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How to Cite Sources

Here is a complete list for how to cite sources. Most of these guides present citation guidance and examples in MLA, APA, and Chicago.

If you’re looking for general information on MLA or APA citations , the EasyBib Writing Center was designed for you! It has articles on what’s needed in an MLA in-text citation , how to format an APA paper, what an MLA annotated bibliography is, making an MLA works cited page, and much more!

MLA Format Citation Examples

The Modern Language Association created the MLA Style, currently in its 9th edition, to provide researchers with guidelines for writing and documenting scholarly borrowings.  Most often used in the humanities, MLA style (or MLA format ) has been adopted and used by numerous other disciplines, in multiple parts of the world.

MLA provides standard rules to follow so that most research papers are formatted in a similar manner. This makes it easier for readers to comprehend the information. The MLA in-text citation guidelines, MLA works cited standards, and MLA annotated bibliography instructions provide scholars with the information they need to properly cite sources in their research papers, articles, and assignments.

• Book Chapter
• Conference Paper
• Documentary
• Encyclopedia
• Google Images
• Kindle Book
• Memorial Inscription
• Museum Exhibit
• Painting or Artwork
• PowerPoint Presentation
• Sheet Music
• Thesis or Dissertation
• YouTube Video

APA Format Citation Examples

The American Psychological Association created the APA citation style in 1929 as a way to help psychologists, anthropologists, and even business managers establish one common way to cite sources and present content.

APA is used when citing sources for academic articles such as journals, and is intended to help readers better comprehend content, and to avoid language bias wherever possible. The APA style (or APA format ) is now in its 7th edition, and provides citation style guides for virtually any type of resource.

Chicago Style Citation Examples

The Chicago/Turabian style of citing sources is generally used when citing sources for humanities papers, and is best known for its requirement that writers place bibliographic citations at the bottom of a page (in Chicago-format footnotes ) or at the end of a paper (endnotes).

The Turabian and Chicago citation styles are almost identical, but the Turabian style is geared towards student published papers such as theses and dissertations, while the Chicago style provides guidelines for all types of publications. This is why you’ll commonly see Chicago style and Turabian style presented together. The Chicago Manual of Style is currently in its 17th edition, and Turabian’s A Manual for Writers of Research Papers, Theses, and Dissertations is in its 8th edition.

Citing Specific Sources or Events

• Declaration of Independence
• Gettysburg Address
• Martin Luther King Jr. Speech
• President Obama’s Farewell Address
• President Trump’s Inauguration Speech
• White House Press Briefing

Additional FAQs

• Citing Archived Contributors
• Citing a Blog
• Citing a Book Chapter
• Citing a Source in a Foreign Language
• Citing an Image
• Citing a Song
• Citing Special Contributors
• Citing a Translated Article
• Citing a Tweet

6 Interesting Citation Facts

The world of citations may seem cut and dry, but there’s more to them than just specific capitalization rules, MLA in-text citations , and other formatting specifications. Citations have been helping researches document their sources for hundreds of years, and are a great way to learn more about a particular subject area.

Ever wonder what sets all the different styles apart, or how they came to be in the first place? Read on for some interesting facts about citations!

1. There are Over 7,000 Different Citation Styles

You may be familiar with MLA and APA citation styles, but there are actually thousands of citation styles used for all different academic disciplines all across the world. Deciding which one to use can be difficult, so be sure to ask you instructor which one you should be using for your next paper.

2. Some Citation Styles are Named After People

While a majority of citation styles are named for the specific organizations that publish them (i.e. APA is published by the American Psychological Association, and MLA format is named for the Modern Language Association), some are actually named after individuals. The most well-known example of this is perhaps Turabian style, named for Kate L. Turabian, an American educator and writer. She developed this style as a condensed version of the Chicago Manual of Style in order to present a more concise set of rules to students.

3. There are Some Really Specific and Uniquely Named Citation Styles

How specific can citation styles get? The answer is very. For example, the “Flavour and Fragrance Journal” style is based on a bimonthly, peer-reviewed scientific journal published since 1985 by John Wiley & Sons. It publishes original research articles, reviews and special reports on all aspects of flavor and fragrance. Another example is “Nordic Pulp and Paper Research,” a style used by an international scientific magazine covering science and technology for the areas of wood or bio-mass constituents.

4. More citations were created on  EasyBib.com  in the first quarter of 2018 than there are people in California.

The US Census Bureau estimates that approximately 39.5 million people live in the state of California. Meanwhile, about 43 million citations were made on EasyBib from January to March of 2018. That’s a lot of citations.

5. “Citations” is a Word With a Long History

The word “citations” can be traced back literally thousands of years to the Latin word “citare” meaning “to summon, urge, call; put in sudden motion, call forward; rouse, excite.” The word then took on its more modern meaning and relevance to writing papers in the 1600s, where it became known as the “act of citing or quoting a passage from a book, etc.”

6. Citation Styles are Always Changing

The concept of citations always stays the same. It is a means of preventing plagiarism and demonstrating where you relied on outside sources. The specific style rules, however, can and do change regularly. For example, in 2018 alone, 46 new citation styles were introduced , and 106 updates were made to exiting styles. At EasyBib, we are always on the lookout for ways to improve our styles and opportunities to add new ones to our list.

Why Citations Matter

Here are the ways accurate citations can help your students achieve academic success, and how you can answer the dreaded question, “why should I cite my sources?”

They Give Credit to the Right People

Citing their sources makes sure that the reader can differentiate the student’s original thoughts from those of other researchers. Not only does this make sure that the sources they use receive proper credit for their work, it ensures that the student receives deserved recognition for their unique contributions to the topic. Whether the student is citing in MLA format , APA format , or any other style, citations serve as a natural way to place a student’s work in the broader context of the subject area, and serve as an easy way to gauge their commitment to the project.

They Provide Hard Evidence of Ideas

Having many citations from a wide variety of sources related to their idea means that the student is working on a well-researched and respected subject. Citing sources that back up their claim creates room for fact-checking and further research . And, if they can cite a few sources that have the converse opinion or idea, and then demonstrate to the reader why they believe that that viewpoint is wrong by again citing credible sources, the student is well on their way to winning over the reader and cementing their point of view.

They Promote Originality and Prevent Plagiarism

The point of research projects is not to regurgitate information that can already be found elsewhere. We have Google for that! What the student’s project should aim to do is promote an original idea or a spin on an existing idea, and use reliable sources to promote that idea. Copying or directly referencing a source without proper citation can lead to not only a poor grade, but accusations of academic dishonesty. By citing their sources regularly and accurately, students can easily avoid the trap of plagiarism , and promote further research on their topic.

They Create Better Researchers

By researching sources to back up and promote their ideas, students are becoming better researchers without even knowing it! Each time a new source is read or researched, the student is becoming more engaged with the project and is developing a deeper understanding of the subject area. Proper citations demonstrate a breadth of the student’s reading and dedication to the project itself. By creating citations, students are compelled to make connections between their sources and discern research patterns. Each time they complete this process, they are helping themselves become better researchers and writers overall.

When is the Right Time to Start Making Citations?

Make in-text/parenthetical citations as you need them.

As you are writing your paper, be sure to include references within the text that correspond with references in a works cited or bibliography. These are usually called in-text citations or parenthetical citations in MLA and APA formats. The most effective time to complete these is directly after you have made your reference to another source. For instance, after writing the line from Charles Dickens’ A Tale of Two Cities : “It was the best of times, it was the worst of times…,” you would include a citation like this (depending on your chosen citation style):

(Dickens 11).

This signals to the reader that you have referenced an outside source. What’s great about this system is that the in-text citations serve as a natural list for all of the citations you have made in your paper, which will make completing the works cited page a whole lot easier. After you are done writing, all that will be left for you to do is scan your paper for these references, and then build a works cited page that includes a citation for each one.

Need help creating an MLA works cited page ? Try the MLA format generator on EasyBib.com! We also have a guide on how to format an APA reference page .

2. Understand the General Formatting Rules of Your Citation Style Before You Start Writing

While reading up on paper formatting may not sound exciting, being aware of how your paper should look early on in the paper writing process is super important. Citation styles can dictate more than just the appearance of the citations themselves, but rather can impact the layout of your paper as a whole, with specific guidelines concerning margin width, title treatment, and even font size and spacing. Knowing how to organize your paper before you start writing will ensure that you do not receive a low grade for something as trivial as forgetting a hanging indent.

Don’t know where to start? Here’s a formatting guide on APA format .

3. Double-check All of Your Outside Sources for Relevance and Trustworthiness First

Collecting outside sources that support your research and specific topic is a critical step in writing an effective paper. But before you run to the library and grab the first 20 books you can lay your hands on, keep in mind that selecting a source to include in your paper should not be taken lightly. Before you proceed with using it to backup your ideas, run a quick Internet search for it and see if other scholars in your field have written about it as well. Check to see if there are book reviews about it or peer accolades. If you spot something that seems off to you, you may want to consider leaving it out of your work. Doing this before your start making citations can save you a ton of time in the long run.

Finished with your paper? It may be time to run it through a grammar and plagiarism checker , like the one offered by EasyBib Plus. If you’re just looking to brush up on the basics, our grammar guides  are ready anytime you are.

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How to Cite an Online Article

Last Updated: January 2, 2023 References

This article was reviewed by Gerald Posner and by wikiHow staff writer, Jennifer Mueller, JD . Gerald Posner is an Author & Journalist based in Miami, Florida. With over 35 years of experience, he specializes in investigative journalism, nonfiction books, and editorials. He holds a law degree from UC College of the Law, San Francisco, and a BA in Political Science from the University of California-Berkeley. He’s the author of thirteen books, including several New York Times bestsellers, the winner of the Florida Book Award for General Nonfiction, and has been a finalist for the Pulitzer Prize in History. He was also shortlisted for the Best Business Book of 2020 by the Society for Advancing Business Editing and Writing. This article has been viewed 252,969 times.

When conducting research for a paper or other project, you may use articles you found online as sources. Include a full citation for the online article in the bibliography or Works Cited at the end of your paper. When you paraphrase or quote information from the online article in your paper, use an in-text citation that points to that full citation. While the citation includes essentially the same information, the format will differ depending on whether you're using the Modern Language Association (MLA), American Psychological Association (APA), or Chicago citation style.

Sample Citations

• Example: Bernstein, Mark.

• Example: Bernstein, Mark. "10 Tips on Writing the Living Web."

• Example: Bernstein, Mark. "10 Tips on Writing the Living Web." A List Apart: For People Who Make Websites ,

• Example: Bernstein, Mark. "10 Tips on Writing the Living Web." A List Apart: For People Who Make Websites , 16 Aug. 2002,

Leave out any information that isn't provided on the website. You don't have to include any abbreviations to indicate that information is not available. For example, if there is no date on the article, simply leave that information out. You don't have to include an abbreviation such as "n.d." for "no date."

• Example: Bernstein, Mark. "10 Tips on Writing the Living Web." A List Apart: For People Who Make Websites , 16 Aug. 2002, alistapart.com/article/writeliving.

• Example: Bernstein, Mark. "10 Tips on Writing the Living Web." A List Apart: For People Who Make Websites , 16 Aug. 2002, alistapart.com/article/writeliving. Accessed 4 May 2009.

• Example: (Bernstein).

If there was no author, use the title of the article in your parenthetical citation.

• Example: American Nurses Association. [9] X Trustworthy Source APA Style Definitive source for current APA style writing and citation guidelines Go to source

If no author is listed for the article, start your full citation with the title of the article. There's no need to note that no author was listed.

• Example: American Nurses Association. (2015).

• Example: American Nurses Association. (2015). Academic progression to meet the needs of the registered nurse, the health care consumer, and the U.S. health care system [Position statement].

If the article has no author, the title of the article appears in your citation before the date. There is no need to repeat it again.

• Example: American Nurses Association. (2015). Academic progression to meet the needs of the registered nurse, the health care consumer, and the U.S. health care system [Position statement]. http://nursingworld.org/MainMenuCategories/Policy-Advocacy/Positions-and-Resolutions/ANAPositionStatements/Position-Statements-Alphabetically/Academic-Progression-to-Meet-Needs-of-RN.html

• Example: (American Nurses Association, 2015).
• If you have multiple articles with the same author and year of publication, place a lower-case letter after the year to distinguish them in your in-text citations. Make sure the same lower-case letter is reflected in your reference list.

If you're quoting the source directly, place a comma after the year, then provide the page number where the quoted information appears after the abbreviation "p." Use the abbreviation "n.p." if the article doesn't have page numbers.

• Individual author example: Nunley, Kathie.
• Organizational author example: United Nations Platform for Action Committee.

If the article has no author, skip this part of the citation. Instead, start the citation with the title of the article.

• Individual author example: Nunley, Kathie. "The Caffeine Craze."
• Organizational author example: United Nations Platform for Action Committee. "Globalization and Clothes."

• Individual author example: Nunley, Kathie. "The Caffeine Craze." Layered Curriculum .
• Organizational author example: United Nations Platform for Action Committee. "Globalization and Clothes." Women and the Economy .

• Individual author example: Nunley, Kathie. "The Caffeine Craze." Layered Curriculum . Accessed July 28, 2018.
• Organizational author example: United Nations Platform for Action Committee. "Globalization and Clothes." Women and the Economy . Last modified March 2011.

• Individual author example: Nunley, Kathie. "The Caffeine Craze." Layered Curriculum . Accessed July 28, 2018. http://help4teachers.com/caffeine.htm.
• Organizational author example: United Nations Platform for Action Committee. "Globalization and Clothes." Women and the Economy . Last modified March 2011. http://unpac.ca/economy/g_clothes.html.

• Individual author example: Kathie Nunley, "The Caffeine Craze," Layered Curriculum , accessed July 28, 2018, http://help4teachers.com/caffeine.htm.
• Organizational author example: United Nations Platform for Action Committee, "Globalization and Clothes," Women and the Economy , last modified March 2011, http://unpac.ca/economy/g_clothes.html.

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• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_electronic_sources.html
• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_in_text_citations_the_basics.html
• ↑ http://blog.apastyle.org/apastyle/2016/11/writing-website-in-text-citations-and-references.html
• ↑ http://www.apastyle.org/learn/faqs/web-page-no-author.aspx
• ↑ http://libanswers.snhu.edu/faq/48009

About This Article

To cite an online article using APA style, start with the author's last name and first initial of their first name, followed by a period. Next, include the year of publication in parentheses and end with a period. Then, type out the full title in italics, end with a period, and follow that up with the publication name and volume number, if appropriate. Finally, close the citation with the direct URL. To learn how to cite an article using Chicago or MLA style, read on! Did this summary help you? Yes No

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A Clear-Eyed Look at the Early Obama Years

Vinson Cunningham’s new novel takes the reader back to a time when many thought the nation’s first Black president had an answer for every American ailment.

Like so many others, I first watched him speak on the night of the 2004 Democratic convention, the year John Kerry became the nominee. He was still a state senator then, his face unlined, his head full of dark-brown hair. He humbly told the audience that his presence there was “pretty unlikely.” His Kenyan father had grown up herding goats; his paternal grandfather cooked for a British soldier. In a Baptist cadence, he quoted from the Declaration of Independence. Jefferson’s words are stirring on their own, but when a certain kind of orator gets hold of them, the effect can feel like thunder, or the Spirit. The country had tumbled into a new century after a contested election and the start of a war in Iraq. Barack Obama spun a convincing vision of the nation as “one people,” in which our ethnic, religious, and ideological differences mattered little.

When I think about what Obama meant to me at the time, my eyes pool with water. I was fresh out of college, taken by the force of his intellect and the way his ideas seemed to cohere and hum. His ear for language was evident in his oratory and in his prose. Dreams From My Father , his first memoir, drew from a humanist tradition of American autobiography laid down by Frederick Douglass, Harriet Jacobs, Malcolm X, and James Baldwin. Toni Morrison’s eulogy of Baldwin in 1987 seemed to foreshadow what many would feel about Obama in 2008: “You made American English honest … You exposed its secrets and reshaped it until it was truly modern dialogic, representative, humane.”

And yet, it wasn’t enough; the reverie wouldn’t, couldn’t last. In Great Expectations , Vinson Cunningham’s debut novel, the New Yorker writer and critic assesses the hope and disillusionment of the Obama years in a thinly veiled political satire cum bildungsroman featuring an Obama-like junior senator as “the candidate,” as well as a multifarious cast of supporting characters who employ their savvy, money, and connections to get him elected as president. Cunningham takes the reader back to a time when many thought Obama had an answer for every American ailment: He would usher the country into a post-race era, offering white people grace and absolution while assuring Black people that they would hereafter get a fair shake.

The novel is a keen look back at the failed promise of those early years, during which the country’s lofty expectations left little room for the candidate’s human fallibility—and obscured the reality of American politics. In this country, progress has usually happened in complicated, nonlinear ways: Hard-won advances are generally followed by forceful backlash and heartbreaking setbacks. Advances in civil rights, economic equality, health-care access, or environmental policy have often triggered reactionary codas; since at least the end of Reconstruction, momentum toward multiracial democracy has inflamed particularly vitriolic responses. Ultimately, Cunningham’s novel reminds the reader that simple solutions—the passage of one just law, the election of a single great leader—are seldom a match for American problems.

Read: The political novel gets very, very specific

The narrator—based on the author himself, who worked on Obama’s 2008 campaign and in his White House—is David Hammond, a 22-year-old single father from uptown Manhattan. Floundering after dropping out of college, he joins the campaign as a fundraising assistant on the recommendation of the well-heeled mother of a teen boy he tutors. As the novel roves from Manhattan to Manchester, New Hampshire; from Los Angeles to Chicago, David, whose true ambition is to be a writer, uses his new role to sharpen his ear and eye. He’s middling at the minutiae of the job but great at interacting with people. He makes friends with his co-workers and stumbles into a tender love affair with another staffer named Regina. Along the way, he loses slivers of his innocence as he sees what lies beneath the campaign’s shimmering exterior: the candidate’s aloofness when he is offstage, the financial improprieties of a few wealthy patrons. Eventually, the blind allegiance of the candidate’s supporters—their belief that the campaign is a “move of God”—begins to feel foreboding.

David often invokes the ecstatic mysticism of religious devotion as a metaphor for the candidate’s hold on his supporters. The senator “reminded me of my pastor,” David says early on, his regal posture bringing to mind a “talismanic maneuver meant to send forth subliminal messages about confidence and power.” One night, on the trail in New Hampshire, David tells Regina about a magic trick he witnessed as a teenager: While waiting outside of church with his friends, he watched as a magician performed a standard sleight of hand, then levitated a few inches off the city pavement. “Everybody screamed. It was mayhem,” David remembers. “Black people love magic,” Regina rejoins, through laughter. It is a detour in a novel of detours and roundabouts, and also a parable that smartly explains how the candidate’s fervent admirers could be so awed by his charisma that they missed the signs of trouble to come.

Sometimes David allows himself to get carried away like everyone else. He thinks about how the candidate and his family had begun to embody some kind of national fantasy of a Black Camelot. “Maybe there was the hope that black , that portentous designation, could finally be subsumed into the mainstream in the way that Kennedy had helped Irish to be. That some long passage of travel was almost done,” he thinks at one point. In that same stream of thought, David suggests that the public’s belief in the candidate’s ability to dismantle the racial hierarchy is largely thanks to his symbolic appeal: It was, he observes, “mostly the look” of the candidate and his glamorous family—an elegant wife and two small daughters—that made supporters believe he could overcome racism. Who wouldn’t want to accept them ?

Read: Our new postracial myth

Privy to the campaign’s disappointments and its weaknesses, David is clear-eyed where others are credulous. With the benefit of hindsight, the reader knows that his skepticism would eventually be validated. In the years since Obama’s election, America has seen the birtherism movement, the rise of the Tea Party, Donald Trump’s presidency, and the dismantling of cornerstone civil-rights victories, including key portions of the Voting Rights Act. Then, of course, there were Obama’s own shortcomings during his presidency, namely his capitulation to forces opposed to his most idealistic visions. He would pass a new health-care bill, but fall short of the goal of universal coverage he campaigned on . He would withdraw troops from Afghanistan but begin a series of what the political scientist Michael J. Boyle called “ shadow wars ,” which were “fought by Special Forces, proxy armies, drones, and other covert means.” According to the Council on Foreign Relations , drone strikes authorized by President Obama led to the deaths of nearly 4,000 people in Pakistan, Yemen, and Somalia; more than 300 of them were civilians.

When Cunningham’s novel closes on that fateful night in November, the night of the candidate’s victory, it’s an ending for David, a graduation, even. The book implies that he will go on to work for the new president, but unlike everyone else in that ecstatic moment, he looks to the coming years soberly, acknowledging that the campaign had spoken “a language of signs,” wherein the symbolism of the moment overwhelmed all else. Already, he seems to know that the country will see no grand, lasting transformation. For many Americans, who felt on a similar, actual night that the world seemed on the precipice of change, the lessons would take much longer to learn.

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Guest Essay

There’s No Such Thing as an American Bible

By Esau McCaulley

Contributing Opinion Writer

The presumptive Republican nominee for president of the United States, who weeks ago started selling shoes , is now peddling Bibles. During Holy Week.

What’s special about this Bible? So many things. For example, according to a promotional website, it’s the only Bible endorsed by Donald Trump. It’s also the only one endorsed by the country singer Lee Greenwood. Admittedly, the translation isn’t distinctive — it’s your standard King James Version — but the features are unique. This Bible includes the Constitution, the Bill of Rights, the Declaration of Independence, the Pledge of Allegiance and part of the lyrics of Mr. Greenwood’s song “God Bless the USA.” Perhaps most striking, the cover of the Bible does not include a cross or any symbol of the Christian tradition; instead, it is emblazoned with the American flag.

While part of me wants to laugh at the absurdity of it — and marvel at the sheer audacity — I find the messaging unsettling and deeply wrong. This God Bless the USA Bible, as it’s officially named, focuses on God’s blessing of one particular people. That is both its danger and, no doubt for some, its appeal.

Whether this Bible is an example of Christian nationalism I will leave to others. It is at least an example of Christian syncretism, a linking of certain myths about American exceptionalism and the Christian faith. This is the American church’s consistent folly: thinking that we are the protagonists in a story that began long before us and whose main character is in fact the Almighty.

Holy Week is the most sacred portion of the Christian calendar, a time when the church recounts the central events of our faith’s narrative, climaxing in the death and resurrection of Jesus. That story, unlike the parochial God Bless the USA Bible, does not belong to any culture.

Holy Week is celebrated on every continent and in too many languages to number. Some of the immigrants Mr. Trump declared were “ poisoning the blood” of America will probably shout “Christ is risen!” this Easter. Many of them come from the largely Christian regions of Latin America and the Caribbean. They may have entered the country with Bibles in their native tongues nestled securely among their other belongings.

One of the beauties of the Christian faith is that it leaps over the lines dividing countries, leading the faithful to call fellow believers from very different cultures brothers and sisters. Most of the members of this international community consist of the poor living in Africa, Asia and Latin America. There are more Spanish-speaking Christians than English- speaking ones .

If there are central messages that emerge from the variety of services that take place during Holy Week, for many Christians they are the setting aside of power to serve, the supremacy of love, the offer of divine forgiveness and the vulnerability of a crucified God.

This is not the stuff of moneymaking schemes or American presidential campaigns.

It was Pontius Pilate , standing in as the representative of the Roman Empire, who sentenced Jesus to death. The Easter story reminds believers that empires are more than willing to sacrifice the innocent if it allows rulers to stay in power. The church sees Christ’s resurrection as liberating the believer from the power of sin. The story challenges imperial modes of thinking, supplanting the endless pursuit of power with the primacy of love and service.

Easter, using the language of St. Augustine, represents the victory of the City of God over the City of Man. It declares the limits of the moral reasoning of nation-states and has fortified Christians who’ve resisted evil regimes such as fascists in South America, Nazis in Germany, apartheid in South Africa and segregation in the United States.

For any politician to suppose that a nation’s founding documents and a country music song can stand side by side with biblical texts fails at a theological and a moral level. I can’t imagine people in other countries going for anything like it. It is hard to picture a modern “God Bless England” Bible with elements of British common law appended to Christianity’s most sacred texts.

I am glad for the freedoms that we share as Americans. But the idea of a Bible explicitly made for one nation displays a misunderstanding of the story the Bible attempts to tell. The Christian narrative culminates in the creation of the Kingdom (and family) of God, a transnational community united by faith and mutual love.

Roman Catholics , Anglicans and Orthodox Christians, who together claim around 1.5 billion members, describe the Bible as a final authority in matters of faith. Evangelicals, who have overwhelmingly supported Mr. Trump over the course of three election cycles, are known for their focus on Scripture, too. None of these traditions cite or refer to any American political documents in their doctrinal statements — and for good reason.

This Bible may be unique in its form, but the agenda it pursues has recurred throughout history. Christianity is often either co-opted or suppressed; it is rarely given the space to be itself. African American Christians have long struggled to disentangle biblical texts from their misuse in the United States. There is a reason that the abolitionist Frederick Douglass said that between the Christianity of this land (America) and the Christianity of Christ, he recognized the “widest possible difference.”

And while Christianity was used to give theological cover to North American race-based chattel slavery, it was violently attacked in places like El Salvador and Uganda, when leaders including the archbishops Oscar Romero and Janani Luwum spoke out against political corruption.

The work of the church is to remain constantly vigilant to maintain its independence and the credibility of its witness. In the case of this particular Bible, discerning what is happening is not difficult. Christians are being played. Rather than being an appropriate time to debut a patriotic Bible, Easter season is an opportune moment for the church to recover the testimony of the supremacy of the cross over any flag, especially one on the cover of a Bible.

Esau McCaulley ( @esaumccaulley ) is a contributing Opinion writer, the author of “ How Far to the Promised Land: One Black Family’s Story of Hope and Survival in the American South ” and an associate professor of New Testament at Wheaton College.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

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MLA Works Cited Page: Books

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MLA (Modern Language Association) style is most commonly used to write papers and cite sources within the liberal arts and humanities. This resource, updated to reflect the MLA Handbook (9 th ed.), offers examples for the general format of MLA research papers, in-text citations, endnotes/footnotes, and the Works Cited page.

When you are gathering book sources, be sure to make note of the following bibliographic items: the author name(s), other contributors such as translators or editors, the book’s title, editions of the book, the publication date, the publisher, and the pagination.

The 8 th  edition of the MLA handbook highlights principles over prescriptive practices. Essentially, a writer will need to take note of primary elements in every source, such as author, title, etc. and then assort them in a general format. Thus, by using this methodology, a writer will be able to cite any source regardless of whether it’s included in this list.

Please note these changes in the new edition:

• Commas are used instead of periods between Publisher, Publication Date, and Pagination.
• Medium is no longer necessary.
• Containers are now a part of the MLA process. Commas should be used after container titles.
• DOIs should be used instead of URLS when available.
• Use the term “Accessed” instead of listing the date or the abbreviation, “n.d."

Below is the general format for any citation:

Author. Title. Title of container (do not list container for standalone books, e.g. novels), Other contributors (translators or editors), Version (edition), Number (vol. and/or no.), Publisher, Publication Date, Location (pages, paragraphs URL or DOI). 2 nd  container’s title, Other contributors, Version, Number, Publisher, Publication date, Location, Date of Access (if applicable).

Basic Book Format

The author’s name or a book with a single author's name appears in last name, first name format. The basic form for a book citation is:

Last Name, First Name. Title of Book . City of Publication, Publisher, Publication Date.

* Note: the City of Publication should only be used if the book was published before 1900, if the publisher has offices in more than one country, or if the publisher is unknown in North America.

Book with One Author

Gleick, James. Chaos: Making a New Science . Penguin, 1987.

Henley, Patricia. The Hummingbird House . MacMurray, 1999.

Book with More Than One Author

When a book has two authors, order the authors in the same way they are presented in the book. Start by listing the first name that appears on the book in last name, first name format; subsequent author names appear in normal order (first name last name format).

Gillespie, Paula, and Neal Lerner. The Allyn and Bacon Guide to Peer Tutoring . Allyn and Bacon, 2000.

If there are three or more authors, list only the first author followed by the phrase et al. (Latin for "and others") in place of the subsequent authors' names. (Note that there is a period after “al” in “et al.” Also note that there is never a period after the “et” in “et al.”).

Wysocki, Anne Frances, et al. Writing New Media: Theory and Applications for Expanding the Teaching of Composition . Utah State UP, 2004.

Two or More Books by the Same Author

List works alphabetically by title. (Remember to ignore articles like A, An, and The.) Provide the author’s name in last name, first name format for the first entry only. For each subsequent entry by the same author, use three hyphens and a period.

Palmer, William J. Dickens and New Historicism . St. Martin's, 1997.

---. The Films of the Eighties: A Social History . Southern Illinois UP, 1993.

Book by a Corporate Author or Organization

A corporate author may include a commission, a committee, a government agency, or a group that does not identify individual members on the title page.

List the names of corporate authors in the place where an author’s name typically appears at the beginning of the entry.

American Allergy Association. Allergies in Children . Random House, 1998.

When the author and publisher are the same, skip the author, and list the title first. Then, list the corporate author only as the publisher.

Fair Housing—Fair Lending. Aspen Law & Business, 1985.

Book with No Author

List by title of the book. Incorporate these entries alphabetically just as you would with works that include an author name. For example, the following entry might appear between entries of works written by Dean, Shaun and Forsythe, Jonathan.

Encyclopedia of Indiana . Somerset, 1993.

Remember that for an in-text (parenthetical) citation of a book with no author, you should provide the name of the work in the signal phrase and the page number in parentheses. You may also use a shortened version of the title of the book accompanied by the page number. For more information see the In-text Citations for Print Sources with No Known Author section of In-text Citations: The Basics .

A Translated Book

If you want to emphasize the work rather than the translator, cite as you would any other book. Add “translated by” and follow with the name(s) of the translator(s).

Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason . Translated by Richard Howard, Vintage-Random House, 1988.

If you want to focus on the translation, list the translator as the author. In place of the author’s name, the translator’s name appears. His or her name is followed by the label, “translator.” If the author of the book does not appear in the title of the book, include the name, with a “By” after the title of the book and before the publisher. Note that this type of citation is less common and should only be used for papers or writing in which translation plays a central role.

Howard, Richard, translator. Madness and Civilization: A History of Insanity in the Age of Reason . By Michel Foucault, Vintage-Random House, 1988.

Republished Book

Books may be republished due to popularity without becoming a new edition. New editions are typically revisions of the original work. For books that originally appeared at an earlier date and that have been republished at a later one, insert the original publication date before the publication information.

For books that are new editions (i.e. different from the first or other editions of the book), see An Edition of a Book below.

Butler, Judith. Gender Trouble . 1990. Routledge, 1999.

Erdrich, Louise. Love Medicine . 1984. Perennial-Harper, 1993.

An Edition of a Book

There are two types of editions in book publishing: a book that has been published more than once in different editions and a book that is prepared by someone other than the author (typically an editor).

A Subsequent Edition

Cite the book as you normally would, but add the number of the edition after the title.

Crowley, Sharon, and Debra Hawhee. Ancient Rhetorics for Contemporary Students . 3rd ed., Pearson, 2004.

A Work Prepared by an Editor

Cite the book as you normally would, but add the editor after the title with the label "edited by."

Bronte, Charlotte. Jane Eyre,  edited by Margaret Smith, Oxford UP, 1998.

Note that the format for citing sources with important contributors with editor-like roles follows the same basic template:

...adapted by John Doe...

Finally, in the event that the source features a contributor that cannot be described with a past-tense verb and the word "by" (e.g., "edited by"), you may instead use a noun followed by a comma, like so:

...guest editor, Jane Smith...

Anthology or Collection (e.g. Collection of Essays)

To cite the entire anthology or collection, list by editor(s) followed by a comma and "editor" or, for multiple editors, "editors." This sort of entry is somewhat rare. If you are citing a particular piece within an anthology or collection (more common), see A Work in an Anthology, Reference, or Collection below.

Hill, Charles A., and Marguerite Helmers, editors. Defining Visual Rhetorics . Lawrence Erlbaum Associates, 2004.

Peterson, Nancy J., editor. Toni Morrison: Critical and Theoretical Approaches . Johns Hopkins UP, 1997.

A Work in an Anthology, Reference, or Collection

Works may include an essay in an edited collection or anthology, or a chapter of a book. The basic form is for this sort of citation is as follows:

Last name, First name. "Title of Essay." Title of Collection , edited by Editor's Name(s), Publisher, Year, Page range of entry.

Some examples:

Harris, Muriel. "Talk to Me: Engaging Reluctant Writers." A Tutor's Guide: Helping Writers One to One , edited by Ben Rafoth, Heinemann, 2000, pp. 24-34.

Swanson, Gunnar. "Graphic Design Education as a Liberal Art: Design and Knowledge in the University and The 'Real World.'" The Education of a Graphic Designer , edited by Steven Heller, Allworth Press, 1998, pp. 13-24.

Note on Cross-referencing Several Items from One Anthology: If you cite more than one essay from the same edited collection, MLA indicates you may cross-reference within your works cited list in order to avoid writing out the publishing information for each separate essay. You should consider this option if you have several references from a single text. To do so, include a separate entry for the entire collection listed by the editor's name as below:

Rose, Shirley K, and Irwin Weiser, editors. The Writing Program Administrator as Researcher . Heinemann, 1999.

Then, for each individual essay from the collection, list the author's name in last name, first name format, the title of the essay, the editor's last name, and the page range:

L'Eplattenier, Barbara. "Finding Ourselves in the Past: An Argument for Historical Work on WPAs." Rose and Weiser, pp. 131-40.

Peeples, Tim. "'Seeing' the WPA With/Through Postmodern Mapping." Rose and Weiser, pp. 153-67.

Please note: When cross-referencing items in the works cited list, alphabetical order should be maintained for the entire list.

Poem or Short Story Examples :

Burns, Robert. "Red, Red Rose." 100 Best-Loved Poems, edited by Philip Smith, Dover, 1995, p. 26.

Kincaid, Jamaica. "Girl." The Vintage Book of Contemporary American Short Stories , edited by Tobias Wolff, Vintage, 1994, pp. 306-07.

If the specific literary work is part of the author's own collection (all of the works have the same author), then there will be no editor to reference:

Whitman, Walt. "I Sing the Body Electric." Selected Poems, Dover, 1991, pp. 12-19.

Carter, Angela. "The Tiger's Bride." Burning Your Boats: The Collected Stories, Penguin, 1995, pp. 154-69.

Article in a Reference Book (e.g. Encyclopedias, Dictionaries)

For entries in encyclopedias, dictionaries, and other reference works, cite the entry name as you would any other work in a collection but do not include the publisher information. Also, if the reference book is organized alphabetically, as most are, do not list the volume or the page number of the article or item.

"Ideology." The American Heritage Dictionary.  3rd ed. 1997. 

A Multivolume Work

When citing only one volume of a multivolume work, include the volume number after the work's title, or after the work's editor or translator.

Quintilian. Institutio Oratoria . Translated by H. E. Butler, vol. 2, Loeb-Harvard UP, 1980.

When citing more than one volume of a multivolume work, cite the total number of volumes in the work. Also, be sure in your in-text citation to provide both the volume number and page number(s) ( see "Citing Multivolume Works" on our in-text citations resource .)

Quintilian. Institutio Oratoria . Translated by H. E. Butler, Loeb-Harvard UP, 1980. 4 vols.

If the volume you are using has its own title, cite the book without referring to the other volumes as if it were an independent publication.

Churchill, Winston S. The Age of Revolution . Dodd, 1957.

An Introduction, Preface, Foreword, or Afterword

When citing an introduction, a preface, a foreword, or an afterword, write the name of the author(s) of the piece you are citing. Then give the name of the part being cited, which should not be italicized or enclosed in quotation marks; in italics, provide the name of the work and the name of the author of the introduction/preface/foreword/afterword. Finish the citation with the details of publication and page range.

Farrell, Thomas B. Introduction. Norms of Rhetorical Culture , by Farrell, Yale UP, 1993, pp. 1-13.

If the writer of the piece is different from the author of the complete work , then write the full name of the principal work's author after the word "By." For example, if you were to cite Hugh Dalziel Duncan’s introduction of Kenneth Burke’s book Permanence and Change, you would write the entry as follows:

Duncan, Hugh Dalziel. Introduction. Permanence and Change: An Anatomy of Purpose, by Kenneth Burke, 1935, 3rd ed., U of California P, 1984, pp. xiii-xliv.

Book Published Before 1900

Original copies of books published before 1900 are usually defined by their place of publication rather than the publisher. Unless you are using a newer edition, cite the city of publication where you would normally cite the publisher.

Thoreau, Henry David. Excursions . Boston, 1863.

Italicize “The Bible” and follow it with the version you are using. Remember that your in-text (parenthetical citation) should include the name of the specific edition of the Bible, followed by an abbreviation of the book, the chapter and verse(s). (See Citing the Bible at In-Text Citations: The Basics .)

The Bible. Authorized King James Version , Oxford UP, 1998.

The Bible. The New Oxford Annotated Version , 3rd ed., Oxford UP, 2001.

The New Jerusalem Bible. Edited by Susan Jones, Doubleday, 1985.

A Government Publication

Cite the author of the publication if the author is identified. Otherwise, start with the name of the national government, followed by the agency (including any subdivisions or agencies) that serves as the organizational author. For congressional documents, be sure to include the number of the Congress and the session when the hearing was held or resolution passed as well as the report number. US government documents are typically published by the Government Printing Office.

United States, Congress, Senate, Committee on Energy and Natural Resources. Hearing on the Geopolitics of Oil . Government Printing Office, 2007. 110th Congress, 1st session, Senate Report 111-8.

United States, Government Accountability Office. Climate Change: EPA and DOE Should Do More to Encourage Progress Under Two Voluntary Programs . Government Printing Office, 2006.

Cite the title and publication information for the pamphlet just as you would a book without an author. Pamphlets and promotional materials commonly feature corporate authors (commissions, committees, or other groups that does not provide individual group member names). If the pamphlet you are citing has no author, cite as directed below. If your pamphlet has an author or a corporate author, put the name of the author (last name, first name format) or corporate author in the place where the author name typically appears at the beginning of the entry. (See also Books by a Corporate Author or Organization above.)

Women's Health: Problems of the Digestive System . American College of Obstetricians and Gynecologists, 2006.

Your Rights Under California Welfare Programs . California Department of Social Services, 2007.

Dissertations and Master's Theses

Dissertations and master's theses may be used as sources whether published or not. Unlike previous editions, MLA 8 specifies no difference in style for published/unpublished works.

The main elements of a dissertation citation are the same as those for a book: author name(s), title (italicized) , and publication date. Conclude with an indication of the document type (e.g., "PhD dissertation"). The degree-granting institution may be included before the document type (though this is not required). If the dissertation was accessed through an online repository, include it as the second container after all the other elements.

Bishop, Karen Lynn. Documenting Institutional Identity: Strategic Writing in the IUPUI Comprehensive Campaign . 2002. Purdue University, PhD dissertation.

Bile, Jeffrey. Ecology, Feminism, and a Revised Critical Rhetoric: Toward a Dialectical Partnership . 2005. Ohio University, PhD dissertation.

Mitchell, Mark. The Impact of Product Quality Reducing Events on the Value of Brand-Name Capital: Evidence from Airline Crashes and the 1982 Tylenol Poisonings.  1987. PhD dissertation.  ProQuest Dissertations and Theses.

List the names of corporate authors in the place where an author’s name typically appears at the beginning of the entry if the author and publisher are not the same.

Fair Housing—Fair Lending. Aspen Law & Business, 1985.

2023-2024 Bermont Family Distinguished Visiting Author – Phillip Lopate

Phillip Lopate   is a central figure in the recent revival of interest in memoir writing and what has come to be called “the personal essay.”

 Lopate is the author of  Portrait of My Body, Confessions of Summer, Against Joie de Vivre, The Rug Merchant, Being with Children,  and  Totally Tenderly Tragically . He is also the editor of  The Art of the Personal Essay  and was the series editor of  The Anchor Essay Annual .

 Lopate’s work has been included in  The Best American Essays  and  The Pushcart Prize Series . Recent books include  To Show and Tell, Portrait Inside My Head, Waterfront, Getting Personal: Selected Writings  and  Notes On Sontag . In 2023, he published A Year and a Day: An Experiment in Essays.  Lopate formerly directed the non-fiction MFA program at Columbia University. “

Time: Monday, April 8, 2024 (7:00 PM) Location: Rogers Free Library - 525 Hope Street, Bristol RI

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Example of a Great Essay | Explanations, Tips & Tricks

Published on February 9, 2015 by Shane Bryson . Revised on July 23, 2023 by Shona McCombes.

This example guides you through the structure of an essay. It shows how to build an effective introduction , focused paragraphs , clear transitions between ideas, and a strong conclusion .

Each paragraph addresses a single central point, introduced by a topic sentence , and each point is directly related to the thesis statement .

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Table of contents

Other interesting articles, frequently asked questions about writing an essay, an appeal to the senses: the development of the braille system in nineteenth-century france.

The invention of Braille was a major turning point in the history of disability. The writing system of raised dots used by visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

In France, debates about how to deal with disability led to the adoption of different strategies over time. While people with temporary difficulties were able to access public welfare, the most common response to people with long-term disabilities, such as hearing or vision loss, was to group them together in institutions (Tombs, 1996). At first, a joint institute for the blind and deaf was created, and although the partnership was motivated more by financial considerations than by the well-being of the residents, the institute aimed to help people develop skills valuable to society (Weygand, 2009). Eventually blind institutions were separated from deaf institutions, and the focus shifted towards education of the blind, as was the case for the Royal Institute for Blind Youth, which Louis Braille attended (Jimenez et al, 2009). The growing acknowledgement of the uniqueness of different disabilities led to more targeted education strategies, fostering an environment in which the benefits of a specifically blind education could be more widely recognized.

Several different systems of tactile reading can be seen as forerunners to the method Louis Braille developed, but these systems were all developed based on the sighted system. The Royal Institute for Blind Youth in Paris taught the students to read embossed roman letters, a method created by the school’s founder, Valentin Hauy (Jimenez et al., 2009). Reading this way proved to be a rather arduous task, as the letters were difficult to distinguish by touch. The embossed letter method was based on the reading system of sighted people, with minimal adaptation for those with vision loss. As a result, this method did not gain significant success among blind students.

Louis Braille was bound to be influenced by his school’s founder, but the most influential pre-Braille tactile reading system was Charles Barbier’s night writing. A soldier in Napoleon’s army, Barbier developed a system in 1819 that used 12 dots with a five line musical staff (Kersten, 1997). His intention was to develop a system that would allow the military to communicate at night without the need for light (Herron, 2009). The code developed by Barbier was phonetic (Jimenez et al., 2009); in other words, the code was designed for sighted people and was based on the sounds of words, not on an actual alphabet. Barbier discovered that variants of raised dots within a square were the easiest method of reading by touch (Jimenez et al., 2009). This system proved effective for the transmission of short messages between military personnel, but the symbols were too large for the fingertip, greatly reducing the speed at which a message could be read (Herron, 2009). For this reason, it was unsuitable for daily use and was not widely adopted in the blind community.

Nevertheless, Barbier’s military dot system was more efficient than Hauy’s embossed letters, and it provided the framework within which Louis Braille developed his method. Barbier’s system, with its dashes and dots, could form over 4000 combinations (Jimenez et al., 2009). Compared to the 26 letters of the Latin alphabet, this was an absurdly high number. Braille kept the raised dot form, but developed a more manageable system that would reflect the sighted alphabet. He replaced Barbier’s dashes and dots with just six dots in a rectangular configuration (Jimenez et al., 2009). The result was that the blind population in France had a tactile reading system using dots (like Barbier’s) that was based on the structure of the sighted alphabet (like Hauy’s); crucially, this system was the first developed specifically for the purposes of the blind.

While the Braille system gained immediate popularity with the blind students at the Institute in Paris, it had to gain acceptance among the sighted before its adoption throughout France. This support was necessary because sighted teachers and leaders had ultimate control over the propagation of Braille resources. Many of the teachers at the Royal Institute for Blind Youth resisted learning Braille’s system because they found the tactile method of reading difficult to learn (Bullock & Galst, 2009). This resistance was symptomatic of the prevalent attitude that the blind population had to adapt to the sighted world rather than develop their own tools and methods. Over time, however, with the increasing impetus to make social contribution possible for all, teachers began to appreciate the usefulness of Braille’s system (Bullock & Galst, 2009), realizing that access to reading could help improve the productivity and integration of people with vision loss. It took approximately 30 years, but the French government eventually approved the Braille system, and it was established throughout the country (Bullock & Galst, 2009).

Although Blind people remained marginalized throughout the nineteenth century, the Braille system granted them growing opportunities for social participation. Most obviously, Braille allowed people with vision loss to read the same alphabet used by sighted people (Bullock & Galst, 2009), allowing them to participate in certain cultural experiences previously unavailable to them. Written works, such as books and poetry, had previously been inaccessible to the blind population without the aid of a reader, limiting their autonomy. As books began to be distributed in Braille, this barrier was reduced, enabling people with vision loss to access information autonomously. The closing of the gap between the abilities of blind and the sighted contributed to a gradual shift in blind people’s status, lessening the cultural perception of the blind as essentially different and facilitating greater social integration.

The Braille system also had important cultural effects beyond the sphere of written culture. Its invention later led to the development of a music notation system for the blind, although Louis Braille did not develop this system himself (Jimenez, et al., 2009). This development helped remove a cultural obstacle that had been introduced by the popularization of written musical notation in the early 1500s. While music had previously been an arena in which the blind could participate on equal footing, the transition from memory-based performance to notation-based performance meant that blind musicians were no longer able to compete with sighted musicians (Kersten, 1997). As a result, a tactile musical notation system became necessary for professional equality between blind and sighted musicians (Kersten, 1997).

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

Bullock, J. D., & Galst, J. M. (2009). The Story of Louis Braille. Archives of Ophthalmology , 127(11), 1532. https://​doi.org/10.1001/​archophthalmol.2009.286.

Herron, M. (2009, May 6). Blind visionary. Retrieved from https://​eandt.theiet.org/​content/​articles/2009/05/​blind-visionary/.

Jiménez, J., Olea, J., Torres, J., Alonso, I., Harder, D., & Fischer, K. (2009). Biography of Louis Braille and Invention of the Braille Alphabet. Survey of Ophthalmology , 54(1), 142–149. https://​doi.org/10.1016/​j.survophthal.2008.10.006.

Kersten, F.G. (1997). The history and development of Braille music methodology. The Bulletin of Historical Research in Music Education , 18(2). Retrieved from https://​www.jstor.org/​stable/40214926.

Mellor, C.M. (2006). Louis Braille: A touch of genius . Boston: National Braille Press.

Tombs, R. (1996). France: 1814-1914 . London: Pearson Education Ltd.

Weygand, Z. (2009). The blind in French society from the Middle Ages to the century of Louis Braille . Stanford: Stanford University Press.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

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