written in the London dialect of Middle English gave rise to this dialect's prominence and eventual status as modern English's predecessor.

In his lifetime, Chaucer's best known and most well-received work was Troilus and Criseyde , a story of two star-crossed lovers in Troy that fall upon misfortune through the insufficiency of language to convey their love for one another. Modern audiences, however, know Chaucer best for his unfinished poem The Canterbury Tales , which chronicles a group of pilgrims journeying to Canterbury Cathedral. The pilgrims agree to entertain themselves along the journey by telling each other tales; each agrees to tell two tales on both legs of the journey. Unfortunately, Chaucer completed only 24 tales before his untimely death. The 24 Tales with which we are left, however, are exemplary in their discussion of genre, authorship, reader-response, and concern with dissemination of written material. Within each of the tales, Chaucer explores a variety of issues and constructs the tales in ways that are influenced by various Continental authors, specifically Dante, Boccacio, and French romantic poets. Although other English poets from the medieval period are integral to the study of English literature, Chaucer stands as a beacon of cross-cultural literary identity, and his works and translations are an integral moment in the rise of the English literary tradition.

If reusing this resource please attribute as follows: Geoffrey Chaucer: The Father of Modern English? at http://writersinspire.org/content/geoffrey-chaucer-father-modern-english by Colleen Curran, licensed as Creative Commons BY-NC-SA (2.0 UK).

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English Literature: List of Fathers, Founders, Titles

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Father of English Literature, Prose, Poetry, Novel, and Drama: Pioneers of English Literary Forms

We are getting queries regarding Father of English Literature, Prose, Poetry, Novel, Drama etc. We are trying to accumulate all those information together in this article.

English literature has a rich and diverse history, stretching back to the middle ages. Its progression and development have been influenced by several iconic figures, many of whom have earned the title “Father” of their specific literary form. This article will delve into the works and influence of these remarkable individuals who are considered the Fathers of English Literature, Prose, Poetry, Novel, and Drama.

Table of Contents

Father of English Literature – Geoffrey Chaucer

When we talk about the “Father of English Literature,” the first name that comes to mind is Geoffrey Chaucer. Born around 1343, he stands as a literary bridge between the Middle Ages and the Renaissance. His most famous work, “The Canterbury Tales,” has been celebrated as one of the earliest and most significant contributions to English literature.

Written in Middle English, Chaucer’s “Canterbury Tales” is a collection of 24 stories, presented as part of a story-telling contest by a group of pilgrims. It provides an excellent insight into various aspects of English life and thought during the 14th Century. The vivid characterizations, diverse stories, and mixture of humor, tragedy, and instruction in his writing are the foundation of what we now recognize as English Literature.

Father of English Poetry – Geoffrey Chaucer

Geoffrey Chaucer also bears the title of “Father of English Poetry”. Before Chaucer, Latin and French were the dominant languages for literary expression in England. Chaucer was the first to demonstrate that English could be a vibrant, expressive, and respectable literary language.

In “The Canterbury Tales,” he uses iambic pentameter, a metrical form that became a standard in English poetry. He also innovated in his use of the heroic couplet, two lines of rhymed iambic pentameter, a form that was later perfected by poets like Alexander Pope and John Dryden. The beauty, wit, and wisdom expressed in his verses played a pivotal role in elevating the status of English poetry.

He was the first writer to be buried in Westminster Abbey, what has since come to be called Poets’ Corner. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.

Original Text:

This frere bosteth that he knoweth helle, And God it woot, that it is litel wonder; Freres and feendes been but lyte asonder.

For, pardee, ye han ofte tyme herd telle How that a frere ravyshed was to helle In spirit ones by a visioun; And as an angel ladde hym up and doun, To shewen hym the peynes that the were, In al the place saugh he nat a frere; Of oother folk he saugh ynowe in wo.

Unto this angel spak the frere tho: Now, sire, quod he, han freres swich a grace That noon of hem shal come to this place?

Yis, quod this aungel, many a millioun! And unto sathanas he ladde hym doun. –And now hath sathanas, –seith he, –a tayl Brodder than of a carryk is the sayl.

Hold up thy tayl, thou sathanas!–quod he; –shewe forth thyn ers, and lat the frere se Where is the nest of freres in this place!– And er that half a furlong wey of space, Right so as bees out swarmen from an hyve, Out of the develes ers ther gonne dryve Twenty thousand freres on a route, And thurghout helle swarmed al aboute, And comen agayn as faste as they may gon, And in his ers they crepten everychon. He clapte his tayl agayn and lay ful stille.

Modern Translation:

This friar boasts that he knows hell, And God knows that it is little wonder; Friars and fiends are seldom far apart.

For, by God, you have ofttimes heard tell How a friar was taken to hell In spirit, once by a vision; And as an angel led him up and down, To show him the pains that were there, In all the place he saw not a friar; Of other folk he saw enough in woe.

Unto this angel spoke the friar thus: “Now sir”, said he, “Have friars such a grace That none of them come to this place?” “Yes”, said the angel, “many a million!” And unto Satan the angel led him down. “And now Satan has”, he said, “a tail, Broader than a galleon’s sail.

Hold up your tail, Satan!” said he. “Show forth your arse, and let the friar see Where the nest of friars is in this place!” And before half a furlong of space, Just as bees swarm out from a hive, Out of the devil’s arse there were driven Twenty thousand friars on a rout, And throughout hell swarmed all about, And came again as fast as they could go, And every one crept into his arse. He shut his tail again and lay very still.

Geoffrey Chaucer, The Canterbury Tales

General Prologue, l. 1-12:

Whan that Aprill with his shoures soote The droghte of March hath perced to the roote, And bathed every veyne in swych licour Of which vertu engendred is the flour; Whan Zephirus eek with his sweete breeth Inspired hath in every holt and heeth The tendre croppes, and the yonge sonne Hath in the Ram his halve cours yronne, And smale foweles maken melodye, That slepen al the nyght with open ye (So priketh hem nature in hir corages); Thanne longen folk to goon on pilgrimages.

Chaucer’s works, especially “The Canterbury Tales,” continue to be a major topic of study in English literature courses worldwide. They have been translated into numerous languages, bringing the vivid world of 14th-century England to readers around the globe.

Chaucer’s understanding of human nature, his humor and satirical insight, and his masterful storytelling continue to engage readers. The tales, varied in style and subject, present a microcosm of medieval society, covering a range of social classes, professions, and characters. They offer valuable insights into the social, political, and religious dynamics of the time.

His skill in poetic form and narrative structure, his innovative use of the heroic couplet, and his mastery of character development have influenced countless poets and writers who followed him. Chaucer’s works remain a touchstone for anyone interested in the evolution of the English language and the development of English literature.

Father of English Drama: William Shakespeare

English literature would be complete without mentioning the “Father of English Drama,” William Shakespeare. Born in 1564, Shakespeare’s work transformed English theatre and left an indelible mark on the world literature.

Known for his profound understanding of human nature, Shakespeare wrote 39 plays, including timeless works such as “Romeo and Juliet,” “Hamlet,” “Macbeth,” “Othello,” and “A Midsummer Night’s Dream.” His ability to combine character development, psychological complexity, poetic beauty, and dramatic intensity set him apart as a playwright.

Shakespeare’s plays, written primarily in blank verse, demonstrated the potential of the English language in drama, both in its poetic capacity and its ability to capture the full range of human emotions and experiences. His genius lies not only in his memorable characters and stories but also in his mastery of the language, his innovation in dramatic structure, and his profound insight into the human condition.

Father of English Modern Drama:

Henrik Johan Ibsen or Henrik Ibsen was a Norwegian playwright and theatre director. He was born in 20 March 1828 and died 23 May 1906. Henrik Ibsen is famously known as the Father of Modern Drama, and it is worth recognizing how literal an assessment that is.

As one of the founders of modernism in theatre, Ibsen is often referred to as “the father of realism” and one of the most influential playwrights of his time. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll’s House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Rosmersholm, and The Master Builder. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and A Doll’s House was the world’s most performed play in 2006.

The Norwegian playwright was not merely one of a wave of new writers to experiment with dramatic form, nor did he make small improvements that were built upon by successors. Rather, Ibsen himself conceived of how the theatre should evolve, and, against great adversity, fulfilled his vision.

“The standing of the theater in the 1850s was at its lowest, in both Europe and the United States,”

supplies Ibsen scholar Brian Johnston.

“In Britain, for example, the last new play of any significance to appear until the arrival of A Doll’s House in London in 1889 was Richard Brinsley Sheridan’s The School for Scandal (1777). During one of the most prolific periods of English-speaking literature, which saw the full flowering of the Romantic movement in poetry and the arts and the rise of the realistic novel as a major literary genre, not a single drama of major significance appeared. It was the period, in fiction, of Austen, the Brontës, Dickens, George Eliot, Hawthorne, Melville, James, Wharton; in poetry, of Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Tennyson, Browning, Whitman. No other period has been at once so rich in literature and so barren in drama.”

Adding to the obstacles was the fact that Ibsen hailed from Norway, a country with almost no dramatic tradition of its own. Because Denmark had ruled Norway for the previous 500 years, most theatre was performed in Danish, by Danish companies.

Father of the English Novel:

Daniel defoe:.

Daniel Defoe is recognized as the “Father of the English Novel”. Born in 1660, Defoe was a versatile writer, producing works of journalism, political pamphlets, and conduct manuals. However, his most enduring contributions were his novels.

Defoe’s “Robinson Crusoe,” published in 1719, is often considered the first English novel. It tells the story of a man stranded on a desert island, employing realistic detail, psychological insight, and social observation. The prose style of Defoe, simple and straightforward, yet highly expressive and dramatic, set a new trend in English literature. It paved the way for the development of the novel as a dominant literary form in the 18th Century and beyond.

Henry Fielding:

Henry Fielding is considered as “Father of English Novel”. He was an English novelist, irony writer and dramatist known for earthy humour and satire. He was born at Sharpham Park, Glastonbury, Somerset, South West England, UK. He studied at Leyden, and began to write theatrical comedies, becoming author/manager of the Little Theatre in the Haymarket (1736). However, the sharpness of his burlesques led to the Licensing Act (1737), which closed his theatre.

In search of an alternative career, he was called to the bar (1740), but his interests lay in journalism and fiction. On Richardson’s publication of Pamela (1740), he wrote his famous parody, Joseph Andrews (1742). Several other works followed, notably The History of Tom Jones, A Foundling (1749), which established his reputation as a founder of the English novel. As a reward for his government journalism, he was made justice of the peace to Westminster, where he helped to form the Bow Street Runners within the police force.

Fielding married his first wife, Charlotte Craddock, in 1734. She died in 1744. In 1747 he married his wife’s former maid, Mary Daniel. She was pregnant at the time of their marriage. Mary bore five children, three of whom died young.

Fielding’s ardent commitment to the cause of justice as a great humanitarian in the 1750s (for instance, his support of Elizabeth Canning) coincided with a rapid deterioration in his health. This continued to such an extent that he went abroad to Portugal in 1754 in search of a cure. Gout, asthma and other afflictions made him use crutches. He died in Lisbon two months later. His tomb is located inside the city’s English Cemetery (Cemitério Inglês).

Father of English Prose:

There is a lot of debate on this issue.

Sir Francis Bacon (1561-1626):

The “Father of English Prose” is a title bestowed upon the English author and statesman Sir Francis Bacon (1561-1626). Bacon was a pioneer of the English language and a significant figure in the development of English prose. He was also a philosopher, scientist, lawyer, and statesman, who served as Attorney General and Lord Chancellor of England.

Bacon is best known for his philosophical works, including “Novum Organum” and “The Advancement of Learning,” in which he laid the groundwork for the scientific method and argued for the importance of empirical observation and experimentation. He believed that knowledge should be based on observation and experimentation rather than on mere speculation or tradition.

Bacon’s writing style was characterized by clarity, concision, and a focus on the practical rather than the abstract. He rejected the ornate and convoluted style that was common in his time, and instead wrote in a plain and direct manner that was accessible to a wide audience. This approach to writing had a profound influence on the development of English prose and helped establish it as a powerful medium of communication.

Bacon’s impact on the English language extended beyond his own writing. He was a driving force behind the translation of the King James Bible, which is considered a masterpiece of English prose. He also played a significant role in the development of the English essay, a form of writing that was popularized by his friend and contemporary, the writer and philosopher Michel de Montaigne.

In recognition of his contributions to English prose and his impact on the language, Bacon has been widely regarded as the “Father of English Prose.” His influence can be seen in the work of countless writers who followed in his footsteps, from John Locke to Thomas Jefferson to Charles Darwin.

In conclusion, Sir Francis Bacon’s contributions to English prose and language cannot be overstated. His focus on clarity, directness, and practicality revolutionized English writing, and helped establish it as a powerful and influential medium of communication. His works continue to be studied and appreciated today, and his legacy as the “Father of English Prose” remains secure.

John de Mandeville:

Some people say John de Mandeville “has been called the “Father of English Prose.

William Tyndale may be regarded as the father of English prose as a whole, but when only Anglo-Saxon period is considered, there is no such conclusive answer. Some consider Alfred the Great to be the father of English prose. Following is an excerpt from the Wikipedia article “Old English Literature”:

The most widely known secular author of Old English was King Alfred the Great (849–899), who translated several books, many of them religious, from Latin into Old English. Alfred, wanting to restore English culture, lamented the poor state of Latin education:

So general was [educational] decay in England that there were very few on this side of the Humber who could…translate a letter from Latin into English; and I believe there were not many beyond the Humber

— Pastoral Care, introduction

Alfred proposed that students be educated in Old English, and those who excelled should go on to learn Latin.

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Short stories, literary essays, india today english lit 1, francis bacon, the father of english essays—his prose style, introduction: .

Bacon is regarded as the father of English essays. The great title is attributed to him on the ground of his great contribution to English essay. But the term father gives the sense of the originator also. In this sense this title seems unjustified, because there was essay even before Bacon. But the form was different. It was a sort of lecture given by a great scholar to display his learning. Under the impression the readers are fools. Bacon gave a new direction to English essay. He made the essay a form to discuss topics of day to day life. It was the period of Renaissance. Therefore, Bacon wrote essays on the problems related to his contemporary society. It is his universality that his thoughts are of great importance even in this computer age.

Bacon's Contribution to the English Essay: 

Bacon's contribution to English essay can never be overvalued. Bacon has dedicated his essays to the Duke of Buckingham. There is a long list of Bacon's essays. The most important of these are: Of Truth, Of Death, Of Unity in Religion, Of Revenge, Of Adversity, Of Simulation and Dissimulation. Of Parents and Children, Of Marriage and Single Life, Of Envy, Of Love, Of Great Place, Of Boldness, Of Goodness and Goodness of Nature, Of Nobility, Of Seditions and Troubles, Of Atheism , Of Superstition, Of Travel, Of Empire, Of Counsel, Of Delays, Of Cunning, Of Wisdom for a Man's Self, Of Innovations, Of Dispatch, Of Seeming Wise, Of Friendship, Of Expense, Of the True Greatness of Kingdoms and Estates, Of Regiment of Health, Of Suspicion, Of Discourse, Of Plantations, Of Riches, Of Prophecies, Of Ambition, Of Mosques and Triumphs, Of Nature in Men, Of Custom and Education, Of Fortune, Of Usury, Of Youth and Age, Of Beauty, Of Deformity, Of Building, Of Gardens, Of Negotiating, Of Followers and Friends, Of Suitors, Of Studies, Of Faction, Of Ceremonies and Respects. Of Praise, Of Vain - glory, Of Honour and Reputation, Of Judicature, Of Anger, Of Vicissitude of Things, Of Fame. Bacon's essays seem to justify what Pope says regarding him.

Great Ideas of Practical Wisdom: 

Bacon was a utilitarian. His essays are full of great ideas of practical wisdom. For example, throughout the essay of Studies, Bacon shows his practical wisdom and comprehensiveness. Generally people give importance to either technical knowledge or practical experience but Bacon recognizes importance to both and advises to consult an experienced man if the work is at a small scale, and technically trained or learned man for managing a work at a large scale . Generally people think studies are always useful but Bacon advises to avoid excess of studies. He recognises importance of natural talent, training and practical experience. Generally people think all books are equally important but Bacon advises to study books according to their importance. He recognises importance of original texts and notes. Generally people think that reading is the only way of learning but Bacon advises to give importance to conference and writing also. Bacon shows how different subjects affect our mind also. 

Clarity of Thought and Expression: 

Bacon's belief in clarity of thought and expression is well exposed in this essay when he adopts the device of classification. He classifies purposes of studies in three parts: 

“Studies serve for delight, for ornament, and for ability.”

He brings to light not only advantages of studiers but also its disadvantages that appear when studies are used in excess. Too much study for delight develops idleness; for ornamentation develops artificiality: to take decision wholly by their rules is a bookish approach becomes the whim of a learned man. Studies mature natural talent that is perfected by practical knowledge. Natural talent too requires pruning or trimming. Books express confusing or contradictory ideas that should be limited by experience. Wicked people oppose studies, common or foolish people admire them while wise people use them. 

“Crafty men condemn studies, simple men admire them, and wise men use them.” 

In the same way he classifies followers into two parts: 

1. Followers fit to be disliked 

2. Followers to be liked 

Aphoristic Style: 

Bacon is known for the use of aphoristic style. Of Revenge is an illustration of the compact style of Bacon. Most of the sentences are terse and have that aphoristic quality about them that he is famous for. This essay is a fine illustration of Bacon's style which was unmatchable for pith and pregnancy in the conveyance of his special kind of thought. He in this essay, as elsewhere, has structured out at once a short, crisp, and firmly knit sentence of a type unfamiliar in English pregnant with rich meaning.

Proverbial Style: 

Bacon's proverbial style enables him to make proverbial statements. Here are a few examples of the proverbial style of Bacon taken from Of Revenge: 

1. “For, as for the wrong, it does but offend the law; but the revenge of that kind putteth the law out of office.” 

2. “Therefore, they do but trifle with themselves that labour in past masters.” 

3. “But base and crafty towards are like the arrow that flieth in the dark.”  

4. “This is certain, that a man that studieth revenge, keeps his own wounds green, which otherwise would heal and do well.” 

Bacon's great wisdom enables him to express thoughts of universal importance. When he expresses these thoughts in aphoristic style so many sentences of the novel seem proverbial. It encourages him to make proverbial statements. The essay, ‘Of Studies’ for example opens with a proverbial statement: 

If anybody talks about studies, he refers to this statement necessarily. The essay is full of such statements that express a general thought which is true to all. 

“To spend too much time in studies is sloth. 

For natural abilities are like natural plants, that need pruning by study; 

They perfect nature, and are perfected by experienced. 

Crafty men condemn studies, simple men admire them, and wise men use them. 

Some books are to be tasted, others to be swallowed, and some few to be chewed and digested.” 

Poetic Style: 

Bacon's prose style so often becomes poetic. It is full of poetic imagery. So often he makes use of myth making and sensuous word pictures. The essay Of Followers and Friends opens with the image of a bird. 

“Costly followers are not to be liked; lest while a man maketh his train longer, he maketh his wings shorter.” 

Bacon borrows his images from common life. Bacon uses game imagery and nature imagery. 

“For lookers - on many times see more than gamesters; and the vale best discovereth the hill.” 

Bacon cites the imagery of a hill to confirm the former imagery of players. It suggests a paradox that sometimes, the players fail in knowing their faults but the spectators who remain watching their movements closely, mark the error. Image of a hill does not require any proof for it is a general truth that: 

“The vale best discovereth the hill.” 

Bacon uses water imagery for notes and guides: 

“Some books also may be read by deputy, and extracts made of arguments, and the meaner sort of books; else distilled books are, like common distilled waters, flashy things.” 

For and Against Arguments: 

It is Bacon's style that he introduces arguments for and against the subject. His arguments are always logical. For example, he points out advantages and disadvantages of treating people equally or differently. 

“It is a matter of practical wisdom that man of same rank must be treated equally. If one man is given preference, he becomes rude and others feel dissatisfied. But the case is somewhat different with an able man. He must be treated with respect. It makes the able man respectful to the master and inspires others to improve their ability.”

Bacon is a practical philosopher who does not believe in imposing his thoughts on others. He gives arguments for and against the subject and leaves it to the reader to conclude according to his requirement. For example, he points out advantages as well as disadvantages of studies and its three purposes. 

“Studies provide amusement; help in improving effectiveness of speech; and improve skill and perfection; their main purpose of giving amusement is when we are alone or taking rest. They give effectiveness to conversation or discussion. They make perfect in deciding or managing things. According to Bacon experienced man perform well in special parts. But suggestions of universal importance, details and management of business are done best by trained persons. But his discussion does not end here for incoming lines he warns against the disadvantages of making excessive use of studies. Bacon points out disadvantages of studies if done unwisely. Too much study for delight develops idleness; for ornamentation develops artificiality; to take decision wholly by their rules is a bookish approach becomes the whim of a learned man. Studies mature natural talent that is perfected by practical knowledge. Natural talent too requires pruning or trimming. Books express confusing or contradictory ideas that should be limited by experience. Wicked people oppose studies, common or foolish people admire them while wise people use them. How to use studies is a more important art that is attained by practical experience. Likewise on the one hand suggests reading of books and on the others pleads for natural talent. He points out advantages as well as disadvantages of experienced man. He suggests to read some books with the help of notes or extracts made by others.”

Use of References, Quotations and Latinism: 

As regards its style, this essay shows the usual qualities that are associated with Bacon. Bacon is fond of allusions, quotations, Latin phrases and expressions, and figures of speech. We have here a reference to Ulysses, a well-known hero of Greek mythology. There is a reference to the cruelty and hard - heartedness of Inquisitors who used to be employed to inflict punishment on heretics. There is a quotation from an ancient Greek philosopher, Thales who said, in reply to the question when a man should marry: “A young man not yet, an elder man not at all.” 

Thus, Bacon is rightly called the father of English essay. His contribution to the development of English essay is great. He gave a new style to English essay.

Saurabh Gupta

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Home — Essay Samples — Literature — Geoffrey Chaucer — Geoffrey Chaucer: Father of English Literature

Geoffrey Chaucer: Father of English Literature

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Published: Feb 12, 2019

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Essay on Father of English

Students are often asked to write an essay on Father of English in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Father of English

Introduction.

The title ‘Father of English’ typically refers to Geoffrey Chaucer. He was a renowned author during the Middle Ages, known for his significant contributions to English literature.

Chaucer’s Contribution

Chaucer, born in the 14th century, is best known for his masterpiece ‘The Canterbury Tales’. His works were written in Middle English, making them accessible to the common people.

Impact on English Language

Chaucer’s works greatly influenced the English language. He introduced new words and expressions, and his writings played a crucial role in standardizing the English language.

Geoffrey Chaucer, due to his extensive influence and significant contributions, is rightly called the ‘Father of English’.

250 Words Essay on Father of English

The genesis of english: geoffrey chaucer.

Geoffrey Chaucer, born in the 14th century, is universally celebrated as the ‘Father of English Literature.’ His seminal contributions to English literature, particularly through his magnum opus, ‘The Canterbury Tales,’ have earned him this title.

Chaucer’s Influence on English Language

Chaucer’s influence on the English language is profound. He was the first writer to use English in a time when Latin was the standard for literature. His decision to write in English was a bold move that eventually led to the language’s acceptance and growth. Chaucer’s English, known as Middle English, was a precursor to the Modern English we use today.

Chaucer’s Contributions to Literature

In ‘The Canterbury Tales,’ Chaucer employed a narrative framework, a technique that was innovative for his time. He introduced a diverse cast of characters, each with their own stories, which provided a panoramic view of the 14th-century English society. His characters were vivid, relatable, and diverse, a testament to his keen observation and understanding of human nature.

Chaucer’s Legacy

Chaucer’s legacy is not only in his literary works but also in his pioneering role in establishing English as a legitimate language for literature. His writings have shaped the English language and its literature, influencing countless authors and readers over the centuries.

In conclusion, Geoffrey Chaucer’s contributions to the English language and literature are immeasurable. His works have transcended time, and his influence is still palpable in the realm of literature. Chaucer, the Father of English, has left an indelible mark on the literary world.

500 Words Essay on Father of English

The English language, with its rich tapestry of dialects, accents, and vocabulary, owes much of its evolution to Geoffrey Chaucer. Often referred to as the ‘Father of English’, Chaucer’s contributions to the English language and literature have been monumental, making him an iconic figure in literary history.

Chaucer’s Influence on the English Language

Born in the 14th century, Chaucer’s influence on the English language is as profound as it is enduring. At a time when Latin and French were predominantly used in literature, Chaucer chose to write in Middle English, the language of the common people. His decision was groundbreaking, as it not only validated English as a literary language but also made literature accessible to a wider audience.

Chaucer’s most famous work, ‘The Canterbury Tales’, is a testament to his linguistic prowess. He employed a wide range of dialects, from courtly to colloquial, demonstrating the versatility and richness of the English language. His innovative use of vocabulary, syntax, and meter in his writings significantly expanded the linguistic capabilities of English.

Chaucer’s Impact on English Literature

Chaucer’s influence extends beyond language to the very fabric of English literature. He pioneered the use of storytelling techniques such as characterization, humor, and irony, which are now fundamental elements of English literature.

In ‘The Canterbury Tales’, Chaucer used a frame narrative, a technique that was revolutionary at the time. This allowed him to weave together a collection of diverse stories, each told by a different character, showcasing varying perspectives and experiences.

Chaucer’s characters were not just narrative devices; they were vividly realized individuals, each with their distinct voice and personality. This level of characterization was unprecedented and set a new standard in literature.

Chaucer’s Lasting Legacy

Chaucer’s legacy is not just confined to his own era. His works continue to be studied, appreciated, and adapted, centuries after his death. His influence can be seen in the works of countless writers who followed, from Shakespeare to contemporary authors.

Chaucer’s decision to write in English paved the way for the language’s development and acceptance as a literary medium. His innovative storytelling techniques have become fundamental to the craft of writing.

In conclusion, Geoffrey Chaucer’s contributions to the English language and literature are immeasurable. His bold decision to write in the vernacular, his innovative narrative techniques, and his vivid characterization have all left an indelible mark on English literature. By championing the English language and pushing the boundaries of its use, Chaucer has rightly earned the title ‘Father of English’. His works serve as a reminder of the power of language and the enduring impact of literature.

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