narrative writing exercises college

• Chess (Gr. 1-4)
• TV (Gr. 1-4)
• Metal Detectors (Gr. 2-6)
• Tetris (Gr. 2-6)
• Seat Belts (Gr. 2-6)
• The Coliseum (Gr. 2-6)
• The Pony Express (Gr. 2-6)
• Wintertime (Gr. 2-6)
• Reading (Gr. 3-7)
• Black Friday (Gr. 3-7)
• Hummingbirds (Gr. 3-7)
• Worst Game Ever? (Gr. 4-8)
• Carnivorous Plants (Gr. 4-8)
• Google (Gr. 4-8)
• Honey Badgers (Gr. 4-8)
• Hyperinflation (Gr. 4-8)
• Koko (Gr. 4-8)
• Mongooses (Gr. 5-9)
• Trampolines (Gr. 5-9)
• Garbage (Gr. 5-9)
• Maginot Line (Gr. 5-9)
• Asian Carp (Gr. 5-9)
• Tale of Two Countries (Gr. 6-10)
• Kevlar (Gr. 7-10)
• Tigers (Gr. 7-11)
• Statue of Liberty (Gr. 8-10)
• Submarines (Gr. 8-12)
• Castles (Gr. 9-13)
• Gutenberg (Gr. 9-13)
• Author's Purpose Practice 1
• Author's Purpose Practice 2
• Author's Purpose Practice 3
• Fact and Opinion Practice 1
• Fact and Opinion Practice 2
• Fact and Opinion Practice 3
• Idioms Practice Test 1
• Idioms Practice Test 2
• Figurative Language Practice 1
• Figurative Language Practice 2
• Figurative Language Practice 3
• Figurative Language Practice 4
• Figurative Language Practice 5
• Figurative Language Practice 6
• Figurative Language Practice 7
• Figurative Language Practice 8
• Figurative Language Practice 9
• Figurative Language of Edgar Allan Poe
• Figurative Language of O. Henry
• Figurative Language of Shakespeare
• Genre Practice 1
• Genre Practice 2
• Genre Practice 3
• Genre Practice 4
• Genre Practice 5
• Genre Practice 6
• Genre Practice 7
• Genre Practice 8
• Genre Practice 9
• Genre Practice 10
• Irony Practice 1
• Irony Practice 2
• Irony Practice 3
• Making Inferences Practice 1
• Making Inferences Practice 2
• Making Inferences Practice 3
• Making Inferences Practice 4
• Making Inferences Practice 5
• Main Idea Practice 1
• Main Idea Practice 2
• Point of View Practice 1
• Point of View Practice 2
• Text Structure Practice 1
• Text Structure Practice 2
• Text Structure Practice 3
• Text Structure Practice 4
• Text Structure Practice 5
• Story Structure Practice 1
• Story Structure Practice 2
• Story Structure Practice 3
• Author's Purpose
• Characterizations
• Context Clues
• Fact and Opinion
• Figurative Language
• Grammar and Language Arts
• Poetic Devices
• Point of View
• Predictions
• Reading Comprehension
• Story Structure
• Summarizing
• Text Structure
• Character Traits
• Common Core Aligned Unit Plans
• Teacher Point of View
• Teaching Theme
• Patterns of Organization
• Project Ideas
• Reading Activities
• How to Write Narrative Essays
• How to Write Persuasive Essays
• Narrative Essay Assignments
• Narrative Essay Topics
• Persuasive Essay Topics
• Research Paper Topics
• Rubrics for Writing Assignments
• Learn About Sentence Structure
• Grammar Worksheets
• Noun Worksheets
• Parts of Speech Worksheets
• Punctuation Worksheets
• Sentence Structure Worksheets
• Verbs and Gerunds
• Examples of Allitertion
• Examples of Hyperbole
• Examples of Onomatopoeia
• Examples of Metaphor
• Examples of Personification
• Examples of Simile
• Figurative Language Activities
• Figurative Language Examples
• Figurative Language Poems
• Figurative Language Worksheets
• Learn About Figurative Language
• Learn About Poetic Devices
• Idiom Worksheets
• Online Figurative Language Tests
• Onomatopoeia Worksheets
• Personification Worksheets
• Poetic Devices Activities
• Poetic Devices Worksheets
• About This Site
• Privacy Policy
• Terms of Use
• Understanding CCSS Standards
• What's New?

Ereading Worksheets

Free reading worksheets, activities, and lesson plans., site navigation.

• Learn About Author’s Purpose
• Author’s Purpose Quizzes
• Character Types Worksheets and Lessons
• List of Character Traits
• Differentiated Reading Instruction Worksheets and Activities
• Fact and Opinion Worksheets
• Irony Worksheets
• Animal Farm Worksheets
• Literary Conflicts Lesson and Review
• New Home Page Test
• Lord of the Flies Chapter 2 Worksheet
• Lord of the Flies Chapter 5 Worksheet
• Lord of the Flies Chapter 6 Worksheet
• Lord of the Flies Chapter 10 Worksheet
• Narrative of the Life of Frederick Douglass
• Sister Carrie
• The Count of Monte Cristo
• The Odyssey
• The War of the Worlds
• The Wizard of Oz
• Mood Worksheets
• Context Clues Worksheets
• Inferences Worksheets
• Main Idea Worksheets
• Making Predictions Worksheets
• Nonfiction Passages and Functional Texts
• Setting Worksheets
• Summarizing Worksheets and Activities
• Short Stories with Questions
• Story Structure Activities
• Story Structure Worksheets
• Tone Worksheets
• Types of Conflict Worksheets
• Reading Games
• Figurative Language Poems with Questions
• Hyperbole and Understatement Worksheets
• Simile and Metaphor Worksheets
• Simile Worksheets
• Hyperbole Examples
• Metaphor Examples
• Personification Examples
• Simile Examples
• Understatement Examples
• Idiom Worksheets and Tests
• Poetic Devices Worksheets & Activities
• Alliteration Examples
• Allusion Examples
• Onomatopoeia Examples
• Onomatopoeia Worksheets and Activities
• Genre Worksheets
• Genre Activities
• Capitalization Worksheets, Lessons, and Tests
• Contractions Worksheets and Activities
• Double Negative Worksheets
• Homophones & Word Choice Worksheets
• ‘Was’ or ‘Were’
• Simple Subjects & Predicates Worksheets
• Subjects, Predicates, and Objects
• Clauses and Phrases
• Type of Sentences Worksheets
• Sentence Structure Activities
• Comma Worksheets and Activities
• Semicolon Worksheets
• End Mark Worksheets
• Noun Worksheets, Lessons, and Tests
• Verb Worksheets and Activities
• Pronoun Worksheets, Lessons, and Tests
• Adverbs & Adjectives Worksheets, Lessons, & Tests
• Preposition Worksheets and Activities
• Conjunctions Worksheets and Activities
• Interjections Worksheets
• Parts of Speech Activities
• Verb Tense Activities
• Past Tense Worksheets
• Present Tense Worksheets
• Future Tense Worksheets
• Point of View Activities
• Point of View Worksheets
• Teaching Point of View
• Cause and Effect Example Paragraphs
• Chronological Order
• Compare and Contrast
• Order of Importance
• Problem and Solution
• Text Structure Worksheets
• Text Structure Activities
• Essay Writing Rubrics
• Narrative Essay Topics and Story Ideas

Narrative Essay Worksheets & Writing Assignments

• Persuasive Essay and Speech Topics
• Persuasive Essay Worksheets & Activities
• Writing Narrative Essays and Short Stories
• Writing Persuasive Essays
• All Reading Worksheets
• Understanding Common Core State Standards
• Remote Learning Resources for Covid-19 School Closures
• What’s New?
• Ereading Worksheets | Legacy Versions
• Online Figurative Language Practice
• Online Genre Practice Tests
• Online Point of View Practice Tests
• 62 School Project Ideas
• 2nd Grade Reading Worksheets
• 3rd Grade Reading Worksheets
• 4th Grade Reading Worksheets
• 5th Grade Reading Worksheets
• 6th Grade Reading Worksheets
• 7th Grade Reading Worksheets
• 8th Grade Reading Worksheets
• 9th Grade Reading Worksheets
• 10th Grade Reading Worksheets
• Membership Billing
• Membership Cancel
• Membership Checkout
• Membership Confirmation
• Membership Invoice
• Membership Levels
• Your Profile

Want Updates?

Common core state standards related to narrative writing.

CCSS.ELA-Literacy.CCRA.W.3 – Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details and well-structured event sequences.

ELA Standards: Writing

CCSS.ELA-Literacy.W.K.3 – Use a combination of drawing, dictating, and writing to narrate a single event or several loosely linked events, tell about the events in the order in which they occurred, and provide a reaction to what happened. CCSS.ELA-Literacy.W.1.3 – Write narratives in which they recount two or more appropriately sequenced events, include some details regarding what happened, use temporal words to signal event order, and provide some sense of closure. CCSS.ELA-Literacy.W.2.3 – Write narratives in which they recount a well-elaborated event or short sequence of events, include details to describe actions, thoughts, and feelings, use temporal words to signal event order, and provide a sense of closure. CCSS.ELA-Literacy.W.3.3a – Establish a situation and introduce a narrator and/or characters; organize an event sequence that unfolds naturally. CCSS.ELA-Literacy.W.3.3b – Use dialogue and descriptions of actions, thoughts, and feelings to develop experiences and events or show the response of characters to situations. CCSS.ELA-Literacy.W.4.3 – Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. CCSS.ELA-Literacy.W.4.3d – Use concrete words and phrases and sensory details to convey experiences and events precisely. CCSS.ELA-Literacy.W.4.3e – Provide a conclusion that follows from the narrated experiences or events. CCSS.ELA-Literacy.W.5.3 – Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. CCSS.ELA-Literacy.W.6.3a – Engage and orient the reader by establishing a context and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-Literacy.W.7.3 – Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences. CCSS.ELA-Literacy.W.7.3a – Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-Literacy.W.7.3b – Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters. CCSS.ELA-Literacy.W.8.3c – Use a variety of transition words, phrases, and clauses to convey sequence, signal shifts from one time frame or setting to another, and show the relationships among experiences and events. CCSS.ELA-Literacy.W.8.3d – Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events. CCSS.ELA-Literacy.W.8.3e – Provide a conclusion that follows from and reflects on the narrated experiences or events. CCSS.ELA-Literacy.W.9-10.3a – Engage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events. CCSS.ELA-Literacy.W.11-12.3c – Use a variety of techniques to sequence events so that they build on one another to create a coherent whole and build toward a particular tone and outcome (e.g., a sense of mystery, suspense, growth, or resolution).

36 Comments

Stephanie johnson.

An all-time favorite of mine, since the pandemic. Thank you so much Ereading Worksheets and your hard-working team.

Loving this site. Especially the interesting non-fiction which is sure to engage my students while being accessible! So glad I found your site.

Mrs. Gibson

You should be teacher of the century because your worksheets are amazing and saves me time and energy. Thank you so very much.

Thank you so very much for your excellent resources!

Thank you for your awesome resources!

Carol Cross

I love this site for my students grades 5 thru 8. It has challenging, interesting work and it’s my “Go To” site for everything. Thanks for such a great website!

That means a lot to me. Thanks for taking the time to comment.

Alycia Cohen

I am a mother of a struggling 7th grader and 4th grader this website is absolutely amazing. They receive the extra enrichment they need.

This is a wonderful website. I’m a first year LA teacher, and even though we have covered some of this material already, I am going to use it for review & next years lesson plans. Thanks for the creative way to incorporate these lessons.

thank you so much for sharing your free material to teachers who desire to teach proper writing to students. We really appreciate this. You will be rewarded!! Susan

I already have been rewarded with awesome visitors like you, Susan. Thanks for taking the time to visit and comment.

I am excited to see that this site shares the basics and connects us to the required rigor in todays educational realm. The information covered on this site is what every teacher needs in his or her treasure chest of activities. Thank you for all the hard work you put into developing this site. Please keep it up.

Will do. Thank you for the kind words and for visiting the site.

Amal Hmedeh

I love u guys. I really do appreciate and cherish this piece of art.. Ur work is highly appreciated. Thanks a billion.

Who ever did these things–bravo to all of you!!!You just don’t know how much it saved teachers like me who are always preoccupied with so many things…I am forever grateful.

Evy Indrawati Siregar

Thank you for putting these materials on line. I enjoyed looking and adapting these materials for my own class. I would be very, very careful in referencing for it.

Thank you for saving this homeschooling Mom! This is treasure cove of information that is truly appreciated, thank you once again!

Evangelyn G.

THIS IS A VERY USEFUL SITE. THANK YOU VERY MUCH FOR THE ORGANIZERS.

Hillary John

This is an extremely useful site. It covers so many areas of teaching Language Arts. I am really glad I found it

I’m glad too.

I LOVE this website! I teach special 7th grade special ed. and use this site OFTEN!

I’m so happy to hear it. Thank you for visiting.

Frank Darby

The resources here are wonderful! Keep it going…

Thank you. I’m working on it right now…

Thank you for all of these helpful resources!

Thank you so much. You made my life easy 🙂

Duraiya Rangwala

awesome website

This site is my “go to” site! it has everything I need and more! Thank you!

this is a great and helpful site! it help me a lot to improve my understanding of reading, writing as well as critical thinking.. this is amazing’ Thanks!

I’m so happy to hear it and you are most welcome.

This is a great site! thanks

Where have you guys been all my life? (hyperbole!) 🙂

You’ve given me a rope; I shall hang on to it! Many thanks 🙂

Shanna Rush

I LOVE THIS SITE!!! THANK YOU FOR THE RESOURCES IT IS A BIG HELP TO ME HAVING BEEN A MIDDLE SCHOOL HISTORY TEACHER FOR 7 YEARS, AND NOW AS A NEW TEACHER TO 5TH GRADE ELEMENTARY SCHOOL AND USING THE COMMON CORE STANDARDS.

Thank you for saying so. Best wishes.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Subscribe Now

Popular content.

• Author's Purpose Worksheets
• Characterization Worksheets
• Common Core Lesson and Unit Plans
• Online Reading Practice Tests
• Plot Worksheets
• Reading Comprehension Worksheets
• Summary Worksheets
• Theme Worksheets

New and Updated Pages

• Capitalization Worksheets
• Contractions Worksheets
• Double Negatives Worksheets
• Homophones & Word Choice Worksheets

BECOME A MEMBER!

Narrative Writing: A Complete Guide for Teachers and Students

MASTERING THE CRAFT OF NARRATIVE WRITING

Narratives build on and encourage the development of the fundamentals of writing. They also require developing an additional skill set: the ability to tell a good yarn, and storytelling is as old as humanity.

We see and hear stories everywhere and daily, from having good gossip on the doorstep with a neighbor in the morning to the dramas that fill our screens in the evening.

Good narrative writing skills are hard-won by students even though it is an area of writing that most enjoy due to the creativity and freedom it offers.

Here we will explore some of the main elements of a good story: plot, setting, characters, conflict, climax, and resolution . And we will look too at how best we can help our students understand these elements, both in isolation and how they mesh together as a whole.

WHAT IS A NARRATIVE?

A narrative is a story that shares a sequence of events , characters, and themes. It expresses experiences, ideas, and perspectives that should aspire to engage and inspire an audience.

A narrative can spark emotion, encourage reflection, and convey meaning when done well.

Narratives are a popular genre for students and teachers as they allow the writer to share their imagination, creativity, skill, and understanding of nearly all elements of writing.  We occasionally refer to a narrative as ‘creative writing’ or story writing.

The purpose of a narrative is simple, to tell the audience a story.  It can be written to motivate, educate, or entertain and can be fact or fiction.

A COMPLETE UNIT ON TEACHING NARRATIVE WRITING

Teach your students to become skilled story writers with this HUGE   NARRATIVE & CREATIVE STORY WRITING UNIT . Offering a  COMPLETE SOLUTION  to teaching students how to craft  CREATIVE CHARACTERS, SUPERB SETTINGS, and PERFECT PLOTS .

Over 192 PAGES of materials, including:

TYPES OF NARRATIVE WRITING

There are many narrative writing genres and sub-genres such as these.

We have a complete guide to writing a personal narrative that differs from the traditional story-based narrative covered in this guide. It includes personal narrative writing prompts, resources, and examples and can be found here.

As we can see, narratives are an open-ended form of writing that allows you to showcase creativity in many directions. However, all narratives share a common set of features and structure known as “Story Elements”, which are briefly covered in this guide.

Don’t overlook the importance of understanding story elements and the value this adds to you as a writer who can dissect and create grand narratives. We also have an in-depth guide to understanding story elements here .

CHARACTERISTICS OF NARRATIVE WRITING

Narrative structure.

ORIENTATION (BEGINNING) Set the scene by introducing your characters, setting and time of the story. Establish your who, when and where in this part of your narrative

COMPLICATION AND EVENTS (MIDDLE) In this section activities and events involving your main characters are expanded upon. These events are written in a cohesive and fluent sequence.

RESOLUTION (ENDING) Your complication is resolved in this section. It does not have to be a happy outcome, however.

EXTRAS: Whilst orientation, complication and resolution are the agreed norms for a narrative, there are numerous examples of popular texts that did not explicitly follow this path exactly.

NARRATIVE FEATURES

LANGUAGE: Use descriptive and figurative language to paint images inside your audience’s minds as they read.

PERSPECTIVE Narratives can be written from any perspective but are most commonly written in first or third person.

DIALOGUE Narratives frequently switch from narrator to first-person dialogue. Always use speech marks when writing dialogue.

TENSE If you change tense, make it perfectly clear to your audience what is happening. Flashbacks might work well in your mind but make sure they translate to your audience.

THE PLOT MAP

This graphic is known as a plot map, and nearly all narratives fit this structure in one way or another, whether romance novels, science fiction or otherwise.

It is a simple tool that helps you understand and organise a story’s events. Think of it as a roadmap that outlines the journey of your characters and the events that unfold. It outlines the different stops along the way, such as the introduction, rising action, climax, falling action, and resolution, that help you to see how the story builds and develops.

Using a plot map, you can see how each event fits into the larger picture and how the different parts of the story work together to create meaning. It’s a great way to visualize and analyze a story.

Be sure to refer to a plot map when planning a story, as it has all the essential elements of a great story.

THE 5 KEY STORY ELEMENTS OF A GREAT NARRATIVE (6-MINUTE TUTORIAL VIDEO)

This video we created provides an excellent overview of these elements and demonstrates them in action in stories we all know and love.

HOW TO WRITE A NARRATIVE

Now that we understand the story elements and how they come together to form stories, it’s time to start planning and writing your narrative.

In many cases, the template and guide below will provide enough details on how to craft a great story. However, if you still need assistance with the fundamentals of writing, such as sentence structure, paragraphs and using correct grammar, we have some excellent guides on those here.

USE YOUR WRITING TIME EFFECTIVELY: Maximize your narrative writing sessions by spending approximately 20 per cent of your time planning and preparing.  This ensures greater productivity during your writing time and keeps you focused and on task.

Use tools such as graphic organizers to logically sequence your narrative if you are not a confident story writer.  If you are working with reluctant writers, try using narrative writing prompts to get their creative juices flowing.

Spend most of your writing hour on the task at hand, don’t get too side-tracked editing during this time and leave some time for editing. When editing a  narrative, examine it for these three elements.

• Spelling and grammar ( Is it readable?)
• Story structure and continuity ( Does it make sense, and does it flow? )
• Character and plot analysis. (Are your characters engaging? Does your problem/resolution work? )

1. SETTING THE SCENE: THE WHERE AND THE WHEN

The story’s setting often answers two of the central questions in the story, namely, the where and the when. The answers to these two crucial questions will often be informed by the type of story the student is writing.

The story’s setting can be chosen to quickly orient the reader to the type of story they are reading. For example, a fictional narrative writing piece such as a horror story will often begin with a description of a haunted house on a hill or an abandoned asylum in the middle of the woods. If we start our story on a rocket ship hurtling through the cosmos on its space voyage to the Alpha Centauri star system, we can be reasonably sure that the story we are embarking on is a work of science fiction.

Such conventions are well-worn clichés true, but they can be helpful starting points for our novice novelists to make a start.

Having students choose an appropriate setting for the type of story they wish to write is an excellent exercise for our younger students. It leads naturally onto the next stage of story writing, which is creating suitable characters to populate this fictional world they have created. However, older or more advanced students may wish to play with the expectations of appropriate settings for their story. They may wish to do this for comic effect or in the interest of creating a more original story. For example, opening a story with a children’s birthday party does not usually set up the expectation of a horror story. Indeed, it may even lure the reader into a happy reverie as they remember their own happy birthday parties. This leaves them more vulnerable to the surprise element of the shocking action that lies ahead.

Once the students have chosen a setting for their story, they need to start writing. Little can be more terrifying to English students than the blank page and its bare whiteness stretching before them on the table like a merciless desert they must cross. Give them the kick-start they need by offering support through word banks or writing prompts. If the class is all writing a story based on the same theme, you may wish to compile a common word bank on the whiteboard as a prewriting activity. Write the central theme or genre in the middle of the board. Have students suggest words or phrases related to the theme and list them on the board.

You may wish to provide students with a copy of various writing prompts to get them started. While this may mean that many students’ stories will have the same beginning, they will most likely arrive at dramatically different endings via dramatically different routes.

A bargain is at the centre of the relationship between the writer and the reader. That bargain is that the reader promises to suspend their disbelief as long as the writer creates a consistent and convincing fictional reality. Creating a believable world for the fictional characters to inhabit requires the student to draw on convincing details. The best way of doing this is through writing that appeals to the senses. Have your student reflect deeply on the world that they are creating. What does it look like? Sound like? What does the food taste like there? How does it feel like to walk those imaginary streets, and what aromas beguile the nose as the main character winds their way through that conjured market?

Also, Consider the when; or the time period. Is it a future world where things are cleaner and more antiseptic? Or is it an overcrowded 16th-century London with human waste stinking up the streets? If students can create a multi-sensory installation in the reader’s mind, then they have done this part of their job well.

Popular Settings from Children’s Literature and Storytelling

• Fairytale Kingdom
• Magical Forest
• Village/town
• Underwater world
• Space/Alien planet

2. CASTING THE CHARACTERS: THE WHO

Now that your student has created a believable world, it is time to populate it with believable characters.

In short stories, these worlds mustn’t be overpopulated beyond what the student’s skill level can manage. Short stories usually only require one main character and a few secondary ones. Think of the short story more as a small-scale dramatic production in an intimate local theater than a Hollywood blockbuster on a grand scale. Too many characters will only confuse and become unwieldy with a canvas this size. Keep it simple!

Creating believable characters is often one of the most challenging aspects of narrative writing for students. Fortunately, we can do a few things to help students here. Sometimes it is helpful for students to model their characters on actual people they know. This can make things a little less daunting and taxing on the imagination. However, whether or not this is the case, writing brief background bios or descriptions of characters’ physical personality characteristics can be a beneficial prewriting activity. Students should give some in-depth consideration to the details of who their character is: How do they walk? What do they look like? Do they have any distinguishing features? A crooked nose? A limp? Bad breath? Small details such as these bring life and, therefore, believability to characters. Students can even cut pictures from magazines to put a face to their character and allow their imaginations to fill in the rest of the details.

Younger students will often dictate to the reader the nature of their characters. To improve their writing craft, students must know when to switch from story-telling mode to story-showing mode. This is particularly true when it comes to character. Encourage students to reveal their character’s personality through what they do rather than merely by lecturing the reader on the faults and virtues of the character’s personality. It might be a small relayed detail in the way they walk that reveals a core characteristic. For example, a character who walks with their head hanging low and shoulders hunched while avoiding eye contact has been revealed to be timid without the word once being mentioned. This is a much more artistic and well-crafted way of doing things and is less irritating for the reader. A character who sits down at the family dinner table immediately snatches up his fork and starts stuffing roast potatoes into his mouth before anyone else has even managed to sit down has revealed a tendency towards greed or gluttony.

Understanding Character Traits

Again, there is room here for some fun and profitable prewriting activities. Give students a list of character traits and have them describe a character doing something that reveals that trait without ever employing the word itself.

It is also essential to avoid adjective stuffing here. When looking at students’ early drafts, adjective stuffing is often apparent. To train the student out of this habit, choose an adjective and have the student rewrite the sentence to express this adjective through action rather than telling.

When writing a story, it is vital to consider the character’s traits and how they will impact the story’s events. For example, a character with a strong trait of determination may be more likely to overcome obstacles and persevere. In contrast, a character with a tendency towards laziness may struggle to achieve their goals. In short, character traits add realism, depth, and meaning to a story, making it more engaging and memorable for the reader.

Popular Character Traits in Children’s Stories

• Determination
• Imagination
• Perseverance
• Responsibility

We have an in-depth guide to creating great characters here , but most students should be fine to move on to planning their conflict and resolution.

3. NO PROBLEM? NO STORY! HOW CONFLICT DRIVES A NARRATIVE

This is often the area apprentice writers have the most difficulty with. Students must understand that without a problem or conflict, there is no story. The problem is the driving force of the action. Usually, in a short story, the problem will center around what the primary character wants to happen or, indeed, wants not to happen. It is the hurdle that must be overcome. It is in the struggle to overcome this hurdle that events happen.

Often when a student understands the need for a problem in a story, their completed work will still not be successful. This is because, often in life, problems remain unsolved. Hurdles are not always successfully overcome. Students pick up on this.

We often discuss problems with friends that will never be satisfactorily resolved one way or the other, and we accept this as a part of life. This is not usually the case with writing a story. Whether a character successfully overcomes his or her problem or is decidedly crushed in the process of trying is not as important as the fact that it will finally be resolved one way or the other.

A good practical exercise for students to get to grips with this is to provide copies of stories and have them identify the central problem or conflict in each through discussion. Familiar fables or fairy tales such as Three Little Pigs, The Boy Who Cried Wolf, Cinderella, etc., are great for this.

While it is true that stories often have more than one problem or that the hero or heroine is unsuccessful in their first attempt to solve a central problem, for beginning students and intermediate students, it is best to focus on a single problem, especially given the scope of story writing at this level. Over time students will develop their abilities to handle more complex plots and write accordingly.

Popular Conflicts found in Children’s Storytelling.

• Good vs evil
• Individual vs society
• Nature vs nurture
• Self vs others
• Man vs self
• Man vs nature
• Man vs technology
• Individual vs fate
• Self vs destiny

Conflict is the heart and soul of any good story. It’s what makes a story compelling and drives the plot forward. Without conflict, there is no story. Every great story has a struggle or a problem that needs to be solved, and that’s where conflict comes in. Conflict is what makes a story exciting and keeps the reader engaged. It creates tension and suspense and makes the reader care about the outcome.

Like in real life, conflict in a story is an opportunity for a character’s growth and transformation. It’s a chance for them to learn and evolve, making a story great. So next time stories are written in the classroom, remember that conflict is an essential ingredient, and without it, your story will lack the energy, excitement, and meaning that makes it truly memorable.

4. THE NARRATIVE CLIMAX: HOW THINGS COME TO A HEAD!

The climax of the story is the dramatic high point of the action. It is also when the struggles kicked off by the problem come to a head. The climax will ultimately decide whether the story will have a happy or tragic ending. In the climax, two opposing forces duke things out until the bitter (or sweet!) end. One force ultimately emerges triumphant. As the action builds throughout the story, suspense increases as the reader wonders which of these forces will win out. The climax is the release of this suspense.

Much of the success of the climax depends on how well the other elements of the story have been achieved. If the student has created a well-drawn and believable character that the reader can identify with and feel for, then the climax will be more powerful.

The nature of the problem is also essential as it determines what’s at stake in the climax. The problem must matter dearly to the main character if it matters at all to the reader.

Have students engage in discussions about their favorite movies and books. Have them think about the storyline and decide the most exciting parts. What was at stake at these moments? What happened in your body as you read or watched? Did you breathe faster? Or grip the cushion hard? Did your heart rate increase, or did you start to sweat? This is what a good climax does and what our students should strive to do in their stories.

The climax puts it all on the line and rolls the dice. Let the chips fall where the writer may…

Popular Climax themes in Children’s Stories

• A battle between good and evil
• The character’s bravery saves the day
• Character faces their fears and overcomes them
• The character solves a mystery or puzzle.
• The character stands up for what is right.
• Character reaches their goal or dream.
• The character learns a valuable lesson.
• The character makes a selfless sacrifice.
• The character makes a difficult decision.
• The character reunites with loved ones or finds true friendship.

5. RESOLUTION: TYING UP LOOSE ENDS

After the climactic action, a few questions will often remain unresolved for the reader, even if all the conflict has been resolved. The resolution is where those lingering questions will be answered. The resolution in a short story may only be a brief paragraph or two. But, in most cases, it will still be necessary to include an ending immediately after the climax can feel too abrupt and leave the reader feeling unfulfilled.

An easy way to explain resolution to students struggling to grasp the concept is to point to the traditional resolution of fairy tales, the “And they all lived happily ever after” ending. This weather forecast for the future allows the reader to take their leave. Have the student consider the emotions they want to leave the reader with when crafting their resolution.

While the action is usually complete by the end of the climax, it is in the resolution that if there is a twist to be found, it will appear – think of movies such as The Usual Suspects. Pulling this off convincingly usually requires considerable skill from a student writer. Still, it may well form a challenging extension exercise for those more gifted storytellers among your students.

Popular Resolutions in Children’s Stories

• Our hero achieves their goal
• The character learns a valuable lesson
• A character finds happiness or inner peace.
• The character reunites with loved ones.
• Character restores balance to the world.
• The character discovers their true identity.
• Character changes for the better.
• The character gains wisdom or understanding.
• Character makes amends with others.
• The character learns to appreciate what they have.

Once students have completed their story, they can edit for grammar, vocabulary choice, spelling, etc., but not before!

As mentioned, there is a craft to storytelling, as well as an art. When accurate grammar, perfect spelling, and immaculate sentence structures are pushed at the outset, they can cause storytelling paralysis. For this reason, it is essential that when we encourage the students to write a story, we give them license to make mechanical mistakes in their use of language that they can work on and fix later.

Good narrative writing is a very complex skill to develop and will take the student years to become competent. It challenges not only the student’s technical abilities with language but also her creative faculties. Writing frames, word banks, mind maps, and visual prompts can all give valuable support as students develop the wide-ranging and challenging skills required to produce a successful narrative writing piece. But, at the end of it all, as with any craft, practice and more practice is at the heart of the matter.

TIPS FOR WRITING A GREAT NARRATIVE

• Start your story with a clear purpose: If you can determine the theme or message you want to convey in your narrative before starting it will make the writing process so much simpler.
• Choose a compelling storyline and sell it through great characters, setting and plot: Consider a unique or interesting story that captures the reader’s attention, then build the world and characters around it.
• Develop vivid characters that are not all the same: Make your characters relatable and memorable by giving them distinct personalities and traits you can draw upon in the plot.
• Use descriptive language to hook your audience into your story: Use sensory language to paint vivid images and sequences in the reader’s mind.
• Show, don’t tell your audience: Use actions, thoughts, and dialogue to reveal character motivations and emotions through storytelling.
• Create a vivid setting that is clear to your audience before getting too far into the plot: Describe the time and place of your story to immerse the reader fully.
• Build tension: Refer to the story map earlier in this article and use conflict, obstacles, and suspense to keep the audience engaged and invested in your narrative.
• Use figurative language such as metaphors, similes, and other literary devices to add depth and meaning to your narrative.
• Edit, revise, and refine: Take the time to refine and polish your writing for clarity and impact.
• Stay true to your voice: Maintain your unique perspective and style in your writing to make it your own.

NARRATIVE WRITING EXAMPLES (Student Writing Samples)

Below are a collection of student writing samples of narratives.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to read these creative stories in detail and the teacher and student guides which highlight some of the critical elements of narratives to consider before writing.

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of story writing.

We recommend reading the example either a year above or below, as well as the grade you are currently working with, to gain a broader appreciation of this text type.

NARRATIVE WRITING PROMPTS (Journal Prompts)

When students have a great journal prompt, it can help them focus on the task at hand, so be sure to view our vast collection of visual writing prompts for various text types here or use some of these.

• On a recent European trip, you find your travel group booked into the stunning and mysterious Castle Frankenfurter for a single night…  As night falls, the massive castle of over one hundred rooms seems to creak and groan as a series of unexplained events begin to make you wonder who or what else is spending the evening with you. Write a narrative that tells the story of your evening.
• You are a famous adventurer who has discovered new lands; keep a travel log over a period of time in which you encounter new and exciting adventures and challenges to overcome.  Ensure your travel journal tells a story and has a definite introduction, conflict and resolution.
• You create an incredible piece of technology that has the capacity to change the world.  As you sit back and marvel at your innovation and the endless possibilities ahead of you, it becomes apparent there are a few problems you didn’t really consider. You might not even be able to control them.  Write a narrative in which you ride the highs and lows of your world-changing creation with a clear introduction, conflict and resolution.
• As the final door shuts on the Megamall, you realise you have done it…  You and your best friend have managed to sneak into the largest shopping centre in town and have the entire place to yourselves until 7 am tomorrow.  There is literally everything and anything a child would dream of entertaining themselves for the next 12 hours.  What amazing adventures await you?  What might go wrong?  And how will you get out of there scot-free?
• A stranger walks into town…  Whilst appearing similar to almost all those around you, you get a sense that this person is from another time, space or dimension… Are they friends or foes?  What makes you sense something very strange is going on?   Suddenly they stand up and walk toward you with purpose extending their hand… It’s almost as if they were reading your mind.

NARRATIVE WRITING VIDEO TUTORIAL

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

When teaching narrative writing, it is essential that you have a range of tools, strategies and resources at your disposal to ensure you get the most out of your writing time.  You can find some examples below, which are free and paid premium resources you can use instantly without any preparation.

FREE Narrative Graphic Organizer

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

NARRATIVE WRITING CHECKLIST BUNDLE

OTHER GREAT ARTICLES ABOUT NARRATIVE WRITING

Narrative Writing for Kids: Essential Skills and Strategies

7 Great Narrative Lesson Plans Students and Teachers Love

Top 7 Narrative Writing Exercises for Students

How to Write a Scary Story

A Step-by-Step Plan for Teaching Narrative Writing

July 29, 2018

Can't find what you are looking for? Contact Us

Listen to this post as a podcast:

Sponsored by Peergrade and Microsoft Class Notebook

This post contains Amazon Affiliate links. When you make a purchase through these links, Cult of Pedagogy gets a small percentage of the sale at no extra cost to you.

“Those who tell the stories rule the world.”  This proverb, attributed to the Hopi Indians, is one I wish I’d known a long time ago, because I would have used it when teaching my students the craft of storytelling. With a well-told story we can help a person see things in an entirely new way. We can forge new relationships and strengthen the ones we already have. We can change a law, inspire a movement, make people care fiercely about things they’d never given a passing thought.

But when we study storytelling with our students, we forget all that. Or at least I did. When my students asked why we read novels and stories, and why we wrote personal narratives and fiction, my defense was pretty lame: I probably said something about the importance of having a shared body of knowledge, or about the enjoyment of losing yourself in a book, or about the benefits of having writing skills in general.

I forgot to talk about the  power of story. I didn’t bother to tell them that the ability to tell a captivating story is one of the things that makes human beings extraordinary. It’s how we connect to each other. It’s something to celebrate, to study, to perfect. If we’re going to talk about how to teach students to write stories, we should start by thinking about why we tell stories at all . If we can pass that on to our students, then we will be going beyond a school assignment; we will be doing something transcendent.

Now. How do we get them to write those stories? I’m going to share the process I used for teaching narrative writing. I used this process with middle school students, but it would work with most age groups.

A Note About Form: Personal Narrative or Short Story?

When teaching narrative writing, many teachers separate personal narratives from short stories. In my own classroom, I tended to avoid having my students write short stories because personal narratives were more accessible. I could usually get students to write about something that really happened, while it was more challenging to get them to make something up from scratch.

In the “real” world of writers, though, the main thing that separates memoir from fiction is labeling: A writer might base a novel heavily on personal experiences, but write it all in third person and change the names of characters to protect the identities of people in real life. Another writer might create a short story in first person that reads like a personal narrative, but is entirely fictional. Just last weekend my husband and I watched the movie Lion and were glued to the screen the whole time, knowing it was based on a true story. James Frey’s book  A Million Little Pieces  sold millions of copies as a memoir but was later found to contain more than a little bit of fiction. Then there are unique books like Curtis Sittenfeld’s brilliant novel American Wife , based heavily on the early life of Laura Bush but written in first person, with fictional names and settings, and labeled as a work of fiction. The line between fact and fiction has always been really, really blurry, but the common thread running through all of it is good storytelling.

With that in mind, the process for teaching narrative writing can be exactly the same for writing personal narratives or short stories; it’s the same skill set. So if you think your students can handle the freedom, you might decide to let them choose personal narrative or fiction for a narrative writing assignment, or simply tell them that whether the story is true doesn’t matter, as long as they are telling a good story and they are not trying to pass off a fictional story as fact.

Here are some examples of what that kind of flexibility could allow:

• A student might tell a true story from their own experience, but write it as if it were a fiction piece, with fictional characters, in third person.
• A student might create a completely fictional story, but tell it in first person, which would give it the same feel as a personal narrative.
• A student might tell a true story that happened to someone else, but write it in first person, as if they were that person. For example, I could write about my grandmother’s experience of getting lost as a child, but I might write it in her voice.

If we aren’t too restrictive about what we call these pieces, and we talk about different possibilities with our students, we can end up with lots of interesting outcomes. Meanwhile, we’re still teaching students the craft of narrative writing.

A Note About Process: Write With Your Students

One of the most powerful techniques I used as a writing teacher was to do my students’ writing assignments with them. I would start my own draft at the same time as they did, composing “live” on the classroom projector, and doing a lot of thinking out loud so they could see all the decisions a writer has to make.

The most helpful parts for them to observe were the early drafting stage, where I just scratched out whatever came to me in messy, run-on sentences, and the revision stage, where I crossed things out, rearranged, and made tons of notes on my writing. I have seen over and over again how witnessing that process can really help to unlock a student’s understanding of how writing actually gets made.

A Narrative Writing Unit Plan

Before I get into these steps, I should note that there is no one right way to teach narrative writing, and plenty of accomplished teachers are doing it differently and getting great results. This just happens to be a process that has worked for me.

Step 1: Show Students That Stories Are Everywhere

Getting our students to tell stories should be easy. They hear and tell stories all the time. But when they actually have to put words on paper, they forget their storytelling abilities: They can’t think of a topic. They omit relevant details, but go on and on about irrelevant ones. Their dialogue is bland. They can’t figure out how to start. They can’t figure out how to end.

So the first step in getting good narrative writing from students is to help them see that they are already telling stories every day . They gather at lockers to talk about that thing that happened over the weekend. They sit at lunch and describe an argument they had with a sibling. Without even thinking about it, they begin sentences with “This one time…” and launch into stories about their earlier childhood experiences. Students are natural storytellers; learning how to do it well on paper is simply a matter of studying good models, then imitating what those writers do.

So start off the unit by getting students to tell their stories. In journal quick-writes, think-pair-shares, or by playing a game like Concentric Circles , prompt them to tell some of their own brief stories: A time they were embarrassed. A time they lost something. A time they didn’t get to do something they really wanted to do. By telling their own short anecdotes, they will grow more comfortable and confident in their storytelling abilities. They will also be generating a list of topic ideas. And by listening to the stories of their classmates, they will be adding onto that list and remembering more of their own stories.

And remember to tell some of your own. Besides being a good way to bond with students, sharing  your stories will help them see more possibilities for the ones they can tell.

Step 2: Study the Structure of a Story

Now that students have a good library of their own personal stories pulled into short-term memory, shift your focus to a more formal study of what a story looks like.

Use a diagram to show students a typical story arc like the one below. Then, using a simple story—like this Coca Cola commercial —fill out the story arc with the components from that story. Once students have seen this story mapped out, have them try it with another one, like a story you’ve read in class, a whole novel, or another short video.

Step 3: Introduce the Assignment

Up to this point, students have been immersed in storytelling. Now give them specific instructions for what they are going to do. Share your assignment rubric so they understand the criteria that will be used to evaluate them; it should be ready and transparent right from the beginning of the unit. As always, I recommend using a single point rubric for this.

Step 4: Read Models

Once the parameters of the assignment have been explained, have students read at least one model story, a mentor text that exemplifies the qualities you’re looking for. This should be a story on a topic your students can kind of relate to, something they could see themselves writing. For my narrative writing unit (see the end of this post), I wrote a story called “Frog” about a 13-year-old girl who finally gets to stay home alone, then finds a frog in her house and gets completely freaked out, which basically ruins the fun she was planning for the night.

They will be reading this model as writers, looking at how the author shaped the text for a purpose, so that they can use those same strategies in their own writing. Have them look at your rubric and find places in the model that illustrate the qualities listed in the rubric. Then have them complete a story arc for the model so they can see the underlying structure.

Ideally, your students will have already read lots of different stories to look to as models. If that isn’t the case, this list of narrative texts recommended by Cult of Pedagogy followers on Twitter would be a good place to browse for titles that might be right for your students. Keep in mind that we have not read most of these stories, so be sure to read them first before adopting them for classroom use.

Click the image above to view the full list of narrative texts recommended by Cult of Pedagogy followers on Twitter. If you have a suggestion for the list, please email us through our contact page.

Step 5: Story Mapping

At this point, students will need to decide what they are going to write about. If they are stuck for a topic, have them just pick something they can write about, even if it’s not the most captivating story in the world. A skilled writer could tell a great story about deciding what to have for lunch. If they are using the skills of narrative writing, the topic isn’t as important as the execution.

Have students complete a basic story arc for their chosen topic using a diagram like the one below. This will help them make sure that they actually have a story to tell, with an identifiable problem, a sequence of events that build to a climax, and some kind of resolution, where something is different by the end. Again, if you are writing with your students, this would be an important step to model for them with your own story-in-progress.

Step 6: Quick Drafts

Now, have students get their chosen story down on paper as quickly as possible: This could be basically a long paragraph that would read almost like a summary, but it would contain all the major parts of the story. Model this step with your own story, so they can see that you are not shooting for perfection in any way. What you want is a working draft, a starting point, something to build on for later, rather than a blank page (or screen) to stare at.

Step 7: Plan the Pacing

Now that the story has been born in raw form, students can begin to shape it. This would be a good time for a lesson on pacing, where students look at how writers expand some moments to create drama and shrink other moments so that the story doesn’t drag. Creating a diagram like the one below forces a writer to decide how much space to devote to all of the events in the story.

Before students write a full draft, have them plan out the events in their story with a pacing diagram, a visual representation of how much “space” each part of the story is going to take up.

Step 8: Long Drafts

With a good plan in hand, students can now slow down and write a proper draft, expanding the sections of their story that they plan to really draw out and adding in more of the details that they left out in the quick draft.

Step 9: Workshop

Once students have a decent rough draft—something that has a basic beginning, middle, and end, with some discernible rising action, a climax of some kind, and a resolution, you’re ready to shift into full-on workshop mode. I would do this for at least a week: Start class with a short mini-lesson on some aspect of narrative writing craft, then give students the rest of the period to write, conference with you, and collaborate with their peers. During that time, they should focus some of their attention on applying the skill they learned in the mini-lesson to their drafts, so they will improve a little bit every day.

Topics for mini-lessons can include:

• How to weave exposition into your story so you don’t give readers an “information dump”
• How to carefully select dialogue to create good scenes, rather than quoting everything in a conversation
• How to punctuate and format dialogue so that it imitates the natural flow of a conversation
• How to describe things using sensory details and figurative language; also,  what  to describe…students too often give lots of irrelevant detail
• How to choose precise nouns and vivid verbs, use a variety of sentence lengths and structures, and add transitional words, phrases, and features to help the reader follow along
• How to start, end, and title a story

Step 10: Final Revisions and Edits

As the unit nears its end, students should be shifting away from revision , in which they alter the content of a piece, toward editing , where they make smaller changes to the mechanics of the writing. Make sure students understand the difference between the two: They should not be correcting each other’s spelling and punctuation in the early stages of this process, when the focus should be on shaping a better story.

One of the most effective strategies for revision and editing is to have students read their stories out loud. In the early stages, this will reveal places where information is missing or things get confusing. Later, more read-alouds will help them immediately find missing words, unintentional repetitions, and sentences that just “sound weird.” So get your students to read their work out loud frequently. It also helps to print stories on paper: For some reason, seeing the words in print helps us notice things we didn’t see on the screen.

To get the most from peer review, where students read and comment on each other’s work, more modeling from you is essential: Pull up a sample piece of writing and show students how to give specific feedback that helps, rather than simply writing “good detail” or “needs more detail,” the two comments I saw exchanged most often on students’ peer-reviewed papers.

Step 11: Final Copies and Publication

Once revision and peer review are done, students will hand in their final copies. If you don’t want to get stuck with 100-plus papers to grade, consider using Catlin Tucker’s station rotation model , which keeps all the grading in class. And when you do return stories with your own feedback, try using Kristy Louden’s delayed grade strategy , where students don’t see their final grade until they have read your written feedback.

Beyond the standard hand-in-for-a-grade, consider other ways to have students publish their stories. Here are some options:

• Stories could be published as individual pages on a collaborative website or blog.
• Students could create illustrated e-books out of their stories.
• Students could create a slideshow to accompany their stories and record them as digital storytelling videos. This could be done with a tool like Screencastify or Screencast-O-Matic .

So this is what worked for me. If you’ve struggled to get good stories from your students, try some or all of these techniques next time. I think you’ll find that all of your students have some pretty interesting stories to tell. Helping them tell their stories well is a gift that will serve them for many years after they leave your classroom. ♦

Want this unit ready-made?

If you’re a writing teacher in grades 7-12 and you’d like a classroom-ready unit like the one described above, including slideshow mini-lessons on 14 areas of narrative craft, a sample narrative piece, editable rubrics, and other supplemental materials to guide students through every stage of the process, take a look at my Narrative Writing unit . Just click on the image below and you’ll be taken to a page where you can read more and see a detailed preview of what’s included.

What to Read Next

Categories: Instruction , Podcast

Tags: English language arts , Grades 6-8 , Grades 9-12 , teaching strategies

50 Comments

Wow, this is a wonderful guide! If my English teachers had taught this way, I’m sure I would have enjoyed narrative writing instead of dreading it. I’ll be able to use many of these suggestions when writing my blog! BrP

Lst year I was so discouraged because the short stories looked like the quick drafts described in this article. I thought I had totally failed until I read this and realized I did not fai,l I just needed to complete the process. Thank you!

I feel like you jumped in my head and connected my thoughts. I appreciate the time you took to stop and look closely at form. I really believe that student-writers should see all dimensions of narrative writing and be able to live in whichever style and voice they want for their work.

Can’t thank you enough for this. So well curated that one can just follow it blindly and ace at teaching it. Thanks again!

Great post! I especially liked your comments about reminding kids about the power of storytelling. My favourite podcasts and posts from you are always about how to do things in the classroom and I appreciate the research you do.

On a side note, the ice breakers are really handy. My kids know each other really well (rural community), and can tune out pretty quickly if there is nothing new to learn about their peers, but they like the games (and can remember where we stopped last time weeks later). I’ve started changing them up with ‘life questions’, so the editable version is great!

I love writing with my students and loved this podcast! A fun extension to this narrative is to challenge students to write another story about the same event, but use the perspective of another “character” from the story. Books like Wonder (R.J. Palacio) and Wanderer (Sharon Creech) can model the concept for students.

Thank you for your great efforts to reveal the practical writing strategies in layered details. As English is not my first language, I need listen to your podcast and read the text repeatedly so to fully understand. It’s worthy of the time for some great post like yours. I love sharing so I send the link to my English practice group that it can benefit more. I hope I could be able to give you some feedback later on.

Thank you for helping me get to know better especially the techniques in writing narrative text. Im an English teacher for 5years but have little knowledge on writing. I hope you could feature techniques in writing news and fearute story. God bless and more power!

Thank you for this! I am very interested in teaching a unit on personal narrative and this was an extremely helpful breakdown. As a current student teacher I am still unsure how to approach breaking down the structures of different genres of writing in a way that is helpful for me students but not too restrictive. The story mapping tools you provided really allowed me to think about this in a new way. Writing is such a powerful way to experience the world and more than anything I want my students to realize its power. Stories are how we make sense of the world and as an English teacher I feel obligated to give my students access to this particular skill.

The power of story is unfathomable. There’s this NGO in India doing some great work in harnessing the power of storytelling and plots to brighten children’s lives and enlighten them with true knowledge. Check out Katha India here: http://bit.ly/KathaIndia

Thank you so much for this. I did not go to college to become a writing professor, but due to restructuring in my department, I indeed am! This is a wonderful guide that I will use when teaching the narrative essay. I wonder if you have a similar guide for other modes such as descriptive, process, argument, etc.?

Hey Melanie, Jenn does have another guide on writing! Check out A Step-by-Step Plan for Teaching Argumentative Writing .

Hi, I am also wondering if there is a similar guide for descriptive writing in particular?

Hey Melanie, unfortunately Jenn doesn’t currently have a guide for descriptive writing. She’s always working on projects though, so she may get around to writing a unit like this in the future. You can always check her Teachers Pay Teachers page for an up-to-date list of materials she has available. Thanks!

I want to write about the new character in my area

That’s great! Let us know if you need any supports during your writing process!

I absolutely adore this unit plan. I teach freshmen English at a low-income high school and wanted to find something to help my students find their voice. It is not often that I borrow material, but I borrowed and adapted all of it in the order that it is presented! It is cohesive, understandable, and fun. Thank you!!

So glad to hear this, Nicole!

Thanks sharing this post. My students often get confused between personal narratives and short stories. Whenever I ask them to write a short story, she share their own experiences and add a bit of fiction in it to make it interesting.

Thank you! My students have loved this so far. I do have a question as to where the “Frog” story mentioned in Step 4 is. I could really use it! Thanks again.

This is great to hear, Emily! In Step 4, Jenn mentions that she wrote the “Frog” story for her narrative writing unit . Just scroll down the bottom of the post and you’ll see a link to the unit.

I also cannot find the link to the short story “Frog”– any chance someone can send it or we can repost it?

This story was written for Jenn’s narrative writing unit. You can find a link to this unit in Step 4 or at the bottom of the article. Hope this helps.

I cannot find the frog story mentioned. Could you please send the link.? Thank you

Hi Michelle,

The Frog story was written for Jenn’s narrative writing unit. There’s a link to this unit in Step 4 and at the bottom of the article.

Debbie- thanks for you reply… but there is no link to the story in step 4 or at the bottom of the page….

Hey Shawn, the frog story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link Debbie is referring to at the bottom of this post will take you to her narrative writing unit and you would have to purchase that to gain access to the frog story. I hope this clears things up.

Thank you so much for this resource! I’m a high school English teacher, and am currently teaching creative writing for the first time. I really do value your blog, podcast, and other resources, so I’m excited to use this unit. I’m a cyber school teacher, so clear, organized layout is important; and I spend a lot of time making sure my content is visually accessible for my students to process. Thanks for creating resources that are easy for us teachers to process and use.

Do you have a lesson for Informative writing?

Hey Cari, Jenn has another unit on argumentative writing , but doesn’t have one yet on informative writing. She may develop one in the future so check back in sometime.

I had the same question. Informational writing is so difficult to have a good strong unit in when you have so many different text structures to meet and need text-dependent writing tasks.

Creating an informational writing unit is still on Jenn’s long list of projects to get to, but in the meantime, if you haven’t already, check out When We All Teach Text Structures, Everyone Wins . It might help you out!

This is a great lesson! It would be helpful to see a finished draft of the frog narrative arc. Students’ greatest challenge is transferring their ideas from the planner to a full draft. To see a full sample of how this arc was transformed into a complete narrative draft would be a powerful learning tool.

Hi Stacey! Jenn goes into more depth with the “Frog” lesson in her narrative writing unit – this is where you can find a sample of what a completed story arc might look. Also included is a draft of the narrative. If interested in checking out the unit and seeing a preview, just scroll down to the bottom of the post and click on the image. Hope this helps!

Helped me learn for an entrance exam thanks very much

Is the narrative writing lesson you talk about in https://www.cultofpedagogy.com/narrative-writing/

Also doable for elementary students you think, and if to what levels?

Love your work, Sincerely, Zanyar

Hey Zanyar,

It’s possible the unit would work with 4th and 5th graders, but Jenn definitely wouldn’t recommend going any younger. The main reason for this is that some of the mini-lessons in the unit could be challenging for students who are still concrete thinkers. You’d likely need to do some adjusting and scaffolding which could extend the unit beyond the 3 weeks. Having said that, I taught 1st grade and found the steps of the writing process, as described in the post, to be very similar. Of course learning targets/standards were different, but the process itself can be applied to any grade level (modeling writing, using mentor texts to study how stories work, planning the structure of the story, drafting, elaborating, etc.) Hope this helps!

This has made my life so much easier. After teaching in different schools systems, from the American, to British to IB, one needs to identify the anchor standards and concepts, that are common between all these systems, to build well balanced thematic units. Just reading these steps gave me the guidance I needed to satisfy both the conceptual framework the schools ask for and the standards-based practice. Thank you Thank you.

Would this work for teaching a first grader about narrative writing? I am also looking for a great book to use as a model for narrative writing. Veggie Monster is being used by his teacher and he isn’t connecting with this book in the least bit, so it isn’t having a positive impact. My fear is he will associate this with writing and I don’t want a negative association connected to such a beautiful process and experience. Any suggestions would be helpful.

Thank you for any information you can provide!

Although I think the materials in the actual narrative writing unit are really too advanced for a first grader, the general process that’s described in the blog post can still work really well.

I’m sorry your child isn’t connecting with The Night of the Veggie Monster. Try to keep in mind that the main reason this is used as a mentor text is because it models how a small moment story can be told in a big way. It’s filled with all kinds of wonderful text features that impact the meaning of the story – dialogue, description, bold text, speech bubbles, changes in text size, ellipses, zoomed in images, text placement, text shape, etc. All of these things will become mini-lessons throughout the unit. But there are lots of other wonderful mentor texts that your child might enjoy. My suggestion for an early writer, is to look for a small moment text, similar in structure, that zooms in on a problem that a first grader can relate to. In addition to the mentor texts that I found in this article , you might also want to check out Knuffle Bunny, Kitten’s First Full Moon, When Sophie Gets Angry Really Really Angry, and Whistle for Willie. Hope this helps!

I saw this on Pinterest the other day while searching for examples of narritives units/lessons. I clicked on it because I always click on C.o.P stuff 🙂 And I wasn’t disapointed. I was intrigued by the connection of narratives to humanity–even if a student doesn’t identify as a writer, he/she certainly is human, right? I really liked this. THIS clicked with me.

A few days after I read the P.o.C post, I ventured on to YouTube for more ideas to help guide me with my 8th graders’ narrative writing this coming spring. And there was a TEDx video titled, “The Power of Personal Narrative” by J. Christan Jensen. I immediately remembered the line from the article above that associated storytelling with “power” and how it sets humans apart and if introduced and taught as such, it can be “extraordinary.”

I watched the video and to the suprise of my expectations, it was FANTASTIC. Between Jennifer’s post and the TEDx video ignited within me some major motivation and excitement to begin this unit.

Thanks for sharing this with us! So glad that Jenn’s post paired with another text gave you some motivation and excitement. I’ll be sure to pass this on to Jenn!

Thank you very much for this really helpful post! I really love the idea of helping our students understand that storytelling is powerful and then go on to teach them how to harness that power. That is the essence of teaching literature or writing at any level. However, I’m a little worried about telling students that whether a piece of writing is fact or fiction does not matter. It in fact matters a lot precisely because storytelling is powerful. Narratives can shape people’s views and get their emotions involved which would, in turn, motivate them to act on a certain matter, whether for good or for bad. A fictional narrative that is passed as factual could cause a lot of damage in the real world. I believe we should. I can see how helping students focus on writing the story rather than the truth of it all could help refine the needed skills without distractions. Nevertheless, would it not be prudent to teach our students to not just harness the power of storytelling but refrain from misusing it by pushing false narratives as factual? It is true that in reality, memoirs pass as factual while novels do as fictional while the opposite may be true for both cases. I am not too worried about novels passing as fictional. On the other hand, fictional narratives masquerading as factual are disconcerting and part of a phenomenon that needs to be fought against, not enhanced or condoned in education. This is especially true because memoirs are often used by powerful people to write/re-write history. I would really like to hear your opinion on this. Thanks a lot for a great post and a lot of helpful resources!

Thank you so much for this. Jenn and I had a chance to chat and we can see where you’re coming from. Jenn never meant to suggest that a person should pass off a piece of fictional writing as a true story. Good stories can be true, completely fictional, or based on a true story that’s mixed with some fiction – that part doesn’t really matter. However, what does matter is how a student labels their story. We think that could have been stated more clearly in the post , so Jenn decided to add a bit about this at the end of the 3rd paragraph in the section “A Note About Form: Personal Narrative or Short Story?” Thanks again for bringing this to our attention!

You have no idea how much your page has helped me in so many ways. I am currently in my teaching credential program and there are times that I feel lost due to a lack of experience in the classroom. I’m so glad I came across your page! Thank you for sharing!

Thanks so much for letting us know-this means a whole lot!

No, we’re sorry. Jenn actually gets this question fairly often. It’s something she considered doing at one point, but because she has so many other projects she’s working on, she’s just not gotten to it.

I couldn’t find the story

Hi, Duraiya. The “Frog” story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link at the bottom of this post will take you to her narrative writing unit, which you can purchase to gain access to the story. I hope this helps!

Leave a Reply

Your email address will not be published.

In-Class Writing Exercises

If you find yourself wishing your students would write more thoughtful papers or think more deeply about the issues in your course, this handout may help you. At the Writing Center, we work one-on-one with thousands of student writers and find that giving them targeted writing tasks or exercises encourages them to problem-solve, generate, and communicate more fully on the page. You’ll find targeted exercises here and ways to adapt them for use in your course or with particular students.

Writing requires making choices. We can help students most by teaching them how to see and make choices when working with ideas. We can introduce students to a process of generating and sorting ideas by teaching them how to use exercises to build ideas. With an understanding of how to discover and arrange ideas, they will have more success in getting their ideas onto the page in clear prose.

Through critical thinking exercises, students move from a vague or felt sense about course material to a place where they can make explicit the choices about how words represent their ideas and how they might best arrange them. While some students may not recognize some of these activities as “writing,” they may see that doing this work will help them do the thinking that leads to easier, stronger papers.

Brainstorming

In order to write a paper for a class, students need ways to move from the received knowledge of the course material to some separate, more synthesized or analyzed understanding of the course material. For some students this begins to happen internally or through what we call “thinking,” unvoiced mulling, sorting, comparing, speculating, applying, etc. that leads them to new perspectives, understanding, questions, reactions about the course material. This thinking is often furthered through class discussion and some students automatically, internally move from these initial sortings of ideas into complex, logical interpretations of material at this point. But, for more students, their thinking will remain an unorganized, vague set of ideas referring to the subject. Many will have trouble moving beyond this vague sense or simple reaction toward ideas that are more processed, complex, or what we often call “deep.” We can foster that move to a deeper understanding by providing opportunities to externalize and fix their ideas on paper so that they may both see their ideas and then begin to see the relationships between them. The following activities will help students both generate and clarify initial responses to course material:

• Free-writing. Find a clock, watch, or timer to help you keep track of time. Choose a topic, idea, question you would like to consider. It can be a specific detail or a broad concept-whatever you are interested in exploring at the moment. Write (on paper or on a computer) for 7-10 minutes non-stop on that topic. If you get stuck and don’t know what to say next, write “I’m stuck and don’t know what to say next…” or try asking yourself “what else?” until another idea comes to you. Do not concern yourself with spelling, grammar, or punctuation. Your goal is to generate as much as you can about the topic in a short period of time and to get used to the feeling of articulating ideas on the page. It’s ok if it’s messy or makes sense only to you. You can repeat this exercise several times, using the same or a variety of topics connecting to your subject. Read what you have written to see if you have discovered anything about your subject or found a line of questioning you’d like to pursue.
• Clustering/Webbing. Find a clock, watch, or timer to help you keep track of time. Put a word you’d like to explore in the center of a piece of paper and put a circle around it. As fast as you can, free-associate or jot down anywhere on the page as many words as you can think of associated with your center word. If you get stuck, go back to the center word and launch again. Speed is important and quantity is your goal. Don’t discount any word or phrase that comes to you, just put it down on the page. Jot words for between 5-10 minutes. When you are finished you will have a page filled with seemingly random words. Read around on the page and see if you have discovered anything or can see connections between any ideas.
• Listing. On a piece of paper list all the ideas you can think of connected to subjects you are considering exploring. Consider any idea or observation as valid and worthy of listing. List quickly and then set your list aside for a few minutes. Come back and read your list and do the exercise again.
• Cubing. This technique helps you look at your subject from six different points of view (imagine the 6 sides of a cube and you get the idea). Take your topic or idea and 1) describe it, 2) compare it, 3) associate it with something else you know, 4) analyze it (meaning break it into parts), 5) apply it to a situation you are familiar with, 6) argue for or against it. Write at a paragraph, page, or more about each of the six points of view on your subject.
• Journalistic questions. Write these questions down the left hand margin of a piece of paper: Who? What? Where? When? How? And Why? Think about your topic in terms of each question.
• What? So What? Now what? To begin to explore an idea first ask yourself, “What do I want to explore?” and write about that topic for a page or more. Then read what you have written and ask “So what?” of the ideas expressed so far. Again, write for a page or more. Finally ask yourself, “Now what?” to begin to think about what else you might consider or where you might go next with an idea.
• Defining terms. Although this suggestion is simple and may seem obvious, it is often overlooked. Write definitions for key terms or concepts in your own words. Find others’ articulations of the terms in your course readings, the dictionary, or in conversations, and compare these definitions to your own. Seek input from your instructor if you can’t get a working definition of a term for yourself.
• Summarizing positions. Sometimes it’s helpful to simply describe what you know as a way to solidify your own understanding of something before you try to analyze or synthesize new ideas. You can summarize readings by individual articles or you can combine what you think are like perspectives into a summary of a position. Try to be brief in your description of the readings. Write a paragraph or up to a page describing a reading or a position.
• Metaphor writing. Metaphors or similes are comparisons sometimes using the words “like” or “as.” For example, “writing is like swimming” or the “sky is as blue as map water” or “the keyboard wrinkled with ideas.” When you create a metaphor, you put one idea in terms of another and thereby create a new vision of the original idea. Sometimes it may be easier to create a metaphor or simile may help you understand your view of an idea before you can put it fully into sentences or paragraphs. Write a metaphor or simile and then explain to someone why your metaphor works or what it means to you.
• Applying ideas to personal circumstance or known situations. Sometimes ideas come clearest when you can put them in a frame that is meaningful to you. Take a concept from your reading assignments and apply it so a situation in your own life or to a current event with which you are familiar. You may not end up using this application in your final draft, but applying it to something you know will help you to understand it better and prepare you to analyze the idea as your instructor directs.

Once students have something on the page to work with, they can begin the decision-making process crucial to developing a coherent idea or argument. At this point, students will choose which ideas most appeal to them, which ideas seem to fit together, which ideas need to be set aside, and which ideas need further exploration. The following activities will help students make decisions as they shape ideas:

• Drawing diagrams. Sometimes it helps to look for the shape your ideas seem to be taking as you develop them. Jot down your main ideas on the page and then see if you can connect them in some way. Do they form a square? A circle? An umbrella with spokes coming down? A pyramid? Does one idea seem to sit on a shelf above another idea? Would equal signs, greater or less signs help you express the relationships you see between your idea? Can you make a flow chart depicting the relationships between your ideas?
• Making charts or piles. Try sorting your ideas into separate piles. You can do this literally by putting ideas on note cards or scraps of paper and physically moving them into different piles. You can do this on the page by cutting and pasting ideas into a variety of groups on the computer screen. You can also make charts that illustrate the relationships between ideas. Common charts include timelines, authors sitting around a dinner table, and comparison/contrast charts.
• Scrap pile. Be prepared to keep a scrap pile of ideas somewhere as you work. Some people keep this pile as a separate document as they work; others keep notes at the bottom of a page where they store scrap sentences or thoughts for potential use later on. Remember that it is sometimes important to throw out ideas as a way to clarify and improve the ones you are trying to develop along the way.
• Shifting viewpoints (role-playing). When you begin to feel you have some understanding of your idea, it sometimes helps to look at it from another person’s point of view. You can do this by role-playing someone who disagrees with your conclusions or who has a different set of assumptions about your subject. Make a list or write a dialogue to begin to reveal the other perspective.
• Applying an idea to a new situation. If you have developed a working thesis, test it out by applying it to another event or situation. If you idea is clear, it will probably work again or you will find other supporting instances of your theory.
• Problem/Solution writing. Sometimes it helps to look at your ideas through a problem-solving lens. To do so, first briefly outline the problem as you see it or define it. Make sure you are through in listing all the elements that contribute to the creation of the problem. Next, make a list of potential solutions. Remember there is likely to be more than one solution.
• Theory/application writing. If your assignment asks you to develop a theory or an argument, abstract it from the situation at hand. Does your theory hold through the text? Would it apply to a new situation or can you think of a similar situation that works in the same way? Explain your ideas to a friend.
• Defining critical questions. You may have lots of evidence or information and still feel uncertain what you should do with it or how you should write about it. Look at your evidence and see if you can find repeated information or a repeated missing piece. See if you can write a question or a series of questions that summarize the most important ideas in your paper. Once you have the critical questions, you can begin to organize your ideas around potential answers to the question.
• Explaining/teaching idea to someone else. Sometimes the most efficient way to clarify your ideas is to explain them to someone else. The other person need not be knowledgeable about your subject-in fact it sometimes helps if they aren’t familiar with your topic-but should be willing to listen and interrupt you when he or she doesn’t follow you. As you teach your ideas to someone else, you may begin to have more confidence in the shape of your ideas or you may be able to identify the holes in your argument and be more able to fix them.
• Lining up evidence. If you think you have a good idea of how something works, find evidence in your course material, through research in the library or on the web that supports your thinking. If your ideas are strong, you should find supporting evidence to corroborate your ideas.
• Rewriting idea. Sometimes what helps most is rewriting an idea over the course of several days. Take the central idea and briefly explain it in a paragraph or two. The next day, without looking at the previous day’s writing, write a new paragraph explaining your ideas. Try it again the next day. Over the course of three days, you may find your ideas clarifying, complicating, or developing holes. In all cases, you will have a better idea of what you need to do next in writing your draft.

As students have been working with their ideas, they have been making a series of choices about their ideas that will lead them to feel “ready” to put them in a more complete, coherent form; they will feel “ready to write” their ideas in something closer to the assignment or paper form. But for most, the tough moments of really “writing” begin at this point. They may still feel that they “have ideas” but have trouble “getting them on the page.” Some will suddenly be thrust into “writing a paper” mode and be both constrained and guided by their assumptions about what an assignment asks them to do, what academic writing is, and what prior experience has taught them about writing for teachers. These exercises may ease their entry into shaping their ideas for an assignment:

• Clarify all questions about the assignment. Before you begin writing a draft, make sure you have a thorough understanding of what the assignment requires. You can do this by summarizing your understanding of the assignment and emailing your summary to your TA or instructor. If you have questions about points to emphasize, the amount of evidence needed, etc. get clarification early. You might try writing something like, “I’ve summarized what I think I’m supposed to do in this paper, am I on the right track?
• Write a letter describing what the paper is going to be about. One of the simplest, most efficient exercises you can do to sort through ideas is to write a letter to yourself about what you are planning to write in your paper. You might start out, “My paper is going to be about….” And go on to articulate what evidence you have to back up your ideas, what parts still feel rough to you about your ideas. In about 20 minutes, you can easily have a good sense of what you are ready to write and the problems you still need to solve in your paper.
• Write a full draft. Sometimes you don’t know what you think until you see what you’ve said. Writing a full draft, even if you think the draft has problems, is sometimes important. You may find your thesis appears in your conclusion paragraph.
• Turn your ideas into a five-minute speech. Pretend you have to give a 5 minute speech to your classmates. How would you begin the speech? What’s your main point? What key information would you include? How much detail do you need to give the listener? What evidence will be most convincing or compelling for your audience?
• Make a sketch of the paper. Sometimes it helps to literally line up or order you evidence before you write. You can do so quickly by making a numbered list of your points. Your goal is something like a sketch outline—first I am going to say this; next I need to include this point; third I need to mention this idea. The ideas should flow logically from one point to the next. If they don’t-meaning if you have to backtrack, go on a tangent, or otherwise make the reader wait to see the relationship between ideas, then you need to continue tinkering with the list.
• Make an outline. If you have successfully used formal outlines in the past, use one to structure your paper. If you haven’t successfully used outlines, don’t worry. Try some of the other techniques listed here to get your ideas on the page
• Start with the easiest part. If you have trouble getting started on a draft, write what feels to you like the easiest part first. There’s nothing magic about starting at the beginning-unless that’s the easiest part for you. Write what you know for sure and a beginning will probably emerge as you write.
• Write the body of the paper first. Sometimes it’s helpful NOT to write the beginning or introductory paragraph first. See what you have to say in the bulk of your draft and then go back to craft a suitable beginning.
• Write about feelings about writing. Sometimes it’s helpful to begin a writing session by spending 5-10 minutes writing to yourself about your feelings about the assignment. Doing so can help you set aside uncertainty and frustration and help you get motivated to write your draft.
• Write with the screen turned off. If you are really stuck getting starting or in the middle of a draft, turn the monitor off and type your ideas. Doing so will prevent you from editing and critiquing your writing as you first produce it. You may be amazed at the quantity and quality of ideas you can produce in a short time. You’ll have to do some cleanup on the typos, but it may be well worth it if it allows you to bang out a draft.
• Write in alternatives (postpone decision-making). You may need to test out more than one idea before you settle into a particular direction for a paper. It’s actually more efficient to spend time writing in several directions i.e. trying out one idea for awhile, then trying out another idea, than it is to try to fit all of your ideas into one less coherent draft. Your writing may take the form of brief overviews that begin, “If I were going to write about XYZ idea, I would…” until you are able to see which option suits the assignment and your needs.
• Write with a timer. Sometimes what you need most is to get all of your ideas out on paper in a single sitting. To do so, pretend you are taking an essay exam. Set a timer for an appropriate amount of time (1 hour? 3 hours?) depending on the length of your draft. Assume that it will take you approximately 1 hour per page of text you produce. Set a goal for the portion of your draft you must complete during the allotted time and don’t get up from your seat until the timer goes off.

As students use language to shape ideas, they begin to feel the need to test their ideas or move beyond their own perspectives. Sometimes we have ideas that make good sense to us, but seem to lose or confuse readers as we voice them in conversation or on the page. Once students have a complete draft of a paper, they need ways to share their ideas to learn points where their ideas need further development. With feedback from an audience, students are better able to see the final decisions they still need to make in order for their ideas to reach someone. These decisions may be ones of word choice, organization, logic, evidence, and tone. Keep in mind that this juncture can be unsettling for some students. Having made lots of major decisions in getting their ideas down on the page, they may be reluctant to tackle another round of decision-making required for revising or clarifying ideas or sentences. Remind students that ideas don’t exist apart from words, but in the words themselves. They will need to be able to sell their ideas through the words and arrangement of words on the page for a specific audience.

• Talk your paper. Tell a friend what your paper is about. Pay attention to your explanation. Are all of the ideas you describe actually in the paper? Where did you start explaining your ideas? Does your paper match your description? Can the listener easily find all of the ideas you mention in your description?
• Ask someone to read your paper out loud to you. Ask a friend to read your draft out loud to you. What do you hear? Where does your reader stumble? Sound confused? Have questions? Did your reader ever get lost in your text? Did ideas flow in the order the reader expected them to? Was anything missing for the reader? Did the reader need more information at any point?
• Share your draft with your instructor. If you give them enough notice, most instructors will be willing to read a draft of a paper. It sometimes helps to include your own assessment of the draft when you share it with a teacher. Give them your assessment of the strengths and weaknesses of the draft, as you see it, to begin a conversation.
• Share your draft with a classmate. Arrange to exchange papers with a classmate several days before the due date. You can do so via email and make comments for revision using Word’s comment function.
• Look at your sentences. Often you will need to analyze your draft of the sentence level. To do so, break your paper into a series of discrete sentences by putting a return after each period or end punctuation. Once you have your paper as a list of sentences, you can more easily see and solve sentence level problems. Try reading the sentences starting with the last sentence of the draft and moving up. Doing so will take them out of context and force you to see them as individual bits of communication rather than familiar points.
• Discuss key terms in your paper with someone else. After you have completed a draft, it’s sometimes helpful to look back at the key terms you are using to convey your ideas. It’s easy, in the midst of thinking about an idea, to write in loaded language or code in which certain key words come to have special meaning for you that isn’t necessarily shared by a reader. If you suspect this is the case, talk about your key terms with a friend, and ask them to read your draft to see if the idea is adequately explained for the reader.
• Outline your draft. After you have a complete draft, go back and outline what you have said. Next to each paragraph write a word or phrase that summarizes the content of that paragraph. You might also look to see if you have topic sentences that convey the ideas of individual paragraphs. If you can’t summarize the content of a paragraph, you probably have multiple ideas in play in that paragraph that may need revising. Once you have summarized each paragraph, turn your summary words into a list. How does the list flow? Is it clear how one idea connects to the next?
• Underline your main point. Highlight the main point of your paper. It should probably be (although it will depend on the assignment) in one sentence somewhere on the first page. If it’s not, the reader will likely be lost and wondering what you paper is about as he or she reads through it. Your draft should not read like a mystery novel in which the reader has to wait until the end to have all the pieces fit together.
• Ask someone without knowledge of the course to read your paper. You can tell if your draft works by sharing it with someone outside of the context. If they can follow your ideas, someone inside the class will be able to as well.
• Ask a reader to judge specific elements of your paper. Share your draft with someone and ask them to read for something specific i.e. organization, punctuation, transitions. A reader will give more specific feedback to you if you give them some specific direction.

Implementing exercises

Many of these exercises can be used in short in-class writing assignments, as part of group work, or as incremental steps in producing a paper. If you’ve assigned an end-of-semester term paper, you may want to assign one or two activities from each of the four stages-brainstorming, organizing, drafting, editing-at strategic points throughout the semester. You could also give the students the list of exercises for each stage and ask them to choose one or two activities to complete at each point as they produce a draft.

If you’d like to discuss how these exercises might work in your course, talk about other aspects of student writing, contact Kimberly Abels [email protected] at the Writing Center.

• Share full article

Advertisement

Supported by

Writing Curriculum

Teach Narrative Writing With The New York Times

This teaching guide, part of our eight-unit writing curriculum, includes daily writing prompts, lessons based on selected mentor texts, and an invitation for students to participate in our 100-word personal narrative contest.

By The Learning Network

Stories can thrill, wound, delight, uplift and teach. Telling a story vividly and powerfully is a vital skill that is deeply valued across all cultures, past and present — and narrative writing is, of course, a key genre for literacy instruction at every level.

When your students think “New York Times,” they probably think of our 172-year history of award-winning journalism, and may not even realize that The Times today is full of personal narratives — on love and family , but also on how we relate to animals , live with disabilities or navigate anxiety . If you flip or scroll through sections of the paper, you’ll see that personal writing is everywhere, and often ranks among the most popular pieces The Times publishes each week.

At The Learning Network, we’ve been posting writing prompts every school day for over a decade now, and many of them invite personal narrative. Inspired by Times articles of all kinds, the prompts ask students to tell us about their passions and their regrets, their most embarrassing moments and their greatest achievements. Thousands of students around the world respond each month, and each week during the school year we call out our favorite responses .

In this unit we’re taking it a step further and turning our narrative-writing opportunities into a contest that invites students to tell their own stories. Below, you’ll find plenty of ideas and resources to get your students reading, writing and thinking about their own stories, including:

✔ New narrative-writing prompts every week.

✔ Daily opportunities for students to have an authentic audience for their writing via posting comments to our forums.

✔ Guided practice with mentor texts that include writing exercises.

✔ A clear, achievable end-product (our contest) modeled on real-world writing.

✔ The chance for students to have their work published in The New York Times.

Here’s how it works.

Start with personal-narrative prompts for low-stakes writing.

Related Article | Related Picture Prompt

Every week during the school year we publish new narrative writing prompts on a vast array of topics via our Student Opinion and Picture Prompts columns. These prompts can be a starting point to help your students start reflecting on their lives and the stories they have to tell.

Each prompt is inspired by a Times article, which is free if you access it through our site, and all are open for comment for students 13 and up. Every comment is read by Learning Network editors before it is approved.

Teachers have told us they use our prompts as an opportunity for daily writing practice, a communal space where students can practice honing voice, trying new techniques and writing for a real audience. And if students are writing formal personal narrative essays, whether for college applications, for our contest or for any other reason, our prompts might serve as inspiration to help them find topics.

Student Opinion Questions

We publish a new Student Opinion question every school day, including many that invite personal writing. Students will read a related Times article and then respond to questions that help them think about how it applies to their own lives, like these:

“ What Cultural Traditions Are Important to You? ” “ Has Forgiving Someone Ever Made You Feel Better? ” “ How Do You Get Over Rejection? ”

You can find them all, as they publish, here . Or check out our collection of 445 Prompts for Narrative and Personal Writing for years-worth of evergreen questions, organized into categories like family, school, personality and childhood memories.

Picture Prompts

These accessible, image-driven prompts inspire a variety of kinds of writing and we publish them Tuesday through Friday during the school year. Each week we post at least one prompt that asks students to share experiences from their lives, such as this one that invites students to write about memories of their childhood homes , and one that asks them to tell a story about a moment from their lives inspired by an image, such as this one .

You can find all of our Picture Prompts, as they publish, here . At the end of each school year, we round them all up and categorize them by genre of writing. Take a look at our collections from 2017 , 2018 , 2019 , 2020 , 2021 , 2022 and 2023 and scroll down to look for the categories like “What story does this image inspire for you?” and “Share experiences from your own life” to find many prompts that can inspire narratives.

A special “rehearsal space” for teenagers to experiment writing 100-word narratives.

To help with our Tiny Memoir contest, we posted a student forum last year asking, “ What Story From Your Life Can You Tell in 100 Words? ” In it, we lead students through a few questions, and provide a few examples, to show them how. It is still open for comment. We hope that as they search for topics and try out techniques, students will post their drafts here for others to read and comment on.

Read mentor texts and try some of the “writer’s moves” we spotlight.

The Times is full of wonderful writing that can serve as mentor texts for helping students look at the various elements of the genre and think about how to weave specific craft moves into their own writing. We have a couple of ways students can use them for narrative writing.

Mentor Texts Lessons

For our 2023 Tiny Memoir Contest for Students, in which students are invited to describe a meaningful true moment from their lives in 100 words or fewer, we have a set of mentor texts, all of which can be found in our step-by-step guide: How to Write a 100-Word Narrative: A Guide for Our Tiny Memoir Contest . The 25 texts we use can also be found in this PDF .

During the years when we ran a Personal Narrative Contest that allowed students 600 words to tell a story, we broke narrative writing into several key elements and spotlighted a mentor text that does a particularly good job at each. All of them are still applicable to our new contest, which spotlights the same qualities, just in miniature. They have also been woven in to our step-by-step guide :

Tell a story about a small but memorable event or moment in your life.

Use details to show, not tell.

Write from your own point of view, in your real voice.

Use dialogue effectively.

Drop the reader into a scene.

Tell a complete story, with a true narrative arc.

Reflect on the experience and give the reader a take-away.

After students read each of the mentor texts on this list and focus on a specific technique, we invite them to “Now Try This” via an exercise that helps them practice that element. Then, we provide additional mentor text examples, as well as a list of questions to consider while reading any of them. The goal is to demystify what good writing looks like, and encourage students to practice concrete exercises to use those techniques.

Annotated by the Author

But our favorite mentor texts to assign? The work of the teenage winners of our narrative contests. Here are the 2019 , 2020 and 2021 collections of our Personal Narrative Contest. And here are the winners of our first-ever 100-Word Narrative Contest . Which of these pieces do your students like best? What “writer’s moves” might they emulate in their own work?

We also invited three teenagers who won our 2019 contest to annotate their winning narratives for our “Annotated by the Author” series. In these pieces, they demystify their writing process and share ideas other students can try in their own essays.

Annotated by the Author: ‘Speechless’

Annotated by the Author: ‘Pants on Fire’

Annotated by the Author: ‘Cracks in the Pavement’

In addition, we have a piece annotated by the college-aged author of a winning Modern Love piece. In Annotated by the Author: ‘Why Can’t Men Say “I Love You” to Each Other?’ Ricardo F. Jaramillo tells us how to make your reader want to keep reading, how to balance scenes and ideas, why you can’t write a personal essay without “looking inside,” and much more.

Enter our “ Tiny Memoir” Personal Narrative Essay Contest .

At this point in the unit, your students will have practiced writing about their lives using our many prompts. They will also have read several mentor texts, and practiced elements of personal writing with each one. Now, we hope, they can produce a polished piece of writing that brings it all together.

For three years, we ran a personal narrative contest that asked for a “short, powerful story about a meaningful life experience” in 600 words or less. But last year, we debuted our Tiny Memoir Contest that challenged students to tell us a story from their lives in just 100 words. The results blew us away. Teachers told us it was one of the most engaging assignments they gave all year and that the word limit made students’ writing much more focused and powerful. So this year, we’re running it again. We hope this contest will be fun for your students, and a useful exercise if they are going on to write longer pieces, such as a college essay.

Beyond a caution to write no more than 100 words, our contest is fairly open-ended. We’re not asking students to write to a particular theme or use a specific structure or style; instead, we encourage them to experiment and produce something that they feel represents their real voice, telling a tale that matters to them.

All student work will be read by Times editors or journalists and/or by educators from around the country. Winners will have their work published on our site and, perhaps, in the print New York Times.

Though our 100-word contest is slightly different than the original, we still recommend that before students submit, they watch this two-minute video in which student winners from past years share advice on the writing, editing and submission process. Ask students:

What techniques did these students employ that helped make their entries successful?

What did these students gain from having entered this contest? What were some of the challenges they encountered?

What advice can your students use as they work on their own submissions?

This contest will run from Oct. 4 to Nov. 1, 2023. We will link the official announcement here when it publishes, but in the meantime, here are last year’s rules and guidelines , which will remain largely the same.

Additional Resources

While the core of our unit is the prompts, mentor texts and contest, we also offer additional resources to inspire and support teachers, including lesson plans and great ideas from our readers around personal narrative writing.

Lesson Plans

“ From ‘Lives’ to ‘Modern Love’: Writing Personal Essays With Help From The New York Times ”

“ I Remember: Teaching About the Role of Memory Across the Curriculum ”

“ Creative State of Mind: Focusing on the Writing Process ”

“ Writing Narratives With ‘Tiny Love Stories’ ”

“ Telling Short, Memorable Stories With Metropolitan Diary ”

Reader Ideas

“ Flipping the Script on the College Essay With Help From The New York Times ”

“ Teaching Great Writing One Sentence at a Time ”

“ Using the Modern Love Podcast to Teach Narrative Writing ”

“ Fostering Selfhood and Inspiring Student Writers Using ‘Metropolitan Diary’ ”

Teaching Narrative Writing With The New York Times (On-Demand)

Personal Narratives From the Newsroom to the Classroom (On-Demand)

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

10.1 Narration

Learning objectives.

• Determine the purpose and structure of narrative writing.
• Understand how to write a narrative essay.

Rhetorical modes simply mean the ways in which we can effectively communicate through language. This chapter covers nine common rhetorical modes. As you read about these nine modes, keep in mind that the rhetorical mode a writer chooses depends on his or her purpose for writing. Sometimes writers incorporate a variety of modes in any one essay. In covering the nine modes, this chapter also emphasizes the rhetorical modes as a set of tools that will allow you greater flexibility and effectiveness in communicating with your audience and expressing your ideas.

The Purpose of Narrative Writing

Narration means the art of storytelling, and the purpose of narrative writing is to tell stories. Any time you tell a story to a friend or family member about an event or incident in your day, you engage in a form of narration. In addition, a narrative can be factual or fictional. A factual story is one that is based on, and tries to be faithful to, actual events as they unfolded in real life. A fictional story is a made-up, or imagined, story; the writer of a fictional story can create characters and events as he or she sees fit.

The big distinction between factual and fictional narratives is based on a writer’s purpose. The writers of factual stories try to recount events as they actually happened, but writers of fictional stories can depart from real people and events because the writers’ intents are not to retell a real-life event. Biographies and memoirs are examples of factual stories, whereas novels and short stories are examples of fictional stories.

Because the line between fact and fiction can often blur, it is helpful to understand what your purpose is from the beginning. Is it important that you recount history, either your own or someone else’s? Or does your interest lie in reshaping the world in your own image—either how you would like to see it or how you imagine it could be? Your answers will go a long way in shaping the stories you tell.

Ultimately, whether the story is fact or fiction, narrative writing tries to relay a series of events in an emotionally engaging way. You want your audience to be moved by your story, which could mean through laughter, sympathy, fear, anger, and so on. The more clearly you tell your story, the more emotionally engaged your audience is likely to be.

On a separate sheet of paper, start brainstorming ideas for a narrative. First, decide whether you want to write a factual or fictional story. Then, freewrite for five minutes. Be sure to use all five minutes, and keep writing the entire time. Do not stop and think about what to write.

The following are some topics to consider as you get going:

The Structure of a Narrative Essay

Major narrative events are most often conveyed in chronological order , the order in which events unfold from first to last. Stories typically have a beginning, a middle, and an end, and these events are typically organized by time. Certain transitional words and phrases aid in keeping the reader oriented in the sequencing of a story. Some of these phrases are listed in Table 10.1 “Transition Words and Phrases for Expressing Time” . For more information about chronological order, see Chapter 8 “The Writing Process: How Do I Begin?” and Chapter 9 “Writing Essays: From Start to Finish” .

Table 10.1 Transition Words and Phrases for Expressing Time

The following are the other basic components of a narrative:

• Plot . The events as they unfold in sequence.
• Characters . The people who inhabit the story and move it forward. Typically, there are minor characters and main characters. The minor characters generally play supporting roles to the main character, or the protagonist .
• Conflict . The primary problem or obstacle that unfolds in the plot that the protagonist must solve or overcome by the end of the narrative. The way in which the protagonist resolves the conflict of the plot results in the theme of the narrative.
• Theme . The ultimate message the narrative is trying to express; it can be either explicit or implicit.

Writing at Work

When interviewing candidates for jobs, employers often ask about conflicts or problems a potential employee has had to overcome. They are asking for a compelling personal narrative. To prepare for this question in a job interview, write out a scenario using the narrative mode structure. This will allow you to troubleshoot rough spots, as well as better understand your own personal history. Both processes will make your story better and your self-presentation better, too.

Take your freewriting exercise from the last section and start crafting it chronologically into a rough plot summary. To read more about a summary, see Chapter 6 “Writing Paragraphs: Separating Ideas and Shaping Content” . Be sure to use the time transition words and phrases listed in Table 10.1 “Transition Words and Phrases for Expressing Time” to sequence the events.

Collaboration

Please share with a classmate and compare your rough plot summary.

Writing a Narrative Essay

When writing a narrative essay, start by asking yourself if you want to write a factual or fictional story. Then freewrite about topics that are of general interest to you. For more information about freewriting, see Chapter 8 “The Writing Process: How Do I Begin?” .

Once you have a general idea of what you will be writing about, you should sketch out the major events of the story that will compose your plot. Typically, these events will be revealed chronologically and climax at a central conflict that must be resolved by the end of the story. The use of strong details is crucial as you describe the events and characters in your narrative. You want the reader to emotionally engage with the world that you create in writing.

To create strong details, keep the human senses in mind. You want your reader to be immersed in the world that you create, so focus on details related to sight, sound, smell, taste, and touch as you describe people, places, and events in your narrative.

As always, it is important to start with a strong introduction to hook your reader into wanting to read more. Try opening the essay with an event that is interesting to introduce the story and get it going. Finally, your conclusion should help resolve the central conflict of the story and impress upon your reader the ultimate theme of the piece. See Chapter 15 “Readings: Examples of Essays” to read a sample narrative essay.

On a separate sheet of paper, add two or three paragraphs to the plot summary you started in the last section. Describe in detail the main character and the setting of the first scene. Try to use all five senses in your descriptions.

Key Takeaways

• Narration is the art of storytelling.
• Narratives can be either factual or fictional. In either case, narratives should emotionally engage the reader.
• Most narratives are composed of major events sequenced in chronological order.
• Time transition words and phrases are used to orient the reader in the sequence of a narrative.
• The four basic components to all narratives are plot, character, conflict, and theme.
• The use of sensory details is crucial to emotionally engaging the reader.
• A strong introduction is important to hook the reader. A strong conclusion should add resolution to the conflict and evoke the narrative’s theme.

Writing for Success Copyright © 2015 by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

37 Student Narrative Essay Examples

The pot calling the kettle black….

“You aren’t acting normal,” my dad said with a dopy, concerned look on his face. He was a hard-working, soft and loving man. He was smaller than my mother, physically and figuratively. She sat beside him. She had a towering stature, with strong, swimmers’ shoulders, but she was hunched often. She didn’t really have eyebrows, but she didn’t need them. She had no problem conveying emotion on her face, especially negative ones.

“What’s wrong?” my mother asked. She took my hand frantically. Not the way one might take someone’s hand to connect with or comfort them. She needed reassurance more than I did.

My parents were sitting across from me on cushioned, bland-colored chairs in my dad’s office, while I sat on a rickety, torturous wooden chair. My dad’s office generally utilized natural light due to the expansive glass windows that allowed the light to drown the room, enclosing us in the chamber. I felt like an inmate being prepped for lethal injection. The weather was particularly gray and dismal. Perhaps it was the ambiguous, gray, confusing feelings I was breathing through. My parents had somewhat regular “interventions” to address my somewhat regular (sometimes public) emotional breakdowns, my self-medicating habits, and my general shitty attitude.

This week in particular, I had purposely destroyed two of my mother’s collectible horses. She had a maniacal obsession for them. She also maniacally collected sunflower artwork, which was the one obsession, of many, I found endearing. My old babysitter noted at one point there were 74 collectible horses in the house. After my outburst, there were 72.

I could see behind my parents, through the glass-paned door, my two younger sisters were secretly observing the altercation from the dining room, hiding under the table. They were illuminated by the ominous weather, which was also watching in on the dismal conversation through the windows. I was envious, jealous even, of my spectating sisters. My sisters didn’t have overflowing, excessive emotions. They didn’t have emotions that were considered “excessive.” I felt like an offender being put at the stocks: my parents were the executioners, and my sisters were the jesters.

“I’m angry.”

“What about?” my dad asked, puzzled. “Did someone do something to you?”

“Honey, were you—” my mother looked to my dad, then concealed her mouth slightly with the other hand, “ raped ?”

I couldn’t help but raise my voice. “No, Mom, I wasn’t raped, Jesus.” I took a moment to grind on my teeth and imagine the bit I was chomping at. Calm, careful, composed, I responded. “I’m just angry. I don’t feel—”

“What don’t you feel?” She practically jumped on me, while yanking my imprisoned hand toward her. She yanked at my reins.

“I don’t feel understood!” My mind was bucking. I didn’t know why I needed to react by raising my voice. It felt instinctive, defensive. Shouting forcefully, I jerked my hand away from her, but it remained in her clutches. I didn’t feel satisfied saying it, though what I said was the truth.

“What are you talking about?” my dad asked mournfully. I knew he felt betrayed. But he didn’t understand. He didn’t know what it’s like for things to be too much. Or to be too much. My dad looked at me longingly, hoping I would correct what I had said. He looked lost, incapable of understanding why I was doing what I was doing. My mother interjected, cutting off my dad’s hypnotic, silent cry for connection.

“You’re crazy!” she said, maintaining eye contact. My mother then let go of my hand, flipped it back to me. She reclined in her chair, retracting from me and the discussion entirely. She crossed her legs, then her arms. She turned her head away, toward the glass windows, and (mentally) left.

I was and am not “too much.”

I was diagnosed with bipolar disorder at 18 years old.

I had just stepped off a squealing MAX line onto a broken sidewalk slab, gnarled from tree roots, when I felt my phone buzz rhythmically.

“I need you to come to the hospital. Mom had a little accident.” My dad’s voice was distant and cracking, like a wavering radio signal, calling for help.

“What’s going on? Is she okay?” I asked while making my way to campus.

“Where are you?” He wasn’t going to tell me anything over the phone. Adrenaline set in. I let him know I was downtown and headed to campus, but that I would catch a Lyft to wherever they were. “We’re at Milwaukie Providence. How soon can you get here?

“I’ll let you know soon.” My assumption was that my parents had been in an argument, my mother left the house in a rage, and crashed her car. She’d been an erratic driver for as long as I could remember, and my parents had been arguing more than usual recently, as many new “empty-nesters” do. The lack of information provided by my dad, however, was unsettling. I don’t really recall the ride to the hospital. I do remember looking over the river while riding from the west to east side of town. I remember the menacing, dark clouds rolling in faster than the driver could transport me. I remember it was quick, but it was too much time spent without answers.

When I arrived at Providence, I jumped out of the sedan and galloped into the lobby of the emergency room like a race horse on its final lap. My younger sister and Dad were seated on cushioned, bland-colored chairs in the waiting room. There were expansive glass windows that allowed the light to drown the room. The weather was particularly gray and dismal. Perhaps it was the ambiguous, gray, confusing feelings I was breathing through. I sat down beside my dad, in a firmer-than-anticipated waiting room chair beside him. He took my hand frantically. He took it in the way one might take someone’s hand to connect with or comfort them. He needed reassurance more than I did.

“Where did she get in the accident?” I asked.

My sister, sitting across from me with her head in her knees, looked up at me with aquamarine, tear-filled eyes. She was staring through me, an unclouded window. “Mom tried to kill herself.”

“What?” My voice crescendoed from a normal volume to a shriek in the span of a single word. My mind felt like it was bucking. I grabbed at my hair, pulling it back tight with my spare hand. The tears and cries reared, no matter how hard I yanked my mane.

“We got in another argument this morning, and she sent me a message saying she didn’t want to be in pain anymore. She told me to tell you girls she’s sorry. I’m so sorry.” I’d never seen my dad cry before; I didn’t know he could. I didn’t know his tears would stream like gushing water from a broken dam. He looked lost, incapable of understanding why she was doing what she was doing. I looked from my dad to my sister to my hands. One hand remained enveloped by my dad’s gentle palm. At this point in life, I had not yet learned to be gentle with myself, or others. I cut off my dad’s hypnotic, silent cry for connection.

“She’s crazy!” I let go of my dad’s hand, flipped it back to him. I reclined in the

chair, retracting from the situation entirely. I crossed my legs, then my arms. I turned my head away, toward the glass windows, and (mentally) left.

“Crazy” is a term devised to dismiss people.

My mother was diagnosed with bipolar disorder at 50 years old.

Teacher Takeaways

“This essay makes excellent use of repetition as a narrative strategy. Throughout the essay, terms and phrases are repeated, generally with slight alterations, drawing the reader’s attention to the moment in question and recontextualizing the information being conveyed. This strategy is especially powerful when used to disclose the separate diagnoses of bipolar disorder, which is central to the narrative. I also appreciate the use of dialogue, though it mostly serves an expository function here. In itself that’s effective, but this narrative would be strengthened if that dialogue could serve to make some of the characters, especially the mother, more rounded.”

– Professor Dunham

My College Education

The following essay, “My College Education” is from Chapter 15.2 – Narrative Essay , Writing for Success , University of Minnesota Libraries.

The first class I went to in college was philosophy, and it changed my life forever. Our first assignment was to write a short response paper to the Albert Camus essay “The Myth of Sisyphus.” I was extremely nervous about the assignment as well as college. However, through all the confusion in philosophy class, many of my questions about life were answered.

I entered college intending to earn a degree in engineering. I always liked the way mathematics had right and wrong answers. I understood the logic and was very good at it. So when I received my first philosophy assignment that asked me to write my interpretation of the Camus essay, I was instantly confused. What is the right way to do this assignment, I wondered? I was nervous about writing an incorrect interpretation and did not want to get my first assignment wrong. Even more troubling was that the professor refused to give us any guidelines on what he was looking for; he gave us total freedom. He simply said, “I want to see what you come up with.”

Full of anxiety, I first set out to read Camus’s essay several times to make sure I really knew what was it was about. I did my best to take careful notes. Yet even after I took all these notes and knew the essay inside and out, I still did not know the right answer. What was my interpretation? I could think of a million different ways to interpret the essay, but which one was my professor looking for? In math class, I was used to examples and explanations of solutions. This assignment gave me nothing; I was completely on my own to come up with my individual interpretation.

Next, when I sat down to write, the words just did not come to me. My notes and ideas were all present, but the words were lost. I decided to try every prewriting strategy I could find. I brainstormed, made idea maps, and even wrote an outline. Eventually, after a lot of stress, my ideas became more organized and the words fell on the page. I had my interpretation of “The Myth of Sisyphus,” and I had my main reasons for interpreting the essay. I remember being unsure of myself, wondering if what I was saying made sense, or if I was even on the right track. Through all the uncertainty, I continued writing the best I could. I finished the conclusion paragraph, had my spouse proofread it for errors, and turned it in the next day simply hoping for the best.

Then, a week or two later, came judgment day. The professor gave our papers back to us with grades and comments. I remember feeling simultaneously afraid and eager to get the paper back in my hands. It turned out, however, that I had nothing to worry about. The professor gave me an A on the paper, and his notes suggested that I wrote an effective essay overall. He wrote that my reading of the essay was very original and that my thoughts were well organized. My relief and newfound confidence upon reading his comments could not be overstated.

What I learned through this process extended well beyond how to write a college paper. I learned to be open to new challenges. I never expected to enjoy a philosophy class and always expected to be a math and science person. This class and assignment, however, gave me the self-confidence, critical-thinking skills, and courage to try a new career path. I left engineering and went on to study law and eventually became a lawyer. More important, that class and paper helped me understand education differently. Instead of seeing college as a direct stepping stone to a career, I learned to see college as a place to first learn and then seek a career or enhance an existing career. By giving me the space to express my own interpretation and to argue for my own values, my philosophy class taught me the importance of education for education’s sake. That realization continues to pay dividends every day.

Model Student Essay

Innocence again.

Imagine the sensation of the one split second that you are floating through the air as you were thrown up in the air as a child, that feeling of freedom and carefree spirit as happiness abounds. Looking at the world through innocent eyes, all thoughts and feelings of amazement. Being free, happy, innocent, amazed, wowed. Imagine the first time seeing the colors when your eyes and brain start to recognize them but never being able to name the shade or hue. Looking at the sky as it changes from the blackness with twinkling stars to the lightest shade of blue that is almost white, then the deep red of the sunset and bright orange of the sun. All shades of the spectrum of the rainbow, colors as beautiful as the mind can see or imagine.

I have always loved the sea since I was young; the smell of saltiness in the air invigorates me and reminds me of the times spent with my family enjoying Sundays at the beach. In Singapore, the sea was always murky and green but I continued to enjoy all activities in it. When I went to Malaysia to work, I discovered that the sea was clear and blue and without hesitation, I signed up for a basic diving course and I was hooked. In my first year of diving, I explored all the dive destinations along the east coast of Malaysia and also took an advanced diving course which allowed me to dive up to a depth of thirty meters. Traveling to a dive site took no more than four hours by car and weekends were spent just enjoying the sea again.

Gearing up is no fun. Depending on the temperature of the water, I might put on a shortie, wetsuit or drysuit. Then on come the booties, fins and mask which can be considered the easiest part unless the suit is tight—then it is a hop and pull struggle, which reminds me of how life can be at times. Carrying the steel tank, regulator, buoyancy control device (BCD) and weights is a torture. The heaviest weights that I ever had to use were 110 pounds, equivalent to my body weight; but as I jump in and start sinking into the sea, the contrast to weightlessness hits me. The moment that I start floating in the water, a sense of immense freedom and joy overtakes me.

Growing up, we have to learn the basics: time spent in classes to learn, constantly practicing to improve our skills while safety is ingrained by our parents. In dive classes, I was taught to never panic or do stupid stuff: the same with the lessons that I have learned in life. Panic and over-inflated egos can lead to death, and I have heard it happens all the time. I had the opportunity to go to Antarctica for a diving expedition, but what led to me getting that slot was the death of a very experienced diver who used a drysuit in a tropic climate against all advice. He just overheated and died. Lessons learned in the sea can be very profound, but they contrast the life I live: risk-taker versus risk-avoider. However, when I have perfected it and it is time to be unleashed, it is time to enjoy. I jump in as I would jump into any opportunity, but this time it is into the deep blue sea of wonders.

A sea of wonders waits to be explored. Every journey is different: it can be fast or slow, like how life takes me. The sea decides how it wants to carry me; drifting fast with the currents so that at times, I hang on to the reef and corals like my life depends on it, even though I am taught never to touch anything underwater. The fear I feel when I am speeding along with the current is that I will be swept away into the big ocean, never to be found. Sometimes, I feel like I am not moving at all, kicking away madly until I hyperventilate because the sea is against me with its strong current holding me against my will.

The sea decides what it wants me to see: turtles popping out of the seabed, manta rays gracefully floating alongside, being in the middle of the eye of a barracuda hurricane, a coral shelf as big as a car, a desert of bleached corals, the emptiness of the seabed with not a fish in sight, the memorials of death caused by the December 26 tsunami—a barren sea floor with not a soul or life in sight.

The sea decides what treasures I can discover: a black-tipped shark sleeping in an underwater cavern, a pike hiding from predators in the reef, an octopus under a dead tree trunk that escapes into my buddy’s BCD, colorful mandarin fish mating at sunset, a deadly box jellyfish held in my gloved hands, pygmy seahorses in a fern—so tiny that to discover them is a journey itself.

Looking back, diving has taught me more about life, the ups and downs, the good and bad, and to accept and deal with life’s challenges. Everything I learn and discover underwater applies to the many different aspects of my life. It has also taught me that life is very short: I have to live in the moment or I will miss the opportunities that come my way. I allow myself to forget all my sorrow, despair and disappointments when I dive into the deep blue sea and savor the feelings of peacefulness and calmness. There is nothing around me but fish and corals, big and small. Floating along in silence with only the sound of my breath— inhale and exhale . An array of colors explodes in front of my eyes, colors that I never imagine I will discover again, an underwater rainbow as beautiful as the rainbow in the sky after a storm. As far as my eyes can see, I look into the depth of the ocean with nothing to anchor me. The deeper I get, the darker it turns. From the light blue sky to the deep navy blue, even blackness into the void. As the horizon darkens, the feeding frenzy of the underwater world starts and the watery landscape comes alive. Total darkness surrounds me but the sounds that I can hear are the little clicks in addition to my breathing. My senses overload as I cannot see what is around me, but the sea tells me it is alive and it anchors me to the depth of my soul.

As Ralph Waldo Emerson once said: “The lover of nature is he whose inward and outward senses are truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood.” … In the presence of nature, a wild delight runs through the man in spite of real sorrows….” The sea and diving have given me a new outlook on life, a different planet where I can float into and enjoy as an adult, a new, different perspective on how it is to be that child again. Time and time again as I enter into the sea, I feel innocent all over again.

Write What Matters Copyright © 2020 by Liza Long; Amy Minervini; and Joel Gladd is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Share This Book

Have a language expert improve your writing

Run a free plagiarism check in 10 minutes, generate accurate citations for free.

• Knowledge Base
• How to write a narrative essay | Example & tips

How to Write a Narrative Essay | Example & Tips

Published on July 24, 2020 by Jack Caulfield . Revised on July 23, 2023.

A narrative essay tells a story. In most cases, this is a story about a personal experience you had. This type of essay , along with the descriptive essay , allows you to get personal and creative, unlike most academic writing .

Instantly correct all language mistakes in your text

Upload your document to correct all your mistakes in minutes

Table of contents

What is a narrative essay for, choosing a topic, interactive example of a narrative essay, other interesting articles, frequently asked questions about narrative essays.

When assigned a narrative essay, you might find yourself wondering: Why does my teacher want to hear this story? Topics for narrative essays can range from the important to the trivial. Usually the point is not so much the story itself, but the way you tell it.

A narrative essay is a way of testing your ability to tell a story in a clear and interesting way. You’re expected to think about where your story begins and ends, and how to convey it with eye-catching language and a satisfying pace.

These skills are quite different from those needed for formal academic writing. For instance, in a narrative essay the use of the first person (“I”) is encouraged, as is the use of figurative language, dialogue, and suspense.

Prevent plagiarism. Run a free check.

Narrative essay assignments vary widely in the amount of direction you’re given about your topic. You may be assigned quite a specific topic or choice of topics to work with.

• Write a story about your first day of school.
• Write a story about your favorite holiday destination.

You may also be given prompts that leave you a much wider choice of topic.

• Write about an experience where you learned something about yourself.
• Write about an achievement you are proud of. What did you accomplish, and how?

In these cases, you might have to think harder to decide what story you want to tell. The best kind of story for a narrative essay is one you can use to talk about a particular theme or lesson, or that takes a surprising turn somewhere along the way.

For example, a trip where everything went according to plan makes for a less interesting story than one where something unexpected happened that you then had to respond to. Choose an experience that might surprise the reader or teach them something.

Narrative essays in college applications

When applying for college , you might be asked to write a narrative essay that expresses something about your personal qualities.

For example, this application prompt from Common App requires you to respond with a narrative essay.

In this context, choose a story that is not only interesting but also expresses the qualities the prompt is looking for—here, resilience and the ability to learn from failure—and frame the story in a way that emphasizes these qualities.

An example of a short narrative essay, responding to the prompt “Write about an experience where you learned something about yourself,” is shown below.

Hover over different parts of the text to see how the structure works.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

College essays

• Choosing Essay Topic
• Write a College Essay
• Write a Diversity Essay
• College Essay Format & Structure
• Comparing and Contrasting in an Essay

 (AI) Tools

• Grammar Checker
• Paraphrasing Tool
• Text Summarizer
• AI Detector
• Plagiarism Checker
• Citation Generator

If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Caulfield, J. (2023, July 23). How to Write a Narrative Essay | Example & Tips. Scribbr. Retrieved March 31, 2024, from https://www.scribbr.com/academic-essay/narrative-essay/

Is this article helpful?

Jack Caulfield

Other students also liked, how to write an expository essay, how to write a descriptive essay | example & tips, how to write your personal statement | strategies & examples, unlimited academic ai-proofreading.

✔ Document error-free in 5minutes ✔ Unlimited document corrections ✔ Specialized in correcting academic texts

How to Teach Narrative Writing: A Step-by-Step Approach

Narrative writing is just another word for storytelling. The good news is students tell stories all the time—they just don’t write them down. Ironically, the moment we ask students to put those stories into writing, they freeze. Suddenly, they don’t know what to write about or where the heck to start.

Knowing how to teach narrative writing is the key to avoiding “brain freezes” and blank pages. But, before we can dive into the how , we need to understand the what .

What is Narrative Writing?

Narrative writing tells a real or fictional story using a logical sequence of events, establishing a beginning, middle, and end. In most pieces of narrative writing, a story develops as a character faces a conflict that is resolved in the end, revealing a universal lesson that has been learned. This lesson is often a major revealing point for the author’s message and the overarching story’s theme.

Unlike the academic essays students are used to writing, narrative stories rely heavily on creative elements such as vivid descriptions, figurative language, point of view, and dialogue. After all, the purpose of this style of writing is to detail experience, reveal perspective, elicit emotion, encourage reflection, or express a deeper meaning. Narrative writing can be used to entertain, educate, inspire, or connect with an audience.

While students may struggle with narrative writing at first, once they get the hang of it they are quick to embrace the opportunity to use their imagination and creativity.

What are the Five Elements of Narrative Writing?

To help students separate narrative writing from the other writing genres they’ve learned, it’s important they understand the five main elements of the genre:

• Character(s)

These five elements work together to create a well-structured narrative story.

Why Teach Narrative Writing?

Narrative writing equips students with the power of storytelling. Teaching narrative writing is about more than sharing the tools needed to enjoy, analyze, or tell a good story. It’s more than meeting standards and following the curriculum.

When we teach students the power of a well-told story, we are teaching them how stories can bring us together or tear us apart. How they can shift perspectives, establish connections, and build relationships. That stories have the power to inspire others, elicit emotions, and spark change. 

Once we help students understand the power of telling stories, we can move on to teaching them how to tell these stories through writing.

How to Teach Narrative Writing: A Step-By-Step Approach 

Telling a story isn’t a new concept to students. However, doing it well and writing it down is a whole different ball game. With the right steps, mentor texts, and activities, students can master narrative writing in no time. (Okay, in some cases, it might take a little bit of time and practice, but they’ll get there.) Want to guide your students toward storytelling success? Follow my step-by-step approach to planning your next narrative writing unit:

1. Get Students Talking (or Thinking)

Don’t jump into asking students to write a full-blown narrative story. Instead, get them to talk about stories first. Start by giving them simple prompts to help pull out stories from their own lives. For example, ask them to think about a time when they were embarrassed or had the best birthday ever. Ask them about a time they overcame a fear or stood up for something they believed in. While not all narrative writing is personal , it’s always useful to start with something students know.

Bell ringer activities like a question of the day or quick writes are a great way to get students thinking about the bones of narrative writing without even realizing it. 

2. Focus on Story Structure  

Any narrative writing unit should include a formal study of story structure. Students must understand the essential elements of a plot and basic story elements— and how they all work together to tell a compelling and cohesive story.

However, understanding story structure goes beyond identifying a classic story arc, including exposition, rising action, climax, falling action, and resolution. Before students attempt to plan and write their own piece of narrative writing, they must also understand the following:

• Stories should have a beginning, a middle, and an end.
• Writers manipulate time (and pacing) to control a story.
• Point of view impacts the reader’s experience.
• Setting provides readers with context regarding the time and place.
• Conflict and characters drive a plot forward—and make the story interesting.
• Conflict is an opportunity for a character to learn a lesson or undergo transformation.
• A theme or message reveals what a narrative story is really about.

3. Read Strong Mentor Texts

Now it’s time to take some time to read and unpack strong mentor texts. Short stories and even picture books make for perfect narrative writing mentor texts. Spend time analyzing and discussing the story structures of each text to give students more context of the elements you’ve been teaching up to this point. 

Have students fill out a classic plot diagram as they identify and analyze a story’s narrative arc. And don’t stop at the plot. Guide students through activities and discussions to unpack and understand the other essential elements of a mentor text’s story structure, like theme, conflict, and character, too.

4. Brainstorm ideas

Whether you’re asking students to write personal narratives or create fictional stories, getting started is always the hardest part.Sentence starters and writing prompts are great ways to get students thinking. Having students share their ideas with each other is another great way to spark inspiration throughout the classroom. Use this brainstorming stage as an opportunity to check in with students and help those who are struggling to come up with any “good” ideas.

Without a topic or idea that excites them, students will struggle through the rest of the writing process. However, students often get caught up in thinking they need to have some big elaborate story. That’s when I remind them that even small moments and simple stories can have a big impact on a reader.

5. Map It Out

Ideas are great and all, but story maps are vital to ensuring there is actually a story to tell. Before they start panicking at this phase, remind them that they do not have to have the whole story figured out just yet. Instead, this step acts more as an outline of their general plot points and overarching ideas. Have them map out the elements of their story including the conflict, main sequence of events, climax, and resolution.

Story maps are super useful because students can refer back to them throughout the writing process to keep their stories on track. However, I like to remind students that they may decide to adjust their plan as they write—and that’s okay too.

6. Complete a Fast Draft

I know—first drafts can be really painful. There is a lot of staring at blank papers and claiming “I don’t know what to write.” Oftentimes, this is because students are so worried about having everything figured out before they start writing. This is where fast drafts come in handy.

Rather than asking students to flesh out a traditional first draft of their narrative piece, have them write their story down as quickly as possible. However, they do want to touch upon all major elements from their story map. The draft can be messy or some details may be missing, and that’s totally okay at this stage. This step is all about progress, not perfection. This fast draft will serve as a starting point that students can build upon.

7. Start the Narrative Writing Workshop

After students complete a fast draft, it’s time to move into the writer’s workshop. A narrative writing workshop includes writing, check-ins, feedback, and mini-lessons. These workshop days are some of the most essential days of the unit. Start each workshop day with a mini-lesson focusing on a specific element of narrative writing craft. Then, give students time to implant what they’ve learned with their draft, checking in and providing feedback as they work. Over time, that fast draft will start to turn into a well-developed story.

Wondering what to teach during a narrative writing unit? The following topics make for great narrative writing mini-lessons or workshop stations:

• Descriptive writing (Show vs. Tell)
• Figurative language
• Word choice
• Transitions
• Tone and mood
• Strong endings
• Engaging hooks

8. Review, Revise, Edit. (Repeat.)

Students love to take the one-and-done approach to writing. That’s why I like to include time for in-class revisions during a narrative writing unit.  Guide students through both self and peer revisions. Giving students clear guidelines and expectations for revisions is vital to avoid wasting time.

I like to work through revisions in stages, focusing on one element of revision at a time.  This makes it easier for students to provide valuable and pointed feedback to each other or note areas for improvement in their own writing. For example, I may have students circle any weak verbs or descriptions before having them add more vivid verbs or details. Only then can they move on to the next revision task focusing on dialogue tags or transitions. Additionally, I always save general writing mechanics for last. This allows students to focus on bettering their overall story before honing in on more technical edits. 

Read this post to learn more about making the most out of peer reviews.

9. Celebrate Student Stories

Yay! Your students have completed their pieces of narrative writing. Students worked too hard to have their work go right into a “waiting to be graded” pile. Give them an opportunity to share their stories with each other by hosting an author reading where they read excerpts of their stories to the class. Alternatively, students can design a “story poster” or complete a one-pager project to display around the classroom.

The Bottom Line?

No one likes reading a boring story. However, it’s even worse having to grade one.

Luckily, when students are engaged in a well-planned narrative writing unit, it can be a lot of fun for everyone. However, if your students aren’t buying in or simply aren’t following along, you’ll likely spend a lot of time reading really bad stories. I hope this post helps you achieve the former (and avoid the latter) by giving you a clear and well-structured plan for how to teach narrative writing. 

I encourage you to take my approach to teaching narrative writing and make it your own, making adjustments to best meet the needs of your students. And if this isn’t your first narrative writing rodeo and you have any fun ideas for mini-lessons or narrative writing activities, I’d love to hear them! Share them in the comments below.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

100 Writing Practice Lessons & Exercises

by Joe Bunting | 50 comments

Want to become a better writer? Perhaps you want to write novels, or maybe you just want to get better grades in your essay writing assignments , or maybe you'd like to start a popular blog .

If you want to write better, you need practice. But what does a writing practice actually look like? In this post, I'm going to give you everything you need to kick off your writing practice and become a better writer faster.

What Is Writing Practice?

Writing practice is a method of becoming a better writer that usually involves reading lessons about the writing process, using writing prompts, doing creative writing exercises , or finishing writing pieces, like essays, short stories , novels , or books . The best writing practice is deliberate, timed, and involves feedback.

How Do You Practice Writing?

This was the question I had when I first started The Write Practice in 2011. I knew how to practice a sport and how to practice playing an instrument. But for some reason, even after studying it in college, I wasn't sure how to practice writing.

I set out to create the best writing practice I could. The Write Practice is the result.

I found that the best writing practice has three aspects:

Deliberate . Writing whatever you feel like may be cathartic, but it's not an effective way to become a better writer or build your writing skills. You'll get better faster by practicing a specific technique or aspect of the writing process each time you sit down to write.

This is why we have a new lesson about the writing process each day on The Write Practice, followed by a practice prompt at the end so you can put what you learned to use immediately.

Timed . It's no secret writers struggle with focus. There are just too many interesting distractions—Facebook, email, Kim Kardashian's Instagram feed (just kidding about that last one, sort of)—and writing is just too hard sometimes.

Setting a timer, even for just fifteen minutes, is an easy and effective way to stay focused on what's important.

This is why in our writing practice prompt at the end of each post we have a time limit, usually with a link to an online tool egg timer , so you can focus on deliberate practice without getting distracted.

Feedback . Getting feedback is one of the requirements to deliberately practice writing or any other craft. Feedback can look like listening to the reactions of your readers or asking for constructive criticism from editors and other writers.

This is why we ask you to post your writing practice after each lesson, so that you can get feedback from other writers in The Write Practice community. It's also why we set up The Write Practice Pro community , to provide critique groups for writers to get feedback on each finished piece of writing.

Our 100+ Best Creative Writing Practice Exercises and Lessons

Now that you know how we practice writing at The Write Practice, here are our best writing practice lessons to jumpstart your writing skills with some daily writing exercises, for beginner writers to even the most expert writers:

All-Time, Top 10 Writing Lessons and Exercises

These ten posts are our most viewed articles to boost your writing practice:

1. What is Plot? The 6 Elements of Plot and How to Use Them . Great stories use similar elements in wildly different ways to build page-turning stories. Click here to read what they are and learn how to start using them !

2. Top 100 Short Story Ideas . Here are over a hundred writing prompts in a variety of genres. If you need ideas for your next story, check this out!

3. How To Use Neither, Nor, Or, and Nor Correctly . Even good writers struggle figuring out when to use neither/nor and either/or. In this post, our copy-queen Liz Bureman settles the confusion once and for all. Click to continue to the writing exercise

4. Ten Secrets To Write Better Stories . How does Pixar manage to create such great stories, year after year? And how do you write a good story? In this post, I distill everything I've learned about how to write a good story into ten tips. Click to continue to the writing exercise

5. 35 Questions To Ask Your Characters From Marcel Proust . To get to know my characters better, I use a list of questions known as the Proust Questionnaire, made famous by French author, Marcel Proust. Click to continue to the writing exercise

6. How a Scene List Can Change Your Novel-Writing Life . Creating a scene list changed my novel-writing life, and doing the same will change yours too. Includes examples of the scene lists from famous authors. Click to continue to the writing exercise

7. Why You Need to be Using the Oxford Comma . Most people I've met have no idea what the Oxford comma is, but it's probably something that you have used frequently in your writing. Click to continue to the writing exercise

8. Six Surprising Ways to Write Better Interview Questions.  The interview is the most-used tool in a journalist's bag. But that doesn't mean novelists, bloggers, and even students can't and don't interview people. Here's how to conduct a great interview. Click to continue to the writing exercise

9. Why You Should Try Writing in Second Person . You've probably used first person and third person point-of-view already. But what about second person? This post explains three reasons why you should try writing from this point-of-view. Click to continue to the writing exercise

10. The Secret to Show, Don't Tell . You've heard the classic writing rule, “Show. Don't Tell.” Every writing blog ever has talked about it, and for good reason. Showing, for some reason, is really difficult. Click to continue to the writing exercise.

12 Exercises and Lessons To Become a Better Writer

How do you become a better writer? These posts share our best advice:

• Want to Be a Better Writer? Cut These 7 Words
• What I Mean When I Say I Am A Writer
• How to Become a Writer: 3 Simple Steps
• 72% of Writers Struggle With THIS
• 7 Lies About Becoming a Writer That You Probably Believe
• 10 Questions to Find Your Unique Writing Voice
• The Best Writing Book I’ve Ever Read
• The Best Way to Become a Better Writer
• The Creative Writer’s Toolkit: 6 Tools You Can’t Write Without
• Should You Write More or Write Better: Quantity vs Quality
• How to Become a Better Writer in One, Simple Step
• 11 Writing Tips That Will Change Your Life

6 Lessons and Exercises from Great Writers

If you want to be a writer, learn from the great writers who have gone before you:

• 23 Essential Quotes from Ernest Hemingway About Writing
• 29 Quotes that Explain How to Become a Better Writer
• 10 Lessons Dr. Seuss Can Teach Writers
• 10 Writing Tips from Ursula Le Guin
• Once Upon a Time: Pixar Prompt
• All the Pretty Words: Writing In the Style of Cormac McCarthy

12 Genre and Format Specific Writing Lessons and Exercises

Here are our best writing lessons for specific types of writing, including essays, screenplays, memoir, short stories, children's books, and humor writing:

• Writing an Essay? Here Are 10 Effective Tips
• How To Write a Screenplay: The 5 Step Process
• How to Write a Great Memoir: a Complete Guide
• How to Write a Short Story from Start to Finish
• How to Write a Thriller Novel
• How to Write a Children's Book
• How to Write a Love Story
• How to Write a Coming of Age Story or Book
• How to Write an Adventure Book
• 5 Key Elements for Successful Short Stories
• 4 Tips to Write a Novel That Will Be Adapted Into a Movie
• Humor Writing for People Who Aren’t Funny

14 Characterization Lessons and Exercises

Good characters are the foundation of good fiction. Here are our best lessons to create better characters:

• Character Development: How to Create Characters Audiences Will Love
• Writing Villains: 9 Evil Examples of the Villain Archetype
• How NOT to Introduce a New Character
• The Strongest Form of Characterization
• The Most Important Character Archetype
• How Do You Build A Strong Character In Your Writing?
• 75+ Antihero Examples and How to Use Them
• How to Explore Your Characters’ Motivations
• 8 Tips for Naming Characters
• The Protagonist: How to Center Your Story
• Heroes vs. Anti-Heroes: Which Is Right For Your Story?
• The Weakest Form of Characterization
• How to Write With an Accent
• How To Create a Character Sketch Using Scrivener

15 Grammar Lessons and Exercises

I talk to so many writers, some of whom are published authors, who struggle with grammar. Here are our best writing lessons on grammar:

• Is It Okay To End A Sentence With A Preposition?
• Contractions List: When To Use and When To Avoid
• Good vs. Well
• Connotation vs. Denotation
• Per Se vs. Per Say
• When You SHOULD Use Passive Voice
• When Do You Use “Quotation Marks”
• Polysyndeton and Asyndeton: Definition and Examples
• The Case Against Twilight
• Affect Versus Effect
• Stop Saying “Literally”
• What Is a Comma Splice? And Why Do Editors Hate Them?
• Intra vs. Inter: Why No One Plays Intermural Sports
• Alright and Alot: Words That Are Not Words
• The Poor, Misunderstood Semicolon

4 Journalism Lessons and Exercises

Want to be a journalist? Or even use techniques from journalism to improve your novel, essay, or screenplay? Here are our best writing lessons on journalism:

• Six Ways to Ask Better Questions In Interviews
• How Should You Interview Someone? Over Email? In Person?
• What If They Don’t Want to Talk to You?
• Eleven Habits of a Highly Effective Interviewers

16 Plot and Structure Lessons and Exercises

Want to write a good story? Our top plot and structure lessons will help:

• The Ten Types of Story and How to Master Them
• Points of a Story: 6 Plot Points Every Story Needs
• How to Shape a Story: The 6 Arcs
• 7 Keys To Write the Perfect First Line of a Novel
• The Secret to Creating Conflict
• 4 Tips to Avoid Having Your Short Story Rejected by a Literary Magazine
• 7 Steps to Creating Suspense
• 5 Elements of Storytelling
• 3 Important Rules for Writing Endings
• A Writer’s Cheatsheet to Plot and Structure
• Overcoming the Monster
• How to Satisfy Your Reader With a Great Ending
• Pow! Boom! Ka-Pow! 5 Tips to Write Fight Scenes
• The Dramatic Question and Suspense in Fiction
• How to Write a Memorable Beginning and Ending
• How to Write the Perfect First Page

6 Lessons and Exercises to Beat Writer's Block

Writer's block is real, and it can completely derail your writing. Here are six lessons to get writing again:

• How To Write Whether You Feel Like it Or Not
• This Fun Creative Writing Exercise Will Change Your Life
• When You Should Be Writing But Can't…
• What to do When Your Word Count is Too Low
• 7 Tricks to Write More with Less Willpower
• When You Don’t Know What to Write, Write About Your Insecurities

7 Literary Technique Lessons and Exercises

These writing and storytelling techniques will teach you a few tricks of the trade you may not have discovered before:

• 3 Tips to “Show, Don’t Tell” Emotions and Moods
• 3 Reasons to Write Stream of Consciousness Narrative
• 16 Observations About Real Dialogue
• Intertextuality As A Literary Device
• Why You Should Use Symbolism In Your Writing
• 6 Ways to Evoke Emotion in Poetry and Prose
• 3 Tips To Write Modern Allegorical Novels
• Symbol vs. Motif: What’s the Difference

3 Inspirational Writing Lessons and Exercises

Need some inspiration? Here are three of our most inspiring posts:

• Why We Write: Four Reasons
• You Must Remember Every Scar
• 17 Reasons to Write Something NOW

3 Publishing Blogging Lessons and Exercises

If you want to get published, these three lessons will help:

• The Secret to Writing On Your Blog Every Day
• How to Publish Your Book and Sell Your First 1,000 Copies
• How to Get Published in Literary Magazines

11 Writing Prompts

Need inspiration or just a kick in the pants to write. Try one of our top writing prompts :

• Grandfathers [writing prompt]
• Out of Place [writing prompt]
• Sleepless [writing prompt]
• Longing [writing prompt]
• Write About Yourself [writing prompt]
• 3 Reasons You Should Write Ghost Stories
• Road Trip [writing prompt]
• Morning [writing prompt]
• The Beach [writing prompt]
• Fall [writing prompt]
• How to Use Six-Word Stories As Writing Prompts

Is It Time To Begin Your Writing Practice?

It's clear that if you want to become a writer, you need to practice writing. We've created a proven process to practice your writing at The Write Practice, but even if you don't join our community, I hope you'll start practicing in some way today.

Personally, I waited  far  too long to start practicing and it set my writing back years.

How about you? Do you think practicing writing is important?  Let me know in the comments section .

Choose one of the writing practice posts above. Then, read the lesson and participate in the writing exercise, posting your work in the Pro Practice Workshop . And if you post, please give feedback to your fellow writers who also posted their practices.

Have fun and happy practicing!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

Join over 450,000 readers who are saying YES to practice. You’ll also get a free copy of our eBook 14 Prompts :

Popular Resources

Book Writing Tips & Guides Creativity & Inspiration Tips Writing Prompts Grammar & Vocab Resources Best Book Writing Software ProWritingAid Review Writing Teacher Resources Publisher Rocket Review Scrivener Review Gifts for Writers

Books By Our Writers

Now, Take Your Idea and Write a Book!

Enter your email to get a free 3-step worksheet and start writing your book in just a few minutes.

You've got it! Just us where to send your guide.

Enter your email to get our free 10-step guide to becoming a writer.

You've got it! Just us where to send your book.

Enter your first name and email to get our free book, 14 Prompts.

Memorable Narrative Essay Writing Practice Exercises

Narrative essay writing is best taught with a combination of brainstorming, outlining and practice writing exercises that encourage students to write in the past tense and use appropriate transitions. Teaching narrative essay writing is quite enjoyable as it allows students to write about personal experiences.

5 characteristics of narrative writing include:

1. A narrative typically tells a story from a particular point of view, and this point of view is usually that of the narrator.

2. A narrative often has a plot, which is a sequence of events that the story follows.

3. A narrative may have characters, who may be either fictional or based on real people.

4. A narrative typically takes place in a specific time and place.

5. A narrative may have a theme, which is a central idea or message that the story conveys.

1 “First Day at University” (narrative essay transitions exercise with answers)

This is an exercise to help students understand transitions in narrative essays.

Narrative essay transitions (PDF)

Related Resources:

Story Telling Exercises for  ESL Students

• Writing topic sentences

Elementary to pre-intermediate reading comprehension exercises

10 opinion and argument writing worksheets

8 comparison/contrast templates and exercises

10 cause/effect writing activities

3 kinds of exercises for teaching transitions

6 delightful descriptive paragraph and essay writing exercises  (PDF)

Subscribe to Eslflow

Subscribe to get full access to the latest and best resources from eslflow.com . There are no ads in the newsletter and you will receive entertaining, high quality, and up-to-date teaching resources regularly. Also, if you take out a paid subscription, you can download large collections of PDF, audio and video materials in zip files.

2 Narrative paragraph practice (favorite memories)

This is an exercise for students to practice writing narrative or past tense sentences about happy moments and experiences. Students look at the pictures and try to tell a story in 2-5 sentences.

Narrative writing practice-favorite memories (PDF)

3 Brainstorming an important event (narrative essay)

This is a brainstorm worksheet for a narrative essay about an important event.

Brainstorming an important event (PDF)

4 Narrative transitions sentence writing worksheet

This is an exercise challenging  students’ understanding of narrative transitions. They have to create an appropriate narrative situation for each transition.

Narrative essay transitions sentence writing worksheet (PDF)

5 Narrative sentences practice (or past tense writing exercise)

This is an exercise for students to practice writing narrative or past tense sentences. Students look at the pictures and try to tell a story in 2-5 sentences.

Narrative writing sentences  (PDF)

7 Brainstorming influential life experiences (with answers)

This is an exercise for students to brainstorm ideas and write sentences in preparation for a personal profile essay using narrative techniques. On page 1 they use the vocabulary to write short sentences for suitable for each picture. On page 2 they write the sub-topics they might use in an essay and explain their experience in a few sentences.

Influential experiences writing practice (PDF)

Other resources

Transportation and  getting around

Daily routines speaking and reading exercises

Talking about houses and neighborhoods

• Sentence starters

Activities for the present continuous

8 Replies to “Narrative essay practice exercises”

Where are the answers for the exercise (First day at university)?? please leave an answer and the <3

where are the answers of the exercise First day at university.please send the answer and the 3 narrative transition

thank you so much

The answers for First Day at University are on the second page of the PDF. Just open the PDF. I double checked it.

effective exercises for narrative writing

Where are the answers of transition one number 3?

Really thoughtful and useful exercises

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

This site uses Akismet to reduce spam. Learn how your comment data is processed .

RECENT ESL EXERCISES

• Essential listening exercises for ESL classes
• Daily routines and schedules
• Shopping online listening, speaking and vocabulary
• Import/export, logistics and supply chain exercises
• Create a conversation
• Using comparative adjectives
• Gerunds and Infinitives Grammar, Speaking and Listening Activities

• Digital Offerings
• Biochemistry
• College Success
• Communication
• Electrical Engineering
• Environmental Science
• Mathematics
• Nutrition and Health
• Philosophy and Religion
• Our Mission
• Our Leadership
• Accessibility
• Diversity, Equity, Inclusion
• Learning Science
• Sustainability
• Affordable Solutions
• Curriculum Solutions
• Inclusive Access
• Lab Solutions
• LMS Integration
• Instructor Resources
• iClicker and Your Content
• Badging and Credidation
• Press Release
• Learning Stories Blog
• Discussions
• The Discussion Board
• Webinars on Demand
• Digital Community
• Macmillan Learning Peer Consultants
• Macmillan Learning Digital Blog
• Learning Science Research
• Macmillan Learning Peer Consultant Forum
• English Community
• Achieve Adopters Forum
• Hub Adopters Group
• Psychology Community
• Psychology Blog
• Talk Psych Blog
• History Community
• History Blog
• Communication Community
• Communication Blog
• College Success Community
• College Success Blog
• Economics Community
• Economics Blog
• Institutional Solutions Community
• Institutional Solutions Blog
• Handbook for iClicker Administrators
• Nutrition Community
• Nutrition Blog
• Lab Solutions Community
• Lab Solutions Blog
• STEM Community
• STEM Achieve Adopters Forum
• Contact Us & FAQs
• Find Your Rep
• Training & Demos
• First Day of Class
• For Booksellers
• International Translation Rights
• Permissions
• Report Piracy

Digital Products

Instructor catalog, our solutions.

• Macmillan Community

Literacy Narrative Activities

• Subscribe to RSS Feed
• Mark as New
• Mark as Read
• Printer Friendly Page
• Report Inappropriate Content

• classroom activity
• literacy narrative
• scaffolding
• writing process

You must be a registered user to add a comment. If you've already registered, sign in. Otherwise, register and sign in.

• Bedford New Scholars 49
• Composition 543
• Corequisite Composition 58
• Developmental English 37
• Events and Conferences 6
• Instructor Resources 9
• Literature 54
• Professional Resources 4
• Virtual Learning Resources 48

Florida State University

FSU | Writing Resources

Writing Resources

The English Department

• College Composition

Ice Breakers

You know what they say about assuming…, would you rather…, alphabet lists—getting to know your classmates, tv personalities: trying on voices, looking beneath the surface.

Purpose of Exercise : To ease students into your classroom and the setting, including having a teacher who is young. This emphasizes stereotyping and assumptions as possibly being inconclusive or false.

Description : Instructor begins with a bit of role-playing and then students are led into a free write about their basic info then introduce themselves to the class.

Suggested Time : about 30 minutes

Procedure : This activity should be done on the first day of class and works well if you can blend in with your students, if just for the day. When you get to your classroom, sit down in a desk with your students. Wait maybe two or three minutes after class begins, ask a few surrounding students if they know anything about the TA and possibly say something to the effect of, “I can’t believe they’re late on the first day!” Wait until about five minutes after then get up and head to the front of class. Typically, this leaves students in shock because they never would have guessed you to be the instructor. Lead into an ice breaker wherein the students have to come up with three interesting things about themselves but they cannot write: their major, where they’re from, their favorite color or the sport they play. After everyone has introduced themselves and said their three things, discuss how we assume so many things about people based on looks or information like major etc. This works well to get them accustomed to the type of writing we do in FYC and the atmosphere we like to create for our classrooms.

Back to Top

Purpose of Exercise:  The purpose of this exercise is three-fold: to introduce students to each other, to show the variety of experiences and backgrounds each student brings to the classroom community, and to address stereotypes or preconceptions we may have about one another on first meeting.

Description:  Distribute an index card to each student. Ask her or him to write a fact on the card that separates her or him from the rest of the class. This activity will help each student to connect a face to a name and a fun fact.

Suggested Time:  30 minutes

Procedure:  Divide the class in half, and distribute an index card to each student. Have him or her write a fact down that makes them unique: an experience he or she might have had, a talent, a hobby. Alternate between teams in reading the other teams’ cards, and ask each team to guess which member of the opposing team wrote that card. Award one point for each correct guess, and encourage students to elaborate on what they wrote on the card.

Purpose:  This ice breaker is a great activity for students and I have found that it gives students a chance to get to know more about each other and text creativity without having to be forced into group situations that can be uncomfortable on the first day of class.

Suggested Time:  20-35 minutes

Procedure:  You will need to ask the students to either take out a sheet of paper, or you can have slips of paper already prepared for them and pass them out. Then, you ask each person to create a “would you rather” question of his/her own on the slip of paper. Go ahead and lay out any ground rules for the questions. For example, make sure that everyone knows the questions need to be appropriate for the classroom setting. Give them an example of a “would you rather” question (I have copied and pasted some examples from the internet below). Give the students time to come up with questions and write them down. Then, there are a few ways you can go about sharing the questions/answers: 1) you can have the students go around and share their question with the class, and give time for a few responses or 2) you can collect the slips of paper (or sheets of paper) and randomly select ones to read for the class and allow for student responses. This exercise is great for ENC 1000-level courses where students are going to be challenged to be creative and use imagery and detail. Approximately 10-15 minutes should be allotted for explaining the exercises, passing out slips of paper and letting students write down their “would you rather” question. Then, the amount of time you spend going through the questions and getting feedback can vary between 10-20 minutes, depending on how much time you wish to spend on the activity.

Sample “Would You Rather” Questions...

• Would you rather run your tongue down ten feet of a New York City street or press your tongue into a strangers nostril?
• Would you rather be forgotten or hatefully remembered?
• Would you rather have a missing finger or have an extra toe?

Purpose:  The aim of this exercise is to get students to introduce themselves and to initiate collaborative working relationships immediately. It emphasizes writing as a collaborative process that requires input and feedback from others. This exercise works well as an icebreaker in the first week or prior to the first peer workshop.

Description:  Students exchange ideas with each other to complete an informal writing assignment.

Suggested Time:  20 minutes

Procedure:  Ask every student to take out a loose piece of paper and write the letters of the alphabet vertically down the left side of the paper. Next, choose a topic; sometimes I ask students to suggest potential topics or I often simply choose “writing” as a way to start a discussion about it. When you’ve got a topic, give students only one or two minutes to write words they associate with the topic that start with every letter of the alphabet (i.e. for “writing”, A for “argument” etc). When the time limit is up, students will have incomplete alphabets. Next, ask your students to get up and introduce themselves to another student and trade with that person one missing word before moving on to someone else. After some time, students will eventually have completed their alphabets and met almost everyone in the class. Ask for a few volunteers to read their alphabet lists. At this point, I often talk about how writing is a collaborative endeavor and segue into an explanation of the peer workshop.

Purpose: T his icebreaker makes a great first day introduction, getting students interested in and excited about writing by exploring well-known TV voices and personally interesting topics.

Description:  All you need is a whiteboard, and your class will need paper and pen. This discussion and exercise gets students thinking about who they see in the media, and analyzing what makes those people/characters what they are by mimicking those elements unique to their TV “voice.”

Suggested Time:  15 – 20 minutes

Procedure:  Start out by asking the class if they like writing. You’ll probably get a roomful of “Noooos!” Ask them if they ever write on their own. Again, most will insist “Never!” Then, of course, exclaim “Excellent!” Throw them for a loop. Ask them if they ever email anybody, or use IM – isn’t this writing? This should cause a bit of a shift in classroom thought, so take the opportunity to have the students come-up with a topic – any topic – that they’ve been dealing with in their first days at FSU and that they might IM, email, or text about. You might write some on the board, and choose from among these, or get a group consensus on one topic. For example, if someone yells out, “Parking!” go with that.

Then ask the class to come-up with some different TV/Movie Personas to add to the board in another column: The Terminator, Paris Hilton, etc – you can throw in something off-the-wall, like Wylie Cayote. When you’ve got about 3 or so characters down, set the students to writing about their chosen situation at FSU from the perspective of EACH character, one at a time, in 2-4 minute shifts. Encourage them to write in the ‘voice’ of that character - how would that person/think talk, think and behave?

By the end of the exercise, the students should have 3 brief descriptions of a single situation in 3 different voices. Take some time to share a few, depending on the time that you have. Discuss how writing offers us the opportunity to explore our own, and various other voices, as well as those topics that are most important to us in ways that may be further-reaching than text, IM, or email.

Purpose of Exercise:  This exercise accompanies “In Case You Ever Want To Go Home Again” by Barbara Kingsolver (published in  On Writing ). It is designed to ask students to apply specific parts of the reading to their own lives and examine their experiences beyond surface-level.

Description:  This exercise engages students in conversation with one another about personal topics, but it allows them to do so without the risk involved in sharing “too much.” Sometimes students are shy to share in class because they don’t want to reveal too much of themselves; however, this exercise allows them to be personal while maintaining some distance. Kingsolver’s essay is an excellent starting point for personal engagement in the classroom, especially for first-year students who have just recently left their homes.

Suggested Time:  50 minutes

Procedure: Have the students read “In Case You Ever Want To Go Home Again” before class. In class, show the following quotes and writing prompts on the projector. Read through each quote and prompt as a class, and then give the students 15-20 minutes to think about and write a personal response to one of the quotes/prompts. Collect the papers and read some of the responses out loud anonymously. Use the student responses as the basis for a conversation about surface-level perceptions, the truth behind situations, and honesty.

Additional Information:  Below are the quotes and writing prompts:

  “It’s human, to want the world to see us as we think we ought to be seen” (Kingsolver 471). 

•   If the world could see you, your families, your memories as they authentically are on the inside, what would they see? Would this be different than the “you” shown on the outside?

“Imagine singing at the top of your lungs in the shower as you always do, then one day turning off the water and throwing back the curtain to see there in your bathroom a crowd of people, rapt, with videotape. I wanted to throw a towel over my head” (Kingsolver 472). 

•   If the world read your personal journal, what would it find? Would people be surprised? Embarrassed? Upset? Happy?

“I had written: ‘Pittman was 20 years behind the nation in practically every way you can think of except the rate of teenage pregnancies…we were the last place in the country to get the dial system. Up until 1973, you just picked up the receiver and said, Marge, get me my Uncle Roscoe…I’ve photographed my hometown in its undershirt” (Kingsolver 473).

•   What is the real description of your hometown? (Not the “Visitor’s Guide” description) What do only people who live in your hometown know about it? How do the insiders describe it? What does your hometown look like it its “undershirt?”

“I was a bookworm who never quite fit her clothes. I managed to look fine in my school pictures, but as usual the truth lay elsewhere” (Kingsolver 474). 

•   What is the truth behind your photographs? Choose one specific picture and tell us what people see and then the truth behind it.

“Before the book signing was over, more than one of my old schoolmates had sidled up and whispered: ‘That Lou Ann character, the insecure one? I know you based her on me” (Kingsolver 476). 

• Do we all have insecurities and uncertainties? Do we consider other people’s insecurities or just our own? Do we try to hide our insecurities from other people, and why or why not?

Learn Vocabulary

Learn English Vocabulary Through Pictures with 150 Topics

Vocabulary Exercises A1

English Vocabulary Exercises for A1 with Answers.

Vocabulary Exercises A2

English Vocabulary Exercises for A2 with Answers.

Vocabulary Exercises B1

English Vocabulary Exercises for B1 with Answers.

Vocabulary Exercises B2

English Vocabulary Exercises for B2 with Answers.

FULL Grammar Exercises

FULL English Grammar Exercises with Answers

Verbs and Tenses Exercises

English Verbs and Tenses Exercises with Answers and Explanations

Grammar Exercises A1

English Grammar Exercises for A1 with Answers

Grammar Exercises A2

English Grammar Exercises for A2 with Answers

Grammar Exercises B1

English Grammar Exercises for B1 with Answers

Grammar Exercises B2

English Grammar Exercises for B2 with Answers

Listening Exercises Beginner

English Listening Exercises for Beginner with Answers

Listening Exercises A1

English Listening Exercises for A1 with Answers

Listening Exercises A2

English Listening Exercises for A2 with Answers

Listening Exercises B1

English Listening Exercises for B1 with Answers

Listening Exercises B2

English Listening Exercises for B2 with Answers

Listening Tests A1

Practice Listening Tests for A1 with Answers & Transcripts

Listening Tests A2

Practice Listening Tests for A2 with Answers & Transcripts

Listening Tests B1

Practice Listening Tests for B1 with Answers & Transcripts

Listening Tests B2

Practice Listening Tests for B2 with Answers & Transcripts

Word Skills Exercises A1

English Word Skills Exercises for A1 with Answers

Word Skills Exercises A2

English Word Skills Exercises for A2 with Answers

Word Skills Exercises B1

English Word Skills Exercises for B1 with Answers

Word Skills Exercises B2

English Word Skills Exercises for B2 with Answers

Reading Exercises A1

English Reading Exercises for A1 with Answers

Reading ExercisesC A2

English Reading Exercises for A2 with Answers

Reading Exercises B1

English Reading Exercises for B1 with Answers

Reading Exercises B2

English Reading Exercises for B2 with Answers

Speaking Exercises A1

English Speaking Exercises for A1 with Answers

Speaking Exercises A2

English Speaking Exercises for A2 with Answers

Speaking Exercises B1

English Speaking Exercises for B1 with Answers

Speaking Exercises B2

English Speaking Exercises for B2 with Answers

Writing Exercises A1

English Writing Exercises for A1 with Answers

Writing Exercises A2

English Writing Exercises for A2 with Answers

Writing Exercises B1

English Writing Exercises for B1 with Answers

Writing Exercises B2

English Writing Exercises for B2 with Answers

Business Listening A1

Business English Listening Exercises for A1 with Answers

Business Listening A2

Business English Listening Exercises for A2 with Answers

Business Listening B1

Business English Listening Exercises for B1 with Answers

Article Level 1

Improve your ability to speak English

Article Level 2

Article level 3, article level 4, conversations.

Listening Practice Through Dictation with Transcripts

English Writing Exercises for B1 – A narrative

English Writing Exercises for B1

Preparation

1. read the task and the story below. in which paragraph (a-d) does the writer ….

1   set the scene?

2   describe the ending?

3   describe the lead-up to the main event?

4   describe the main event?

Write a story that involves a mobile phone.

About two months ago, I was having a coffee with my cousin at a café in town. We were talking about my eighteenth birthday party. Ellie mentioned a friend of mine, Tom, and asked if he was going to be there. ‘I haven’t seen him for months,’ I replied. ‘I’m not even sure that I’ve got his number.’ While we were chatting, I took out my phone and checked.

About two weeks later, it was the day of my party and I was getting everything ready. To my surprise, I had a call from Tom. Naturally, I told him about the party. ‘Why don’t you come along?’ I suggested. He accepted the invitation.

When Ellie arrived for the party, I told her what had happened. ‘It’s such a coincidence,’ I said to her. ‘I hadn’t spoken to Tom for months, but he phoned today. And he’s coming to the party!’ At the party that evening, Tom and Ellie got on really well together.

In the end, Tom explained what had happened. ‘You left a long message on my voicemail,’ he said. ‘You must have dialled my number by mistake when you were in the café. You were talking to Ellie about me. I heard everything!’

1 A  2 D   3 B   4 C

2. Put the time expressions in the correct groups. Tick the three that are in the story in exercise 1.

about two months ago      about two weeks later      after a while

eventually      in the end      one Saturday last month

A   non-specific time expressions for starting a narrative

      1 ……………………………….. ◻

      2 ……………………………….. ◻

B   expressions for ordering events

      3 ……………………………….. ◻

      4 ……………………………….. ◻

C   expressions for bringing the narrative to an end

     5 ……………………………….. ◻

     6 ……………………………….. ◻

1 about two months ago ✓   2 one Saturday last month

3 about two weeks later ✓   4 after a while   5 eventually

6 in the end ✓

Writing Strategy

1   You can make your narrative more interesting by using comment adverbs such as luckily, unfortunately, Thank goodness, etc.

2    When you are narrating events, use a variety of tenses such as past simple, past continuous, present perfect, past perfect, used to , etc.

3. Read the Writing Strategy. Then, in the story in exercise 1, find and underline:

1   three comment adverbs.

2   an example of a) the past simple, b) the past continuous and c) the past perfect.

1 to my surprise, naturally

2a mentioned, asked, replied, took, checked, was, had,

told, suggested, accepted, arrived, told, said, phoned,

got on, explained, left, were, heard

3b was having, were talking, were chatting, was getting

4c had happened, hadn’t spoken

4. Complete the sentences with the comment adverbs below.

luckily      sadly      suddenly      to my surprise      wisely

1   It was cold and cloudy, but …………………………….. there were lots of people on the beach.

2   I lost my wallet, but …………………………….. I found it again.

3   …………………………….. a car ran into us. I didn’t see it coming because it happened so quickly.

4   …………………………….. my grandmother is rather ill.

5   …………………………….. , Joe saves a little of his pocket money each week.

1 to my surprise   2 luckily   3 Suddenly   4 Sadly

Writing Guide

5. you are going to do the task in exercise 1. make notes below..

1   Set the scene ……………………………………..

2   Lead-up ……………………………………..

3   Main event ……………………………………..

4   Ending ……………………………………..

your own answers

6. Write your story using your notes from exercise 5.

Extra exercises.

Try to avoid repeating similar wording in different places in your text. You can do this by using reference words (e.g. it, this, both, them, neither ) to refer back to things that you have already mentioned.

1. Read the Strategy. Then rewrite 1-4 replacing the underlined words with the words below. Combine the sentences if necessary.

either      this       which      who

1   The Lion, the Witch and the Wardrobe is set in Narnia.

       Narnia is a fantasy world.

2   Some people say the film is funny and some say it’s clever.

      Personally, I didn’t think it was funny or clever .

3   The Life of Pi tells the story of a boy. He is the only survivor of a shipwreck.

4   At 3 hours and 40 minutes, the film is rather long, but the fact that the film is 3 hours and 40 minutes long didn’t spoil my overall enjoyment.

1   The Lion, the Witch and the Wardrobe is set in Narnia. This is a fantasy world.

2   Some people say the film is funny and some say it’s clever. Personally, I didn’t think it was either.

3   The Life of Pi tells the story of a boy who is the only survivor of a shipwreck.

4   At 3 hours and 40 minutes, this film is rather long, but this didn’t soil my overall enjoyment.

2. Read the task below and write the review.

Your teacher has asked you to write a review of a film or TV series for the school magazine. Write your review describing the film or TV series and saying what you liked and didn’t like about it.

–  Give your article a title and interesting introduction.

–  Describe the plot and characters.

–  Use an appropriate style.

Related Posts

• English Writing Exercises for B1 – A formal letter
• English Writing Exercises for B1 – Article: a film review
• English Writing Exercises for B1 – A for and against essay
• English Writing Exercises for B1 – An internet forum post
• English Writing Exercises for B1 – An email
• English Writing Exercises for B1 – An opinion essay

Submit a Comment Cancel reply

You must be logged in to post a comment.

Download World Class eBooks

Pin It on Pinterest

• Varsity Tutors
• K-5 Subjects
• Study Skills
• All AP Subjects
• AP Calculus
• AP Chemistry
• AP Computer Science
• AP Human Geography
• AP Macroeconomics
• AP Microeconomics
• AP Statistics
• AP US History
• AP World History
• All Business
• Business Calculus
• Microsoft Excel
• Supply Chain Management
• All Humanities
• Essay Editing
• All Languages
• Mandarin Chinese
• Portuguese Chinese
• Sign Language
• All Learning Differences
• Learning Disabilities
• Special Education
• College Math
• Common Core Math
• Elementary School Math
• High School Math
• Middle School Math
• Pre-Calculus
• Trigonometry
• All Science
• Organic Chemistry
• Physical Chemistry
• All Engineering
• Chemical Engineering
• Civil Engineering
• Computer Science
• Electrical Engineering
• Industrial Engineering
• Materials Science & Engineering
• Mechanical Engineering
• Thermodynamics
• Biostatistics
• College Essays
• High School
• College & Adult
• 1-on-1 Private Tutoring
• Online Tutoring
• Instant Tutoring
• Pricing Info
• All AP Exams
• ACT Tutoring
• ACT Reading
• ACT Science
• ACT Writing
• SAT Tutoring
• SAT Reading
• SAT Writing
• GRE Tutoring
• NCLEX Tutoring
• Real Estate License
• And more...
• StarCourses
• Beginners Coding
• Early Childhood
• For Schools Overview
• High-Dosage Tutoring
• Free 24/7 Tutoring & Classes
• Learning Outcomes
• About The Tutors
• Talk with Our Team
• Reviews & Testimonials
• Press & Media Coverage
• Tutor/Instructor Jobs
• Corporate Solutions
• About Nerdy
• Become a Tutor

• Book Reports
• Children’s Literature
• Interdisciplinary
• Just for Fun
• Literature (Prose)
• Professional Resources
• Reading/Literacy
• Shakespeare
• Study Guides
• Technology Integration
• Young Adult Literature

High School Narrative Writing Lesson plans and other teaching resources

| Elementary Narrative Writing | | Middle School Narrative Writing | |High School Narrative Writing|

10 Ways to Tell a Story An explanation of 10 different narrative viewpoints with examples.

15 Classified Ads We Hope Had Happy Endings Writing prompt: choose one of these historical ads and construct a narrative that supports it. Include characters, location, and other necessary details. (Teachers may wish to check the ads for appropriateness.)

20 Mystical Bridges That Will Take You To Another World Creative writing prompt: "I walked across the bridge and ..." The photographs of real bridges on this page are astonishingly beautiful. However, the page also carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.

27 Magical Paths Begging To Be Walked Photographs of beautiful paths all over the world, showing a variety of seasons and geography, just waiting to inspire a poem or serve as the setting for a short story. Note: this page carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.

500 Prompts for Narrative and Personal Writing Organized by category.

From Object to Story: Writing a Historical Narrative Featuring an Artifact from One's Family History Students share observations about the history of familial artifacts. They then research the history and cultural significance of selected objects to prepare their own historical narratives. Includes short reading as prewriting activity. Designed for grades 7-12.

Hands, Hands, Hands - Writing a Narrative Essay from the Perspective of a Particular Hand The teacher will show pictures of six hands to students (pictures included with other handouts). After a brainstorming session, students will choose one hand that illustrates a particular story from their life. Then students will write a two page narrative essay about this story. These stories will be posted on a class blog to allow for feedback and discussion from classmates. Designed for grades 7-10.

In Search Of Wisdom: An Interview With An Elder Students develop interview questions, interview someone aged 60 or older, and write a narrative using that person's voice. Designed for grades 6-12.

Incorporating Flashbacks in Narrative Text — The Sinking of the U.S.S. Indianapolis Students watch a 2:25 video segment that shows an interview with one of the survivors of the U.S.S. Indianapolis who recalls the sinking of the ship and his survival. Students then create an original narrative that utilizes flashback to tell the survivor's story. This lesson is designed for grades 6-12 and includes links to the downloadable video and all support materials.

Little Red Riding Hood Little Red Riding Hood is now part of an elite group of fairy tale crime scene investigators. You remember Humpty Dumpty? He didn't fall. He was pushed. Or so it seemed at first. This idea will work on multiple grade levels.

Narrative, Argumentative and Informative Writing About Baseball Students compose a one- or two-paragraph scene in which a valuable signed baseball is destroyed. The narrative task is the first of four prompts here. Common Core Standards indicated. Don't miss the extension activity, a video of Abbott and Costello's "Who's on First?" Grades 6-12.

Prewriting Exercises for Personal Narratives Ten activities for personal narrative writing, grades 7-12.

Ten Narrative Writing Prompts Prompts based on student life experiences for high school and college students.

Using Personal Photographs to Spark Narrative Writing The lesson plan asks students to bring in a photograph that has special meaning for them and to write about it. This will work on multiple grade levels.

• Skip to primary navigation
• Skip to main content
• Skip to primary sidebar

Teaching Expertise

• Classroom Ideas
• Teacher’s Life
• Deals & Shopping
• Privacy Policy

20 Inspiring Narrative Writing Activities

February 9, 2023 //  by  Seda Unlucay

Help kids unleash their imagination and explore the world of storytelling with these twenty narrative writing ideas! From exciting adventures to heartfelt moments, these prompts will inspire them to create captivating and imaginative tales that will keep their readers engaged from start to finish. Whether they want to explore the fantastical or delve into real-life situations, these ideas are sure to spark their creativity and get their stories off the ground. 

1. Master the Craft of Storytelling with Short Stories

Explore the power of using graphic organizers to plan and develop a short story. The focus of this lesson is on using clear and concise language to effectively communicate ideas.  

Learn More: Apples and Bananas Education

2. Story Writing for Elementary Students

These colorful picture prompts provide a starting point for a captivating story filled with vivid descriptions and rich characters. It’s an opportunity to weave a tale that transports readers to a different world, where they can experience the thrill of adventure and the depth of emotions. 

Learn More: Raise The Bar Reading

3. Support Student Understanding with Drawings 

Drawing pictures to tell a story allows children to use their imagination and creativity to bring the story to life while improving their literacy skills and building their confidence. 

Learn More: Keeping My Kiddo Busy

4. Journal Writing for Reluctant Writers

Even reluctant writers are sure to enjoy keeping a diary by writing from the perspective of their favorite animal. Invite kids to grab their notebooks and let their imagination run wild as they become a lion, dolphin, or even a butterfly for the day!

Learn More: That Teaching Spark

5. Review Elements of Narrative Writing with a Video

This beautifully animated video features Tim and Moby who walk kids through the process of building a story by including details about their childhood, their family, and their hobbies.

Learn More: Brain Pop

6. How to Tell Memorable Stories

This Powerpoint presentation teaches kids about narrative writing through colorful slides, interactive activities, and clear explanations. It covers key elements of storytelling such as character, setting, plot, and resolution, as well as tips for avoiding common mistakes and improving their writing. 

Learn More: Twinkl

7. Self-Assessment for Components of Narrative Writing

This self-assessment for narrative writing allows students to reflect on their own work and evaluate their skills in areas such as plot development, character development, use of descriptive language, and overall coherence.

8. Once Upon a Picture 

This collection of lovingly curated pictures is sure to evoke emotions and stimulate imagination, helping kids create vivid and detailed narratives. They provide a visual reference point for setting, characters, and events, and can suggest themes, motives, and even plot twists! 

Learn More: Once Upon A Picture

9. Read Mentor Texts That Bring Characters to Life

Reading narrative writing mentor texts helps in improving writing skills, gaining inspiration and creative ideas, learning different writing techniques, understanding the narrative structure and character development, and enhancing vocabulary and syntax. By reading the works of successful authors, students can get a deeper insight into the writing process and develop their own unique voice.

Learn More: Mrs. Winter’s Bliss

10. Use an Anchor Chart to Build Daily Writing Habits

The benefits of using a narrative writing anchor chart include providing clear writing expectations while helping students understand the structure of a story. Additionally, they can serve as a visual reference for students to refer to during the writing process.

11. Descriptive Writing Activity

Sensory detail-based narrative writing help bring the setting, characters, and events to life, making the story more engaging and memorable. This activity can also help develop emotional intelligence and empathy, as it encourages the writer to think about how the world feels about their characters. 

12. Create Complex Characters

These character traits writing task cards are educational tools designed to help students identify and describe the personality traits of fictional characters. The cards provide prompts and writing exercises to guide students as they analyze the actions, thoughts, and behaviors of characters in a story. 

Learn More: Teachers Pay Teachers

13. Roll and Write

Start by giving each child a piece of paper and a dice. Based on the number they roll, they are given a setting, character, or plot element to incorporate into their story. Why not have kids share their stories with the group, encouraging them to listen and appreciate each other’s creative expression?

14. Fold a Story

FoldingStory is a free online game where students write one line of a story and pass it on. They will be delighted to see how their simple idea turns into a wild tale! 

Learn More: Folding Story

15. Writer’s Notebook Bingo Cards

These writer’s notebook Bingo cards feature different prompts and ideas related to narrative writing, such as “Show, don’t Tell”, “Vivid Description”, “Point of View”, and more. Students will not only enjoy playing Bingo but learn how to apply these writing techniques to their own stories. 

Learn More: Corbett Harrison

16. Try an Online Visual Story

With Storybird, students can choose from a diverse collection of art to create their own unique stories. Each illustration is carefully selected to evoke emotion, spark imagination, and inspire creativity. The platform is user-friendly and intuitive, allowing anyone to easily create stories in minutes, without any prior experience.

Learn More: Story Bird

17. Try Story Cubes

Rory’s Story Cubes is an engaging game where players roll dice with symbols on them and use the symbols to come up with imaginative stories that they can write down or share aloud. It’s suitable for children of all ages and can be played solo or with friends.

Learn More: Story Cubes

18. Explore the Elements of Narrative Writing 

In this lesson, students will learn to develop characters, settings, and plots while using descriptive language and sensory details. By using a story map, students can see the structure of a story and learn to build tension, conflict, and resolution.

Learn More: Read Write Think

19. Focus on Character and Dialogue

For this hands-on sorting activity, students are given a set of jumbled words and asked to sort them into meaningful sentences to create effective narrative dialogue. 

Learn More: The Teacher Studio

20. Narrative Writing Pyramid

After reading a story, students can use this Narrative Pyramid to organize the characters, setting, and events. This activity helps to provide a clear understanding of the story’s structure and how the elements fit together to form a compelling tale. 

9 Minecraft Language Arts Activities for Kids

Do video games and language arts go together? They do when you try these Minecraft language arts activities!

Using Minecraft for Language Arts

Minecraft is a video game where players navigate a virtual world.

You can travel the world through Minecraft (it has every major biome).

You can build your own homes, cities, and landmarks.

The players can interact with one another.

You can develop your own character and make up backstories for the non-playing characters (NPCs) you meet.

Try some of these Minecraft language arts activities to get your students writing!

This article contains affiliate links to things that you might like.

9 Minecraft Language Arts Activities

Many of these Minecraft language arts activities work well as writing prompts.

Creative Writing Challenges

Prompt students to create stories inspired by in-game scenes.

Navigate the various biomes to create imaginative settings.

Build specific places within Minecraft to house the action of the story. Consider making a sunken ship, a castle, a farm, or an underground fortress.

Poetry Composition

Minecraft is an excellent prompt for stories but can also prompt poems.

Write a story poem about the action in your Minecraft world. (This can be as basic as “The Three Little Kittens” or as complicated as a scene from The Odyssey !)

You can also write a poem based on a theme within the game: survival, exploration, creativity, beauty of nature, etc.

The poems don’t have to rhyme. Here is an example:

The intrepid explorer persists

Beneath the blocks of dirt.

What treasures lie below?

Tiny rivers of copper,

Fistfulls of diamonds,

And the rarest of rare-

Glittering, green emeralds

Character Development Exercises

Create your own character. Go beyond just choosing your skin.

Think about who your character is. What is their name? Where are they from? Why are they in this place?

What do they want or need? What obstacles do they encounter? How will they overcome those obstacles?

Journaling in Minecraft Worlds

Keep a digital journal of adventures, thoughts, and reflections as you play the game.

You can use a simple word processing program to journal free-form.

Or you can respond to prompts for the day.

For example, “What are three adjectives that describe your location? Use them in a sentence.”

Here are some other ideas:

“What problem is your character experiencing?” or “What is your character doing?”

“Consider what your character might feel as they navigate this situation.”

“What might they say to other characters in the game?”

Descriptive Writing Practice

Minecraft has a variety of biomes and settings. You can find even more using Minecraft Education ( like this one set in Florence ).

Describe in-game landscapes, structures, and environments using vivid language.

Prompt students to use language that evokes the five senses.

What does the place look like? What sounds do you hear? Is it the city or the country?

What aromas do you smell?

Look around. What textures do you notice?

Narrative Building

Because your player can interact with their environment, other players, and NPCs (non-playing characters), you can construct a plot line.

Outline a sequential story from your gameplay and turn it into a story.

Dialogue Creation

Writing dialogues between characters or NPCs encountered in Minecraft.

You can write this as traditional dialogue (using quotation marks), or you can write it in play format.

You can even write a play for others to perform in Minecraft!

Letter Writing Campaigns

Practice friendly letter writing and pen letters from your player to others.

(This is not in-game messaging but actual letter writing.)

You can write to in-game characters (only those you know and trust in real life) or pen pals who also play the game.

Minecraft Storytelling Podcasts

Practice the skill of composition without writing something down!

Record audio narratives of in-game experiences to practice telling a story in sequence, using descriptive language, and crafting dialogue.

Try using the perspective of your player. For example, “I am walking through the orchard of cherry trees when I spot…”

Minecraft Language Arts Activities

Minecraft provides the necessary spark of creativity that will get your kids writing.

Use Minecraft to develop language arts skills with these nine language arts activities.

You May Also Like:

• Stormy Night Parts of Speech Virtual Escape Room
• 50+ Things You Should Do When Homeschooling
• Minecraft: Education Edition

The post 9 Minecraft Language Arts Activities for Kids appeared first on Mama Teaches .