where to get personal essays published

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80 Best Magazines & Websites That Publish Personal Essays

Wouldn’t it be great to find a whole list of magazines that publish personal essays, and even pay you for the privilege?

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love.

“Modern Love” accepts essay submissions via email at [email protected] with the essay subject or potential title as the email subject line. Submissions should be original, true stories between 1,500 and 1,700 words, sent both as an attached Microsoft Word-compatible document and pasted into the body of the email. The team collaborates with writers on editing, and authors are compensated for published work. Submission info .

2. The New York Times – Opinion Essays

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

The Atlantic is keen on high-quality nonfiction, fiction, and poetry. Familiarity with their past publications can guide your submission. All manuscripts should be submitted as a Word document or PDF. They only respond if they’re interested in discussing your submission further. Separate submission channels exist for fiction and poetry. Submission info .

6. The Globe and Mail

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

The Sun publishes personal essays, short stories, and poems from both established and emerging writers globally, particularly encouraging submissions from underrepresented perspectives. Their contributors’ work often garners recognition in prestigious anthologies and prizes. The Sun seeks personal essays that are deeply reflective, celebrating hard-won victories or exploring big mistakes, aiming to make newsworthy events feel intimate and wrestle with complex questions. Submission info .

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

Vox Culture seeks to provide readers with context and analysis for understanding current entertainment trends. They are interested in pitches that answer significant questions about major movies, TV shows, music artists, internet culture, fame, and women’s issues in the entertainment business. Notably, they are not interested in personal essays or celebrity interviews. Past successful stories have ranged from exploring Disney’s move away from traditional villains to analyzing historical inaccuracies in popular shows. They accept story pitches ranging between 1,000 and 2,500 words. Submission info .

Aeon, a unique digital magazine since 2012, is known for publishing profound and provocative ideas addressing big questions. Their signature format is the Essay, a deep dive into a topic, usually between 2,500-5,000 words, approached from a unique angle and written with clarity to engage curious and intelligent general readers. Aeon’s contributors are primarily academic experts, but they also welcome those with significant professional or practical expertise in various fields. Submission info .

14. BuzzFeed Reader

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

Boston Globe Ideas welcomes a variety of content including op-eds, reported stories, book excerpts, first-person essays, and Q&A features. Submissions should be sent directly, not as pitches. Please include your submission in the body of the email, not as an attachment. Briefly explain why you’re uniquely qualified to write this piece. Ensure your submission hasn’t been published or under review elsewhere. Submissions page .

16. The Bold Italic

This platform is actively seeking submissions in the genre of personal narrative essays. These pieces can encompass a broad range of experiences from the hilariously light-hearted to deeply poignant, encapsulating the vibrant and diverse experiences of living in your community. Submission info .

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

Cosmopolitan is looking for first-person features that cover all aspects of beauty. This can include writing personal essays or narratives about your struggles with adult acne, your journey to an all-natural beauty routine, or other unique beauty experiences. We are also open to opinion pieces about beauty trends or movements that resonate with you. Submission info .

Bustle encourages freelance pitches across different verticals such as Lifestyle, Books, News and politics, Fashion and beauty, and Entertainment. We value pitches that are brief yet comprehensive, including a sample headline, a 2-3 sentence description of the piece, your plan for photos, sources you have access to, your clips if you haven’t written for us before, and your standard rate. Make sure to understand what we’re looking for and convey your story idea clearly and professionally. Submission info .

22. The Walrus

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

Narratively focuses on original and untold human stories, welcoming pitches and completed submissions from diverse voices. They use Submittable for managing submissions. To better understand what they’re looking for in new writers, contributors can review their guidelines, and the best pitches they’ve received, and ask questions to their editors about how to pitch. Submission info .

25. Catapult

Catapult offers a regularly updated list of submission and freelancing opportunities. Some current options include Black Fox Literary Magazine, open for fiction submissions; Carina Press, seeking romance manuscripts; Elegant Literature, welcoming submissions for its contest; Inkspell Publishing, looking for romance manuscripts; Interlude Press, seeking original novels featuring diverse casts; and Intrepid Times, accepting stories about romance while traveling. Submission info .

26. Jezebel

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

Broadview magazine prefers pitches from professional writers for unique, audience-focused stories. While unsolicited articles may be accepted, the initial idea pitch is recommended. Responses to each pitch are not guaranteed due to high submission volumes. Submission info .

29. Briarpatch Magazine

Briarpatch Magazine accepts pitches on a variety of political and social issues, valuing stories from diverse voices. They seek well-researched, fact-backed pieces aimed at a non-specialist, progressive audience. They recommend writers to first pitch their ideas, including contact info, estimated word count, recent publications, and a short writing sample. The magazine aims to respond within one to two weeks after the pitch deadline for each issue. Submission info .

30. Maisonneuve

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

Room Magazine seeks original fiction, poetry, creative non-fiction, and art from individuals of marginalized genders, including women (cisgender and transgender), transgender men, Two-Spirit, and nonbinary people. Simultaneous submissions are welcome, and submissions can be made through Submittable. Submission info .

32. Hazlitt

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

This Magazine seeks pitches for their annual Culture Issue with a DIY theme, open to various topics related to DIY spirit. They publish Canadian residents only and prefer queries over already completed essays or manuscripts. They look for unique stories with a social justice angle, and pitches should include reasons for telling the story, relevant sources, and potential takeaways for readers. Submission info .

34. Geist Magazine

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

Discover magazine seeks pitches from freelance writers for science-related stories that enlighten and excite readers, with a conversational tone and high reader interest. Pitch one idea per email, mentioning the newness of the science and specific studies and researchers to be cited. Include your science-writing credentials and best clips in the pitch and send them to [email protected]. Payment starts at $1/word for print and typically $300/story for web, with rights purchased for both. Submission info .

36. Eater Voices

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

Chatelaine is a prominent Canadian women’s magazine covering health, current events, food, social issues, decor, fashion, and beauty. To pitch, read the magazine first, and submit a one-page query letter explaining the idea’s fit for the magazine, section, and format. They prefer email submissions with at least two previously published writing samples, and response time may take six to eight weeks. Submission info .

39. Conde Nast Traveler

Condé Nast Traveler seeks pitches for reported and personal travel stories with inclusive coverage, including BIPOC, LGBTQ+, and disabled communities. Focus on stories and angles rather than destinations, check for previous coverage, and offer a fresh perspective. If pitching a personality, indicate exclusivity and access. Consider your expertise in telling stories, especially about marginalized communities, and disclose any sponsorships. Keep pitches brief, including a suggested headline, angle, sources, and why it’s timely. Responsible travel stories are prioritized during the pandemic. Submission info .

40. Boston Globe Ideas

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

Babel welcomes submissions from all linguists, focusing on accessible and stimulating articles about language. Writers can submit feature articles or propose ideas for regular features, and guidelines for contributions are available for download. For those with ideas but not interested in writing, they can also suggest topics for articles through email. Submission info .

42. HuffPost Personal

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

Adelaide magazine accepts submissions in various categories, including fiction, poetry, creative nonfiction, translations, book reviews, interviews, and art/photography. Fiction and nonfiction submissions have a size limit of 5,000 words, while book reviews have a limit of 2,000 words. They do not accept previously published work or simultaneous submissions. Artists retain all rights to their work, and upon publication, rights revert to the author/artist. Submission info .

44. bioStories

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

The Modern Language Association is inviting students to submit research papers written in MLA style for consideration in their online collection “Writing with MLA Style.” Essays should be 2,000 to 3,000 words in length and must be written in English. Works-cited-list entries do not count toward the word limit. Submission info .

49. Marie Claire

Marie Claire magazine is dedicated to highlighting the diversity and depth of women’s experiences. They offer award-winning features, essays, and op-eds, as well as coverage of sustainable fashion, celebrity news, fashion trends, and beauty recommendations. Submission info .

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

The Literary Review of Canada welcomes prospective writers, photographers, and illustrators to submit specific review proposals, essay pitches, or general queries. They prefer to receive unsolicited review topics and essay ideas rather than completed work and do not accept simultaneous submissions. Submission info .

54. Harper’s Magazine

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

VQR only considers unpublished work, submitted online via Submittable. One prose piece and four poems are allowed per reading period, but multiple submissions in the same genre will be declined unread. Simultaneous submissions are permitted, but if accepted elsewhere, notify them immediately via Submittable. Submission info .

56. The New England Review

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

The Threepenny Review accepts submissions for fiction, poetry, travel essays, and Table Talk pieces. They pay $400 per story/article and $200 per poem, granting first serial rights and copyright reversion to the author. Mailed manuscripts require a self-addressed stamped envelope, while online submissions should be in Word format with a single document for prose or poetry. Submission info .

59. Zoetrope: All-Story

Zoetrope: All-Story is currently not accepting general submissions. They will announce when submissions reopen and update the guidelines accordingly. Submission info .

60. American Short Fiction

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

The Southern Review accepts work during its submission period. They only consider unpublished pieces in English and accept simultaneous submissions. If your work is accepted elsewhere, promptly notify them via email with the subject line “withdrawal.” Do not submit work via email, as it will be discarded. They do not consider submissions from anyone currently or recently affiliated with Louisiana State University within the past four years. It is recommended to familiarize yourself with the journal’s aesthetic by subscribing before submitting your work. Submission info .

62. Boulevard Magazine

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

The Cincinnati Review accepts submissions for its print journal during specific periods: September, December, and May. miCRo submissions are open almost year-round, except during the Robert and Adele Schiff Awards and backlogs. They welcome submissions from writers at any stage, except current/former University of Cincinnati affiliates. Simultaneous submissions are allowed, and response time is around six months. Payment is $25/page for prose, $30/page for poetry in print, and $25 for miCRo posts/features. Submission info .

64. The Antioch Review

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

One Teen Story publishes 3 stories annually and welcomes submissions from teen writers aged 13-19. They seek original, unpublished fiction across genres, focusing on the teen experience. Great short stories with compelling teen characters, strong writing, and a well-structured narrative are encouraged for submission to their contest. Submission info .

69. Bennington Review

Bennington Review accepts unsolicited submissions through Submittable during their reading periods in fall, winter, and spring. They seek innovative and impactful fiction, creative nonfiction, poetry, film writing, and cross-genre work. Response times vary, but they aim to respond within five to eight months. Accepted contributors will receive payment ranging from $25 per poem to $250 for prose over six typeset pages, along with two copies of the published issue and a copy of the subsequent issue. Submission info .

70. Epoch Literary

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

Colorado Review only accepts submissions through its Submittable portal and no longer accepts paper submissions. They encourage writers to be familiar with their publication before submitting and provide sample copies and examples of recently published work on their website. They look for engaging stories with original characters, crisp language , and a provocative central problem or issue. Submission info .

74. The Georgia Review

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

Submissions for comics will reopen soon. The Graybeal-Gowen Prize for Virginia Poets will be open for a limited time. Poetry submissions are considered in November and spring. Prose submissions will open soon. Short stories, creative nonfiction, and flash fiction are welcome. Editor Beth Staples looks for writing that challenges and offers diverse perspectives. Submission info .

77. TriQuarterly

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

E-International Relations invites current and former undergraduate and Master’s students to submit their highest-graded essays and dissertations for publication. They seek work that is of academic utility to other students and demonstrates engagement with the subject, using pertinent case studies/examples and engaging with complex literature and ideas. Submissions must meet specific entry criteria, including word count, language standards, and full bibliographic references. Submission info .

79. Longreads

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

EdWeek welcomes submissions from various perspectives within the K-12 education community, including teachers, students, administrators, policymakers, and parents. Submissions should be concise, relevant to a national audience, and have a clear point of view backed by factual evidence. We value solution-oriented and practical pieces that offer best practices, policy recommendations, personal reflections and calls to action. Essays longer than 1,000 words or shorter than 600 words will not be considered. Please submit in Word format via email. Submission info .

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write,  or my extensive list of publishing companies .

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The Writer’s Journey: Where To Publish Personal Essays

Table of contents:, 1. what is a personal essay , 2. key features of personal essays:, authenticity: , individual perspective: , emotional connection: , 3. how to write a personal essay, choosing a topic: , organizing your thoughts: , adding details: , being honest: , 4. where can you publish personal essays, online literary magazines: , writing communities and blogs: , newspaper and magazine op-ed sections: , literary anthologies and essay collections: , online writing contests: , specialized niche websites: , 5. guidelines for submission:, 6. reading submission guidelines:, word count: , formatting requirements: , theme or topic preferences: , submission method: , rights and originality: , 7. craft an engaging title and introduction:, 8. polishing your essay:, proofreading: , clarity and coherence: , conciseness: , 9. originality and avoiding plagiarism:, 10. adhering to ethics and sensitivity:, 11. submission process and follow-up:, key concepts and profound details, conclusion:.

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While no one can deny the power of personal essays, there are many reasons why you might be looking for a place to publish your own. You may have been asked to submit an essay to a contest or publication and want to know if it meets their standards, or maybe you’re just hoping to get some feedback on your latest writing project.

Whatever your reason is for Essay Publishing, book publishers New York  got you covered! Keep reading for information on where to publish personal essays and what they look like.

Personal essays are a great way for individuals to express their thoughts, experiences, and opinions on a personal topic. Whether a lighthearted tale or a heartfelt reflection, these essays give readers a glimpse into the writer’s mind and emotions.

To ensure that your essay is impactful and engaging, it can be beneficial to seek professional assistance. Ghostwriting services can help you bring your ideas to life and create a well-crafted essay that resonates with your readers. These services enable you to collaborate with an experienced writer who can transform your thoughts into clear and engaging prose.

Moreover, proofreading services can play a crucial role in enhancing the quality of your essay. These services involve meticulously reviewing your essay to identify and correct grammar, spelling, and punctuation errors. Additionally, professional proofreaders can offer valuable feedback on the overall clarity, structure, and coherence of your writing.

It’s important to find your unique voice and share your personal experiences with the reader when it comes to personal essays. However, don’t underestimate professional assistance’s impact on the final result. 

When writing a personal essay, make sure that the following key features are included in it

Personal essays are all about being true to yourself. You can be honest and authentic, sharing your genuine feelings and experiences.

Each personal essay is unique because it comes from your viewpoint. It’s your chance to share what matters and how you see the world.

These essays often aim to connect with readers emotionally. Whether it’s joy, sadness, excitement, or contemplation, personal essays can evoke various emotions in readers.

By understanding and emphasizing the key features of personal essays, writers can craft compelling pitches to attract publishers’ attention. Pitching to publishers opens doors for personal essays to be published, shared, and appreciated by a wider readership, creating opportunities for meaningful connections and impact.

For Essay Publishing, you first need to know how to write it. Here is how you can write a personal essay in a few steps:

Select a topic, akin to finding a book title by its plot, that is meaningful to you…

. It could be a personal story, an idea, or an experience you want to share. 

Plan how you want to present your story. Consider the beginning, middle, and end of your essay. You also need to plan on formatting for publishing according to the requirements of where you want to publish. When you think through all of this, the process of writing an essay further can be easy.

Use descriptive language, as detailed in how a writer can edit a narrative , to paint a vivid picture for your readers. Include sensory details to make your essay more engaging.

Be true to yourself. Don’t be afraid to share your true feelings and experiences, even if they might feel vulnerable.

When it comes to sharing your work with the world, finding the right platform is crucial. Here are various places where you can consider sharing your stories:

These websites are like treasure troves of interesting content. Places such as “The Sun Magazine,” “Tin House,” and “Narratively” love personal essays. 

They’re on the lookout for captivating stories that touch the hearts of their readers. These platforms aim to collect different perspectives and thoughts, making them perfect for your essays.

Websites like “Medium” and “WordPress” offer spaces for writers for Essay Publishing. They provide an excellent opportunity to showcase your work to a broad audience. 

Additionally, Medium has a Partner Program that could reward you based on how much people enjoy reading your essays.

Consider sharing your essays with the opinion sections of well-known newspapers like “The New York Times,” “The Guardian,” or “The Washington Post.”

These places have lots of readers and discussions. Contributing here allows you to be part of important conversations happening in society.

Some organizations create collections of essays on particular themes. Submitting your work to these collections can get your essays published in print or online, giving you exposure to a wider audience.

Writing contests hosted by websites like “Writer’s Digest”  and “The Writer Magazine” are great avenues for getting your essays noticed. 

These contests often have different themes and offer prizes, making them an exciting way to share your stories.

Depending on the topic of your essay, there are websites dedicated to specific interests. Whether about travel, parenting, mental health, or lifestyle, these platforms cater to diverse topics, providing a perfect space for your unique stories.

Submitting your essays to different platforms requires attention to specific publishing contracts , guides and practices. Here’s a comprehensive breakdown to help you ace the submission process:

Before submitting, carefully read and understand the submission guidelines and publisher-author relations of the platform you’re interested in. 

Each platform has its own set of rules, preferences, and expectations for submissions. Pay close attention to details such as:

Ensure your essay meets the specified word count requirements. Some platforms might have a specific range they prefer.

Check for specific formatting guidelines, such as font size, spacing, or file format (e.g., .docx, .pdf).

Some platforms might have themes or topics they’re particularly interested in. Align your essay’s subject matter accordingly.

Note whether submissions are accepted via email, online forms, or submission portals. Follow the specified submission procedure.

Understand the platform’s policies regarding ownership of the content. Ensure your essay is original and not previously published elsewhere.

Capturing the attention of editors or readers starts with an enticing title and introduction. Craft a title, similar to how you’d write a thank you note , that reflects the essence of your essay and compels the reader to delve deeper. 

Your introduction should be engaging, drawing in the audience and setting the tone for the rest of the essay.

Editing and revising your essay are crucial steps before submission. Ensure your writing is clear, concise, and error-free. Here are some tips:

Check for grammatical errors, spelling mistakes, and punctuation issues. Consider using grammar-checking tools or seeking assistance from a trusted proofreader.

Ensure your ideas flow logically and are presented coherently. Avoid overly complex sentences or jargon that might hinder readability.

Eliminate unnecessary details or repetitive information. Keep your essay focused on its central theme or message.

Maintain the authenticity of your work by ensuring it is entirely original. Avoid plagiarism by attributing sources correctly if using external references or quotes. Plagiarism can severely impact the credibility of your submission.

Be mindful of sensitive topics or personal information shared in your essay. Respect the privacy of the individuals mentioned and adhere to ethical considerations. Ensure your content does not harm or offend any particular group or individual.

Follow the platform’s submission instructions meticulously. Submit your essay within the specified timeframe, if provided. After submission, be patient. Responses may take time. If allowed, follow up politely if you haven’t received a response within the expected timeframe.

The world of personal essays offers a myriad of opportunities for aspiring writers. From online journals to renowned newspapers, the options are vast. Selecting the right platform involves understanding your essay’s theme, audience, and aspirations as a writer. 

Authenticity, clarity, and adherence to submission guidelines are paramount for Essay Publishing. Lastly, embracing your unique voice makes your essays resonate with readers across the globe.

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5 places to submit your personal essays

The best stories often come from real-life experiences. If you enjoy writing personal essays, consider submitting your work to one of the publications on this list. (Fiction writers and poets, there are some gems for you here too.) All the journals on our list are currently open for submissions and none charge fees.

Note: We are a creative writing school and compile these lists for the benefit of our students. Please don’t send us your publishing queries or submissions :). Click on the links to go to the publication’s website and look for their submissions page.

Adelaide Literary Magazine accepts personal essays and narrative nonfiction (up to 5,000 words) written in English and Portuguese. You can also submit short stories (up to 5,000 words) and poetry (up to 5 pieces per submission). They publish online once per month and generally respond within two months.

bioStories focuses exclusively on personal essays (500-7500 words). They publish essays on nearly any topic and are especially interested in work that celebrates the extraordinary within the ordinary. Pieces are published as they are accepted, and the editors generally respond to submissions within two months.

HuffPost Personal wants personal stories from writers of diverse experiences and welcomes essays on nearly any topic so long as they’re told with an authentic voice and point of view. There are no specific word limits, but writers are asked to pitch the editors before submitting their piece for consideration.

Quarter After Eight is an online literary journal published once per year. The editors are seeking work that ‘directly challenges the conventions of language, style, voice, or idea’. In addition to essays and creative nonfiction (no specific word limits), they also accept flash fiction, short stories (up to 7,500 words), and poetry (up to 4 pieces per submission). Submissions are open through 15 April 2021, and the average response time is 2-3 months.

The Rappahannock Review is an online literary magazine that publishes twice per year. In addition to essays and creative nonfiction (up to 8,000 words), they’re also looking for flash fiction, short stories (up to 7,500 words), and poetry (up to 5 poems per submission). They generally respond within one month.

3 responses on "5 places to submit your personal essays"

Just found this- Thanks for the info!

Hi, thank you very much for sharing this useful information. Now, I know where I can submit my personal essays. Writing essays make me occupied with writing and reading everyday.

Thank you! I was looking for places to submit personal essays!

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How To Publish Personal Essays – From Small Press To Collections

• by Robert Wood
• June 1, 2015
• One Comment

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Though they get less press than novels and short fiction , personal essays actually have one of the most welcoming markets in publishing. Dedicated essayists have a great chance of seeing some form of publication, so long as they’re willing to put the work in and understand the marketplace.

That’s why in this article I’ll be exploring the ins and out of publishing your personal essays, starting with how you can secure publication on the lowest rungs of the industry ladder, and then leading up to the anthology or collection publication of multiple essays. But whether you’re a writer of novels, plays, or personal essays, the first piece of advice will always be the same…

Read, read, read

As with any art form, there are trends in the personal essay market. It’s also the case that most publications will have preferences about things like tone, length, subject, and structure. Because of this, whether you’re writing essays in general or for a particular publication, the first step is reading as many as you can get your hands on.

Your research should be focused, however. Reading the great essays , collections by writers such as George Orwell or Oscar Wilde , is of course a good idea but the bulk of your reading needs to be targeted at the sort of publication you’re writing for.

There are many kinds of small touches, technicalities of rhythm and pace, which can only be learnt by reading good examples, but most publishers won’t just be interested in whether your work is good – they’ll be interested in whether or not your work suits their publication. The key is to study their publications relentlessly, first deliberately striving for the ‘feel’ of the work they publish and then gradually allowing it to become a natural style.

This sounds difficult, and at first it will be, but there are two facts which should make beginner essayists feel better:

• The ability to assume a style is one which gets easier and easier with practice. The more different styles you learn, the easier you’ll find the whole process, and very quickly you’ll have a wardrobe full of styles you can slip into to suit the occasion.
• Generally speaking, the better established the publication the less strict they’ll be about conforming to a set style. The demands on quality go up of course, but publications with existing industry and readership respect will be less concerned with the safety of conformity, and more concerned with showcasing the best of your unique talents.

It will take a while for these facts to come into play, but you should feel reassured that however difficult you find it starting out, that’s as difficult as it gets.

Reading should be a constant through your attempts to gain publication, but what you read should change according to where you are on the essayist’s pyramid.

The pyramid

The essayist’s pyramid is a way of combining the different levels of essay publication with the work it takes to move from one to the next. The pyramid basically consists of four levels. At the base are local and specialist publications, the next level up is regional publications, then national and international publications, then successful collections.

The pyramid doesn’t just represent a hierarchy; it’s a guide to progressing from one level to the next. One of the biggest deciding factors in whether a publication will consider your work is your reputation and publication history. Because of this, it’s necessary to have a lot of local publications under your belt before you contact a regional publication, a lot of regional publications before you try for national, and finally to be a frequently published national essayist before you can expect to be successful with a collection of essays.

Self-publishing gives you the ability to skip any of these steps, releasing your work to the world through blogging or e-books. While these are valid routes they’re unlikely to lead to success on their own unless you have a unique viewpoint or presentation. Instead it’s advisable to view websites as you would any other publication. Yes all websites are available to anyone, but realistically they still fall into a structure so similar to ‘local / regional / national’ that they can be discussed in the same breath. Once you have a few essays on a few minor websites you can try moving up, and keep going until there’s sufficient audience to follow you to your own online venues and digital publications.

So now we’ve looked at the route essayists can take to success, it’s time to discuss how they can get started.

Finding publications

The more local a publication the more likely they’ll be to publish you. This isn’t just a matter of circulation, but it doesn’t hurt. A sense of community + a small pool of potential talent = welcoming publishers. For the same reason specialist magazines, those which deal with a specific realm of subjects, are likely to be similarly well disposed towards your work.

Local publications can be found… well… locally. Eateries, libraries, and healthcare centers are good places to search. Established local publications, especially newspapers, will often have adverts for less well-known magazines.

If you’re working online then it’s just a matter of searching around and gauging which publications will be most appropriate for your work. Either way this approach is one which works all the way to the top of the pyramid. Regional publications will contain adverts for local ones, and national magazines are a good source for regional publications.

Each block of the pyramid stays aware of the block below (everyone wants to know where the talent is coming from), and so the more you work the more recognizable you’ll be to those you need to contact next.

The submission system

As I mentioned in my article on publishing short fiction, if you’re serious about publication then you need to establish a system where you’re always submitting and waiting to hear back about a submission.

Waiting to hear back from one publication before submitting to another is wasted time. Ideally you should have a few articles ready to go ‘out’ when you begin, then spend the time before you hear back writing more.

Every writer experiences more rejection than acceptance (mainly because the same piece can be rejected a hundred times, but only accepted once.) You shouldn’t be disheartened, but equally you shouldn’t let any necessary rejections on your road to success waste time you could spend succeeding.

Reading, writing, and submitting are a constant process. Getting published is a job, and it’s one you have to keep showing up for. Do so, though, and you can reach the achievement every essayist dreams of…

Collections and anthologies of personal  essays

‘Anthologies’ are collections of essays in which your work can be featured, whereas you can publish a ‘collection’ made up entirely of your own work.

To make it into an anthology you need to scour literary magazines for one with a theme you think you’d suit. Here the need to tailor your writing to the publication in question is more important than ever. Hang a list of their guidelines in your writing space and stick to it . Anthologies gather most of their audience based on interest in the overall theme, so deviating from it will get your work quickly dismissed.

If you’ve worked your way up the pyramid those who have already featured your work will likely be thrilled to trumpet your achievements, so if you do make it into an anthology make sure to contact former publishers. They may want to advertise your work, or even have you write something.

This is doubly the case when you publish a collection all your own, as there will be fewer other sources of exposure. Thankfully former publishers will almost always be genuinely happy to acknowledge your success, and it will also help their own prestige to be associated with a successful author. Collections are almost always the exclusive preserve of famous essayists – the kind you see week-to-week in national newspapers – but there is a healthy market for self-published collections by lesser-known but established authors, especially when they deal with specialist topics. Whether you’re a beer brewer, a trout fisher, a doll collector, or really almost any kind of hobbyist, there’s a niche for your work already waiting.

Building the pyramid

As I said before, finding some form of publication is just a matter of hard work. Moving up the pyramid you need to keep experimenting with your style and making sure that the work you’ve done on one level supports what you’re attempting to do on the next. A firm base is vital, and is the greatest tool in what have to be constant efforts to improve both your art and the places it can be found.

Above all, remember these three things:

• Always be reading, writing, and submitting.
• Write with your publication of choice in mind.
• Keep building.

For more advice on the logic behind entering competitions and anthologies try Should you enter a writing competition? Or for how to build an email list, a must for writers who will be moving from publication to publication, check out Why you need to have an email list right now .

Robert Wood

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Explore the Art of Memoir and Get Extensive Feedback on Your Writing . Get the tools and guidance needed to write a memoir that connects deeply with readers, meets the needs of publishers, and aligns with your personal values. Learn more here.

Written by S. Kalekar January 16th, 2023

30 Magazines Accepting Creative Nonfiction and Essays

These literary magazines and other outlets publish a variety of nonfiction/essays. A few are looking for themed submissions. Some of them pay writers. Most, but not all, of them are open for submissions now. They’re in no particular order.

TOLKA Journal Their website says, “Tolka is a biannual literary journal of non-fiction: publishing essays, reportage, travel writing, auto-fiction, individual stories and the writing that flows in between. We are a journal for writers to express themselves beyond the limits of fixed genres, forms or subjects. … We encourage writers to test the creative boundaries of non-fiction.” They publish work by Irish and international writers, of 2,000-4,000 words. Pay is €500. The deadline is 22 January 2023. Details here .

Vast Chasm They publish “bold work that explores the expansive human experience, including flash and short fiction, creative nonfiction, poetry, and other nonconforming work.” Pay is $50 for prose up to 5,000 words. They read submissions on an ongoing basis. Details here .

Porkbelly Press They read for their chapbook series in January – these can be creative nonfiction such as lyric essays & flash, poetry or prose poems, collections of flash or micro fiction, graphic narratives, sequential artwork, or combinations of the above (tightly linked by theme, image, voice, etc.). Please submit 12 – 26 pages for chapbooks. They are queer friendly and feminist. “Our catalog favors lit & poetry leaning heavily toward fabulism, folklore, & magic—often confessional or intimate poems or personal lyric essay. All work should be tightly linked.” For nonfiction chapbooks, “We particularly enjoy multiple short essays, but will consider a one-essay chap if the essay is just that good. We lean toward braided forms (narratives with 3 or more threads tied together), and also consider things like character sketches, travel narratives, and collections of vignettes.” See guidelines and Submittable pages for further details. Pay is author copies. The deadline for chapbook submissions is 31 January 2023. Also see their reading periods for works in other genres. Details here and here .

The Christian Science Monitor: The Home Forum This news organization accepts pitches from freelancers and writers, and submissions for The Home Forum , where they want “upbeat personal essays of from 600 to 800 words. … For time-sensitive material (seasonal, news-related, holiday- or event-themed), you must submit at least SIX WEEKS in advance.” Also, “These are first-person, nonfiction explorations of how you responded to a place, a person, a situation, an event, or happenings in everyday life. Tell a story with a point; share a funny true tale. Describe a self-discovery. The humor should be gentle. We accept essays on a wide variety of subjects and encourage timely, newsy topics. However, we don’t deal with the topics of death, aging, medicine, or disease. We do not publish work that presents people in helpless or hopeless states.” They pay $250 for these essays. Details here .

The Every Animal Project This is an anthology about courageous animals, and they also will publish work on their website. “Stories must be true (non-fiction). They must relate to non-human animals (of any species) and can be about your personal experiences/growth because of an animal, an issue threatening animals today, or other aspects of the human/non-human animal relationship. For the upcoming anthology, please weave the theme of courage/bravery into your story. We are particularly interested in spotlighting species less familiar to people, like insects, marine animals, and reptiles.” One writer will get an award of $300, another will be awarded $200, and other writers whose work is chosen for the print anthology get $50; writers whose work features online get $20. The deadline is 31 March 2023. Details here .

The Lumiere Review Their website says, “We are intrigued by the inextinguishable sparks of truth and connection, the effervescent meddling of narrative, and the luminous creations that expand on perceptions of genre, language, and form.” They have a call for BIPOC creatives on the Justice theme (deadline – 15 February 2023). For general submissions, they publish creative nonfiction (up to 3,000 words), fiction, and poetry. They publish quarterly, pay $10, and read submissions on an ongoing basis. Details here .

The Four Faced Liar This is a new print journal; they published their first issue in January 2023. They publish creative nonfiction (up to 4,000 words), fiction, poetry, and art. Pay is €200 for short creative nonfiction and fiction, €100 for a poem or piece of flash, and €100 for art. Watch for their next submission period on Twitter . Details here .

Gray’s Sporting Journal This is a magazine about hunting and fishing, and they publish articles on those topics. They also have a feature called Yarns, which is campfire tales – fact or fiction, of 750-1,500 words. They also publish some poetry. Pay is an average of $600 for Yarns, and poems pay $100. Features for the magazine pay more. Details here .

Narrative This magazine publishes work in various genres – nonfiction (including written, audio, and video), fiction, poetry, and drama. They charge a submission fee through the year but during the first two weeks of April, they offer fee-free submissions made specifically in the Open Reading category. They pay $100-500. Details here .

MudRoom Magazine Their website says, “our mission is to provide every writer, emerging and established, the opportunity to both see their work published, and engage with a larger literary community.” They publish essays, essays in translation, fiction, and poetry. Send prose of up to 6,000 words. Pay is $15, and the deadline is 25 January 2023 for their Winter issue. Details here .

The Fieldstone Review This is the literary journal of the University of Saskatchewan. They accept submissions of creative nonfiction (up to 2,500 words), literature & book reviews (of Canadian literature), fiction and poetry, for its 2023 issue. They are reading submissions on the Reversals theme. “Turning points. Twists. Changing fortunes and shifting gears. We want your clever, surprising and dizzying reversals––be it through character, plot or formal elements!” One contributor will get awarded CAD100. The deadline is 1 March 2023. Details here .

The Meadowlark Review This journal is associated with the University of Wyoming. “Based in Laramie, Wyoming, we’re inspired by the American West, but we love work that pushes against the traditional Western narrative, as well as new perspectives, unexpected twists, and pieces that have absolutely nothing to do with the West. We are especially interested in hybrid works and works that break the mold and push the boundaries of today’s literature.” They publish nonfiction, fiction, and poetry. Send work of 10-5,000 words. The deadline is 31 January 2023. Details here .

The Forge Literary Magazine They accept creative nonfiction (up to 3,000 words, but can accept up to 5,000) and fiction. They open on the 1 st of most months for fee-free submissions, and close when the cap is reached. They pay $75. Details here .

fron//tera This is a bilingual print magazine, in Spanish and English. They publish nonfiction (up to 5,000 words), fiction, poetry, art, and submissions can be in Spanish or English; they’ll also publish a couple of short dual-language English and Spanish pieces side by side (see guidelines). They pay $25-50. They’re reading work on the Phantoms theme till 1 February 2023. Details here .

The Healing Muse This is the annual journal of literary and visual art published by SUNY Upstate Medical University’s Center for Bioethics & Humanities. They publish narratives, memoirs, fiction, poetry, and art, particularly but not exclusively focusing on themes of medicine, illness, disability and healing. They accept prose up to 2,500 words. The deadline is 15 April 2023. They also have a poetry prize for medical students and physicians , of $250. Details here .

The Lascaux Review They publish creative nonfiction, fiction, and poetry of literary quality, as well as essays on the craft and business of writing. “Creative nonfiction may include memoirs, chronicles, personal essays, humorous perspectives, literary journalism—anything the author has witnessed, experienced, learned, or discovered. Creative nonfiction should be written in a nonacademic style. For the Bistro (our blog), we’re looking for posts about writing, literature, agents, publishing, hangover recipes—anything to do with the craft and business of writing. Topics must be relevant to our audience, which consists of sophisticated journeyman writers and poets.” Submissions are open year-round. Details here .

The Paris Review They will reopen for prose submissions in March 2023. Currently, they are accepting poetry submissions; the Submittable cap is reached but they will read postal submissions, postmarked till 31 January 2023. They pay. Details here .

Nashville Review This magazine is associated with Vanderbilt University. They publish creative nonfiction (across the spectrum, including memoir excerpts, essays, imaginative meditations, of up to 8,000 words), fiction (including flash and novel excerpts), poetry, translations, and art. They accept submissions of art and comics year-round, and other genres are accepted in January, May, and September. Submissions may close earlier than scheduled if the cap is reached. Pay is $25 for poetry, and $100 for prose. The deadline is 31 January 2023, or until filled. Details here .

Porridge They publish a variety of genres, and are open for online and print issues occasionally. They are always open for their Comfort Food section – “The COMFORT FOODS series publishes creative responses to the relationship between food and culture, identity and cuisine, from people in diaspora or those from various marginalised identities. From eating away exile to 2,000 word philosophical treatises on biryani, we’re here for it. … We’ll accept creative non-fiction, food writing, poetry, and artwork on this theme.” Details here .

Electric Lit They are always open for detailed essay pitches. “Electric Literature’s essays examine books and culture through a personal and critical lens. … Pitches should describe the subject matter of the essay (which must be about books, writing, or narrative media like movies, games, and TV) and give a sense of the argument you plan to make or the story you plan to tell. We welcome thoughtful considerations of new releases, overlooked classics, childhood favorites—anything that can illuminate or be illuminated by the human experience.” They will open for other genres in February ( Recommended Reading – longer fiction, pays $300, open 1-12 February; and The Commuter – poetry, flash, graphic, and experimental narratives, pays $100, open 13-19 February 2023). Details here . Sojournal This is a travel journal, and their tagline is ‘One Image One Story’. “At present we only publish non-fiction travel stories that tell us about the black and white image you have supplied. We have a bias toward clear, concise, understandable work that communicates, surprises or disturbs – writing that bears witness to the world we live in.” Send work of up to 800 words. Details here .

Chicken Soup for the Soul They publish uplifting, true stories and poems. They regularly post themes they are accepting submissions on (currently, these are: Angels ; How stepping outside my comfort zone changed me ; Miracles ; and The power of positive thinking ). They pay $250 for work up to 1,200 words, as well as 10 contributor copies. Details here (also see tabs on the page – Possible book topics, Submissions FAQ, and Submit your story).

Unfortunately, Literary Magazine For nonfiction, “We’re interested in memoir/personal essays, feature articles, and any mix thereof. Shameless navel-gazing is fine by us.” Also, “Send us your work that’s too quirky, too dark, too queer, not the right kind of queer, too female-driven, too literary, not literary enough. Too much, too little, we want to see it all. Our only requirement is that you get your piece rejected elsewhere at least once before submitting to us.” They also publish fiction, art, and poetry. They read submissions in January, April, July, and October. See this Twitter thread to see the kind of work they’d like to see more of. Details here and here .

Miracle Monocle This magazine is associated with the University of Louisville. “For creative nonfiction, please submit one piece of 500-10,000 words. We’re looking for essays with aspects of personal narrative, reporting, and the lyric; we’re also interested in flash. Please do not send excerpts of longer works unless the piece can stand alone.” They also publish fiction, hybrid, poetry, art, and have an award for young Black writers , which pays $200 – for this award, writers must be 25 years old or younger and identify as Black. The deadline is 31 January 2023, or until a submission cap is reached. Details here .

Round Table Literary Journal Their website says, this is “an award-winning, historic print literary journal now in our fifty-sixth year of existence. We publish literary fiction, nonfiction, poetry, and art once a year.” They are associated with Hopkinsville Community College. The deadline is 15 February 2023. Payment is contributor copies. Details here and here .

The Sunlight Press They publish personal essays (750-1,000 words), artists on craft series (up to 1,000 words), fiction, poetry, reviews, and photos. They pay $15-40. Details here .

Terrain.org This is a magazine that focuses on place, climate, and justice. They publish nonfiction (up to 5,000 words), fiction, poetry, and pay a minimum of $50. Submissions by marginalized creators are considered for an annual prize of $500. The deadline is 30 April 2023. Details here .

Motherwell This is a parenting magazine, and they take personal essays on parenting, as well as work on other themes and genres. For personal essays, “We are looking for evocative first-person narratives that have a unique focus, or take a novel angle, on a slice of the parenting experience. We are open to a range of styles and tones: the only requirement is that the essay works on its own terms—be it lyrical, humorous, research-oriented, etc—and conveys something fundamental about its writer. Up to 1,200 words.“ Some of the work they publish is paid, and some is unpaid (see guidelines). Details here . Masque & Spectacle They publish nonfiction essays, literary analysis pieces, and personal essay/memoirs of up to 7,500 words. They also accept fiction, poetry, drama, reviews, art, audio, and video submissions. The deadline is 31 January 2023. Details here .

The Sun This venerable magazine charges for online submissions via Submittable, but not for submissions by post, of essays, fiction, and poetry. Online submission of photos is not charged. Payment for regular essays starts at $300. And online submissions for themed short nonfiction pieces for the Readers Write section are fee-free – their upcoming themes are Idols , due 1 February, and Privacy , due 1 March 2023; payment for Readers Write is magazine subscription. Details here and here .

Bio:  S. Kalekar is the pseudonym of a regular contributor to this magazine. She can be reached  here .

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After weeks of deliberating over the right words and fine-tuning your creative nonfiction piece , you’re ready to begin submitting to literary nonfiction journals. The only problem is finding the right home for your creative nonfiction submission. What journals or literary nonfiction magazines should you prioritize submitting your work to?

Find your answer here: we’ve searched the net for great creative nonfiction journals, and any of the following 24 publications is a wonderful home for creative nonfiction—guaranteed.

If you’re looking to submit multiple genres of work, take a look at the best places to submit poetry and the best places to submit fiction , too!

24 Creative Nonfiction Magazines to Submit To

Just like our other guides on the best literary journals to submit to, we’ve divided this article into three different categories:

• Great journals to secure your first publications in
• Competitive journals for writers with previous publications
• High-tier creative nonfiction journals at the summit of publishing

Any publication in the following 24 journals is sure to jumpstart your literary career. So, let’s explore the best nonfiction magazines and journals!

Creative Nonfiction Magazines: Great First Publications

The following eight journals sponsor creative nonfiction from both emerging and established writers, making them great opportunities for writers in any stage of their journey.

1. Sundog Lit

Sundog Lit loves the weird and experimental, and it regularly seeks innovative nonfiction for its biannual journal. All submitted works should be well-researched and play with both form and content. Submit your hybrid content to this great creative nonfiction journal!

2. River Teeth Journal

River Teeth Journal specializes in narrative nonfiction. The journal operates with the motto “Good Writing Counts and Facts Matter,” which captures their preference for well-researched and thoughtfully composed CNF. Literary nonfiction submissions are open twice a year, typically between September and May.

3. Atticus Review

Atticus Review posts daily nonfiction, fiction, and poetry. They publish work that is unabashed and resilient, finding hope in even the toughest of situations. All published works after September 19th, 2020 receive a $10 award from this creative nonfiction journal!

4. Barren Magazine

Barren Magazine publishes nonfiction, fiction, poetry, and photography, preferring works with grit and muster. Each publication of this creative nonfiction magazine includes prompts: for their 17th issue, the prompts are “unorthodox, sensational, kinetic, quixotic, & transcendent.”

5. The Offing

The editors at The Offing look for work that’s innovative, genre-bending, and challenges conventions. The Offing is especially keen to support both new and established authors, making them a welcome home for your creative nonfiction submissions.

6. Crazy Horse

Crazy Horse sponsors emerging and diverse voices in its biannual publication. Submissions for this journal remain open between September and May, and they typically range between 2,500 and 5,000 words. This is a great literary journal to submit to for writers of all styles and narratives!

7. Dogwood: a Journal of Poetry and Prose

Dogwood is a journal of poetry and prose based out of Fairfield University. This annual publication only opens for submissions in the Fall, and each edition includes prizes for top pieces. Literary nonfiction from all walks of life are welcome here.

8. Montana Mouthful

Straight out of the Treasure State, Montana Mouthful seeks “just a mouthful” of fiction and nonfiction. Creative nonfiction submissions should not exceed 2,000 words but should still deliver a cogent, memorable story.

Creative Nonfiction Magazines: Reputable Literary Journals to Submit To

The following literary magazines and creative nonfiction journals can be tough competition, but with a few previous publications under your belt and a special story ready for print, the following journals could jumpstart your literary career. All of these journals have fantastic literary nonfiction examples!

9. Conjunctions

Conjunctions publishes daring works of poetry and prose, living by its motto to “Read Dangerously!” Submitted works should provoke, excite, and linger with the reader. Conjunctions publishes both a biannual magazine and a weekly online journal, both of which house fantastic literary journalism.

10. Black Warrior Review

Black Warrior Review is a biannual literary journal run by the University of Alabama in Tuscaloosa. This Whiting Awarded journal nurtures groundbreaking literary nonfiction, fiction, and poetry, with many of its authors going on to win Pushcarts and Best of the Net prizes!

11. Hippocampus

Hippocampus Magazine is one of the best creative nonfiction magazines out there, as it focuses solely on the publication of personal essays and nonfiction stories. Their strictly digital publication is highly literary and has many great creative nonfiction examples and pieces. Despite being a highly competitive journal, both new and emerging writers can find a home at Hippocampus .

12. American Literary Review

The American Literary Review , run out of the University of North Texas, publishes engaging and precise stories and poetry. The journal is currently on hiatus, but read some of its back issues and you’ll understand why it’s a great literary journal to submit to.

13. Fourth Genre

Fourth Genre is a biannual creative nonfiction journal published through Michigan State University. The journal amplifies diverse and powerful voices, seeking stories that are refreshing, earnest, and imaginative. Fourth Genre only publishes nonfiction, so read its back issues for some great creative nonfiction examples!

14. The Cincinnati Review

The Cincinnati Review is interested in literary nonfiction that can “knock your socks off.” Submissions for personal essays are open between September and January; writers can also submit flash nonfiction year-round to its miCRo series.

15. Creative Nonfiction

“True stories, well told” is the motto of Creative Nonfiction , the aptly-named journal of all things CNF. Creative Nonfiction celebrates a diverse range of voices and experiences, championing both new and established essayists. Between its literary publications and its creative nonfiction blog, writers can learn a lot from this journal. Send your creative nonfiction submissions to Creative Nonfiction !

16. Witness

Witness publishes prose and poetry that examines and analyzes the modern day. They seek stories about modern issues and events, often publishing bold and eclectic takes on serious issues. Witness is a more politically-oriented journal, making it a leader in contemporary literary journalism.

Creative Nonfiction Magazines: The Summit of Literary Nonfiction

The following journals are notoriously difficult to publish in, as writers often have to have a name built for themselves in the literary world. Nonetheless, the following publications exist at the summit of CNF, so keep these publications on your radar as top literary journals to submit to.

AGNI , a highly literary publication run at Boston University, publishes fiery, transformative prose and poetry. Creative nonfiction submissions should be polished, inventive, and highly original. Be sure to read their previous publications for an idea of what they look for!

18. The Atlantic

The Atlantic is well-respected for its literary journalism, making it a premier publisher of creative nonfiction. Though many of its published pieces are solicited, The Atlantic is always looking for fresh, bold stories and poetry, so it’s a premier place for nonfiction magazine submissions.

Salon does not present itself as a creative nonfiction journal, but many of its previous magazine issues are highly literary in nature, examining current issues with a sharp, educated lens. If you have nonfiction stories that are both personal and global in nature, Salon accepts queries for articles and editorials, so check them out!

20. The Antioch Review

The Antioch Review is a real page-turner, as their past publications can attest to. This highly literary journal publishes fantastic prose and poetry, and if you have a creative nonfiction piece that’s riveting and influential, The Antioch Review is looking for your creative nonfiction submissions.

21. The Colorado Review

The Colorado Review is a tri-annual publication steeped in history, with original issues featuring poetry and prose from Langston Hughes, E. E. Cummings, Henry Miller, etc. The journal is committed to contemporary literature, seeking voices that are transformative and capture today’s (or tomorrow’s) zeitgeist. The Colorado Review is a fantastic space for literary journalism and will certainly welcome your creative nonfiction.

22. The Virginia Quarterly

The Virginia Quarterly publishes a wide array of literary nonfiction, fiction, and poetry, promising both ample readership and ample pay. VQR seeks inventive and imaginative stories, and it accepts both personal essays and nonfiction pieces on literary and cultural criticism. Submissions are generally open in July, but keep tuned for any special announcements or brief reading periods!

23. New England Review

New England Review is a quarterly publication of all things literary. The journal is dedicated to publishing both emerging and established voices, though it remains a highly competitive journal for creative nonfiction. NER is a great literary journal to submit to for stories that are engaged, critical, and sparkling.

24. North American Review

The North American Review is the oldest literary magazine in the United States. Since its inception in 1815, it remains one of the best nonfiction magazines to submit to, publishing strong literary voices with imaginative story arcs and moving messages. Nonfiction magazine submissions at North American Review are always spectacular—go check them out!

Tips for Publishing Your Creative Nonfiction Submissions

“How do I get my nonfiction published with so many other voices in the room?” This is a question we hear often, and as writers in the modern day, we can’t help but notice how diverse the publishing world is, and how everything “has already been written.” How can you make sure your story gets published in the right creative nonfiction magazines?

Of course, no story is guaranteed publication, but if you’ve written an earnest, sparkling story with grit, character, and truth, then the right literary journals to submit to are in this list. Additionally, you can boost your chances of success with the following publishing tips:

Start With a Powerful Title

Your creative nonfiction submissions should draw the reader in right away, which means starting with an attention-grabbing title. Your title could be a singular and obscure word, or it could be a long description, or anything in-between—the goal is to stand out while representing your story faithfully.

Here are some great titles we saw from a brief glance at the literary nonfiction examples from Hippocampus :

• Bar Bathroom Graffiti in New Orleans: A One Year Catalog by Kirsten Reneau
• Necrokedeia for Children by Mark Hall
• Ford Motor Company Tells Me About Perseverance by Alexis Annunziata

These titles give you an idea about the story itself while also drawing you in with wit, humor, or obscurity. Literary editors have thousands of stories to read each year; give them something to notice so you can stand out among the rest!

Follow the Creative Nonfiction Journal’s Formatting Guidelines

A surefire way to receive rejections on your literary nonfiction is to ignore the formatting guidelines. Each journal has its own requirements, though they often align with MLA formatting requirements, but be sure you follow the journal’s instructions faithfully, or else they may discard your submission without even reading it.

Read the Creative Nonfiction Magazine’s Past Issues

The 24 publications mentioned in this article are some of the best nonfiction magazines in the world, in part because they adhere so strongly to their tastes and preferences. As such, no two journals are alike, and each publication has its own expectations for the nonfiction they read and publish. Before you submit your creative nonfiction, be sure to read some past publications and gauge whether your essay will fit in with the journal’s literary tastes.

Keep Track of Your Submissions

Many creative nonfiction journals allow simultaneous submissions, meaning you can submit the same piece to multiple journals. However, if one journal accepts your work, you need to notify the other journals that it has been accepted and is no longer available for consideration.

Keeping track of your creative nonfiction submissions in a spreadsheet or personal organizer is essential: if multiple journals publish your story, it could harm your chances of getting published in the future.

Aim High—But Not Too High

Your personal essay deserves to be read, but if you’re only submitting to journals like VQR or The Atlantic, it might never see the light of day. Part of the publishing process means building your publication history and portfolio.

Your literary journalism will one day get published in Salon or the New York Times, but until then, focus on getting recognized in smaller and medium sized journals—and don’t let rejections bring you down, because it’s only up from here!

Fine-Tune Your Creative Nonfiction Submissions with Writers.com

Looking for extra help on writing your personal essay, lyric essay, or hybrid nonfiction piece? The instructors at Writers.com are ready to assist you. Gain valuable insight and diverse perspectives on your nonfiction stories before submitting them to the 24 creative nonfiction magazines we’ve listed.

Good luck, and happy writing!

Sean Glatch

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11 Tips For Writing A Publishable Personal Essay

I'm not gonna lie: the hardest thing to get printed on Bustle as a freelancer is a personal essay . That said, personal essays are also what I'm most in need of as our features editor . The reason they're so difficult to get accepted is not because I don't need or want them — it's because they are among the hardest to write well.

Though personal essays sometimes have an unfair reputation for being somehow "soft" or "self-indulgent," in my opinion, they are actually one of the most effective ways to communicate a point, experience, or even a feeling to a wide audience. So if you're thinking of pitching a personal essay to Bustle — or any other online publication, for that matter — know that we very much want to hear your stories.

But before you pitch, there are several things you can do to ensure you have the best chance possible of actually getting your essay printed . When it comes to writing for the web, the rules are not the same as they might be in school, or in a literary journal — and you're going to need to know how to adjust your essay accordingly.

Here are my tips, as the editor who decides what runs — and the writer who's totally been there.

1. When In Doubt, Start With What's On The Tip Of Your Pen

Having an idea of what you're going to write about is obviously where you want to start. Sometimes I get pitches that seem like four essays in one — even though the topics might be interesting, there's too much material to fit into an (ideally for us) 1000-1400 essay with any real resonance.

So how do you narrow things down — or figure out what to write about in the first place? I recommend free writing to find out . Take out a journal and write longhand for ten to twenty minutes. Don't let yourself pause — the important thing here is to keep writing without censoring yourself. Don't worry about it being intelligible. If you're stuck, write, "I'm stuck, I'm stuck," until something else comes out. You might try starting each sentence with "I remember" or "I see/smell/hear/feel" in order to drum up more details from the recesses of your mind.

2. Scan Your Freewrite For Details

When you're done with your freewrite, your creative muscles will already be warmed up — and you'll be able to see the patterns in your verbal diarrhea. Chances are, there's more good stuff there than you think. You might pick out a particular moment — a line even — that sparks a memory.

I suggest starting small: perhaps you notice that you're writing a lot about your ex. Is there one line about them that stands out to you, like maybe the memory of the time they snatched the remote away from you? Then I recommend starting your essay at that scene, and going from there. Remember, you can always change your beginning — the important thing is to pick a jumping-off point that feels doable rather than daunting. Is there a memory you can start with? Some dialogue? Remember, details are your friend, and, as a rule, the most powerful personal essays are quite specific.

3. Map Your Arc

Structure is the main place I see personal essays stumble. I like the advice I heard on a Moth podcast a few years ago, which I'll paraphrase here: Every good story gives the audience a sense of where the protagonist began, a moment of change when something in the protagonist shifts, and ends with a sense of where the protagonist is now — and why it matters.

Now, that might sound a lot like a beginning, middle, and end — but it's not quite the same. This kind of arc can be nonlinear as well, as long as it communicates those three things. (Nor should your essay ever be tied up in a pretty, simple bow.)

For example, I wrote a personal essay about my experience of realizing that being gluten-free wasn't right for me. The essay began with a very visual moment of me squatting in the woods, anxious about whether I'd be able to poop. (Hey, whatever draws the reader in.) From there, the essay then details my experience — why I became gluten-free in the first place, and how I started questioning whether I needed to be. The essay then ends back in those woods — chronologically, we're in the same moment we started, but are left with my aha moment, and a clear sense of how my perspective changed.

I picked such a graphic scene to begin and end my essay because looking back on an experience that spanned two years, I didn't know where to start. But in journaling, I found that my mind kept returning to that moment in the woods as a turning point and a clear image connected to my experience. Starting it with a scene made an overwhelming essay feel much more doable. Knowing that would be both my starting an ending point, it became much less daunting to write everything in between.

I suggest mapping out what your arc is, and making sure it's clear in your mind before you start writing. It will make your essay much clearer, and easier for the reader to draw meaning from.

4. Write Like Your Family Won't Read It

This advice comes straight from the most talented personal essayist I know — Bustle's own Gabrielle Moss. She jokes that this is easier for her since she's actually estranged from her family, but even if you're not, it's good advice to write like they aren't watching. Often, we censor ourselves way more than we need to, and it keeps us from writing with the kind of honesty that makes an essay connect.

See if you can write as though no one's reading. Tell yourself you can always edit out certain details later, and try to write with as much honesty as possible. You'll end up with more details this way, and likely, a much better personal essay.

If you feel scared about telling the whole truth, think about the personal essays and books that have most affected you. Chances are they resonated because they were honest, and expressed something you'd felt that you hadn't been able to put into words yet. If you can tell your story honestly and with vulnerability, it is a real gift to give your reader. They aren't going to judge you for it — in fact, it's exactly what will make them respect you as a writer.

Which brings me to...

5. Value & Cultivate Honesty

Whenever you write, keep the question Am I being honest? in the front of your mind. If something reads somewhat disingenuous, or you're only telling half the truth — know that readers and editors can smell it a mile away. It's natural to want to protect your ego or privacy, but try to stay genuine and raw; it's a personal essay, after all. Often, a couple days of distance between you and a first draft can help provide perspective on this one, tempting as it is to keep tinkering.

As a writer, it's also important that you continue working on your own self-awareness . Therapy, meditation, walking, yoga, journaling, spending time alone — all of these practices help us get to know ourselves better so that we can call ourselves on being disingenuous in our writing (and life). The time you spend processing your thoughts is what gives your words meaning, so you should spend as much time getting to know yourself as you do trying to write honestly.

6. Make The Personal Political

This doesn't mean you literally have to make every personal essay political (though I love that too and here are some great examples !). What I mean is, as you're writing, try to keep this question at the front of your mind: Is this relevant to someone who doesn't know me?

Now, this certainly doesn't mean you need to explain yourself, or your point, explicitly. Some of the best personal essays let the reader infer meaning, simply by evoking universal feelings. That said, I often see writers stumble under the assumption that because an experience was important to them or happened to them, it will be important to everyone.

That can be true — but you need to have a sense of how it matters before you start writing, otherwise it can be easy to get too caught up in your own *feels*.

Ask yourself: How is this relevant to people who don't care about me personally? Does my story represent a larger struggle or common experience?

The answers should be yes, even if you're writing, say, about the experience of coming out, and know all women are not gay. This essay is a great example of a writer communicating a very specific experience in universal terms that the reader can empathize with.

7. Review Your Essay For "Texture"

It's a writing class cliche, but it's true: show, don't tell. That doesn't mean you can't ever tell; it just means that after you've written your essay, you should review it for texture, as I like to think about it.

A good essay usually has some moments of telling, some scenes, some beautiful descriptive language, some dialogue, and often, some outside perspective (i.e. stats, quotes from other essays or articles, social/political context). Those are not hard-and-fast rules of course — you might write an essay that is pretty uniform and simple in style, like this one . But where I see most people tripping up is in describing everything and showing next to nothing.

Once you've finished a first draft, look at the essay and see where you can replace a telling graph with a scene or dialogue that illustrates the same point.

8. Be A Ruthless Self-Editor

Often, I get personal essays that have clearly not been closely edited. They have typos, lack structure, or have too much repetition and rambling. When you're pitching for online publication, you need to assume that the editor reviewing your essay is completely inundated with emails and pressed for time. She has potentially already read dozens of pitches that day. One way to make your essay stand out among them is to make sure your copy is as clean and tight as possible.

After you feel pretty good about your draft, read it out-loud to yourself.

Ask yourself: Where can I condense this? Do I repeat myself anywhere? Are there any places I could turn a "telling" graph into a scene or dialogue, or otherwise give it more texture? Does anything sound like something I wouldn't really say or believe? Is my arc clear?

Of course, you'll also want to read for typos, style, and punctuation. I also suggest trying to break your paragraphs up as much as possible so that you're not sending huge walls of text to an editor's screen — once again, the experience of reading something online is not the same as in print. You're targeting an audience with a shorter attention span.

You can read more about all my tips for being a good self-editor here .

9. Have Someone Else Read It Before You Pitch

I can't emphasize enough how valuable it is to have a trusted friend, partner — whoever — as an editor. I'm lucky in that my partner is actually a professional editor, but even if he weren't, I'd show him my work before sending it off to pitch because he knows me. Even if your trusted person isn't a writer or editor, someone who knows you well will be able to tell you where something doesn't make sense, and perhaps, where you're not being as genuine as you could be.

Ask them to consider the same questions I asked in section six, and also add: What did you think the point of this was? How did it make you feel? If they aren't getting what you want the essay to communicate, or seem unaffected by it, you might want to keep tinkering before you send it off.

10. Know How To Pitch To The Site You're Emailing

Knowing how to pitch is extremely important. Each site is different, and you should tailor your pitch to their preferences. But no matter the site, I do think it's safe to assume that any editor is relatively pressed for time. You want to package your piece as clearly as possible. Don't write a huge introduction, and I suggest copying and pasting the essay in the body of the email to save them even more time, unless they specify otherwise.

These days, many sites like ours also require images of the author themselves for personal essays, so you could make your piece even more approval-ready by attaching a few relevant photos of yourself as well. My article on how to pitch to Bustle will break down the details of what you need to know even further, so check it out, no matter what you're pitching.

11. Stay In Shape

It isn't easy to get a personal essay accepted to Bustle. But that doesn't mean you shouldn't keep trying, or pitch a rejected essay elsewhere. If you have several pitches rejected in a row, don't get discouraged — but don't keep trying the same things either. This might be when you want to follow up with me or another editor and ask what you could do to improve.

Of course, it is also very important that you continue to read writers you admire and study the craft of the personal essay . You can't expect yourself to spew genius if you don't allow other writers to inform and inspire you. You should also read personal essays on the sites that you are pitching to; if you're not familiar with the publication's tone and general form, it will be apparent to the editor and will put you at a disadvantage.

Finally, as every writer knows, writing is a muscle, and the more you keep exercising, the better shape you'll be in. Make your routine targeted, regular, and tailored to you, and you'll be kicking ass in no time.

Images: Pexels; Giphy

Sign Up For Paid Writing Opportunities

70 publishers that pay for personal essays & memoir.

Keep in mind that I’ve done my best to research payment rates, but they are not guaranteed, and may need to be negotiated. If you are new to freelance writing, and want to learn how to get established as a freelance writer, then I highly recommend this free webinar.

–– Jacob Jans

PS: Special thanks to Fatima Saif for contributions to this list.

Modern Love is a regular column published by the New York Times. They are “interested in receiving deeply personal essays about contemporary relationships, marriage, dating, parenthood…” They pay $300 per essay. The submissions page is old, but is still up to date. To learn more, or to submit, be sure to read their submission guidelines.

Dame is a website “For Women Who Know Better.” They are “smart, quick-witted, opinionated and unapologetic.” They publish essays, news, analysis, and unique takes on relationships, gender politics, sex, race, entertainment, the arts, business, politics, Internet culture, health and everything in-between. Pay is negotiated. Previous reports indicate 13 cents per word. Learn more here.

Salon covers “news, politics, entertainment, culture, and technology through investigative reporting, commentary, criticism, and provocative personal essays.” According to their website, the best way of submitting articles and story pitches is by email. Payment reports suggest that they pay an average of $0.12 per word. For more details, visit this page .

Now What? is a monthly e-zine which contains “personal experience stories that show people’s struggles that either led them to faith in Christ or deepened their walk with God.” Some of their stories also include resources for addictions, mental illness, grief, etc. Their feature articles and personal experience stories are 1,000 to 1,500 words long. On publication, they pay an honorarium of $25 to $65. Further details can be found here .

On Parenting is a parenting blog of Washington Post. They are looking for pieces with an interesting angle to parenting. They welcome reported pieces and personal essays. They want the pieces to be no more than 1,200 words long. Payment reports suggest that they pay up to $2.50 per word. According to one of our readers, expect no more than $300 total. To learn more, refer to this page .

Oregon Humanities Magazine is a triannual publication that “offers a forum through which Oregon writers, scholars, and readers can use the humanities to explore timeless and timely ideas and themes.” For shorter department pieces, they pay $50 to $200 and for personal essays and features, they pay $300 to $800. To find out more, refer to this page

Mask Magazine is a monthly “online repository of youth and internet culture packed with interviews, editorials, news, and style in the age of unrest.” Editors look for “expressive, evocative prose”: personal essays, documentation of a singular event, studies of movements or phenomena from history, how-to guides or tutorials. Note: Editors decide whether submissions are featured as free content or content to be paid for. Payment is $40-$200. To learn more, read the writers’ guidelines: http://www.maskmagazine.com/docs/writers .

Extra Crispy is a lifestyle blog owned by Time Inc. They publish “opinion pieces, reported stories, personal essays, works of humor, illustrated narratives, breakfast-y profiles, original recipes, how-tos and unusual points of view on the beloved morning meal are all welcome. ” Payment reports indicate a rate of 50 cents per word, but will need to be negotiated. To learn more, read their submission guidelines.

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5 Tips To Help You Publish A Personal Essay

November 4, 2010 By nawnfinimport 4 Comments

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If writing a memoir feels like too big a project for the WNFIN challenge or you have no interest in writing a book, you might try composing a personal essay. This allows you to take a vignette, anecdote or scene from your life and write a piece based upon that experience that is closer to the length of a magazine or newspaper article. I’ve written several posts in the past on the  topic  of how to write an essay, such as this one , this one , and this one , too.

My guest blogger today comes from Writer’s Relief , an author’s submission service that assists writers with preparing their submissions and researching the best markets for those submissions. The five tips they offer cover ways to write and to submit your essay for greater likelihood of success, by which I mean acceptance by a publication. I encourage anyone who decides to write a personal essay during WNFIN (or anytime) to polish it up, find a few great markets, and submit! There’s nothing like getting an acceptance letter and a check for a personal essay. And if at first you don’ t succeed–you receive one or more rejection letters, just tell yourself you’ve sent your essay to the wrong editor and find the right one.

5 Tips To Help You Publish A Personal Essay By Writer’s Relief

Writing a personal essay is a personal experience—and as such, what matters most is your experience of your writing and your satisfaction with the work you’ve done. But if you’d like to see your personal essay published in a literary journal or magazine, here are a few specific things you can do to help ensure your work will get a strong read:

1. Keep it short. Thanks to the Internet, the days of long, rambling personal essays and memoirs are gone. Most modern readers are rushed, distracted, and looking for some level of instant payoff when they begin to read an essay. At Writer’s Relief, we advise our clients not to write essays that are longer than 3,500 words. And if you’re thinking of targeting online literary magazines (which are a great resource), you may want to aim for an even lower word count. With short prose, less is more!

2. Get engaged. No, we’re not talking about weddings. We’re talking about current events and the modern world. Essays that are reflections on the way we live today—especially those that tackle “big” issues in a personal way—are often favorably received at literary magazines. So if you can put a personal spin on a big issue—like foreclosure, obesity, racism, or any other social issue—you may be able to get a foot in the door at a literary magazine.

3. “Tell me something I don’t know.” You’ve heard there are no new ideas. But the fact is, no one can replicate your particular view of the world. For that reason, editors at literary magazines continue to accept prose that offers new viewpoints of modern work and play. But in order for your prose to be compelling, you’ve got to push for deeper, more surprising, and more insightful explorations. You’re competing for space when you submit to a literary magazine, and if your insights are stronger than the competition’s, then you’re in!

4. Check your ego at the door. Just because you’re writing a personal essay, doesn’t mean you can indulge in your every last whim of hedonism. Essays that are about “me, me, me” and “I, I, I” are not likely to be published. Strive to paint a bigger picture—to show how your experiences are relevant to all people—and you’ll turn editors into fans.

5. Submit your essays to the best-suited editors. If you’re going to submit your personal essay, you’ve got to know the right people to send your work to. At Writer’s Relief, we’ve got a database of thousands of editors who are accepting essays—and we track which editors like what specific type of work.

But you can also do this kind of research on your own. Spend time at the library or on the Web to determine which magazines are right for you, then send out your work regularly. Expect rejections and strive for acceptances. Although the odds may seem staggering, we see writers’ work being accepted all the time!

While personal essays are personal, it’s helpful to know what readers and editors are looking for when they read your work. We hope these tips will help you get published. Happy writing!

About the Author

Writer’s Relief ( www.WritersRelief.com ) is an author’s submission service. We assist writers with preparing their submissions and researching the best markets. We have a service for every budget, as well as a free e-publication for writers, Submit Write Now! Visit our site today to learn more.

Sign in as a WNFIN participant here . Log into the WNFIN Forum here .

April 24, 2013 at 4:13 pm

With havin so much content and articles do you ever run into any issues of plagorism or copyright infringement?

My blog has a lot of completely unique content I’ve either authored myself or outsourced but it appears a lot of it is popping it up all over the internet without my authorization. Do you know any methods to help prevent content from being ripped off? I’d certainly appreciate it.

April 25, 2013 at 10:11 am

There are some plugins that time stamp your material to prove you published it first. You can put a copyright symbol on your home page and also a notice somewhere saying the material may not be used without permission, but there are some that will still take it and use it without attribution. It actually is quite rare. I have one site now doing it with some of my material…and no way to even contact them. Usually if you can find a way to contact them, they will take it down or add attribution. Most legit bloggers will attribute. The good news is you are being found. If your site had no traffic, your material wouldn’t get “scraped.” As they say, you have more to fear of obscurity than plagorism. Sorry I can’t be of more help. Do try to contact the site owner, though.

[…] essay to the wrong editor and find the right one. You can read Writer’s Relief’s “5 Tips To Help You Publish A Personal Essay” here. Share and […]

[…] just tell yourself you’ve sent your essay to the wrong editor and find the right one. Click here to read “5 Tips To Help You Publish A Personal Essay.” Share and […]

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How To Get Published – The Three Key Components To Getting Published in Magazines and Journals

People frequently ask me how to get published, so today I want to address that question directly.

How To Get Published For The First Time—and Beyond!

How do you go about getting published? What steps should you take? Where can you submit? And how does it all work?

I’ve created a three part blog:

• How to think about the publication process
• How to submit your work
• A list of more than 100 publications where you can submit your work organized by type of work/ topic

In this post, I’m going to walk you through the three key steps you need to know about how to get published for the first time and I'm going to give you the tools to get your writing published.

Your voice and your vision are unique! It’s important that you share them with the world.

After all, we need new voices; voices speaking the truth; intimate voices; sensitive and thoughtful voices; women’s voices; loud voices; voices that haven’t been heard before; voices that rage and love, that whisper, think, speak and sing.

There are literally thousands of places that publish pieces of short writing both online and in print. This blog series will guide you through the process of publishing your work.

If you want to publish your writing, start here! The first step to getting published is writing and publishing some shorter pieces, and this guide will walk you through that process.

PART ONE: BEFORE YOU PUBLISH YOUR WORK

Before you start to try to publish your work, it’s very important that you understand the publication process and have a good relationship with your work.

Don’t rush into publication and don't make the mistake of thinking that publication is an indication of the quality of your work.

It’s important that you decouple the idea of your work’s worthiness from its publication history!

How Hard Is It To Get Published?

It can definitely be a challenge, but don't get discouraged! There’s lots of great work that never gets published. (I can’t refer you to it because it hasn’t gotten published, but imagine Emily Dickinson without her neice who happened to get her aunt’s work published posthumously)

There’s also lots of mediocre work that gets published, often to acclaim. (Just look at any anthology of popular 19th century poetry or, for that matter, most of the “best of” anthologies of recent years.) You can read more about a specific guide on how to publish a poetry book here.

There’s no simple one-to-one equation between publication record and a work’s worthiness.

What that means is if you submit your work for publication, you need to be ready to face rejections.

And you need to decouple those rejections from your self worth or from the value of your writing!

If you need help getting published for the first time, I offer a variety of online and in-persona writing classes, click here to learn more !

How Long Does It Take To Get Published?

Learning how to get published can be a long process. When I started to send out my poems for publication, the first year, I got nothing but rejections.

Then, I started to get a few acceptances and they started to snowball. Publishers recognized my name and work and the very same pieces that had gotten nothing but rejections were now being accepted in publications from The New Yorker to The American Scholar .

Luckily, I hadn't equated rejections with unworthiness and stop sending those poems out for publications.

So don’t give up!

Your job as a writer is to do your part: to write the best work you can and to try to share it with the world.

Your job is NOT to win prizes or get lots of praise. If that happens, great. But that’s not really why you write. And your job is also NOT to judge yourself or fall into the trap of self-doubt. Please take judgment and shame out of the picture.

Let me say this again: your job as a writer and human is to shine your own best and brightest light in whatever spaces or corners or avenues that you can.

Keep showing up and shining a bit brighter. You do this by reading widely (great writers learn from reading), by listening deeply to yourself, by getting out of your own way, by trusting your voice, by working on your craft, by revising your work, by coming back to the process again and again. And by sharing what you have written.

Too often we make excuses for not sharing our work. Women don’t send their work out for publication as often as men, and often stop sending their work out for publication more quickly after a few rejections than men. Read more about this here .

Don’t give up. Trust in your own work. Support your writing process, and keep going!

Writers get far more rejections than acceptances, so please understand that rejections are part of EVERY writers life! If you stick with it, you WILL see results!

Follow these 4 steps for the best experience writing and publishing your work:

• Enjoy and work on your writing for yourself and for its own sake before you think about publication. Even if you’re writing something like an op-ed that is motivated by the desire to share your expertise and opinion with others, protect your the writing time/ process at first. Don’t send out your work until you feel it’s ready and you feel good about it, but also don’t fall into the trap of thinking it needs to be “perfect”— after all, nothing is perfect!
• Be sure to de-couple publication rejections/ successes from the value of your work.
• Submit, resubmit, and resubmit your work until it finds a publication home. Don’t let rejections stop you; keep sending your work out until it finds a home.
• Don’t let the publication process slow down your creation of new work. Keep on writing new work as you submit finished pieces!

PART TWO: HOW TO SUBMIT YOUR WORK FOR PUBLICATION

There are two ways to submit your work for publication:

• Submit finished pieces
• Submit queries for pieces you haven’t written yet, but want to write.

Places that tend to publish more literary work—fiction, memoir, personal essays—usually accept finished pieces.

Places that publish more informative pieces—with reporting or how-to advice—often prefer a query and then accept pieces based on that query process. Look at the particular magazines/ journals you are interested in submitting to and see what they say about the submission process.

6 Steps To Submitting Your Work For Publication

• Be clear what kind of work you’re writing: is it a how-to piece, a literary piece, an opinion piece on public issues, a personal growth piece? If you identify the kind of piece you’re writing, you’ll then be able to look for the kind of outlet that publishes that genre.
• Research appropriate outlets for your work. In Part Three of this post, I’ve created a list of publications, some online some in print. Look through them. I’ve also listed other resources to help you find other publications not listed. Read a sample issue or two of the potential publications that publish the kind of work you’re writing. For example, if you’re writing a piece about personal growth a literary journal probably isn’t the best fit for it. Even if you think that a magazine might be the perfect place to publish your piece, read an issue or two before you submit. You might realize that though in theory you are writing about a topic that the magazine might be interested in, your style or the format of your piece (length, personal voice, etc) might not be in keeping with what the magazine actually publishes.
• Make a list of places to submit your piece. Make the list as long as possible so that if one editor doesn’t want it, you can quickly send it to the next place on your list. Do this research up front to save time. Be sure to check the submissions information for the places you are submitting to. Write down specifics (editor name, address, specific recommendations) for each place. The online website Duotrope helps writers organize their submissions. You might try that. Many publications now accept multiple submissions, which means you can send the same piece to more than one publication at a time. I recommend sending a piece to five publications at a time, unless multiple submissions are specifically frowned upon.
• Write your cover letter. See below for cover letter guidelines
• Submit (or multiple submit) your work (each publication will have different email address/ submission form). Most publications want work submitted online these days. If you submit work through email, most publications don’t want attachments. Paste your piece into the body of the email. (Again, Duotrope can help with this)
• When you submit your work, look and see what the acceptance time is. Many publications don’t even contact you with rejections so don’t wait too long to get a rejection before submitting elsewhere. Check how long publications wait times are and then reach out to them if you haven't read back yet. Sometimes editors just need a reminder. If you still don't hear back, submit your piece somewhere else.

When it comes to learning how to get published, most writers have far more rejections than acceptances, especially in the beginning. But as you head into the submission process, remember: don’t take your acceptances or rejections personally. Keep going.

If you get an acceptance, celebrate! Congratulations! If you get a rejection, move on and send the piece off again.

PART TWO BONUS: COVER LETTER FOR JOURNAL SUBMISSIONS

When learning how to get published, writing your cover letter (whether it's a book, journal, magazine, etc) is very important. Below are two cover letters for journal/ magazine submissions.

The first is a cover letter for a finished piece of writing. The second is a query letter for journals .

I recommend having a standard cover letter that you can slightly modify for different publications.

Here’s a standard form cover letter for journal submissions for completed pieces. Let the editor feel that there is a real, live, three-dimensional person behind your letter and your piece.

Your cover letter should be half a page to one page long at the most.

How to Write a Cover Letter

Dear Editors, [. If you can find the editor’s name, wonderful. But if you can’t, don’t worry too much. Just write “Dear Editors” ]

I enjoy reading X Magazine and especially enjoyed your recent article about xyz, which abc].

I’ve recently written a piece about xyz and think X magazine would be a perfect fit for it. (If you can make this more interesting, please do—for example, you might pose a question—for example: "What happens when a mama bear thinks you’ve taken her cubs? On a recent trip to Yosemite, I found out when…")

Then give a bio.

[Make your bio somewhat fun to read. It doesn’t need to all be credentials. Talk about what you spend your time doing. For example, you could say, I’ve been leading nature hikes in National Parks for the past 15 years and have been awarded the Volunteer of the Year medal two years in a row.

Talk about your personal and professional accomplishments. If you don’t have a publication history, talk about other professional accomplishments. Or talk about what you like to spend your time doing. Or talk about anything unusual about you. You might say, I just got back from a three day bread-making festival with my ten cousins...

If you have publications/ awards as a writer, list them!]

I hope you enjoy the piece, and I look forward to hearing from you.

How to Write A Query Letter

Your query letter should be half page to one page long. It should quickly lay out what you want to write about, with a good hook, and explain why this issue matters and you’re the person to write the article. Here’s a sample query letter:

Dear Editor name,

Launch right in with information about your piece. It can be good to start with a hook/question and to give some factual information as well.

For example you might write: What should you do if you find that you’ve stepped between a mama bear and her cubs? This might sound like an unlikely event, but in the past year, 20 % more people in Wyoming have reported having encounters with bears than in the previous year, and the conventional wisdom about what to do when you separate a mama from her cub often leads to greater risk factors.

I’d like to write a 1500 word article for X magazine that explains the new research into the best methods for dealing with mother bears and how this can help all of us understand and harness the maternal force not only in bears, but in all mammals. Etc.

Then give a sentence or two about why this article will help readers of X magazine.

Then give a bio that explains why you’re the best person to write this article. Your credentials should in some way give you the authority to write this piece.

PART THREE: WHERE TO GET PUBLISHED

Here is a list of places to get published.

Here are also some other resources that list publishing opportunities when learning how to get published:

Writer’s Market: https://www.amazon.com/Writers-Market-2020-Trusted-Published/dp/1440301220 (A book that is published each year with listings of publishing opportunities. There is also a Poet’s Market, Novel and Short Story Writer’s Market, and more)

Poets and Writers : https://www.pw.org/literary_magazines Poets and Writers Magazine has an online listing of places to publish short work

Duotrope : https://duotrope.com/ Online program that lists publication outlets and helps you organize your submissions. Free trial and then $5 per month. This can be a helpful tool if you’re going to submit work often

When you're looking for how to submit to a particular magazine/ publication, go to the "about" section. Most of the about sections should tell you how to submit. Make sure you follow the submissions guidelines for each individual publication.

If that submissions information is not on the about page, google the publication name and "submissions"; for example, if you google “The Home Forum submissions,” you’ll find what you’re looking for.

Places you can publish your own work without any or with minimal editorial gatekeepers:

Medium : https://medium.com/ You can publish directly yourself or submit your work to different collections within medium. Sometimes if you publish it directly yourself, it will be picked up by another collection.

Thrive Global : https://thriveglobal.com/

A place for essays about wellness, widely defined

Your Own Blog

I’ve organized these magazines by subject, but of course these aren’t strict categories and there is a lot of overlap between magazines and subjects.

Here are the categories (in this order).

PERSONAL ESSAYS/ WOMEN’S ISSUES/ LIFE ISSUES —with a Man’s Issues journal thrown in

WRITING ABOUT PARENTING/ RELATIONSHIPS

Writing about health/ food/ healing, writing about environmental issues, writing about spirituality, op ed pieces, more literary writing, personal essays/ women’s issues/ life issues— with a men’s issues journal thrown in.

This is a list of places that accept personal essay pitches (although it talks about op-eds, these places are often likely to publish personal essays): https://rethinkmedia.org/blog/millennial-guide-companion-where-pitch-your-op-ed

BUST ( https://bust.com ): publishes personal essays and first-person reported articles in its feature well. Writers should query first-person pieces and keep in mind that the magazine publishes bimonthly.

Good Housekeeping—“Blessings” ( www.goodhousekeeping.com ): Blessings" is Good Housekeeping's back page personal essay. It seeks submissions about "a person or event that proved to be a blessing in your life." submit to: LMATHEWS at HEARST dot COM; When learning how to get published, this is a great resource for many topics.

Good Men Project ( goodmenproject.co m): “The Good Men Project® is a glimpse of what enlightened masculinity might look like in the 21st century,” the press raved when we launched. We had set out to start an international conversation about what it means to be a good man in the 21st century.

Huffington Post ( https://www.huffpost.com/section/huffpost-personal ): “At HuffPost, we believe that personal stories can change the world. We want to help our readers better understand the news and the world around them, and we know storytelling is essential to our mission. If you want to be a part of HuffPost Personal, here’s how you can pitch to us. All published contributions to this section are paid. A HuffPost Personal piece is original, authentic, compelling and told in the first person.

Marie Claire —“Love & Sex” ( www.marieclaire.com ): strong, literary writing and non-formulaic essays based on compelling personal stories about the ways that smart, empowered women are navigating relationships and romance, heartbreak and sexuality, partnership and singlehood.”

Modernloss.com : “Modern Loss is a place to share the unspeakably taboo, unbelievably hilarious, and unexpectedly beautiful terrain of navigating your life after a death. Beginners welcome

New York Times Magazine —“Lives” ( https://www.nytimes.com/column/lives ): Receiving 3,000 to 4,000 submissions a year for 52 Sunday slots, this competitive market is looking for the very best storytelling in the form of first-person narratives.: 850 words;

New York Times “Modern Love” ( https://www.nytimes.com/column/modern-love ): “The editors of Modern Love are interested in receiving deeply personal essays about contemporary relationships, marriage, dating, parenthood...any subject that might reasonably fit under the heading “Modern Love.”

New York Times “Rites of Passage” (A “Rite of Passage” can be something big or small, humorous or serious, but the best stories tend to be about a specific experience that had some lasting impact on your life. They are narrative in scope, which means you are telling us a (true) story.

Salon.com: 
Salon essays can be on any subject matter, but hot topics are families/parenting, sex and relationships, personal finance, body image and pop culture. 
Length: Varies, but roughly 1,500 words;

The Boston Globe Magazine—“Connections” ( https://www.bostonglobe.com/section/connections ): A Boston connection is not necessary, but essays for this column must offer a fresh perspective on a personal relationship, whether with a romantic partner, friend, family member or even an interesting exchange with a stranger.

Brain, Child ( https://www.brainchildmag.com ): The Magazine For Thinking Mothers “We focus on long form essays that range from 1,500 – 4,500 words. We are excited by great writing – and by both new and established writers.

CSMonitor.com https://www.csmonitor.com/The-Culture/

The-Home-Forum—“The Home Forum” : The Christian Science Monitor, an international news organization, publishes essays online in its section called The Home Forum. (All essays appear in print before they are posted online, so it's a duel format.) Specifically, it's looking for "first person, nonfiction explorations of how you responded to a place, a person, a situation or happenings in everyday life.”

Full Grown People ( http://fullgrownpeople.com ): “On Tuesdays and Thursdays, FGP publishes essays that tackle those moments in life when you wonder, what’s next?... The topics here run the whole gamut: romance, family, health, career, dealing with aging loved ones, and more.

Kveller.com https://www.kveller.com/ Focus on Jewish parenting “To submit, please email [email protected] with “Submission” somewhere in the subject line.

LiteraryMama.com http://www.literarymama.com/ The editors like thoughtful pieces with a distinctive voice; 500-7,000 word

Mom.me : “committed to creating a supportive community, and highlighting the joy and humor in parenting.

Motherwell Magazine: https://motherwellmag.com/ Telling all sides of parenting

Mutha Magazine: http://www.muthamagazine.com/ Thoughtful, wide ranging essays about motherhood and beyond

New York Times Parents : https://parenting.nytimes.com/faq articles to help parents make better decisions

On Parenting: Washington Post https://www.washingtonpost.com/news/parenting/wp/2018/02/15/on-parenting-submissions/ Real life stories of parenting

Scarry Mommy https://www.scarymommy.com/ Scary Mommy is one of the largest, most influential and trusted sources of entertainment and information for millennial moms online.

AARP The Magazine ( https://www.aarp.org/magazine/ ): The crucial ingredient in essays for AARP is that they must offer fresh insight into an aspect of life after 50.

Bellevue Literary Review ( https://blr.med.nyu.edu ): “The Bellevue Literary Review, founded in 2000, was created as a forum for creatively exploring a broad array of issues in medicine and society, using fiction, nonfiction, and poetry to better understand the nuanced tensions that define our lives both in illness and in health.

Bon Appetit “Healthy-ish Essay” ( https://www.bonappetit.com/healthyish/essay ): “We're interested in profiles with a timely hook, trend stories that dig deeper, opinion pieces and personal essays that surprise us, reported stories with a voice and a point of view

MindBodyGreen : https://www.mindbodygreen.com/ Short pieces about healing, health, healthy lifestyle

Psychology Today : focused on psychology by writers in the field and some personal stories of healing https://www.psychologytoday.com/us/writers-guidelines

Themighty.com ( www.themighty.com ) digital health community created to empower and connect people facing health challenges and disabilities.

Shape -- "Real Life" 
( www.shape.com ): “Real Life" essays go beyond writing about fitness -- there must be lots of personal insight.

Here are two places that list publications that focus on the environment: https://www.ecolitbooks.com/resources/literary-outlets-for-environmental-writing/

https://www.asle.org/research-write/literary-journals/

Appalachia Journal : https://www.outdoors.org/trip-ideas-tips-resources/appalachia longest running outdoors magazine, published by the AMC.

Ecotone ( https://ecotonemagazine.org ): “Founded at the University of North Carolina Wilmington in 2005, the award-winning magazine features writing and art that reimagine place, and our authors interpret this charge expansively.

Flyway Magazine ( https://flyway.org ): Journal of Writing and Environment: fiction, nonfiction, poetry, and visual art. Learn how to get published. “Due to the increasing number of submissions through Submittable,

The Fourth River: A Journal of Natural and Place-Based Writing ( https://www.thefourthriver.com ): “The Fourth River is the literary journal of Chatham University’s MFA Program. We welcome submissions of creative writing that explore the relationship between humans and their environments, both natural and built, urban, rural or wild.

Orion Magazine ( orionmagazine.org ): Nature, Culture, and Place; Open 4/15-6/15; “The editorial impulse of Orion lies at the nexus of ecology and the human experience.

Aish.com ( https://www.aish.com ): Essays for Aish should be dramatic first-person accounts that convey Jewish wisdom in a positive manner.

Commonweal : https://www.commonwealmagazine.org/ Liberal, Catholic, well respected journal of opinion.

Lion’s Roar : https://www.lionsroar.com/ Buddhist Wisdom essays and more about Buddhist practice, sometimes widely defined.

Mindful Magazine : https://www.mindful.org/magazine/ Glossy magazine devoted to mindfulness

Ruminate Magazine: https://www.ruminatemagazine.com/ Contemplative pieces that help you slow down

Spirituality & Health ( https://spiritualityhealth.com ): Both its front-of-book section and its feature well run first-person essays on occasion, such as a recent article that discussed how a woman's spiritual heart was kicked open after she adopted a stray cat. Topics can vary widely, but "should fall under the umbrella of health and spirituality,"

Tiferet Journa l ( http://tiferetjournal.com ): Fostering Peace Through Literature and Art “The mission of our magazine, then, is to help reveal Spirit, in all its manifestations, through the Written Word.

Tiny Buddha : https://tinybuddha.com/ personal essays about healing, positive life changes. Submissions only open periodically

Tikku n https://www.tikkun.org/magazine Jewish/ Interfaith journal of spirituality and progressive politics

Tricycle Magazine : https://tricycle.org/ Buddhist Wisdom and more.

Wisdom Daily goals http://thewisdomdaily.com/about/ Help people address the biggest questions we face both as individuals and a society; Lift people out of the mind-numbing polarization that typify most public debate and spiritual teaching

Almost all newspapers, from large to small, accept op ed pieces. The Op Ed project has great resources to find publications and to write and submit op-ed pieces. https://www.theopedproject.org/submission-information

This is another good list: https://rethinkmedia.org/blog/millennial-guide-companion-where-pitch-your-op-ed

Don’t forget you can also write op ed pieces for smaller local papers. They always need pieces.

Cognoscenti at wbur.org ( https://www.wbur.org/cognoscenti ): “Cognoscenti features opinions, perspectives and essays from some of New England’s best and brightest thinkers. We publish commentaries on politics, culture, sports, law, medicine, innovation, religion, media, parenting and style.

OpenDemocracy https://www.opendemocracy.net/ “free thinking for the world”

Slate https://slate.com/ up to date pieces about the contemporary world

Truthout https://truthout.org/ independent, progressive news

Women’s E news : https://womensenews.org/

There are thousands of places that publish literary pieces. Here are a few; these tend to be slightly more competitive, but they are all good places, and there are many more good places that aren't listed here.

The Antioch Review ( http://review.antiochcollege.edu/guidelines ): “Our audience is made up of educated citizens, often professional people,

Brevity ( brevitymag.com ) Very short essays/ fiction 750 words max. Also publishes a blog about writing, craft, etc.

Believer ( believermag.com ): Nonfiction: journalism, essays, interviews, comics, poetry;

Catapult https://catapult.co/ essays, reviews, and more

Catamaran Literary Reader ( https://catamaranliteraryreader.com ) : quarterly literature and visual arts journal; fiction, poetry, creative nonfiction, fine art; “Themes we are especially interested in include the environment, the artistic spirit, personal freedom, and creative ideas.

Hippocampus ( www.hippocampusmagazine.com ): Creative nonfiction (online only): memoir excerpts, personal essays, reviews, interviews, craft articles; Memoir excerpts and personal essays 4,000 words max

Lithub : https://lithub.com/ central site for literary culture, essays, etc.

Longreads : https://longreads.com/ “The best longform stories on the web”

Mid-American Review ( https://casit.bgsu.edu/midamericanreview/ ): Bowling Green State University; poetry, fiction, nonfiction, translations, reviews; “Intensive examination and getting below the surface of the subject is of primary consideration

Ninth Letter ( ninthletter.com ): Ninth Letter is a collaborative arts and literary project produced by the Creative Writing Program and School of Art & Design at the University of Illinois

Millions : https://themillions.com/ online magazine covering books, art and culture

Narrative ( https://www.narrativemagazine.com ): “Since 2003 Narrative has been at the forefront of a new kind of library—a global meeting place, if you will, where readers and writers meet.

Narratively ( https://narratively.com ): Human stories, boldy told. “Narratively.com is a digital publication that looks beyond the news headlines and clickbait, focusing instead on ordinary people with extraordinary stories.

Pangyrus https://www.pangyrus.com/about-us/ Boston/ Cambridge based literary magazine.

Phoebe Journal ( phoebejournal.com ): poetry, fiction, nonfiction, visual art; open for print issue later summer to early fall, for online mid-winter to early spring; also has writing contests

Ploughshares ( pshares.org ): “quality literature” fiction and nonfiction; Based at Emerson College; 6/1-1/15; journal and also Solo series (longer pieces); also has Emerging Writers Contest

The Rumpus ( therumpus.net ) : This literary website seeks writers who are passionate and emotional about the topics they are covering.

Solstice ( https://solsticelitmag.org ): A Magazine of Diverse Voices. Tri-quarterly. “We welcome experimental or traditional pieces of fiction, nonfiction or poetry, and also photography. Nonfiction for us includes the essay as well as memoir. We also consider excerpts from novels or nonfiction books, especially if the piece can stand alone. Controversial topics are fine with us.”

The Sun Magazine—“Essays, Memoirs, and True Stories” ( https://www.thesunmagazine.org/sections/essays-memoirs-true-stories ): Each issue of this magazine runs a number of literary essays.

Under the Gum Tre e ( www.underthegumtree.com ): Creative nonfiction; We believe in the power of sharing a story without shame. Too much of the human experience gets hidden behind constructed facades based on what we perceive the world expects from us. Stop hiding. Live a story. Tell it without shame.

Learning How To Get Published - In Summary

Learning how to get published and getting your writing published for the first time can seem like a daunting task, but consistency and determination are key! Remember to enjoy your writing work whether you're getting published or not. Don't take rejections personally. Submit as many times as you can. Just keep going!

I hope, this post helps you get your work published. If you enjoyed it, please respond below and let me know and please share it with friends!

Also, please reach out to me if you have any questions.

If you need help getting your writing published, check out my online and in-person writing classes .

And if you want more free resources for writers, including a free e-book with the seven essential steps to write with more easy and power, mindful meditations for writers and more, come over to my free resource library !

Thank you for this informative course on how to get published. I have been wondering about how to get started. I get so overwhelmed by the process, that i just don’t try. I plan to use your suggestions and start in this effort in earnest!

I’m so glad Kate! Thanks for letting me know! Glad you’re going to share your beautiful poems more widely! It’s not that hard a process once you start–just be methodical and set aside a little time for it once a week–or whatever is right for your schedule. Reach out if you have questions along the way.

Nadia, what a jaw-dropping resource for getting published! The thought of getting a piece I’ve written published blips on and off my radar screen – mostly off. The information you’ve provided makes getting published seem more attainable to me. Thank you so much!

I’m so glad you find this helpful Janet! And I’m so glad you’re going to be sharing more of your writing with the world! 🙂

I’m so glad you find this helpful, Janet! And I’m so glad you’re going to be sharing more of your writing with the world! 🙂

Wow. I spend a lot of time searching for publishing opportunities and end up procrastinating or going through the same resources. This is an extensive list of resources that are easy to navigate. Thank you for sharing!

Thank you for giving me hope again. I write lots of poetry and wish to reach more readers and make a difference in their life. Poetry has helped me so much and I love reading my work to others. There is both meaning and healing in poetic verse. A poet wishes to captivate his readers and share his own experiences to enable growth.

I will continue to believe in myself and have the courage to keep on writing poetry.

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7 publications that pay well for personal narrative essays

Despite The New Yorker declaring that the personal essay boom was over in 2017, I’ve seen the opposite. Whenever I look on Twitter, I see callouts from editors for candid, revealing and thought-provoking first person pieces. For freelance writers, the advantage of writing a personal narrative essay is that you are drawing on your own experience, so there is very little need for external research or case studies. Many writers also say that writing down their own experience and sharing it with others feels validating, affirming and therapeutic.

Before I became a full time freelancer , I wrote quite a few personal narrative essays.

Why? Because personal narrative essays are one of the fastest and easiest ways to get published.

When I was writing my first-person pieces, I found numerous articles about how to sell personal essays in the age of over-sharing   and how to write compelling first person pieces for major publications.

I quickly learnt that if you are willing to open up and share your own experience, you can be compensated well for it.

And if you’re interested to learn more about how to write a personal essay (and how to get paid for it!) I’ve created the ultimate guide to step you through the process.

It takes you through:

• Choosing the perfect topic for a personal essay
• How to start a personal essay (including what to do and not to do and examples of banging beginnings)
• Common mistakes people make when writing first-person narratives
• How to write a compelling personal essay that keeps people reading right to the end
• Examples of great personal narrative essays
• How to pitching your story to an editor
• And lots more!

The guide also includes 15+ paying markets for personal narrative essays, but I know that it can be tricky to find publications that accept freelance submissions.

The good news is that there are plenty of online and print publications looking for personal essays.

So if you have a personal story you want to share, where can you pitch it?

If you’re a writer who has had a book published, it’s definitely worth pitching to Allure (a magazine predominantly for women about beauty) as they pay up to $3,000 for personal essays up to 2000 words.

For those mere mortals among us who haven’t written a book, the rate for personal essays seems to be more like $250 – $500.

Glamour is another women’s magazine that heavily focuses on beauty, fashion and entertainment stories. Personal essays published by Glamour are reported to fetch around $2/word.

3. The Guardian

You have to love an editor who puts what she wants from writers out there and Jessica Reed from The Guardian certainly delivers. For beautifully written personal essays, The Guardian reportedly pays 60c/word.

4. Marie Claire

If you’ve got something compelling, insightful, intimate, funny, relatable or awkward to say about your love or sex life, then a personal essay directed to Marie Claire might be just the ticket. Writers report that Marie Claire pays $2/word.

Are you spotting a theme here? Women’s magazines love personal essays. If you want to write first hand experience about fitness, food, health or culture, it’s worth pitching to SELF magazine, who pay up to $700 for 2000 words.

A dynamic site covering world affairs, pop culture, science, business, politics and more, Vox pay around $500 for personal narrative essays. What’s even better is their clear pitching guidelines for their First Person section .

7. News.com.au

If you feel like a sharing a real life story like this one , you can pitch to the lifestyle vertical on the Australian website news.com.au. Writers are reportedly paid around $500 for a post.

Great examples of personal essays

You could spend years reading all the personal narrative essays that get published, but here are my picks for some of the best:

My washing line is heavy with the weight of our ash-ridden tent hung out to air. I wonder if the smell of smoke will ever be gone. I have no recollection of the tent being packed away – I was focused on the children, keeping them calm. All I know is that we’d never packed up a campsite so damn quickly. But then, we’d never fled a bushfire.  You can read the rest of the article here.

  “I love you so much.” Those whispered words make everything better – and when my soul mate and husband died, five years ago, I truly believed I would never hear them again.  You can read the rest of the article here.

My epiphany came, like many of them do, while I was taking a dump. Specifically, it came while I was trying to take a dump in the woods after three years of struggling with gastrointestinal issues. It went something like this: you don’t need to be gluten-free anymore. You just need to relax.  You can read the rest of the article here.

The rules for pitching a personal essay are much the same as when you query an editor for any other kind of writing assignment.

You just need a strong hook and engaging writing style.

The writers I know who create personal narrative essays love it.

They feel free and are absolutely thrilled when readers respond to their articles with “me too!”

After all, isn’t the point of writing to reach and connect with others? Personal essays tend to do that in a very special way.

Do you write personal narrative essays? Have you found other well-paying markets?

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How To Publish A Collection Of Essays

by Writer's Relief Staff | Craft: Short Story Writing , Submit A Book For Publication , Submit A Short Story Or Essay , Submit Your Writing | 7 comments

Review Board is now open! Submit your Short Prose, Poetry, and Book today!

Deadline: thursday, april 18th.

At Writer’s Relief we are often asked how writers can get their collection of essays published, and we recommend the following tips to help essay writers approach editors and literary agents with greater confidence and success.

How can I generate an editor or agent’s interest in my book of essays?

Publication credits . If you’ve previously published essays in reputable literary journals, make sure to include these credits in your query letter . We highly recommend that you build your publication credits before approaching an editor or agent with a collection of unpublished essays. The market for an essay collection is limited unless you have significantly newsworthy experiences or have a background that proves your writing has mass appeal. Wide publication credits will help indicate readers’ interest in your work.

If you are still in the process of building credits, investigate local venues for your essays—newspapers, newsletters, etc. There are also free specialty publications covering every imaginable topic (check out coffee shops and bookstores) that may be receptive to personal essays). Start locally but aim for national exposure for the best results. If you’ve published a personal essay in a reputable national literary magazine, you’ve increased your odds of selling a collection by quite a bit.

Theme . Collections do well when they include essays with a common theme. For example, David Sedaris is best known for his humorous essays, and C.S. Lewis once published a collection of religious essays. Other themes may include women’s studies, travel, sports, or city life. Unique themes get attention—people love to read about real-life experiences that are highly unusual—but even the most outrageous stories must be backed by good writing.

How can I find editors or literary agents who work with essay collections?

Research, research, research . Study the essay collections at local bookstores and libraries—and don’t forget to investigate the nonfiction areas such as travel, cooking, or parenting. Note who publishes these collections and what kind of essays are selling. Check the books’ acknowledgment pages for possible references to literary agents or editors.

Study book reviews and buy compilations of essays (for example, The Best American Essays ) to learn where each was published. And don’t forget about networking. Writers’ groups, college English departments, conferences—get to know fellow writers and ask questions.

Search for literary agents who welcome essay collections. You can find thousands and thousands of resources online and in bookstores. You’ll need to examine literary agency listings carefully in order to determine which are best for you. And, if you’re short on time, Writer’s Relief can help you. We maintain a database of information—current and constantly updated—to help you target your submissions more successfully. We’ve been helping writers get their work published since 1994.

Interesting, always go the independent route. Learn to believe in your own merit. Take your time when writing. Don’t get into this industry with the mindset that you are going to make copious amount of money. Frankly, the writung industry has been depreciated by too many 2nd-rate writers.

My essay project is “Integral Perspective Of The Human Factor In A Mechanical, Digital World Environment”. It is 14 double-spaced pages, consisting of 7 parts, an introduction, a brief conclusion, and my background. It is a positive response for thought and action in the dehumanizing trend we are living in technology, climate change, education, culture,economy, and interpersonal relations. I want to publish the essay if I can. Whether I receive any compensation is immaterial.

Hi, I am working on editing 20 essays from different writers,they share a main event in their journey which is the theme of the collection. Do you have any advise on how to find a publisher for such a collection¿ Thank you

There are a few options you have. You may find this article about querying for short story collections useful: https://writersrelief.com/2018/05/03/query-letter-genre-essentials-pitching-a-collection-of-short-stories-writers-relief/

Also, we’ve found that submitting your essays individually and having them published in different literary journals increases your chances of getting a collection of them picked up for publication.

My essays have been published individually, but now I want them in one publication without the editor’s having edited out some of my breezy writing style!!! I write on art/artists/events such as the Medici’s at the Met Museum and just about anything I feel like writing. I am published in two online magazines and have been published in print magazines.

I’ve only written one essay so far, but I’m confident that I can develop it into a “series,” so to speak. The essay was my response to a school assignment requesting a story about a tragedy or significant adversity I’d experienced and how I overcame it. I chose to write about my four-month-recent suicide attempt. The detail I went into is truly gut-wrenching, but it is my truth, and I need to live it and speak it unapologetically. I shared my essay with a few other staff members at my school, most of whom have provided me with encouraging feedback. If I were to continue the essay into a series, I would most likely focus on my mental health journey and the incredible ways in which it has impacted me. It’s always been my dream (a rather stubborn one, might I add) to write and publish a book, but I never knew I could publish a collection of essays. Truth be told, I wasn’t aware they were a possibility until very recently; a memoir and a poetry book were really the only ideas I had. But a series of essays compiled under a single main theme seems much more achievable and tolerable, especially at my age (I’m a minor). I haven’t the slightest clue how to go about making this dream into a reality, but I know for certain that I’m willing to try. As ambitious as I am, however, I can’t do it alone; I would greatly appreciate a bit of guidance from anyone willing (and qualified) to give it. I understand that I have a lot to learn – I’ve barely even grazed the surface thus far – but I believe I am fully capable. I’m young, yes; one would assume I have ample time. The hard truth? Life is short. That’s something I’ve already learned time and time again even prior to The Incident. I’ve fought this war my entire life up to this point, and I will never stop fighting it. That’s not okay, not by any means – but most things aren’t, right? As world-shattering as the truths that hide in the dark crawlspaces of Life are, they’re still the truth. They’re still my truths, still my stories. Stories I need to share with the world. There are people out there like me – more than we want to admit – and they need to hear my story. They need to see my strength to find within themselves their own. I am determined to fight as long as I must to give them that, and that fight starts with finding my own Village to help me. So to whoever may read this: if you are willing, capable, and qualified to provide advice or guidance, I ask that you please take a little time to do so, and I in turn will give you my time. Thank you to all who read this, and thank you to Writer’s Relief for giving me the space and opportunity to share.

Hi Isabella,

Thank you for reaching out to us, and for sharing your journey with us.

We recommend taking a look at our free publishing toolkit. There are numerous articles about writing, publishing, finding an agent, etc. https://writersrelief.com/free-publishing-resources-toolkit-for-writers/

We also think the following articles might be helpful: https://writersrelief.com/how-to-write-about-trauma-in-your-memoir-writers-relief/ and https://writersrelief.com/how-to-write-a-personal-essay-worth-publishing-writers-relief/

We hope these resources will help you with your writing journey.

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• The Case for Marrying an Older Man

A woman’s life is all work and little rest. An age gap relationship can help.

In the summer, in the south of France, my husband and I like to play, rather badly, the lottery. We take long, scorching walks to the village — gratuitous beauty, gratuitous heat — kicking up dust and languid debates over how we’d spend such an influx. I purchase scratch-offs, jackpot tickets, scraping the former with euro coins in restaurants too fine for that. I never cash them in, nor do I check the winning numbers. For I already won something like the lotto, with its gifts and its curses, when he married me.

He is ten years older than I am. I chose him on purpose, not by chance. As far as life decisions go, on balance, I recommend it.

When I was 20 and a junior at Harvard College, a series of great ironies began to mock me. I could study all I wanted, prove myself as exceptional as I liked, and still my fiercest advantage remained so universal it deflated my other plans. My youth. The newness of my face and body. Compellingly effortless; cruelly fleeting. I shared it with the average, idle young woman shrugging down the street. The thought, when it descended on me, jolted my perspective, the way a falling leaf can make you look up: I could diligently craft an ideal existence, over years and years of sleepless nights and industry. Or I could just marry it early.

So naturally I began to lug a heavy suitcase of books each Saturday to the Harvard Business School to work on my Nabokov paper. In one cavernous, well-appointed room sat approximately 50 of the planet’s most suitable bachelors. I had high breasts, most of my eggs, plausible deniability when it came to purity, a flush ponytail, a pep in my step that had yet to run out. Apologies to Progress, but older men still desired those things.

I could not understand why my female classmates did not join me, given their intelligence. Each time I reconsidered the project, it struck me as more reasonable. Why ignore our youth when it amounted to a superpower? Why assume the burdens of womanhood, its too-quick-to-vanish upper hand, but not its brief benefits at least? Perhaps it came easier to avoid the topic wholesale than to accept that women really do have a tragically short window of power, and reason enough to take advantage of that fact while they can. As for me, I liked history, Victorian novels, knew of imminent female pitfalls from all the books I’d read: vampiric boyfriends; labor, at the office and in the hospital, expected simultaneously; a decline in status as we aged, like a looming eclipse. I’d have disliked being called calculating, but I had, like all women, a calculator in my head. I thought it silly to ignore its answers when they pointed to an unfairness for which we really ought to have been preparing.

I was competitive by nature, an English-literature student with all the corresponding major ambitions and minor prospects (Great American novel; email job). A little Bovarist , frantic for new places and ideas; to travel here, to travel there, to be in the room where things happened. I resented the callow boys in my class, who lusted after a particular, socially sanctioned type on campus: thin and sexless, emotionally detached and socially connected, the opposite of me. Restless one Saturday night, I slipped on a red dress and snuck into a graduate-school event, coiling an HDMI cord around my wrist as proof of some technical duty. I danced. I drank for free, until one of the organizers asked me to leave. I called and climbed into an Uber. Then I promptly climbed out of it. For there he was, emerging from the revolving doors. Brown eyes, curved lips, immaculate jacket. I went to him, asked him for a cigarette. A date, days later. A second one, where I discovered he was a person, potentially my favorite kind: funny, clear-eyed, brilliant, on intimate terms with the universe.

I used to love men like men love women — that is, not very well, and with a hunger driven only by my own inadequacies. Not him. In those early days, I spoke fondly of my family, stocked the fridge with his favorite pasta, folded his clothes more neatly than I ever have since. I wrote his mother a thank-you note for hosting me in his native France, something befitting a daughter-in-law. It worked; I meant it. After graduation and my fellowship at Oxford, I stayed in Europe for his career and married him at 23.

Of course I just fell in love. Romances have a setting; I had only intervened to place myself well. Mainly, I spotted the precise trouble of being a woman ahead of time, tried to surf it instead of letting it drown me on principle. I had grown bored of discussions of fair and unfair, equal or unequal , and preferred instead to consider a thing called ease.

The reception of a particular age-gap relationship depends on its obviousness. The greater and more visible the difference in years and status between a man and a woman, the more it strikes others as transactional. Transactional thinking in relationships is both as American as it gets and the least kosher subject in the American romantic lexicon. When a 50-year-old man and a 25-year-old woman walk down the street, the questions form themselves inside of you; they make you feel cynical and obscene: How good of a deal is that? Which party is getting the better one? Would I take it? He is older. Income rises with age, so we assume he has money, at least relative to her; at minimum, more connections and experience. She has supple skin. Energy. Sex. Maybe she gets a Birkin. Maybe he gets a baby long after his prime. The sight of their entwined hands throws a lucid light on the calculations each of us makes, in love, to varying degrees of denial. You could get married in the most romantic place in the world, like I did, and you would still have to sign a contract.

Twenty and 30 is not like 30 and 40; some freshness to my features back then, some clumsiness in my bearing, warped our decade, in the eyes of others, to an uncrossable gulf. Perhaps this explains the anger we felt directed at us at the start of our relationship. People seemed to take us very, very personally. I recall a hellish car ride with a friend of his who began to castigate me in the backseat, in tones so low that only I could hear him. He told me, You wanted a rich boyfriend. You chased and snuck into parties . He spared me the insult of gold digger, but he drew, with other words, the outline for it. Most offended were the single older women, my husband’s classmates. They discussed me in the bathroom at parties when I was in the stall. What does he see in her? What do they talk about? They were concerned about me. They wielded their concern like a bludgeon. They paraphrased without meaning to my favorite line from Nabokov’s Lolita : “You took advantage of my disadvantage,” suspecting me of some weakness he in turn mined. It did not disturb them, so much, to consider that all relationships were trades. The trouble was the trade I’d made struck them as a bad one.

The truth is you can fall in love with someone for all sorts of reasons, tiny transactions, pluses and minuses, whose sum is your affection for each other, your loyalty, your commitment. The way someone picks up your favorite croissant. Their habit of listening hard. What they do for you on your anniversary and your reciprocal gesture, wrapped thoughtfully. The serenity they inspire; your happiness, enlivening it. When someone says they feel unappreciated, what they really mean is you’re in debt to them.

When I think of same-age, same-stage relationships, what I tend to picture is a woman who is doing too much for too little.

I’m 27 now, and most women my age have “partners.” These days, girls become partners quite young. A partner is supposed to be a modern answer to the oppression of marriage, the terrible feeling of someone looming over you, head of a household to which you can only ever be the neck. Necks are vulnerable. The problem with a partner, however, is if you’re equal in all things, you compromise in all things. And men are too skilled at taking .

There is a boy out there who knows how to floss because my friend taught him. Now he kisses college girls with fresh breath. A boy married to my friend who doesn’t know how to pack his own suitcase. She “likes to do it for him.” A million boys who know how to touch a woman, who go to therapy because they were pushed, who learned fidelity, boundaries, decency, manners, to use a top sheet and act humanely beneath it, to call their mothers, match colors, bring flowers to a funeral and inhale, exhale in the face of rage, because some girl, some girl we know, some girl they probably don’t speak to and will never, ever credit, took the time to teach him. All while she was working, raising herself, clawing up the cliff-face of adulthood. Hauling him at her own expense.

I find a post on Reddit where five thousand men try to define “ a woman’s touch .” They describe raised flower beds, blankets, photographs of their loved ones, not hers, sprouting on the mantel overnight. Candles, coasters, side tables. Someone remembering to take lint out of the dryer. To give compliments. I wonder what these women are getting back. I imagine them like Cinderella’s mice, scurrying around, their sole proof of life their contributions to a more central character. On occasion I meet a nice couple, who grew up together. They know each other with a fraternalism tender and alien to me.  But I think of all my friends who failed at this, were failed at this, and I think, No, absolutely not, too risky . Riskier, sometimes, than an age gap.

My younger brother is in his early 20s, handsome, successful, but in many ways: an endearing disaster. By his age, I had long since wisened up. He leaves his clothes in the dryer, takes out a single shirt, steams it for three minutes. His towel on the floor, for someone else to retrieve. His lovely, same-age girlfriend is aching to fix these tendencies, among others. She is capable beyond words. Statistically, they will not end up together. He moved into his first place recently, and she, the girlfriend, supplied him with a long, detailed list of things he needed for his apartment: sheets, towels, hangers, a colander, which made me laugh. She picked out his couch. I will bet you anything she will fix his laundry habits, and if so, they will impress the next girl. If they break up, she will never see that couch again, and he will forget its story. I tell her when I visit because I like her, though I get in trouble for it: You shouldn’t do so much for him, not for someone who is not stuck with you, not for any boy, not even for my wonderful brother.

Too much work had left my husband, by 30, jaded and uninspired. He’d burned out — but I could reenchant things. I danced at restaurants when they played a song I liked. I turned grocery shopping into an adventure, pleased by what I provided. Ambitious, hungry, he needed someone smart enough to sustain his interest, but flexible enough in her habits to build them around his hours. I could. I do: read myself occupied, make myself free, materialize beside him when he calls for me. In exchange, I left a lucrative but deadening spreadsheet job to write full-time, without having to live like a writer. I learned to cook, a little, and decorate, somewhat poorly. Mostly I get to read, to walk central London and Miami and think in delicious circles, to work hard, when necessary, for free, and write stories for far less than minimum wage when I tally all the hours I take to write them.

At 20, I had felt daunted by the project of becoming my ideal self, couldn’t imagine doing it in tandem with someone, two raw lumps of clay trying to mold one another and only sullying things worse. I’d go on dates with boys my age and leave with the impression they were telling me not about themselves but some person who didn’t exist yet and on whom I was meant to bet regardless. My husband struck me instead as so finished, formed. Analyzable for compatibility. He bore the traces of other women who’d improved him, small but crucial basics like use a coaster ; listen, don’t give advice. Young egos mellow into patience and generosity.

My husband isn’t my partner. He’s my mentor, my lover, and, only in certain contexts, my friend. I’ll never forget it, how he showed me around our first place like he was introducing me to myself: This is the wine you’ll drink, where you’ll keep your clothes, we vacation here, this is the other language we’ll speak, you’ll learn it, and I did. Adulthood seemed a series of exhausting obligations. But his logistics ran so smoothly that he simply tacked mine on. I moved into his flat, onto his level, drag and drop, cleaner thrice a week, bills automatic. By opting out of partnership in my 20s, I granted myself a kind of compartmentalized, liberating selfishness none of my friends have managed. I am the work in progress, the party we worry about, a surprising dominance. When I searched for my first job, at 21, we combined our efforts, for my sake. He had wisdom to impart, contacts with whom he arranged coffees; we spent an afternoon, laughing, drawing up earnest lists of my pros and cons (highly sociable; sloppy math). Meanwhile, I took calls from a dear friend who had a boyfriend her age. Both savagely ambitious, hyperclose and entwined in each other’s projects. If each was a start-up , the other was the first hire, an intense dedication I found riveting. Yet every time she called me, I hung up with the distinct feeling that too much was happening at the same time: both learning to please a boss; to forge more adult relationships with their families; to pay bills and taxes and hang prints on the wall. Neither had any advice to give and certainly no stability. I pictured a three-legged race, two people tied together and hobbling toward every milestone.

I don’t fool myself. My marriage has its cons. There are only so many times one can say “thank you” — for splendid scenes, fine dinners — before the phrase starts to grate. I live in an apartment whose rent he pays and that shapes the freedom with which I can ever be angry with him. He doesn’t have to hold it over my head. It just floats there, complicating usual shorthands to explain dissatisfaction like, You aren’t being supportive lately . It’s a Frenchism to say, “Take a decision,” and from time to time I joke: from whom? Occasionally I find myself in some fabulous country at some fabulous party and I think what a long way I have traveled, like a lucky cloud, and it is frightening to think of oneself as vapor.

Mostly I worry that if he ever betrayed me and I had to move on, I would survive, but would find in my humor, preferences, the way I make coffee or the bed nothing that he did not teach, change, mold, recompose, stamp with his initials, the way Renaissance painters hid in their paintings their faces among a crowd. I wonder if when they looked at their paintings, they saw their own faces first. But this is the wrong question, if our aim is happiness. Like the other question on which I’m expected to dwell: Who is in charge, the man who drives or the woman who put him there so she could enjoy herself? I sit in the car, in the painting it would have taken me a corporate job and 20 years to paint alone, and my concern over who has the upper hand becomes as distant as the horizon, the one he and I made so wide for me.

To be a woman is to race against the clock, in several ways, until there is nothing left to be but run ragged.

We try to put it off, but it will hit us at some point: that we live in a world in which our power has a different shape from that of men, a different distribution of advantage, ours a funnel and theirs an expanding cone. A woman at 20 rarely has to earn her welcome; a boy at 20 will be turned away at the door. A woman at 30 may find a younger woman has taken her seat; a man at 30 will have invited her. I think back to the women in the bathroom, my husband’s classmates. What was my relationship if not an inconvertible sign of this unfairness? What was I doing, in marrying older, if not endorsing it? I had taken advantage of their disadvantage. I had preempted my own. After all, principled women are meant to defy unfairness, to show some integrity or denial, not plan around it, like I had. These were driven women, successful, beautiful, capable. I merely possessed the one thing they had already lost. In getting ahead of the problem, had I pushed them down? If I hadn’t, would it really have made any difference?

When we decided we wanted to be equal to men, we got on men’s time. We worked when they worked, retired when they retired, had to squeeze pregnancy, children, menopause somewhere impossibly in the margins. I have a friend, in her late 20s, who wears a mood ring; these days it is often red, flickering in the air like a siren when she explains her predicament to me. She has raised her fair share of same-age boyfriends. She has put her head down, worked laboriously alongside them, too. At last she is beginning to reap the dividends, earning the income to finally enjoy herself. But it is now, exactly at this precipice of freedom and pleasure, that a time problem comes closing in. If she would like to have children before 35, she must begin her next profession, motherhood, rather soon, compromising inevitably her original one. The same-age partner, equally unsettled in his career, will take only the minimum time off, she guesses, or else pay some cost which will come back to bite her. Everything unfailingly does. If she freezes her eggs to buy time, the decision and its logistics will burden her singly — and perhaps it will not work. Overlay the years a woman is supposed to establish herself in her career and her fertility window and it’s a perfect, miserable circle. By midlife women report feeling invisible, undervalued; it is a telling cliché, that after all this, some husbands leave for a younger girl. So when is her time, exactly? For leisure, ease, liberty? There is no brand of feminism which achieved female rest. If women’s problem in the ’50s was a paralyzing malaise, now it is that they are too active, too capable, never permitted a vacation they didn’t plan. It’s not that our efforts to have it all were fated for failure. They simply weren’t imaginative enough.

For me, my relationship, with its age gap, has alleviated this rush , permitted me to massage the clock, shift its hands to my benefit. Very soon, we will decide to have children, and I don’t panic over last gasps of fun, because I took so many big breaths of it early: on the holidays of someone who had worked a decade longer than I had, in beautiful places when I was young and beautiful, a symmetry I recommend. If such a thing as maternal energy exists, mine was never depleted. I spent the last nearly seven years supported more than I support and I am still not as old as my husband was when he met me. When I have a child, I will expect more help from him than I would if he were younger, for what does professional tenure earn you if not the right to set more limits on work demands — or, if not, to secure some child care, at the very least? When I return to work after maternal upheaval, he will aid me, as he’s always had, with his ability to put himself aside, as younger men are rarely able.

Above all, the great gift of my marriage is flexibility. A chance to live my life before I become responsible for someone else’s — a lover’s, or a child’s. A chance to write. A chance at a destiny that doesn’t adhere rigidly to the routines and timelines of men, but lends itself instead to roomy accommodation, to the very fluidity Betty Friedan dreamed of in 1963 in The Feminine Mystique , but we’ve largely forgotten: some career or style of life that “permits year-to-year variation — a full-time paid job in one community, part-time in another, exercise of the professional skill in serious volunteer work or a period of study during pregnancy or early motherhood when a full-time job is not feasible.” Some things are just not feasible in our current structures. Somewhere along the way we stopped admitting that, and all we did was make women feel like personal failures. I dream of new structures, a world in which women have entry-level jobs in their 30s; alternate avenues for promotion; corporate ladders with balconies on which they can stand still, have a smoke, take a break, make a baby, enjoy themselves, before they keep climbing. Perhaps men long for this in their own way. Actually I am sure of that.

Once, when we first fell in love, I put my head in his lap on a long car ride; I remember his hands on my face, the sun, the twisting turns of a mountain road, surprising and not surprising us like our romance, and his voice, telling me that it was his biggest regret that I was so young, he feared he would lose me. Last week, we looked back at old photos and agreed we’d given each other our respective best years. Sometimes real equality is not so obvious, sometimes it takes turns, sometimes it takes almost a decade to reveal itself.

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Why Easter brings me back to church

Even though i don’t practice in earnest anymore, memories and community give me a reason to return every spring, by gabriella ferrigine.

“Please — come join us in the cafeteria after Mass has concluded!”

Father Ariel’s jaunty voice echoed from where he was standing at the slabbed marble pulpit, as he smiled out at the congregation. His family, who had arrived from the Philippines in droves to celebrate his 50th birthday, beamed from the first several rows of glossy, varnished pews. 

I’m not an atheist per se, but trying to find an equilibrium with faith has undoubtedly become a game of mental Tetris.

Mid-morning light filtered through stained glass depicting saints and the Stations of the Cross, casting soft pinks and blues and greens across the church: our local parish, St. James. Sun illuminated the top of Father Ariel’s head, and behind him, a domed mural of the stages of Jesus’ life — his birth in a manger, his crucifixion atop Calvary, and his resurrection after emerging from a stone sepulchre — seemed to swell higher with every slow, measured note of music from the raftered choir.

It was a Sunday morning in April, not exactly Easter but right around the time. The smell of incense — a combination of frankincense and myrrh — leached from every corner of the space, creating a somewhat soporific effect. I pictured my family, friends and neighbors gently falling asleep to its bitter, powdery aroma, like Dorothy  did in the poppy field. Everything felt buoyant and peaceful.

My family and many other parishioners — mainly gentle, geriatric hordes — joined Father Ariel with his multitude of relatives in my middle-school cafeteria for an authentic Filipino feast. Side dishes of pearly quail eggs, roasted fish and meats, bright salads and an array of desserts adorned every inch of table space, the very same where I ate many peanut butter and jelly sandwiches in my youth. At the center of it all was a huge roast pig, or lechón, with delicate, crisped skin. I looked at the pig’s face, then at the people ambling around the dingy, linoleum floors, and immediately felt love. 

This was nearly 10 years ago, back during a time when I went to Church every Sunday and consistently prayed to God. I don’t consider myself a particularly religious person anymore. I’m not an atheist per se, but trying to find an equilibrium with faith has undoubtedly become a game of mental Tetris. Sure, Jesus seemed like a pretty cool guy — to me, his message has always unequivocally been "love,” in a broader sense. I’m on board with that. 

But I still remain immensely put off by how Catholicism’s sordid underbelly has blended into sociopolitical life, underpinning the dismantling of women’s reproductive rights and enabling sexual abusers. I find myself still clinging to it largely because it’s woven tightly into many people I love. It’s a perturbing relationship; I feel as though my continued shunning of organized religion has in a sense estranged me from the memory of some very important people. 

And yet, Easter and springtime always bring me back to church. I find myself craving, not exactly the scriptures and the teachings embedded in them, but how the space evokes the memories of people I love — chiefly my maternal grandmother and my mom — and an inclusive sense of community. 

A deeply spiritual person, my grandma — born in a small Bolivian jungle village called Riberalta — spent her teenage years living in a convent with a U.S.-based congregation of nuns performing foreign missionary work. She was readying to enter the sisterhood when she met my grandfather, a Sicilian and civil engineer volunteering with a Catholic mission group to help build new infrastructure in Riberalta. They returned to America together and settled in Bayonne, New Jersey, joined in a union forged out of a shared devotion to God and each other.

Though my mom didn’t pray a daily rosary or make pilgrimages to Lourdes like my grandma, she was deeply affected by her religious upbringing, a heritage she inculcated her five children with through weekly mass, and offering up nightly intentions along with prayers before dinner: family and friends who were sick or had died, poverty and homelessness, wartime conflict, our cat Sweet Pea’s hypothyroidism. 

In my grandmother’s house and my own, the iconography of Jesus and other religious figures was everywhere, peppering walls and mantelpieces alongside family photos and wedding albums. Each time one of my more than 25 cousins or I received a sacrament — Baptism, First Holy Eucharist, Confirmation — a sprawling, family-wide party followed, usually at an Italian restaurant with a generically benevolent, pot-bellied owner who would toddle around and ask, “How yous all likin’ the food?” And of course, there was always a large white sheet cake, piped in bubbled fonts: “God Bless ____!” 

Seeing as my mom’s eight siblings were spread out across central New Jersey, I essentially ran the gauntlet of various Catholic parishes in our area for different holidays and events. I had my favorite churches. St. James retained the top position. Then came St. Michael’s, a red-bricked church that was famous for its live-animal manger display during the Christmas season. Holy Cross — located in one of the more affluent towns in my county — had a stunning interior, but its reputation had always been somewhat sullied in my mind from a 2006 embezzlement incident . 

While I was able to evade formal liturgical participation, my three younger sisters were all urged to be altar servers, helping St. James’ priests — mostly middle-aged men from the Phillippines and India — prepare and proceed with weekly Sunday mass. One sister recalled a time when she and another altar server accidentally spilled open a bag of already-consecrated Eucharist wafers as they were preparing for mass in the wood-paneled sacristy. 

“Oh! Uh, don’t worry girls — I’ll consume these later,” the priest said when he walked in and saw them scooping the body of Christ off the floor and into Ziploc bags. 

Another time several years ago, my family was running late for Easter Sunday mass, half of us with our hair still wet. “Overflow,” an usher posted outside the church doors said as we approached, jerking his thumb toward the rear parking lot where the grammar school was located. Given that creasters (Catholics who only attend church on Christmas and Easter) come out of the woodwork every winter and spring, tardy worshippers are forced to attend the secondary service, held in the gymnasium or auditorium. 

From my seat in a metal folding chair, nostalgia washed over me as the priest carried a gold crucifix across the same floor where I’d once played dodgeball, toward the makeshift altar where I’d watched classmates act out a rendition of “The Little Mermaid.”

I feel as though my continued shunning of organized religion has in a sense estranged me from the memory of some very important people.

I spent last Easter in Newport, Rhode Island with my family for a short holiday vacation. The weekend was oceanic cliffs and Gilded Age mansions and a kaleidoscopic assortment of saltwater taffy. On Easter Sunday, we walked from our quaint bed and breakfast to St. Mary’s, Our Lady of the Isle, where JFK and Jackie O wed in September of 1953. We took turns waiting outside with our two Great Pyrenees, who had reaped the benefits of Newport’s reputation for being dog-friendly.

Ahead of the homily, the part of the service when the priest explains the Gospel reading in further detail, I elected to relieve my mom of dog duty, knowing she wouldn’t want to miss the crux of the mass. 

As I turned toward the door to trade off with her, the sharp New England morning air — and an emotional pang — made me bristle. I didn’t want to leave. Mashed tightly in hard-backed pews alongside other Catholics, loyalists and creasters alike, I felt a distinct sense of calm. The very same that came to me years ago as I gazed at a pig’s snout.

This Easter, we’ll be going back to St. James. Father Ariel is no longer at the parish — I don’t know many of the priests there anymore, my connection to the parish steadily eroded by distance, time and sheer obstinance on my part. It’s an elegiac relationship, compounded by the recent passing of my grandmother, who embodied holiness and unadulterated love in every sense. 

And while I may not take the time to philosophize about my salvation on Sunday, I’m certain I’ll think of her and what my being there would mean to her. For me, that’s enough to return every spring. 

about this topic

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• The history of the Easter butter lamb, an enduring Polish tradition in the states
• Best Easter pageant ever? Half a century of "Jesus Christ Superstar"

Gabriella Ferrigine is a staff writer at Salon. Originally from the Jersey Shore, she moved to New York City in 2016 to attend Columbia University, where she received her B.A. in English and M.A. in American Studies. Formerly a staff writer at NowThis News, she has an M.A. in Magazine Journalism from NYU and was previously a news fellow at Salon.

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Trump is selling ‘God Bless the USA’ Bibles for $59.99 as he faces mounting legal bills

Former President Donald Trump, now the presumptive 2024 Republican nominee, released a video on his Truth Social platform on Tuesday urging supporters to buy the “God Bless the USA Bible,” inspired by country singer Lee Greenwood’s patriotic ballad.

FILE - President Donald Trump holds a Bible as he visits outside St. John’s Church across Lafayette Park from the White House, June 1, 2020, in Washington. Trump is now selling Bibles as he runs to return to the White House. The presumptive Republican nominee released a video on his Truth Social platform Tuesday urging his supporters to purchase the “God Bless The USA Bible.” (AP Photo/Patrick Semansky, File)

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NEW YORK (AP) — Former President Donald Trump is now selling Bibles as he runs to return to the White House.

Trump, who became the presumptive Republican nominee earlier this month, released a video on his Truth Social platform on Tuesday urging his supporters to buy the “God Bless the USA Bible,” which is inspired by country singer Lee Greenwood’s patriotic ballad. Trump takes the stage to the song at each of his rallies and has appeared with Greenwood at events.

“Happy Holy Week! Let’s Make America Pray Again. As we lead into Good Friday and Easter, I encourage you to get a copy of the God Bless the USA Bible,” Trump wrote, directing his supporters to a website selling the book for $59.99.

The effort comes as Trump has faced a serious money crunch amid mounting legal bills while he fights four criminal indictments along with a series of civil charges. Trump was given a reprieve Monday when a New York appeals court agreed to hold off on collecting the more than $454 million he owes following a civil fraud judgment if he puts up $175 million within 10 days. Trump has already posted a $92 million bond in connection with defamation cases brought by the writer E. Jean Carroll , who accused Trump of sexual assault.

“All Americans need a Bible in their home, and I have many. It’s my favorite book,” Trump said in the video posted on Truth Social. “I’m proud to endorse and encourage you to get this Bible. We must make America pray again.”

Billing itself as “the only Bible endorsed by President Trump!” the new venture’s website calls it “Easy-to-read” with “large print” and a “slim design” that “invites you to explore God’s Word anywhere, any time.”

Besides a King James Version translation, it includes copies of the U.S. Constitution, the Bill of Rights, the Declaration of Independence and the Pledge of Allegiance, as well as a handwritten chorus of the famous Greenwood song.

The Bible is just the latest commercial venture that Trump has pursued while campaigning.

Last month, he debuted a new line of Trump-branded sneakers , including $399 gold “Never Surrender High-Tops,” at Sneaker Con in Philadelphia. The venture behind the shoes, 45Footwear, also sells other Trump-branded footwear, cologne and perfume.

Trump has also dabbled in NFTs, or nonfungible tokens, and last year reported earning between $100,000 and $1 million from a series of digital trading cards that portrayed him in cartoon-like images, including as an astronaut, a cowboy and a superhero.

Donald Trump is facing four criminal indictments, and a civil lawsuit. You can track all of the cases here .

He has also released books featuring photos of his time in office and letters written to him through the years.

The Bible’s website states the product “is not political and has nothing to do with any political campaign.”

“GodBlessTheUSABible.com is not owned, managed or controlled by Donald J. Trump, The Trump Organization, CIC Ventures LLC or any of their respective principals or affiliates,” it says.

Instead, it says, “GodBlessTheUSABible.com uses Donald J. Trump’s name, likeness and image under paid license from CIC Ventures LLC, which license may be terminated or revoked according to its terms.”

CIC Ventures LLC, a company that Trump reported owning in his 2023 financial disclosure, has a similar arrangement with 45Footwear, which also says it uses Trump’s “name, likeness and image under paid license from CIC Ventures LLC, which license may be terminated or revoked according to its terms.”

A Trump spokesperson and God Bless the USA Bible did not immediately respond to questions about how much Trump was paid for the licensing deal or stands to make from each book sale.

Trump remains deeply popular with white evangelical Christians , who are among his most ardent supporters, even though the thrice-married former reality TV star has a long history of behavior that often seemed at odds with teachings espoused by Christ in the Gospels.

When he was running in 2016, Trump raised eyebrows when he cited “Two Corinthians” at Liberty University, instead of the standard “Second Corinthians.”

When asked to share his favorite Bible verse in an interview with Bloomberg Politics in 2015, he demurred.

“I wouldn’t want to get into it. Because to me, that’s very personal,” he said. “The Bible means a lot to me, but I don’t want to get into specifics.”

When he was president, law enforcement officers aggressively removed racial justice protesters from a park near the White House, allowing Trump to walk to nearby St. John’s Church, where he stood alone and raised a Bible. The scene was condemned at the time by the bishop of the Episcopal Diocese of Washington.

Before he ran for office, Trump famously hawked everything from frozen steaks to vodka to a venture named Trump University, which was later sued for fraud .

Watch CBS News

What customers should know about AT&T's massive data breach

By Khristopher J. Brooks

Edited By Anne Marie Lee

April 1, 2024 / 12:38 PM EDT / CBS News

Millions of current and former AT&T customers learned over the weekend that hackers have likely stolen their personal information and are sharing it on the dark web . 

AT&T on Saturday said it doesn't know if the massive data breach "originated from AT&T or one of its vendors," but that it has "launched a robust investigation" into what caused the incident. The data breach is the latest cyberattack AT&T has experienced since a leak in January of 2023 , that affected 9 million users. By contrast, Saturday's much larger breach impacts 73 million current and former AT&T account holders. AT&T has seen several data breaches  over  the years that range in size and impact. 

 Until more details of the investigation arise, here's what customers should know about the most recent data breach.

How many people were impacted by the AT&T data breach?

AT&T said the breach on Saturday affects about 7.6 million current and 65.4 million former AT&T customers. 

What type of information was taken from AT&T?

AT&T said Saturday that a dataset found on the  dark web contains information such as Social Security and passcodes. Unlike passwords, passcodes are numerical PINS that are typically four-digits long. Full names, email addresses, mailing addresses, phone numbers, dates of birth and AT&T account numbers may have also been compromised, the company said. The impacted data is from 2019 or earlier and does not appear to include financial information or call history, it added.

Was my information affected by the AT&T data breach?

Consumers impacted by this breach should be receiving an email or letter directly from AT&T about the incident. The email notices began going out on Saturday, an AT&T spokesperson  confirmed .

What has AT&T done so far to help customers?

Beyond notifying customers, AT&T said that it had already reset the passcodes of current users. The company also said it would pay for credit-monitoring services where applicable.

What's the best way to protect my personal information? 

Start by freezing your credit reports at all three major agencies — Equifax, Experience and TransUnion. Then sign up for 24-7 credit monitoring and enable two-factor authentication on your AT&T account, said WalletHub CEO Odysseas Papadimitriou, a former senior director at Capital One.

If you receive a notice about a breach, it's a good idea to change your password and monitor your account activity for any suspicious transactions. The Federal Trade Commission offers free credit freezes and fraud alerts that consumers can set up to help protect themselves from identity theft and other malicious activity.

— With the Associated Press

Khristopher J. Brooks is a reporter for CBS MoneyWatch. He previously worked as a reporter for the Omaha World-Herald, Newsday and the Florida Times-Union. His reporting primarily focuses on the U.S. housing market, the business of sports and bankruptcy.

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