comparative essay structure pdf

Comparative Essay

How to Write a Comparative Essay – A Complete Guide

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What is a Comparative Essay?

A comparative essay is a type of essay in which an essay writer compares at least two or more items. The author compares two subjects with the same relation in terms of similarities and differences depending on the assignment.

The main purpose of the comparative essay is to:

Highlight the similarities and differences in a systematic manner.
Provide great clarity of the subject to the readers.
Analyze two things and describe their advantages and drawbacks.

A comparative essay is also known as compare and contrast essay or a comparison essay. It analyzes two subjects by either comparing them, contrasting them, or both. The Venn diagram is the best tool for writing a paper about the comparison between two subjects.

Moreover, a comparative analysis essay discusses the similarities and differences of themes, items, events, views, places, concepts, etc. For example, you can compare two different novels (e.g., The Adventures of Huckleberry Finn and The Red Badge of Courage).

However, a comparative essay is not limited to specific topics. It covers almost every topic or subject with some relation.

Comparative Essay Structure

A good comparative essay is based on how well you structure your essay. It helps the reader to understand your essay better.

The structure is more important than what you write. This is because it is necessary to organize your essay so that the reader can easily go through the comparisons made in an essay.

The following are the two main methods in which you can organize your comparative essay.

Point-by-Point Method

The point-by-point or alternating method provides a detailed overview of the items that you are comparing. In this method, organize items in terms of similarities and differences.

This method makes the writing phase easy for the writer to handle two completely different essay subjects. It is highly recommended where some depth and detail are required.

Below given is the structure of the point-by-point method.

Block Method

The block method is the easiest as compared to the point-by-point method. In this method, you divide the information in terms of parameters. It means that the first paragraph compares the first subject and all their items, then the second one compares the second, and so on.

However, make sure that you write the subject in the same order. This method is best for lengthy essays and complicated subjects.

Here is the structure of the block method.

Therefore, keep these methods in mind and choose the one according to the chosen subject.

Mixed Paragraphs Method

In this method, one paragraph explains one aspect of the subject. As a writer, you will handle one point at a time and one by one. This method is quite beneficial as it allows you to give equal weightage to each subject and help the readers identify the point of comparison easily.

How to Start a Comparative Essay?

Here, we have gathered some steps that you should follow to start a well-written comparative essay.

Choose a Topic

The foremost step in writing a comparative essay is to choose a suitable topic.

Choose a topic or theme that is interesting to write about and appeals to the reader.

An interesting essay topic motivates the reader to know about the subject. Also, try to avoid complicated topics for your comparative essay.

Develop a List of Similarities and Differences

Create a list of similarities and differences between two subjects that you want to include in the essay. Moreover, this list helps you decide the basis of your comparison by constructing your initial plan.

Evaluate the list and establish your argument and thesis statement .

Establish the Basis for Comparison

The basis for comparison is the ground for you to compare the subjects. In most cases, it is assigned to you, so check your assignment or prompt.

Furthermore, the main goal of the comparison essay is to inform the reader of something interesting. It means that your subject must be unique to make your argument interesting.

Do the Research

In this step, you have to gather information for your subject. If your comparative essay is about social issues, historical events, or science-related topics, you must do in-depth research.

However, make sure that you gather data from credible sources and cite them properly in the essay.

Create an Outline

An essay outline serves as a roadmap for your essay, organizing key elements into a structured format.

With your topic, list of comparisons, basis for comparison, and research in hand, the next step is to create a comprehensive outline.

Here is a standard comparative essay outline:

How to Write a Comparative Essay?

Now that you have the basic information organized in an outline, you can get started on the writing process.

Here are the essential parts of a comparative essay:

Comparative Essay Introduction

Start off by grabbing your reader's attention in the introduction . Use something catchy, like a quote, question, or interesting fact about your subjects.

Then, give a quick background so your reader knows what's going on.

The most important part is your thesis statement, where you state the main argument , the basis for comparison, and why the comparison is significant.

This is what a typical thesis statement for a comparative essay looks like:

Comparative Essay Body Paragraphs

The body paragraphs are where you really get into the details of your subjects. Each paragraph should focus on one thing you're comparing.

Start by talking about the first point of comparison. Then, go on to the next points. Make sure to talk about two to three differences to give a good picture.

After that, switch gears and talk about the things they have in common. Just like you discussed three differences, try to cover three similarities.

This way, your essay stays balanced and fair. This approach helps your reader understand both the ways your subjects are different and the ways they are similar. Keep it simple and clear for a strong essay.

Comparative Essay Conclusion

In your conclusion , bring together the key insights from your analysis to create a strong and impactful closing.

Consider the broader context or implications of the subjects' differences and similarities. What do these insights reveal about the broader themes or ideas you're exploring?

Discuss the broader implications of these findings and restate your thesis. Avoid introducing new information and end with a thought-provoking statement that leaves a lasting impression.

Below is the detailed comparative essay template format for you to understand better.

Comparative Essay Format

Comparative Essay Examples

Have a look at these comparative essay examples pdf to get an idea of the perfect essay.

Comparative Essay on Summer and Winter

Comparative Essay on Books vs. Movies

Comparative Essay Sample

Comparative Essay Thesis Example

Comparative Essay on Football vs Cricket

Comparative Essay on Pet and Wild Animals

Comparative Essay Topics

Comparative essay topics are not very difficult or complex. Check this list of essay topics and pick the one that you want to write about.

How do education and employment compare?
Living in a big city or staying in a village.
The school principal or college dean.
New Year vs. Christmas celebration.
Dried Fruit vs. Fresh. Which is better?
Similarities between philosophy and religion.
British colonization and Spanish colonization.
Nuclear power for peace or war?
Bacteria or viruses.
Fast food vs. homemade food.

Tips for Writing A Good Comparative Essay

Writing a compelling comparative essay requires thoughtful consideration and strategic planning. Here are some valuable tips to enhance the quality of your comparative essay:

Clearly define what you're comparing, like themes or characters.
Plan your essay structure using methods like point-by-point or block paragraphs.
Craft an introduction that introduces subjects and states your purpose.
Ensure an equal discussion of both similarities and differences.
Use linking words for seamless transitions between paragraphs.
Gather credible information for depth and authenticity.
Use clear and simple language, avoiding unnecessary jargon.
Dedicate each paragraph to a specific point of comparison.
Summarize key points, restate the thesis, and emphasize significance.
Thoroughly check for clarity, coherence, and correct any errors.

Transition Words For Comparative Essays

Transition words are crucial for guiding your reader through the comparative analysis. They help establish connections between ideas and ensure a smooth flow in your essay.

Here are some transition words and phrases to improve the flow of your comparative essay:

Transition Words for Similarities

Correspondingly
In the same vein
In like manner
In a similar fashion
In tandem with

Transition Words for Differences

On the contrary
In contrast
Nevertheless
In spite of
Notwithstanding
On the flip side
In contradistinction

Check out this blog listing more transition words that you can use to enhance your essay’s coherence!

In conclusion, now that you have the important steps and helpful tips to write a good comparative essay, you can start working on your own essay.

However, if you find it tough to begin, you can always hire our professional essay writing service .

Our skilled writers can handle any type of essay or assignment you need. So, don't wait—place your order now and make your academic journey easier!

Frequently Asked Question

How long is a comparative essay.

A comparative essay is 4-5 pages long, but it depends on your chosen idea and topic.

How do you end a comparative essay?

Here are some tips that will help you to end the comparative essay.

Restate the thesis statement
Wrap up the entire essay
Highlight the main points

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Comparative essays.

This handout is available for download in DOCX format and PDF format .

What is a comparative essay?

A comparative essay asks that you compare at least two (or possibly more) items. These items will differ depending on the assignment. You might be asked to compare

positions on an issue (e.g., responses to midwifery in Canada and the United States)
theories (e.g., capitalism and communism)
figures (e.g., GDP in the United States and Britain)
texts (e.g., Shakespeare’s Hamlet and Macbeth )
events (e.g., the Great Depression and the global financial crisis of 2008-9)

Although the assignment may say “compare,” the assumption is that you will consider both the similarities and differences; in other words, you will compare and contrast.

Make sure you know the basis for comparison

The assignment sheet may say exactly what you need to compare, or it may ask you to come up with a basis for comparison yourself.

Provided by the essay question: The essay question may ask that you consider the figure of the gentleman in Charles Dickens’s Great Expectations and Anne Brontë’s The Tenant of Wildfell Hall . The basis for comparison will be the figure of the gentleman.
Developed by you: The question may simply ask that you compare the two novels. If so, you will need to develop a basis for comparison, that is, a theme, concern, or device common to both works from which you can draw similarities and differences.

Develop a list of similarities and differences

Once you know your basis for comparison, think critically about the similarities and differences between the items you are comparing, and compile a list of them. For example, you might decide that in Great Expectations , being a true gentleman is not a matter of manners or position but morality, whereas in The Tenant of Wildfell Hall , being a true gentleman is not about luxury and self-indulgence but hard work and productivity. Your list is not yet your outline for the essay, but it should provide you with enough similarities and differences to construct an initial plan.

Develop a thesis based on the relative weight of similarities and differences

Once you have listed similarities and differences, decide whether the similarities on the whole outweigh the differences or vice versa. Create a thesis statement that reflects their relative weights. A more complex thesis will usually include both similarities and differences and will argue that one of them (either the similarities or the differences) outweighs the other.

Come up with a structure for your essay

Alternating method: point-by-point pattern.

In the alternating method, you find points common to your central subjects A and B, and alternate between A and B on the basis of these points (ABABAB …). For instance, a comparative essay on the French and Russian revolutions might examine how both revolutions either encouraged or thwarted innovation in terms of new technology (body paragraphs 1 and 2), military strategy (body paragraphs 3 and 4), and the administrative system (body paragraphs 5 and 6).

Two notes about the alternating method:

The two entities may be dissimilar in the themes you identify. To use this method, they need not be similar; you just need to have something to say about both A and B in each area.
You may certainly include more than three pairs of alternating points: allow the subject matter to determine the number of points you develop in the body of your essay.

When do I use the alternating method?

The alternating method generally does a better job of highlighting similarities and differences between A and B. It also tends to produce a more tightly integrated and analytical paper. Consider the alternating method if you are able to identify clearly related points between A and B. Otherwise, if you attempt to impose the alternating method, you will probably find it counterproductive.

Block method: Subject-by-subject pattern

In the block method (AB), you discuss all of A, then all of B. For example, a comparative essay using the block method on the French and Russian revolutions would address the French Revolution in the first half of the essay and the Russian Revolution in the second half. If you choose the block method, however, make sure they are connected! The B block should refer to the A block and make clear points of comparison whenever comparisons are relevant: (“Unlike A, B . . .” or “Like A, B . . .”). This technique will allow for a higher level of critical engagement, continuity, and cohesion.

When do I use the block method?

The block method is particularly useful in the following cases:

You are unable to find points about A and B that are closely related to each other.
Your ideas about B build upon or extend your ideas about A.
You are comparing three or more subjects as opposed to the traditional two.

Adapted from the University of Toronto, https://advice.writing.utoronto.ca/types-of-writing/comparative-essay/, 2020.

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The Comparative Essay

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What is a comparative essay?

A comparative essay asks that you compare at least two (possibly more) items. These items will differ depending on the assignment. You might be asked to compare

positions on an issue (e.g., responses to midwifery in Canada and the United States)
theories (e.g., capitalism and communism)
figures (e.g., GDP in the United States and Britain)
texts (e.g., Shakespeare’s Hamlet and Macbeth )
events (e.g., the Great Depression and the global financial crisis of 2008–9)

Although the assignment may say “compare,” the assumption is that you will consider both the similarities and differences; in other words, you will compare and contrast.

Make sure you know the basis for comparison

The assignment sheet may say exactly what you need to compare, or it may ask you to come up with a basis for comparison yourself.

Provided by the essay question: The essay question may ask that you consider the figure of the gentleman in Charles Dickens’s Great Expectations and Anne Brontë’s The Tenant of Wildfell Hall . The basis for comparison will be the figure of the gentleman.
Developed by you: The question may simply ask that you compare the two novels. If so, you will need to develop a basis for comparison, that is, a theme, concern, or device common to both works from which you can draw similarities and differences.

Develop a list of similarities and differences

Once you know your basis for comparison, think critically about the similarities and differences between the items you are comparing, and compile a list of them.

For example, you might decide that in Great Expectations , being a true gentleman is not a matter of manners or position but morality, whereas in The Tenant of Wildfell Hall , being a true gentleman is not about luxury and self-indulgence but hard work and productivity.

The list you have generated is not yet your outline for the essay, but it should provide you with enough similarities and differences to construct an initial plan.

Develop a thesis based on the relative weight of similarities and differences

While Callaghan’s “All the Years of Her Life” and Mistry’s “Of White Hairs and Cricket” both follow the conventions of the coming-of-age narrative, Callaghan’s story adheres more closely to these conventions by allowing its central protagonist to mature. In Mistry’s story, by contrast, no real growth occurs.

Although Darwin and Lamarck came to different conclusions about whether acquired traits can be inherited, they shared the key distinction of recognizing that species evolve over time.

Come up with a structure for your essay

Note that the French and Russian revolutions (A and B) may be dissimilar rather than similar in the way they affected innovation in any of the three areas of technology, military strategy, and administration. To use the alternating method, you just need to have something noteworthy to say about both A and B in each area. Finally, you may certainly include more than three pairs of alternating points: allow the subject matter to determine the number of points you choose to develop in the body of your essay.

When do I use the block method? The block method is particularly useful in the following cases:

You are unable to find points about A and B that are closely related to each other.
Your ideas about B build upon or extend your ideas about A.
You are comparing three or more subjects as opposed to the traditional two.

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Comparing and contrasting in an essay | Tips & examples

Comparing and Contrasting in an Essay | Tips & Examples

Published on August 6, 2020 by Jack Caulfield . Revised on July 23, 2023.

Comparing and contrasting is an important skill in academic writing . It involves taking two or more subjects and analyzing the differences and similarities between them.

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When should i compare and contrast, making effective comparisons, comparing and contrasting as a brainstorming tool, structuring your comparisons, other interesting articles, frequently asked questions about comparing and contrasting.

Many assignments will invite you to make comparisons quite explicitly, as in these prompts.

Compare the treatment of the theme of beauty in the poetry of William Wordsworth and John Keats.
Compare and contrast in-class and distance learning. What are the advantages and disadvantages of each approach?

Some other prompts may not directly ask you to compare and contrast, but present you with a topic where comparing and contrasting could be a good approach.

One way to approach this essay might be to contrast the situation before the Great Depression with the situation during it, to highlight how large a difference it made.

Comparing and contrasting is also used in all kinds of academic contexts where it’s not explicitly prompted. For example, a literature review involves comparing and contrasting different studies on your topic, and an argumentative essay may involve weighing up the pros and cons of different arguments.

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As the name suggests, comparing and contrasting is about identifying both similarities and differences. You might focus on contrasting quite different subjects or comparing subjects with a lot in common—but there must be some grounds for comparison in the first place.

For example, you might contrast French society before and after the French Revolution; you’d likely find many differences, but there would be a valid basis for comparison. However, if you contrasted pre-revolutionary France with Han-dynasty China, your reader might wonder why you chose to compare these two societies.

This is why it’s important to clarify the point of your comparisons by writing a focused thesis statement . Every element of an essay should serve your central argument in some way. Consider what you’re trying to accomplish with any comparisons you make, and be sure to make this clear to the reader.

Comparing and contrasting can be a useful tool to help organize your thoughts before you begin writing any type of academic text. You might use it to compare different theories and approaches you’ve encountered in your preliminary research, for example.

Let’s say your research involves the competing psychological approaches of behaviorism and cognitive psychology. You might make a table to summarize the key differences between them.

Or say you’re writing about the major global conflicts of the twentieth century. You might visualize the key similarities and differences in a Venn diagram.

A Venn diagram showing the similarities and differences between World War I, World War II, and the Cold War.

These visualizations wouldn’t make it into your actual writing, so they don’t have to be very formal in terms of phrasing or presentation. The point of comparing and contrasting at this stage is to help you organize and shape your ideas to aid you in structuring your arguments.

When comparing and contrasting in an essay, there are two main ways to structure your comparisons: the alternating method and the block method.

The alternating method

In the alternating method, you structure your text according to what aspect you’re comparing. You cover both your subjects side by side in terms of a specific point of comparison. Your text is structured like this:

Mouse over the example paragraph below to see how this approach works.

One challenge teachers face is identifying and assisting students who are struggling without disrupting the rest of the class. In a traditional classroom environment, the teacher can easily identify when a student is struggling based on their demeanor in class or simply by regularly checking on students during exercises. They can then offer assistance quietly during the exercise or discuss it further after class. Meanwhile, in a Zoom-based class, the lack of physical presence makes it more difficult to pay attention to individual students’ responses and notice frustrations, and there is less flexibility to speak with students privately to offer assistance. In this case, therefore, the traditional classroom environment holds the advantage, although it appears likely that aiding students in a virtual classroom environment will become easier as the technology, and teachers’ familiarity with it, improves.

The block method

In the block method, you cover each of the overall subjects you’re comparing in a block. You say everything you have to say about your first subject, then discuss your second subject, making comparisons and contrasts back to the things you’ve already said about the first. Your text is structured like this:

Point of comparison A
Point of comparison B

The most commonly cited advantage of distance learning is the flexibility and accessibility it offers. Rather than being required to travel to a specific location every week (and to live near enough to feasibly do so), students can participate from anywhere with an internet connection. This allows not only for a wider geographical spread of students but for the possibility of studying while travelling. However, distance learning presents its own accessibility challenges; not all students have a stable internet connection and a computer or other device with which to participate in online classes, and less technologically literate students and teachers may struggle with the technical aspects of class participation. Furthermore, discomfort and distractions can hinder an individual student’s ability to engage with the class from home, creating divergent learning experiences for different students. Distance learning, then, seems to improve accessibility in some ways while representing a step backwards in others.

Note that these two methods can be combined; these two example paragraphs could both be part of the same essay, but it’s wise to use an essay outline to plan out which approach you’re taking in each paragraph.

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Some essay prompts include the keywords “compare” and/or “contrast.” In these cases, an essay structured around comparing and contrasting is the appropriate response.

Comparing and contrasting is also a useful approach in all kinds of academic writing : You might compare different studies in a literature review , weigh up different arguments in an argumentative essay , or consider different theoretical approaches in a theoretical framework .

Your subjects might be very different or quite similar, but it’s important that there be meaningful grounds for comparison . You can probably describe many differences between a cat and a bicycle, but there isn’t really any connection between them to justify the comparison.

You’ll have to write a thesis statement explaining the central point you want to make in your essay , so be sure to know in advance what connects your subjects and makes them worth comparing.

Comparisons in essays are generally structured in one of two ways:

The alternating method, where you compare your subjects side by side according to one specific aspect at a time.
The block method, where you cover each subject separately in its entirety.

It’s also possible to combine both methods, for example by writing a full paragraph on each of your topics and then a final paragraph contrasting the two according to a specific metric.

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Comparative Essays

Writing a comparison usually requires that you assess the similarities and differences between two or more theories, procedures, or processes. You explain to your reader what insights can be gained from the comparison, or judge whether one thing is better than another according to established criteria.

How to Write a Comparative Essay

1. Establish a basis of comparison

A basis of comparison represents the main idea, category, or theme you will investigate. You will have to do some preliminary reading, likely using your course materials, to get an idea of what kind of criteria you will use to assess whatever you are comparing. A basis of comparison must apply to all items you are comparing, but the details will be different.

For example, if you are asked to “compare neoclassical architecture and gothic architecture,” you could compare the influence of social context on the two styles.

2. Gather the details of whatever you are comparing

Once you have decided what theme or idea you are investigating, you will need to gather details of whatever you are comparing, especially in terms of similarities and differences. Doing so allows you to see which criteria you should use in your comparison, if not specified by your professor or instructor.

Appeal to Greek perfection
Formulaic and mathematical
Appeal to emotion
Towers and spires
Wild and rustic
Civic buildings

Based on this information, you could focus on how ornamentation and design principles reveal prevailing intellectual thought about architecture in the respective eras and societies.

3. Develop a thesis statement

After brainstorming, try to develop a thesis statement that identifies the results of your comparison. Here is an example of a fairly common thesis statement structure:

e.g., Although neoclassical architecture and gothic architecture have [similar characteristics A and B], they reveal profound differences in their interpretation of [C, D, and E].

4. Organize your comparison

You have a choice of two basic methods for organizing a comparative essay: the point-by-point method or the block method.

The point-by-point method examines one aspect of comparison in each paragraph and usually alternates back and forth between the two objects, texts, or ideas being compared. This method allows you to emphasize points of similarity and of difference as you proceed.

In the block method, however, you say everything you need to say about one thing, then do the same thing with the other. This method works best if you want readers to understand and agree with the advantages of something you are proposing, such as introducing a new process or theory by showing how it compares to something more traditional.

Sample Outlines for Comparative Essays on Neoclassical and Gothic Architecture

Building a point-by-point essay.

Using the point-by-point method in a comparative essay allows you to draw direct comparisons and produce a more tightly integrated essay.

1. Introduction

Introductory material
Thesis: Although neoclassical and gothic architecture are both western European forms that are exemplified in civic buildings and churches, they nonetheless reveal through different structural design and ornamentation, the different intellectual principles of the two societies that created them.

2. Body Sections/Paragraphs

Ornamentation in Text 1
Ornamentation in Text 2
Major appeal in Text 1
Major appeal in Text 2
Style in Text 1
Style in Text 2

3. Conclusion

Why this comparison is important?
What does this comparison tell readers?

Building a Block Method Essay

Using the block method in a comparative essay can help ensure that the ideas in the second block build upon or extend ideas presented in the first block. It works well if you have three or more major areas of comparison instead of two (for example, if you added in a third or fourth style of architecture, the block method would be easier to organize).

Thesis: The neoclassical style of architecture was a conscious rejection of the gothic style that had dominated in France at the end of the middle ages; it represented a desire to return to the classical ideals of Greece and Rome.
History and development
Change from earlier form
Social context of new form
What does the comparison reveal about architectural development?
Why is this comparison important?

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How to write a comparative essay

A step-by-step guide with instructions, outlines, and samples

Writing a great comparative essay means highlighting the similarities and differences between two things in a systematic manner. Start by choosing the parameters (items) to compare, write an outline, and fill in the details for each section. Make sure to have an introduction and conclusion.

The comparative essay is one form of document that you will probably be expected to write at some point over the course of your college career. The purpose of this article is to provide you with a thorough overview of the comparative essay. Specific things that will be addressed include:

Purpose of the comparative essay

Explanation of comparative models, how to analyze subjects, elements of a good comparative essay, how to write a great comparative essay.

Samples/examples
Best practices and advice
Additional information

By the end of this article, you should feel more confident about your own knowledge of what a comparative essay is and the best ways to go about writing one (if you haven't decided to buy a comparative essay from Ultius ).

The fundamental purpose of a comparative essay is to elaborate the similarities and differences between two things in a systematic manner.

An effective comparative essay will leave the reader with much greater clarity about the natures and properties of the things that have been compared.

This could potentially serve as a basis for making a decision in favor of one or the other thing.

A comparative essay is different from, for example, an argumentative essay in that the comparative essay does not make a case for either of the two things under comparison. Rather, the point is to simply set up the comparison so that the reader will have as much information about the two things as possible.

Why are comparative essays important?

The comparative essay is an important form of document because when you have to make a decision or choose a side in an argument, you will want to know as much as possible about the two options under consideration—and a good comparative essay on the subject can bring out both the similarities and the differences between the options, thereby clarifying the stakes at play.

For example, a comparative essay could address the similarities and differences between any of the following pairs:

The Republican Party and the Democratic Party
Christianity and Marxism
The Big Bang and creationism
The Light or Dark side of the Force from Star Wars
The revolutionary and the reformist perspectives on social change

By developing a comparative essay on any of these pairs, you can not only understand each item of under comparison is a more thorough way, you can also get closer to figuring out which item you prefer.

For example, a solid comparative essay on revolution vs. reformism could not only help you understand what each of these items entails, it can also help you figure out whether you would rather be a revolutionary or a reformist. Likewise, if you only have time to binge watch one show, then a comparative essay could help you figure out whether you would prefer to go with Game of Thrones or Westworld .

When writing a comparative essay, there are several models you can use in order to ensure that you set up your comparison as effectively as possible.

Venn diagram

The Venn diagram is a classic, and surely, you're familiar with it. This is the model of two overlapping circles, where each circle belongs to one item of comparison: features shared by both items (similarities) go in the overlapping middle zone, whereas features that are not shared go in the outer areas. For example, here is a Venn diagram that compares humans against gorillas.

When using the Venn diagram model, it is important to note that the differences must be symmetrical. In other words, every difference you list on one side of the comparison must be matched by a difference on the other side.

For example, if you were comparing Apple and Amazon, then for the parameter of "founder," you can list "Steve Jobs" in one circle and "Jeff Bezos" in the other. But it wouldn't make sense if you just listed one or the other: you must list something for each of the items of comparisons under the selected parameter of comparison.

In the Venn diagram above, the first parameter is "language," so for humans it is listed that we have a capacity of language, whereas for gorillas it is listed that they do not.

You don't need to worry about this kind of symmetry when it comes to the similarities, since you will list the same thing for both items of comparison (which means you only have to list it once, in the overlapping zone). In the example, above, the fact that both humans and gorillas are mammals is thus listed just once in the middle.

The dialectical method

The dialectical method is important within the discipline of philosophy, and it has been used to great effect by thinkers such as Socrates and Hegel and Kierkegaard.

This involves holding two ideas or items in tension with each other, to better clarify not only the ideas themselves but also the dynamic relationship that exist between the ideas. The first idea is called the thesis , and the second idea is called the antithesis .

For example, Romanticism could be dialectically compared against the Enlightenment that came before it, because Romanticism was in some ways a rejection of the previous worldview.

Need help? Essay writing services from Ultius can help you produce a great sample compare and contrast essay.

So, by setting up a comparison between Romanticism and the Enlightenment, it becomes possible to see both the continuities (or similarities) between the one and the other, as well as the contradictions (or differences) between them.

Berlin, Isaiah. The Roots of Romanticism . Princeton: Princeton U P, 2013. Print.

From the table above, it is clear that we are able to understand both Romanticism and the Enlightenment better if we set them up in terms of dialectical contrast.

Clearly, they are different in some important ways (logic vs. passion, for example), but we can also see that they are in continuity with each other (both happened in Western Europe and responded to previous developments). This comparison also leads one to wonder about whether it would be possible to make a synthesis that takes the best from both the thesis and the antithesis

A good comparative essay can lead one to ask such questions and pursue such lines of inquiry.

To analyze your subjects for a comparative essay, you need to identify clear parameters, or axes, in terms of which your two selected items can be compared. For example, in the table above, Romanticism and the Enlightenment were compared along the axis of " epistemology ". But that axis won't be relevant to all subjects.

Your job when preparing to write a comparative essay is to identify the specific axes that are relevant for the items that you are comparing. Why is the comparison interesting, and what insights are you trying produce? The answers to those questions will determine how you decide to frame your comparison.

For example, we could compare the Democratic Socialists of America (DSA) against the Democratic Party in terms of the axis of membership. This would reveal that the DSA has far fewer registered members than does the Democratic Party.

We could also compare them on the axis of healthcare policy, where it may be found that the DSA and the Democratic Party agree about the importance of universal coverage. When we look at the axis of economics, though, we may find that the DSA is much more radical in its proposals than the Democratic Party.

The problem of identifying relevance

In principle, any one thing in the world could be compared with any other thing in the world. For example, you could compare your shoe with the moon, and conclude that one similarity is that they both exist within the Milky Way galaxy.

But this would be a meaningless point (even if it may make for some interesting poetry). It is important for you to figure out what exactly you are trying to determine through your comparative essay. What is your purpose for writing it?

This will help you choose two items where setting up a dialectical contrast between them will produce actual insight, and it will also help you to choose the proper parameters by which to compare those items.

For example, suppose that you are running a business, and there are two expansion options open in front of you. It would be logical for you to compare and contrast these options, since this will help ensure that you are making your decision with as much knowledge and insight as possible.

Business associates meeting around a laptop.

Likewise, one parameter that you are sure to consider is: which option will make your business the most money? If you pick parameters that are meaningless, then you will obtain no real insight that can help you make the important decision.

Using a rubric

Once you have identified both the two items of comparison and the axes along which they will be compared, you can proceed to analyze the items by applying the axes in the form of a table or rubric.

This is what has been done, for example, in the tables that have been developed above in this article. In the left-most column, list the parameters you have selected in order to compare your items. Then, in the top-most row, list the items.

Then go ahead and list the relevant details for each parameter for each of the two items. This will produce a table where you can see how each item measures up against the other for each parameter.

The important thing is to be systematic when you are making your comparison: it should not seem random or arbitrary. Thus, it is important to carefully select both the items and the parameters for comparison, and then to proceed to address each item/parameter combo in turn.

There are several elements that are a part of any good comparative essay.

Effective selection of items

A strong comparative essay has well-chosen items for comparison, with the comparison producing actual insights of value through the juxtaposition of the two items. If the items appear to be chosen for no apparent reason, or if the comparison does not in fact produce insight, then the comparative essay would be quite weak (or at any rate pointless).

The comparative essay is not meant to make an argument in favor of one thing or another, but it is meant to produce knowledge and insight about the two things under comparison. In order to compare and contrast items in an effective way, the two items must be different enough from each other, but they should also not be so different that it just feels absurd to even compare them at all.

Effective selection of parameters of comparison

A good comparative essay not only includes well-selected items of comparison, it also includes well-selected parameters of comparison. Between any two selected items, you could theoretically make an endless number of comparisons.

But a good comparative essay identifies parameters of comparative in terms of salience , or the reasons why anyone would be interested in the comparison in the first place. This can be difficult, because in principle, any comparison could be interesting, depending on the audience of the comparative essay and the intended purpose of the essay.

For example, one could use the parameter of zodiac sign to compare Romantic artists against Enlightenment artists.

This could be very interesting to people who are very serious about the zodiac, but it would probably seem ridiculous to just about everyone else.

But if you were writing for an audience of zodiac fanatics, then this comparison could actually be a success.

So, there is no parameter of comparison that is "inherently" bad. Rather, the point is to find parameters that highlight specific salient aspects of the selected items.

For example, when comparing Romanticism against the Enlightenment, core values would be a solid parameter of comparison, because that will surely help produce insights about how worldviews changed from the one paradigm to another.

Strong organizational structure

If you want your comparative essay to be a success, then it absolutely must have strong organizational structure . This is because an effective comparison must be easy for your reader to follow. It can't just jump all over the place at random, which not only be confusing but could also result in the reader forgetting what the point of the comparison was in the first place.

In general, there are two ways in which you can organize your comparative essay. In the first format, each of the parameters would be considered in the section for similarities and the section for differences.

In the first format the comparative essay is organized in terms of similarities and differences, whereas in the second format the essay is organized in terms of parameters of comparison.

One version of the comparative essay compares the similarities and differences between subjects

In the second format, both similarities and differences would be considered within each of the parameter sections.

The second version of the comparative essay compares the parameters of both the similarities and differences

Both these are formats are good, and a strong comparative essay could be built around either one.

The important thing is to have a clear system and to not make your comparisons random.

There needs to be an organizational structure that your reader can easily follow.

There are steps you can follow in order to ensure that your comparative essay has all the elements that will be required in order to make it great.

Ask yourself about your intention

If you have selected two items for your comparative essay, then you should start by asking yourself why you selected those two items. What is it about the two items that made you think it would be a good idea to compare them? (Or if you were assigned the two items, then why do you think those items were selected by your professor?)

The point here is that the items selected for a comparative essay are non-random. They are selected because that specific comparison should be able to yield interesting insights (unlike research papers ).

For example, if you are writing a comparative essay on the dogs vs. cats, then are you writing this from the perspective of evolutionary biology? Or are you perhaps writing it in order to inform potential pet owners who are debating whether they want a dog or a cat?

The purpose of your essay will determine what parameters you will select in order to compare your two items. This means that you should have an intended audience in mind, and you should also have specific questions you would like to know more about.

In short, in order to develop effective parameters for your comparative essay, you have to ask yourself why you are writing it and who would be interested in the insights produced by the essay. This can help ensure you select both appropriate items and appropriate parameters for comparison.

Develop a structural outline

It is very important that you do not just jump into your comparative essay and start writing it without a plan. That is a recipe for disaster, and the comparisons will almost certainly turn out random and confusing. Rather, you should begin with a solid outline .

A good outline will do three main things:

1. Identify the selected items of comparison in the introduction/thesis
2. Utilize one of the two organizational formats described above
3. Provide a roadmap for how you intend to systematically follow through on the comparison

For example, here is how an outline could look for a comparative essay on Romanticism vs. the Enlightenment.

Sample outline of a comparative essay about Romanticism and the Enlightenment

In this sample outline, the format that is used dedicates a paragraph to each of three parameters of comparison, and both similarities and differences are addressed for each of those parameters.

This is the kind of logical flow that you will need to have in order for your comparative essay to turn out great.

Write in a systematic way

A comparative essay is not a place to get too creative with your writing, whether in terms of organization or in terms of style.

Rather, you should focus on simply carrying out your comparison, point-by-point and in a way that is easy for your reader to follow. This can get a little tedious, so if that is a problem for you, then you should make sure that you set aside enough time to work on your comparative essay little by little.

For example, if your essay has three parameters, then you could write a section on the first parameter today, the second parameter tomorrow, and the third parameter the next day.

The important thing is for you to ensure that you consider each of your two selected items in terms of each of your selected parameters. This needs to be done in a smooth and logical manner, such that your reader knows where you are in the comparison. There should be no jumping around, and there should be no departure from the basic format or structure.

Example comparative (compare/contrast) essay

Best practices/tips.

We have now arrived at the end of this guide, and you should have a much better idea of what makes a comparative essay successful and how you can go about writing one. It may be helpful to now summarize some of the main points that have been addressed here.

Let's address five main points.

1. Ensure that you select appropriate items for comparison

The two items that will be compared in your comparative essay should be carefully selected. The items should have some shared features and be in the same "class" of items, but they should also have substantial differences to which you are trying to call attention. If the items are too similar, then there would be no point in the comparison, but if they are too different, that can also make the comparison meaningless.

2. Select effective parameters of comparison

Your comparative essay shouldn't compare anything and everything between your two items; rather, the parameters should be specifically selected to highlight specific, salient similarities and differences. In order to determine what parameters would be effective, you have to ask yourself why you are writing your comparative essay and what sort of insights you intend to produce about the items being compared.

3. Use tools and models in an effective way

The Venn diagram is one tool that can be very helpful in conceptualizing your comparative essay, especially if you are a more visual kind of learner. Tables, rubrics, and outlines will also work to help ensure that you are developing a strong backbone of logic and systematic reasoning for your comparative essay. These and other tools may even help you reconsider your initial choices of items and parameters, if you realize that significant insights are not being produced.

4. Choose an organizational format, and stick with it

There are two main ways in which to structure an effective comparative essay, which have been described above. You can dedicate one section to similarities and one section to differences; or, you can dedicate a section to each of the parameters of comparison. This second option is usually more effective, especially if you are new to comparative essays. But either way, it is crucial that you stick to your chosen format and do not jump around and confuse the reader.

5. Seek assistance if you need it

If you are still uncertain about how to write a successful comparative essay, then Ultius is here to help. Our writer help section has many tools like this one available on various types of essays; we have a huge writer help section that contains all sorts of information on pretty much any writing-related questions you may have; and we also have elite professional writers who can produce a sample comparative essay for you on any subject of your choosing. We are here for you, and if you have any further questions about how to write a comparative essay, then you should feel free to reach out.

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Comparative essay structure

UPDATE – September 2014.

Again and again it’s been pointed out at marking conferences and in marking schemes that YOU MUST RESPOND TO THE QUESTION. Stock learned off answers are not being rewarded – and rightfully so! Using what you know to offer your opinion is what counts – agree, disagree, partially agree, partially disagree – it’s doesn’t matter as long as your essay is directly responding to the Q asked throughout and is doing so in a comparative way.

Here’s an extract from the Chief Examiner’s Report

“ examiners were pleased when they saw candidates trust in their own personal response and demonstrate a willingness to challenge the ‘fixed meaning’ of texts. The best answers managed to remain grounded, both in the question asked and in the texts ”.

Examiners complained that students had pre-prepared answers which they refused to adapt to the question asked. Don’t get confused here: in the comparative section you have to have done a lot of preparation prior to the exam. The similarities and differences are unlikely to simply occur to you on the day under exam conditions and the structure of comparing and contrasting, weaving the texts together using linking phrases and illustrating points using key moments is not something you can just DO with no practice. It’s a skill you have to learn. But you MUST be willing to change, adapt, and select from what you know to engage fully with the question asked.

This compliment, followed by a warning, was included in the 2013 report:

“ Many examiners reported genuine engagement with the terms of the questions, combined with a fluid comparative approach. As in previous years, examiners also noted that a significant minority of candidates were hampered by a rigid and formulaic approach “.

At the 2011 marking conference, a huge emphasis was placed on students engaging with the question – and the point was made that all too often they DON’T. You may have a general structure in your head but if this structure doesn’t suit the question that comes up DON’T just doggedly write what you’re prepared anyway. Use what you know to answer the Q. The basic structure will remain (text 1 key moment, link, text 2 km, link, text 3 km, general observation) – it’s not rocket science. But you must prove (if you want a grade above 70% in comparative) that you can engage with the question throughout your answer (not justthrow it in @ beginning and end) and conclude by showing how your essay engaged with the question asked. So the moral of the story is, if you puke up a pre-prepared answer & completely ignore the question, don’t be surprised when you then do badly!

Anyway, you still want to know what the basic comparative structure IS but remember you do not know what you will write until you see the question. Even then, your brain should be on fire non-stop as you write your answer. This is not about ‘remembering’ stuff – this is about knowing it so well, that it’s all there in your brain and you just have to shuffle it about so that it makes sense as a response to whatever question is asked.

Sorry, I don’t intend to scare you – but nor do I want to you be under some illusion that you just write one essay for each comparative mode during the year and that will do. IT WON’T…

UPDATE OVER

Right, here goes…

The quality of your links is REALLY SUPREMELY important. This section of the course is called ‘comparative studies’ for a reason. The more detailed a link is the more marks you’ll get for it. Thus just using the words ‘similarly’ or ‘by contrast’ isn’t really enough. Link individual characters from different texts, establish the ways they or their circumstances are similar but also point out subtle differences. You can extend this comparison throughout your paragraph/section if necessary (in fact this is a good idea) – but don’t simply repeat yourself.

Here’s some general advice on how you might structure your comparative essay, but I repeat, adapt, adapt adapt to the question asked .

Introduction:

Theme or Issue : Address the Q, introduce your theme, then your texts – genre, name, author and mention the central character who you will focus on in your discussion of this theme.

General Vision & Viewpoint : Address the Q, introduce the idea of GV&V (briefly), then your texts – genre, name, author and mention the major emotions you associate with each.

Cultural Context: Address the Q, introduce the idea of cultural context (briefly), then your texts – genre, name, author, plus where and when they are set. You may want to mention the aspects of cultural context you intend to discuss.

Literary Genre: Address the Q, briefly introduce what literary genre means, then introduce your texts – genre, name, author. Outline the aspects of literary genre you will discuss (depends on the Q asked).

Look at the following examples. Imagine the Q is “Exploring a theme or issue can add to our enjoyment of a text”

“I found it fascinating to explore the central theme of plagiarism in my comparative texts. In the novel ‘Old School ‘ (OS) by Tobias Wolff I was intrigued by the narrator’s self delusion after he entered a competition with a short story he had not written. By contrast, I found the film ‘Generous’ (GEN) directed by Frank Faulkner quite disturbing. It explores a young girl’s obsession with becoming famous as she ‘borrows’ outrageous online articles to make her blog more popular. Finally I found the play “IMHO” by Judy Price hilarious. It looks at how we all ‘copy’ ideas from others and pass them off as our own at dinner parties. Thus exploring this theme greatly added to my enjoyment of each text”.

Now look at how this changes for a different mode. Imagine the Q is “The general vision & viewpoint of a text often offers the reader both joy & despair”

“ All of my comparative texts took me on a rollercoaster ride through the highs and lows experienced by the central characters . In the novel “Old School” (OS) by Tobias Wolff I experienced the narrator’s joy at the visit of Robert Frost, and his despair when his cheating was uncovered. Similarly, the film “Generous” (GEN) directed by Frank Faulkner begins in elation for Emily as her blog goes viral but ends in complete mental and physical collapse. By contrast, the lighthearted play “IMOH” by Judy Price offers a hilarious look at the falseness of modern dinner parties and the only despair the audience feels is lamenting the complete lack of self-awareness of the central characters. Thus the vision & viewpoint of each text offered me a wide and varied range of emotions from joy to depair”.

Now look at how this changes again: Imagine the Q is: “Characters are often in conflict with the world or culture they inhabit”

“ The novel ‘Old School’ (OS) written by Tobias Wolff is set in an elite American boarding school in the 1960’s and the unnamed narrator certainly comes into conflict with his world. This text explores cultural issues such as social class, ethnic identity and authority figures. Similar issues are explored in the film “Generous” (GEN) directed by Frank Faulkner and set in modern day London as Emily comes into conflict with her parents, peers and teachers. My third text the play “IMOH” by Judy Price set in Celtic Tiger Ireland also looks at the conflicts which occur as a result of people’s social snobbery and their desire to escape their cultural identity and heritage. In this text the major authority figure is Susan, the host of the dinner party, who desperately tries to keep her guests in line. Thus I absolutely agree that these three texts made me more aware of the ways in which people can come into conflict with the world or culture they inhabit”.

Finally look at this literary genre question : “The creation of memorable characters is part of the art of good story-telling” .

The unnamed narrator in Tobias Wolff’s novel ‘Old School’ (OS) is a fascinating and memorable character because he is struggling to come to terms with his own flaws. Similarly, the film ‘Generous’ (GEN) directed by Frank Faulkner has a central character Emily who we emphathise with despite her many flaws. Finally, the play ‘IMHO’ by Judy Price with its emsemble cast creates many memorable characters but for the purposes of this essay I will focus on the dinner party host Susan. These characters live on in our memories because of the writer’s choice of narrative point of view, because of the vivid imagery we associate with them and because the climax of the action revolves around their character.

NEXT you need to think about structuring the essay itself. The most important thing to decide in advance is what aspect you wish to compare for each page/section but this may need to change to adapt to the Q.

For theme or issue you might plan it out like this but at all times focus on answering the Q:

How is this theme introduced? How does this theme affect the central character/characters?
How is this theme developed? Do the central characters embrace or fight against it? How?
Do other characters influence how this theme unfolds?
How does the text end & what are our final impressions of this theme as a result?

Asking the same question of each text allows you to come up with the all important links (similarities & differences).

For general vision & viewpoint you might plan as follows but at all times focus on answering the Q:

What view is offered of humanity (are the main characters likable or deplorable?)
What view is offered of society (is this society largely benign or does it negatively impact on the characters)
How does the text end & what vision are we left with (positive or negative) as a result?

Alternatively you could just take a beginning, middle, end approach but you must at all times focus on whether the vision/feelings/atmosphere is positive or negative and how this impacts on the reader/viewers experience.

For literary genre you must focus on the aspects mentioned in the question – possibly some of these:

Genre – diff between novel/play/film
Narrator / point of view
Characterisation
Chronology – flashback / flashforward
Climax / twist

For cultural context you must decide which of the following issues are most prominent in all three texts – try to find links before you decide. At all times focus on answering the Q asked

Social class / social status
Wealth / poverty
Job opportunities / emigration
Authority figures
Sex / Marriage (attitudes towards)
Gender roles
Stereotypes / Ethnic identity

You may find some overlap between 2 of these – for example social class often influences a person’s wealth or poverty; religion often effects attitudes towards sex and marriage; marriage can often be a financial necessity for those with limited job opportunities (mostly women, so this overlaps with gender roles). Choose your sections carefully so you don’t end up repeating yourself.

You might plan as follows for the example given above but everything depends on the texts & the question.

Social status
Ethnic identity
How does the text end? Do the main characters escape or remain constrained by their cultural context?

Once you’ve decided what sections to include your structure for each goes a little something like this:

STATEMENT – ALL 3 TEXTS e.g. All of the central characters are deeply aware of their social class and wish to ‘climb the ladder’ as it were in the hope that they will achieve recognition, the envy of their peers and ultimately a better life.

STATEMENT – TEXT 1 e.g. In OS, the narrator hides his background (he comes from a broken home) from his wealthier peers.

KEY MOMENT TEXT 1 e.g. This is evident when he discusses how, at school, your social class was defined not just by your clothes but also by how you spent your summers – in his case “working as a dishwasher in the kitchen crew at a YMCA camp” a fact which he vows never to reveal to his classmates.

LINKING PHRASE & STATEMENT TEXT 2 e.g. Similarly, in GEN, Emily comes from a broken home, but it is her family’s absolute impoverishment which she keeps hidden from her classmates. Like the narrator in OS, she fears their pity but unlike him she is already dealing with the harsh reality of being a social outcast at school.

KEY MOMENT TEXT 2 e.g. During one key moment she describes leaning down to tie her shoes, all the while talking, only to look up and find her friends have walked off and are now laughing at her for talking to thin air. Thus her desire to escape the limitations of her background is more urgent than in OS.

LINKING PHRASE & STATEMENT TEXT 3 e.g. By contrast, in IMHO, Jane, Lucy, Joel, Zach & Max all come from upper middle class backgrounds. Their social status is more secure than the narrator in OS or Emily in GEN, yet they are all obsessed with creating the impression that they have links to the aristocracy – or in Zach’s case, royalty.

KEY MOMENT TEXT 3 e.g. Several key moments spring to mind, the funniest of which is when Lucy boasts about the diamond necklace she’s wearing being a family heirloom bequeathed by her Aunt Tess, only to have one of the so-called diamonds fall into her soup. Joel the jeweller then delights in pointing out the evident ‘fake’ in the room (the woman AND the diamond).

STATEMENT ALL 3 & PERSONAL RESPONSE TO QUESTION ASKED e.g. Thus I found it fascinating, tragic and at times hilarious to see how all of these characters were so deeply affected by their obsession with their social status and to observe the conflicts – both internal & external – which resulted.

This all sounds very technical but if you break it down as follows it’s not so complicated (easy for me to say!)

STATEMENT ALL 3 TEXTS

STATEMENT TEXT 1 & KEY MOMENT

LINKING PHRASE & STATEMENT TEXT 2 & KEY MOMENT

LINKING PHRASE & STATEMENT TEXT 3 & KEY MOMENT

STATEMENT ALL 3 & PERSONAL RESPONSE TO QUESTION

Now look at how the paragraph/section flows when you put it all together.

All of the central characters are deeply aware of their social class and wish to ‘climb the ladder’ as it were in the hope that they will achieve recognition, the envy of their peers and ultimately a better life. In OS, the narrator hides his background (he comes from a broken home) from his wealthier peers. This is evident when he discusses how, at school, your social class was defined not just by your clothes but also by how you spent your summers – in his case “working as a dishwasher in the kitchen crew at a YMCA camp” a fact which he vows never to reveal to his classmates. Similarly, in GEN, Emily comes from a broken home, but it is her family’s absolute impoverishment which she keeps hidden from her classmates. Like the narrator in OS, she fears their pity but unlike him she is already dealing with the harsh reality of being a social outcast at school. During one key moment she describes leaning down to tie her shoes at her locker, all the while talking, only to look up and find her friends have walked off and are now laughing at her for talking to thin air. Thus her desire to escape the stigma of her background is more urgent than in OS. By contrast, in IMHO, Jane, Lucy, Joel, Zach & Max all come from upper middle class backgrounds. Their social status is more secure than for narrator in OS or Emily in GEN, yet they are all obsessed with creating the impression that they have links to the aristocracy – or in Zach’s case, royalty. S everal key moments spring to mind, the funniest of which is when Lucy boasts about the diamond necklace she’s wearing being a family heirloom bequeathed by her Aunt Tess, only to have one of the so-called diamonds fall into her soup. Joel the jeweller then delights in pointing out the evident ‘fakes’ in the room (the woman AND the diamond). Thus I found it fascinating, tragic and at times hilarious to see how all of these characters were so deeply affected by their obsession with their social status and to observe the conflicts – both internal & external – which resulted.

This paragraph only establishes that the characters want to hide or improve their social class. You could now look at some of their attempts to improve their social status.

If a paragraph gets too long, break it into two. The linking phrase will make it clear that you’re still talking about the same issue.

For the 30 / 40 marls question just take all of your statements & key moments for Text 1 and put them together, all the while answering the question and offering personal response. This is your 30 marks part.

Then take all of your statements & links for texts 2 & 3 and put them together, all the while answering the question and offering personal response. This is your 40 marks part. You will refer back, in passing, to Text 1 but only when establishing your links.

Also, I’ve said it before but I’ll say it again: the more detailed a link is the more marks you’ll get for it. Thus just using the words ‘similarly’ or ‘by contrast’ isn’t really enough. Link individual characters from different texts, establish the ways they or their circumstances are similar but also point out subtle differences.

This structure applies no matter what the mode – theme or issue / general vision or viewpoint / cultural context / literary genre.

P.S. If you’re wondering why you’ve never heard of the film Generous or the play IMHO, I can explain. I made them up.

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Comparative Essay

Academic institutions always provide writing exercises to students so that the level of understanding that the students can have about a particular subject manner is widened. One of the most common academic essay examples that’s given as writing assignment to students is the comparative essay. A comparative essay, also known as comparison essay or compare and contrast essay, is the type of essay that specifically analyzes two subject matters. There are a lot of academic fields where writing a comparative essay can be beneficial to students and their educational undertaking.

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A comparative essay can either compare or contrast two topics, theories, materials and other subjects of discussion. However, there are activities where both comparisons and contrasts are necessary to be presented. If you are required to write a comparative essay but is unaware on how you can do one effectively, you can browse through the samples that we have gathered for you so you can be more knowledgeable on how to structure both the content and layout of this kind of essay.

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The Concept of Comparative Essays

Different college essay examples are written based on different sets of instructions. Depending on the writing task that you have at hand, the things that you may include in your comparative essay may vary. However, the concept of making a comparative essay remains the same. For it to be clearer in your mind, here is how a comparative essay works:

A comparative essay is an academic essay that requires students to create a comprehensive and precise comparative report about two things.
A comparative essay is an organized written material that is meant to provide a comparison that should be easily understood by the target readers. It is set to impress people by providing them the information that they need to be aware of about two subjects and how they differ and/or compare with each other.
A comparative essay can be written if you have two objects or subjects that can be compared in a level where their similarities and/or differences are relevant or meaningful for a specific purpose.
A comparative essay can be used in formal writing assignments and it can also be the basis for various research assessments.
A comparative essay is created through pertaining precise points of comparison. These points should be backed by actual researchers, factual information, and other reliable evidence.

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How to Develop the Content of Your Comparative Essay

Before writing a comparative essay, you first need to arm yourself with the information that you need. This will allow you to create a comparative essay that is filled with relevant and helpful information. More so, this can help you veer away from committing common essay mistakes if you are already in the process of actual content writing.

The way that you plan to present your ideas, especially if they are backed up with facts, can make your comparative essay more successful. Listed below are the steps that you may use when developing the content of your comparative essay.

The first thing that you need to do is to be aware of the question that you need to answer. You need to be aware of the essay prompt so you can address the needs of your readers. It is essential for you to be fully knowledgeable of the essence of the question so you can interpret it accordingly. The content that you will write will only be effective if it is related to the question and if it matches the purpose on why the essay is necessary to be written.
Know whether there are limits for your discussion . Always identify whether you need to know the similarities or the differences between your subjects. Also, you need to know whether the scope of your essay assignment requires you to do any of these or both.
Select the ideas that you would like to compare. It is important for you to have an in-depth understanding of the kind of comparison that you will write. The framework of your essay should be based on an actual evaluation that can point out how you were able to perceive the similarities or differences of the subject.
Assess whether you already have sufficient points for comparison. Your ability to present as many valid points as possible can make a lot of clarifications about the unanswered questions that you can enlighten your readers with.
Once the points of your comparison are already specified, list down whether they are under the similarities or differences of the two subjects. This step can help you be organized throughout the writing process. With easy access to how subjects are compared, you can be guided on how to use them in your content development.
Evaluate your list. Your list is only your initial view about the subjects being reviewed or assessed. Hence, further evaluation is necessary. Make sure that you will read through the entire list so you can rank them based on their impact and weight of thesis.
Chronologically arrange your list based on your basis of comparison . Make sure that you will follow a metric when examining the items that you will place in your actual comparative essay.
Know the approach that you will use when developing your essay content. Will you be theoretical? Will you focus on answering questions for comparison? It is essential for you to be aware of your basis so your approach can provide you with maximum benefits within the entirety of the content development process.
Research further about your subjects so you can verify whether your claims and initial claims are correct. This can help you create more topics and gather more evidence that can support your comparison.
Create a thesis statement where your discussion can set its foundation. This will enable you to start writing the comparative essay that you would like to achieve.

You may think that this is a very long process just for developing the ideas that you will present. In a way, you may be right. However, being prepared and ready on how you will attack and execute the writing assignment can make it easier for you to create a valid discussion.

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Steps in Organizing Your Comparative Essay Discussion

Aside from knowing the idea of what you will write about, the structure of your essay or the organization of your essay’s content can affect the smooth flow of your discussion. Even during last minute essay writing activities, you can still come up with an outstanding comparative essay if you are already knowledgeable on how you can organize your essay’s idea, content, structure, and discussion. Listed below are some of the ways on how you can efficiently organize your comparative essay’s content.

Refer to the outline of your comparisons. This is where the items that we have discussed above can be helpful. If you are already guided by your comparisons, then you can easily rank their relevance to the essay that you will write. Referencing your comparisons can make it easier for you to have a thesis statement that you can further discuss.
Organize your writing strategies. The strategies that you will incorporate into your discussion can make it easier for readers to relate to your point. You need to make sure that your strategies are aligned with your type of comparison and the subjects that you are comparing.
Properly address your comparisons. For your comparative essay to be highly-usable, you need to make sure that you will implement simplicity within your discussion. Do not make it complicated. The content of your comparative essay should be as simple as possible so that it can be furthermore understood.
Organize your paragraph structure. The way that you create your paragraph listing can be one of the factors that can either improve or destroy your comparative essay. You should create a draft that can specifically state the items that you will discuss per paragraph. Create statements that can address specific comparisons and divide them per paragraph. Each of your paragraphs should be talking about one subject so you can give focus per comparison aspect.
Evaluate whether your writing guide is already organized enough. It is essential for you to not overlap subjects of discussion. When organizing your statements, make sure to cover one subject at a time. This will help you create a comparative essay that contains a list of carefully arranged and curated evidence which are further discussed and broken down into relevant specification pieces.

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Writing Guide in Creating the Actual Comparative Essay

Just like descriptive essay examples and other kinds of academic essays, a comparative essay can be created in different ways. Each writer has various techniques that can be applied when doing this particular kind of essay. Since there are no strict rules when it comes to crafting a comparative essay, all you need to ensure is that your comparative essay is comprehensive, understandable and credible. Here is how you can effectively write your actual comparative essay:

Create an introduction to the topic. Your thesis statement should contain the subjects that you will talk about. You also need to create an initial discussion of what your readers can expect to the reader within the content of your comparative essay. A strong validation of your comparison can make your readers more interested to browse through the entire essay document.
Develop your next paragraphs for discussion. As mentioned above, work per paragraph. Arrange your topics of discussion in a way that each paragraph can specifically state one comparison topic per time. You have to create an interesting discussion so you need to ensure that all your paragraphs are organized and well-written.
Finalize your comparative essay with a conclusion. Your last paragraph should contain the information about your final thoughts with regards the comparison. How different or similar are the two subjects from one another? How sure are you that your basis is factual and relevant? Create a great impact b
y having a conclusion that can put together all your points of discussion.

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Sample Comparative Essay Guide

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Factors to Consider When Writing a Comparative Essay

In comparison to evaluation essay examples , a comparative essay is more keen with regards the assessment of two subjects. If you will write a comparative essay, you need to have an idea of the impacts of different factors to the result that you may get at the end of the writing activity. Listed below are some of the elements or factors that you need to take into consideration when writing a comparative essay.

Your discussion’s organization. Within the entirety of the comparative essay creation, it is very evident that organization is key to success. As a writer, you need to ensure that you have a skeletal plan that can create your discussion more polished and coherent. The discussion of your organization can greatly affect the impression of your readers with regards your knowledge about your topic as well as your level of understanding with what you are talking about.
Your thesis statement. When creating a comparative essay, you need to stick with an argument that can provide you the framework for the effective dissemination of information. Your thesis statement should be based on the results of your frame of references. You need to analyze your subjects properly so that you can create a stand on how you perceive them in levels of similarities and/or differences.
Your claims or grounds for comparison. You should always be aware of your selection processes. At the end of the writing activity, you need to validate the importance of comparing two subjects. Always have your grounds of comparison ready so you can ensure your readers that you have followed a particular set of criteria that can enable the objectivity between the selection of two items for comparison. The rationale that you have behind your subject selection can make your comparative essay more appealing.
Your reference frame. A comparative essay’s frame of reference deals with the way that the writer has created the groupings for the comparison. May it be talking about the similarities, differences, or both of these factors; a comparative essay should be able to have a reference that can identify how the characteristics of ideas, themes, theories or even problems are arranged.

With the samples that we have in this post, it will be faster for you to identify the points of discussion that you need to provide. Again, comparative essays vary from one another in terms of content. Ensure that you are fully aware of the writing instructions given to you so you can plan your comparative essay’s content and structure accordingly.

Always refer to the guidelines and tips that we have specified so you can create effective decisions in every step of your comparative essay development. Do not be afraid to write what your thoughts. As long as these thoughts are based on factual references, then it will be easy for you to have a comparative essay that can achieve its purpose or reason for creation.

the art of writing a comparative essay lies in the delicate balance of presenting similarities and differences in a clear, coherent manner. This type of essay encourages critical thinking and develops analytical skills, crucial for academic success. For further guidance on creating effective comparative essays, the UNC Writing Center offers a detailed resource on comparing and contrasting ( UNC Writing Center ). This link provides valuable insights and examples, helping students refine their comparative writing skills. By mastering the comparative essay, students not only enhance their writing abilities but also deepen their understanding of contrasting subjects, an essential skill in many academic and professional fields.

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The Ultimate Guide to VCE Comparative

May 8, 2019

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Updated 14/07/2022

What Is a Comparative?
What Are You Expected To Cover? (Comparative Criteria)
School Assessed Coursework (SAC), Exams and Allocated Marks
How To Prepare for Your Comparative SAC and Exam
How To Write a Comparative Essay

1. What Is a Comparative?

Comparative is also known as 'Reading and Comparing', 'Comparative Essay' and less frequently, 'Compare and Contrast'. For our purposes, we'll just stick to 'Comparative'.

As its name may indicate, a Comparative is when you analyse and write on two texts, comparing their similarities and differences. In VCE, there are 8 pairs of texts Year 12s can choose from (or more accurately, your school chooses for you!). The most popular combination of texts include novels and films, however, plays also make it onto the list.

When you start doing Comparative at school, you will move through your texts just as you have for Text Response (except...instead of one text it's actually two) - from watching the film and/or reading the novel, participating in class discussions about similar and different themes and ideas, and finally, submitting one single essay based on the two texts. So yep, if you've only just gotten your head around Text Response, VCAA likes to throw a spanner in the works to keep you on your toes!

But, don't worry. The good news is all of your Text Response learning is applicable to VCE’s Comparative, and it's really not as hard as it might first appear. Here's a video I created introducing Comparative ( I've time-stamped it to start at 0:55 - when the Comparative section starts - thank me later! ).

‍ 2. What Are You Expected To Cover? (Comparative Criteria)

What are teachers and examiners expecting to see in your essays? Below are the VCE criteria for Comparative essays (sourced from the VCAA English examination page ).

Note: Some schools may express the following points differently, however, they should all boil down to the same points - what is necessary in a Comparative essay.

a) Knowledge and understanding of both texts, and the ideas and issues they present

Society, history and culture all shape and influence us in our beliefs and opinions. Authors use much of what they’ve obtained from the world around them and employ this knowledge to their writing. Understanding their values embodied in texts can help us, as readers, identify and appreciate theme and character representations.

For example: Misogyny is widespread in both Photograph 51 and The Penelopiad , and both writers explore the ways in which females deal with such an environment. Photograph 51 is set in the 1950s when women begun to enter the workforce, whereas The Penelopiad is set in Ancient Greece, a period when women were less likely to speak out against discrimination.

b) Discussion of meaningful connections, similarities or differences between the texts, in response to the topic;

More about this later in 4. How To Prepare for Your Comparative SAC and Exam, Step 2: Understand both your texts - as a pair (below) .

c) Use of textual evidence to support the comparative analysis

While you should absolutely know how to embed quotes in your essay like a boss , you want to have other types of evidence in your Comparative essay. You must discuss how the author uses the form that he/she is writing in to develop their discussion. This encompasses a huge breadth of things from metaphors to structure to language.

For example: "The personification of Achilles as ‘wolf, a violator of every law of men and gods', illustrates his descent from human to animal..." or "Malouf’s constant use of the present voice and the chapter divisions allow the metaphor of time to demonstrate the futility and omnipresence of war..."

To learn more about metalanguage, read our What Is Metalanguage? post.

d) Control and effectiveness of language use, as appropriate to the task.

When examiners read essays, they are expected to get through about 12-15 essays in an hour! This results in approximately 5 minutes to read, get their head around, and grade your essay - not much time at all! It is so vital that you don’t give the examiner an opportunity to take away marks because they have to reread certain parts of your essay due to poor expression and grammar.

3. School Assessed Coursework (SAC), Exams and Allocated Marks

Comparative is the first Area of Study (AoS 1) in Unit 2 (Year 11) and Unit 4 (Year 12) - meaning that majority of students will tackle the Comparative SAC in Term 3. The number of allocated marks are:

Unit 2 – dependant on school
Unit 4 – 60 marks (whopper!)

The time allocated to your SAC is school-based. Schools often use one or more periods combined, depending on how long each of your periods last. Teachers can ask you to write anywhere from 900 to 1200 words for your essay (keep in mind that it’s about quality, not quantity!)

In your exam, you get a whopping total of 3 hours to write 3 essays ( Text Response , Comparative, and Language Analysis ). The general guide is 60 minutes on Comparative, however, it is up to you exactly how much time you decide to dedicate to this section of the exam. Your Comparative essay will be graded out of 10 by two different examiners. Your two unique marks from these examiners will be combined, with 20 as the highest possible mark.

4. How To Prepare for Your Comparative SAC and Exam

Preparation is a vital component in how you perform in your SACs and exam so it’s always a good idea to find out what is your best way to approach assessments. This is just to get you thinking about the different study methods you can try before a SAC. Here are my top strategies (ones I actually used in VCE) for Comparative preparation that can be done any time of year (including holidays - see How To Recharge Your Motivation Over the School Holidays for more tips):

Step 1: Understand each text - individually

This doesn’t mean reading/watching your texts a specific amount of times (though twice is usually a recommended minimum), but rather, coming to an understanding of your texts. Besides knowing important sections, quotes, themes and characters (which are still important and which you should definitely know), here are some other matters which are also necessary to consider:

Why has it been chosen by VCAA (out of literally millions of other books)?
Why are you reading it (especially if it’s an old text, and how it’s still important throughout the ages)?
Why did the author write it?
What kind of social commentary exists within the text (especially on specific issues and themes)?

These kinds of questions are important because quite often in this area of study, you’ll be defending and interpreting your own ideas alongside the author’s. When you find a solid interpretation of the text as a whole, then no essay topic will really throw you off - because you’ll know already what you think about it. Moreover, because you’re comparing two texts in this section, understanding a text and being specific (e.g. 'both texts argue that equality is important' vs. 'while both texts A and B agree with the notion of equality, A focuses on ____ whereas B highlights ____') will help your writing improve in sophistication and depth.

If you need any more tips on how to learn your texts in-depth, Susan's (English study score 50) Steps for Success in Text Study guide provides a clear pathway for how to approach your texts and is a must read for VCE English students!

And, if you're studying texts you hate (ugh!), you'll also want to check out Lavinia's guide which teaches you how to do well even when you hate your texts .

Step 2: Understand both your texts - as a pair

Avoid simply drawing connections between the texts which are immediately obvious. When writing a Comparative, the key strategy that'll help you stand out from the crowd is the CONVERGENT and DIVERGENT strategy . I discuss this in more detail below, under 'eBooks'.

We'll use George Orwell's Animal Farm and Shakespeare's Macbeth as an example ( don't worry if you haven't studied either of these texts, it's just to prove a point ). The most obvious connection simply from reading the plot is that both Napoleon and Macbeth are powerful leaders. However, you want to start asking yourself more questions to develop an insightful comparison between the two men:

For example: In Macbeth and Animal Farm a common theme is power

Q: How do they achieve power?

A: In Animal Farm , Napoleon is sly about his intentions and slowly secures his power with clever manipulation and propaganda. However , Shakespeare’s Macbeth adopts very different methods as he uses violence and abuse to secure his power.

Q: How do they maintain power?

A: Both Napoleon and Macbeth are tyrants who go to great length to protect their power. They believe in killing or chasing away anyone who undermines their power.

Q: What is the effect of power on the two characters?

A: While Macbeth concentrates on Macbeth’s growing guilty conscience and his gradual deterioration to insanity, Animal Farm offers no insight into Napoleon’s stream of consciousness. Instead, George Orwell focuses on the pain and suffering of the animals under Napoleon’s reign. This highlights Shakespeare’s desire to focus on the inner conflict of a man, whereas Orwell depicted the repercussions of a totalitarian regime on those under its ruling.

Check out our comparative scene analysis of The Longest Memory & The 7 Stages of Grieving for another example of understanding texts as a pair!

Step 3: Know your comparative words

Having a list of comparative words will help you understand your texts as a pair, and helps make your life easier when you start writing your essays. Here's a list we've compiled below:

Similarities

Additionally
At the same time
Correspondingly
Furthermore
In addition
In parallel

Differences

Compared to
Despite that
Even though
In contrast
Nevertheless
On the contrary
On the other hand
Nonetheless

Feel free to download the PDF version of this list for your own studies as well!

Step 4: Understand the construction of your texts

Besides comparing ideas and themes, and having an understanding of what the text says, it’s also imperative that you understand HOW the texts say it. This type of analysis focuses on metalanguage (also known as literary devices or literary techniques). When you get technical with this and focus on metalanguage, it brings out more depth in your writing.

You could start asking yourself:

What kind of description is used?
What kind of sentences are used?
Are they long and winding or rather short and bare?
Are they dripping with adjectives or snappy?
What is the structure of the text?
Does one begin with a prologue/end with an epilogue?
Is the text continuous or divided e.g. through letters or days or parts?
Does the text end at a climax or end with a true finality?
What reoccurs throughout the text? (specific lines, symbols or images)

These kinds of understanding are important as they are evidentiary material for your arguments. What you say and believe the authors have said, as well as how you believe the texts differ, may rely heavily on these techniques. You'd then translate this analysis to develop your arguments further in your essay. For example:

His depiction of Chapel serves as a subversion of the conventional type of slave; he is 'half a slave, half the master' and belongs to 'another way of life'. His defiance and rebellion against the dictations of society is exemplified through his speech, which consists of rhythmic and poetic couplets, filled with flowery language; which ultimately challenges the idea of illiterate slaves.

Step 5: Read and watch Lisa's Study Guides' resources

Doing this study all by yourself can be rather daunting, so we've got your back. We specialise in supporting VCE English students by creating helpful videos, study guides and ebooks. Here are some just to get your started:

YouTube Videos

We create general study advice videos like this:

We also create Comparative pair-specific videos:

If you prefer learning through videos, check out our entire YouTube channel (and don't forget to subscribe for regular new videos!).

Study Guides

Our awesome team of English high-achievers have written up study guides based on popular VCE texts. Here's a compilation of all the ones we've covered so far including current and older text pairs:

Bombshells and The Penelopiad

I Am Malala and Pride

Reckoning and The Namesake

Reckoning and The Namesake (Quote Analysis)

Ransom and Invictus

Ransom and The Queen

Stasiland and 1984

Stasiland and Never Let Me Go

Stasiland and Never Let Me Go (yes this is a different guide to the one above!)

The Crucible and The Dressmaker

The Crucible and The Dressmaker (Understanding Context)

The Crucible and Year of Wonders

The Hate Race and Charlie's Country

The Longest Memory and Black Diggers

The Longest Memory and The 7 Stages of Grieving

The Penelopiad and Photograph 51

Tracks and Charlie's Country

Tracks and Into the Wild

Tip: You can download and save the study guides for your own study use! How good is that?

And if that isn't enough, I'd highly recommend my How To Write A Killer Comparative ebook. What's often the most difficult part of Comparative is finding the right examples and evidence to ensure that you're standing out against hundreds of other students studying VCE.

Unlike Text Response where there are over 30 texts for schools to choose from, Comparative only has 8 pairs of texts. This means that the likelihood of other students studying the same texts as you is much higher. And what does that mean?

It means that your competition is going to be even tougher. It's likely the character or quote you plan to use will also be used by other students. So, this means that there needs to be a way for you to differentiate yourself. Enter my golden CONVERGENT and DIVERGENT strategy .

This strategy can be used for any example you wish to use, but by approaching your example with the CONVERGENT and DIVERGENT mindset, you'll immediately be able to establish a unique perspective that should earn you some bonus marks.

If you've ever had a teacher tell you that you needed to ‘elaborate’, ‘go into more detail’, or ‘more analysis’ needed in your essays - this strategy will help eliminate all those criticisms. It will also show your teacher how you are comfortable writing an in-depth analysis using fewer examples, rather than trying to overload your essay with as many examples as possible because you barely have anything to say about each one.

To learn more about the CONVERGENT and DIVERGENT strategy, get a free preview of this study guide on the Shop page or at the bottom of this blog.

Step 6: Brainstorm and write plans

Once you've done some preliminary revision, it's time to write plans! Plans will help ensure you stick to your essay topic, and have a clear outline of what your essay will cover. This clarity is crucial to success in a Comparative essay.

Doing plans is also an extremely time-efficient way to approach SACs. Rather than slaving away hours upon hours over writing essays, writing plans will save you the burnout and get you feeling confident faster.

I've also curated essay topic breakdown videos based on specific VCE texts. In these videos, I explore keywords, ideas and how I'd plan an essay with corresponding examples/evidence.

Step 7: Get your hands on essay topics

Often, teachers will provide you with a list of prompts to practice before your SAC. Some teachers can be kind enough to nudge you in the direction of a particular prompt that may be on the SAC. If your teacher hasn’t distributed any, don’t be afraid to ask.

We have a number of free essay topics curated by our team at LSG, check some of them out:

I Am Malala and Made In Dagenham Prompts

Ransom and Invictus Prompts

Stasiland and Never Let Me Go Prompts

The Crucible and Year Of Wonders Prompts

The Penelopiad and Photograph 51 Prompts

Psst...see these fully annotated sample essays where we show you exactly how we analysed the prompt, brainstormed our ideas and created a plan for our essay:

Comparing Photograph 51 and The Penelopiad: Essay Topic Breakdown

Ransom and The Queen: Comparative Essay Topic Breakdown

The Longest Memory and Black Diggers - A Comparative Essay Breakdown

‍ Step 8: Write essays

Yes, sad but it’s a fact. Writers only get better by actually writing . Even if you just tackle a couple of essays then at least you will have started to develop a thinking process that will help you to set out arguments logically, utilise important quotes and time yourself against the clock. It will help you write faster as well – something that is a major problem for many students. With that said, let's get into how to write a Comparative next.

‍ 5. How To Write a Comparative Essay

Comparative essay structure.

Here are a couple of resources to get your Comparative essay structure sorted. Firstly a video (time-stamped at 1:38) :

Secondly, jump over to Sarah's (English study score 47) Compare the Pair: A Guide to Structuring a Reading and Comparing Essay post where she delves into two different types of Comparative essay structures.

Comparative Essay Example

Introduction.

In an introduction, you're expected to have the following:

Context (or background)
Both authors' (or director's) names
Both text titles
Main arguments

Here's an example from Mida (English study score 43), in her post The Longest Memory and Black Diggers - A Comparative Essay Breakdown :

The hopes and dreams of oppressed individuals can be fulfilled to a certain extent. This degree of fulfilment, however, can ultimately become restricted by the entrenched beliefs and dictations of society; and thus, this process of fulfilment is presented to be difficult and rare to achieve. In Fred D’Aguiar’s novella, The Longest Memory , the hopes and dreams for equality and racial acceptance is revealed to coerce oppressed individuals to subvert social norms, all in an attempt to gain liberty and fairness. Similarly, Tom Wright’s play, Black Diggers , explores the collective yearning of oppressed Indigenous Australians who seek to gain a sense of belonging and recognition in society. Both D’Aguiar and Wright expose how the obstacles of social inequality, deep-rooted prejudice and beliefs can essentially restrict the fulfilment of such desires and dreams.

Try to keep your introduction to the point. There's no need to prolong an introduction just to make a set number of sentences. It's always better to be concise and succinct, and move into your main body paragraphs where the juicy contents of your essay resides.

Body Paragraph

Most of you will be familiar with TEEL learnt in Text Response. TEEL can stand for:

Topic sentence
Linking sentence

If your teacher or school teaches you something slightly different that's okay too. At the end of the day, the foundations are the same.

In Comparative, you can still use TEEL, except that you'll be making comparisons between the two texts throughout your paragraph.

The below example adopts the 'Alternate' Comparative essay structure where the first part of the body paragraph focuses on Text 1 ( The Longest Memory ) and the second half of the body paragraph focuses on Text 2 ( Black Diggers ).

The ambitions of the oppressed are achieved to a certain extent. However, they are not maintained and thus become restricted due to the beliefs and conventions entrenched in society. D’Aguiar asserts that a sense of liberation can indeed be achieved in the unjust system of slavery, and this is demonstrated through his characterisation of Chapel. His depiction of Chapel serves as a subversion of the conventional type of slave; he is 'half a slave, half the master' and belongs to 'another way of life'. His defiance and rebellion against the dictations of society is exemplified through his speech, which consists of rhythmic and poetic couplets, filled with flowery language; which ultimately challenges the idea of illiterate slaves. D’Aguiar also associates the allusion of the 'two star-crossed lovers' in regards to the relationship between Lydia and Chapel; who were 'forbidden' to 'read together'. Despite this, the two characters take on a form of illicit, linguistic, sexual intercourse with each other, as they 'touch each other’s bodies in the dark' and 'memorise [their] lines throughout'. Here, D’Aguiar illustrates their close intimacy as a form of rebellion against the Eurocentric society, who believed such interrelation between blacks and whites was 'heinous' and 'wicked'. The individualistic nature of Chapel is also paralleled in Black Diggers , where Wright’s portrayal of Bertie expresses the yearning for a sense of belonging. Just like Chapel, Bertie desires free will, and he decides to 'fight for the country'. This aspiration of his however, is restrained by both his Mum and Grandad; who in a similar manner as Whitechapel, represent the voice of reality and reason. Wright employs the metaphor of the Narrandera Show to depict the marginalisation and exclusion of Aboriginal people, as they will never be 'allowed through the wire', or essentially, ever be accepted in Australia. This notion of exclusion is further reinforced through Bertie’s gradual loss of voice and mentality throughout Wright’s short vignettes, as he soon becomes desensitised and is 'unable to speak'. Here, Wright seems to suggest that the silenced voices of the Indigenous soldiers depict the eternal suffering they experienced; from both the horrors of war, but also the continual marginalisation and lack of recognition they faced back home. Consequently, D’Aguiar and Wright highlight how the ambitions of young individuals are limited by the truths and history of reality, and are essentially rarely achieved.

Conclusions should be short and sweet. Summarise your main points while comparing the two texts (just as you have throughout your entire essay).

D’Aguiar and Wright both illustrate oppressed individuals fighting against the beliefs and conventions of society; in order to gain their freedom and achieve their hopes and dreams. However, both reveal the harsh truths of reality that ultimately inhibit and restrict the capacity of people’s ambitions. D’Aguiar and Wright compel their readers to try and grasp an understanding of the past of slaves and Aboriginal soldiers, in order to seek remembrance and closure of this fundamental truth. They both convey the need for memories and the past to never be forgotten; and instead remembered and recognised in history.

For further detail from Sarah (English study score 45), read her advice on 5 Tips For A Mic-Drop Worthy Essay Conclusion .

If you're looking for more A+ Comparative essay examples, then you can also get your hands on any of our LSG study guide ebooks. Each study guide has 5 comparative essays, all fully annotated so you can see into the mind of a high achiever. These comparative essay examples also adopt different essay structures (block, alternating, and integrated) so you can see all three in action.

Ransom & The Queen

The Crucible & The Dressmaker

The 7 Stages of Grieving & The Longest Memory

I Am Malala & Pride

Photograph 51 & My Brilliant Career

‍ This blog guide is fantastic to get you started - there are certain strategies you can implement to ensure your Comparative essay wows your examiner and gives you an A-grade ranking. These strategies have been adopted by high-achievers in the past few years and have resulted in student achieving study scores of 45+. Make sure you don't miss out on these strategies by accessing a free sample of our How To Write A Killer Comparative ebook. In the meantime, good luck!

Get our FREE VCE English Text Response mini-guide

Now quite sure how to nail your text response essays? Then download our free mini-guide, where we break down the art of writing the perfect text-response essay into three comprehensive steps. Click below to get your own copy today!

Unsure how to study for your Comparative SAC or exam?

Learn LSG's unique CONVERGENT and DIVERGENT strategy which has helped hundreds of students achieve A+ in their assessments
Includes sample A+ essays with EVERY essay annotated and broken down on HOW and WHY students achieved A+ so you reach your goals quicker
Different types of essay structures broken down so you understand what to do and what not to do with confidence
Learn how to stand out from other students with unique points of comparison

We've curated essay prompts based off our The Crucible and Year of Wonders Study Guide which explores themes, characters, and quotes.

Compare how the conflict between illusion and reality is explored in these texts. ‍
'Uncertainty breeds fear, and fear breeds further uncertainty.' Compare how this idea is demonstrated in The Crucible and Year of Wonders . ‍
Compare how secrets and superstition affect the characters in both texts. ‍
Compare how The Crucible and Year of Wonders explore issues of human fallibility and deception. ‍
Compare the ways these texts examine the preservation of morality amidst accusation and condemnation. ‍
'Humans are ultimately inclined towards evil rather than good.' Compare how the two texts explore this inclination. ‍
Compare how The Crucible and Year of Wonders examines the strength of one's faith during hardship and conflict. ‍
“How little we know, I thought, of the people we live amongst.” ( Year of Wonders ) Compare what the two texts say about community and one's understanding of reality. ‍
"Here we are, alive, and you and I will have to make it what we can.” ( Year of Wonders) 'It is only possible to discover what it means to live when faced with death.' Compare the ways these texts explore this possibility. ‍
“It is the essence of power that it accrues to those with the ability to determine the nature of the real.” ( The Crucible ) Compare the ways the two texts demonstrate the connection between power and controlling the truth. ‍
Compare how truths and falsehoods shape the lives and societies in The Crucible and Year of Wonders . ‍
Compare how The Crucible and Year of Wonders shows that conflict can cause both regression and strengthening of integrity and humanity. ‍
Compare how women are perceived in both The Crucible and Year of Wonders . ‍
Compare the ways morality is examined and determined in these texts. ‍
"Man, remember, until an hour before the Devil fell, God thought him beautiful in heaven?" ( The Crucible ) Compare how the two texts explore the repercussions of disillusionment.

The Crucible and Year of Wonders is usually studied in the Australian curriculum under Comparative (also known as Reading and Comparing). For a detailed guide on Comparative , check out our Ultimate Guide to VCE Comparative .

For an overview of the EAL study design plus tips and tricks for language analysis, time management and more, check out The Ultimate Guide to EAL .

EAL Language Analysis Introductions

Both EAL and mainstream English students will need to complete a Language Analysis task as part of the VCAA Exam. The introduction of Language Analysis essays for VCE English is somewhat rigid as there are multiple components that must be included, for instance: issue, form, contention, name, publishing date, tone, etc. However, many of the ‘must have’ components of mainstream English essays are not required for EAL students or the EAL end-of-year examination. Check with your school/teacher to find out their opinion and criteria on this matter though, as they mark your internal assessments/Language Analysis SAC!

The 2019 VCE English as an Additional Language Examination Report states:

‘Introductions should be limited to showing an awareness of the audience, the context and the overall contention of the piece.’

With this guideline in mind, the advice I am sharing in this blog post is based on the understanding and assumption that EAL Language Analysis introductions DO NOT need background information such as where the article is published, when is it published, style, etc. But again, make sure you check with your school/teacher to find out exactly what criteria YOU need to meet for your assessments/SACs that are marked internally.

Using Templates in Your EAL Language Analysis Introductions

Since EAL is more flexible than mainstream English, and requires fewer elements, you can adopt a template for introductions that you are comfortable using to save time during the assessments.

For example, these sentence templates below are really versatile and can be easily adapted and/or combined to suit your essay:

In response to the divisive issue of…(AUTHOR 1) implicitly/explicitly/inadvertently contends that…
(AUTHOR 1) takes on a...tone to grab the attention of...(SPECIFIC AUDIENCE)
Similarly/contrastingly,...,(AUTHOR 2) implicitly/explicitly/inadvertently contends that...in a...tone.

Using the templates above, here are some examples of what the final product for your introduction may look like. I have bolded the ‘template’ parts so that you can see exactly how the templates have been used, but remember these are just templates, so you can adjust the wording slightly to suit your needs:

And if you want to learn more about tones, head to 195 Language Analysis Tones .

Example 1 (Using Templates 1 & 3)

(1) In response to the divisive issue of building an Apple global flagship store at Federation Square, the COMAAFS implicitly contends in an accusatory and defiant tone that the flagship store should not be built to replace one of Melbourne’s most popular landmarks. (3) Contrastingly , the web post written by the Victorian Government explicitly rejects the accusation from COMAAFS and advocates for the immense benefits that Victorians will receive from the Flagship store in an explanatory and reassuring tone .

Example 2 (Using Templates 1 & 3)

(1) In response to the divisive issue of homeless people camping in the city of Melbourne, Christopher Bantick contends in an accusatory and heated tone that the ‘move-on’ law must be introduced in order to remove the homeless in Melbourne. (3) Contrastingly , Dr. Meg Mundell insists that making it illegal to sleep on the street will only exacerbate the problem in a demanding tone .

Example 3 (Using Templates 1 & 3)

(1) In response to the recent furore of the increasing use of cars, Tina Fanning contends in an alarming and mobilising tone that cars are no longer a viable mode of transport in the foreseeable future. (3) Similarly, Lucy Manne predicts the catastrophic consequence of excessive car use on Australian society in a composed and authoritative tone .

If you want to take your introduction to the next level, see The Importance of the Introduction for tips!

Comparison of Arguments & Contentions in EAL Language Analysis

Unlike mainstream English, comparison of arguments/contention between the two writers is not essential for EAL, but it will probably earn you bonus brownie points if you do have time to add it in your essay :) For further explanation on comparative analysis, you can refer to this step-by-step guide: Exploring an A+ Language Analysis Essay Comparing Two Articles . Although the guide is aimed at mainstream English students, you can still apply some of the tips and strategies as an EAL student. It will really help to take your Language Analysis to the next level!

Are you a slow writer who struggles to write down all of the information that you hear in the listening audio clip? Have you ever been in a situation where the next sentence in the audio comes up way before you finish writing down information from the previous sentence? If yes, then this blog is for you!

You want to write down as much useful information as possible in a short period of time during your VCE EAL exam, so it is very useful to implement a system of techniques that works well for you personally. Here are some ideas and suggestions that you may want to use to increase the speed of your note-taking.

1. Use Different Coloured Pens or Keys for Different Speakers

Under the stress of exams/SACs, you might lose track of which speaker is talking. This is likely to happen if the speakers are of the same sex or they sound similar to each other (from personal experience, I had a listening task with 3 female speakers!) A simple way to remind yourself of who is speaking is to take side notes with different coloured pens and/or symbols for different speakers.

‍ For example:

If in the audio: Lisa says, ‘The weather is lovely’ and Cici replies ‘Let’s go for a run’. We can write side notes using L (for Lisa) and C for Cici, which may look like:

L ‘weather is lovely’

C 'Let's go for a run’

Or, you could use a red pen for Lisa and blue pen for Cici.

2. Use Signs & Symbols to Replace Words

Using symbols is an efficient way to increase the speed of writing and ultimately increase the amount of information that you can record. Here are some examples of symbols I have used in the past and the meanings I gave them.

→ Leading to/Stimulate/Result in

↑ Increase

↓ Decrease

⇆ Exchangeable

☓ Cross/Incorrect

∴ Therefore OR Consequently

? Uncertain/Possibly/Disapprove

> Greater than/More than

< Less than/Fewer than

~ Approximately OR Around OR Similar to OR Not Equal OR Not the same as

c/b Could be

- Negative/Before

+ Positive/Plus

3.Use Abbreviations

Use abbreviations that work for you. There is no right or wrong here as the ‘blank space for scribbles’ will not be marked. Abbreviations can take the form of short notes or letters...you get to be creative here!

You can also choose to keep only the essential vowels and consonants in words. Or, leave out the double consonants and silent letters. The following list contains some abbreviations for common words or phases:

Answer = answ

About = abt

Morning = am

Afternoon = pm

As soon as possible = asap

Before = bef/b4

Between = bt

Because = bc

Common = com

Condition = cond

Diagnosis = diag

Regular = reg

Notes = nts

With respect to = wrt

Will be = w/b

Within = w/i

Without = w/o

Here are some examples of how you might use abbreviations and symbols:

‘You should remember to take notes in classes’

Can be abbreviated as:

‘U shld rmbr t tk nts in cls’

Example 2

‘Gidon has a rare blood condition which means he visits the hospital quite regularly. Since his diagnosis, Gidon’s family paid more than ten thousand dollars just to visit the hospital. Gidon initiated a petition that advocates for lowering the fees for parking in hospitals and putting a limit on how much the hospital can charge.’

G has rare blood condi → he visits hosp. v. reg.

I've used G as an abbreviation for Gidon, and the arrow here represents that the stuff on the left side of the arrow (i.e. his rare blood condition), led to the events on the right side of the arrow (i.e. regular hospital visits).

Since his diag. → G’s fam paid >$10K to visit hosp.

Here I’ve also used the arrow, indicating that the stuff on the left side of the arrow (i.e. his diagnosis), led to the events on the right side of the arrow (i.e. Gidon's family paid more than 10 thousand dollars). I’ve also used >$10K to indicate that the amount Gidon’s family paid is more than 10 thousand dollars.

G → petition → advocates for ↓ $ parking & limit how much hosp. can charge

Using my symbols and abbreviations above, it’s your turn to work out how I’ve abbreviated this ;)

I hope these tips and tricks will assist you with note taking during the EAL listening SACs and exam. If you would like more practice on the listening section, check out the following blogs!

EAL Listening Practice and Resources

EAL Listening Practice

Tips on EAL Listening

For an overview of the EAL study design plus tips and tricks for reading comprehension, time management and more, check out The Ultimate Guide to EAL .

The listening tasks of the EAL exam are worth 20% of the total exam marks. Since this section was introduced to the exam fairly recently, limited past exam questions are available for students to practice. In my blog post EAL Listening Practice and Resources , I provide you with some awesome listening resources that you should definitely check out! And more importantly, I teach you a step-by-step approach for how to use those listening resources to help you better prepare for EAL listening. If you haven’t already read that blog post, go and check it out before coming back to this one so that you understand the steps we’re following.

Here we’ll be working through another exam-style practice to help us improve on the EAL listening section. We will be adopting the same strategies introduced in EAL Listening Practice and Resources . For more advice on how to boost your skills in the listening section, check out Tips on EAL Listening .

Use this link to access the audio clip that we’ll be using in this listening practice: Hospital Parking Fees - Classroom - BTN (abc.net.au)

Download this worksheet so that you can work through this listening task on your own too!

1st Time Listening

Step 1: read and annotate background information (below).

Highlight the name of the speakers.
Underline important information.

Step 2: Read and Annotate the Questions

Develop a system that works well for you personally. For example, I usually underline the keywords that give me information on ‘what’, ‘why’, ‘how’, ‘where’, ‘when’. I highlight the speakers in the example below.

Step 3: Listen to the Audio (Without the Visual)

Hospital Parking Fees - Classroom - BTN (abc.net.au)

Step 4: Write Down Side Notes

2nd Time Listening

Step 1: Fill in the blanks and try to be aware of words you don’t quite ‘get’.

This is where you have the opportunity to fill in the blanks for the challenging words that you did not pick up in the first round. For example: petition, democratic, campaign, rare.

COMMON MISTAKE: check the spelling for ‘rare’, not ‘rear’

Step 2: Note down how the speakers convey their attitude, feeling, ideas, etc.

Let's take a look at this section of the audio clip:

GIDON: ‘ It gives me a really good feeling to know that I've made a change, that change has happened. I think what I would like to say to all the other people, especially kids who want to start change, is that it really does sometimes seem impossible that someone that doesn't have a vote and who doesn't have as much democratic power really as adults do, I think what this has shown is that it really is possible to do these things that we still can affect our country and that small people can make great change.’

Here’s one way I analysed the delivery of the audio:

The cheerful and hopeful tone used to deliver the message that the change brings him ‘a really good feeling’ demonstrates Gidon’s approval of the change in parking fees. Furthermore, Gidon states this in a high pitch and fast pace, unveiling that he is pleased and satisfied about the reduction in hospital parking fees .

Step 3: Interaction between speakers.

This step does not apply to this particular audio clip since the audio/ video is a recount of the event rather than direct conversation between two or more speakers.

3rd Time Listening

The transcript is available HERE .

Whilst reading through the transcript with the audio on, try and pick up any information that you missed in previous rounds of listening and also words that you might have spelt incorrectly.

Sample Questions and Answers

Have a go at these VCAA-style questions that I wrote up, and then check out my sample answers to see how your own answers compare. You will probably notice that a lot of the information you gather from the ‘W’ words actually provides you with the answers to the majority of the questions here.

Sample Questions

Sample answers.

1. Gidon’s petition is about lowering the fee for parking in hospitals and putting a limit on how much the hospital can charge.

2. Gidon has a rare blood condition which means he visits the hospital quite regularly. Since his diagnosis, Gidon’s family paid more than ten thousand dollars just to visit the hospital.

3. When hospital parking fees are too expensive, patients will buy food and other necessities instead of going to the hospital. Thus, patients may not go to the hospital because parking is too expensive, these poor patients need to choose between paying parking fees and buying food.

4. Regular hospital attendants will receive a 90% discount on what they are currently paying.

5. Families, patients and carers for regular visitors of public hospitals.

COMMON MISTAKE: check the spelling for ‘carer’, not ‘career’ or ‘carrier’

6. Gidon is very happy and proud of the change in hospital fees. Gidon uses a cheerful and hopeful tone (1st mark) to deliver the message that the change brings him ‘a really good feeling’ and he feels ‘unbelievably proud’ that ‘small people can make great change’ (2nd mark). In addition, Gidon states this in a high pitch and fast pace, demonstrating that he is pleased and satisfied with the reduction in hospital parking fees (3rd mark).

--- I hope you found this guide handy! For further tips and tricks on tackling the EAL Listening Exam, check out How To ACE the EAL Listening Exam .

Plot Summaries
Themes, Motifs and Key Ideas
LSG’s Bubble Tea (BBT) Strategy for Unique Strategies
Structural Features Analysis
Sample Essay Breakdown

For a detailed guide on Comparative, check out our Ultimate Guide to VCE Comparative.

1. Plot Summaries

Summary - the hate race .

Maxine Beneba Clarke’s seminal novel, The Hate Race, follows the childhood and adolescence of its author, who is the main protagonist. The book is a memoir, meaning that it is based around a recollection of her life and filtered through her psyche and experiences. The book begins with Clarke’s family, British citizens of Afro-Carribean descent, moving to Sydney, New South Wales. They settle in the town of Kellyville, which is known as a ‘white picket’ community. Although these communities largely don't exist anymore, what they once described was suburban environments where only Anglo-Australians lived. As you can probably imagine, this immediately caused problems for Clarke’s family, with suspicion from neighbours and racist interactions with other kids in the neighbourhood. Clarke initially focuses on her experiences in kindergarten, revealing how prejudice and discrimination can be inculcated (meaning, ‘taught to’) in children even from such a tender age. Clarke meets her first tormenter - Carlita Allen. Carlita makes every effort to exclude Clarke from participation in usual preschool activities, hurling insults across playgrounds and calling her ‘dirty’. Literally, of course, Carlita is referring to Clarke’s black skin colour, but, metaphorically, it reflects the deeply hateful implication that anyone with a dark complexion is inherently inferior and lesser than white Australians. The bullying doesn’t stop by the time Clarke reaches primary school. In fact, it intensifies, aided and abetted by teachers who consistently turn a blind eye to the constant, gut-wrenching racial abuse. One of the most salient (meaning, ‘important’) scenes arises when Clarke is asked by a teacher what her parents do for a living. Upon informing the teacher that her mother is an actor, and her father is a Mathematics Professor - the first British citizen of Afro-Carribean descent to attend a British university - she is met with the patronising assumption that she must be lying. Surely black people wouldn’t have the emotional and intellectual intelligence to perform such high-powered jobs? Clarke also develops eczema during her primary school years, leaving patches of lighter-coloured skin covering her face, and a newfound hope that, bit by bit, God is answering her prayers and making her white. In high school, the racist rot sets in even further. Clarke develops a new habit for scratching her skin at night to the point of bleeding and bruising. Looking back at this experience, Clarke theorises that this was her body’s way of expressing her extreme discomfort with being black. It gives us a picture of how horrific racism can truly be, and the ways in which it forces minorities into believing that there’s something wrong with them, instead of there being something wrong with the people hurling abuse in the first instance!

It is this stage of her life when Clarke deals with one of the most difficult parts of being a minority in a majority white country. Through her interactions with teachers, friends and boyfriends alike, she becomes deeply angry at those people who abhor racism themselves, but seem unable to step in when racist events are actually occurring. Clarke also deals with more nuanced experiences of racism - people who don’t intend to be racist, but end up making insensitive comments anyway. Whether intentional or not, these comments still hurt, and are still part of the challenges of growing up black in a white country. Nonetheless, Clarke continues to rise above the odds, becoming a prolific high school debater, maintaining her position at the top of the academic cohort, and forming a small but tight-knit group of friends whom she can trust.

Clarke’s recollection of her childhood ends on a relatively abrupt note, with Clarke returning home to realise that her father has left the family for another woman. In a note to the family, he provides no explanation other than that he had a secret affair for many years. Suddenly, Clarke, her brothers, sisters and mother are left to pick up the pieces. In the epilogue, Clarke is now an adult with a child of her own. Walking down Melbourne’s North Road, she reflects on the challenges and opportunities to which her child will be witness. Clarke portrays it as the dual sadness and happiness of knowing that, in Australia, her children will surely have access to more opportunity than in most parts of the world - but it will come at a cost. Namely, they will also have to contend with the remaining undercurrent of racism that, even now, still seeps through Australian society. The unsatisfying end to the novel reflects the nature of racism and the experience of a minority growing up in a white country itself: there is no happy ending. Rather, life becomes a series of painful incidents interspersed with minor victories; those who stand up against racism, those who fail to do so and the hundreds of thousands of Australians who will forever grapple with a society that sees them as ‘ lesser than’ due to the colour of their skin.

Summary - Charlie’s Country

Charlie’s Country , an Australian movie directed by Dutch-Australian Rolf De Heer, follows the story of Charlie, a First Nations man living in late-2000s Australia.

The movie is set in the wake of the 2007 Northern Territory Intervention. As a bit of quick context, this was an action taken by the Commonwealth Government under Coalition Prime Minister John Howard to send Australian Defence Force troops into the Northern Territory. It came in response to the ‘Little Children are Sacred’ report , which raised allegations of child sexual abuse and neglect of children in Aboriginal communities. The intervention also involved restricting alcohol consumption, quarantining a portion of welfare payments to Indigenous residents (with the justification that this would prevent it being spent on alcohol, pornography, cigarettes, etc.) and hefty fines as well as jail sentences for those forced to comply. It is important to note that, throughout the whole intervention, not a single person was prosecuted for child sexual abuse or any related offence. Nonetheless, this intervention had real world, drastic consequences - and that’s exactly what Charlie’s Country explores. At the time of de Heer’s film, Charlie lives in a remote Indigenous community. Signs of the intervention are all around - alcohol is banned from most communities, many individuals face personal bans on procuring alcohol, police officers dot the streets and citizens live under constant watch. Charlie, on a surface level, is a fairly happy-go-lucky individual; he exchanges jokes with police, is friendly with other elders and people in his community and doesn’t seem to do much else. As always with a movie like this - there’s a bigger story behind this all! Rolf de Heer takes us through an increasingly concerning image of Aboriginal communities in the wake of the intervention. Charlie visits his local housing officer and is unable to obtain a house. Here, we see that Charlie is willing to work and wants stable accommodation, but the government is unwilling to provide.

Going on a hunting trip with his friend, ‘Black Pete’, the two are stopped by police and have their guns, as well as the water buffalo they killed, confiscated. Yet again, two Indigenous men try to provide for themselves - but are stopped by a legal system more concerned with rules and procedure than listening to First Nations communities themselves. Charlie decides he’s had enough of having his every move and action monitored, and takes a stolen police car into the bush. Abandoning the car, he tries to live amongst nature for an unidentified amount of time. Cooking fish, performing traditional First Nations dances, painting on the bark and looking for shelter, Charlie finally appears to be home . Yet, as usual, it’s too good to be true - the extreme cold makes Charlie incredibly sick, and, before we know it, he wakes up in a Darwin hospital. After refusing further treatment from the white doctors who fail to understand Charlie’s situation and why he is so angry at what’s happened to him, the predictable cycle begins again: Charlie returns to his community, they all share alcohol as a way of coping with their current situation and flee when the police come running to confiscate the liquor. Charlie isn’t civil with the police this time. In a fit of anger - an outburst of emotion after decades upon decades of control and being denied access to any opportunity - he picks up a bat and smashes the police officer’s car window. Brutally beaten into submission, Charlie is imprisoned as the police officer remarks that he should never have 'gone soft on a blackfella’.

Dragged before the courts, Charlie is imprisoned for assault. When the judge asks him to make a comment, he gives a lengthy speech in his native language. For de Heer, this acts as a symbolic assertion of the First Nations’ rights to their own culture, and a proud statement against the many governments that have continually placed barriers in the way of Indigenous Australians having the same opportunities as any one of us. Eventually, Charlie is released on parole. He expresses a deep desire to go home - but also a sense of defeat . He resolves, in the end, to believe that even if he will always live under the watchful eyes of the Australian Government, he can at least fight back and contribute by doing his bit to maintain the many cultures of our First Nations Peoples. Charlie teaches young Indigenous boys traditional dances, speaking proudly of when he performed a dancing ceremony for Queen Elizabeth in 1973 at the Sydney Opera House. The movie ends with Charlie staring mournfully into the camera, almost looking at the audience themselves. There seems to be no happiness in his eyes - nothing left but a sense of sadness and resignation. I know that, upon approaching the end of the film, I started to feel the same sadness that Charlie so evidently shows us. It’s a different type of emotion; one centered around the pain of knowing that we live in a country that still has not made peace with its past, and refuses to listen to the First Nations Peoples who know it best. Charlie’s Country exposes to us that Australia is a country where, even today, our First Nations citizens are not treated as equals. As such, de Heer’s film is a stark reminder that this state of affairs is not good enough - and that the responsibility for change doesn’t just lie with politicians and decision-makers . It’s our job too: and failure is not an option .

2. Themes, Motifs and Key Ideas

Through discussing Themes, Motifs and Key Ideas, we’ll gain a clearer understanding of some super important ideas to include in your essays. Remember that, when it comes to themes, there’s a whole host of ways you can express your ideas, but this is what I’d suggest as the most impressive method to blow away the VCAA examiners. We’ll be adhering to the CONVERGENT and DIVERGENT strategy. While we don’t go into detail into how to use LSG’s CONVERGENT and DIVERGENT strategy in this guide, I’d highly recommend you get familiar with it by reading How To Write A Killer Comparative .

Connection to Culture (CONVERGENT)

Both de Heer and Clarke offer a unified idea around culture: that being connected to one’s culture is inherently good and positive, and should be encouraged. Let’s break this down. The Hate Race and Charlie’s Country are both works that explore the challenges of individuals maintaining their culture in surroundings which would otherwise see them revert to the ‘standard’. In this case, because we’re talking about Australia, de Heer and Clarke take us through the same story of an overarching, implicit acceptance that the Christian, Anglo way of life is the norm. This standard has deep roots in the colonisation of Australia, and the resulting claim of sovereignty by the Crown. Even as this country has evolved into a multicultural land, it still bears the marks of a ‘European’ country; whether that be our British legal system, Anglo-American democracy or any of the other institutions we have taken from the Western world.

It is in this context that de Heer and Clarke go to special lengths to explain why people should be empowered to connect to their culture. To our author and director, culture is an essential element of who you are, and it is this identity which carries people through life . For Maxine, the shock of realising that she may be the descendant of African slaves, and had lived so many years without having any idea this may be the case, is drawn from the fact that she, as a child, feels incredibly disconnected to who she is. Clarke’s memoir thus reminds us that ‘growing up black in a white country’ is an experience that often results in minority children not truly learning about who they are. Travelling through life, Maxine is continually disconnected from her culture, to the point where performing ‘African tribal dances’ to the school is nothing more than a joke. Even in her own estimation, Maxine has internalised (meaning, she’s adopted it herself) the view that her culture is irrelevant, and there’s no real reason for her to properly engage with all its complexity and beauty.

If we consider Charlie’s perspective, his involuntary burst of tears at the hospital stems from a recognition that his people have been denied the free opportunity to embrace the world’s longest-surviving culture; the First Nations traditions that date back 40,000 years. With his friend slowly dying of lung cancer, at that moment, the old man is more connected to the cigarettes that slowly sapped his life away than he is to the First Nations way of living. Unable to hunt, gather as a community, work the lands as the First Nations traditionally would or embark on any other activity that would keep them connected to their culture, this country’s first inhabitants are instead told to abandon ‘the old ways’ and embrace Anglocentric standards of life.

It is a shocking reminder that, without culture, people are left like driftwood swimming through a vast ocean. By that, I mean that people are left without an anchor through which they can independently experience the world. Instead, their understanding of themselves, their sense of self and their actions in life are all filtered through the preferences of the dominant majority.

Intergenerational Disadvantage (DIVERGENT)

Whilst Charlie’s Country and The Hate Race share many similarities in terms of the negative impacts of racism and prejudice, the texts carry different connotations when it comes to the notion of intergenerational disadvantage.

To explain this idea, let’s first define and unpack ‘intergenerational disadvantage’. We could spend days talking about this, but, simply, intergenerational disadvantage refers to cycles of poverty and criminality that pass from generation to generation, worsening with time. Think of it this way: assume you’re a teenager - or at least still financially reliant on your parents. If your parents were to lose everything they owned today in a massive financial crisis, you’d be in big trouble too, right? Suddenly, that part-time job you had that was helping you save money might be the only income for the entire family. You might even have to drop out of school, TAFE or university to care for everyone, denying you a higher paying job in the future.

You’ll have to work your tail off for years on end. Since you’re supporting an entire family, say goodbye to saving up for a house or to pay for your kid’s education in future. Your kids now have to start from square one with less opportunity than the people around them, meaning it’ll be harder for them to succeed in life.

When we apply this to Charlie’s Country, the analogy becomes quite clear. Charlie lives in a community where there is no opportunity. Because there are no jobs - and no real way to gain steady, meaningful employment - people fall into alcoholism, marijuana and anything else that’ll help them cope. Lung cancer and alcoholism shorten lifespans for people like the old man with failing kidneys, while no employer is going to waste a chance on those still living. There is simply no ability to ‘succeed’ here, because the local residents don’t see that there’s anything worth working towards. Hopeless, unheard and disillusioned, it becomes easier for Charlie’s community to just accept their sorry lot in life than futilely work towards changing it.

We aren’t made witness to this same cycle in The Hate Race. Instead, Bordeaux Clarke is the epitome of someone who has broken the cycle of intergenerational disadvantage; becoming the first individual in his community to attend a British university. Marrying a high-powered Guyanese actress in Cleopatra, the married couple represent success and a defiance of racist stereotypes, not the grinding poverty and disadvantage we see in Charlie’s Country. Although Maxine experiences terrible discrimination and prejudice as a child, there is always a sense that she will academically remain on top. Maxine uses the prejudice with which she’s faced as a motivator, giving her the impetus to consistently emerge successful; whether that be in her schooling, cross-country running, as a debater or any other academic endeavour. Sure, she faces racism that inhibits her from always succeeding - the Lions Club competition is a great example of such - but this isn’t so much about intergenerational disadvantage as it is about racism, plain and simple.

Ultimately, the difference between the two is a matter of emphasis. It’s not that intergenerational disadvantage doesn’t exist in The Hate Race, but more so that Clarke is choosing to focus on how even the most successful individuals can suffer from prejudice and racism. This in turn helps us to understand that racism impacts everyone , and we should never pretend it isn’t a massive problem. Conversely, Charlie’s Country is all about social disadvantage, and explores how prejudice can prevent oppressed individuals from becoming successful in the first place.

3. LSG’s Bubble Tea (BBT) Strategy for Unique Strategies

Why is an interpretation important.

Your interpretation is what English is all about; it’s about getting you to think critically about the essay topic at hand, to formulate a contention (agree, disagree, or sit on the fence) and argue each of your points with the best pieces of evidence you can find - and it’s something you might already be starting to do naturally.

In this section, we aim to help you develop your own interpretation of the text, rather than relying on your teacher, tutor or even a study guide (including this one) author’s interpretation. By developing your own interpretation, you become a better English student by:

Writing with meaning. For a text to be interpreted, you need a text and an interpreter (i.e. you!). Whenever we read a new text, our interpretation of a text is shaped by our pre-existing beliefs, knowledge and expectations. This should be reassuring because it means that you can leverage your own life experiences in developing a unique interpretation of the text! We’ll show you how this works in the next point.
Remembering evidence (quotes or literary devices) more easily. If you know you admire a character for example (which is in itself an interpretation 😉), you can probably remember why you admire them. Perhaps the character’s selflessness reminds you of your Dad (see how you’re using real life experiences mentioned in Point 1 to develop an interpretation of the text?). You will then more easily recall something the character said or did in the text (i.e. evidence) that made you admire them.
Having an analysis ready to use alongside the evidence. As a result of Point 2 , you’ll be able to write a few sentences based on your own interpretation. Rather than memorising entire essays ( we’ve talked about this before ) and regurgitating information from teachers, tutors, study guides and other resources - which can be labour intensive and actually detract from the originality of your essay - you’re approaching the essay with your own thoughts and opinions (which you can reuse over and over again across different essay topics).

Let’s look on the flip side. What happens when you don’t have your own interpretation?

When you don’t take the time to actively think for yourself - i.e. to think through your own interpretations (we’ve talked about the importance of THINK in the THINK and EXECUTE strategy here ) - when it finally comes to writing an essay, you may find it difficult:

a) to get started - formulating a contention in response to the essay topic is challenging because you have no strong opinion about the text ,

b) complete the essay - writing up arguments and using evidence in paragraphs becomes challenging because you have no strong opinion about the text ,

c) to score higher marks - ultimately, you end up regurgitating other people’s ideas (your teacher’s, tutor’s or from study guides) because you have (you guessed it) no strong opinion on the text .

Having your own interpretation means that you’ll eliminate issues a, b and c from above. Overall, you’ll have opinions (and therefore contentions) ready for any prompt when you go into your SACs or exams, which means it’ll be easier not only to write a full essay, but an original and insightful one as well.

To overcome the issues above, you need to be confident with your own interpretation of the text. This doesn’t come naturally to a lot of students, and it makes sense why. After all, so many subjects reward specific answers (2 + 2 = 4), whereas English is tricky because there’s so much more flexibility in what constitutes a ‘correct answer’. It’s scary treading the sea of different possible interpretations because you’ll ask yourself questions like:

How do I know if my interpretation is correct?
How do I know if my evidence actually backs up what I’m arguing?
What if I disagree with my teacher, and they mark me down for a differing opinion?
Or worse - I’m not smart enough to come up with my own interpretation!

Let me say that you are absolutely smart enough to develop your own interpretation, and I’ll show you how to do so in A Killer Comparative Guide: The Hate Race & Charlie’s Country with LSG’s unique strategy - the BUBBLE TEA (BBT) strategy . By following our step-by-step framework, you can be confident that your interpretation is valid, that it backs up your argument, and that most importantly, you won’t lose marks for it!

4. Structural Features Analysis

In How To Write A Killer Text Response , we cover Metalanguage . A Structural Features Analysis and Comparison goes over a lot of the same material, and will help elevate your essays to the next level. Knowing quotes and themes is essential, but being able to pair that with analysis of the title, setting, narrator and overall structure - we'll cover title here - shows the examiner that you really know exactly what you’re talking about. This section will be especially crucial for metalanguage topics that are all about how Charlie’s Country and The Hate Race are structured , so, enjoy!

The title of a text is always significant - and this text pairing is no different. First, of course, please do keep in mind that there is no universally accurate interpretation of what a title means. I’m giving you my assessment, but the author and director could very well disagree themselves! That’s okay, because as long as we back it up properly, your interpretation is as valid as any. As always, that’s the beauty of English. Let’s first unpack The Hate Race. What this title signifies is that, for minorities in Australia, life is constantly akin to a race. There is no rest, no comfort and no sense of home when your mind is preoccupied with all the ways you don’t belong. Australia, as a colonial outpost representing the Crown in a region that is overwhelmingly non-white, was once proud of its discriminatory stances; holding itself as the 'White Man’s Paradise'. It is in this context that racism, for Clarke, is not just a reality that lurks beneath the surface, but rather, a guiding tenet of Australia since 1788. With this overarching narrative, it is also important to acknowledge that the mere experience of racism is immensely emotionally, physically and mentally taxing for Clarke, and all people of colour. Being denied a firm sense of self, and constantly being forced to justify one’s own existence isn’t easy, and becomes a ‘race against time’ to see who can cope and rise above, and who will be swept away along with the tide. This sorrowful reality is what engenders the never ending race against being consumed by such hatred, because, for non-white Australians, there simply is no other choice. If they stop running, they run the risk of being consumed by the hatred themselves and becoming so cynical and disillusioned that they forget their culture and accede to the Anglocentric, white majority.

Moving to de Heer’s film, Charlie’s Country, the title reflects a simple reality: this is Charlie’s country. However, when de Heer speaks of ‘country’, he is really talking about ‘Country’; the Indigenous notion of connection to and respect for one’s traditional lands. Nurturing this connection is a sacred responsibility, and the film reminds us that, despite Charlie’s many trials and tribulations, the land on which he lives is truly his own. Throughout the film, Charlie maintains a keen awareness that what is happening to him is unjust, and, unlike Maxine, he doesn’t need someone to convince him that he belongs. Whatever Anglo Australia does, it cannot change the continuing legacy of his people and their sovereignty. To Charlie, it is laughable to think that his Country - which the First Nations have nurtured and kept in common use for 40,000 years - could suddenly become someone else’s property in less than 200 years. He may not have any legal authority under the Crown, and his people may be dispossessed of their sovereignty and authority, but this cannot and will not change the remaining truth of First Nations sovereignty. De Heer’s film title thus challenges us to confront our own perceptions of Australia and remember that we all live on stolen land.

Essay Topic Breakdown

As with all our essay topic breakdowns, we'll follow LSG's THINK and EXECUTE strategy , as taught in our How To Write A Killer Text Response study guide. The LSG's THINK and EXECUTE strategy follows three steps in the THINK phase - A nalyse, B rainstorm, and C reate a Plan. Learn more about this technique in this video:

'I’m free now!' ( Charlie’s Country ) 'My children are the descendants of the unbroken.' ( The Hate Race ) Compare the characters’ understanding of freedom in the two texts.

Step 1: Analyse

Let’s break down the prompt. This is a quote-based prompt, meaning the quote must feature somewhere in your essay . Ensure that you have a good understanding of the place from which the quote is drawn. In this case, Charlie’s exclamation of joy features when he escapes to the wilderness and is able to cook, dance and provide for himself. The quote from The Hate Race is the last line of the memoir, with Clarke expressing the sentiment that her children belong in Australia and will be as strong as their parents.

Step 2: Brainstorm

The next part is to establish the link between the quote and the topic. The essay topic at hand asks us how 'freedom' is understood, so we need to actually understand freedom itself in relation to the quotes provided. For de Heer and Clarke, freedom isn’t an abstract concept relating to rights, liberties and responsibilities. Rather, freedom is found when people have the ability to be themselves, own their culture and live their truth. For Charlie, that mainly relates to his right to live in his country and maintain the traditional ways of the First Nations Peoples. Clarke, however, is more focused on the balancing act of finding freedom through a multicultural society that includes all, and in doing so celebrates the contribution that all cultures make into the melting pot that is Australia.

Step 3: Create a Plan

There’s no one correct way to structure your paragraphs for Charlie’s Country and The Hate Race . However, I find it consistently helpful to follow a chronological structure. This refers to going through events of the memoir and film in the order they actually occur, and finding unique points of analysis based around these chronological groupings.

We also need to think of examples and points of comparison. Base these around the themes we’ve gone through, so you can easily identify DIVERGENT and CONVERGENT points of comparison. I’ll walk you through my thinking.

Paragraph 1 – unable to experience freedom because systems exist to stop individuals from embracing their own culture

Kellyville and Alice Springs are immediately established as communities where rules and standards of association are both made and enforced by white authorities. The types of authorities and the prevalence of this overarching system of control differs between The Hate Race and Charlie’s Country , but are not any less harmful.

Paragraph 2 – attempts at pushback are rebuffed, resulting in further punishment for the simple crime of failing to conform

Anglo Australia maintains its dominance through an assumption that minority Australians and First Nations Peoples will not question their place. Thus, when there is even the smallest semblance of resistance, punishment is the only solution.
The difference here is that while Charlie wages an active resistance against white authorities, Maxine is moreso placed into submission by the repeated failure of her pleas to be heard by anyone in a position to change what is occurring. At the centre of both situations, though, is a desire to break free of white Australia’s chains.

Paragraph 3 – finding cultural freedom is a slow process of change, but one that begins with self acceptance

There is no happy ending to either The Hate Race or Charlie’s Country. Freedom does not suddenly spring forth. Instead, our author and director elucidate that cultivating freedom is a slow process. For Charlie, that begins with embracing his culture again and seeking to keep it alive. On Maxine’s part, it is about refusing to be broken by her past, and instead using her trauma as a motivator to build a better future.

If you'd like to see the sample A+ essay we wrote up for this essay topic, then you might want to check out our A Killer Comparative Guide: The Hate Race & Charlie's Country study guide !

[Modified Video Transcription]

In a previous video , we covered some of the themes found in both The 7 Stages of Grieving and The Longest Memory. I’d recommend that you watch that video first (or read it’s accompanying blog post if you prefer reading) because once you know some of the themes, you can get even more out of this video. In this video, we’ll be looking at a scene each from both The 7 Stages of Grieving and The Longest Memory , and trying to compare them a little bit.

We’ll be applying the CONVERGENT and DIVERGENT strategy from LSG’s How To Write A Killer Comparative and exploring how ideas are developed in similar or different thematic directions in these texts. CONVERGENT ideas lead to similar conclusions and messages, while DIVERGENT ideas take us to different conclusions. If you’d like to learn more about this strategy which can help you build more insightful discussions of the text by finding unique points of comparison, then I’d recommend you check out the LSG’s How To Write A Killer Comparative study guide.

The Play ( The 7 Stages of Grieving )

‍ Let’s go to scene 14 of the play - this should be the report of Daniel Yocke’s death in police custody. The woman recounts his death in a factual, impersonal style as if reading from a court report. She describes how the police pursued and arrested Yocke after he went out drinking with a group of friends, and how he was detained and taken to the watchhouse. He arrives without a pulse, but the report doesn’t go into detail about how that happened between his arrest and his arrival. The woman breaks into bursts of emotion toward the end of the scene.

While most of the play deals with issues that are universal and timeless for First Nations peoples, this scene looks at a specific real event . However, this doesn’t mean that this scene isn’t timeless - First Nations deaths in custody are still a major issue for which no police officer has been held legally accountable - but this scene chooses just one example out of several hundred.

The emotionally detached tone makes the situation feel serious, but in a way, that distances us and the woman from the brutality and the violence of what must’ve happened. After all, how exactly was Yocke dead upon arriving at the watchhouse? How badly must the police have mishandled him for that to have happened? Along the way, there are little outbursts of emotion (like the little outburst of ‘people called him Boonie!’) and these remind us that the detachment belies the true significance of what happened - the needless loss of yet another Aboriginal person’s life.

This has been such a persistent problem in our history - this scene happened in 1993, but even in today’s time we’re still dealing with the same problem. The institution of policing has been unaccountable and violent for decades, at least, and something desperately needs to change.

The Novel ( The Longest Memory )

‍ Let’s go to the novel now and look at Chapter 6: Plantation Owners.

In this chapter, Mr. Whitechapel is talking to his peers about Chapel’s death in this clubhouse that his father had built for his own peers. Mr. Whitechapel is initially nervous that they’ll make fun of him, and they kind of do - they point out how hypocritical it is for him to think that he can treat the people he’s enslaved with humanity, and to stick to this argument even after Chapel had been whipped to death. At some point in this banter, he realises this physical violence is unjust and starts proposing ‘another way to organise the economy’ that isn’t slavery, but this draws even more mockery. He ultimately leaves feeling a little more convinced by the perspectives of his peers.

What does this chapter tell us, and how is it similar to the scene from the play?

Well, in both scenes, white men get away with murdering a Black man, and it comes down to socio-economic and institutional power. In this chapter, Mr. Whitechapel and his fellow enslavers all inherit significant wealth and extremely prejudiced attitudes from their fathers, and this creates not only pressure, but also a financial incentive, to conform to the system of slavery. He touches on the possibility of abolition, but this is seen as impossible - certainly, none of these men want to lose their power.

Looking more closely at this chapter, we also see how Mr. Whitechapel is exactly the hypocrite that everybody says he is - it’s ridiculous for him to pretend he’s treating black people fairly when they are dying under his watch. He says he’s feeding enslaved workers adequately and treating them with respect, but none of this is actually going to protect them from violence, and none of this is going to level the playing field so that white enslavers are held accountable. Ultimately, Mr. Whitechapel isn’t seriously interested in making substantive changes to slavery in the name of morality; he is simply trying to save face.

I’ve chosen these two scenes because they both illustrate the dynamics of race and power which pervade both texts, but these two scenes might not be the first ones that come to your mind as a pair that you can analyse together, and that’s totally fine! I encourage you to find your own scenes to compare because that’s what makes English powerful. If you, as a unique student, can compare two scenes that nobody else has compared, that’s going to give you an extra edge because you’re more likely to say something original.

If you’re interested in finding more unique ways to compare these two texts, I’d recommend LSG’s The 7 Stages of Grieving & The Longest Memory study guide. I know there aren’t many resources out there for this text pairing, so what we’ve done at LSG is work really hard at ensuring that all the information in this study guide will actually be beneficial for you. We’re not here just to make you read more guides - we’ve really thought about what would be meaningful for you as a student learning this pairing. That’s why you’ll see that I’ve used some of the ideas mentioned in this video and turned them into an A+ essay, so you can see exactly how knowing this information translates into your SAC/exam.

There’s a free sample of the study guide you can check out to see if it’s right for you!

‍ Station Eleven is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Breaking Down a Station Eleven Essay Prompt

We've explored themes, characters, symbols and provided a summary of the text over on our Station Eleven by Emily St John Mandel blog post. If you need a quick refresher or you’re new to studying this text, I highly recommend checking it out!

Here, we’ll be breaking down a Station Eleven essay topic using LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. If you’re unfamiliar with this strategy, you can learn about it in our How To Write A Killer Text Response study guide.

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

Without further ado, let’s get into it!

The Prompt: ' The distortion of memories can be harmful.' Do you agree?

The first thing to note about this prompt is that it's a theme-based prompt, focussing specifically on the theme of memory, which plays a significant role throughout the novel! But more specifically, it's asking directly about the impacts distorted (i.e. misrepresentative/twisted/warped) memories have on individuals, and whether this is harmful or not. So ultimately, you have to look at which memories are distorted throughout the novel, and evaluate whether this process is ultimately helpful to the characters or not.

Not sure what we mean by ‘theme-based prompt’? Then, you’ll want to learn more about the 5 types of essay prompts here .

‍ Step 2: Brainstorm

Many characters' memories are altered significantly from what actually occurred - this is especially relevant for the characters living after the pandemic, as memories naturally distort over a 20-year period
The two main characters we see whose memories are altered the most are Tyler and Kirsten - both of whom were children during the collapse of civilisation
For Tyler, his recollections of the past are all dominated by violence and this has a significant impact on his worldview. One could very easily argue that it is this distorted view of reality that ultimately leads to the formation of his cult and the subsequent harm he inflicts
Thus, in the case of Tyler, it is quite clear that the distortion of memories has been quite harmful
However, on the other hand, Kirsten has had to commit unspeakable acts, (as implied by her being unable to remember her past/childhood), but this is seen as a coping mechanism, allowing her to move forward in life
Thus, for Kirsten, the manipulation of her memories through her forgetting is ultimately rather positive!
Memory distortion doesn't just relate to these two characters - it also affects Clark quite severely
He is shown to be quite unhappy in the pre-apocalyptic world, which is a stark contrast to his fulfilment by the end of the novel. What causes this?
This can be attributed to his distortion of memories which allows him to view the old world in a far more positive manner, with significant nostalgia
Thus, like Kirsten, Clark's distortion of memories is also presented as largely beneficial
So ultimately, while there are downsides to manipulating one's memories (Tyler), Mandel shows that distorting memories is largely a positive coping mechanism for many characters!

From my brainstorming, I'll be approaching the essay with the following contention:

Distorting memories can be harmful but more often is beneficial.

Now it's time to work out our paragraph ideas.

P1: Tyler's distortion of memories is largely detrimental and therefore harmful because they are tainted with violence and thus exacerbate his suffering.

P2: However, Kirsten uses this as a coping mechanism, enabling her to move forward from the trauma associated with the collapse of society and therefore the distortion of memories is necessary in her case.

P3: Further, Clark's rose-tinted view of the past world allows him to come to terms with the collapse of society and again is beneficial.

While Emily St. John Mandel's post-apocalyptic novel Station Eleven illustrates the harm which can be associated with the distortion of memories, it ultimately expounds on the benefits which can be garnered by those who alter their perceptions of reality given how this can serve as an invaluable coping mechanism to process trauma. The non-linear structure of her novel, achieved through the interweaving of pre- and post-lapsarian scenes (1) , allows her to sculpt parallels between her characters who are able to accurately recall both the positives and the negatives of the 'modern world'. She thus advocates that whilst the distortion of memories can perpetuate and enable violence, it can alternatively result in tangible benefits when utilised in a positive manner, thus exposing Mandel's credence in how this can actually serve to benefit individuals and entire communities as a whole.

Annotations (1) It is really useful to show an understanding of how the novel has been constructed and why - so through Station Eleven not following a traditional model of time, this allows Mandel to really contrast between her characters - namely Kirsten and Tyler.

Mandel expounds (2) how the distortion of memories can ultimately exacerbate the suffering experienced by vast sectors of the community, arguing that it is this which actively perpetuates harm due to the inability of humans to adequately process trauma, particularly trauma which stems from one's childhood given the loss of innocence which accompanies this. Indeed, Tyler, who was characterised as a young boy during the 'neutron bomb' of the Georgia Flu and the subsequent destruction of civilisation 'had the misfortune of remembering everything', ultimately resulting in dire consequences for the majority of characters who interact with him. Mandel condemns Tyler's innate desire to justify the pandemic, arguing his inability to forget, process and fully comprehend ‘the blood drenched years of the collapse’ drives the creation of his cult which eventually perpetuates great suffering. This ultimately results in significant consequences, thus allowing her to denounce how the distortion of memories (with Tyler's recollections largely being defined by extreme violence and gore) can be extremely harmful. Indeed, 'ruling with a combination of charisma, violence and cherry-picked verses from the Book of Revelations', Tyler damages the overwhelming majority of people he comes into contact with, from having numerous 'child brides' to rendering the town of St. Deborah by the Water 'unsafe' to his cult containing only a few 'true believers', (3) serving as the embodiment of humanity's insatiable lust for power. Through his reciting of only phrases from the Book of Revelations, labelled the most exclusionary and brutal book of the New Testament (4) , Mandel condemns the selectivity of Tyler's beliefs, advocating that his internalisation of only the most harmful and violent phrases exemplifies the lack of benefits associated with violently distorting memories given the inability of humans to process such immense trauma and suffering. Whilst Mandel explains Tyler's actions as stemming from the violence underpinning his childhood, particularly given that he was raised by a 'lunatic' whom others deemed 'unsaveable', she dispels the notion that this excuses them, arguing the degree of hardships inflicted by Tyler himself are unjustifiable, thus further exposing her credence in the necessity of being able to forget harmful memories in order to overcome them. Ultimately, through her portrayal of Tyler's inability to forget his childhood as 'a boy adrift on the road', Mandel reveals the potential for harm to be imposed due to the distortion of memories so that they are marked by violence, arguing that this can indeed be overwhelmingly dangerous.

Annotations (2) It is great to use action words such as 'expounds' instead of the basic 'shows’ as this demonstrates a more in-depth understanding of the author’s views and values (ensuring you meet VCAA Criteria 2: Views and Values ).

(3) When making claims such as that Tyler harms 'the majority of people he comes into contact with', it is great to show multiple examples, so that your claims are properly backed up with appropriate evidence!

(4) This is a really great point to draw out that other students may not consider - Tyler never references any other components of the New Testament and only focuses on the most violent sections of one particular book.

However, Mandel also displays a belief in the positives which can be gleaned by those who inherently distort their memories as a mechanism to process traumatic times in their lives, arguing this can provoke significant, tangible benefits. Conveyed through the non-linear structure of her novel, Mandel sculpts parallels between Tyler and Kristen given their similar ages and respective connections to protagonist Arthur through him serving as their father and father figure respectively, with the significant difference being that only the latter was able to forget 'the year [she] spent on the road…the worst of it' (5) . As such, only Kirsten is able to adequately move on from this extremely traumatic period in her life, exemplifying Mandel's credence in how the distortion of memories can truly serve as an invaluable coping mechanism allowing individuals to overcome significant harm, with Kirsten experiencing a large degree of post-lapsarian fulfilment given her 'friendships' with her fellow members of the Travelling Symphony, her 'only home'. Despite Kirsten's past being underpinned by significant violence, with her having three 'knife tattoos' to commemorate those she has had to kill in order to survive, her continued ability to adapt her memories into less traumatic ones is applauded, with her murders having been portrayed as occurring 'slowly…sound drained from the earth' as a way for her to process 'these men [which she] will carry with [her] for the rest of [her] life', thereby exposing Mandel's credence in the necessity of being able to overcome trauma through distorting memories. As such, she ironically went on to perform Romeo and Juliet following one such event which, given Mandel's depiction of the unparalleled significance of artistic forms of expressionism facilitating human wellbeing as Kirsten 'never feels more alive' than when she performs, exposes Mandel's illumination of how altering false realities (6) can ultimately provoke tangible benefits given Kirsten's ability to simply move on despite the traumatising nature of the truth. Ultimately, through the juxtaposition between Tyler and Kirstens' distortion (7) of memories, Mandel expounds how distorting memories can wield both consequences and benefits, with the latter occurring when employed subconsciously by individuals to process harmful memories.

Annotations (5) It is quite sophisticated to go back to the construction of the novel throughout the essay (as opposed to just briefly mentioning it in the introduction!). This shows you truly understand why the author structured the novel the way she did, which in this case is to highlight the similarities and differences between Kristen and Tyler.

(6) Try to avoid repeating 'distortion of memories' every single time - it is great to use synonyms such as 'false realities', but make sure you're using the right words (see annotation 2 for more information).

(7) Note how this links back to paragraph 1 (given that these two points are so similar and go off of one another) which makes the essay flow better. We are showing that our argument is well-structured and follows logical patterns.

Furthermore, Mandel similarly explores the benefits of utilising the distortion of memories as a coping mechanism and how, especially when this is done through the lens of nostalgia, it can facilitate unprecedented satisfaction. Indeed, Clark is depicted to be the literal embodiment of post-lapsarian fulfilment (8) given his ability to, albeit through rose-tinted glasses, appreciate the 'taken-for-granted miracles' of the 'former world' through his position as the 'Curator' at the 'Museum of Civilisation'. Subsequently, he serves to expose Mandel's belief in the benefits of altering one's recollections in an overwhelmingly positive manner. As such, Clark 'spend[s] more time in the past…letting his memories overtake him' as he maintains integral cultural artefacts which 'had no practical use but that people wanted to preserve'. This ultimately eventuates into a significant degree of fulfilment for not only Clark himself, but also the other residents of the Severn City Airport, the children of whom 'like all educated children everywhere….memorise abstractions' of the pre-lapsarian society, with the entire Airport community revelling in the everyday 'beauty' of objects not typically appreciated by the general populace. In doing so Mandel highlights her belief regarding the significance underpinning the benefits which can be gained from those whose memories are distorted to cope with losses in a positive manner, arguing this can enable a substantial increase in wellbeing. This is exacerbated through the juxtaposition in Clark's pre- and post-lapsarian fulfilment, for in the former he is denigrated as merely an unhappy 'minimally present...high functioning sleepwalker' (9) . Overall, through her portrayal of Clark's satisfaction despite his elderly status and the loss of everyone dear to him, Mandel exposes her belief in the value of distorting one's memories in an overwhelmingly positive manner, advocating this can facilitate the forming of one's intrinsic purpose and thus fulfilment.

Annotations (8) You want to show how characters correlate to specific themes, and if one embodies a particular idea, then you should clearly state that! It shows examiners you really know your stuff. See this blog for more about the themes and characters in Station Eleven .

(9) Again, you want to clearly highlight how Clark is distorting his memories, including by providing evidence to back up your claim.

Ultimately, Emily St. John Mandel’s Station Eleven exemplifies the limitations of the human psyche when affected by trauma, arguing that the distortion of memories can have either a positive or negative impact upon the individual. Whilst she cautions her audience against the dangers of adhering to selective recollections, she simultaneously presents the benefits which can be garnered from this, alongside the ability to liberate oneself from such harmful memories.

For more Station Eleven writing samples, check out this blog post , which compares three different paragraphs and analyses how they improve upon one another.

If you found this essay breakdown helpful, then you might want to check out our Station Eleven Study Guide where we cover 5 A+ sample essays with EVERY essay annotated and broken down on HOW and WHY these essays achieved A+ so you reach your English goals!

Whether you revel in the ideas and intricacies of poetry or could not think of anything more monotonous to read, grab a tea (or coffee if it’s one of those nights), your favourite late-night snack, and prepare to be amazed by just how simple it is to absolutely NAIL a poetry essay.

Don’t worry, I know that same overwhelming feeling when poetry can seem as if it’s not even in English, but I can ensure you, learning how to write a poetry essay is like learning to ride a bike…. Once you wrap your head around it you’ll be cruising!

To make these tips even more practical, we’ll be focusing on John Donne’s poetry in relation to the topic below: ‍

‘Donne’s poetry explores the many aspects of human experience.’ Discuss.

‍ 1. Start off with a bang!

I’m sure you’ve heard it before… your introduction sets the tone for your essay and this could not be more true. A shallow introduction is like missing the start of your running race, or even worse arriving at a party just before it ends! You’ll just have so much catching up to do! Without being overly hyperbolic, here are a four essential tips that will ensure your assessor sees you as a high-scoring student right from your first sentence.

- Answer the question in your first sentence (even if it is in a broad manner) and always link back to the essay topic – this will show the assessor that you are answering the question given rather than presenting them with a sneaky memorised essay!

- Utilise the right terminology when outlining the type of poet and era they wrote in (i.e. metaphysical poet, Renaissance era, during the reign of Queen Elizabeth)

‍ - Outline the main poetic techniques for which the poet is known for (i.e. playful wit, rich imagery, language, challenging intellectual argument) as well as the ideas and values they endorse (i.e. elevation of reciprocal love, belief in the resurrection of Christ, celebration of eternal life)

- Wow your assessor with unique vocab (i.e. illuminate, emanate, meditate)

And here’s a sample introduction to help you even more:

John Donne’s anthology, “Selected Poetry” illuminates the human condition and thus provides much commentary on life and death. A metaphysical poet of the Renaissance era, Donne combines a playful wit, rich imagery, and perhaps most importantly language, to challenge intellectual argument and celebrate various aspects of sexual desire, mutuality and faith. Immersed in the Christian traditions of his time, Donne’s exploration of Death emanates from the Elizabethan acute awareness of the brevity and vanity of human life; however, with his sensual elevation of reciprocal love and his deep spiritual belief in the resurrection of Christ, Donne meditates upon his belief and celebration of eternal life.

2. Strong topic sentences are Crucial (with a capital C)

Time and time again students fall into one of two traps. They either try to start each paragraph with a lengthy (and often beautiful) phrase trying to encapsulate every idea they plan to introduce in the paragraph. Or on other occasions, they have no introductory sentence and instead launch straight into their poetry analysis. Your assessor may be blown away with your A+ worthy introduction and then reach this weak opening to your paragraph and have to reconsider! Your topic sentence is the frame for the whole paragraph so please, keep it clear, succinct, and relevant to the essay question.

Here are three ‘DOs’ and ‘DON’Ts’ to consider when crafting one of the most important sentences of your essay (again, sorry about the drama!)

- DON’T mention the poem you will use as evidence in your topic sentence

- DO answer and link directly to the essay topic

- DO use linking words to link the ideas in different paragraphs

And here are three STRONG topic sentences for each paragraph of this essay (note how I always link back to the topic of human experiences and link ideas between paragraphs)

- Rewriting the conventional trope, Donne’s oeuvre explores the joy of erotic love and ones’ lustful desire to engage in these sexual experiences.

- While much of Donne’s oeuvre comments on the pleasure of carnal experiences, his more harmonious poems reveal the beauty of relationships in which one can experience a deep sense of mutuality and stability.

- Silhouetted against the backdrop of the Elizabethan reign, Donne’s more metaphysical poems demonstrate the struggle of the process of dying and individual corruption, and the manner in which it leads to the acquirement of God’s love and grace.

3. Organise paragraphs by IDEAS

What makes a poetry essay so unique is that your paragraphs are based on broad ideas rather than the motifs and behaviours of characters in novels. This means that when planning your essay you must ensure that each paragraph has only one idea and that each paragraph is based on a different idea. From there you can work out which poems best represent each concept to work out which poems you will use for each paragraph. This is why I love poetry essays as planning for them is so easy! All you have to do is think of three or four different ideas for the essay topic and then find your textual evidence by working out which poems best reflect these ideas…. Simple! Right?

Here are the three ideas that I plan to discuss in each of my paragraphs of this essay as well as the poems I would use:

- Sexual/physical human experiences

- ‘Elegy 19: To His Mistress Going to Bed’ & ‘The Flea’

- Mutuality and reciprocity as an experience/element of spiritual love

- ‘A Valediction: Forbidding Mourning’

- The innately human experience of dying and being embraced by God in heaven

- ‘Hymn to God My God in My Sickness’ ‍

4. Analyse, not summarise

If there was one thing that was playing in my head over and over while writing a poetry essay it was ‘analyse, not summarise’. It is so easy to fall into the trap of simply summarising the poetic techniques and language of the different poems rather than analysing their meaning and linking this directly to the essay question. Even if you have the best plan and ideas going for you, if an assessor notices you going into summary mode they’ll assume you’re just rewriting a memorised essay rather then answering the exact essay question given…. DISASTROUS! To prevent this utter catastrophe, I urge you to please, link to and answer the specific essay topic EVERYTIME you introduce a new poetic technique/piece of evidence. Verbs such as demonstrates, elucidates, illustrates, exemplifies, illuminates and augments are ‘must haves’ in your poetry tool-box as they will ensure that you are analysing not summarising.

Here is a sample paragraph for you to consider (notice how I always link back to the idea of mutual/reciprocal love and experiences every time I introduce a new poetic technique or quote)

While much of Donne’s oeuvre comments on the pleasure of carnal experiences, his more harmonious poems reveal the beauty of relationships in which one can experience a deep sense of mutuality and stability. The poem, ‘’A Valediction: Forbidding Mourning’’ explores the sense of security and harmony which spiritual love and experiences permit. Adopting a hush, reverent tone manifested by the use of sibilance, through the enjambment of the phrase ‘’Dull sublunary lovers love, / (Whose soul is sense) cannot admit / Absence’’, Donne elevates mutual love to a higher plane, one that transcends the lines of poetry. When accompanied by the stability of the ABAB rhyme scheme that works to echo the couple’s settled love, this presents the experience of reciprocity and mutuality of love to be higher than the dull and earthbound nature of love that is solely physical. Hence, Donne reveals the bliss that mutual love permits mankind, given it eclipses the desire for any form of physicality. Further elucidating the strength of mutual love, Donne illuminates how when couples are separated it is ‘’not yet a breach, but an expansion’’, thus celebrating the manner in which deep, reciprocal love not only eclipses the divisions of the clock but how it expands ‘’like gold to airy thinness beat’’ when separated. By connoting spiritual love to the pure and malleable nature of gold, this simile characterizes mutual love to be the prime of human experiences and relationships. Intertwining the elegant conceit of a compass to represent the love that connects the speaker and his mistress, Donne garners the notion that no matter how far ‘’one doth roam’’ the intellectual bond between the couple will remain ‘’firm’’ and enable the pair to overcome any form of physical separation. Hence, Donne illuminates the complex and impermeable bond that this serene form of human experience can foster.

‍ 5. Vocab and metalanguage are the easiest ways to SHINE

To say it plainly, writing with unique and refreshing vocabulary is enough to send your grade SOARING. It will not only render your ideas and discussion ever more complex, but has the power to enlighten and stimulate your assessor (and this is something we all want to do… right?). Utilising the correct poetic metalanguage every time you introduce a new quote or line of poetry will ensure that your analysis remains both specific and detailed. As seen in the paragraph above, discussing the poetic techniques provided me with another form of evidence (rather than just the quotes from the poem) to elucidate how these different forms of human experience are illustrated in each of Donne’s poems.

To assist you further, here is some metalanguage for the poetic techniques and structures that frequent John Donne’s poetry:

- Sibilance, alliteration, imagery, paradox, conceit, metaphor, simile, personification, rhyme structure, tone, volta, enjambment, metre (i.e. iambic pentameter, trochaic tetrameter), monosyllabic phrasing

- Stanza, verse, quatrain, cinquain

6. Finish with a jaw-dropping conclusion

A mediocre conclusion is like leaving your assessor with an unpleasant aftertaste that unfortunately, will not go away. So please, finally give your conclusion the attention it deserves and follow these five tips to ensure you leave your assessor waiting for that mic to drop!

- Pan out to the broad, abstract ideas that the poet wrestled with

- Discuss the aspects of the poet that set them apart from other poets at the time (i.e. for John Donne that is his intellectual imagery, arresting voice, wit, fusion of passion and logic and the manner in which he challenged intellectual argument and strongly held societal conventions)

- Short and sweet not long and wordy!

- Reinforce the period and society in which the poet wrote

- You can include a secondary quote if you want, however only if it relevant to the essay topic and ideas you discussed

Here is a sample conclusion to assist you:

Railing against the societal value of religion prominent during the reign of Queen Elizabeth, the originality of Donne’s ideas about love, death and God along with his strikingly intellectual imagery and rich language incite and interest his more religious readership of the joys of sexual, mutual and religious experiences. The poet and playwright Ben Jonson once wrote that John Donne ‘’was the first poet in the world in some things.’’ Hence, it is through his witty and authentic form of expression that Donne allows us to reflect on and celebrate precisely what it means to be human.

Have a go at analysing it yourself first, then see how I've interpreted the article below! For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis .

Information

Author: Professor Chris Lee

Type of article: Speech

Publisher: None

Date of publication: 25 – 27th October, 2010

Contention: We, as humans must consider our impact on biodiversity and take action to change our lifestyles before we damage the world beyond repair.

Number of article(s): 1

Number of image(s): 2

Source: VCAA website

Note: Persuasive techniques can be interpreted in many ways. The examples given below are not the single correct answer. Only a selected number of persuasive techniques have been identified in this guide.

Taking Stock Analysis

Persuasive technique: Reputable Source

Example: ‘United Nations stated: “It is a celebration of life on earth and of the value of biodiversity in our lives. The world is invited to take action in 2010 to safeguard the variety of life on earth: biodiversity”.’

Analysis: The use of a reputable source indicates that 1) the author has done his research and is therefore credible, 2) his opinion is supported by an expert group, thus strengthening his reasoning and opinion in regards to biodiversity.

Persuasive technique: Rhetorical questions

Example: ‘Has this been a year of celebration of life on earth? Has this, in fact, been a year of action?’

Analysis: The use of rhetorical questions aims to portray to listeners that the answer is obvious, that humans have not done enough to help biodiversity. As a result, listeners are manipulated into agreeing with the author since if they were to refute the answer; it will appear as though they are nonsensical.

Persuasive technique: Personal approach

Example: ‘It is with great pleasure – though not without a tinge of sadness’

Analysis: By introducing himself with ‘it is with great pleasure’, listeners are invited to reciprocate the feeling of welcome for Lee and hence be open to his opinion. His subsequent, ‘though not without a tinge of sadness’ suggests to listeners that he is disappointed with the current state of biodiversity, which may persuade listeners to feel as though they should help fix the situation.

Persuasive technique: Statistics

Example: ‘35% of mangroves, 40% of forests and 50% of wetlands.’

Analysis: The incorporation of the apparently reliable and credible statistics testifies for Lee’s opinion and thus may persuade listeners to believe that it is indeed, ‘too late for [species]’.

Persuasive technique: Appeal to sense of guilt

Example: ‘Due to our own thoughtless human actions, species are being lost at a rate that is estimated to be up to 100 times the natural rate of extinction.’

Analysis: Since the destruction of biodiversity is ‘due to our own thoughtless human actions’, Lee aims to incite a sense of guilt as listeners appear to be selfish, which may urge them to agree that they need to cease being inconsiderate and do more to improve biodiversity.

Persuasive technique: Appeal to humanity

Example: ‘Reversing this negative trend is not only possible, but essential to human wellbeing.’

Analysis: The appeal to humanity, ‘essential to human wellbeing’ encourages listeners to support Lee since it is our instinctive for humans to nurture ourselves and others.

Persuasive technique: Appeal to sense of pride

Example: ‘We are, in truth, the most educated generation of any to date. We have no excuse for inaction.’

Analysis: Through the appeal to a sense of pride, Lee aims to coax listeners into believing that they have ‘no excuse for inaction’ since only those who are ‘intelligent’ would understand and agree with his stance.

Persuasive technique: Attack on the listener

Example: ‘YOUR country – actually done since 2002 to contribute to the achievement of our goals?’

Analysis: The attack aims to leave listeners in a state of vulnerability since it is clear that many have failed to ‘achieve…[the] goals’. Once in this state, listeners may be more inclined to accept Lee’s stance.

Persuasive technique: Appeal for sympathy

Example: ‘Biodiversity loss undermines the food security, nutrition and health of the rural poor and even increases their vulnerability. ‘

Analysis: Though the reference to ‘the rural poor,’ Lee aims to appeal to listeners’ sympathy and may invite support since it is instinctive to wish for the best for humanity, rather than to see the poor experience a lack of ‘food security, nutrition and health.’

Persuasive technique: Appeal to pride

Example: ‘As leaders in the area of biodiversity’

Analysis: The appeal to pride through positioning listeners as ‘leaders’ invites support since it is innate for humans to wish to be thought of as a person who is respected and powerful.

Persuasive technique: Inclusive Language

Example: ‘we know what damage our lifestyle is doing to our world’

Analysis: The use of inclusive language aims to involve listeners with the issue, thus encouraging support since listeners may feel responsible for the future outcome of biodiversity.

Persuasive technique: Appeal to sense of urgency

Example: ‘The time for talk is over: now, truly, is the time for serious action.

Analysis: By appealing to a sense of urgency, Lee aims to urge listeners to take responsibility since it appears as though the damage to biodiversity will be too late if we fail to take ‘serious action…now.’

Persuasive technique: A sense of responsibility

Example: 2010 with outlines of nature

Analysis: The incorporation of a background of ‘2010’ with outlines of animals, plants and humans aims to demonstrate to listeners that earth is shared by all species, with none dominating another in an attempt to gain listeners’ sense of responsibility since they are part of the biodiversity issue, yet can also be the solution to the problem.

Persuasive technique: Pun

Example: ‘Taking Stock’

Analysis: The first meaning used for the pun suggests to listeners that they need to ‘take stock’ or in other words, scrutinise the dire situation of biodiversity in call for much needed attention to the issue. Through referring to the second meaning of ‘stock’ as animals, Lee intends to appeal to a sense of guilt since he projects the idea that humans are cruelly annihilating the environment by ‘taking’ whatever ‘stock’ for their own self-centered purposes.

Persuasive technique: Appeal to responsibility

Example: ‘earth is in our hands’

Analysis: By placing the ‘earth…in our hands,’ Lee aims to urge a sense of responsibility on behalf of the listeners which in turn, may cause them to agree with the notion to take ‘serious action’ in the name of biodiversity.

Persuasive technique: Use of reputable source

Example: ‘Biodiversity is the greatest treasure we have . . . Its diminishment is to be prevented at all costs. Thomas Eisner’

Analysis: The reference to ecologist, Thomas Eisner attempts to persuade listeners to support Lee since experts in the field of biodiversity recommend that the earth needs to be cherished.

Often, with Language Analysis (also known as Argument Analysis or Analysing Argument), it can be hard to find unique things to analyse and set yourself apart from your competitors. Techniques like rhetorical questions, inclusive language and the appeal to family values are regurgitated by thousands of students every year come exam season. As you’d imagine, examiners get tired of hearing the same ol’ thing essay after essay.

So, I challenge you to surprise them! And today’s video will help you do just that.

The TEE rule is a very popular technique that we describe in our top-rated eBook, How To Write A Killer Language Analysis . And for a good reason, too! It guides your analysis to ensure that you’re talking about techniques, how they affect readers and using evidence to back yourself up. If you’ve never heard of the TEE rule, no worries at all! Check out our HTWAKLA eBook for an in-depth look into how the technique can help you get to that A+ level.

Today’s video is all about analysing the structure of Language Analysis articles so you can WOW examiners and score in that upper level.

Now, what does this exactly mean and, more importantly, look like?

When it comes to pieces of writing, when we talk about structure, we’re talking about how the information is organised.

What does the writer talk about first? What do they talk about last? How long are the paragraphs? How many paragraphs are there? While these questions might seem a little pointless to some, they can actually inspire some pretty unique and spot-on analysis in VCE Language Analysis.

OK Lisa, I get it, but how can I do this in my essays? Great question.

Let’s have a look at some examples of this, courtesy of one of LSG’s amazing tutors, Andrea. She’s written up an incredible blog all about these advanced techniques, and it includes much more than what we have time to talk about today. So, as always, I’ll leave the link to her blog in the description and in the card up above – I highly recommend that after watching this video, you head on over and check it out. ‍

Analysing recurring themes and ideas in VCE Language Analysis

Analysing recurring ideas and themes throughout a piece is a fantastic way to show the examiner that you’ve understood the piece as a whole and that you can step back and notice similarities between smaller sections.

Let’s take a closer look at Section C of the 2014 VCAA English exam . The author emphasises the theme of Kolumbus-21 and its significance on space travel , which is an example of a recurring idea of theme.

Paragraph 1: ‘Space exploration has been on my mind this week after visiting an exhibition presented by an international group known as Kolombus-21.’

Paragraph 9: ‘Kolombus-21 talks a lot about international cooperation. This hasn’t always been a feature of space exploration, but now that we have an international space station supported by 15 nations, the era of collaboration seems to be well established.’

Paragraph 11: ‘Perhaps with big dreamers like Kolumbus-21 behind it, it might even turn out that way.’

We can use an array of vocabulary to describe exactly how ideas and themes recur throughout a piece. For example, if something is mentioned repeatedly throughout a piece, we could call it a c yclical, recurring or circular idea. If an idea is built chronologically , piece by piece, we could call it hierarchical, chronological, sequential or even linear .

In this example, notice how from the beginning to the end of the piece, the author mentions the connection between Kolombus-21 , space exploration and international cooperatio n several times. Let’s see what we get...

By returning to the original theme of Kolumbus-21 as a key driver of support for space travel, which indicates the cyclical structure of her opinion piece, Yergon links space travel with international cooperation.

It’s also a good idea to reiterate the overall structure of the piece in the conclusion, as it allows you to link the structure with the author’s contention.

Analysing the ordering of the contention, arguments and rebuttals in VCE Language Analysis

Certain elements of the article can have a different effect on the reader depending on where the author places them. When we’re talking about desired effects on readers, we want to assume that the writer has done everything a certain way for a reason , so when the rebuttal is placed first, for example, we can look into this further for possible explanations.

When the rebuttal is placed first , it can set up the audience to more readily accept the writer’s following opinions, as opposing viewpoints have already been criticised early o n.
You can see this in the 2013 VCAA exam, where the author argues against opposing views early on in their article. In it, the author references the opposition directly as they say ‘some people who objected to the proposed garden seem to think that the idea comes from a radical group of environmentalists’, and rebut this point by proposing that ‘there’s nothing extreme about us’.
Or, if the rebuttal is placed towards the end of the article , it could serve to cement that the writer’s viewpoint is correct by explaining why opposing viewpoints are wrong . Also, it can give a sense of finality to the piece – assuring the audience that all bases have been covered by the writer.
What if there’s no rebuttal ? Well, this could imply that the author’s opinion, and theirs alone, is correct and to be supported.
What Is The Creative Response?
What Are You Expected To Cover? (Creative Writing Criteria)
Literary Elements (Characterisation, Themes, Language, Symbolism, Imagery)
LSG's unique REPLICATE and IMAGINE strategy
Sample A+ Creative Response
Writing The Written Explanation
Resources To Help You Prepare For Your Creative Response

1. What Is The Creative Response?

The Creative Response, which forms part of the ‘Reading and creating texts’ component of the study design, is part of the 1st Area of Study (AoS 1) - meaning that the majority of students will tackle the Creative Response in Term 1. Unlike the analytical text response, in the Creative Response you will be asked to write your own imaginative piece in response to a selected text.

You are expected to read and understand the selected text, analyse its key features, and write a creative piece which demonstrates your comprehension of the text.

2. What Are You Expected To Cover? (Creative Writing Criteria)

The creative writing task assesses your ability to combine features of an existing text with your own original ideas. The key intention here is to demonstrate your understanding of the world of the text. You can achieve this by exploring and applying selected elements from the text, such as context, themes, literary devices like symbols, and/or characters. You should also consider the values embedded within the text - this includes explicit values (which can be seen on the surface of the text) and implied values (values we uncover through analysis of the text’s deeper meaning). Try to reflect these values within your writing.

Your piece will be a creative response, after all, so you should apply the conventions of this style of writing. Firstly, your creative should follow the structure of a beginning, middle, and end. We can also think of this as rising tension, climax, and resolution. Secondly, you should develop an authentic use of language, voice and style to make your writing more engaging and sophisticated. Thirdly, you can use literary devices to build meaning and depth within your piece. As always, your writing should be consistent with the rules of spelling, punctuation, and syntax (that is, written expression) in Standard Australian English.

Part of this assessment is the Written Explanation, which is a chance for you to explain and justify your creative writing choices. Within the Written Explanation, you should reflect on your writing process and analyse your own work. The primary goal here is to explain the links you’ve made to the original text, by considering features like purpose, context, and language.

Ultimately, to put it simply, you are expected to understand the selected text and demonstrate this in your creative piece. If you're looking to quickly increase your creative skills, watch our incredibly popular video below:

3. Literary Elements (Characterisation, Themes, Language, Symbolism, Imagery)

Literary elements are different parts of the creative writing equation that ensure your piece is consistent with the expected features of this type of writing. When selecting which literary elements to include in your piece, remember to consider the original text and ensure that your work, while creative, also demonstrates your ability to replicate some of its elements.

Characterisation

As we know, characters are fictionalised people within the world of a creative text. Almost an entire century ago, the English writer E. M. Forster famously introduced the concept of flat and round characters in his 1927 book, ‘Aspects of the Novel’. According to Forster, flat characters can be defined by a single characteristic; in other words, they are two-dimensional. For example, the characters of The Simpsons could arguably all be defined as flat characters; Homer is characterised as a slob, Flanders is defined by his Christian faith, Lisa is stereotyped as the ‘teacher’s pet’, and Bart is portrayed as rebellious. We can define all of these characters as flat because they are labelled to the audience in these two-dimensional ways.

In contrast to this, round characters have multiple characteristics, which brings them closer to seeming like real, human figures. The personality of these characters extends beyond a single attribute. In Harry Potter , Harry himself is a round character because of how much we learn about him over the course of the series. For example, we find out about Harry’s difficult childhood, his personal challenges, his love interests, and we see his personality grow from book to book.

Whether the characters of your creative are flat or round will depend on their involvement within, and importance to, the storyline of your piece. Generally speaking, however, you should aim for the central character(s) to be round, while any minor characters are likely to be flat. Developing round major characters will ensure that they are realistic and believable. In turn, you’ll be able to better demonstrate your imaginative skills and understanding of the text through these characters.

Themes are the key ideas and issues that are relevant to the storyline of a fictional text. We can identify themes by labelling the main areas of meaning within a text and thinking about the messages that emerge throughout the text. To build your understanding of themes within a particular text and to evaluate the themes of your own creative, consider the following questions:

What is the text really about, beyond superficial elements like plot and character?
What is the text saying to its reader?
What are the core idea(s) or issue(s) within the text?
What idea(s) or issue(s) do the message(s) of the text correspond with?

To return to our example of The Simpsons , we could say that the themes within this sitcom include love and family, neighbourliness, and social class. From episode to episode, The Simpsons comments on these different issues. For example, Marge and Homer’s relationship, with its domestic setting and marital ups and downs, is a core aspect of the Simpsons household. Likewise, family is a major component of not only the Simpsons themselves, but also the broader Springfield community. The interactions between parents and children is evident on Evergreen Terrace with the Simpsons and the Flanders families, as well as in other settings such as Springfield Elementary School (where even an adult Principal Skinner is seen through his relationship with his elderly mother). These broad areas can be identified as the key thematic concerns of the series because each episode centres around these ideas.

Language refers to the way in which a piece of writing is expressed. We can define this as the ‘style’, or ‘tone’, of a text. The words and phrasing chosen by a writer determine how ideas are communicated. Effective language will be appropriate for the world of the text and contribute to the narrative in a meaningful way. There are a number of ways in which a piece of writing can be articulated and you should consider the nature of your piece and the language of the original text when deciding what type of language is most appropriate for your creative.

Dialogue, on the other hand, is an exchange of conversation between characters. Dialogue is often used to provide context to a text, develop its storyline, or offer direct insight into a character’s thoughts, feelings and personality. ‍

A symbol can be defined as a thing that represents something else. Symbols are typically material objects that hold abstract meaning. For example, in Harry Potter , Harry’s scar is a symbol of his difficult childhood. Because Harry’s scar causes him pain in Voldemort’s presence, it can also be said that the scar is symbolic of the connection forged between Harry and Voldemort when his attempt to kill Harry failed. As this example suggests, symbols are often associated with the text’s themes - in this case, Harry’s scar relates to the themes of childhood and death.

The key with symbolism is to connect a particular theme or idea to a physical object. For example, the theme of grief could be portrayed through a photo of someone who has died. Likewise, the theme of change might be represented by a ticking clock, while a character’s clothing could be a symbol of their wealth or status.

For more literary elements, also known as metalanguage, check out our lists:

Part 1 – Metalanguage Word Bank For Books

Part 2 – Metalanguage Word Bank For Films With Examples

And if that's not enough, you'll also want to check out our How To Write A Killer Creative Study Guide where we unpack these elements in more detail AND analyse imagery, foreshadowing, flash-backs and flash-forwards!

4. LSG's unique REPLICATE and IMAGINE Strategy

If we think about the criteria of creative writing, we’ll see that much of this task involves demonstrating your understanding of the text. For this reason, being able to replicate the world of the text will enable you to showcase your understanding and, in turn, to meet the criteria your teacher will be looking for. Let’s consider how you can strengthen your creative by taking the time to understand the text on a meaningful level and reflect this within your writing.

Step 1: Read

Writing a strong creative piece begins with reading. Reading the text (or watching, in the case of a film) is essential to developing an informed creative response. The more closely you read, the more confidently you’ll be able to engage with the important ideas and textual elements necessary to take your creative from good to great.

While reading the text for the first time, focus on developing your understanding and clarifying any uncertainty. I would recommend taking the time to read a plot summary before beginning on the text - this will allow you to go in with a reasonable idea of what to expect, and also provide a security net to minimise your likelihood of misunderstanding the plot.

While reading the text once is sufficient, you will benefit from reading it twice. A second reading enables you to take the time to annotate key sections of the text and to further your initial understanding. If you choose to read the text a second time, pay extra attention to the themes and inner-workings of the text. This means reading between the lines and starting to form an analytical understanding of what the text is about, beyond surface ideas like plot and character.

Annotating the text (or note-taking, in the case of a film) is an important aspect of any academic reading. The key intention is to ensure your annotation approach is as convenient and accessible as possible. To achieve this, I suggest listing the key themes, allocating a different coloured highlighter to each, and colour-coding sections of the text which you think relate to each specific theme. This will give your annotating process more direction compared to the common approach of simply leaving notes in the margin, which may be time-consuming to read over later.

I would also recommend making the most of coloured tabs - these enable you to immediately see the key sections of the text, rather than flicking through aimlessly. If you can colour-code these tabs according to the same key as your highlighters, you’ll be able to instantly spot which sections correspond with which theme (and trust me, this will come in handy if you decide to replicate these themes in your own creative).

Aside from annotating the text itself, try to ensure that the notes you write are concise - not only will this save you time, but it’ll mean you focus on condensing the key information. In turn, you’ll have less material to sift through later on, giving you the ability to jump straight into planning and drafting your own piece. This video, How to effectively annotate your books for school! and this blog post, How to effectively annotate your texts in VCE will provide you with more helpful strategies to get the most out of annotating. ‍

Step 2: Understand the World of the Text

‍ Regardless of how many times you read the text, your understanding will be strengthened by seeking out resources to help you think about the text on a deeper level. A good starting point for this is to have a look for LSG blog posts and videos that are about your specific text.

Watching or reading interviews with the author of the text is a fantastic way to hear directly about their intention in writing the text - after all, they are the single most authoritative source on the text. The goal here is to understand the author’s intent (something we’ll expand on in Chapter 8: Strengthening Your Creative ) so that you can reflect this within your own writing. Focus on how the author explains certain aspects of their text, as well as any points they make about its context and background.

Additionally, peer discussions and asking questions in class will help you to further develop your understanding of the text and clarify any uncertainty. Seeing the text from another’s perspective will develop your knowledge beyond a superficial understanding of the text and introduce ideas you may not have otherwise considered.

Remember to take notes as you go - these will be useful to reflect on later. ‍

Step 3: Implement Your Understanding ‍

Okay, so you’ve taken the time to read and annotate the text, and you’ve sought out external resources to further develop your comprehension. Now we want to apply this understanding within a creative context. Reflect on what you know about the text. Think closely: What have you learnt about its context, characters, and themes? What elements of the text stand out? The goal here is to draw inspiration from the text and begin to think about which aspects of the text you might like to replicate within your creative piece. Begin to put together a shortlist to keep track of your ideas. The aim here is to develop a picture of the parts of the text you might decide to replicate in your own writing.

Although understanding and replicating the text is important, if we were to only do this, your piece wouldn’t have much creative flair or originality. Here, we’ve taught you the ‘ Replicate ’ component of this strategy . If you’d like additional information about how to elevate this to an A+ standard AND a comprehensive explanation of the ‘ Imagine ’ component, check out our How to Write A Killer Creative study guide ! ‍

5. Sample A+ Creative Response

Here's a sample excerpt from a creative piece written by Taylah Russell, LSG tutor and 47 study scorer, in response to the short story 'Waiting' in Cate Kennedy's anthology, Like a House on Fire :

"The clinician presses forcefully into my lower abdomen, refusing to stop and accept my reality. The poor thing, deprived of such hopelessness as I, seems to honestly believe that the longer he agonises over finding something, the more likely it is that some form of life will appear. That those horoscopes in those grimy magazines, written by journalists who’ve probably been fired from their former reputable jobs, may actually hold some validity. I place my hands over my eyes, tentatively pressing against my eyelids, turning my surroundings a dark black and blocking the stream of water that has readied itself to spill when the time comes, when that young boy finally gives up and realises that his degree holds no value in providing me with happiness."

As we can see in this paragraph, the writer is replicating certain themes from the original text, such as grief. Additionally, this piece is written from the perspective of the original protagonist, which means that its characters and context are also directly inspired by Kennedy. Ultimately, by carrying across these text elements of theme, character, and context, the writer is able to clearly demonstrate an extensive knowledge of the text , while also showcasing their creativity. To see more of this creative piece as well as another A+ example, check out the How to Write A Killer Creative study guide !

6. Writing The Written Explanation ‍

For a detailed overview of the Written Explanation, check out our Written Explanation Explained blog post. ‍

7. Resources To Help You Prepare For Your Creative Response

Youtube videos ‍.

We create general creative writing videos where I explain the method behind this task: ‍

We also create videos that outline ways you can set yourself apart in this assessment:

‍ ‍ Check out our entire YouTube channel (and don't forget to subscribe for regular new videos!). ‍

Blog Posts ‍

Our awesome team of English high-achievers have written a number of blog posts about creative writing to help you elevate the standard of your work! ‍

5-Step Recipe for Creative Writing ‍

How to achieve A+ in creative writing (Reading and Creating) ‍

"Creative Response to Text" Ideas ‍

Written Explanation - Explained ‍

Reading My 10/10 Marked CREATIVE GAT essay ‍

VCE Creative Response to Runaway by Alice Munro

Study Guide ‍

And if that isn't enough, I'd highly recommend our How To Write A Killer Creative study guide .

In this study guide, we teach you the unique REPLICATE and IMAGINE strategy, a straightforward and methodical approach to creative writing. The study guide also covers our step-by-step method to guide you through every phase of creative writing (no more not knowing where to start!) AND includes excerpts from multiple A+ creative pieces. Find out more and download a free preview here .

Whether you consider yourself a Frankenstein expert, or someone who is a bit taken back by the density of the novel and Shelley’s writing, do not fret! Below I will outline 3 tips which, will hopefully give you a clearer perspective on how to approach writing on Frankenstein! Let’s get started!

1. ALWAYS TRY TO TALK ABOUT SHELLEY’S CONCERNS

Since the book was set during the Age of Enlightenment and the Romantic era, Shelley essentially used Frankenstein as a vessel to criticise and warn readers against many of the values upheld during her era. It’s therefore crucial that you address this!

The late 18th century and the first decades of the 19th century were exciting times for science and exploration. Shelley’s two main protagonists, Walton and Frankenstein, both passionately sough to discover what had previously been hidden. Walton wanted to be the first to find a passage through the Arctic Circle; Frankenstein wanted to be the first to create manmade life, to uncover the mysteries of Nature. Both men claimed to be desirous of benefitting humankind but both wanted glory more. This obsession to win accolades for their discoveries will destroy Victor, and turn Walton for a while into a hard taskmaster over his crew.

Juxtaposed against these two characters is Henry Clerval. Clerval, too, has an inquiring mind but he also cares about humanity, family and friends. He represents the balanced human being who is sociable, compassionate, intelligent and loyal to his friends. Victor’s ability to reanimate the dead, to bring to life his gigantic Creature using the newly discovered electricity, makes him a genius but also a monster. In his inexperience he botches the work producing a hideous and terrifying creature with, ironically, initially all the virtues of the ideal man of he world. Repulsed by his amateurish handiwork, Victor abandons his creation, setting in place the vengeance that will unfold later.

Try to ground any response to Shelley’s text in the enormous enthusiasm for new discoveries and new geographic phenomena that attracted lavish praise for those who went where others feared to tread. It was this praise that drove Walton and Frankenstein to exceed reasonable expectations becoming reckless and careless of the consequences of their actions.

2. ALWAYS TRY TO DRAWS LINKS AND CONTRAST DIFFERENT CHARACTERS AND THEMES!

Walton, Frankenstein and the Creature are interconnected in so many ways – whether it be their isolation, ambition, desire for companionship, desire for vengeance or the Romantic values they share. I’ve also noted that it is also really easy to connect themes in Frankenstein as the tragic story-arc of the novel is built upon many different causes. What I mean by this is that there is a clearly define relationship between isolation, ambition and vengeance (and ultimately tragedy) in the sense that isolation is what led to the brewing of unchecked ambition which essentially causes the resultant tragedy.

Take Frankenstein for example: having left his loving family and friends, who provided him with love and companionship for Ingolstadt, there was no one to hold him back from his natural tendencies towards unchecked ambitions, leading him to creating the monster who out of spite towards society kills all of Frankenstein’s loved ones, leading them towards the desire for mutual destruction. Being able to see these links and draw them together will not only add depth to your writing but it also arms you with the ability to be able to deal with a wider array of prompts.

3. ALWAYS TRY TO LOOK FOR MORE NUANCED EXAMPLES AND DISCUSSIONS!

While Walton, Frankenstein and the Creature can be discussed incredibly thoroughly (and by all means go ahead and do it), but it is also very important to consider the novel as a whole and talk about, if not more thoroughly, on the minor characters. While characters such as the De Laceys, villagers and the rustic in the forest can be used to highlight the injustices brought upon the creature and people’s natural instincts of self preservation and prejudice, innocent characters such as Elizabeth and Justine can be used to emphasise the injustice of society and the consequences of unchecked ambition and isolation.

Henry Clerval (like previously mentioned) can be contrasted against Walton and his best friend Frankenstein to show that as long as we have a balanced lifestyle and companionship, ambition will not lead us to ruin. Characters such as the Turkish merchant can also have parallels drawn with Frankenstein in telling how our selfish desire and actions, born out of inconsideration for their consequences, can backfire with great intensity. Lastly the character of Safie (someone I used a lot in my discussions) can be compared and contrasted with the Creature to show the different treatment they receive despite both being “outsiders” to the De Laceys due to their starkly different appearances.

Mentioning these characters and utilising these contrasts can be monumental in showing your understanding of the novel and by extension, your English analytical ability.

[Video Transcription]

‍ Hey guys, I'm Lisa, welcome back to Lisa's Study Guides. Today, we're going to be talking about Frankenstein and breaking down an essay topic for it. So in the past, I've done plenty of videos looking at different types of essay topics and breaking them down by looking at keywords and then going into the body paragraphs and looking at those ideas. This time round, the takeaway message that I want you to leave with is understanding what types of evidence you should be using inside your body paragraphs. Specifically, I wanted to talk about literary devices or metalanguage. Mary Shelley, the author of Frankenstein uses so many literary devices that it's impossible to ignore. If you are somebody who is studying this text or other texts that you use and are heavily embedded with literary techniques, then it's really important that you don't just use dialogue as part of your quotes, but actually reading between the lines. I'll teach you on how it's not just about finding dialogue, which you include as quotes inside your body paragraphs, but reading between the lines, so looking at literary devices like metaphors, symbols, imagery, so let's get started. Mary Shelley's Frankenstein constitutes escaping critique of the prioritization of scientific advancement over human welfare and relationship. Dr. Frankenstein is fascinated with science and discovery, he is consumed with the idea of a new and more noble race by stitching up dead body parts from a cemetery. He feverishly works away at his experiment until one day the creature is born. Frankenstein is horrified at the living thing he has made and completely rejects the creature, leaving it without a parental figure. The creature is left alone to look after himself. He educates himself and on repeated occasions tries to approach people in society, however, is rejected every time because of his monstrous appearance. As a result, the creature becomes enraged at humanity and Frankenstein's unfair treatment towards him and consequently exacts revenge on Frankenstein and his family. The essay topic we'll be looking at today is, Our sympathies in this novel ultimately lie with the creature. Discuss. So in previous videos, we've looked at keywords, how to identify them and how to define them. Since it's pretty straightforward for this essay topic, I thought I would skip that part and then go into the more nitty gritty with the body paragraphs. But, if you are unfamiliar with these steps, then I'll link them in the card above and also in the description below so you can have a look at how I went ahead and did the keyword section in my planning, now back to the prompt. Unequivocally within Frankenstein, Shelley portrays sympathy as spread throughout the text through depicting the creature as innately human through his desire for relationship and the challenges he faces at the hands of the prejudice enlightenment society he's born into, Shelley elicits sympathy for his situation. However, through the notable absence of the female gender throughout the text, Shelley portrays those silent within society as most deserving of sympathy. So, with this in mind, here are the potential paragraphs in response to this prompt. Paragraph one, Shelley's depiction of the creature as innately human motivates support for his challenges at the hands of a prejudice society. The action of the creature to open his dull yellow eye, symbolic of his nature as a human being alongside a green wrinkled on his cheeks, with one hand stretched out, indicates his simple desire for paternal connection. Through constructing the creature's actions as innately human Shelley acts proleptically of the inequitable experiences the creature will experience throughout the structural architecture of the text. And through doing so, depicts his character as worthy of support. Similarly, through the metaphor of fire, Shelley explores the duality of progress and innovation of which the creature desires. The fire, one that gives light as well as heat, yet also causes a cry of pain, indicates the hardships of the creature in his isolation, whereby, his forced to withdraw from his desire for education. Upon viewing himself in a pool, the creature becomes "fully convinced that I was in reality [a] monster" with the consequent sensations of despondency and mortification granting the reader the opportunity to sympathize with the creature in order to indicate the intensely negative social prejudices that are inflicted upon the creature. So you can see that we've looked at symbols of the creature's nature and the metaphor of fire to support our topic sentence. Using literary techniques is what's going to make the difference between you and another student who might be saying the same thing. Why? Because when you look at literary devices, it means that you're reading just beyond the lines, just beyond what's in front of you. You're now introducing your own interpretation, so you're looking at fire and thinking about what that means in connection to the text, and why Mary Shelley would use the term of a fire and revolve her discussion around that. So let's see how we keep doing this in the next body paragraph. Paragraph two, Shelley indicates the significance of relationships as a key element of human nature that the creature is denied, motivating affinity from readers. In replacement of human relationships, the creature rather seeks comfort within the natural world. The metaphorical huge cloak that the creature takes refuge within indicates this, illustrative of an ecosystem, the forest allows the creator to surround himself with life. The subsequent attempts to "imitate the pleasant songs of the birds" reveals the desperate urge of the creature for companionship as he is abandoned by the paternal relationship represented by Victor Frankenstein, which forms a core of human relationships. Again, here we've discussed the metaphorical huge cloak and its connection with the forest, I strongly encourage you to have the goal of discussing at least one literary device per body paragraph. And no, there is no such thing as talking about too many literary devices because it's really just about whether or not your argument is concise and whether or not you're backing that up with evidence. Paragraph three. However, it is Shelley's depiction of the submissive female sex within Frankenstein that becomes most deserving of sympathy. Each female character is characterized as passive, disposable, and they're serving a utilitarian function, namely as a channel of action for the male characters within the text. Notably, the complete lack of absence of Margaret Saville, functioning only as an audience for Walton's letters exemplifies this. Margaret's role within the text is simply to enable Walton to relay the story of Frankenstein and as such were the most necessary character of the texts whilst the most distant. This ironic dichotomy enables Shelley to exemplify the difficult role of the female within society, arising sympathy from the readership. Here, even the purposeful emission of a character is discussed as a language technique. So, this type of literary device definitely tops the cake because you're literally looking at what's not even there. That's definitely reading between the lines. Frankenstein is a very complex novel, and sometimes that's what makes it a difficult text to study. But, it lends itself to many unique interpretations and it's heavily dressed with heaps of literary devices or metalanguage, however you want to call it. So, that's what makes it an absolutely fantastic text for high school students to study. If you wanted to find out more on how to nail a Frankenstein essay, then I'll link you to my blog just down below, because there are definitely more tips there to help you excel in this particular text. Thank you so much for watching, and especially even if you're not studying this text, I hope you've been able to take something away from this video. And I'm confident that you have because talking about literary devices is definitely a topic that isn't necessarily the fore front of discussion in classrooms, and it's something that a lot of people struggle with. So, I hope you are able to walk away with a new goal in sight in order to improve your English essays. So, I will see you guys next time, thank you so much for joining me, see you guys soon. Bye!

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The Complete Comparative Essay Writing Unit
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Comparative Essay
How to Write a Comparative Essay: Step-by-Step Structure
💐 Comparative essay. The Comparative Essay: University College Writing

VIDEO

IB English A: Paper 2 Start to Finish Video #4
Quiz on "Comparative Essay"
Comparison and Contrast Essay|| How to Write || BBS 1st Year English || Patterns for college writing
Intro to Comparative Essay Writing
The comparative structure "the same ... as"
COMPARATIVE sentence structure

COMMENTS

PDF The Structure of a Compare or Contrast Essay
In a compare / contrast essay students have to compare two objects, problems or events and evaluate their similarities and differences. This can be done in three ways: 1. Discuss the similarities between them 2. Discuss the differences between them 3. Discuss the similarities and differences between them Compare or contrast essays are grouped ...
PDF The Comparative Essay
comparative essay asks that you compare at least two (possibly more) items. These items will differ depending on the assignment. You might be asked to compare. events (e.g., the Great Depression and the global financial crisis of 2008-9) Although the assignment may say "compare," the assumption is that you will consider both the ...
PDF How to Write a Comparative Analysis
Determine the focus of your piece. Determine if you will focus on the similarities, the differences, or both. Be sure you treat each individual the same; each person deserves the same amount of focus-meaning, do not place most of the emphasis on you or the other person. Find a balance.
PDF Compare & Contrast Essay
Step 1 - Students will encounter different kinds of writing assignments; one of the most common is the comparison/contrast essay where the focus is on the ways in which certain things or ideas - usually two of them - are similar to (comparison) and/or different from (contrast) one another. When writing such essays students make ...
Comparative Essay
Moreover, a comparative analysis essay discusses the similarities and differences of themes, items, events, views, places, concepts, etc. For example, you can compare two different novels (e.g., The Adventures of Huckleberry Finn and The Red Badge of Courage). However, a comparative essay is not limited to specific topics.
PDF Compare and Contrast Essay Outline Template
Compare and Contrast Essay Outline Template A. Introduction a. Introduction to the broad topic b. Specific topic c. Thesis statement B. Body Paragraphs a. Body paragraph #1—First aspect that's similar or different i. Subject #1 1. Detail #1 2. Detail #2 ii. Subject #2 1. Detail #1 2. Detail #2 b.
PDF Compare/Contrast Essay
Peay APSU Writing Center Compare/Contrast Essay Organizing your paper: There are many different ways to organize a comparison/contrast essay. Here are two: Subject-by-subject: o Structure: discuss one subject, then discuss the other. Begin by saying everything you have to say about the first subject you are discussing, then move on and make all ...
Comparative Essays
Comparative Essays. This handout is available for download in DOCX format and PDF format. What is a comparative essay? A comparative essay asks that you compare at least two (or possibly more) items. These items will differ depending on the assignment. ... Come up with a structure for your essay Alternating method: Point-by-point pattern.
The Comparative Essay
A comparative essay asks that you compare at least two (possibly more) items. These items will differ depending on the assignment. You might be asked to compare. positions on an issue (e.g., responses to midwifery in Canada and the United States) theories (e.g., capitalism and communism) figures (e.g., GDP in the United States and Britain)
PDF KM C654e-20170829133759
KM C654e-20170829133759. WRITING THE COMPARATIVE ESSAY There are a number of ways you might approach the writing of your essay. Choosing the right model (out of the essay structures outlined below) to demonstrate your argument can be difficult. Each model has merit. You will notice, however, as you become more familiar with the demands of the ...
PDF Compare and contrast essays 2
Students then read a point-by-point compare and contrast essay and scan it, listing the four points of comparison, which form the main idea of each body paragraph. Exercise B - Answer key. 1. reliability. 3. reputation for safety. 2. driving experience. 4. customers they appeal to.
PDF COMPARE AND CONTRAST
COMPARE AND CONTRAST The Writing Centre Department of English 6 Topics for Writing: Choose one of the essay topics below, and write a comparison or contrast essay. For the four remaining topics, write a thesis statement for each. 1. Compare or contrast two musical styles, such as classical and contemporary reggae. 2.
PDF Essay Writing Handout
comparative, thematic, context, etc.); this will partly depend on the terms used in the essay question. The structure can be more complicated. For example, it may be appropriate to have a thematic structure overall, and to be comparative within paragraphs. You can sometimes use the wording of the question to create your structure.
Comparing and Contrasting in an Essay
In the block method, you cover each of the overall subjects you're comparing in a block. You say everything you have to say about your first subject, then discuss your second subject, making comparisons and contrasts back to the things you've already said about the first. Your text is structured like this: Subject 1.
Comparative Essays
How to Write a Comparative Essay. 1. Establish a basis of comparison. A basis of comparison represents the main idea, category, or theme you will investigate. You will have to do some preliminary reading, likely using your course materials, to get an idea of what kind of criteria you will use to assess whatever you are comparing.
PDF The Comparative Essay
You will then need to choose which essay structure you wish to use. For the Comparative Essay, the two most effective structures are the Block Method and the Alternating Method. A comparative essay is one which uses comparison and contrastto liken and contrast two things or ideas. Comparative essays help the or issues by showing them
How To Write A Comparative Essay
Writing a great comparative essay means highlighting the similarities and differences between two things in a systematic manner. Start by choosing the parameters (items) to compare, write an outline, and fill in the details for each section. Make sure to have an introduction and conclusion. The comparative essay is one form of document that you ...
Comparative essay structure
The basic structure will remain (text 1 key moment, link, text 2 km, link, text 3 km, general observation) - it's not rocket science. But you must prove (if you want a grade above 70% in comparative) that you can engage with the question throughout your answer (not justthrow it in @ beginning and end) and conclude by showing how your essay ...
Comparative Essay
A comparative essay, also known as comparison essay or compare and contrast essay, is the type of essay that specifically analyzes two subject matters. There are a lot of academic fields where writing a comparative essay can be beneficial to students and their educational undertaking. Download Comparative Essay Bundle.
PDF Writing an Expository Essay
Section 1 Essay structure An essay is a piece of writing made up of a number of paragraphs. Each paragraph has a speciﬁ c role in an essay. In a ﬁ ve-paragraph essay, the ﬁ rst paragraph is an introduction; the second, third, and fourth paragraphs form the body of the essay; and the ﬁ fth paragraph is a conclusion (see diagram on page 4).
The Ultimate Guide to VCE Comparative
Here are a couple of resources to get your Comparative essay structure sorted. Firstly a video (time-stamped at 1:38) : Secondly, jump over to Sarah's (English study score 47) Compare the Pair: A Guide to Structuring a Reading and Comparing Essay post where she delves into two different types of Comparative essay structures.
Comparative Essay Structure
Comparative Essay Structure - Free download as Powerpoint Presentation (.ppt / .pptx), PDF File (.pdf), Text File (.txt) or view presentation slides online. This document outlines the key elements of a comparative essay, including an introduction with a thesis statement, a comparison section, a contrast section, and a conclusion. The introduction should provide background on the topics being ...

How to Write a Comparative Essay – A Complete Guide

What is a Comparative Essay?

Comparative Essay Structure

How to Start a Comparative Essay?

Choose a Topic

Develop a List of Similarities and Differences

Establish the Basis for Comparison

Do the Research

Create an Outline

How to Write a Comparative Essay?

Comparative Essay Introduction

Comparative Essay Body Paragraphs

Comparative Essay Conclusion

Comparative Essay Examples

Comparative Essay Topics

Tips for Writing A Good Comparative Essay

Transition Words For Comparative Essays

Transition Words for Similarities

Transition Words for Differences

Frequently Asked Question

How do you end a comparative essay?

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Writing Resources

What is a comparative essay?

Make sure you know the basis for comparison

Develop a list of similarities and differences

Develop a thesis based on the relative weight of similarities and differences

Come up with a structure for your essay

Two notes about the alternating method:

When do I use the alternating method?

Block method: Subject-by-subject pattern

When do I use the block method?

The Comparative Essay

What is a comparative essay?

Make sure you know the basis for comparison

Develop a list of similarities and differences

Develop a thesis based on the relative weight of similarities and differences

Come up with a structure for your essay

Have a language expert improve your writing

Comparing and Contrasting in an Essay | Tips & Examples

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The alternating method

The block method

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Comparative Essays

How to Write a Comparative Essay

Sample Outlines for Comparative Essays on Neoclassical and Gothic Architecture

Building a Block Method Essay

How to write a comparative essay

Purpose of the comparative essay

Why are comparative essays important?

Venn diagram

The dialectical method

The problem of identifying relevance

Using a rubric

Effective selection of items

Effective selection of parameters of comparison

Strong organizational structure

Ask yourself about your intention

Develop a structural outline

Write in a systematic way

Example comparative (compare/contrast) essay

1. Ensure that you select appropriate items for comparison

2. Select effective parameters of comparison

3. Use tools and models in an effective way

4. Choose an organizational format, and stick with it

5. Seek assistance if you need it

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